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An Anthropological Perspective on Eastern and Western Folk Music
An Anthropological Perspective on Eastern and Western Folk Music Item Type text; Electronic Thesis Authors Gurczak, Adam Stanley Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 28/09/2021 21:02:58 Item License http://rightsstatements.org/vocab/InC/1.0/ Link to Item http://hdl.handle.net/10150/625002 AN ANTHROPOLOGICAL PERSPECTIVE ON EASTERN AND WESTERN FOLK MUSIC By ADAM STANLEY GURCZAK ____________________ A Thesis Submitted to The Honors College In Partial Fulfillment of the Bachelors Degree With Honors in Music Performance THE UNIVERSITY OF ARIZONA MAY 2017 Approved by: _________________________ Dr. Philip Alejo Department of Music EASTERN AND WESTERN FOLK MUSIC 1 TABLE OF CONTENTS ABSTRACT 2 ARTIST’S STATEMENT 2 INTRODUCTION 3 ARGENTINE TANGO 4 PRE-TANGO HISTORY: RISE OF THE GAUCHOS 5 A BORDELLO UPBRINGING 5 THE ROOTS AND RHYTHMS OF TANGO 8 A WORLDWIDE SENSATION 9 THE FOREFATHERS OF TANGO 11 CHINESE TRADITIONAL MUSIC 13 THE PHILOSOPHY OF MUSIC 14 INSTRUMENTS OF THE EARTH 16 THE SOUND OF SCHOLARS 18 KOREAN GUGAK 21 GUGAK: A NATIONAL IDENTITY 22 SHAMANS, SINAWI, AND SANJO 24 NOBLE COURTS AND FARMYARDS 28 AMERICAN BLUEGRASS 30 GRASSROOTS, BLUEGRASS, AND BLUES 30 THE POLYNATION OF BLUEGRASS 33 CONCLUSION 36 BIBLIOGRAPHY 37 EASTERN AND WESTERN FOLK MUSIC 2 ABSTRACT The birth of folk music has always depended on the social, political, and cultural conditions of a particular country and its people. -
The Science of String Instruments
The Science of String Instruments Thomas D. Rossing Editor The Science of String Instruments Editor Thomas D. Rossing Stanford University Center for Computer Research in Music and Acoustics (CCRMA) Stanford, CA 94302-8180, USA [email protected] ISBN 978-1-4419-7109-8 e-ISBN 978-1-4419-7110-4 DOI 10.1007/978-1-4419-7110-4 Springer New York Dordrecht Heidelberg London # Springer Science+Business Media, LLC 2010 All rights reserved. This work may not be translated or copied in whole or in part without the written permission of the publisher (Springer Science+Business Media, LLC, 233 Spring Street, New York, NY 10013, USA), except for brief excerpts in connection with reviews or scholarly analysis. Use in connection with any form of information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed is forbidden. The use in this publication of trade names, trademarks, service marks, and similar terms, even if they are not identified as such, is not to be taken as an expression of opinion as to whether or not they are subject to proprietary rights. Printed on acid-free paper Springer is part of Springer ScienceþBusiness Media (www.springer.com) Contents 1 Introduction............................................................... 1 Thomas D. Rossing 2 Plucked Strings ........................................................... 11 Thomas D. Rossing 3 Guitars and Lutes ........................................................ 19 Thomas D. Rossing and Graham Caldersmith 4 Portuguese Guitar ........................................................ 47 Octavio Inacio 5 Banjo ...................................................................... 59 James Rae 6 Mandolin Family Instruments........................................... 77 David J. Cohen and Thomas D. Rossing 7 Psalteries and Zithers .................................................... 99 Andres Peekna and Thomas D. -
Vol.9 No.4 WINTER 2016 겨울
겨울 Vol.9 No.4 WINTER 2016 겨울 WINTER 2016 Vol.9 No.4 겨울 WINTER 2016 Vol.9 ISSN 2005-0151 OnOn the the Cover Cover Lovers under the Moon is one of the 30 works found in Hyewon jeonsincheop, an album of paintings by the masterful Sin Yun-bok. It uses delicate brushwork and beautiful colors to portray a romantic mo- ment shared between a man and a wom- an. The poetic line in the center reads, “At the samgyeong hour when the light of the moon grows dim, they only know how they feel,” aptly conveying the heart-felt emo- tions of the lovers. winter Contents 03 04 04 Korean Heritage in Focus Exploration of Korean Heritage 30 Evening Heritage Promenade A Night at a Buddhist Mountain Temple Choi Sunu, Pioneer in Korean Aesthetics Jeongwol Daeboreum, the First Full Moon of the Year Tteok, a Defining Food for Seasonal Festivals 04 10 14 20 24 30 36 42 14 Korean Heritage for the World Cultural Heritage Administration Headlines 48 Sin Yun-bok and His Genre Paintings CHA News Soulful Painting on Ox Horn CHA Events Special Exhibition on the Women Divers of Jeju Korean Heritage in Focus 05 06 Cultural Heritage in the Evening Evening Heritage Promenade The 2016 Evening Heritage Promenade program opened local heritage sites to the public in the evening under seven selected themes: Nighttime Text & Photos by the Promotion Policy Division, Cultural Heritage Administration Views of Cultural Heritage, Night Stroll, History at Night, Paintings at Night, Performance at Night, Evening Snacks, and One Night at a Heritage Site. -
Exploring Aspects of Korean Traditional Music in Young Jo Lee's
EXPLORING ASPECTS OF KOREAN TRADITIONAL MUSIC IN YOUNG JO LEE’S PIANO HONZA NORI Jin Kim, B.M., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS August 2013 APPROVED: Adam Wodnicki, Major Professor Elvia Puccinelli, Committee Member Joseph Banowetz, Committee Member Steven Harlos, Chair of the Division of Keyboard Studies John Murphy, Interim Director of Graduate Studies in the College of Music James C. Scott, Dean of the College of Music Mark Wardell, Dean of the Toulouse Graduate School Kim, Jin. Exploring Aspects of Korean Traditional Music in Young Jo Lee’s Piano Honza Nori. Doctor of Musical Arts (Performance), August 2013, 29 pp., 4 tables, 9 figures, 13 musical examples, bibliography, 32 titles. Since the 1960s, several gifted Korean composers, including perhaps most notably Young Jo Lee (b. 1943), have been internationally acclaimed for their work. In Western countries, however, there has been a scarcity of academic studies examining the artistry of the music of these Korean composers. Nonetheless, as one of today’s most recognized composers in Korea, Young Jo Lee has been invited to numerous international concerts, conferences, and festivals where his works have been played and discussed. A salient feature of his compositions is the fusion of Korean traditional music and the elements of Western compositions, such as in, for one distinctive example, his piano composition, Piano Honza Nori. This musical study describes and analyzes how Lee integrates Korean traditional elements with Western musical ideas in Piano Honza Nori. Results of this study will contribute to the limited literature on the analysis of contemporary piano composition that integrates Korean traditional elements. -
Celebrations in Korean Art During the Joseon Dynasty Pdf, Epub, Ebook
IN GRAND STYLE : CELEBRATIONS IN KOREAN ART DURING THE JOSEON DYNASTY PDF, EPUB, EBOOK Hyonjeong Kim Han | 266 pages | 07 Jan 2014 | Asian Art Museum of San Francisco | 9780939117673 | English | San Francisco, United States In Grand Style : Celebrations in Korean Art During the Joseon Dynasty PDF Book See also: Music of Korea and Korean theatre. Collections were repeatedly printed. This Korean art book is an exploration of the Joseon Dynasty. More Information. Seller Rating:. Photo Gallery. These murals were also the very beginnings of Korean landscape paintings and portraiture. This period began circa 57 BC to AD. Neither colours nor forms had any real change, and rulers stood aside from edicts on art. Korean arts include traditions in calligraphy, music, painting and pottery, often marked by the use of natural forms, surface decoration and bold colors or sounds. If a book is heavy, over-weight, or requires a supplement to the ABE standard default shippin Asian Art Museum Store. Handscroll; ink, colors and gold on paper. Eight-panel folding screen; ink and colors on silk. The most famous art produced by Goryeo artisans was Korean celadon pottery which was produced from circa CE to CE. Under the rules of King Yeongjo reigned — and his grandson, King Jeongjo reigned — , 18th-century Korea saw political stability, active international relations, economic prosperity and cultural innovation. New Hardcover Quantity available: 2. Topics in Linguistics. It explores the meaning and obligations of kingship, the elite culture of the court and the upper class during the Joseon dynasty , and the complex roles of women in organizing and presenting elaborate celebrations, in the grandest of styles. -
An Historical and Analytical Study of Renaissance Music for the Recorder and Its Influence on the Later Repertoire Vanessa Woodhill University of Wollongong
University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 1986 An historical and analytical study of Renaissance music for the recorder and its influence on the later repertoire Vanessa Woodhill University of Wollongong Recommended Citation Woodhill, Vanessa, An historical and analytical study of Renaissance music for the recorder and its influence on the later repertoire, Master of Arts thesis, School of Creative Arts, University of Wollongong, 1986. http://ro.uow.edu.au/theses/2179 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] AN HISTORICAL AND ANALYTICAL STUDY OF RENAISSANCE MUSIC FOR THE RECORDER AND ITS INFLUENCE ON THE LATER REPERTOIRE by VANESSA WOODHILL. B.Sc. L.T.C.L (Teachers). F.T.C.L A dissertation submitted in partial fulfillment of the requirements for the degree of Master of Arts in the School of Creative Arts in the University of Wollongong. "u»«viRsmr •*"! This thesis is submitted in accordance with the regulations of the University of Wotlongong in partial fulfilment of the requirements for the degree of Master of Arts. I hereby certify that the work embodied in this thesis is the result of original research and has not been submitted for a higher degree at any other University or similar institution. Copyright for the extracts of musical works contained in this thesis subsists with a variety of publishers and individuals. Further copying or publishing of this thesis may require the permission of copyright owners. Signed SUMMARY The material in this thesis approaches Renaissance music in relation to the recorder player in three ways. -
The Musical Kinetic Shape: a Variable Tension String Instrument
The Musical Kinetic Shape: AVariableTensionStringInstrument Ismet Handˇzi´c, Kyle B. Reed University of South Florida, Department of Mechanical Engineering, Tampa, Florida Abstract In this article we present a novel variable tension string instrument which relies on a kinetic shape to actively alter the tension of a fixed length taut string. We derived a mathematical model that relates the two-dimensional kinetic shape equation to the string’s physical and dynamic parameters. With this model we designed and constructed an automated instrument that is able to play frequencies within predicted and recognizable frequencies. This prototype instrument is also able to play programmed melodies. Keywords: musical instrument, variable tension, kinetic shape, string vibration 1. Introduction It is possible to vary the fundamental natural oscillation frequency of a taut and uniform string by either changing the string’s length, linear density, or tension. Most string musical instruments produce di↵erent tones by either altering string length (fretting) or playing preset and di↵erent string gages and string tensions. Although tension can be used to adjust the frequency of a string, it is typically only used in this way for fine tuning the preset tension needed to generate a specific note frequency. In this article, we present a novel string instrument concept that is able to continuously change the fundamental oscillation frequency of a plucked (or bowed) string by altering string tension in a controlled and predicted Email addresses: [email protected] (Ismet Handˇzi´c), [email protected] (Kyle B. Reed) URL: http://reedlab.eng.usf.edu/ () Preprint submitted to Applied Acoustics April 19, 2014 Figure 1: The musical kinetic shape variable tension string instrument prototype. -
University of California Santa Cruz the Vietnamese Đàn
UNIVERSITY OF CALIFORNIA SANTA CRUZ THE VIETNAMESE ĐÀN BẦU: A CULTURAL HISTORY OF AN INSTRUMENT IN DIASPORA A dissertation submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in MUSIC by LISA BEEBE June 2017 The dissertation of Lisa Beebe is approved: _________________________________________________ Professor Tanya Merchant, Chair _________________________________________________ Professor Dard Neuman _________________________________________________ Jason Gibbs, PhD _____________________________________________________ Tyrus Miller Vice Provost and Dean of Graduate Studies Table of Contents List of Figures .............................................................................................................................................. v Chapter One. Introduction ..................................................................................................................... 1 Geography: Vietnam ............................................................................................................................. 6 Historical and Political Context .................................................................................................... 10 Literature Review .............................................................................................................................. 17 Vietnamese Scholarship .............................................................................................................. 17 English Language Literature on Vietnamese Music -
About the Artists
About the Artists Seo Hye Han, ballet Seo Hye Han joined Boston Ballet as a company dancer in 2012, after dancing with the Universal Ballet Company as a soloist for three seasons. She began her studies at the Korean National University of Arts and graduated in 2009. Han performed in the World Ballet Star Festival in Korea with Daniil Simkin and the Havana Ballet Festival in Cuba. She had roles in performances of Don Quixote (Kitri), La Bayadère (Gamzatti), Onegin (Olga), The Nutcracker (Clara), Swan Lake (Odette, Odile), Simchung (Simchung), and Kiří Kylían’s Sechs Tänze. Her repertoire with Boston Ballet includes George Ballanchine’s Jewels, Coppélia, Serenade, Symphony in Three Movements, Theme and Variation, and Kammermusik No. 2; John Cranko’s Onegin, Jorma Elo’s Bach Cello Suites, William Forsythe’s The Virtiginous Thrill of Exactitude, Jose Martinez’s Resonance, Wayne McGregor’s Chroma, and Mikko Nissinen’s The Nutcracker and Swan Lake. Han has received honors and awards in many international dance competitions including the silver medal in 2004 at Bulgaria’s Varna International Ballet Competition, a scholarship to Vaganova Ballet Academy in the 2005 Prix de Lausanne, a silver medal in the 2008 Varna International Ballet Competition, the Joffrey Prize in the 2010 USA International Ballet Competition, and the Gold Medal in the 2012 Boston International Ballet Competition. Han joined Boston Ballet in 2012 as a soloist and was promoted to principal dancer in 2016. Kari Juusela, cello Kari Henrik Juusela is a Finnish-American composer, performer, and educator who is dean of the Professional Writing and Music Technology Division at Berklee College of Music. -
Woodwind Family
Woodwind Family What makes an instrument part of the Woodwind Family? • Woodwind instruments are instruments that make sound by blowing air over: • open hole • internal hole • single reeds • double reed • free reeds Some woodwind instruments that have open and internal holes: • Bansuri • Daegeum • Fife • Flute • Hun • Koudi • Native American Flute • Ocarina • Panpipes • Piccolo • Recorder • Xun Some woodwind instruments that have: single reeds free reeds • Clarinet • Hornpipe • Accordion • Octavin • Pibgorn • Harmonica • Saxophone • Zhaleika • Khene • Sho Some woodwind instruments that have double reeds: • Bagpipes • Bassoon • Contrabassoon • Crumhorn • English Horn • Oboe • Piri • Rhaita • Sarrusaphone • Shawm • Taepyeongso • Tromboon • Zurla Assignment: Watch: Mr. Gendreau’s woodwind lesson How a flute is made How bagpipes are made How a bassoon reed is made *Find materials in your house that you (with your parent’s/guardian’s permission) can use to make a woodwind (i.e. water bottle, straw and cup of water, piece of paper, etc). *Find some other materials that you (with your parent’s/guardian’s permission) you can make a different woodwind instrument. *What can you do to change the sound of each? *How does the length of the straw effect the sound it makes? *How does the amount of water effect the sound? When you’re done, click here for your “ticket out the door”. Some optional videos for fun: • Young woman plays music from “Mario” on the Sho • Young boy on saxophone • 9 year old girl plays the flute. -
In Tune with the Ear of the Public Kayagŭm and the Status of Traditional Korean Music in the Twenty-First Century in Korea
Situations Vol. 5 (Winter 2011) © 2011 by Yonsei University Sunghee Pak (Yonsei University) In Tune with the Ear of the Public Kayagŭm and the Status of Traditional Korean Music in the Twenty-First Century in Korea Every Thursday, I visit Gahwae-dong (Kahoe-dong) in central Seoul, a locale with many traditional Korean houses, to take my weekly kayagŭm lesson. Kayagŭm is a traditional Korean musical instrument with twelve silk strings, which dates back to A.D. 551 (Hwang, Chimhyang-moo 9). It has been several years since I first started learning it, but before I took my first lesson, I had never seen a kayaŭm, apart from a few pictures in the music text book in middle school. Many people in Korea nowadays are not familiar with their traditional musical instruments. Though kayagŭm and kŏmun’go play the most important role in any Korean ensemble, as equivalents of the violin in Western classical orchestra, not many people have seen them up close. During the 1980s and 1990s, Korean classical music experienced a revival, and there have been several attempts to inform the public about this. These attempts achieved some fruit but there are still more to be done in promoting the essence of traditional Korean music. Until the 1990s, traditional Korean music—kugak, in Korean—conveyed an image of something old, decayed, and outdated. People vaguely knew that the tradition was worth keeping, but whereas Western piano or violin were thought to be elegant, and Western pop music such as the Beatles was treated as a symbol of youth and freedom, kugak, was very far from being considered chic. -
Music of Korea
Namdo Japga medley Namdo is a province in the southwest part of Korea, and Japga refers to the folk songs performed by trained professional singers. This musical style is influenced by other folk music genres in Ko- rea such as pansori and gasa. Namdo Japga is based on the Sinawi mode (also known as Yujkabegi mode). The Sinawi mode empha- sizes three main pitches. These songs generally have call and re- SCHOOL OF MUSIC AND DANCE sponse patterns. ABOUT THE ARTISTS Beall Concert Hall Sunday afternoon 3:00 p.m. May 2, 2010 Yusun Kim is a leading gayageum (plucked zither) performer in Korea. She was born in Seoul, South Korea, in 1980. She began her formal education at Gaywon High School of the Arts and con- tinued studying at Ewha Woman’s University where she received BA and MA degrees in gayageum performance, and is currently WORLD MUSIC SERIES pursuing her doctorate there. She has performed at many music presents venues and festivals in Korea, including the Korean Composers’ Association’s Seoul Composition Festival and the Korean Compos- ers’ Union’s National New Music Exposition, among many others. MUSIC OF KOREA She has also appeared at international concert venues in the U.S., Poland, France, China, Hong Kong, and Japan as a gayageum and a featuring guest artists janggu (drum) artist. She won the Grand Prize in the 2002 Korean Young Performance Arts Competition and the 2004 National Tradi- Yusun Kim, gayageum tional Competition. Currently, she is the principal gayageum player Hyerim Choi, ajaeng in the Gayageum Ensemble Chocolate, and teaches gayageum at Ewha Woman’s University, Gyeongin University of Education, and Dondeok Woman’s University.