The Friendsof the Hemingway Collection
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A Dangerous Summer
theHemingway newsletter Publication of The Hemingway Society | No. 73 | 2021 As the Pandemic Ends Yet the Wyoming/Montana Conference Remains Postponed Until Lynda M. Zwinger, editor 2022 the Hemingway Society of the Arizona Quarterly, as well as acquisitions editors Programs a Second Straight Aurora Bell (the University of Summer of Online Webinars.… South Carolina Press), James Only This Time They’re W. Long (LSU Press), and additional special guests. Designed to Confront the Friday, July 16, 1 p.m. Uncomfortable Questions. That’s EST: Teaching The Sun Also Rises, moderated by Juliet Why We’re Calling It: Conway We’ll kick off the literary discussions with a panel on Two classic posters from Hemingway’s teaching The Sun Also Rises, moderated dangerous summer suggest the spirit of ours: by recent University of Edinburgh A Dangerous the courage, skill, and grace necessary to Ph.D. alumna Juliet Conway, who has a confront the bull. (Courtesy: eBay) great piece on the novel in the current Summer Hemingway Review. Dig deep into n one of the most powerful passages has voted to offer a series of webinars four Hemingway’s Lost Generation classic. in his account of the 1959 bullfighting Fridays in a row in July and August. While Whether you’re preparing to teach it rivalry between matadors Antonio last summer’s Houseguest Hemingway or just want to revisit it with fellow IOrdóñez and Luis Miguel Dominguín, programming was a resounding success, aficionados, this session will review the Ernest Hemingway describes returning to organizers don’t want simply to repeat last publication history, reception, and major Pamplona and rediscovering the bravery year’s model. -
Creatures in Hemingway's Short Stories: Les Hommages to Human Grief
Creatures in Hemingway's Short Stories: 静岡県立大学 Les Hommages to Human Grief 99 短期大学部 研究紀要第 12-1 号 1998 年度 Creatures in Hemingway's Short Stories: Les Hommages to Human Grief Hiroshi TAKAHASHI The Complete Short Stories of Ernest Hemingway, the Finca Vigía Edition published by Charles Scribner's Sons in 1987, contains in its whole bulk of seventy stories the eight items in whose titles Hemingway had the same number of creatures included: ① "Cat in the Rain," ② "Hills Like White Elephants," ③ "A Canary for One," ④ "The Butterfly and the Tank," ⑤ "The Good Lion," ⑥ "The Faithful Bull," ⑦ "Get a Seeing-Eyed Dog," and ⑧ "Black Ass at the Cross Roads"(gothics added). While it is admitted that the group of animals mentioned above show the author's innate penchant for animated nature such as often seen in his works, whether in novels, in short stories, or in essays, it may also be of some interest to some readers and critics of Hemingway's short stories to notice that these eight stories may be capable of a collective survey as one lot, in terms of his technical feats by exquisitely using living things as crucial props or measures to enhance dramatic effects with, although not like such significantly big elements in the development of stories as the bulls in The Sun Also Rises or the leopard and the hyena in "The Snows of Kilimanjaro." The technique of introducing into the works something like simile, metaphor, implication, association, insinuation, reminder, or instigator by using animals could be regarded as of the topnotch quality. -
Hemingway Centennial Issue
Shawangunk Review State University of New York at New Paltz New Paltz, New York Volume XI Spring 2000 Shawangunk Review editors H.R. Stoneback, Director of Graduate Studies Daniel Kempton, Department Chair managing editor Jason Taylor Shawangunk Review, the journal of the English Graduate Program, is an annual review published by the Department of English at the State University of New York at New Paltz. Shawangunk Review publishes literary articles of interest to the graduate students and faculty, book reviews, poetry and reports and news about the program. The views expressed in Shawangunk Review are those of the authors and not necessarily those of the Department of English at suny New Paltz. Please address all correspondence to Shawangunk Review, Department of English, State University of New York, New Paltz, New York, 12561. Copyright© 2000 Department of English, State University of New York at New Paltz. All rights reserved. Shawangunk Review Volume Eleven Spring 2000 Special Hemingway Centennial Issue 4 From the Editors 5 Introduction H.R. Stoneback Part One: Keynote Speaker 9 Grace Under Millennial Pressure: Hemingway for the Twenty-First Century Valerie Hemingway 15 Discussion Session H.R. Stoneback, Moderator Part Two: Distinguished Guest Panelists 22 Reading Hemingway: Yesterday, Today, and Tomorrow Richard Allan Davison 26 Project for the Hemingway Centennial Year: The Reconstitution of the Legend of Ernest Hemingway Robin Gajdusek 28 Hemingway’s Legacy Allen Josephs 30 Hemingway’s Opening Paragraphs Donald Junkins 32 Hemingway at One Hundred: Saying Grace Robert W. Lewis 34 The Most Gentle and Loveliest Man… Linda P. Miller 36 On the Syntax of the Sacred, the ‘Moral Severity of Hemingway’s Sentences,’ and the Grammar of Greatness: Or, Homer, Dante Shakespeare—and Hemingway H.R. -
Who Controls Hemingway's Legacy?
Who controls Hemingway's legacy? By MAUREEN DOWD of Fashion Licensing of America, the when his father died because he The New York Times family's agent, saying Hemingway could not disappoint him anymore. Ltd. had exclusive rights "to use Patrick Hemingway, the middle son, ORT LAUDERDALE, Fla. - and/or exploit the name and likeness had to back off from a plan to market Hemingway shotguns. It was consid- For years people have come of Ernest Hemingway." Befitting the times we live in, the ered tacky, given that Papa killed him- to Key West to celebrate self with one. Now they have gone Papa. The town was small. issue is not whether American icons F should be exploited. The issue is "upscale" to protect that "authentic, And it grew large with tourists. The masculine and romantic" Hemingway sun was warm and it was good. You whether they should be exploited by image, in Metzner's words, with a could drink a Corsican wine that had strangers or loved ones. Hemingway Mont Blanc pen for $600 a great authority and a low price. It Martin Luther King Jr.'s children (it refuses to write long sentences), a was a very Corsican wine. And at are wringing every last dime out of line of eyeglasses starting at $375, and Sloppy Joe's, there were men at the their father's "I Have a Dream" a home-furnishings collection "which bar with white beards and big bellies speech with stiff licensing fees. Andj reflects the styles of Spain, Africa and who prayed for good bulls and good they sold Oliver Stone the rights to Key West." (Hemingway as Martha fish and good Buds. -
Example of an Authorship Review
Student’s Name Independent Honors English Authorship Review Fall 2020 Ernest Hemingway (1899-1961) Born in Oak Park, Illinois, on July 21, 1899, Ernest Hemingway grew up to be one of the most notable writers in 20th Century America, winning the Nobel Prize for Literature in 1953 for his novella, The Old Man and the Sea. His writing career began on his high school newspaper, Trapeze and Tabula, and his interest in journalism continued after graduation when he took a job as a reporter at the Kansas City Star. In 1918, 19-year-old Ernest served as an ambulance driver for the Red Cross in Italy but was subsequently injured in an explosion. He convalesced in a hospital in Milan and started a flirting relationship with a nurse named Agnes. This brief romance, along with his experience as an ambulance driver in WWI, served as the source material for his third novel, A Farewell to Arms. Back in Chicago, Ernest took a job writing for the Toronto Star and met his first wife, Hadley Richardson. The couple soon joined a growing number of literary expatriates - like F. Scott and Zelda Fitzgerald, and Ezra Pound - who relocated to Paris after the war. They were a part of the Lost Generation. While in Paris, Ernest and Hadley traveled with their friends frequently to Spain to watch the bull fights, thus giving him source material for his first published novel, The Sun Also Rises. Ernest and Hadley had one son, but the couple did not last on account of Ernest’s affair with Pauline Pfeiffer. -
Ivens Magazine Blz18tm37.Pdf
basin, Ivens yells: ‘We will shoot this scene again in half an June 15th – June 22nd 1956 Damme, Belgium June 25th - July 12th 1956, Mulde, Germany Gérard Philipe and Joris Ivens, hour! There is too much smoke, the horses do not cavort Part of the film crew travelled to Flanders, Bruges, in order On June 25th, Gérard Philipe and Joris Ivens arrived at film clips in East Germany enough and the bridge explosion is not as spectacular as it to add some authentic elements of the local colour to the Tempelhof airport in East Berlin together with the French from Les aventures de Till should be’ … The Dutch journalists could not believe what film. The shots of the actual canal and the opening scene in crew, after the press and hundreds of fans had been waiting l’Espiègle (The Adventures they saw. Their national history was being turned into a the dunes and the countryside were filmed there. And the there for hours. ‘Plenty of teen-agers came to see the ‘jeune of Till Eulenspiegel), 1956. film in the French Riviera by a‘ modest Dutchman’. They scene, in which the city of Damme goes up in flames. Mean- premier’ of the French film’, is what a journalist wrote, who © DEFA Stiftung wanted to know from Ivens how the collaboration was go- while, Ivens became continuously more concerned about was surprised that the fans were so hysterical. ing. ‘Gérard and I, we each direct certain fragments. He, for the direction in which the film was heading. ‘Attention que The last scenes in the GDR were all about the large-scaled instance, works a lot with the French actors, and does the l’action comique et dynamique ne domine pas, ou ébaufe la battles on the banks of the Scheldt between the Spaniards, work that requires the input of an experienced feature film situation serieuse.’, he wrote.24 After three months, he final- on the one hand, and the rebellions of the Geuzen army and man; I am responsible for the outside shoots and the action ly cut the knot and told DEFA that he wanted to back out of the mercenary army of the Prince of Orange on the other. -
Martha Gellhorn and Ernest Hemingway
MARTHA GELLHORN AND ERNEST HEMINGWAY: A LITERARY RELATIONSHIP H. L. Salmon, B.A. Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS May 2003 APPROVED: Timothy Parrish, Major Professor Peter Shillingsburg, Minor Professor Jacqueline Vanhoutte, Committee Member Brenda Sims, Chair, Graduate Studies in English C. Neal Tate, Dean of the Robert B. Toulouse School of Graduate Studies Salmon, H. L., Martha Gellhorn and Ernest Hemingway: A Literary Relationship, Master of Arts (English). May 2003. 55 pp. Martha Gellhorn and Ernest Hemingway met in Key West in 1937, married in 1941, and divorced in 1945. Gellhorn’s work exhibits a strong influence from Hemingway’s work, including collaboration on her work during their marriage. I will discuss three of her six novels: WMP (1934), Liana (1944), and Point of No Return (1948). The areas of influence that I will rely on in many ways follow the stages Harold Bloom outlines in Anxiety of Influence. Gellhorn’s work exposes a stage of influence that Bloom does not describe—which I term collaborative. By looking at Hemingway’s influence in Gellhorn’s writing the difference between traditional literary influence and collaborative influence can be compared and analyzed, revealing the footprints left in a work by a collaborating author as opposed to simply an influential one. ACKNOWLEDGMENTS I would like to thank Dr. Tim Parrish, who from its inception encouraged me to take on this project and whose encouragement throughout my degree work has been insightful and inspiring. Dr. Peter Shillingsburg served as a reader and mentor, and his high standards and personal integrity challenged me to make sure my own scholarship is a credible as his own. -
THE LETTERS 1932 – May 1934
Cambridge University Press 978-0-521-89737-2 — The Letters of Ernest Hemingway Volume 5: 1932–1934 Excerpt More Information THE LETTERS 1932 – May 1934 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-89737-2 — The Letters of Ernest Hemingway Volume 5: 1932–1934 Excerpt More Information © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-89737-2 — The Letters of Ernest Hemingway Volume 5: 1932–1934 Excerpt More Information January 1932 To John Dos Passos, [c. 4 January 1932] Box 406 Key West. Dear Dos, How the hell are you? Everybody is in ine shape here. Greg weighs 13 lbs. Big husky deep voiced slob. Been wonderful weather here. Warm as tarpon weather. No northers yet. Have been too damned busy going over this book1 to try for tarpon but they say there are thousands everywhere. Fishermen say most they ever saw. We got here a week before Christmas. Will be here until May anyway. You guys damned welcome anytime. New house will be swell when get it [a]ll ixed. Have roof, plumbing and lights ixed now.2 Practically no mosquitoes this year even out on the keys. Over- seas just re-opened on a dollar a day every room with bath special weekly rates basis.—3 Commercial ishermen havent been catching any mackerel or kings yet as it needs a norther to bring the migratory ish. Bra is in ine shape.4 Got a new bottom in the boat Did you go to Gaspe peninsula?5 What about coming down? Gabrielle, the lady dog we got to look ater baby is a malingering homesicker. -
Szerencsés Szigetek
Pákovics Miklós Afortunadas - Szerencsés szigetek © Pákovics Miklós, 1998. Győri Városi Könyvtár, 1998. Köszönet Győr Megyei Jogú Város Önkormányzata Oktatási Kulturális és Sportbizottságának, amely a kiadást az Alkotók Győrért Alapból támogatta, valamint köszönet Réger Frigyesnek, a Rába Rt.-nek és a Rába Cinema Kft.-nek TARTALOM Előszó Regény motívumok nélkül Menni, menni, menni Felicidades Az elfelejtett költő Borzalmas jókívánság Karácsony Las Palmasban Színvonal vagy takarékosság Jancsi Antoñete visszatér Perez Galdós A kis herceg España feliz Fesztivál után és előtt Federico Tető, egy tál étel és egy fórum Emilio menüje Téli futball Nekrológ gitárra Két cantautor Fesztivál a Kanári szigeteken A vámpírok órája Tegnap Mert andaluzok vagyunk Hajóstop Estefánia Otello féltékeny volt Naponta egy meccs, de jobb a kettő Mit ér az élet... Don Giovanni - Néstor tervei alapján Szigeti közérzet Lolita Pluma Spanyolok és turisták A szardínia elföldelése Graciliano Afonso utca Pigeon Drop A szendvicsevés ártalmai A nagy zabálás Murga a kifulladásig Lucrezia Borgia Egy, kettő, három Kraus meséi Kötéltánc A nagy parádé „A szimpatikus külföldi ellenség” Nem a gólya... Az öreg halász és a fotómasina Az unoka Espiritu Ha egyszer a bicikli elindul... A dezertőr nagy napja Ne bántsd a Montmartre-ot! Mexikó - Spanyolországból Egy este a Folies-ban Neked mondja Camarón Nélkülözhetetlen fölöslegesség Egy évforduló évfordulója Fehér kendőket lobogtatnak A madridi ügynök Nestor gyermekei Napló és szomorúság Büntető Puskásnak A szederfa Lorca - egy költő -
Ernest Hemingway's Mistresses and Wives
University of South Florida Digital Commons @ University of South Florida Graduate Theses and Dissertations Graduate School 10-28-2010 Ernest Hemingway’s Mistresses and Wives: Exploring Their Impact on His Female Characters Stephen E. Henrichon University of South Florida Follow this and additional works at: https://digitalcommons.usf.edu/etd Part of the American Studies Commons Scholar Commons Citation Henrichon, Stephen E., "Ernest Hemingway’s Mistresses and Wives: Exploring Their Impact on His Female Characters" (2010). Graduate Theses and Dissertations. https://digitalcommons.usf.edu/etd/3663 This Thesis is brought to you for free and open access by the Graduate School at Digital Commons @ University of South Florida. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Digital Commons @ University of South Florida. For more information, please contact [email protected]. Ernest Hemingway’s Mistresses and Wives: Exploring Their Impact on His Female Characters by Stephen E. Henrichon A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts Department of English College of Arts and Sciences University of South Florida Major Professor: Phillip Sipiora, Ph. D. Lawrence R. Broer, Ph. D. Victor Peppard, Ph. D. Date of Approval: October 28, 2010 Keywords: Up in Michigan, Cat in the Rain, Canary for One, Francis Macomber, Kilimanjaro, White Elephants, Nobody Ever Dies, Seeing-Eyed Dog © Copyright 2010, Stephen E. Henrichon TABLE OF CONTENTS ABSTRACT -
Ken Magazine, the Consumer Market, and the Spanish Civil
The Pennsylvania State University The Graduate School Department of English POLITICS, THE PRESS, AND PERSUASIVE AESTHETICS: SHAPING THE SPANISH CIVIL WAR IN AMERICAN PERIODICALS A Dissertation in English by Gregory S. Baptista © 2009 Gregory S. Baptista Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy December 2009 ii The dissertation of Gregory S. Baptista was reviewed and approved* by the following: Mark S. Morrisson Associate Professor of English Graduate Director Dissertation Advisor Chair of Committee Robin Schulze Professor of English Department Head Sandra Spanier Professor of English and Women’s Studies James L.W. West III Edwin Erle Sparks Professor of English Philip Jenkins Edwin Erle Sparks Professor of the Humanities *Signatures are on file in the Graduate School iii ABSTRACT This dissertation explores the presentation of the Spanish Civil War in selected American periodicals. Understanding how war-related works functioned (aesthetically and rhetorically) requires a nuanced view of the circumstances of their production and an awareness of their immediate cultural context. I consider means of creation and publication to examine the complex ways in which the goals of truth-seeking and truth-shaping interacted—and were acted upon by the institutional dynamics of periodical production. By focusing on three specific periodicals that occupied different points along a line leading outward from the mainstream of American culture, I examine the ways in which certain pro- Loyalist writers and editors attempted to shape the truth of the Spanish war for American readers within the contexts and inherent restrictions of periodical publication. I argue that responses to the war in these publications are products of a range of cultural and institutional forces that go beyond the political affiliations or ideological stances of particular writers. -
Fathers and Sons in the Fiction of Ernest Hemingway
FATHERS AND SONS IN THE FICTION OF ERNEST HEMINGWAY by ROBERT CHARLES CLARK (Under the Direction of James Nagel) ABSTRACT This thesis will show that Ernest Hemingway’s fictional portrayal of fathers and sons is complex and multi-layered. It is an argument against a critical tradition that has largely misread Hemingway’s writing about the paternal role. In the course of my essay, I provide close readings of seven short stories, “Indian Camp,” “Ten Indians,” “The Doctor and the Doctor’s Wife,” “Cross-Country Snow,” “Fathers and Sons,” “Great News from the Mainland,” “I Guess Everything Reminds You of Something,” and one novel, Islands in the Stream. INDEX WORDS: Ernest Hemingway, Fathers and Sons FATHERS AND SONS IN THE FICTION OF ERNEST HEMINGWAY by ROBERT CHARLES CLARK B. A., Wheaton College, 1997 M. A., Furman University, 2003 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2006 © 2006 Robert Charles Clark All Rights Reserved FATHERS AND SONS IN THE FICTION OF ERNEST HEMINGWAY by ROBERT CHARLES CLARK Major Professor: James Nagel Committee: Hubert McAlexander Hugh Ruppersburg Electronic Version Approved: Maureen Grasso Dean of the Graduate School The University of Georgia May 2006 iv DEDICATION For my wife Heather and our two children, Samuel and Annika. v ACKNOWLEDGEMENTS I would like to thank my advisor, Dr. James Nagel, for his patience, guidance, and encouragement. I would also like to express gratitude to my father for instilling within me a formidable work ethic, and my grandfather, Rudolph M.