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The NAC. Wherever You Are. Contents
National Arts Centre Annual Report 2010–2011 The NAC. Wherever you are. Contents 14 Message from Julia E. Foster, Board Chair 37 Artistic and creative leadership 16 Message from Peter A. Herrndorf, President and CEO 37 Senior management 18 Report on strategic goals 38 Management Discussion and Analysis 24 Official languages at the NAC 43 Financial statements 25 Year in review 49 Notes to the financial statements 35 The Prairie Scene 63 National Arts Centre Foundation 36 Board of Trustees 70 Donor contributions 2010–2011 photopicturegarden/Taxi/Getty Images Role The National Arts Centre (NAC) raised its curtains for the first time in 1969. Created by the Parliament of Canada as a Centennial project during the 1960s, the NAC has become Canada’s foremost showcase for the performing arts. Today the NAC works with thousands of artists from across Canada and around the world and collaborates with dozens of arts organizations across the country. The NAC is strongly committed to being a leader and innovator in each of the performing arts fields in which it works: classical music, English theatre, French theatre, dance, and variety and community programming. It is also at the forefront of youth and education activities, supporting programs for young and emerging artists, presenting programs for young audiences and producing resources and study materials for teachers and students. The NAC is the only multidisciplinary, bilingual performing arts centre in North America and one of the largest in the world. Accountability and Funding The NAC reports to Parliament through the Minister of Canadian Heritage and Official Languages. Of the NAC’s total revenue, approximately half is derived from an annual parliamentary appropriation, while the other half comes from earned revenue— box office sales, the NAC Foundation, NAC catering, le café (restaurant), commercial parking and facility rentals. -
Showcase PEI 2010: Delegate & Artist Guide
Showcase PEI 2010: Delegate & Artist Guide International Delegates: The United Kingdom Graham Anderson Newcastle-upon-Tyne www.jumpinhot.com Graham Anderson is the Co-Director and Head Programmer of Northern Roots (Jumpin’ Hot Club). Northern Roots, a company with charitable status, is one of the UK's premier promoters of all kinds of roots music. Based in Newcastle Upon Tyne, it specializes in country, singer songwriter, soul, folk, blues, rock and roll, and reggae. The organization was formed in 1985 as an acoustic music club & is celebrating its 25th anniversary in early December. As well as promoting over 70 concerts a year, the club also programs “The SummerTyne Fest Outdoor Stage”, which is part of the Americana Weekender, The Evolution Festival Ballast Hill stage, and the Boss Sounds Reggae Festival. The club operates out of a number of venues in and around Newcastle and Gateshead, including The Cluny, Cluny2 Theatre, Gateshead Town Hall, Live Theatre, and The Studio in Live T. Graham Anderson is also a musician. Ro Cemm Line of Best Fit End of the Road Festival: www.endoftheroadfestival.com Oh! Canada: www.thelineofbestfit.com/tag/oh-canada Canadian Blast: www.canadianblast.com Ro Cemm is one of the team members behind the award winning End of The Road Festival in the UK. The festival has been supportive of new Canadian talent over the last 5 years and this year has 12 Canadian acts performing. End of the Road also have a record label (End of the Road Records), and have released records by Woodpigeon, Charlie Parr, The Low Anthem and The Young Republic. -
Apollo Ghosts Caribou / Babe Rainbow / Ryan Walter Wagner / the New Pornographers / Sxsw / Bison B.C
FREE! MAY 2010 // THAT EAZY-DUZ-IT MAGAZINE FROM CiTR 101.9 FM // SUPPORTING VANCOUVER'S INDEPENDENT MUSIC COMMUNITY FOR OVER 25 YEARS APOLLO GHOSTS CARIBOU / BABE RAINBOW / RYAN WALTER WAGNER / THE NEW PORNOGRAPHERS / SXSW / BISON B.C. / HOW TO BE A DJ PT. 2 EDITOR EDITOR'S NOTE Jordie Yow ART DIRECTOR Dear Discorder: Lindsey Hampton With spring just around the corner, this is time to Now, getting back to this issue: We've got some of make plans for summer. This is the time of year when Vancouver's heaviest hitters talking to us: Carl Newman PRODUCTION MANAGER all the planning for local festivals and concerts are hap- from the New Pornographers dropped Dan Fumano a line Debby Reis pening and I have a challenge for them. Over the last few to chat about his new album on page 14, James Farwell COPY EDITORS years members of Discorder and CiTR have been playing from Bison B.C., who's music is heavy in a different sense Alison Atkinson, Liz Brant, Debby a number of friendly softball games against groups like of the word, discusses the maturation of their music with Reis, Miné Salkin Megaphone, Adbusters and CBC Radio 3. This year we Scott Lyon on page 18, Polaris award winner Dan Snaith would like to extend the challenge to the entire Vancouver of Caribou talked with our Jackie Wong about his newest AD MANAGER music community. This is a personal challenge, but it is on endeavour on page 12, Sancho McCann met with some David Stansfield behalf of Discorder and CiTR. -
Fos Tering Emer Ging Artists and Musica L Diversity
ANNUAL REPORT 11 20 - 10 20 OR CT FOSTERING EMERGING ARTISTS FA AND MUSICAL DIVERSITY TABLE OF CONTENTS ANNUAL REPORT - FOR THE FISCAL PERIOD COVERING APRIL 1, 2010 - MARCH 31, 2011 4 MESSAGE FROM THE CHAIR 5 MESSAGE FROM THE PRESIDENT & CEO 7 WHO WE ARE 8 NATURE OF FACTOR FUNDING 8 OVERVIEW OF 2010-2011 9 CULTURAL DIVERSITY 12 PROGRAMS 22 AWARDS 29 CERTIFICATIONS 31 BOARD OF DIRECTORS 32 FACTOR STAFF 33 NATIONAL ADVISORY BOARD 34 CONTRIBUTING RADIO BROADCASTERS 35 REQUESTS AND COMMITMENTS BY PROGRAM 36 APPLICATIONS SUBMITTED AND APPROVED BY PROVINCE 37 APPLICATIONS SUBMITTED AND APPROVED BY MUSICAL GENRE 38 PROJECT EVALUATION PROCESS 39 JURORS 40 FINANCIAL RESULTS 41 PROJECT REQUESTS AND FUNDING COMMITMENTS FOR 2010 - 2011 41 OUTSTANDING COMMITMENTS AS OF MARCH 31, 2011 42 FINANCIAL STATEMENTS We acknowledge the financial support of the Government through the Canada Music Fund. We also acknowledge the financial support provided by Canada’s Private Radio Broadcasters. Vancouver-based Hannah Georgas began receiving FACTOR funding in 2008 with an Artist Demo Grant and a FACTOR Loan. Hannah’s most recent release This Is Good received support through the Emerging Artist program. The album has sold over 11,000 copies in Canada and FAC- TOR has continued to support the release with marketing and promotion, video, showcase and tour funding. “FACTOR HAS OPENED UP SO MANY DOORS FOR ME AND HAS HELPED MY MUSICAL CAREER GROW SIGNIFICANTLY. WITHOUT THEIR SUPPORT I WOuldn’T BE WHERE I AM TODAY. FACTOR IS VItaL FOR ASPIRING ARTISTS IN THIS DAY AND AGE AND FOR SUPPORTING CANADIAN CULTURe.” HANNAH GEORGAS 3 MESSAGE FROM CHAIR This is my last message to you as Chair of FACTOR. -
Corpus Antville
Corpus Epistemológico da Investigação Vídeos musicais referenciados pela comunidade Antville entre Junho de 2006 e Junho de 2011 no blogue homónimo www.videos.antville.org Data Título do post 01‐06‐2006 videos at multiple speeds? 01‐06‐2006 music videos based on cars? 01‐06‐2006 can anyone tell me videos with machine guns? 01‐06‐2006 Muse "Supermassive Black Hole" (Dir: Floria Sigismondi) 01‐06‐2006 Skye ‐ "What's Wrong With Me" 01‐06‐2006 Madison "Radiate". Directed by Erin Levendorf 01‐06‐2006 PANASONIC “SHARE THE AIR†VIDEO CONTEST 01‐06‐2006 Number of times 'panasonic' mentioned in last post 01‐06‐2006 Please Panasonic 01‐06‐2006 Paul Oakenfold "FASTER KILL FASTER PUSSYCAT" : Dir. Jake Nava 01‐06‐2006 Presets "Down Down Down" : Dir. Presets + Kim Greenway 01‐06‐2006 Lansing‐Dreiden "A Line You Can Cross" : Dir. 01‐06‐2006 SnowPatrol "You're All I Have" : Dir. 01‐06‐2006 Wolfmother "White Unicorn" : Dir. Kris Moyes? 01‐06‐2006 Fiona Apple ‐ Across The Universe ‐ Director ‐ Paul Thomas Anderson. 02‐06‐2006 Ayumi Hamasaki ‐ Real Me ‐ Director: Ukon Kamimura 02‐06‐2006 They Might Be Giants ‐ "Dallas" d. Asterisk 02‐06‐2006 Bersuit Vergarabat "Sencillamente" 02‐06‐2006 Lily Allen ‐ LDN (epk promo) directed by Ben & Greg 02‐06‐2006 Jamie T 'Sheila' directed by Nima Nourizadeh 02‐06‐2006 Farben Lehre ''Terrorystan'', Director: Marek Gluziñski 02‐06‐2006 Chris And The Other Girls ‐ Lullaby (director: Christian Pitschl, camera: Federico Salvalaio) 02‐06‐2006 Megan Mullins ''Ain't What It Used To Be'' 02‐06‐2006 Mr. -
October 16, 2008
www.TheReflector.ca FREE October 16, 2008 Sensing, thinking, learning, emotion, consciousness, voluntary movement Incoming, outgoing signals Emotion, aggression Information transfer Hunger, thirst, temperature control Learning, memory Movement, balance Simple reflexes Breathing, circulation Sleep, arousal …See pg. 8 Harper wins Calgary Splitting Peas Local boarding another zombies turn ain’t what it company ready Arts News Conservative downtown into used to be to hit the minority ‘dead mile’ Sports slopes Features 2 7 11 17 Photo by Rachel Maclean After winning 143 seats and a minority government, Prime Minister Stephen Harper gives his victory speech to a crowd at the Telus Convention Centre. Below: Mount Royal College policy studies student Josh Traptow shows his support for the Conservatives. NEWS EDITOR: Alan Mattson [email protected] Same as the old boss October 16, 2008 Calgary students support Harper’s new government by Rachel Maclean now works as a car salesman. He has been a “blue-hearted” The Reflector (The Conservative supporter since As the votes rolled in he started following politics, Conservatives) on election night across and believes they offer good BRIEFS Canada, an anxious group of long-term solutions. encourage you Conservative party supporters “When you’re in your career to get involved, held their breath at the Telus and making money, they are ith just a few Convention Centre on Oct. 14 to the obvious choice,” said and your opin- Wweeks to go in the see if their party would clinch a Jackson. “I work for everything American election, polls majority. that I have and I don’t need the ions are heard. -
2009/2010 Annual Report
Annual report 2009/10 nitoba a ’s M C u l t u r e ployme m n E t Infra s t r u C c o n t n u r e e c t i n y g r t m Educ s a a t u i o n d n i n t i o b ic Econ a s om ’s u ic f m ilm and G r o w t Inno h va t i env o iro n n m e n t a e l l b l y a s n i u a s t ANNUAL REPORT 2 2009/2010 MANITOBA FILM & MUSIC 410 – 93 Lombard Avenue Winnipeg, MB R3B 3B1 Tel:(204) 947-2040 Fax:(204) 956-5261 Email: [email protected] www.mbfilmmusic.ca Jared Keeso in the television mini-series Keep Your Head Up Kid: The Don Cherry Story. Folk musician, Sierra Noble. Blues musician, Romi Mayes accepts award at the 2009 WCMA’s in Brandon. (L - R) Timothy Olyphant (cast, High Life), Tannis Hogue (MFM), Rossif Sutherland (cast, High Life), Robin Cass (Triptych Media), Gary Yates (Director, High Life), Liz Jarvis (Buffalo Gal Pictures), Carole Vivier (MFM), Louise O’Brien-Moran (MFM), Stephen McIntyre (cast, High Life) and Sebastien Nasse (MFM) at the High Life after party at the 2009 Toronto International Film Festival. ANNUAL REPORT 2009/2010 3 Letter of Transmittal JULY 31, 2010 Honourable Flor Marcelino Minister of Culture, Heritage and Tourism Room 118, Legislative Building 450 Broadway Pop / rock / roots musician, JP Hoe. -
2010 Long List
For Immediate release Toronto, ON (June 17, 2010) The Polaris Music Prize Long List was revealed today by Steve Jordan, Prize Founder and Executive Director. This year marks the fifth anniversary of the prize, which awards $20,00 to the best full-length Canadian album, judged solely on artistic merit, without regard to genre or record sales. This is the second year Polaris has made the Long List public. The Long List consists of the top 40 full- length Canadian records released from June 1, 2009 to May 31, 2010, according to an initial vote by the 198 members of the Polaris Music Prize jury. The jury consists of music journalists, broadcasters and bloggers from across Canada. No music industry personnel with direct financial relationships with artists vote for Polaris. “This year we are experiencing a growing excitement for the Long List. To see why one need only study the breadth and quality of the various records on this year’s edition,” said Jordan. Jordan also announced that the Long List is once again being presented by the Canada Council for the Arts. The Head of the Council’s Music Section, Russell Kelley, said "the Polaris Prize is given to the best album of the year based solely on artistic merit, a key criteria the Canada Council for the Arts uses in its decisions in funding the arts. Given this connection, it is a natural fit for the Council to support the Polaris Long List." The Polaris Jury will now vote on the Long List titles to determine the 10 album Polaris Music Prize Short List which will be revealed July 6 at the Drake Hotel in Toronto and broadcast live across Canada and the U.S. -
Liberated Punks Accelerate China’S Musical Evolution
About blogs Just another WordPress weblog Liberated Punks Accelerate China’s Musical Evolution From Pigface and Ministry to PiL and Killing Joke, drummer Martin Atkins has pounded the skins for some very loud punks. But he didn't realize that China's underground sound would throw him into a time machine and dial it back to the '70s and '80s, when bands were pushing the envelope on conventional rock and not really caring how you felt about it. Atkins shot 80 hours of video from his 2006 trip into Asia's 21st century powerhouse, and chopped it down into the recently released documentary Sixteen Days in China . Listening Post caught up with him to talk about China's greatest bands you've never heard and more. Wired.com: How did your experiences with Ministry and your other bands match up to the scene you witnessed in China? Martin Atkins: I think time and location has more relevance, like London in 1977, New York in 1980 or maybe Chicago 1989. These were cities that had exploding scenes that I managed to be a small part of. Add to that some entrepreneurial what-the-fuck-ness, and there you go! The backdrop is different, but the immersion, the focus on just the music and attitude feels like a definite ripple from those times. It doesn't feel strategized in a careerist way. The guys in D-22, who now have a label called Maybe Mars, and their venue reminded me of the vibe of CBGB's. While I was over there, I saw the club on CNN, and that rang a bell for me. -
Glenn Gould's the Idea of North
Mickey Vallee Glenn Gould’s The Idea of North: The Cultural Politics of Benevolent Domination ABSTRACT Tis article follows the critical theory that Canadian wilderness painting exists only when the artist disavows their presence at the scene of capture, and suggests that it is due time the theory be applied to Canadian sound pieces such as Glenn Gould’s Te Idea of North (1967). A contrapuntal radio piece that marked Glenn Gould’s baptism into experimental documentary, Te Idea of North explores how the North is placed in the Canadian imaginary as an ambivalent object of national identity. In this arti- cle, I argue that the aesthetic procedures of Te Idea of North create a narrative space through which the Other is constructed as a savage who is subsequently saved by the benevolent welfare state. Tus, Te Idea of North idealizes the North by virtue of 32 TOPIA (1) its distantiation from the North, and (2) its Othering of Canada’s Inuit as savage and helpless, refective of (3) a new benevolent racism that made up assimilationist ideology, a requisite for post-World War II Northern resource development. Te 21 Idea of North is, thus, an aesthetic example of ‘diferential racism,’ which proceeds through perceived cultural rather than biological diferences, and works to include the targeted social group rather than exclude them. Given Te Idea of North’s nar- rative of the North’s future, I argue that the future is a convenient temporal sche- matic through which the present remains governed. I maintain that we must add benevolent racism to the cultural theory of exploitation and domination in order to understand the contemporary structure of racism that haunts any cultural denials of colonialism. -
2010/2011 Annual Report
ANNUAL REPORT 2010/11 Manitoba band ‘The Crooked Brothers’. MANITOBA FILM & MUSIC 410 – 93 Lombard Avenue Winnipeg, MB R3B 3B1 Tel:(204) 947-2040 Fax:(204) 956-5261 Email: [email protected] www.mbfilmmusic.ca On the set of Cashing In. ANNUAL REPORT 2010/11 1 LETTER OF TRansmittal July 31, 2011 Honourable Flor Marcelino Minister of Culture, Heritage and Tourism Room 118, Legislative Building 450 Broadway Winnipeg, Manitoba R3C 0V8 Dear Minister Marcelino: In accordance with Section 16 of the Manitoba Film and Sound Recording Develop- ment Corporation Act, I have the honour of presenting the Annual Report of the Manitoba Film and Sound Recording Development Corporation for the fiscal year ended March 31, 2011. Respectfully submitted, Flor Marcelino, Minister of Culture, Heritage and Tourism Alana Langelotz Chairperson TABLE OF CONTENTS LETTER OF TRansmittal...................................................................................................................................................................... 1 THE CORPORation ............................................................................................................................................................................... 2 2010/2011 MESSAGE FROM THE CHAIRPERSON & CHIEF EXECUTIVE OFFICER .............................................................................. 3 MFM REACHES OUT ............................................................................................................................................................................. -
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