Colorado Journal of Asian Studies, Volume 5, Issue 1
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Kustodian Ion Lane Machines Edition 4:12
OPERATORS MANUAL FOR KUSTODIAN ION LANE MACHINES EDITION 4:12 KEGEL LLC. 1951 Longleaf Blvd. Lake Wales, FL 33859 863-734-0200 / 800-280-2695 WARRANTY KEGEL warrants that lane machines and replacement parts will be manufactured free from defects in material and workmanship under normal use and service. Except as stated below, KEGEL shall repair or replace, at its factory or authorized service station, any lane machine or replacement part (“Warranty Item”) which, within ONE YEAR after the date of installation by an authorized KEGEL Distributor, has been determined to be defective upon examination by KEGEL. In no event shall the Warranty coverage be more than twenty-four (24) months from the date of shipment from KEGEL’s factory. In the contiguous United States, the bowling center or end-user will be responsible for requesting Warranty Items from KEGEL and must return Warranty Items directly to KEGEL, following the required procedures. KEGEL will pay reasonable freight charges to deliver and receive Warranty Items from the bowling center. KEGEL will not be responsible for any “expedited” shipping charges. Customer will be invoiced for Warranty Items that are not promptly returned per the required procedures. Outside the contiguous United States, the bowling center or end-user will be responsible for requesting Warranty Items from the DISTRIBUTOR and must return Warranty Items directly to the DISTRIBUTOR, following the required procedures. KEGEL will compensate the DISTRIBUTOR for reasonable freight charges to deliver and receive the Warranty Items from bowling center and to return them to KEGEL. Under no circumstances will KEGEL be responsible for any “expedited” shipping charges or taxes and duties. -
Boonshoft Museum of Discovery • Dayton, OH
THIS IS THE HOUSE ROCK BUILT We’re not your typical creative agency. We’re an idea collective. A house of thought and execution. We’re a grab bag of innovators, illustrators, designers and rockstars who are always in pursuit of the big idea! Our building, which was one of the last record stores in America, serves as a playground for our creative minds to frolic and thrive. This is not a design firm. It’s something new and forward-thinking. It’s about going beyond design and messaging. It’s about forging game-changing ideas and harvesting epic results. It’s about YOU. Welcome to U! Creative. U! Creative, Inc Key Contact: (dba: Destination2, The Social Farm) Ron Campbell - President 72 S. Main St. Miamisburg, OH 45342 P: 937.247.2999 Ext. 103 | C: 937.271.2846 P: 937.247.2999 | www.ucreate.us [email protected] UCreative U_Creative in/roncampbell7 U_Creative UCreativeTV That’s because our focus at U! goes beyond providing out-of-the-box thinking. Beyond strategic planning. Beyond creating hard-hitting messaging, engaging design or captivating imagery. Even beyond moving the needle. WE’RE NOT YOUR First and foremost, U! is about building relationships. It’s about unity. It’s about strong ideas and ideals converging. It’s about staying focused on the point of view, needs and desires of others. Because when you get that right, all the rest naturally follows. TYPICAL AGENCY Turn the page and see for yourself. © 2019 U! Creative, Inc. THEthe company COMPANY U! keep U! KEEP © 2019 U! Creative, Inc. -
Animals and Morality Tales in Hayashi Razan's Kaidan Zensho
University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses Dissertations and Theses March 2015 The Unnatural World: Animals and Morality Tales in Hayashi Razan's Kaidan Zensho Eric Fischbach University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/masters_theses_2 Part of the Chinese Studies Commons, Japanese Studies Commons, and the Translation Studies Commons Recommended Citation Fischbach, Eric, "The Unnatural World: Animals and Morality Tales in Hayashi Razan's Kaidan Zensho" (2015). Masters Theses. 146. https://doi.org/10.7275/6499369 https://scholarworks.umass.edu/masters_theses_2/146 This Open Access Thesis is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. THE UNNATURAL WORLD: ANIMALS AND MORALITY TALES IN HAYASHI RAZAN’S KAIDAN ZENSHO A Thesis Presented by ERIC D. FISCHBACH Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of MASTER OF ARTS February 2015 Asian Languages and Literatures - Japanese © Copyright by Eric D. Fischbach 2015 All Rights Reserved THE UNNATURAL WORLD: ANIMALS AND MORALITY TALES IN HAYASHI RAZAN’S KAIDAN ZENSHO A Thesis Presented by ERIC D. FISCHBACH Approved as to style and content by: __________________________________________ Amanda C. Seaman, Chair __________________________________________ Stephen Miller, Member ________________________________________ Stephen Miller, Program Head Asian Languages and Literatures ________________________________________ William Moebius, Department Head Languages, Literatures, and Cultures ACKNOWLEDGMENTS I would like to thank all my professors that helped me grow during my tenure as a graduate student here at UMass. -
Santa Fe New Mexican, 06-07-1913 New Mexican Printing Company
University of New Mexico UNM Digital Repository Santa Fe New Mexican, 1883-1913 New Mexico Historical Newspapers 6-7-1913 Santa Fe New Mexican, 06-07-1913 New Mexican Printing company Follow this and additional works at: https://digitalrepository.unm.edu/sfnm_news Recommended Citation New Mexican Printing company. "Santa Fe New Mexican, 06-07-1913." (1913). https://digitalrepository.unm.edu/sfnm_news/3818 This Newspaper is brought to you for free and open access by the New Mexico Historical Newspapers at UNM Digital Repository. It has been accepted for inclusion in Santa Fe New Mexican, 1883-1913 by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. 1 ! SANTA 2LWWJlaWl V W SANTA FE, NEW MEXICO, SATURDAY, JUNE 7, 191J. JVO. 95 WOULD INVOLVE PRESIDlNT D0RMAN THE SQUEALERS. CONFERENCE OF ! SENDS GREETINGS GOVERNORS THE CHAMBER OF COMMERCE HAS A COMPREHENSIVE FOLDER PRIN- WILSON TED SEND TO THE BROTHERHOOD CLOSES OF AMERICAN YEOMEN, CALLING REPUBLICAN SENATORS STILL INS-SIS- T ATTENTION TO SANTA FE S WILL DRAFT ADDRESS TO PUBLIC THAT PRESIDENT IS USING LAND OFFICE COMMISSIONER MORE INFLUENCE FOR TARIFF TALLMAN AND A. A. JONES PRO-- i If the smoker and lunch given by THAN ANYONE ELSE. MISE HELP OF THE the chamber of commerce brought forth nothing else, the issuing of WILSON IS LOBBYING greetings to the supreme conclave of the Brotherhood of American Yeoman, FOR THE PEOPLE Betting forth some of the facts re- PROSPECTORS WILL garding Santa Fe and its remarkable climate was worth accomplishment. BE ENCOURAGED Washington, D. C, June 7. -
LARP Rules for the Dystopia Rising Universe Intended for Use At
LARP Rules for the Dystopia Rising Universe Intended for use at licensed Dystopia Rising events. All rights reserved. 1 Dead-icated to my parents for not seeing gaming as the devil incarnate, to my friends for the support and encouragement to actually get my pet project going, George Romero for redefining the zombie genre, and to Gary Gygax and Dave Arneson for teaching me that the art of telling a story lives forever. Lastly to Ashley, for being my push when I was unsure. Without you this game would have never been anything more than ideas in my head and talk around a hookah. Original World Creation Michael Pucci Executive Producer Ashley Zdeb Contributing Writers Joshua Demers, Megan Jaffe, R.M. Sean Benjamin Jaffe, Mike Malecki, Liam Neary, Ben Przybylinski, Matthew Volk, Matt Wallace, Peter Woodworth Contributing Artists Cryssy Cheung, Zach Herschberger, Joshua Brain Jaffe, Peter Moschel Johnson, Jennifer Lazaroff, Richard Sampson, Andrew Scott, Matthew Volk Layout and Design Matthew Volk Cover Design Joshua Brain Jaffe Copyright 2009-2016 Dystopia Rising LLC All rights reserved. No portion of this book may be reproduced, stored in a retrieval system, or transmitted in any form by any means, mechanical, electronic, photocopying, recording, or otherwise, without written permission of Dystopia Rising LLC. All illustrations and images are property of Eschaton Media or used under the allowed rights of public domain. Dystopia Rising is a registered trademark of Michael Pucci and may not be used without written permission of Michael Pucci. -
The Globalization of K-Pop: the Interplay of External and Internal Forces
THE GLOBALIZATION OF K-POP: THE INTERPLAY OF EXTERNAL AND INTERNAL FORCES Master Thesis presented by Hiu Yan Kong Furtwangen University MBA WS14/16 Matriculation Number 249536 May, 2016 Sworn Statement I hereby solemnly declare on my oath that the work presented has been carried out by me alone without any form of illicit assistance. All sources used have been fully quoted. (Signature, Date) Abstract This thesis aims to provide a comprehensive and systematic analysis about the growing popularity of Korean pop music (K-pop) worldwide in recent years. On one hand, the international expansion of K-pop can be understood as a result of the strategic planning and business execution that are created and carried out by the entertainment agencies. On the other hand, external circumstances such as the rise of social media also create a wide array of opportunities for K-pop to broaden its global appeal. The research explores the ways how the interplay between external circumstances and organizational strategies has jointly contributed to the global circulation of K-pop. The research starts with providing a general descriptive overview of K-pop. Following that, quantitative methods are applied to measure and assess the international recognition and global spread of K-pop. Next, a systematic approach is used to identify and analyze factors and forces that have important influences and implications on K-pop’s globalization. The analysis is carried out based on three levels of business environment which are macro, operating, and internal level. PEST analysis is applied to identify critical macro-environmental factors including political, economic, socio-cultural, and technological. -
アーティスト 商品名 品番 ジャンル名 定価 URL 100% (Korea) RE
アーティスト 商品名 品番 ジャンル名 定価 URL 100% (Korea) RE:tro: 6th Mini Album (HIP Ver.)(KOR) 1072528598 K-POP 2,290 https://tower.jp/item/4875651 100% (Korea) RE:tro: 6th Mini Album (NEW Ver.)(KOR) 1072528759 K-POP 2,290 https://tower.jp/item/4875653 100% (Korea) 28℃ <通常盤C> OKCK05028 K-POP 1,296 https://tower.jp/item/4825257 100% (Korea) 28℃ <通常盤B> OKCK05027 K-POP 1,296 https://tower.jp/item/4825256 100% (Korea) 28℃ <ユニット別ジャケット盤B> OKCK05030 K-POP 648 https://tower.jp/item/4825260 100% (Korea) 28℃ <ユニット別ジャケット盤A> OKCK05029 K-POP 648 https://tower.jp/item/4825259 100% (Korea) How to cry (Type-A) <通常盤> TS1P5002 K-POP 1,204 https://tower.jp/item/4415939 100% (Korea) How to cry (Type-B) <通常盤> TS1P5003 K-POP 1,204 https://tower.jp/item/4415954 100% (Korea) How to cry (ミヌ盤) <初回限定盤>(LTD) TS1P5005 K-POP 602 https://tower.jp/item/4415958 100% (Korea) How to cry (ロクヒョン盤) <初回限定盤>(LTD) TS1P5006 K-POP 602 https://tower.jp/item/4415970 100% (Korea) How to cry (ジョンファン盤) <初回限定盤>(LTD) TS1P5007 K-POP 602 https://tower.jp/item/4415972 100% (Korea) How to cry (チャンヨン盤) <初回限定盤>(LTD) TS1P5008 K-POP 602 https://tower.jp/item/4415974 100% (Korea) How to cry (ヒョクジン盤) <初回限定盤>(LTD) TS1P5009 K-POP 602 https://tower.jp/item/4415976 100% (Korea) Song for you (A) OKCK5011 K-POP 1,204 https://tower.jp/item/4655024 100% (Korea) Song for you (B) OKCK5012 K-POP 1,204 https://tower.jp/item/4655026 100% (Korea) Song for you (C) OKCK5013 K-POP 1,204 https://tower.jp/item/4655027 100% (Korea) Song for you メンバー別ジャケット盤 (ロクヒョン)(LTD) OKCK5015 K-POP 602 https://tower.jp/item/4655029 100% (Korea) -
Big Bang – Shout out to the World!
Big Bang – Shout Out To The World! (English Translation) [2009] Shout out to the World: TOP “I came here because of that string of hope. Where do I stand now? I ask myself this but even I don’t have a specific answer yet. During the process where I search for my other self, all my worries will fade away because I must find the person who will lend his shoulders to me.” ~TOP Name: Choi Seung-hyun Date of Birth: November 4, 1987 Skills: Rap, Writing lyrics, Beatbox *Starred in the KBS Drama, ‘I am Sam’ The power to awaken a soul, sometimes it takes pain to be re-born. [~ Pt.One~] -I once wanted to be a lyric poet that composed and recited verses.- I became mesmerized with ‘Hip-Hop’ music when I was in Grade 5. I went crazy for this type of music because I listened to it all day and carefully noted all the rap lyrics. If we have to talk about Hip-Hop music, I have to briefly talk about the roots of American Hip-Hop. When I first started listening to Hip-Hop, it was divided up into East Coast and West Coast in America. Wu Tang Clan and Notorius B.I.G. represented the East Coast (New York) scene and they focused largely on the rap and the lyrics, while representing the West Coast (LA) was 2Pac who focused more on the melody. Although at that time in Korea and from my memory, more people listened to West Coast hip hop but I was more into the East Coast style. -
K-Pop Fandom in Lima,Perú
Wesleyan ♦ University K-POP FANDOM IN LIMA, PERÚ: VIRTUAL AND LIVE CIRCULATION PATTERNS By Stephanie Ho Faculty Advisor: Dr. Mark Slobin A Dissertation submitted to the Faculty of Wesleyan University in partial fulfillment of the requirements for the degree of Master of Arts. Middletown, Connecticut MAY 2015 i Acknowledgements I would like to thank my advisor, Dr. Mark Slobin, for his invaluable guidance and insights during the process of writing this thesis. I am also immensely grateful to Dr. Su Zheng and Dr. Matthew Tremé for acting as members of my thesis committee and for their considered thoughts and comments on my early draft, which contributed greatly to the improvement of my work. I would also like to thank Gabrielle Misiewicz for her help with editing this thesis in its final stages, and most importantly for supporting me throughout our time together as classmates and friends. I thank the Peruvian fans that took the time to help me with my research, as well as Virginia and Violeta Chonn, who accompanied me on fieldwork visits and took the time to share their opinions with me regarding the Limeñan fandom. Thanks to my friends and colleagues at Wesleyan – especially Nicole Arulanantham, Gen Conte, Maho Ishiguro, Ellen Lueck, Joy Lu, and Ender Terwilliger – as well as Deb Shore from the Music Department, and Prof. Ann Wightman of the Latin American Studies Department. From my pre-Wesleyan life, I would like to acknowledge Francesca Zaccone, who introduced me to K-pop in 2009, and has always been up for discussing the K-pop world with me, be it for fun or for the purpose of helping me further my analyses. -
The Oxford Democrat
The Oxford Democrat. 1898. NUMBER 48. ΥΟΙ.ΓΜΚ 65. SOUTH PARIS, MAINE, TUESDAY, NOVEMBER 29, Witt toe Μία sir? Doe· It If iu nue un- "Ah," cried be, "I hare no money!" CHAPTER IV. βmets," uyrano. * or to ad- ford ml. kin* a! dieguat you? ν VTKARNS. «Ill confer far by writing I Ragneneau, paatry I■ here assembled." wholesome to or It· too Blubbing, s be pot All tbe coûtent» of Bat eye· aw all the My ootnpany AMONG THE FARMERS. vance the amount and kind of exhibit· cook·, patron of poati and playwright·, you proportions thoagh Cyrano'· at hi· «id Carbon de Cutei Jaloux. "Cy- «rill communica- De Ur^e?" tbe buffet bis aervice. soene. bat am thought filled mind Attorney & Counselor, they make. All such had circnlated among them, telling them to the if you Bergerac nut take them from never rano, pre«-tit ooant, 91 be addreaaed to J. J. Cryano "No, no!" tbe bore, "it is "I could yon, —Knxam· Would she con»·* MAINS. tion· should Fry, from Um play by Hmd lottHd. them of Um bargain of Cyrano de Ber- gasped " NORWAY, exhibit cf io (act. Heaven obild," he Mid, "no keen la our Uaaoou Woo Id tbe «low minutes never dis* pieaae. Portland, Main·. A large waa ■nail, quite minute^ de Bergerac bon gerac. _ _ >;n!nir- (Un k Bull'lln# U ex· 8avinieu-Gyrano But fear of out- lb* CumstKifetoac* oa tiMtui ιο|>ι· a poultry food· and other a of me!" pride. hurting you themselves by? He wbiled away ajjrtcuitara. «applies (a Perigord in Um year 1620 and died "He haa got bat· Montflenry, belp (To be couUeu*l.j to aottrltad. -
09062299296 Omnislashv5
09062299296 omnislashv5 1,800php all in DVDs 1,000php HD to HD 500php 100 titles PSP GAMES Title Region Size (MB) 1 Ace Combat X: Skies of Deception USA 1121 2 Aces of War EUR 488 3 Activision Hits Remixed USA 278 4 Aedis Eclipse Generation of Chaos USA 622 5 After Burner Black Falcon USA 427 6 Alien Syndrome USA 453 7 Ape Academy 2 EUR 1032 8 Ape Escape Academy USA 389 9 Ape Escape on the Loose USA 749 10 Armored Core: Formula Front – Extreme Battle USA 815 11 Arthur and the Minimoys EUR 1796 12 Asphalt Urban GT2 EUR 884 13 Asterix And Obelix XXL 2 EUR 1112 14 Astonishia Story USA 116 15 ATV Offroad Fury USA 882 16 ATV Offroad Fury Pro USA 550 17 Avatar The Last Airbender USA 135 18 Battlezone USA 906 19 B-Boy EUR 1776 20 Bigs, The USA 499 21 Blade Dancer Lineage of Light USA 389 22 Bleach: Heat the Soul JAP 301 23 Bleach: Heat the Soul 2 JAP 651 24 Bleach: Heat the Soul 3 JAP 799 25 Bleach: Heat the Soul 4 JAP 825 26 Bliss Island USA 193 27 Blitz Overtime USA 1379 28 Bomberman USA 110 29 Bomberman: Panic Bomber JAP 61 30 Bounty Hounds USA 1147 31 Brave Story: New Traveler USA 193 32 Breath of Fire III EUR 403 33 Brooktown High USA 1292 34 Brothers in Arms D-Day USA 1455 35 Brunswick Bowling USA 120 36 Bubble Bobble Evolution USA 625 37 Burnout Dominator USA 691 38 Burnout Legends USA 489 39 Bust a Move DeLuxe USA 70 40 Cabela's African Safari USA 905 41 Cabela's Dangerous Hunts USA 426 42 Call of Duty Roads to Victory USA 641 43 Capcom Classics Collection Remixed USA 572 44 Capcom Classics Collection Reloaded USA 633 45 Capcom Puzzle -
Karaoke-Katalog Update Vom: 17/06/2020 Singen Sie Online Auf Gesamter Katalog
Karaoke-Katalog Update vom: 17/06/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Cordula grün - Die Draufgänger Dance Monkey - Tones and I Rote Lippen soll man küssen - Gus Backus Amoi seg' ma uns wieder - Andreas Gabalier Perfect - Ed Sheeran Tears In Heaven - Eric Clapton Chasing Cars - Snow Patrol Griechischer Wein - Udo Jürgens My Way - Frank Sinatra You Are the Reason - Calum Scott Someone You Loved - Lewis Capaldi Lemon Tree - Fool's Garden Tage wie diese - Die Toten Hosen Angels - Robbie Williams 99 Luftballons - Nena Up Where We Belong - Joe Cocker Im Wagen Vor Mir - Henry Valentino And Uschi I Want It That Way - Backstreet Boys Zombie - The Cranberries All of Me - John Legend Ich war noch niemals in New York - Ich War Noch New York, New York - Frank Sinatra Blinding Lights - The Weeknd Niemals In New York Hulapalu - Andreas Gabalier Hallelujah - Alexandra Burke Creep - Radiohead EXPLICIT Verdammt, Ich Lieb' Dich - Matthias Reim Can't Help Falling In Love - Elvis Presley Let It Be - The Beatles Always Remember Us This Way - A Star is Born Atemlos durch die Nacht - Helene Fischer A Million Dreams - The Greatest Showman Kuliko Jana, Eine neue Zeit - Oonagh Eine Nacht - Ramon Roselly In The Ghetto - Elvis Presley (Everything I Do) I Do It For You - Bryan Adams Can You Feel The Love Tonight - The Lion King Bohemian Rhapsody - Queen Egal - Michael Wendler Warum hast du nicht nein gesagt - Roland Kaiser Der hellste Stern (Böhmischer Traum) - DJ Ötzi Ich wollte nie erwachsen sein (Nessajas Lied) - Über Sieben Brücken Musst Du Gehn - Peter Maffay Uber den Wolken - Reinhard Mey Losing My Religion - R.E.M.