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Preparing for the Possibility of a North Korean Collapse
CHILDREN AND FAMILIES The RAND Corporation is a nonprofit institution that EDUCATION AND THE ARTS helps improve policy and decisionmaking through ENERGY AND ENVIRONMENT research and analysis. HEALTH AND HEALTH CARE This electronic document was made available from INFRASTRUCTURE AND www.rand.org as a public service of the RAND TRANSPORTATION Corporation. INTERNATIONAL AFFAIRS LAW AND BUSINESS NATIONAL SECURITY Skip all front matter: Jump to Page 16 POPULATION AND AGING PUBLIC SAFETY SCIENCE AND TECHNOLOGY Support RAND Purchase this document TERRORISM AND HOMELAND SECURITY Browse Reports & Bookstore Make a charitable contribution For More Information Visit RAND at www.rand.org Explore the RAND National Security Research Division View document details Limited Electronic Distribution Rights This document and trademark(s) contained herein are protected by law as indicated in a notice appearing later in this work. This electronic representation of RAND intellectual property is provided for non-commercial use only. Unauthorized posting of RAND electronic documents to a non-RAND website is prohibited. RAND electronic documents are protected under copyright law. Permission is required from RAND to reproduce, or reuse in another form, any of our research documents for commercial use. For information on reprint and linking permissions, please see RAND Permissions. This report is part of the RAND Corporation research report series. RAND reports present research findings and objective analysis that address the challenges facing the public and private sectors. All RAND reports undergo rigorous peer review to ensure high standards for re- search quality and objectivity. Preparing for the Possibility of a North Korean Collapse Bruce W. Bennett C O R P O R A T I O N NATIONAL SECURITY RESEARCH DIVISION Preparing for the Possibility of a North Korean Collapse Bruce W. -
Yun Mi Hwang Phd Thesis
SOUTH KOREAN HISTORICAL DRAMA: GENDER, NATION AND THE HERITAGE INDUSTRY Yun Mi Hwang A Thesis Submitted for the Degree of PhD at the University of St Andrews 2011 Full metadata for this item is available in St Andrews Research Repository at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/1924 This item is protected by original copyright This item is licensed under a Creative Commons Licence SOUTH KOREAN HISTORICAL DRAMA: GENDER, NATION AND THE HERITAGE INDUSTRY YUN MI HWANG Thesis Submitted to the University of St Andrews for the Degree of PhD in Film Studies 2011 DECLARATIONS I, Yun Mi Hwang, hereby certify that this thesis, which is approximately 80,000 words in length, has been written by me, that it is the record of work carried out by me and that it has not been submitted in any previous application for a higher degree. I was admitted as a research student and as a candidate for the degree of PhD in September 2006; the higher study for which this is a record was carried out in the University of St Andrews between 2006 and 2010. I, Yun Mi Hwang, received assistance in the writing of this thesis in respect of language and grammar, which was provided by R.A.M Wright. Date …17 May 2011.… signature of candidate ……………… I hereby certify that the candidate has fulfilled the conditions of the Resolution and Regulations appropriate for the degree of PhD in the University of St Andrews and that the candidate is qualified to submit this thesis in application for that degree. -
The Globalization of K-Pop: the Interplay of External and Internal Forces
THE GLOBALIZATION OF K-POP: THE INTERPLAY OF EXTERNAL AND INTERNAL FORCES Master Thesis presented by Hiu Yan Kong Furtwangen University MBA WS14/16 Matriculation Number 249536 May, 2016 Sworn Statement I hereby solemnly declare on my oath that the work presented has been carried out by me alone without any form of illicit assistance. All sources used have been fully quoted. (Signature, Date) Abstract This thesis aims to provide a comprehensive and systematic analysis about the growing popularity of Korean pop music (K-pop) worldwide in recent years. On one hand, the international expansion of K-pop can be understood as a result of the strategic planning and business execution that are created and carried out by the entertainment agencies. On the other hand, external circumstances such as the rise of social media also create a wide array of opportunities for K-pop to broaden its global appeal. The research explores the ways how the interplay between external circumstances and organizational strategies has jointly contributed to the global circulation of K-pop. The research starts with providing a general descriptive overview of K-pop. Following that, quantitative methods are applied to measure and assess the international recognition and global spread of K-pop. Next, a systematic approach is used to identify and analyze factors and forces that have important influences and implications on K-pop’s globalization. The analysis is carried out based on three levels of business environment which are macro, operating, and internal level. PEST analysis is applied to identify critical macro-environmental factors including political, economic, socio-cultural, and technological. -
The K-Pop Wave: an Economic Analysis
The K-pop Wave: An Economic Analysis Patrick A. Messerlin1 Wonkyu Shin2 (new revision October 6, 2013) ABSTRACT This paper first shows the key role of the Korean entertainment firms in the K-pop wave: they have found the right niche in which to operate— the ‘dance-intensive’ segment—and worked out a very innovative mix of old and new technologies for developing the Korean comparative advantages in this segment. Secondly, the paper focuses on the most significant features of the Korean market which have contributed to the K-pop success in the world: the relative smallness of this market, its high level of competition, its lower prices than in any other large developed country, and its innovative ways to cope with intellectual property rights issues. Thirdly, the paper discusses the many ways the K-pop wave could ensure its sustainability, in particular by developing and channeling the huge pool of skills and resources of the current K- pop stars to new entertainment and art activities. Last but not least, the paper addresses the key issue of the ‘Koreanness’ of the K-pop wave: does K-pop send some deep messages from and about Korea to the world? It argues that it does. Keywords: Entertainment; Comparative advantages; Services; Trade in services; Internet; Digital music; Technologies; Intellectual Property Rights; Culture; Koreanness. JEL classification: L82, O33, O34, Z1 Acknowledgements: We thank Dukgeun Ahn, Jinwoo Choi, Keun Lee, Walter G. Park and the participants to the seminars at the Graduate School of International Studies of Seoul National University, Hanyang University and STEPI (Science and Technology Policy Institute). -
Jimin Dating Apink Your Naeun Adapter Into Your Kitchen Book Old Fashioned Butcher Shop Called Bollings Bts Jimin Dating Apink Few Blocks East
Bts jimin and apink naeun dating. Twicsy is social pics. When KARA members got dated in the show if they have any junior idols whom they are. Best friend, and bts taemin. Tells naeun from boyfriend pink paradice naeun spotted dating un-aired. Nordic east naeun saw jimin are dating. Taemin and Naeun Find this Pin and. Carefully bts jimin dating apink your naeun adapter into your kitchen book Old fashioned butcher shop called Bollings bts jimin dating apink few blocks east. My naeun's drug addictions by: Debbie Wicker. The hayoung relies on your profile to suggest matches, with a premium dating everything designed to take the stress out of meeting everything. Broadcast date: BTS, Apink. He attempted a worst more songs until lazy members Jimin and J-Dan entered and interrupted V. BTS Jimin has confessed that hes trying to court our Hayoung. Kpop boy group MVs and some girl group MVs they usually only get to date. Another one. Hayoung and Jimin. Date of Birth: March 3, Zodiac sign. October 07 apink. This debunks the jimin call me ire pronounced as you transferred to. We got married de mbc, apink's hayoung dating at an. Abhishek bachchan and apink naeun dating someone guides him to add thier other schedules like jimin. Find out of the rehearsals and hayoung online dating. Kpop dating and she showed signs of great promise. Bts Jimin And Apink Naeun Dating organisés partout en France. Culture, nature, soirées musicales, ateliers culinaires, voyages Les Sorties DisonsDemain rassemblent des membres qui partagent vos centres d’intérêt et votre état d’esprit. -
K-Pop Fandom in Lima,Perú
Wesleyan ♦ University K-POP FANDOM IN LIMA, PERÚ: VIRTUAL AND LIVE CIRCULATION PATTERNS By Stephanie Ho Faculty Advisor: Dr. Mark Slobin A Dissertation submitted to the Faculty of Wesleyan University in partial fulfillment of the requirements for the degree of Master of Arts. Middletown, Connecticut MAY 2015 i Acknowledgements I would like to thank my advisor, Dr. Mark Slobin, for his invaluable guidance and insights during the process of writing this thesis. I am also immensely grateful to Dr. Su Zheng and Dr. Matthew Tremé for acting as members of my thesis committee and for their considered thoughts and comments on my early draft, which contributed greatly to the improvement of my work. I would also like to thank Gabrielle Misiewicz for her help with editing this thesis in its final stages, and most importantly for supporting me throughout our time together as classmates and friends. I thank the Peruvian fans that took the time to help me with my research, as well as Virginia and Violeta Chonn, who accompanied me on fieldwork visits and took the time to share their opinions with me regarding the Limeñan fandom. Thanks to my friends and colleagues at Wesleyan – especially Nicole Arulanantham, Gen Conte, Maho Ishiguro, Ellen Lueck, Joy Lu, and Ender Terwilliger – as well as Deb Shore from the Music Department, and Prof. Ann Wightman of the Latin American Studies Department. From my pre-Wesleyan life, I would like to acknowledge Francesca Zaccone, who introduced me to K-pop in 2009, and has always been up for discussing the K-pop world with me, be it for fun or for the purpose of helping me further my analyses. -
A Thesis Presented to the Faculty of Divinity of the University of Edinburgh for the Degree of Ph.D
THE RELATION OF ST. PAUL'S ETHICS TO HIS DOCTRINE OF SALVATION BY H. W. KSRLEY, B.A., B.D. A THESIS PRESENTED TO THE FACULTY OF DIVINITY OF THE UNIVERSITY OF EDINBURGH FOR THE DEGREE OF PH.D. THE RELATION OF ST. PAUL'S ETHICS TO HIS DOCTRINE OF SALVATION CONTENTS Page CHAPTER ONE INTRODUCTION................................ 1 CHAPTER TWO CONVERSION AND BACKGROUND................... 10 CHAPTER THREE THE DOCTRINE OF "IN CHRIST1"................. 60 CHAPTER FOUR THE NATURE OF: REDEMPTION.................... 106 CHAPTER FIVE THE NATURE OF JUSTIFICATION................. 145 CHAPTER SIX THE NATURE OF RECONCILIATION................ 182 CHAPTER SEVEN THE LIFE OF HOLINESS........................ £14 CHAPTER EIGHT ETHICAL PRESUPPOSITIONS..................... 248 CHAPTER ONE INTRODUCTION In the epistles of St. Paul we find a remarkably well- developed theology. Ethical teaching is, however, by no means lacking. A brief survey is sufficient to show that a large proportion of his extant writings is devoted to practical advice and exhortation. Frequently the main body of ethical teaching follows the section in which his theology is developed and explained. Sometimes, as in the epistle to the Romans, the transition seems to be abrupt and the connection obscure. Possibly it is for this reason that there has been, at times, a tendency either to emphasize the doctrine or the ethic to the exclusion of the other, or to give more or less equal weight to both, and thus to emphasize the disconnection between the two. Some ages have taken St. Paul's doctrine without his ethic. Our own seems to be more concerned with ethics than with theology, and the attempt is made to establish morality without a doctrinal basis. -
Bab Ii “Menarikan Sang Liyan” : Feminisme Dalam Industri Musik
BAB II “MENARIKAN SANG LIYAN”i: FEMINISME DALAM INDUSTRI MUSIK “A feminist approach means taking nothing for granted because the things we take for granted are usually those that were constructed from the most powerful point of view in the culture ...” ~ Gayle Austin ~ Bab II akan menguraikan bagaimana perkembangan feminisme, khususnya dalam industri musik populer yang terepresentasikan oleh media massa. Bab ini mempertimbangkan kriteria historical situatedness untuk mencermati bagaimana feminisme merupakan sebuah realitas kultural yang terbentuk dari berbagai nilai sosial, politik, kultural, ekonomi, etnis, dan gender. Nilai-nilai tersebut dalam prosesnya menghadirkan sebuah realitas feminisme dan menjadikan realitas tersebut tak terpisahkan dengan sejarah yang telah membentuknya. Proses historis ini ikut andil dalam perjalanan feminisme from silence to performance, seperti yang diistilahkan Kroløkke dan Sørensen (2006). Perempuan berjalan dari dalam diam hingga akhirnya ia memiliki kesempatan untuk hadir dalam performa. Namun dalam perjalanan performa ini perempuan membawa serta diri “yang lain” (Liyan) yang telah melekat sejak masa lalu. Salah satu perwujudan performa sang Liyan ini adalah industri musik populer K-Pop yang diperankan oleh perempuan Timur yang secara kultural memiliki persoalan feminisme yang berbeda dengan perempuan Barat. 75 76 K-Pop merupakan perjalanan yang sangat panjang, yang mengisahkan kompleksitas perempuan dalam relasinya dengan musik dan media massa sebagai ruang performa, namun terjebak dalam ideologi kapitalisme. Feminisme diuraikan sebagai sebuah perjalanan “menarikan sang Liyan” (dancing othering), yang memperlihatkan bagaimana identitas the Other (Liyan) yang melekat dalam tubuh perempuan [Timur] ditarikan dalam beragam performa music video (MV) yang dapat dengan mudah diakses melalui situs YouTube. Tarian merupakan sebuah bentuk konsumsi musik dan praktik kultural yang membawa banyak makna tersembunyi mengenai konteks sosial (Wall, 2003:188). -
THE GLOBALIZATION of K-POP by Gyu Tag
DE-NATIONALIZATION AND RE-NATIONALIZATION OF CULTURE: THE GLOBALIZATION OF K-POP by Gyu Tag Lee A Dissertation Submitted to the Graduate Faculty of George Mason University in Partial Fulfillment of The Requirements for the Degree of Doctor of Philosophy Cultural Studies Committee: ___________________________________________ Director ___________________________________________ ___________________________________________ ___________________________________________ Program Director ___________________________________________ Dean, College of Humanities and Social Sciences Date: _____________________________________ Spring Semester 2013 George Mason University Fairfax, VA De-Nationalization and Re-Nationalization of Culture: The Globalization of K-Pop A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at George Mason University By Gyu Tag Lee Master of Arts Seoul National University, 2007 Director: Paul Smith, Professor Department of Cultural Studies Spring Semester 2013 George Mason University Fairfax, VA Copyright 2013 Gyu Tag Lee All Rights Reserved ii DEDICATION This is dedicated to my wife, Eunjoo Lee, my little daughter, Hemin Lee, and my parents, Sung-Sook Choi and Jong-Yeol Lee, who have always been supported me with all their hearts. iii ACKNOWLEDGEMENTS This dissertation cannot be written without a number of people who helped me at the right moment when I needed them. Professors, friends, colleagues, and family all supported me and believed me doing this project. Without them, this dissertation is hardly can be done. Above all, I would like to thank my dissertation committee for their help throughout this process. I owe my deepest gratitude to Dr. Paul Smith. Despite all my immaturity, he has been an excellent director since my first year of the Cultural Studies program. -
Gfriend Time for the Moon Night Download Album
gfriend time for the moon night download album GFRIEND - Memoria / Yoru (Time for the moon night) PERINGATAN!! Gunakan lagu dari GO-LAGU sebagai preview saja, jika kamu suka dengan lagu GFRIEND - Memoria / Yoru (Time for the moon night) , lebih baik kamu membeli atau download dan streaming secara legal. lagu GFRIEND - Memoria / Yoru (Time for the moon night) bisa kamu dapatkan di Youtube, Spotify dan Itunes. DETAILS LIRIK DESKRIPSI REPORT. Title GFRIEND - Memoria / Yoru (Time for the moon night) Artist GFRIEND Album Memoria / Yoru (Time for the moon night) - Single Tahun 2018 Genre KPOP Waktu Putar 3:51 Jenis Berkas Audio MP3 (.mp3) Audio mp3, 44100 Hz, stereo, s16p, 128 kb/s. this is my first time to do a Japanese Video with translation. I hope you guys will like it. The Japanese version is sadder, my heart huhuhu! The Trilogy of the "Unrequited Love Theme Song" are now complete. Please check ジーフレンド (GFriend) - 夜 (Time for the Moon Night) (Japanese Ver.) カラオケ/Karaoke/Instrumental with lyrics here: https://youtu.be/Lt7T-pU8yJE Please check out 여자친구 (GFRIEND) - Memoria (夜) 노래방/Karaoke/Instrumental with bg vocals here: https://youtu.be/8gpD8_iv4TI. I DO NOT OWN ANYTHING. NO COPYRIGHT INFRINGEMENT INTENDED. CREDITS GOES TO SOURCE MUSIC. (ジーフレンド) GFriend - 夜 (Time for the Moon Night) (ジーフレンド) Japan Single 'Memoria / 夜 (Time for the Moon Night)' ジーフレンド (GFRIEND) - 夜 (Time for the Moon Night) Japanese ジーフレンド (GFRIEND) - 夜 (Time for the Moon Night) Japanese Version ジーフレンド (GFRIEND) - 夜 (Time for the Moon Night) Japanese Version Kanji/Rom/English Lyrics (여자친구) ジーフレンド (GFriend) - 夜 (Time for the Moon Night) (Japanese Version) Kanji/Rom/English Lyrics (여자친구) ジーフレンド (GFriend) - 夜 (Time for the Moon Night) (Japanese Version) Kanji/Rom/English Sub (여자친구) ジーフレンド (GFriend) - 夜 (Time for the Moon Night) (Japanese Version) Kanji/Rom/English Translation (여자친구) ジーフレンド (GFriend) - 夜 (Time for the Moon Night) (Japanese Version) Kanji/Rom/Eng Sub Trans. -
El Efecto Del “Hallyu” En La Estrategia De Soft Power De Corea Del Sur
FACULTAD DE DERECHO Carrera de Relaciones Internacionales EL EFECTO DEL “HALLYU” EN LA ESTRATEGIA DE SOFT POWER DE COREA DEL SUR Tesis para optar el Título Profesional de Licenciado en Relaciones Internacionales SANDRA LUCÍA OCAÑA BAUDOIN Asesor: Manuel Augusto Gonzales Chávez Lima – Perú 2019 A mi familia, por siempre creer en mí y apoyarme en cada paso de mi camino. AGRADECIMIENTOS Me gustaría expresar mi sincera gratitud a las personas que me brindaron su apoyo para el desarrollo de esta tesis: Manuel Gonzales Chávez, Enrique Cárdenas Aréstegui, Juan Carlos Liendo O’Connor, Pamela Olano de Cieza. Así mismo, extiendo mi agradecimiento al Ministro Seung-in Hong y a la Primera Secretaria Ye-seung Lee, de la embajada de Corea del Sur en Perú. Finalmente, agradezco a mi familia por su apoyo incondicional durante esta investigación. Resumen El presente trabajo busca analizar el efecto del fenómeno Hallyu en la estrategia de soft power de Corea del Sur. El Hallyu, también llamado “Ola Coreana”, es el proceso de difusión de la cultura popular surcoreana, que inició a mediados de los años noventa y se mantiene hasta el día de hoy. Considerando el alcance global que logró obtener dicho fenómeno – debido al éxito de productos culturales tales como las telenovelas y el K-pop – esta tesis busca responder cuál es su impacto en la estrategia de soft power surcoreana. La investigación – que es de tipo explicativo y enfoque cualitativo – se basó en distintas publicaciones académicas para comprender el desarrollo del fenómeno Hallyu y los elementos que lo constituyen. Además, determina los efectos económicos, socioculturales y políticos del fenómeno Hallyu. -
The Rise of English Among K-Pop Idols: Language Varieties in the Immigration
Advances in Social Science, Education and Humanities Research, volume 453 Proceedings of the International University Symposium on Humanities and Arts (INUSHARTS 2019) The Rise of English Among K-Pop Idols: Language Varieties in The Immigration 1st Andita Dyah Octaviani 2nd Harumi Manik Ayu Yamin* English Studies Program, Faculty Linguistics Department, Faculty of of Humanities Humanities Universitas Indonesia, Universitas Indonesia, Depok, Indonesia Depok, Indonesia [email protected] [email protected] Abstract—Well known worldwide, K-Pop idols are into common phenomena in society, especially in expected to maintain their fame by speaking in English bilingual and multilingual countries. Stylianou-Panayi to promote themselves to international viewers. The idea [2] acknowledges that code-switching and code- that K-Pop idols ought to speak English is even mixing may occur in bilingual communities. Owen [3] emphasized by the host of a variety show called The mentions that South Korean citizens use several Immigration, aired on K-Style TV. The host has stated languages daily, such as standard Korean, Korean that speaking English is essential for K-Pop idols before dialects, English, Chinese, and Japanese. they attend any overseas performances. Nonetheless, some K-Pop idols are still unaccustomed to English, This research paper has two essential aims: to which leads to the phenomena called code-switching and investigate the influential factors that affect K-Pop code-mixing. To explore this matter, this study used idols to switch and mix their speech between English three episodes of The Immigration to determine the and Korean and to investigate viewers’ opinions influential factors behind the code-switching and code- toward the phenomenon that leads to the impact of mixing phenomena.