A Dialogical Encounter with an Indigenous Jurisprudence
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The Future of World Heritage in Australia
Keeping the Outstanding Exceptional: The Future of World Heritage in Australia Editors: Penelope Figgis, Andrea Leverington, Richard Mackay, Andrew Maclean, Peter Valentine Editors: Penelope Figgis, Andrea Leverington, Richard Mackay, Andrew Maclean, Peter Valentine Published by: Australian Committee for IUCN Inc. Copyright: © 2013 Copyright in compilation and published edition: Australian Committee for IUCN Inc. Reproduction of this publication for educational or other non-commercial purposes is authorised without prior written permission from the copyright holder provided the source is fully acknowledged. Reproduction of this publication for resale or other commercial purposes is prohibited without prior written permission of the copyright holder. Citation: Figgis, P., Leverington, A., Mackay, R., Maclean, A., Valentine, P. (eds). (2012). Keeping the Outstanding Exceptional: The Future of World Heritage in Australia. Australian Committee for IUCN, Sydney. ISBN: 978-0-9871654-2-8 Design/Layout: Pixeldust Design 21 Lilac Tree Court Beechmont, Queensland Australia 4211 Tel: +61 437 360 812 [email protected] Printed by: Finsbury Green Pty Ltd 1A South Road Thebarton, South Australia Australia 5031 Available from: Australian Committee for IUCN P.O Box 528 Sydney 2001 Tel: +61 416 364 722 [email protected] http://www.aciucn.org.au http://www.wettropics.qld.gov.au Cover photo: Two great iconic Australian World Heritage Areas - The Wet Tropics and Great Barrier Reef meet in the Daintree region of North Queensland © Photo: K. Trapnell Disclaimer: The views and opinions expressed in this publication are those of the chapter authors and do not necessarily reflect those of the editors, the Australian Committee for IUCN, the Wet Tropics Management Authority or the Australian Conservation Foundation or those of financial supporter the Commonwealth Department of Sustainability, Environment, Water, Population and Communities. -
The Making of Indigenous Australian Contemporary Art
The Making of Indigenous Australian Contemporary Art The Making of Indigenous Australian Contemporary Art: Arnhem Land Bark Painting, 1970-1990 By Marie Geissler The Making of Indigenous Australian Contemporary Art: Arnhem Land Bark Painting, 1970-1990 By Marie Geissler This book first published 2020 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2020 by Marie Geissler All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-5546-1 ISBN (13): 978-1-5275-5546-4 Front Cover: John Mawurndjul (Kuninjku people) Born 1952, Kubukkan near Marrkolidjban, Arnhem Land, Northern Territory Namanjwarre, saltwater crocodile 1988 Earth pigments on Stringybark (Eucalyptus tetrodonta) 206.0 x 85.0 cm (irreg) Collection Art Gallery of South Australia Maude Vizard-Wholohan Art Prize Purchase Award 1988 Accession number 8812P94 © John Mawurndjul/Copyright Agency 2020 TABLE OF CONTENTS Acknowledgements .................................................................................. vii Prologue ..................................................................................................... ix Theorizing contemporary Indigenous art - post 1990 Overview ................................................................................................ -
The Economic, Social and Icon Value of the Great Barrier Reef Acknowledgement
At what price? The economic, social and icon value of the Great Barrier Reef Acknowledgement Deloitte Access Economics acknowledges and thanks the Great Barrier Reef Foundation for commissioning the report with support from the National Australia Bank and the Great Barrier Reef Marine Park Authority. In particular, we would like to thank the report’s Steering Committee for their guidance: Andrew Fyffe Prof. Ove Hoegh-Guldberg Finance Officer Director of the Global Change Institute Great Barrier Reef Foundation and Professor of Marine Science The University of Queensland Anna Marsden Managing Director Prof. Robert Costanza Great Barrier Reef Foundation Professor and Chair in Public Policy Australian National University James Bentley Manager Natural Value, Corporate Responsibility Dr Russell Reichelt National Australia Bank Limited Chairman and Chief Executive Great Barrier Reef Marine Park Authority Keith Tuffley Director Stephen Fitzgerald Great Barrier Reef Foundation Director Great Barrier Reef Foundation Dr Margaret Gooch Manager, Social and Economic Sciences Stephen Roberts Great Barrier Reef Marine Park Authority Director Great Barrier Reef Foundation Thank you to Associate Professor Henrietta Marrie from the Office of Indigenous Engagement at CQUniversity Cairns for her significant contribution and assistance in articulating the Aboriginal and Torres Strait Islander value of the Great Barrier Reef. Thank you to Ipsos Public Affairs Australia for their assistance in conducting the primary research for this study. We would also like -
Indigenous Knowledge Forum Program
Indigenous Knowledge and biodiversity in India and Australia Forum Program 1-3 August 2012 UTS Faculty of Law, Sydney NSW, Australia Proudly sponsored by: Wednesday 1 August 2012 Registration: 2:00pm-3:00pm UTS Faculty of Law Foyer Quay St Haymarket Welcome Ceremony: 3:00-3:30pm Moot Court UTS Faculty of Law Ground floor A welcome to country by Aunty Joan Tranter, Elder in Residence, Jumbunna Indigenous House of Learning, University of Technology, Sydney will open the forum. Aunty Joan is a murri woman from Wakka Wakka country about 180 kms north-west of Brisbane and holds strong connections to the Kamalori people in New South Wales through her mother. Aunty Joan has lived in Sydney for almost 50 years. Aunty Joan has a teaching degree and post-graduate degree in Adult Education with 40 years’ experience in adult education and training and 25 years specifically in Indigenous education, employment and training. She has been employed at the University of Technology, Sydney on and off for 14 years, with 11 years in the Equity & Diversity Unit, where she held two senior positions, firstly as Manager of Indigenous and Cultural Diversity programs/initiatives relating to both staff and students and during the last 2 years as Manager of Education and Training for the Equity Unit organising training in line with discrimination/legislative requirements and Indigenous Cultural Awareness for university staff. As an Indigenous Elder she is widely known as Aunty Joan at UTS and within the local community. Aunty Joan is committed to the advancement of Reconciliation between Indigenous and non-Indigenous Australians. -
American Misconceptions About Australian Aboriginal Art
AMERICAN MISCONCEPTIONS ABOUT AUSTRALIAN ABORIGINAL ART A thesis submitted To Kent State University in partial Fulfillment of the requirements for the Degree of Master of Arts By Gina Cirino August 2015 © Copyright All rights reserved Except for previously published materials Thesis written by Gina Cirino B.A., Ohio University, 2000 M.A., Kent State University, 2015 Approved by ___________________________________ Richard Feinberg, Ph.D., Department of Anthropology, Masters Advisor ___________________________________ Richard S. Meindl, Ph.D., Chair, Department of Anthropology _____________________________________ James L. Blank, Ph.D., Dean, College of Arts and Sciences TABLE OF CONTENTS.……………………………………………………………………..….iv LIST OF FIGURES.……………………………………………………………………………..vii LIST OF TABLES..…………………………………………………………………………….viii ACKNOWLEDGMENTS..………………………………………..………………………....…..ix CHAPTER I. RELEVANCE OF THIS STUDY………………………………………………………...1 Introduction………………………………………………………………………………..1 Objectives of thesis……………………………………………………………………..…2 Contents of thesis…………………………………………………………………...……..4 Persecution of Aboriginal groups……………………………………………………...….5 Deception of the Australian Government…………………………………………7 Systemic discrimination and structural Violence………………………………....9 Correlations between poverty and health………………………………………...13 Human Development Index (HDI)………………………………………………………14 Growing responsibilities of anthropologists……………………………………………..17 II. OVERVIEW OF ABORIGINAL ART …………………………………………………20 Artworld Definitions……………………………………………………………………..20 The development -
MS 3501 Alice Moyle Collection FINDING
MOYLE MS 3501 Alice Moyle Collection FINDING AID Australian Institute of Aboriginal and Torres Strait Islander Studies Prepared September 2004, updated April 2005 and December 2019 CONTENTS Page ACCESS ................................................................................................................................................ 4 SCOPE AND CONTENT NOTE .......................................................................................................... 4 ONLINE EXHIBITION ........................................................................................................................ 6 BIOGRAPHICAL NOTE ...................................................................................................................... 6 SERIES DESCRIPTIONS ..................................................................................................................... 8 Series 1 Correspondence, 1927-94.......................................................................................... 8 Series 2 Talks and papers, 1964-91 ........................................................................................ 9 Series 3 Gudarrgu Project ..................................................................................................... 12 Series 4 Ethnomusicology courses taught, 1960-72.............................................................. 13 Series 5 Melograms produced at UCLA, 1970-72 ................................................................ 14 Series 6 Materials on non-Australian oceanic music........................................................... -
The Bark Petition, Church Panels, the Gove Land Rights Case
“Little Cracks of Their Own Mountain Ranges”1: The Bark Petition, Church Panels, the Gove Land Rights Case Brief Thoughts on Aboriginal Australia’s First Title Deed Peter Botsman July 7 2013 1 See Howard Morphy, “Mutual Conversion”, Humanities Research, Vol. XII No 1, 200, p. 48 Thanks to Bree Blakeman for comments and references. 1 “…there are moments of illumination when the mind expands under the force of new horizons … men such as Djawa and Narritjin could expose little cracks of their own mountain ranges … that made areas of understanding possible.” Edgar Wells, Letter to Ed Ruhe, 1983. 2 This marvellous diagram of the mari – gutthara clans and estates (from Nancy M. Williams book The Yolngu and their Land: A System of Land Tenure and the Fight for its Recognition, Stanford University Press, 1986) was conceived 16 years after the Gove Land Rights case. It took an intellectual of great standing to show how Justice Blackburn had so badly misunderstood the nature of Yolngu land tenure, stewardship and ownership. 50 years later we are still only beginners in understanding one of the most sophisticated and wise land management systems ever conceived by man. Let us hope our children and grandchildren learn much more… 3 Mawalan, Turtle Rock, from Anne Wells This Their Dreaming Legends of the Panels of Aboriginal Art in the Yirrkala Church, University of Queensland Press, 1971 4 Most Australian recognise this map but it provided only a one dimensional and rudimentary “Western” representation of the Yolngu land and estates referenced in the Yirrkala Church Panels, from Anne Wells, This Their Dreaming Legends of the Panels of Aboriginal Art in the Yirrkala Church, University of Queensland Press, 1971 5 In pre-colonial Aboriginal Australia there was no legal title, no piece of paper kept in a safe spot to demonstrate legal ownership of a piece of land, as in Western law. -
25 Years Later a Film by Bob Weis
Generation Films present 25 YEARS LATER A FILM BY BOB WEIS In memory and respect the following indigenous people who portrayed characters in WOMEN OF THE SUN Mrs Margaret Tucker MBE Molly Dyer Bob Maza Wandjuk Marika Essie Coffey Joyce Johnson Paul Pryor Freddie Reynolds Iris Lovett-Gardner INTERVIEWEES Sonia Borg Professor Marcia Langton Djerrkngu Yunupingu and her sons Ralkurra and Bakamumu Marika Shirley Nirrpurranyydji Naykalan Mununggur Gatja Munyarryun Chips Mackinolty Justine Saunders Boori (Monty) Pryor Michelle LaCombe Eva Johnson Renee Johnson Cinematographer Jason Ramp Colour Grade Adrian Hauser Sound recordist Nathan Codner Editor Rani Chaleyer Additional Editing Cindi Clarkson Composer Ruby Hunter Performed by Ruby Hunter, Amos Roach, Willie Zygier Music Engineer Willie Zygier Translator Mayatili Marika Co-producer & research Julie Andrews 80 minutes Rated PG Distribution enquiries: Publicity enquiries: RONIN FILMS TRACEY MAIR PO Box 1005, Civic Square ACT 2608 50 Bay Vista Lane, Ewingsdale NSW 2481 Phone: 02-6248 0851 Fax: 02-6249 1640 Phone: 02-6684 7128 Email: [email protected] Email: [email protected] 25 YEARS LATER SYNOPSIS WOMEN OF THE SUN is a remarkable drama series that screened on Australia television in 1981. It had a tremendous impact, bringing the Aboriginal story through the eyes of Aboriginal women – in their own language - to a national audience for the first time. Twenty-five years later, Bob Weis, the producer of WOMEN OF THE SUN, sets out to find out the impact of the film on five of the women who played major roles in the original series. His journey – from Arnhem Land to the southern states - reveals a profound and moving tale of discovery, for himself and those with whom he meets. -
Annual Report Highlights 2013
ANNUAL REPORT HIGHLIGHTS 2013 © The Cairns Institute, James Cook University 2014 Published by The Cairns Institute, James Cook University, Cairns, Australia. This publication is copyright. The Copyright Act 1968 permits fair dealing for study, research, information or educational purposes subject to inclusion of a sufficient acknowledgement of the source. Cover photograph: James Cook University CONTENTS OVERVIEW ................................................................................................................................................................................ 1 Mission & Vision ...................................................................................................................................................................... 1 Aims ........................................................................................................................................................................................ 1 Acting Director's Report .......................................................................................................................................................... 2 GOVERNANCE .......................................................................................................................................................................... 4 Management Committee ......................................................................................................................................................... 4 International Advisory Board .................................................................................................................................................. -
The American Indian Movement's Strategic Choices
The American Indian Movement’s Strategic Choices: Environmental Limitations and Organizational Outcomes Timothy Baylor Lock Haven University of Pennsylvania The roots of modern Indian protest reach backward in history and forward into the future. Modern protest developed out of specific historical contingencies. For many protesters, the immediate concerns of housing shortages, police brutality, poverty, unemployment, and similar issues existed along side other issues such as identity and status within the American mosaic. Did Indians represent just another ethnic group bound to be assimilated by American society, or did Indians embody something different and far more significant – nations? As modern Indian protest escalated, the question increased in salience. Nancy Lurie explained that “Indian distinctiveness ... stressed culturally and historically” included an “emphasis on treaties rather than judicial recourse in obtaining perceived rights of Indians,” “an attitude that all other Americans are ‘immigrants,’” and that Indians as the “‘First Americans’ deserve special consideration (1972:308). In this sense, Native Americans were different than Blacks and other ethnic minority groups; they were the only ethnic group the U.S. Supreme Court had defined as “domestic dependent nations” in Cherokee Nation v. Georgia (1831). Just what this meant and the degree of tribal sovereignty this status conveys has continued to be a matter of political and judicial wrangling. Regardless of the Indians’ status as “domestic dependent nations,” the overall American policy was one of assimilation in which reservations were seen as a temporary necessity until Indians had gained the necessary cultural, educational, and technical levels of competence necessary to participate in American life. Central to accomplishing this end was the boarding school system. -
A Report on the Case of Anna Mae Pictou Aquash
A Report on the Case of Anna Mae Pictou Aquash By: [email protected] February 2004 • Statements from AIM, Peltier, NYM & Graham Defense Committee • Excerpt from Agents of Repression Contents Report on the Case of Anna Mae Pictou Aquash Update & Background________________________________________ 2 Counter-Insurgency & COINTELPRO__________________________ 3 Once Were Warriors? AIM____________________________________ 5 FBI Version of Events_________________________________________ 6 Trial of Arlo Looking Cloud ___________________________________ 7 John Graham’s Version of Events_______________________________8 Position on Death of Anna Mae Aquash__________________________ 9 Position on Informants & Collaborators_________________________ 10 Conclusion__________________________________________________ 11 Statements AIM Colorado, April 3/03______________________________________12 Peltier on Graham Arrest Dec. 5/03_____________________________ 13 NYM on Graham, Feb. 7/04____________________________________ 14 Peltier on Kamook Banks, Feb. 10/04____________________________ 15 Graham Defense on Looking Cloud Trial, Feb. 9/04________________16 Peltier Lawyer on Looking Cloud Trial, Feb. 7/04__________________18 Excerpt: Agents of Repression, Chapter 7_________________________20 ________________________________________________________________________ For Info, contact: • freepeltier.org • grahamdefense.org ________________________________________________________________________ Note: Organizers should 3-hole punch this document and place in binder -
Divorce and Divorce Law in South Australia, 1859-1918
SOMETHING OLD, SOMETHING NEW Divorce and divorce law in South Austalia, 1859-1918 Bridget Brooklyn Thesis submitted in fulfilment of the requircments for the degree of Doctor of Philosophy in the Department of History at the University of Adelaide 1988 Summary respectively, The two propositions put forward in the thesis concern' the first instance, I claim that divorce law in particular and the law in general. In 'safety valve' thesis, see other analyses of divorce, notably william o'Neill's marriage among the ascendant divorce as a product of the rise of the companionate rejecting this ¿lfgument out of middle class of the nineteenth century. while not in English (and consequently hand, I argue that the most sweeping change wrought to formal divorce increased South Austalian) divorce was its formalization. Access century that'instead of focusing upon so greatly in the second half of the nineteenth law, it is more appropriate to talk change in marriage as a cause of change in divorce The thesis measures about the influence of divorce law upon change in ma¡riage' men and women who seldom this influence by examining the use of divorce taw by played an important part in came from powerful social gloups but who nevertheless society' changing the dominant mafital values of South Australian material: court The sources used in the thesis are two distinct bodies of marital values shared by the records and fictional literature. They reveal a set of was based on strong opposition South Australian judiciary and the novelists which marriage. Each of these two to the resofi to divorce as an alternative to unhappy members of south groups attempted to oppose divorce: the judiciary by using marriage and the novelists by a Australia's ruling élite asmoral exemplars of good Each failed to forestall combination of moral imperatives and romantic enticements.