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By Anne-Sophie Adelys
by Anne-Sophie Adelys © Anne-Sophie Adelys - 2013 - www.adelys.co.nz © Anne-Sophie Adelys - 2013 - www.adelys.co.nz 3 © Anne-Sophie Adelys - 2013 - www.adelys.co.nz © Anne-Sophie Adelys - 2013 - www.adelys.co.nz My name is Anne-Sophie Adelys. I’m French and have been living in New Zealand since 2001. I’m an artist. A painter. Each week I check “The Big idea” website for any open call for artists. On Saturday the 29th of June 2013, I answered an artist call titled: “Artist for a fringe campaign on Porn” posted by the organisation: The Porn Project. This diary documents the process of my work around this project. I’m not a writer and English is not even my first language. Far from a paper, this diary only serves one purpose: documenting my process while working on ‘The Porn Project’. Note: I have asked my friend Becky to proof-read the diary to make sure my ‘FrenchGlish’ is not too distracting for English readers. But her response was “your FrenchGlish is damn cute”. So I assume she has left it as is… © Anne-Sophie Adelys - 2013 - www.adelys.co.nz 4 4 © Anne-Sophie Adelys - 2013 - www.adelys.co.nz The artist call as per The Big Idea post (http://www.thebigidea.co.nz) Artists for a fringe campaign on porn 28 June 2013 Organisation/person name: The Porn Project Work type: Casual Work classification: OTHER Job description: The Porn Project A Fringe Art Campaign Tāmaki Makaurau/Auckland, Aotearoa/New Zealand August, 2013 In 2012, Pornography in the Public Eye was launched by people at the University of Auckland to explore issues in relation to pornography through research, art and community-based action. -
The NAC. Wherever You Are. Contents
National Arts Centre Annual Report 2010–2011 The NAC. Wherever you are. Contents 14 Message from Julia E. Foster, Board Chair 37 Artistic and creative leadership 16 Message from Peter A. Herrndorf, President and CEO 37 Senior management 18 Report on strategic goals 38 Management Discussion and Analysis 24 Official languages at the NAC 43 Financial statements 25 Year in review 49 Notes to the financial statements 35 The Prairie Scene 63 National Arts Centre Foundation 36 Board of Trustees 70 Donor contributions 2010–2011 photopicturegarden/Taxi/Getty Images Role The National Arts Centre (NAC) raised its curtains for the first time in 1969. Created by the Parliament of Canada as a Centennial project during the 1960s, the NAC has become Canada’s foremost showcase for the performing arts. Today the NAC works with thousands of artists from across Canada and around the world and collaborates with dozens of arts organizations across the country. The NAC is strongly committed to being a leader and innovator in each of the performing arts fields in which it works: classical music, English theatre, French theatre, dance, and variety and community programming. It is also at the forefront of youth and education activities, supporting programs for young and emerging artists, presenting programs for young audiences and producing resources and study materials for teachers and students. The NAC is the only multidisciplinary, bilingual performing arts centre in North America and one of the largest in the world. Accountability and Funding The NAC reports to Parliament through the Minister of Canadian Heritage and Official Languages. Of the NAC’s total revenue, approximately half is derived from an annual parliamentary appropriation, while the other half comes from earned revenue— box office sales, the NAC Foundation, NAC catering, le café (restaurant), commercial parking and facility rentals. -
34825871.Pdf
A Welcome Welcome to the 20th annual SummerWorks Theatre Festival. Toronto’s Indie Theatre and Arts Festival. Over the past three years, SummerWorks has evolved from an indie-theatre festival to an indie-arts festival. I believe that it’s important to continue to explore the necessity and relevance of the theatrical form: how can it contribute, reflect and parallel the world we’re living in? I became interested in what happens to the form when directly paralleled with other forms. Call it a social experi- ment, if you will – a laboratory on relevance and learning. Where do our forms intersect, and how can we use this to our advantage? We’ve been really excited by the results of this evolution, and this year’s Festival continues to build on these principles. Our Theatre line-up is very exciting. The work is strong, diverse, and brave. We also welcome four very impressive shows from outside Ontario in our National Series. See them all if you can. You won’t be disappointed. What are the ingredients that enable certain musicians to fill rooms and create that rare, emotional electricity? There are some obvious answers like: alcohol and rowdy behaviour – but there are also layers to this question that are connected to the visceral nature of the form. This year’s Music Series is the best yet. I hope you’ll take it in. The new Performance Bar brings three different art forms together on the same stage nightly over the course of the Festival. The glue? The National Theatre of the World. -
The Logics of Social News: How Buzzfeed, Junkee, and Pedestrian.Tv Are Making News More Engaging, Sociable, and Personal
The Logics of Social News: How BuzzFeed, Junkee, and Pedestrian.tv are Making News More Engaging, Sociable, and Personal Edward Hurcombe BA(Hons). University of Melbourne Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy School of Communication Creative Industries Faculty Queensland University of Technology 2019 ii Keywords BuzzFeed Junkee Pedestrian.tv News Journalism Digital journalism Audience engagement Sharing Personalisation Sociability Popular culture Social media Platforms Textual analysis Social media analytics iii Abstract In recent years, disruptive digital technologies, monopolising platforms, fragmented and partisan news publics, and failing revenue streams have led to growing concerns regarding the health of journalism. Yet a number of commercially successful news outlets, that share common stylistics and operate in similar ways, have arisen from these developments. Journalism researchers, however, currently lack categories in which understand and evaluate these outlets. In response, this thesis proposes, conceptualises, and illustrates the emerging genre of “social news”, comprising specific forms and practices that are recognisably journalistic yet deeply embedded in the everyday cultures of social media platforms and the broader Internet. Specifically, it examines three exemplary Australian born- digital publications – BuzzFeed Oz News, Junkee, and Pedestrian.tv. These outlets are critically evaluated using a mixed methods approach that combines textual analysis of content and self-representational -
APPLES'l PERO 276 Down Jet, Killed
'I I TUESDAY, JANUARY 28, 1964 Averate Dally Nat Press Rm Eor the Week EadBd lEvraitts Saanaiy Sb, ISSi f Fair, oold U ), each for a threa-yoar t s ^ FOR 16. Teiaorrow fS4 overlapping, with seven persons 13,881 Senior Olrl Scout 3 will pre Powell to Urge 00 eold, ohmiy. Low la SSa.. .p'’ '' sent a film, "Sthel and Albert Tax District | to be appointed , y * " ’ Member of the AndU liJibut Town Preview the Pair,” tomorrow at 21CAC Members ^ H e said that hie plan Boreau of Ctreulatloa Mandumter^A City of VUIago Charm reqiAie the drafting aqd acce^ Cosmetics ■ i u Marina Detachment Aux 7:16 pm. at Center Congrega tional Church. All Senior Girl Budget Asked eutca of a town ordinance, aro iliary win m w t tonight at 7:S0 Theodoire Powell, chairman of that he wiU propoee that one be m (CSaaillM oa raaa 18) PRICE SEVEN CENTO it'.1^ on Faricer St to Scouts of the area are welcome MANCHESTER, CONN., WEDNESDAY, JANUARY 29, 1964 to attend this show on the the board of directors’ subcom drafted by the town ooimsri. VOL. LXXXm , NO. 101 (TWENTY PAGES) cancer pada for the The committee wlU be bi eeterana hospitals. Members are Worltfs Fair' to open In New B y Manager mittee on renewal, has sched partisan, but WiU have to con nnlwlod to bring needln, Yorit In AprU. uled a m atin g for 8 tonight, toi form to the etate’e minority re Uggefts thread and sheeting. Refresh* Cieneiral Manager Richard the general managers office, to aMBts win bo served. -
2009/2010 Annual Report
Annual report 2009/10 nitoba a ’s M C u l t u r e ployme m n E t Infra s t r u C c o n t n u r e e c t i n y g r t m Educ s a a t u i o n d n i n t i o b ic Econ a s om ’s u ic f m ilm and G r o w t Inno h va t i env o iro n n m e n t a e l l b l y a s n i u a s t ANNUAL REPORT 2 2009/2010 MANITOBA FILM & MUSIC 410 – 93 Lombard Avenue Winnipeg, MB R3B 3B1 Tel:(204) 947-2040 Fax:(204) 956-5261 Email: [email protected] www.mbfilmmusic.ca Jared Keeso in the television mini-series Keep Your Head Up Kid: The Don Cherry Story. Folk musician, Sierra Noble. Blues musician, Romi Mayes accepts award at the 2009 WCMA’s in Brandon. (L - R) Timothy Olyphant (cast, High Life), Tannis Hogue (MFM), Rossif Sutherland (cast, High Life), Robin Cass (Triptych Media), Gary Yates (Director, High Life), Liz Jarvis (Buffalo Gal Pictures), Carole Vivier (MFM), Louise O’Brien-Moran (MFM), Stephen McIntyre (cast, High Life) and Sebastien Nasse (MFM) at the High Life after party at the 2009 Toronto International Film Festival. ANNUAL REPORT 2009/2010 3 Letter of Transmittal JULY 31, 2010 Honourable Flor Marcelino Minister of Culture, Heritage and Tourism Room 118, Legislative Building 450 Broadway Pop / rock / roots musician, JP Hoe. -
Stu Phillipsphillips BBUFFY’SUFFY’S BOLEROSBOLEROS Musicmusic Toto Slayslay Vampiresvampires Byby
Music Soundtracks for Motion Pictures and Television V OLUME 4, NUMBER 7 Iron Mike Kamen Page 29 TTinyinyTTuunene TTiittaans!ns! MeetMeet thethe teamteam behindbehind WaWarnerrner BrothersBrothers AnimationAnimation scoringscoring BABATTLESTARTTLESTAR GALACTICAGALACTICA Up-to-the-centonUp-to-the-centon chatchat withwith StuStu PhillipsPhillips BBUFFY’SUFFY’S BOLEROSBOLEROS MusicMusic toto slayslay vampiresvampires byby 07> 7225274 93704 $4.95 U.S. • $5.95 Canada CONTENTS AUGUST 1999 features departments 22 Tiny Tune Titans 2 Editorial Arrivederci Animaniacs, bye-bye Batman, so-long Making Dreams Superman... We salute the second golden age of Come True Warner Bros. animation scoring. By Jeff Bond 4News Laurence Rosenthal Gets the Nod, and more 29 Iron Mike 5 Record Label Michael Kamen gives us the lowdown on his Round-up terrific new kid flick, The Iron Giant, and a What’s on the way new composition for the Millennium. 6Now Playing If you see one movie this summer, By Jeff Bond Movies and CDs in make sure it’s not... you know. release page 29 7 Concerts 32 A Return, or A New Hope? Live performances What are those familiar strains on multiplexes around the world everywhere? Here’s a dissection of John 9 Upcoming Film Williams’s themes for Episode One. Assignments By Doug Adams Who’s writing what 11 Mail Bag Two Slices of H20 interviews 15 In Concert Regaining Composure 30 Beat Guy Long-time percussionist Emil Richards is 17 TV Downbeat Hollywood’s different drummer. Fangs for the Memories You gotta love, love, love By Doug Adams Glen A. Larson’s vision. 36 Score page 35 Pocket reviews of The 35 View From the Bridge Red Violin, Rambo II, Stu Phillips steps back to the podium to Song of Bernadette, re-record his epic score to a TV show from many, summer song CDs, and many yahrens ago. -
The Future Herbal Tea Shops in Hong Kong
HONG KONG The Anthropology of a Chinese Metropolis ANTHROPOLOGY OF ASIA SERIES Published by Curzon Press and University ofHawai'i Press Series editor Grant Evans University ofHong Kong Asia today is one of the most dynamic regions of the world. The previously predominant image of'timeless peasants' has given way to the image of fast-paced business people, mass consumerism and high-rise urban conglomerations. Yet much discourse remains entrenched in the polarities of 'East vs. West', 'Tradition vs Change'. This series hopes to provide a forum for anthropological studies which break with such polarities. It will publish titles dealing with cosmopolitanism, cultural identity, representations, arts and performance. The complexities ofurban Asia, its elites, its political rituals, and its families will also be explored Dangerous Blood, Refined Souls Death Rituals among the Chinese in Singapore Tong Chee Kiong Anthropology and Colonialism in Asia Reflections on the Japanese, Dutch, Chinese, and Indian Experiences Edited by Jan van Bremen and Akitoshi Shimizu Folk Art Potters of Japan Beyond an Anthropology ofAesthetics Brian Moeran HONG KONG The Anthropology of a Chinese Metropolis Edited by Grant Evans and Maria Tam UNIVERSITY OF HAWAI'I PRESS HONOLULU Published in North America by University of Hawai'i Press 2840 Kolowalu Street Honolulu, Hawai'i 96822 First published in 1997 by Curzon Press 15 The Quadrant, Richmond Surrey, TW9 lBP © 1997 G. Evans and M. Tam Printed in Great Britain All rights reserved. No part ofthis book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. -
Glenn Gould's the Idea of North
Mickey Vallee Glenn Gould’s The Idea of North: The Cultural Politics of Benevolent Domination ABSTRACT Tis article follows the critical theory that Canadian wilderness painting exists only when the artist disavows their presence at the scene of capture, and suggests that it is due time the theory be applied to Canadian sound pieces such as Glenn Gould’s Te Idea of North (1967). A contrapuntal radio piece that marked Glenn Gould’s baptism into experimental documentary, Te Idea of North explores how the North is placed in the Canadian imaginary as an ambivalent object of national identity. In this arti- cle, I argue that the aesthetic procedures of Te Idea of North create a narrative space through which the Other is constructed as a savage who is subsequently saved by the benevolent welfare state. Tus, Te Idea of North idealizes the North by virtue of 32 TOPIA (1) its distantiation from the North, and (2) its Othering of Canada’s Inuit as savage and helpless, refective of (3) a new benevolent racism that made up assimilationist ideology, a requisite for post-World War II Northern resource development. Te 21 Idea of North is, thus, an aesthetic example of ‘diferential racism,’ which proceeds through perceived cultural rather than biological diferences, and works to include the targeted social group rather than exclude them. Given Te Idea of North’s nar- rative of the North’s future, I argue that the future is a convenient temporal sche- matic through which the present remains governed. I maintain that we must add benevolent racism to the cultural theory of exploitation and domination in order to understand the contemporary structure of racism that haunts any cultural denials of colonialism. -
2010/2011 Annual Report
ANNUAL REPORT 2010/11 Manitoba band ‘The Crooked Brothers’. MANITOBA FILM & MUSIC 410 – 93 Lombard Avenue Winnipeg, MB R3B 3B1 Tel:(204) 947-2040 Fax:(204) 956-5261 Email: [email protected] www.mbfilmmusic.ca On the set of Cashing In. ANNUAL REPORT 2010/11 1 LETTER OF TRansmittal July 31, 2011 Honourable Flor Marcelino Minister of Culture, Heritage and Tourism Room 118, Legislative Building 450 Broadway Winnipeg, Manitoba R3C 0V8 Dear Minister Marcelino: In accordance with Section 16 of the Manitoba Film and Sound Recording Develop- ment Corporation Act, I have the honour of presenting the Annual Report of the Manitoba Film and Sound Recording Development Corporation for the fiscal year ended March 31, 2011. Respectfully submitted, Flor Marcelino, Minister of Culture, Heritage and Tourism Alana Langelotz Chairperson TABLE OF CONTENTS LETTER OF TRansmittal...................................................................................................................................................................... 1 THE CORPORation ............................................................................................................................................................................... 2 2010/2011 MESSAGE FROM THE CHAIRPERSON & CHIEF EXECUTIVE OFFICER .............................................................................. 3 MFM REACHES OUT ............................................................................................................................................................................. -
Hudson Dissertation Final Version
On the Way: a Poetics of Roman Transportation by Jared McCabe Hudson A dissertation in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Classics in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Ellen Oliensis, chair Professor Maurizio Bettini Professor Dylan Sailor Professor Carlos Noreña Spring 2013 On the Way: a Poetics of Roman Transportation © 2013 by Jared McCabe Hudson Abstract On the Way: a Poetics of Roman Transportation By Jared McCabe Hudson Doctor of Philosophy in Classics University of California, Berkeley Professor Ellen Oliensis, Chair The first chapter examines the role played by the litter (lectica) and sedan chair (sella) in Roman literature and culture. The portrait of the wealthy freedman, lounging in his deluxe octaphoros (litter carried by eight imported slaves), is one which appears repeatedly, taking shape in the late Republic and reaching a climax of frequency in the satires of Juvenal and the epigrams of Martial, in the late first century CE. While by this stage the conveyance undeniably functions as a satirical symbol, the origins and constructedness of its role as such have been surprisingly under-examined by modern scholars. In order to excavate the litter’s developing identity, I first unravel Roman accounts of the vehicle’s origins. The lectica was repeatedly framed by Roman authors such as Cicero as an exotic import from the near east (Bithynia, in particular), only available to Romans upon their exposure, through the process of imperial expansion, to eastern softness. However, such a projection involved carefully distinguishing this “decadent” litter from already existing, sanctioned litter use: thus the lectica also encompasses a category closer to our “stretcher.” Indeed, the litter’s status as a newfangled import is belied by coexisting narratives of republican-era patriarchs riding in the lectica, usually because of injury, old age, or disability. -
Licht Als Kunst in Koningsstraat Rabobank Aalsmeer Niet Dicht!
Tel: 0297-341900 Fax: 0297-342900 Editie: Aalsmeer 5 november 2009 1 35 Miljoen nodig voor uitvoering SERVICEPUNT van Verkeer en Vervoerplan! Al meer dan 5 jaar op de Machineweg 3 Aalsmeer - Op 12 november is de Verkeer en Vervoerplan en dat alle 160 punten aan de orde gesteld. De eerste bespreking in de gemeente- betrokkenen voldoende tijd hebben antwoorden op de zienswijzen zijn in Aalsmeer-Oost bij raad van de 42 soms zeer uitgebrei- gehad om te reageren. Het is echter opgenomen in de nota van beant- de zienswijzen van burgers, wijkra- een illusie om te denken dat we het woording. Deze nota wordt ook naar Annemieke’s den, belangenvertegenwoordigers iedereen naar de zin kunnen maken, de indieners van de zienswijzen ge- en ondernemers op het in de maak er zijn veel tegenstrijdige belangen stuurd. Veelal gaan deze wijzigingen AKTIEWINKEL zijnde Verkeer en Vervoerplan. Op en wensen over verkeer en vervoer. om tekstuele wijzigingen, maar en- de zienswijzen is een antwoord ge- Het is nu aan de gemeenteraad om kele zienswijzen zijn vertaald in vijf PARKEREN VOOR DE DEUR geven en het heeft ook op tal van al die verschillende belangen te we- nieuwe uitvoeringsmaatregelen. Op punten geleid tot een inhoudelijke gen en vervolgens een besluit te donderdag 26 november zullen de verbetering en het toevoegen van nemen.” Voor de uitvoering van het raadsfracties met elkaar en het col- enkele concrete maatregelen. Wet- Aalsmeers Verkeer- en Vervoerplan lege een inhoudelijk debat voeren houder Ronald Fransen, verant- is ongeveer 35,2 miljoen euro no- over het plan. Als het goed is, wordt HARTELUST B.V.