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Ivens Magazine Blz18tm37.Pdf
basin, Ivens yells: ‘We will shoot this scene again in half an June 15th – June 22nd 1956 Damme, Belgium June 25th - July 12th 1956, Mulde, Germany Gérard Philipe and Joris Ivens, hour! There is too much smoke, the horses do not cavort Part of the film crew travelled to Flanders, Bruges, in order On June 25th, Gérard Philipe and Joris Ivens arrived at film clips in East Germany enough and the bridge explosion is not as spectacular as it to add some authentic elements of the local colour to the Tempelhof airport in East Berlin together with the French from Les aventures de Till should be’ … The Dutch journalists could not believe what film. The shots of the actual canal and the opening scene in crew, after the press and hundreds of fans had been waiting l’Espiègle (The Adventures they saw. Their national history was being turned into a the dunes and the countryside were filmed there. And the there for hours. ‘Plenty of teen-agers came to see the ‘jeune of Till Eulenspiegel), 1956. film in the French Riviera by a‘ modest Dutchman’. They scene, in which the city of Damme goes up in flames. Mean- premier’ of the French film’, is what a journalist wrote, who © DEFA Stiftung wanted to know from Ivens how the collaboration was go- while, Ivens became continuously more concerned about was surprised that the fans were so hysterical. ing. ‘Gérard and I, we each direct certain fragments. He, for the direction in which the film was heading. ‘Attention que The last scenes in the GDR were all about the large-scaled instance, works a lot with the French actors, and does the l’action comique et dynamique ne domine pas, ou ébaufe la battles on the banks of the Scheldt between the Spaniards, work that requires the input of an experienced feature film situation serieuse.’, he wrote.24 After three months, he final- on the one hand, and the rebellions of the Geuzen army and man; I am responsible for the outside shoots and the action ly cut the knot and told DEFA that he wanted to back out of the mercenary army of the Prince of Orange on the other. -
Martha Gellhorn and Ernest Hemingway
MARTHA GELLHORN AND ERNEST HEMINGWAY: A LITERARY RELATIONSHIP H. L. Salmon, B.A. Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS May 2003 APPROVED: Timothy Parrish, Major Professor Peter Shillingsburg, Minor Professor Jacqueline Vanhoutte, Committee Member Brenda Sims, Chair, Graduate Studies in English C. Neal Tate, Dean of the Robert B. Toulouse School of Graduate Studies Salmon, H. L., Martha Gellhorn and Ernest Hemingway: A Literary Relationship, Master of Arts (English). May 2003. 55 pp. Martha Gellhorn and Ernest Hemingway met in Key West in 1937, married in 1941, and divorced in 1945. Gellhorn’s work exhibits a strong influence from Hemingway’s work, including collaboration on her work during their marriage. I will discuss three of her six novels: WMP (1934), Liana (1944), and Point of No Return (1948). The areas of influence that I will rely on in many ways follow the stages Harold Bloom outlines in Anxiety of Influence. Gellhorn’s work exposes a stage of influence that Bloom does not describe—which I term collaborative. By looking at Hemingway’s influence in Gellhorn’s writing the difference between traditional literary influence and collaborative influence can be compared and analyzed, revealing the footprints left in a work by a collaborating author as opposed to simply an influential one. ACKNOWLEDGMENTS I would like to thank Dr. Tim Parrish, who from its inception encouraged me to take on this project and whose encouragement throughout my degree work has been insightful and inspiring. Dr. Peter Shillingsburg served as a reader and mentor, and his high standards and personal integrity challenged me to make sure my own scholarship is a credible as his own. -
Ernest Hemingway's Mistresses and Wives
University of South Florida Digital Commons @ University of South Florida Graduate Theses and Dissertations Graduate School 10-28-2010 Ernest Hemingway’s Mistresses and Wives: Exploring Their Impact on His Female Characters Stephen E. Henrichon University of South Florida Follow this and additional works at: https://digitalcommons.usf.edu/etd Part of the American Studies Commons Scholar Commons Citation Henrichon, Stephen E., "Ernest Hemingway’s Mistresses and Wives: Exploring Their Impact on His Female Characters" (2010). Graduate Theses and Dissertations. https://digitalcommons.usf.edu/etd/3663 This Thesis is brought to you for free and open access by the Graduate School at Digital Commons @ University of South Florida. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Digital Commons @ University of South Florida. For more information, please contact [email protected]. Ernest Hemingway’s Mistresses and Wives: Exploring Their Impact on His Female Characters by Stephen E. Henrichon A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts Department of English College of Arts and Sciences University of South Florida Major Professor: Phillip Sipiora, Ph. D. Lawrence R. Broer, Ph. D. Victor Peppard, Ph. D. Date of Approval: October 28, 2010 Keywords: Up in Michigan, Cat in the Rain, Canary for One, Francis Macomber, Kilimanjaro, White Elephants, Nobody Ever Dies, Seeing-Eyed Dog © Copyright 2010, Stephen E. Henrichon TABLE OF CONTENTS ABSTRACT -
Ken Magazine, the Consumer Market, and the Spanish Civil
The Pennsylvania State University The Graduate School Department of English POLITICS, THE PRESS, AND PERSUASIVE AESTHETICS: SHAPING THE SPANISH CIVIL WAR IN AMERICAN PERIODICALS A Dissertation in English by Gregory S. Baptista © 2009 Gregory S. Baptista Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy December 2009 ii The dissertation of Gregory S. Baptista was reviewed and approved* by the following: Mark S. Morrisson Associate Professor of English Graduate Director Dissertation Advisor Chair of Committee Robin Schulze Professor of English Department Head Sandra Spanier Professor of English and Women’s Studies James L.W. West III Edwin Erle Sparks Professor of English Philip Jenkins Edwin Erle Sparks Professor of the Humanities *Signatures are on file in the Graduate School iii ABSTRACT This dissertation explores the presentation of the Spanish Civil War in selected American periodicals. Understanding how war-related works functioned (aesthetically and rhetorically) requires a nuanced view of the circumstances of their production and an awareness of their immediate cultural context. I consider means of creation and publication to examine the complex ways in which the goals of truth-seeking and truth-shaping interacted—and were acted upon by the institutional dynamics of periodical production. By focusing on three specific periodicals that occupied different points along a line leading outward from the mainstream of American culture, I examine the ways in which certain pro- Loyalist writers and editors attempted to shape the truth of the Spanish war for American readers within the contexts and inherent restrictions of periodical publication. I argue that responses to the war in these publications are products of a range of cultural and institutional forces that go beyond the political affiliations or ideological stances of particular writers. -
An American Writer Ernest Hemingway's Life Style and Its
НАУЧНИ ТРУДОВЕ НА РУСЕНСКИЯ УНИВЕРСИТЕТ - 2009, том 48, серия 6.3 An American writer Ernest Hemingway’s life style and its influence to his creative activity Ruslan Mammadov Abstract: This dissertation work gives a deeper view of the literary style and philosophy of Ernest Hemingway - the American short story writer, novelist, non-fiction writer, journalist, poet, and dramatist. Mainly, it focuses on the connection between the life of Ernest Hemingway and his literary works. He enjoyed life to the fullest and wanted to show that he could do whatever he wanted and it is truly obvious that these facts deeply influenced to his future career, his creativity and private life. This paper examines reflections of the author’s childhood on his works and the effects of women’s special role on his life and creativity and on the moral and ethical relativism of Hemingway's characters. It also studies the importance and the influence of World War I on his short stories and novels. What’s more, it studies his thirst for cultural knowledge which has left indelible signs in all of his works. The aim of this research is to find out essential features of the writer’s literary activity and to explain why the above coupled with the essential messages on the concept of wealth and goodness, portrayed in Hemingway's novels, are some of the reasons why his works have been rendered classics of the American literature. Key words: Ernest Hemingway INTRODUCTION Every man`s life ends the same way. It is only the details of how he lived and how 1 he died that distinguishes one man from another. -
Ebook Download Hemingway : a Biography
HEMINGWAY : A BIOGRAPHY PDF, EPUB, EBOOK Jeffrey Meyers | 734 pages | 06 May 1999 | INGRAM PUBLISHER SERVICES US | 9780306808906 | English | New York, NY, United States Hemingway : A Biography PDF Book E-mail: Show my email publicly. Their work and discoveries range from the formation of black holes and genetic scissors to efforts to combat hunger and develop new auction formats. Soon after the publication of The Sun Also Rises , Hemingway and Hadley divorced, due in part to his affair with a woman named Pauline Pfeiffer, who would become Hemingway's second wife shortly after his divorce from Hadley was finalized. Hemingway changed our language and the way we think, she asserts. After the war ended in November , Hemingway returned to the United States to look for a job, but the wedding was not to be. After his sojourn in Spain, Hemingway returned to Paris and from there to Canada, where Hadley gave birth to their first child. The Sun Also Rises , Hemingway's first novel, was published in Attaching himself to the 22nd Regiment of the 4th Infantry Division, he saw a good deal of action in Normandy and in the Battle of the Bulge. Press: Cranbury, NJ, Three novels, four collections of short stories, and three non-fiction works were published posthumously. False He enlisted as an ambulance driver in World Wat I. Ernest Hemingway Biography. Edited with an Introduction by Patrick Hemingway. Marie M. In December , Hemingway received shocking news—his father, despondent over mounting health and financial problems, had shot himself to death. Hemingway realized that his son had no passion for further education, so he didn't encourage him to enroll in college. -
Selected Letters of Martha Gellhorn Ed. by Caroline Moorehead
10/23/2014 Selected Letters of Martha Gellhorn Ed. by Caroline Moorehead Category: Vol. 1, 2006 Selected Letters of Martha Gellhorn Ed. by Caroline Moorehead Hits: 1760 The South Shore Journal, Vol. 1, 2006, pp. 103-107. Selected Letters of Martha Gellhorn Ed. by Caroline Moorehead (2006, NY: Henry Holt and Company, 544 pages, $32.50). Reviewed by Kevin Ostoyich, Valparaiso University, Department of History. She was a hack writer. Martha Gellhorn – novelist, war correspondent, and onetime wife of Ernest Hemingway – described herself as such. It turns out in addition to “bilging” (her term) The Trouble I’ve Seen, The Wine of Astonishment, The Weather in Africa, and Travels with Myself and Another, Gellhorn also penned a mountain of letters. She corresponded with a veritable Who’s Who of art, literature, journalism, and politics: including among others, Bernard Berenson, Leonard Bernstein, Eleanor Roosevelt, Adlai Stevenson, H.G. Wells, and, of course, Hemingway. Caroline Moorehead, author of Gellhorn: A Twentieth-Century Life, presents over five hundred pages of Gellhorn’s letters. The letters date from 1930 (as Gellhorn, fresh out of Bryn Mawr, began her literary career in France) to 1996 (when she was an octogenarian living in London). The collection provides a clear window into the life of a writer. The author’s pain and frustration are on display as Gellhorn recounts chucking draft after draft of “cement” prose into the wastebasket. The letters are not solely about the writing process, however, but cover the gamut of the human condition in times of war and peace. Life is presented in microcosmic detail: the laundry (often dirty) of domestic life, the wear of social hob- nobbing, the excitement of love, and bitterness of the love lost. -
The Wives of Ernest Hemingway ~Steve Newman
The Wives of Ernest Hemingway ~Steve Newman In 1920 Ernest Hemingway lived his bachelor life at 1230 North State Street, Chicago, until he was offered an apartment in a large old house at 100 East Chicago Street. Many of the apartments were occupied by writers, including Hadley Richardson's friend, Kate Smith, who later married John Dos Passos. Another of the apartments was occupied by the painter, Kenley Smith, and it was when Kate Smith invited Hemingway to a party in Kenley's apartment, that he spotted Hadley Richardson - a young woman he'd seen playing the piano at a recital some years before. The couple hit it off immediately and both of them soon realised they had met the person they wanted to marry. Maybe both saw in the other the renegade in themselves and a kindred spirit. They both had a love of literature, art, and music, and were looking for a secure place to deposit their emotions. But they were also bursting with sexual desires and frustrations. Hadley was eight years older than Hemingway and a woman who, at first sight, was of rather conventional looks, but a woman with an aura of oozing sensuality. She also looks remarkably like Hemingway's mother. Hadley Richardson was born in St.Louis on the 9th of November, 1891, and was the youngest of four children. Her father, James, as Bernice Kert, describes him: " ...was a genial man who had reluctantly assumed an executive position with the family drug company. Her mother, Florence, was a talented musician who often accompanied her husband on the piano as he sang out in his fine baritone voice. -
Hemingway's Themes of Relationship, Identity, Sex
HEMINGWAY’S THEMES OF RELATIONSHIP, IDENTITY, SEX AND DEATH IN TEN SELECTED SHORT STORIES AND THE PARALLELS TO THE AUTHOR’S LIFE A THESIS Presented as a Partial Fulfillment of the Requirements to Obtain the Magister Humaniora (M.Hum) Degree in English Language Studies by SUSANTY Student Number: 066332019 THE GRADUATE PROGRAM IN ENGLISH LANGUAGE STUDIES SANATA DHARMA UNIVERSITY YOGYAKARTA 2010 i STATEMENT OF ORIGINALITY This is to certify that all ideas, phrases, sentences, unless otherwise stated, are the ideas, phrases, and sentences of the thesis writer. The writer understands the full consequences including degree cancellation if she took somebody else's ideas, phrases, or sentences without proper references. Yogyakarta, December 20, 2009 Susanty iv ACKNOWLEDGEMENTS First of all I would like to thank the Lord for all His blessings. I would like to thank to my Supervisor, Prof. Dr. Soebakdi Soemanto, for his expertise, insight, advice, much- appreciated assistance and encouragement during my hard study which have made the completion of this thesis possible. I am also grateful to Dr. Novita Dewi for her support, guidance and affection to me and to all Master Program lecturers at Sanata Dharma University. I would like to thank to my beloved husband, Heri Sampel for his endless and valuable love and care for our children while I was studying in Yogya. He is always the one who cares about me. I also thank my curious son, Vincensius Alexandro and my brave daughter, Elisabeth Grisella. You have been so wonderful children to me and always become the spirit of my life. I would like to express my sincere gratitude to my parents, Bethel Rampay and Anie Nahason for their love, care, and financial support, thank you for all prayers and patience with my children and to my sister and brother, Detrianae and Rendra Rampay, for their enduring love and emotional support. -
Box and Folder Listing
CLARKE HISTORICAL LIBRARY CENTRAL MICHIGAN UNIVERSITY Ernest Hemingway Collection, 1901, 2014, and undated 6 cubic ft. (in 7 boxes, 7 Oversized folders, 4 reels in 4 boxes, and 53 framed items) ACQUISITION: The collection was donated in several parts by Michael Federspiel and the Michigan Hemingway Society, Acc# 67522 (Oct. 4, 2002), 67833 (April 2003), 68091 (Oct. 2003), 68230 (Dec. 2003), by Ken Mark and the Michigan Hemingway Society, 68076 (Oct. 2003), Rebecca Zeiss, 68386 (Oct. 2003), 68415 by Ken Mark (April 27, 2004), by Charlotte Ponder 68419 (May 2004), 68698 by Federspiel (Sept. 30, 2004), 68848 by the Hemingway Society (Dec.6, 2004), 69475, 70252, 70401 (April 2007), 70680-70682 and 70737 (Summer 2007), 71358 (July 2008), 71396 (Aug. 2008), 71455 (Oct. 2008), 72160 (Nov. 2010), 73641 (Sept. 2012), 73683 by Pat Davis (Sept. 2012), 73751 (Nov. 2012), 72579 (Nov. 2013), 74631 (Aug. 2014), no MS#. The collection is ongoing. ACCESS: The collection is open to researchers. COPYRIGHT: Copyright is held neither by CMU nor the Clarke. Copyright of letters composed by EH is held by the The Ernest Hemingway Foundation and Society. PHOTOGRAPHS: In Boxes 2-6. PROCESSED BY: M. Matyn, 2003, 2009, ongoing. Biography: Ernest Hemingway was born July 21, 1899 in Oak Park, Illinois, the son of Clarence E. Hemingway, a doctor, and Grace Hall-Hemingway, a musician and voice teacher. He had four sisters and a brother. Every summer, the family summered at the family cottage, named Windemere, on Walloon Lake near Petoskey, Michigan. After Ernest graduated from high school in June 1917, he joined the Missouri Home Guard. -
Woman of Letters \ \ the Celebrated War Reporter Martha Gellhorn Revealed Another Side of Herself in Her Personal Correspondence
Woman of Letters \ \ The celebrated war reporter Martha Gellhorn revealed another side of herself in her personal correspondence. fiction, tfavel writing and reportage, is at its Yet no fiasco - romantic, marital or mater finest ih:th,e letter form. If only in this regard, nal - really fazed Gellhorn. For the true loves one might compare her to Flaubert, whose let of her life were work and the homes she made ters. a~eatlcnowledged by many to be his great in hot, sunny places, where she could indulge in est aesthetic achievement. her passions for swimming and sunbathing (she · .This collection is equally notable be liked to sit at her typewriter in full sun, as scant cau$e it chronicles a life tightly intermeshed ily clad as possible). Fran~ois Mauriac's phrase with the pivotal events of the 20th century. - "Travail, opium unique" - is often repeated in Gellhotn, a Bryn Mawr dropout who went to her letters, and her capacity for work was noth work as a cub reporter for The Albany Times ing short of extraordinary. In one three-week pe Union, had an almost pathological need to riod in 1950, she writes, she completed two 6,000- report on risky and dangerous situations. word articles, revised another, changed and cut As she wrote to her colleague John Gun- a short story, and wrote a book review. As for the . ther: "Where I want to be, boy, is where it is houses in which her work was accomplished: she all blowing up." "Make war not love" might was the ultimate nomad. -
Martha Gellhorn ~ a Furious Footnote in History
Martha Gellhorn ~ A Furious Footnote In History Bas Senstius 1957 – 2015 In a man’s world she was one of the few women. Whereas her fellow journalists reported the war as if keeping score, she concentrated on the reality behind the statistics. She reported the Spanish Civil War, the Second World War, Vietnam and Panama. What is it that drives her to these hotbeds ? An interview (conducted in 1991) with an angry old lady. In 1983, and far into her seventies, Martha Gellhorn can contain her anger no longer. This time the destinations are Nicaragua and El Salvador. She still shudder at the memory. ‘In Central-America was the first time I’ve ever felt real fear. You couldn’t see or hear the danger approaching. Suddenly it was there.’ Back at home England’s Granta publishes a report of hers on an instance of torture. Described in minute detail from the victim’s own account, smuggled out to her under the greatest secrecy – via the Red Cross – by a representative of a human rights organization in San Salvador. ‘There are murders committed every day in El Salvador and it’s costing the American taxpayer enormous sums of money, for no reason. We support these murderers. This has to be stopped.’ Her war coverage, collected in the book The Face of War, and her own choice of her peacetime writings The View from the Ground, are the distillations of sixty years of anger and indignation at the state of affairs in the world in general and in her native United States in particular.