4Real School Curricular Document for Grades 6-12
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Feminist Hip-Hop?: Conventions of Gender and Feminisms in Salvador's
UNIVERSIDADE FEDERAL DA BAHIA President João Carlos Salles Pires da Silva Vice President Paulo Cesar Miguez de Oliveira Adviser to the President Paulo Costa Lima EDITORA DA UNIVERSIDADE FEDERAL DA BAHIA Director Flávia Goulart Mota Garcia Rosa Editorial Board Alberto Brum Novaes Angelo Szaniecki Perret Serpa Caiuby Alves da Costa Charbel Ninõ El-Hani Cleise Furtado Mendes Evelina de Carvalho Sá Hoisel Maria do Carmo Soares de Freitas Maria Vidal de Negreiros Camargo Rebeca Sobral Freire Feminist Hip-Hop? Conventions of Gender and Feminisms in Salvador’s Hip-Hop Movement Salvador EDUFBA 2020 © 2020, by Rebeca Sobral Freire. Rights to this edition granted to Edufba. Legal filing complete. Images, Book Cover, and Publishing Josias Almeida Jr. Author’s Photo Gean Carlos dos Santos Barreto Souza Book Cover Image Desktopimages Revision and Standardization Amy Weatherburn Revision of English Translation Monique Pfau Sistema Universitário de Bibliotecas – UFBA F866 Freire, Rebeca Sobral Feminist Hip-Hop? : conventions of gender and feminisms in Salvador’s Hip-Hop movement / Rebeca Sobral Freire. - Salvador: EDUFBA, 2020. 151p. il. color. pdf English Translation: Jeffrey Stewart and Monique Pfau. Available online at: https://repositorio.ufba.br/ri/handle/ri/32146 ISBN 978-65-5630-022-1 1. Hip-hop (Cultura popular) – Salvador (BA). 2. Feminismo. 3. Mulheres – aspectos sociológicos. I. Título. CDD – 305.42 Designed by Geovana Soares Lira CRB-5: BA-001975/O EDUFBA affiliated with EDUFBA Rua Barão de Jeremoabo, s/n, Campus de Ondina, 40170-115, Salvador-BA, Brasil Tel: +55 (71) 3283-6164 www.edufba.ufba.br | [email protected] With much love, I dedicate this book to my beloved power trio, in memoriam, my mother, Socorro Sobral, Professor Doctor Ana Alice Alcantara Costa, and Minister Luiza Bairros. -
4Real School
Experience Leadership, 4REAL School Order Form Fax or Mail this form to 4REAL (address and fax number below) or order online Compassion and Ship To: Invoice To: Name Name Inspiration with Institution Institution Street Street 4REAL SCHOOL City City Province/State Postal Code Country Province/State Postal Code Country Phone # Phone # Email Method of Payment: Company Cheque or Money Order PO# Visa MasterCard Amex Expiry Date Card# Name on Card Description Qty Price Shipping & Handling Items Cost ENGAGING YOUTH GLOBALLY THROUGH ART, MUSIC, CULTURE & DIGITAL MEDIA TO 1 $9 CREATE COMMUNITY & POSITIVE CHANGE 2-4 $12 5-6 $14 7-13 $16 14-25 $20 26-40 $25 41-60 $30 Subtotal Shipping & Handling GST/HST (where applicable) Total 4REAL is a Canadian Productio 4REAL Customer Service 207 West Hastings St., Suite 802 Vancouver, B.C. V6B 1H7 Canada Office: 604-682-7341 Cell: 778-231-8260 Fax: 604-684-3530 Email: [email protected] issues today. 4REAL School: A dynamic global 4REAL Pawnee educational resource that Leader Featured: Crystal Echo Hawk, Native Rights Leader Celebrity Guest: Casey Affleck, Actor engages students through art, Location Featured: Pawnee Reservation, Oklahoma music, culture and digital media. In 4REAL Pawnee, host Sol Guy takes actor Casey Affleck to the Pawnee Nation reservation in Oklahoma to meet Native 4REAL is a documentary series that takes celebrity leader Crystal Echo Hawk and her NVision crew. NVision, a collective of Native men and women, uses hip hop, popular guests on adventures around the world to connect culture, visual and performing arts to create a dialogue with with young leaders who, under extreme circum- youth about ways to realize their vision for leadership and stances, are effecting positive change in their com- success. -
UC Riverside UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title Sabotaging Logics: How Brazil's Hip-Hop Culture Looks to Redefine Race Permalink https://escholarship.org/uc/item/4d56r1mk Author Moulin, Maria Teresa Publication Date 2010 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE Sabotaging Logics: How Brazil’s Hip-Hop Culture Looks to Redefine Race A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Spanish by Maria Teresa Moulin June 2010 Dissertation Committee: Dr. Freya Schiwy, Chairperson Dr. David Herzberger Dr. Alessandro Fornazzari Copyright by Maria Teresa Moulin 2010 The Dissertation of Maria Teresa Moulin is approved: ________________________________________________________ _________________________________________________________ __________________________________________________________ Committee Chairperson University of California, Riverside AKNOWLEDGMENTS First and foremost I would like to thank all the members of my committee for believing in my project and for encouraging me to continue with it. Thank you so much to my advisor Freya Schiwy for her constant support and guidance. Our conversations and her detailed comments helped me stay focused and inquisitive. For her encouragement during very challenging times, both academically and personally. To Alessandro Fornazzari for his always critical comments and insight. For introducing me to the works of George Yudice and Néstor García Canclini which sparked my initial interest in popular culture. To Prof. Herzberger for his guidance and support throughout this entire process. To the University of California's Subaltern-Popular Dissertation Workshop for allowing me to share my work in progress. To the professors and graduate students who participated in the workshop for their valuable comments and suggestions. -
"We're from the Favela but We're Not Favelados" the Intersection of Race, Space, and Violence in Northeastern Brazil
PhD thesis submission: abstract and declaration of word length This form should be submitted to the Research Degrees Unit with your thesis Name of candidate: Christopher M. Johnson Title of thesis:"We're from the favela but we're not favelados: Race, space and violence in northeastern Brazil Abstract The title-page should be followed by an abstract consisting of no more than 300 words. A copy of the abstract should be given below. This is required for publication in the ASLIB Index of Theses. In Salvador da Bahia's high crime/violence peripheral neighbourhoods, black youth are perceived as criminals levying high social costs as they attempt to acquire employment, enter university, or political processes. Low-income youth must overcome the reality of violence while simultaneously confronting the support, privileged urban classes have for stricter law enforcement and the clandestine acts of death squads. As youth from these neighbourhoods begin to develop more complex identities some search for alternative peer groups, social networks and social programmes that will guide them to constructive life choices while others consign themselves to options that are more readily available in their communities. Fast money and the ability to participate in the global economy beyond ‘passive’ engagement draws some youth into crime yet the majority choose other paths. Yet, the majority use their own identities to build constructive and positive lives and avoid involvement with gangs and other violent social groups. Drawing from Brazil's racial debates started by Gilberto Freyre, findings from this research suggest that while identity construction around race is ambiguous, specific markers highlight one's identity making it difficult to escape negative associations with criminality and violence. -
Undoing Race, Poverty, and Violence in Rio De Janeiro, Brazil
© COPYRIGHT by Calenthia S. Dowdy 2012 ALL RIGHTS RESERVED DEDICATION To the youth of the world, “Small acts joined together become a movement. When people talk governments have to listen” (unknown) “The struggle of the Black people of Brazil is an aspect of a much larger struggle: the struggle of the Black people of the world” Lélia Gonzalez (1985) YOUTH, MUSIC, AND AGENCY: UNDOING RACE, POVERTY AND VIOLENCE IN RIO DE JANEIRO, BRAZIL BY Calenthia S. Dowdy ABSTRACT This work focuses on the intersection of youth, their music and their agency, all of which interact to shape identities and create social change in Rio de Janeiro, Brazil. Music as media activism serves as backdrop, narrative, response, and counterpoint rhythm to the interlocking systemic violence(s) affecting favela youth. Identity issues around race, poverty and violence are the central focus as Brazil’s homicide rates are some of the highest in the world with much of it concentrated in Rio and perpetrated by the state against youth of color. In 1993 rampant violence reached a climax as poor black and brown youth were being murdered daily in Rio’s streets. The city’s image of paradise on earth, and Brazil’s self-narrative of racial democracy were suffering. Musical genres of funk and hip-hop proliferated in Rio’s favelas facilitating life stories told by youth of color. Lyrics of racism, chronic poverty and violence surfaced in resistance to imposed constructions of blackness, space, and worth. In dialogue and resistance, youth design alternative worldviews and identities while performing grassroots participatory citizenship. -
Hip Hop and Black Racial Identity in Brazil
Bernd Reiter and Gladys L. Mitchell Embracing Hip Hop as Their Own: Hip Hop and Black Racial Identity in Brazil Bernd Reiter University of South Florida Gladys L. Mitchell University of Chicago Roupas caras de etiqueta, não valem nada. Se comparadas a uma mente articulada. Contra um racista otário é química perfeita Inteligência, e um cruzado de direita. Será temido, e também respeitado. Um preto digno, e não um negro limitado. (Raconais MCs: Negro Limitado) Brazilian Hip Hop: Between Entertainment and Community Activism his article seeks to demonstrate that there is a positive relationship between listening to Hip Hop music and racial consciousness among younger genera- tions of Afro-Brazilians. To test the robustness of this link, we use survey T data collected in 2006 in Salvador, Bahia. We find that Brazilian Hip Hop culture has maintained a strong role in shaping political and racial consciousness. In order to offer some tentative causal explanations for this phenomenon, we explore some of the reasons why Brazilian Hip Hop has been able to maintain such a strong political role, especially among urban youth. Among the factors that shape local responses to global phenomena are the strength of local markets, as well as the strength of local civil society organizations opposing market forces. Strong ties to local civil society organizations, we argue, can work against the commodifying force of globalized markets. Brazilian Hip Hop culture, and especially Hip Hop music, provides evidence for the validity of this argument. Thus the second part of the article is explorative and intends to contribute to the formulation of new hypotheses for further testing. -
4Real School Curricular Document for Grades 6-12
4REAL SCHOOL CURRICULAR DOCUMENT FOR GRADES 6-12 ENGAGING YOUTH GLOBALLY THROUGH ART, MUSIC, CULTURE AND DIGITAL MEDIA TO CREATE COMMUNITY AND POSITIVE CHANGE 4REAL CITY OF GOD 4REAL Host Sol Guy takes rap star and actor Mos Def to meet Brazilian hip hop artist and activist MV Bill. MV Bill uses his talent and influence to empower the children of Brazil’s favelas (slums). In addition to opening youth centers, he has also dedicated himself to documenting and improving the lives of children caught in Brazil’s brutal drug trafficking. ISSUES EXPLORED IN 4REAL SCHOOL CITY OF GOD: Global Power of Hip Hop, Youth and the Drug Trade, Active Witnessing, Children’s Rights and Dreams and Community Leadership. CONTENTS Message to the Educator 4 The 4REAL Story 5 Message to the Youth 6 About 4REAL School 7 4REAL Documentaries 8 4REAL School Approach & Goals 9 4REAL School Classroom Support 11 Guide to the 4REAL School Curricular Document 12 4REAL City of God 13 Youth and Violence in the Drug Trade 16 Quick Lesson: 19 4REAL City of God - Connect and Collaborate! Previewing Lesson: 22 Socio-Economic Class Divides Lesson 1: 25 Global Awareness and Hip Hop Lesson 2: 31 Responding Critically to Messages Through Hip Hop Lesson 3: 35 Children’s Wants, Needs and Rights Lesson 4: 39 Speak Out Against Discrimination Lesson 5: 45 Dream a Crazy Dream! Lesson 6: 51 Leadership - Creating Alternatives Glossary 55 References and Recommended Resources 57 Appendices 1-22 63 4REAL School Feedback Forms 103 Credits and Contributions 105 3 MESSAGE TO THE EDUCATOR Amazing young leaders around the world, through their compassion, determination and optimism, are addressing global issues and creating remarkable opportunities in their communities. -
RBM 27-2 Miolo.Indd
Virilidade, machismo e violência: o ethos guerreiro no hip-hop* ** Gustavo Souza Marques Resumo A temática dessa pesquisa circunda a realidade social e musical de um dos eventos de cultura hip-hop e música rap mais importantes do Brasil: o Duelo de MCs, realizado em Belo Horizonte, Minas Gerais. A cultura de rua e suas implicações na musicalidade urbana apontam a predominância de um pensamento masculinizado que se reflete no discurso territorial, viril e violento observados nas rimas dos MCs. Porém, longe de reduzir a isso a uma pobreza de discurso ou limitação cultural, se entende que esse contexto verbal e agressivo faz parte de uma estrutura maior: a própria sociedade na qual vivemos. Palavras-chave Música popular – rap – hip-hop – duelo de MCs – cultura urbana – estudos de gênero. Abstract This research surrounds the social and musical aspects of one of the biggest hip-hop events in Brazil: the Duelo de MCs (MCs Duel), held in Belo Horizonte city, Minas Gerais state. The urban culture and its implications on rap music shown that the mannish mentality overtop the MCs rhymes with territorial, manly and violent themes that evinces not only the overwhelming reality that these artists lives in their day-to-day experiences but also the whole society itself. Keywords Popular music – rap – hip-hop –MCs’ duels – urban culture – gender studies. * Este artigo integra a dissertação de mestrado “O som que vem das ruas: cultura hip-hop e música rap no Duelo de MCs”, defendida por este autor no Programa de Pós-graduação em Música da Universidade Federal de Minas Gerais, em 2013, sob a orientação do Prof. -
By Paulo Herkenhoff, Janeiro: Contraponto, 2006
0 RIOXXI org. paulo herkenhoff CAPA RIO XXI.indd 1 05/11/2019 19:43:42 FUNDAÇÃO GETULIO VARGAS CONSELHO CURADOR SEDE | HEADQUARTERS BOARD OF TRUSTEES Praia de Botafogo, 190 PRIMEIRO PRESIDENTE FUNDADOR | Rio de Janeiro – RJ PRESIDENTE | PRESIDENT FOUNDER AND FIRST PRESIDENT CEP 22250-900 ou Caixa Postal 62.591 Carlos Alberto Lenz César Protásio Luiz Simões Lopes CEP 22257-970 VICE-PRESIDENTE | VICE-PRESIDENT Tel.: (21) 3799-5498 PRESIDENTE | PRESIDENT João Alfredo Dias Lins (Klabin Irmãos e Cia) www.fgv.br Carlos Ivan Simonsen Leal VOGAIS | VOTING MEMBERS Instituição de caráter técnico-científico, VICE-PRESIDENTES | VICE-PRESIDENTS Alexandre Koch Torres de Assis, Andrea educativo e filantrópico, criada em 20 de Sergio Franklin Quintella Martini (Souza Cruz S.A.), Antonio Alberto dezembro de 1944 como pessoa jurídica de Francisco Oswaldo Neves Dornelles Gouvea Vieira, Eduardo M. Krieger, Rui direito privado, tem por finalidade atuar, de Marcos Cintra Cavalcanti de Albuquerque Costa (Governador do Estado da Bahia), José forma ampla, em todas as matérias de caráter Ivo Sartori (Governador do Estado do Rio científico, com ênfase no campo das ciências Grande do Sul), José Carlos Cardoso (IRB – sociais: administração, direito e economia, CONSELHO DIRETOR Brasil Reseguros S.A.), Luiz Chor, Marcelo contribuindo para o desenvolvimento BOARD OF DIRECTORS Serfaty, Márcio João de Andrade Fortes, econômico e social do país. Murilo Portugal Filho (Federação Brasileira PRESIDENTE | PRESIDENT de Bancos), Orlando dos Santos Marques Carlos Ivan Simonsen