Biographical Studies of Ernest Hemingway in the 21St Century: New Trends and New Features Siyu Chen
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Creatures in Hemingway's Short Stories: Les Hommages to Human Grief
Creatures in Hemingway's Short Stories: 静岡県立大学 Les Hommages to Human Grief 99 短期大学部 研究紀要第 12-1 号 1998 年度 Creatures in Hemingway's Short Stories: Les Hommages to Human Grief Hiroshi TAKAHASHI The Complete Short Stories of Ernest Hemingway, the Finca Vigía Edition published by Charles Scribner's Sons in 1987, contains in its whole bulk of seventy stories the eight items in whose titles Hemingway had the same number of creatures included: ① "Cat in the Rain," ② "Hills Like White Elephants," ③ "A Canary for One," ④ "The Butterfly and the Tank," ⑤ "The Good Lion," ⑥ "The Faithful Bull," ⑦ "Get a Seeing-Eyed Dog," and ⑧ "Black Ass at the Cross Roads"(gothics added). While it is admitted that the group of animals mentioned above show the author's innate penchant for animated nature such as often seen in his works, whether in novels, in short stories, or in essays, it may also be of some interest to some readers and critics of Hemingway's short stories to notice that these eight stories may be capable of a collective survey as one lot, in terms of his technical feats by exquisitely using living things as crucial props or measures to enhance dramatic effects with, although not like such significantly big elements in the development of stories as the bulls in The Sun Also Rises or the leopard and the hyena in "The Snows of Kilimanjaro." The technique of introducing into the works something like simile, metaphor, implication, association, insinuation, reminder, or instigator by using animals could be regarded as of the topnotch quality. -
Szerencsés Szigetek
Pákovics Miklós Afortunadas - Szerencsés szigetek © Pákovics Miklós, 1998. Győri Városi Könyvtár, 1998. Köszönet Győr Megyei Jogú Város Önkormányzata Oktatási Kulturális és Sportbizottságának, amely a kiadást az Alkotók Győrért Alapból támogatta, valamint köszönet Réger Frigyesnek, a Rába Rt.-nek és a Rába Cinema Kft.-nek TARTALOM Előszó Regény motívumok nélkül Menni, menni, menni Felicidades Az elfelejtett költő Borzalmas jókívánság Karácsony Las Palmasban Színvonal vagy takarékosság Jancsi Antoñete visszatér Perez Galdós A kis herceg España feliz Fesztivál után és előtt Federico Tető, egy tál étel és egy fórum Emilio menüje Téli futball Nekrológ gitárra Két cantautor Fesztivál a Kanári szigeteken A vámpírok órája Tegnap Mert andaluzok vagyunk Hajóstop Estefánia Otello féltékeny volt Naponta egy meccs, de jobb a kettő Mit ér az élet... Don Giovanni - Néstor tervei alapján Szigeti közérzet Lolita Pluma Spanyolok és turisták A szardínia elföldelése Graciliano Afonso utca Pigeon Drop A szendvicsevés ártalmai A nagy zabálás Murga a kifulladásig Lucrezia Borgia Egy, kettő, három Kraus meséi Kötéltánc A nagy parádé „A szimpatikus külföldi ellenség” Nem a gólya... Az öreg halász és a fotómasina Az unoka Espiritu Ha egyszer a bicikli elindul... A dezertőr nagy napja Ne bántsd a Montmartre-ot! Mexikó - Spanyolországból Egy este a Folies-ban Neked mondja Camarón Nélkülözhetetlen fölöslegesség Egy évforduló évfordulója Fehér kendőket lobogtatnak A madridi ügynök Nestor gyermekei Napló és szomorúság Büntető Puskásnak A szederfa Lorca - egy költő -
Ernest Hemingway's Mistresses and Wives
University of South Florida Digital Commons @ University of South Florida Graduate Theses and Dissertations Graduate School 10-28-2010 Ernest Hemingway’s Mistresses and Wives: Exploring Their Impact on His Female Characters Stephen E. Henrichon University of South Florida Follow this and additional works at: https://digitalcommons.usf.edu/etd Part of the American Studies Commons Scholar Commons Citation Henrichon, Stephen E., "Ernest Hemingway’s Mistresses and Wives: Exploring Their Impact on His Female Characters" (2010). Graduate Theses and Dissertations. https://digitalcommons.usf.edu/etd/3663 This Thesis is brought to you for free and open access by the Graduate School at Digital Commons @ University of South Florida. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Digital Commons @ University of South Florida. For more information, please contact [email protected]. Ernest Hemingway’s Mistresses and Wives: Exploring Their Impact on His Female Characters by Stephen E. Henrichon A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts Department of English College of Arts and Sciences University of South Florida Major Professor: Phillip Sipiora, Ph. D. Lawrence R. Broer, Ph. D. Victor Peppard, Ph. D. Date of Approval: October 28, 2010 Keywords: Up in Michigan, Cat in the Rain, Canary for One, Francis Macomber, Kilimanjaro, White Elephants, Nobody Ever Dies, Seeing-Eyed Dog © Copyright 2010, Stephen E. Henrichon TABLE OF CONTENTS ABSTRACT -
Box and Folder Listing
CLARKE HISTORICAL LIBRARY CENTRAL MICHIGAN UNIVERSITY Ernest Hemingway Collection, 1901, 2014, and undated 6.5 cubic ft. (in 8 boxes, 9 Oversized folders, 4 reels in 4 film canisters* and 52 framed items) ACQUISITION: The collection was donated in several parts by Michael Federspiel and the Michigan Hemingway Society, Acc# 67522 (Oct. 4, 2002), 67833 (April 2003), 68091 (Oct. 2003), 68230 (Dec. 2003), by Ken Mark and the Michigan Hemingway Society, 68076 (Oct. 2003), Rebecca Zeiss, 68386 (Oct. 2003), 68415 by Ken Mark (April 27, 2004), by Charlotte Ponder 68419 (May 2004), 68698 by Federspiel (Sept. 30, 2004), 68848 by the Hemingway Society (Dec.6, 2004), 69475, 70252, 70401 (April 2007), 70680-70682 and 70737 (Summer 2007), 71358 (July 2008), 71396 (Aug. 2008), 71455 (Oct. 2008), 72160 (Nov. 2010), 73641 (Sept. 2012), 73683 by Pat Davis (Sept. 2012), 73751 (Nov. 2012), 72579 (Nov. 2013), 74631 (Aug. 2014), 74561 (Nov. 2014), 74763 and 74772 (Dec. 2014), M. Federspiel 2019 Addition 76686 (2019), 76811 (2020), no MS#. The collection is ongoing. ACCESS: The collection is open to researchers. COPYRIGHT: Copyright is held neither by CMU nor the Clarke. Copyright of letters composed by EH is held by The Ernest Hemingway Foundation and Society. PHOTOGRAPHS: In Boxes 2-6, 9. NOTE: * for purposes of encoding the film canisters are listed as Box #8, in addition to other boxes in the collection. PROCESSED BY: M. Matyn, 2003, 2009, ongoing. Biography: Ernest Hemingway was born July 21, 1899 in Oak Park, Illinois, the son of Clarence E. Hemingway, a doctor, and Grace Hall-Hemingway, a musician and voice teacher. -
Revisions, Corrections and Additions to the Hemingway Log: a Chronology of His Life and Times
Brewster Chamberlin | 1 Revisions, Corrections and Additions to The Hemingway Log: A Chronology of His Life and Times Brewster Chamberlin (University Press of Kansas, 2015) ny published chronology, regardless of subject, is out of date on the day it is printed. This is the risk writers of chronologies are well aware of Abut take that risk anyway. The Hemingway Log is no exception, which is the justification for what follows. Indeed, the tremendous amount of new and corrected material which the Hemingway industry created since 2015 is both staggering and for me embarrassing. Thus, despite the fact that the Uni- versity Press of Kansas is unable to bring out a new edition of the Log, I have determined that not making this series of revisions available to the scholarly and general public would be a disservice to both readerships. This of course is particularly true in the case of correcting errors which crept into the 2015 volume. As a result, I am particularly grateful to Kirk Curnutt and the board of the Hemingway Society for the opportunity to make this text available on the Society’s web site. In the future, as the Hemingway Letters Project staff uncovers additional information, this chronology could be extended for years, but that task will have to be accomplished by someone other than this author. I hope the following notes are reasonably clear and useful. Inevitably the entries below refer to pages and entries in the Log; this may be cumbersome but I have not been able to come up with an alternative method. -
Ernest Hemingway and His Unconventional Role in World War II
IAFOR Journal of Arts & Humanities Volume 6 – Issue 1 – Spring 2019 Ernest Hemingway and His Unconventional Role in World War II Anders Greenspan, Texas A&M University-Kingsville, USA Abstract While Ernest Hemingway is often viewed as one of the United States’ greatest writers, the heterogeneous features of his life experience can surprise readers who are simply familiar with his literary production. Although he officially served as a correspondent in World War II, Hemingway wrote only five articles during his time in Europe in 1944 and 1945. Much of his time away from writing was spent participating in irregular warfare. While Hemingway officially denied the charges made against him by other correspondents, Hemingway’s private correspondence reveals that he did, in fact, actively engage in the war effort. Indeed, as a reward for his heroics, Hemingway was decorated with the Bronze Star Medal, the highest military award available to a civilian. The official citation credited Hemingway with courage while bringing the reality of war to his readers. His battlefield heroics could not be mentioned in the citation because it was against the Geneva Convention for correspondents to engage in military actions. There is no doubt, however, that such actions did take place. While Hemingway’s actions were illegal, they undoubtedly helped the US forces advance in France. Sundry skills, from his knowledge of French to his ability to read maps and understand terrain, proved highly useful to US military commanders in the area. Keywords: Hemingway, World War II, irregular warfare 63 IAFOR Journal of Arts & Humanities Volume 6 – Issue 1 – Spring 2019 It is customary to regard Ernest Hemingway as one of the greatest writers of the twentieth century, part of the group of men whom Gertrude Stein called the “lost generation.” Hemingway did not necessarily agree with that characterization, however. -
Adriana Ivancich Biaggini Di: Piero Ambrogio Pozzi
Adriana Ivancich Biaggini di: Piero Ambrogio Pozzi Adriana, terza figlia del nobile Carlo Ivancich e di Dora Betti, appartiene a una famiglia veneziana discendente da armatori di Lussinpiccolo nel Quarnero, che vive sulla conduzione di fondi agricoli e di immobili in Venezia. La famiglia Ivancich, leale al re fino all'8 Settembre 1943, dà asilo a soldati alleati sbandati e a ebrei. Il fratello maggiore Gianfranco è eroe della guerra d'Africa e della Resistenza. Adriana stessa aiuta un aviatore australiano e fa da staffetta ai partigiani. Gli anni di studio e dell'adolescenza della ragazza Ivancich attraversano la Seconda Guerra Mondiale e l'immediato dopoguerra. Nonostante la famiglia esca impoverita dal conflitto, e nonostante che il padre sia stato assassinato da pseudo partigiani criminali, Adriana viene mandata al Brillantmont di Losanna, in Svizzera, per migliorare il suo francese, e va in vacanza a Cortina e a Capri. Adriana ha conosciuto tutte le atrocità della guerra, ma nel 1948 è una bellissima ragazza da marito, che si occupa di iniziative caritatevoli e frequenta la migliore società veneziana. La famiglia è proprietaria di un palazzo disegnato dal Sansovino in Calle del Rimedio, a Venezia, e di una grande villa a San Michele al Tagliamento, quasi completamente distrutta dai bombardamenti alleati nel corso della guerra appena terminata. Anche i palazzi Ferro e Fini, adiacenti al palazzo Pisani che sarebbe poi diventato l'Hotel Gritti, appartenevano agli Ivancich. Sono tutti luoghi che fanno da sfondo al romanzo Across the River and Into the Trees, di Ernest Hemingway, così come Adriana è la musa ispiratrice del libro e il modello per il personaggio di Renata. -
Hemingway Collection
Edward P. Jones sites that offer lesson plans and 2006 classroom guides. The Friends of the Missing an old Friends of the Fall/Winter Hemingway Collection Newsletter or can’t recall what Richard Russo Hemingway said as guest speaker at the 2005 Hemingway Foundation/PEN Awards? Collection Visit the News section of the Ernest Hemingway Collection at www.jfklibrary.org You can also register Newsletter online for the Patrick Hemingway Forum on December 3. John F. Kennedy Presidential Library and Museum The News section also provides the transcripts of past forums, past Hemingway Foundation/PEN Not dated, 1950’s, Ernest Hemingway with transcripts, past news releases, the his cat Cristobal Colon, at the Finca Vigia, Patrick Hemingway to reminisce about his father, the Hemingway home in Cuba John. F. Kennedy Library Foundation Newsletter and the Friends of the Ernest Hemingway, at an upcoming Kennedy Library Forum Website Update Hemingway Collection Newsletters. 3:00 to 4:00 p.m., is Edward P. Jones. Mr. Jones won the Pulitzer Prize Since the launch of our new website at Join the Friends of the Hemingway This winter, Patrick Hemingway, Patrick Hemingway has written and the National Book Critics Circle www.jfklibrary.org we have continued to Collection section allows you to join the son of Ernest Hemingway, will discuss forewords to other works of his father Award for The Known World and won a add information about the Hemingway Friends of the Hemingway Collection his father’s life and legacy with Chris including: Hemingway on War, MacArthur Award Fellowship in 2004. Collection. The Finding Aid for the and help preserve the manuscripts and Matthews, host of MSNBC’s Hardball Hemingway on Hunting, the Finca His fi rst collection of short stories, Manuscripts and the Outgoing and writings of Ernest Hemingway. -
Abstract Mostra Hemingway E Le Donne
Mostra fotografica open air 2013, parco Hemingway Lignano Sabbiadoro HEMINGWAY E LE DONNE Un gioco tra pari Mogli docili o indipendenti, amanti focose e amori platonici, maestre di scrittura, madri e nipoti, oggetti del desiderio, muse di artisti, infermiere e dive di Hollywood. Le donne attraversano la vita e la scrittura di Hemingway come e più delle altre passioni iconiche per il bere, la caccia, la corrida, la pesca. Anzi, l’esplicito machismo di queste ultime, che lo scrittore amplifica volutamente a partire dai primi anni ’30 per costruire un’immagine pubblica che non l’abbandonerà mai, sembrerebbe sposarsi perfettamente con una certa fama da playboy. Ma Hemingway vestito da Hemingway, che in verità visse solo per la scrittura («era sempre bambina a tre mesi più interessato ai suoi libri che alle donne della sua vita», ricorderà la terza moglie Martha Gellhorn), lascia nelle sue opere una sfilata di antieroi maschili spesso egoisti, immaturi e fragili verso l’esistenza, quasi rivelasse di sè la metà intima e femminile proprio in ciò che gli è più caro: la letteratura. !Così, a partire dal titolo, “Hemingway e le donne” (e non un forse più scontato: “Le donne di Hemingway”), la mostra di fotografia open air allestita nel parco Hemingway di Lignano Sabbiadoro in occasione dell’edizione 2013 del premio giornalistico-letterario dedicato al grande scrittore americano intende mettere sullo stesso piano la prima star globale della letteratura novecentesca e quelle che sono apparse, a torto e a lungo, soltanto come il suo necessario “contorno” femminile. La madre Grace, l’infermiera Agnes Von Kurowsky, le mogli Hadley Richardson, Pauline, Pfeiffer, Martha Gellhorn e Mary Welsh, l’intellettuale Gertrude Stein, la libraia Sylvia Beach, la cantante Josephine Baker, la modella Kiki de Montparnasse, Il giorno del matrimonio l’amante Jane Mason, la contessina Adriana Ivancich, la con la prima moglie traduttrice Fernanda Pivano, le attrici Ingrid Bergman, Lauren Hadley Bacall, Marlene Dietrich e Ava Gardner, la nipote Margaux. -
William Walton Interviewer: Meghan Floyd Desnoyers Date of Interview: March 30, 1993 Place of Interview: New York, New York Length: 175 Pages
William Walton Oral History Interview – JFK#1, 3/30/93 Administrative Information Creator: William Walton Interviewer: Meghan Floyd Desnoyers Date of Interview: March 30, 1993 Place of Interview: New York, New York Length: 175 pages Biographical Note Walton was a journalist, author, painter and longtime friend to the Kennedy and Hemmingway families. He served as New York City coordinator during the 1960 Presidential campaign, and was Chairman in the Commission of Fine Arts from 1963- 1971. In this interview, he discusses his work on the 1960 campaign with the JFK, his friendship with Hemingway and his family, and the development of the JFK Presidential Library and Museum. Access Open Usage Restrictions According to the deed of gift signed June 16, 1994, copyright of these materials has been assigned to the United States Government. Users of these materials are advised to determine the copyright status of any document from which they wish to publish. Copyright The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be “used for any purpose other than private study, scholarship, or research.” If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excesses of “fair use,” that user may be liable for copyright infringement. This institution reserves the right to refuse to accept a copying order if, in its judgment, fulfillment of the order would involve violation of copyright law. -
Hemingway's Venetian Muse Adriana Ivancich
HEMINGWAY‘S VENETIAN MUSE ADRIANA IVANCICH A CONTRIBUTION TO THE BIOGRAPHY OF ERNEST HEMINGWAY BY JOBST C. KNIGGE New Version 2012 Humboldt University Berlin (Open Access) 2012 1 2 Foreword In summer 1961 I was on my first holiday in Italy, when I was hit by the news that Ernest Hemingway had shot himself. Shortly after I saw a story in an Italian magazine titled “Hemingway e le donne” (Hemingway and the Women). There were pictures of his four official wives and also photos of a young Venetian girl, called Adriana Ivancich. It was written, that Hemingway had fallen madly in love with her, while on a holiday in northern Italy. I spent my own beach holiday at a newly developed resort on a sandy peninsula at the mouth of the Tagliamento river called Lignano Sabbiadoro. Only later I understood that I had stayed only some miles south of the place, where Hemingway and Adriana first met. I always had been fascinated by the fairy tale town of Venice and when I read Hemingway’s novel “Across the River and into the Trees” I liked the atmosphere he evoked in the city and the surrounding lagoon during winter time. The love story I considered rather pathetic and unconvincing. While I was living in Italy the name Ivancich appeared here and there. A friend who knew Adriana in her youth, when both stayed on holiday on Capri, told me of her suicide in 1983.1 Two years later I read Bernice Kert’s book “The Hemingway Women”, with a long chapter on Adriana. -
Women Ignorance in Short Stories of Hemingway
2012 International Conference on Language, Medias and Culture IPEDR vol.33 (2012) © (2012) IACSIT Press, Singapore Women Ignorance in Short Stories of Hemingway + Arezoo Assemi1 , Maryam Ebadi Asayesh2, Amine Jabraili3, Mostafa Sheikhzade4, Mahnaz Hajmohammadian5 1Urmia University of Medical Sciences, Urmia/ Iran 2Islamic Azad University -Marand Branch/Iran 3Islamic Azad University -Maku Branch/Iran 4Islamic Azad University -Urmia Branch/Iran 5Urmia University of Medical Sciences, Urmia/Iran Abstract. Ernest Miller Hemingway (1899-1961) was the American great novelist and short story writer of the twentieth century. He has been applauded for her fresh approach to post war life. Biographical reading of his novels and short stories are usually possible. Despite his efforts to write invaluable pieces, it seems he was unable to cover his anti women attitudes in his works. In spite of four marriages and numerous affairs he never seemed to have stability or lasting satisfaction in his relationships with women. He is supposed to be a bias sexist as his short stories were wholly male-dominated. His being a sexist in his novels was proved by many critics and researchers but unfortunately little has been done on his wonderful short stories. The purpose of this study was to find the elements of sexism in some of the randomly selected short stories of Hemingway to show his view point toward female characters. Although the sexism is dominant in his works, Hemingway is supposed to ignore female characters rather than being a misogynist, or anti-women writer. This study also approaches his short stories following feministic theories. Keywords: Hemingway; short stories; female characters; misogynist; ignore 1.