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Creatures in Hemingway's Short Stories: Les Hommages to Human Grief
Creatures in Hemingway's Short Stories: 静岡県立大学 Les Hommages to Human Grief 99 短期大学部 研究紀要第 12-1 号 1998 年度 Creatures in Hemingway's Short Stories: Les Hommages to Human Grief Hiroshi TAKAHASHI The Complete Short Stories of Ernest Hemingway, the Finca Vigía Edition published by Charles Scribner's Sons in 1987, contains in its whole bulk of seventy stories the eight items in whose titles Hemingway had the same number of creatures included: ① "Cat in the Rain," ② "Hills Like White Elephants," ③ "A Canary for One," ④ "The Butterfly and the Tank," ⑤ "The Good Lion," ⑥ "The Faithful Bull," ⑦ "Get a Seeing-Eyed Dog," and ⑧ "Black Ass at the Cross Roads"(gothics added). While it is admitted that the group of animals mentioned above show the author's innate penchant for animated nature such as often seen in his works, whether in novels, in short stories, or in essays, it may also be of some interest to some readers and critics of Hemingway's short stories to notice that these eight stories may be capable of a collective survey as one lot, in terms of his technical feats by exquisitely using living things as crucial props or measures to enhance dramatic effects with, although not like such significantly big elements in the development of stories as the bulls in The Sun Also Rises or the leopard and the hyena in "The Snows of Kilimanjaro." The technique of introducing into the works something like simile, metaphor, implication, association, insinuation, reminder, or instigator by using animals could be regarded as of the topnotch quality. -
Euskal Etxeak
SPORTS KIROLAK ATHLETIC, REAL AND ALAVÉS ENJOY A GOLDEN SEASON Basque soccer nearly touches heaven The streets of Euskadi swarmed with joyful people because of soccer results. Each of the capitals had a reason to ce- lebrate. In Bilbao, in the year of the cen- tennial, the Athletic gave reasons to dream of a second position in the lea- gue that gives way to the famous Euro- pean “Champions League”. Donostia was all dressed up in white and blue to celebrate the third position, and Vitoria- Gasteiz was just delirious after the pro- motion of “glorious” Alavés to the first division, after 42 years of absence. And as if this was not enough, the Basque victories found in the Real Madrid a convenient “scapegoat”, for Athletic and Real had better positions than the team from Madrid in a season in which the Alavans had eliminated it from the Cup. Practically there is nothing more we could ask for. The night of Friday May 15th, was certainly unusual. In the first place be- cause of the day; we are used to cele- brate soccer matches on Saturdays or Sundays, so that night didn’t seem favo- rable. Moreover the League was still open. Except for the first position, con- quered by the Barcelona team in prece- ding matches, all the rest was still to be decided: the first positions, the teams that would take part in European com- petitions and those to be demoted. So- me domestic quarrels, such as who would get a better position, Athletic or Real, what was going to happen with Real Madrid, etc., also had to be eluci- dated. -
Del Bosque Asegura Que “Vamos a Intentar Ser Campeones
REVISTA DE LA RFEF ✦ AÑO XIV ✦ NÚMERO 116 ✦ ENERO 2009 ✦ 2,50 e REVISTA DE LA RFEF AÑO XVIII - Nº 170 Octubre 2013 - 2,50 € España defenderá el título Del Bosque asegura que “vamos a intentar ser campeones. No nos hemos debilitado. Estamos en el mismo cajón de salida que otros aspirantes al Mundial. Los números de la selección son elocuentes. Demuestran que este equipo no es una ráfaga”. Victorias sobre Bielorrusia y Georgia. Invictos en fases de clasificación desde el 7 de octubre de 2007. En las tres últimas M-2010, Euro 2012 y M-2014, 24 victorias y dos empates. editorial La energía del presente. La energía del futuro. Unos números absolutamente terminantes www.laenergiadelaroja.com LA SELECCIÓN ESPAÑOLA DE FÚTBOL culminó a domicilio: ganó los cuatro encuentros disputados y uno en el estadio Carlos Belmonte de Albacete, abarrotado, de ellos de una importancia extraordinaria, el que le en- por cierto, su clasificación para la fase final del Mundial frentó a Francia en el estadio de Saint Denis. Ahí estuvo 2014. Cerró su camino con el sexto de sus triunfos en la clave de todo y la demostración de la grandeza del la ronda de clasificatoria en los ocho encuentros dispu- equipo. tados. Los otros dos concluyeron en tablas, ambas en La selección llegará a Brasil con lo más granado del campo propio, ante finlandeses y franceses, fruto de dos fútbol mundial. No ha habido grandes sorpresas en acciones aisladas. ese aspecto. Lo hará España avalada por una racha La brillante clasificación del equipo nacional corrobora sin parangón, tal y como acreditamos en el reportaje el estatus que le tiene desde hace años en lo más alto que publicamos en estas páginas y que refleja, senci- del ranking mundial. -
Ernest Hemingway's Mistresses and Wives
University of South Florida Digital Commons @ University of South Florida Graduate Theses and Dissertations Graduate School 10-28-2010 Ernest Hemingway’s Mistresses and Wives: Exploring Their Impact on His Female Characters Stephen E. Henrichon University of South Florida Follow this and additional works at: https://digitalcommons.usf.edu/etd Part of the American Studies Commons Scholar Commons Citation Henrichon, Stephen E., "Ernest Hemingway’s Mistresses and Wives: Exploring Their Impact on His Female Characters" (2010). Graduate Theses and Dissertations. https://digitalcommons.usf.edu/etd/3663 This Thesis is brought to you for free and open access by the Graduate School at Digital Commons @ University of South Florida. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Digital Commons @ University of South Florida. For more information, please contact [email protected]. Ernest Hemingway’s Mistresses and Wives: Exploring Their Impact on His Female Characters by Stephen E. Henrichon A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts Department of English College of Arts and Sciences University of South Florida Major Professor: Phillip Sipiora, Ph. D. Lawrence R. Broer, Ph. D. Victor Peppard, Ph. D. Date of Approval: October 28, 2010 Keywords: Up in Michigan, Cat in the Rain, Canary for One, Francis Macomber, Kilimanjaro, White Elephants, Nobody Ever Dies, Seeing-Eyed Dog © Copyright 2010, Stephen E. Henrichon TABLE OF CONTENTS ABSTRACT -
Aragondeportivo Nº 219 25/10/2020 REAL ZARAGOZA - C.E
deportivo aragondeportivo Nº 219 25/10/2020 REAL ZARAGOZA - C.E. SABADELL aragon EL LÁTIGO DE DIOS por Ortiz Remacha @ortizremacha LA CULPA ES DEL por ninguna de las causas abiertas, ni los actuales dirigentes han promovido EMPEDRADO un proyecto de calado para edificar la construcción con garantías. La llegada agónica de Víctor Fernández, la anterior Decía antes de comenzar el partido salvación conseguida por César Laínez Rubén Baraja que “tenemos muy y un montón de entrenadores que han empapado el 4-4-2” y después que “hemos pasado sin pena ni gloria y tan dispares perdido tan solo por un detalle”. Es decir como Imanol Idiákez o Lucas Alcaraz, que el sistema es formidable y que nos manifiestan la falta de planificación han ganado por una circunstancia casual. deportiva. Tapándonos los ojos, echándole la culpa al empedrado, jamás tendremos un Es muy pronto para renunciar a nada punto de referencia objetivo para luchar y se debe exigir al cuerpo técnico y a la con posibilidades de victoria. También plantilla que asuman sus obligaciones. es posible que se digan esas cosas en Es posible que en estos partidos a “cara y la rueda de prensa previa y posterior al cruz” alguna vez la moneda nos beneficie partido porque es lo que tiene que decir. pero, para jugar así, no merece la pena O porque da igual lo que se diga ante un instalarnos en el sufrimiento permanente. público que no puede acudir al estadio ni Cambiar para mejorar no significa manifestarse por el estado sanitario que hacer rotaciones como si estuviéramos sufrimos. -
Box and Folder Listing
CLARKE HISTORICAL LIBRARY CENTRAL MICHIGAN UNIVERSITY Ernest Hemingway Collection, 1901, 2014, and undated 6.5 cubic ft. (in 8 boxes, 9 Oversized folders, 4 reels in 4 film canisters* and 52 framed items) ACQUISITION: The collection was donated in several parts by Michael Federspiel and the Michigan Hemingway Society, Acc# 67522 (Oct. 4, 2002), 67833 (April 2003), 68091 (Oct. 2003), 68230 (Dec. 2003), by Ken Mark and the Michigan Hemingway Society, 68076 (Oct. 2003), Rebecca Zeiss, 68386 (Oct. 2003), 68415 by Ken Mark (April 27, 2004), by Charlotte Ponder 68419 (May 2004), 68698 by Federspiel (Sept. 30, 2004), 68848 by the Hemingway Society (Dec.6, 2004), 69475, 70252, 70401 (April 2007), 70680-70682 and 70737 (Summer 2007), 71358 (July 2008), 71396 (Aug. 2008), 71455 (Oct. 2008), 72160 (Nov. 2010), 73641 (Sept. 2012), 73683 by Pat Davis (Sept. 2012), 73751 (Nov. 2012), 72579 (Nov. 2013), 74631 (Aug. 2014), 74561 (Nov. 2014), 74763 and 74772 (Dec. 2014), M. Federspiel 2019 Addition 76686 (2019), 76811 (2020), no MS#. The collection is ongoing. ACCESS: The collection is open to researchers. COPYRIGHT: Copyright is held neither by CMU nor the Clarke. Copyright of letters composed by EH is held by The Ernest Hemingway Foundation and Society. PHOTOGRAPHS: In Boxes 2-6, 9. NOTE: * for purposes of encoding the film canisters are listed as Box #8, in addition to other boxes in the collection. PROCESSED BY: M. Matyn, 2003, 2009, ongoing. Biography: Ernest Hemingway was born July 21, 1899 in Oak Park, Illinois, the son of Clarence E. Hemingway, a doctor, and Grace Hall-Hemingway, a musician and voice teacher. -
Revisions, Corrections and Additions to the Hemingway Log: a Chronology of His Life and Times
Brewster Chamberlin | 1 Revisions, Corrections and Additions to The Hemingway Log: A Chronology of His Life and Times Brewster Chamberlin (University Press of Kansas, 2015) ny published chronology, regardless of subject, is out of date on the day it is printed. This is the risk writers of chronologies are well aware of Abut take that risk anyway. The Hemingway Log is no exception, which is the justification for what follows. Indeed, the tremendous amount of new and corrected material which the Hemingway industry created since 2015 is both staggering and for me embarrassing. Thus, despite the fact that the Uni- versity Press of Kansas is unable to bring out a new edition of the Log, I have determined that not making this series of revisions available to the scholarly and general public would be a disservice to both readerships. This of course is particularly true in the case of correcting errors which crept into the 2015 volume. As a result, I am particularly grateful to Kirk Curnutt and the board of the Hemingway Society for the opportunity to make this text available on the Society’s web site. In the future, as the Hemingway Letters Project staff uncovers additional information, this chronology could be extended for years, but that task will have to be accomplished by someone other than this author. I hope the following notes are reasonably clear and useful. Inevitably the entries below refer to pages and entries in the Log; this may be cumbersome but I have not been able to come up with an alternative method. -
Ernest Hemingway and His Unconventional Role in World War II
IAFOR Journal of Arts & Humanities Volume 6 – Issue 1 – Spring 2019 Ernest Hemingway and His Unconventional Role in World War II Anders Greenspan, Texas A&M University-Kingsville, USA Abstract While Ernest Hemingway is often viewed as one of the United States’ greatest writers, the heterogeneous features of his life experience can surprise readers who are simply familiar with his literary production. Although he officially served as a correspondent in World War II, Hemingway wrote only five articles during his time in Europe in 1944 and 1945. Much of his time away from writing was spent participating in irregular warfare. While Hemingway officially denied the charges made against him by other correspondents, Hemingway’s private correspondence reveals that he did, in fact, actively engage in the war effort. Indeed, as a reward for his heroics, Hemingway was decorated with the Bronze Star Medal, the highest military award available to a civilian. The official citation credited Hemingway with courage while bringing the reality of war to his readers. His battlefield heroics could not be mentioned in the citation because it was against the Geneva Convention for correspondents to engage in military actions. There is no doubt, however, that such actions did take place. While Hemingway’s actions were illegal, they undoubtedly helped the US forces advance in France. Sundry skills, from his knowledge of French to his ability to read maps and understand terrain, proved highly useful to US military commanders in the area. Keywords: Hemingway, World War II, irregular warfare 63 IAFOR Journal of Arts & Humanities Volume 6 – Issue 1 – Spring 2019 It is customary to regard Ernest Hemingway as one of the greatest writers of the twentieth century, part of the group of men whom Gertrude Stein called the “lost generation.” Hemingway did not necessarily agree with that characterization, however. -
Poesía Y Fútbol: Un Verso Para Cada Escuadra” JACLR: Journal Of
JACLR Journal of Artistic Creation & Literary Research JACLR: Revista de Creación Artística e Investigación Literaria (Journal of Artistic Creation and Literary Research) es una publicación bianual de la Universidad Complutense Madrid, revisada por pares, en texto completo y acceso abierto. La revista, publicada y editada por estudiantes recién graduados, ofrece trabajos de investigación, tesinas de grado y de master, junto con contribuciones originales de creación artística. El objetivo es que los estudiantes se eduquen en el proceso de edición de una revista científica al tiempo que se integra innovación educativa y artística con el fin de promover los trabajos de creación de los estudiantes. Los autores cuyos trabajos se publican mantienen los derechos de autor sobre los mismos, de forma que estos pueden ser publicados en otros lugares. Volumen 2 Número 2 (Diciembre 2014) Artículo 8 Sergio Vicente Z. “Poesía y fútbol: un verso para cada escuadra” Recommended Citation Vicente Z., Sergio. "Poesía y fútbol: un verso para cada escuadra” JACLR: Journal of Artistic Creation and Literary Research 2.2 (2014): 73-102 <https://www.ucm.es/siim/journal-of-artistic-creation-and-literary-research> ©Universidad Complutense de Madrid, Spain This text has been blind peer reviewed by 2+1 experts in the field. Resumen: El presente trabajo ahonda en una relación poco explorada hasta el momento, como es la del fútbol y las letras. Desde un análisis primario en el que discute el origen de este contacto, se tratarán más adelante aquellos poemas que glorifican la figura de un jugador, cuyas raíces transportan a las vanguardias hispanoamericanas. Después, un recorrido por la discusión que siempre rodea al balón, estudiada desde una perspectiva estrictamente poética. -
Biographical Studies of Ernest Hemingway in the 21St Century: New Trends and New Features Siyu Chen
Advances in Social Science, Education and Humanities Research, volume 497 Proceedings of the 2nd International Conference on Literature, Art and Human Development (ICLAHD 2020) Biographical Studies of Ernest Hemingway in the 21st Century: New Trends and New Features Siyu Chen College of Literature and Journalism, Sichuan University, Chengdu, Sichuan, 610064, China Corresponding author: Siyu Chen. Email: [email protected] ABSTRACT The biographical criticism of Ernest Hemingway, as an indispensable part of Hemingway studies, has been playing a crucial role in injecting vigor and vitality with its vast number of biographical works, rich content and various forms. This paper focuses on the new Hemingway biographies published since the 21st century. By summarizing and selecting representative works, this paper discovers that biographical studies of Hemingway in the 21st century transform from comprehensiveness to specialization, from general biographies to thematic biographies. Besides, there are five new features: (1) extension of new research areas; (2) exploration of innovative and unique research perspectives; (3) application of diverse research approaches; (4) discoveries of new research materials; (5) the diversity of Hemingway’s biographers. Keywords: Ernest Hemingway, biographical criticism, 21st century, new trends, new features 1. INTRODUCTION 2. NEW TRENDS: FROM COMPREHENSIVENESS TO Ernest Hemingway, as an American writer who enjoys SPECIALIZATION worldwide fame, has exerted far-reaching influence on the American literature and even the world literature. In the 20th century, most of the biographies of Hemingway’s literary works are widely spread throughout Hemingway concentrated on the comprehensiveness of his the world while his unique writing style has affected life experience, while in the 21st century, biographies have numerous writers and Hemingway aficionados, thus turned to become more specialized, focusing on a certain making Hemingway studies in academia vibrant and period of Hemingway’s life, an important event, a visit to prosperous. -
Cerillas Temporada 1936-37
Cerillas Temporada 1936-37 Monopolio de cerillas y fósforos, 1936 Serie de dibujos y fotografías de los jugadores de fútbol de la Temporada 1936- 37, que no se disputó al estallar la Guerra Civil, y que constituían la parte delantera de las cajas de cerillas del “MONOPOLIO DE CERILLAS Y FÓSFOROS” de la Hacienda Pública. En la parte superior del rectángulo que contiene al jugador aparece la leyenda “TEMPORADA 1.936-1.937” y en la parte inferior el número de la serie y el nombre del jugador. Las dimensiones del rectángulo son 3 x 4’5. Colección muy rara e interesante. Otro detalle que añade dificultad a la serie es la no especificación de los equipos a los que pertenecen los jugadores. Al dorso se indica que de forma aleatoria pueden aparecer vales canjeables por décimos de lotería de 3 pesetas. Además hace referencia a que con los retratos de los 3 x 4,5 cms futbolistas se podrán conseguir otros regalos. Lateral de una de las cajitas C. D. Sabadell (24-38) 24 Manuel Parera 25 Angel Carvet 26 José Morral 27 Antonio Sangüesa 28 Vicente García (Elche C. F.) 29 Valentín Font 30 Alfonso Romeu 31 Pedro Florenza 32 Blas Velarde 33 Miguel Gual Dorso de una de las cajitas de cerillas 34 Juan Masip 35 Francisco Moya 1 Tomás Aguirre 36 Salvador Blanch 2 José Silvosa 37 Liberto Folch Versión fotográfica 3 Emilio Pérez 38 Jaime Esteve 3 x 4’5 cms. 4 Angel García Coca 39 Manuel Torres 5 Sabino Aguirre 40 Manuel Bueno 58 Severiano Goiburu 6 Román Arrieta 41 C. -
Adriana Ivancich Biaggini Di: Piero Ambrogio Pozzi
Adriana Ivancich Biaggini di: Piero Ambrogio Pozzi Adriana, terza figlia del nobile Carlo Ivancich e di Dora Betti, appartiene a una famiglia veneziana discendente da armatori di Lussinpiccolo nel Quarnero, che vive sulla conduzione di fondi agricoli e di immobili in Venezia. La famiglia Ivancich, leale al re fino all'8 Settembre 1943, dà asilo a soldati alleati sbandati e a ebrei. Il fratello maggiore Gianfranco è eroe della guerra d'Africa e della Resistenza. Adriana stessa aiuta un aviatore australiano e fa da staffetta ai partigiani. Gli anni di studio e dell'adolescenza della ragazza Ivancich attraversano la Seconda Guerra Mondiale e l'immediato dopoguerra. Nonostante la famiglia esca impoverita dal conflitto, e nonostante che il padre sia stato assassinato da pseudo partigiani criminali, Adriana viene mandata al Brillantmont di Losanna, in Svizzera, per migliorare il suo francese, e va in vacanza a Cortina e a Capri. Adriana ha conosciuto tutte le atrocità della guerra, ma nel 1948 è una bellissima ragazza da marito, che si occupa di iniziative caritatevoli e frequenta la migliore società veneziana. La famiglia è proprietaria di un palazzo disegnato dal Sansovino in Calle del Rimedio, a Venezia, e di una grande villa a San Michele al Tagliamento, quasi completamente distrutta dai bombardamenti alleati nel corso della guerra appena terminata. Anche i palazzi Ferro e Fini, adiacenti al palazzo Pisani che sarebbe poi diventato l'Hotel Gritti, appartenevano agli Ivancich. Sono tutti luoghi che fanno da sfondo al romanzo Across the River and Into the Trees, di Ernest Hemingway, così come Adriana è la musa ispiratrice del libro e il modello per il personaggio di Renata.