Problems of Standard Latvian in the 19Th Century: Changes in Language Planning and Changes in Planners, from Baltic Germans to Latvians
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Formation of Latvian Literary Identity at the End of the Nineteenth – the Beginning of the Twentieth Century: Overlapping Vectors of Reception
MAIJA BURIMA The Formation of Latvian Literary Identity at the End of the Nineteenth – the Beginning of the Twentieth Century: Overlapping Vectors of Reception The issue of national literary identity is a complex problem that is related to a common view of discourses of culture and social anthropology. Literary identity is a system of codes that may refer to just one particular national literature and express both its canonical features and processes in its periphery. Literary identity is changing in time. It depends on the poetic style of writers and affects the readers’ understanding of culture. Latvian literary identity is closely related to the processes of the history of Latvian literature. The formation of modern Latvian literature dates back to the early nineteenth century, however, the origin of really balanced search of form and content is most often attributed to Juris Alunāns’ poetry collection Dziesmiņas, latviešu valodai pārtulkotas (Songs translated for the Latvian language) that was published in Tartu (Dorpat) in 1856 and contains Alunāns’ translations from different languages of the poetry by Horace, Johann Wolfgang von Goethe, Friedrich von Schiller, Alexander Pushkin, Mikhail Lermontov, Heinrich Heine, etc. This collection is noteworthy for crystallizing of an important concept of Latvian literature of the mid-nineteenth century, i.e. for a young national literature to develop its identity, a thorough study of classical literature and the improvement of Latvian literary language were needed. These features are manifest in the genre, form, and content of two fundamental texts of the second half of the nineteenth century: the Kaudzītes brothers’ novel Mērnieku laiki (1879) (Times of Land Surveyors) and Andrejs Pumpurs’ epic Lāčplēsis (1888) (Bearslayer). -
VALTS ERNÇSTREITS (Riga) LIVONIAN ORTHOGRAPHY Introduction the Livonian Language Has Been Extensively Written for About
Linguistica Uralica XLIII 2007 1 VALTS ERNÇSTREITS (Riga) LIVONIAN ORTHOGRAPHY Abstract. This article deals with the development of Livonian written language and the related matters starting from the publication of first Livonian books until present day. In total four different spelling systems have been used in Livonian publications. The first books in Livonian appeared in 1863 using phonetic transcription. In 1880, the Gospel of Matthew was published in Eastern and Western Livonian dialects and used Gothic script and a spelling system similar to old Latvian orthography. In 1920, an East Livonian written standard was established by the simplification of the Finno-Ugric phonetic transcription. Later, elements of Latvian orthography, and after 1931 also West Livonian characteristics, were added. Starting from the 1970s and due to a considerable decrease in the number of Livonian mother tongue speakers in the second half of the 20th century the orthography was modified to be even more phonetic in the interest of those who did not speak the language. Additionally, in the 1930s, a spelling system which was better suited for conveying certain phonetic phenomena than the usual standard was used in two books but did not find any wider usage. Keywords: Livonian, standard language, orthography. Introduction The Livonian language has been extensively written for about 150 years by linguists who have been noting down examples of the language as well as the Livonians themselves when publishing different materials. The prime consideration for both of these groups has been how to best represent the Livonian language in the written form. The area of interest for the linguists has been the written representation of the language with maximal phonetic precision. -
ICLA 2016 – Abstracts General Conference Sessions, July 17Th, 2016
ICLA 2016 – Abstracts General Conference Sessions, July 17th, 2016 ICLA 2016 – Abstracts General Conference Sessions Content Fri, July 22nd, 09:00, Urmil Talwar , C. Many cultures, many idioms ..................................................... 7 Fri, July 22nd, 11:00, Marjanne Gooze, D. The language of thematics ................................................... 8 Fri, July 22nd, 11:00, Marta Teixeira Anacleto, D. The language of thematics ....................................... 9 Fri, July 22nd, 18:00, no chair yet, E. Comparatists at work - professional communication ................ 11 Fri, Huly 22nd, 16:00, no chair yet, C. Many cultures, many idioms ..................................................... 11 Fri, July 22nd, 11:00, no chair yet, D. The language of thematics ......................................................... 12 Fri, July 22nd, 14:00, no chair yet, D. The language of thematics ......................................................... 13 Fri, July 22nd, 09:00, no chair yet , C. Many cultures, many idioms ..................................................... 14 Fri, July 22nd, 11:00, Yiu-wai Chu , C. Many cultures, many idioms ..................................................... 15 Fri, July 22nd, 14:00, Gabriele Eckart, C. Many cultures, many idioms ................................................ 17 Fri, July 22nd, 16:00, Nagla Bedeir, E. Comparatists at work - professional communication ............... 18 Fri, July 22nd, 09:00, no chair yet, D. The language of thematics ........................................................ -
Between National and Academic Agendas Ethnic Policies and ‘National Disciplines’ at the University of Latvia, 1919–1940
BETWEEN NATIONAL AND ACADEMIC AGENDAS Ethnic Policies and ‘National Disciplines’ at the University of Latvia, 1919–1940 PER BOLIN Other titles in the same series Södertörn Studies in History Git Claesson Pipping & Tom Olsson, Dyrkan och spektakel: Selma Lagerlöfs framträdanden i offentligheten i Sverige 1909 och Finland 1912, 2010. Heiko Droste (ed.), Connecting the Baltic Area: The Swedish Postal System in the Seventeenth Century, 2011. Susanna Sjödin Lindenskoug, Manlighetens bortre gräns: tidelagsrättegångar i Livland åren 1685–1709, 2011. Anna Rosengren, Åldrandet och språket: En språkhistorisk analys av hög ålder och åldrande i Sverige cirka 1875–1975, 2011. Steffen Werther, SS-Vision und Grenzland-Realität: Vom Umgang dänischer und „volksdeutscher” Nationalsozialisten in Sønderjylland mit der „großgermanischen“ Ideologie der SS, 2012. Södertörn Academic Studies Leif Dahlberg och Hans Ruin (red.), Fenomenologi, teknik och medialitet, 2012. Samuel Edquist, I Ruriks fotspår: Om forntida svenska österledsfärder i modern historieskrivning, 2012. Jonna Bornemark (ed.), Phenomenology of Eros, 2012. Jonna Bornemark och Hans Ruin (eds), Ambiguity of the Sacred, 2012. Håkan Nilsson (ed.), Placing Art in the Public Realm, 2012. Lars Kleberg and Aleksei Semenenko (eds), Aksenov and the Environs/Aksenov i okrestnosti, 2012. BETWEEN NATIONAL AND ACADEMIC AGENDAS Ethnic Policies and ‘National Disciplines’ at the University of Latvia, 1919–1940 PER BOLIN Södertörns högskola Södertörns högskola SE-141 89 Huddinge www.sh.se/publications Cover Image, taken from Latvijas Universitāte Illūstrācijās, p. 10. Gulbis, Riga, 1929. Cover: Jonathan Robson Layout: Jonathan Robson and Per Lindblom Printed by E-print, Stockholm 2012 Södertörn Studies in History 13 ISSN 1653-2147 Södertörn Academic Studies 51 ISSN 1650-6162 ISBN 978-91-86069-52-0 Contents Foreword ...................................................................................................................................... -
Representation of Latvia and Latvians in Contemporary Latvian Literature
LITUANISTICA. 2012. T. 58. Nr. 4(90), p. 332–341, © Lietuvos mokslų akademija, 2012 Representation of Latvia and Latvians in Contemporary Latvian Literature MAIJA BURIMA Institute of Comparative Studies, Daugavpils University, Vienibas Str. 13 – 318, Daugavpils, Latvia E-mail: [email protected] Concepts ‘Latvia’ and ‘Latvians’ in literature are more closely than others related to tendencies of culture policy and historical and socio-economic changes. In Latvian literature there are not so many texts focusing on the Latvian nation and state as a phenomenon. The article regards representations of the national / state identity as the central strategic manifestations in contemporary Latvian literature. This strategy gets activa- ted in complicated or dramatic moments of the history for the nation / state. Recent Latvian literature brings out the representation of two identity aspects: personal identity – individual self-perception based on one’s physical, intellectual, and mo- ral peculiarities; group or social identity – individual self-characteristics based on belonging to particular social groups – ethnic, professional, etc. Within one literary work just one identity aspect may be represented but they may also overlap. At the turn of the first and second decades of the 21st century a number of texts were published with titles foregrounding the lexical units “Latvians”, “we” or some significant signs of the national culture. Aspects of the collective identity are widely discussed in several works of fiction the titles of which suggest common social and mental structures of contemporary Latvian population as preconditions for the exis- tence of identity communities. The texts analyzed in the paper include Kārlis Vērdiņš’s poetry prose collec- tion “Es” [I] (2008), Guntars Godiņš’s poetry collection “CV”, Nora Ikstena’s sketch “Par mums” [On Us] (2009), Vilis Lācītis’s novel “Strojka ar skatu uz Londonu” [Construction Site with a View of London] (2010), Otto Ozols’s novel “Latvieši ir visur” [Latvians are Everywhere] (2010). -
Towards a History of the Literary Cultures in East-Central Europe: Theoretical Reflections
Towards a History of the Literary Cultures in East-Central Europe: Theoretical Reflections Marcel Cornis-Pope John Neubauer American Council of Learned Societies ACLS OCCASIONAL PAPER, No. 52 ISSN 1041-536X Towards a History of the Literary Cultures in East-Central Europe: Theoretical Reflections Marcel Cornis-Pope John Neubauer American Council of Learned Societies ACLS OCCASIONAL PAPER, No. 52 Copyright © 2002 Marcel Cornis-Pope and John Neubauer Towards a History of the Literary Cultures in East-Central Europe: Theoretical Reflections Marcel Cornis-Pope Virginia Commonwealth University John Neubauer University ofAmsterdam Historical approaches to literature and culture have experienced a remarkable revival in the last decades, accompanied by severe critiques of past historiographies. The new approaches reject the positivist and orthodox Marxist traditions that regard literature as a mimetic reflection of an underlying "reality," "internalist" histories that isolate the discipline from the surrounding culture, Hegelian, organicist, and teleological generalizations of periods and cultures, reductive national perspectives, and, last but not least, histories dominated by "grand narratives." But if there is a reasonable consensus on the critique of the past, new histories have been slow in coming and controversial when published. Witness the series that the International Comparative Literature Association (ICLA) has been preparing on the history of literature in the European languages, and the French literary history that Denis Hollier and his collaborators have published-both of which we shall discuss later in this paper. The following essay delineates the contours of an ongoing project on the history of the literary cultures in East-Central Europe, which will be published by John Benjamins Press in three volumes. -
The Incidence and Evolution of Palatalized Consonants in Latvian
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 5-2015 The Incidence and Evolution of Palatalized Consonants in Latvian Linda Zalite Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1198 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] THE INCIDENCE AND EVOLUTION OF PALATALIZED CONSONANTS IN LATVIAN by LINDA ZALITE A master’s thesis submitted to the Graduate Faculty in Linguistics in partial fulfillment of the requirements for the degree of Master of Arts, The City University of New York 2015 © 2015 Linda Zalite All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in Linguistics in satisfaction of the dissertation requirement for the degree of Master of Arts. Juliette Blevins Date Thesis Advisor Gita Martohardjono Date Executiv e Officer THE CITY UNIVERSITY OF NEW YORK iii Abstract The Incidence and Evolution of Palatalized Consonants in Latvian by Linda Zalite Advisor: Professor Juliette Blevins This thesis traces the evolution of the palatalized rhotic /rj/ in Baltic languages with focus on the continuation of this segment in Latvian and its recent neutralization with /r/. Historical, phonological, phonetic, and synchronic data is gathered as evidence to further our understanding of the Latvian palatalized rhotic and its near-disappearance in the 20th century. Previous typological works of Endzelīns (1922, 1951), Dini (1997), Rūķe-Draviņa (1994) and Ābele (1929) were considered intending to answer three central questions. -
Artistic Alliances and Revolutionary Rivalries in the Baltic Art World, 1890–1914
INTERNATIONAL JOURNAL FOR HISTORY, CULTURE AND MODERNITY www.history-culture-modernity.org Published by: Uopen Journals Copyright: © The Author(s). Content is licensed under a Creative Commons Attribution 4.0 International Licence eISSN: 2213-0624 Artistic Alliances and Revolutionary Rivalries in the Baltic Art World, 1890–1914 Bart Pushaw HCM 4 (1): 42–72 DOI: 10.18352/hcm.503 Abstract In the areas now known as Estonia and Latvia, art remained a field for the Baltic German minority throughout the nineteenth century. When ethnic Estonian and Latvian artists gained prominence in the late 1890s, their presence threatened Baltic German hegemony over the region’s culture. In 1905, revolution in the Russian Empire spilled over into the Baltic Provinces, sparking widespread anti-German violence. The revolution also galvanized Latvian and Estonian artists towards greater cultural autonomy and independence from Baltic German artistic insti- tutions. This article argues that the situation for artists before and after the 1905 revolution was not simply divisive along ethnic lines, as some nationalist historians have suggested. Instead, this paper examines how Baltic German, Estonian and Latvian artists oscillated between com- mon interests, inspiring rivalries, and politicized conflicts, question- ing the legitimacy of art as a universalizing language in multicultural societies. Keywords: Baltic art, Estonia, Latvia, multiculturalism, nationalism Introduction In the 1860s a visitor of the port towns of Riga or Tallinn would have surmised that these cities were primarily German-speaking areas of Imperial Russia. By 1900, however, one could hear not only German, but Latvian, Estonian, Russian, as well as Yiddish on the streets of Riga 42 HCM 2016, VOL. -
Nominal Compounds in Old Latvian Texts in the 16Th and 17Th Centuries
!"#$ #%&"" ' ( ( )#"& !"# * + , #- #$ &* + , . &* + &. + + . + &* + . &* , + , & ( + . + & * . (+ + / ( ( ( ( & ( + & ,0&120&1& ( ,&3 + , . ( ,+ 4 & ( . + &3 4 ( + + (+ , &* ( . + &* ( + . , ( 5 & ( , & . ( / + + ( &6(/ + ( . + , & $ % !"#$ 722 && 2 8 9 77 7 7 ##: $" 3;<$ <#$-:< $!< 3;<$ <#$-:< $=- 3;"! #%:$ & '( # #( )*) & #) + (#"-<# NOMINAL COMPOUNDS IN OLD LATVIAN TEXTS IN THE 16TH AND 17TH CENTURIES Kristina Bukelskytė-Čepelė Nominal Compounds in Old Latvian Texts in the 16th and 17th Centuries Kristina Bukelskytė-Čepelė ©Kristina Bukelskytė-Čepelė, Stockholm University 2017 ISBN print 978-91-7649-872-9 ISBN PDF 978-91-7649-873-6 ISSN 0281-5478 Cover: "Die Statt Riga" in S. Münster’s "Cosmographia" (ca. 16th c) Printed in Sweden by Universitetsservice US-AB, Stockholm 2017 Distributor: Department of Slavic and Baltic Studies, Finnish, Dutch -
A History Untold by Valdis V
“Tearing Apart the Bear” and British Military Involvement in the Construction of Modern Latvia: A History Untold by Valdis V. Rundāns BASc, Waterloo, 1975 BA, Victoria, 2008 A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER of ARTS in the Department of History © Valdis V. Rundāns, 2014 University of Victoria All rights reserved. This thesis may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. ii Supervisory Committee “Tearing Apart the Bear” and British Military Involvement in the Construction of Modern Latvia: A History Untold by Valdis V. Rundāns BASc, Waterloo, 1975 BA, Victoria, 2008 Supervisory Committee Dr. Serhy Yekelchyk (Department of History) Supervisor Dr. Perry Biddiscombe, (Department of History) Departmental Member iii Abstract Supervisory Committee Dr Serhy Yekelchyk (Department of History) Supervisor Dr. Perry Biddiscombe (Department of History) Departmental Member Despite significant evidence to the contrary in the Latvian language, especially the memoirs of General Pēteris Radzinš, Latvians, historians included, and others, have persisted in mythologizing the military events of 8 October to 11 November 1919 in Riga as some sort of national miracle. Since this Latvian army victory, first celebrated as Lāčplēsis Day on 11 November1920, accounts of this battle have been unrepresented, poorly represented or misrepresented. For example, the 2007 historical film Rīgas Sargi (The Defenders of Riga) uses the 1888 poem Lāčplēsis by Andrējs Pumpurs as a template to portray the Latvians successfully defeating the German-Russian force on their own without Allied military aid. Pumpurs’ dream and revolutionary legacy has provided a well used script for Latvian nation building. -
Defining Boundaries Between Two Immigrant Waves from Latvia
Defining Boundaries Between Two Immigrant Waves From Latvia: A Study of Latvian Supplementary Schools in the U.S. A THESIS SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA Ilze Garoza IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS Professor Peter Demerath, Adviser Professor Gerald Fry, Co-adviser August, 2011 © Ilze Garoza 2011 Acknowledgements I would like to express my deep gratitude to my adviser Dr. Peter Demerath and co-adviser Dr. Gerald Fry for all the guidance and support they provided me throughout the thesis writing. I also want to extend my special thanks to professor Andris Straumanis, University of Wisconsin – River Falls, who generously shared his expertise, time, and advice in launching my research project, reaching out to the community, as well as his invaluable and critical feedback on my findings about Latvians in the United States. This study would not have come about if not for the extraordinary responsiveness of the Latvian community. There are no words to thank enough the Latvian supplementary school principals who provided me access to their schools; to teachers and parents, as well as the Latvian community leaders, who shared their stories, insights, and experiences. My special thanks goes to the Latvian community in Minnesota, which has been my “home” for the last three years and whose support and financial assistance allowed me to participate in various Latvian events around the United States. This study would not have come about also without the generous support of the Immigration History Research Center (IHRC) staff and directors Dr. -
Women's Experiences in Exile in Latvian Writer Irma Grebzde's Prose
Journal of International Women's Studies Volume 22 Issue 3 Women's Studies: The Possibility of Rethinking and Designing the Foundations of Article 11 Modern Culture April 2021 Settling in a Foreign Land: Women’s Experiences in Exile in Latvian Writer Irma Grebzde’s Prose Fiction Ingrīda Kupšāne Daugavpils University Sandra Meškova Daugavpils University Follow this and additional works at: https://vc.bridgew.edu/jiws Part of the Women's Studies Commons Recommended Citation Kupšāne, Ingrīda and Meškova, Sandra (2021). Settling in a Foreign Land: Women’s Experiences in Exile in Latvian Writer Irma Grebzde’s Prose Fiction. Journal of International Women's Studies, 22(3), 110-119. Available at: https://vc.bridgew.edu/jiws/vol22/iss3/11 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. This journal and its contents may be used for research, teaching and private study purposes. Any substantial or systematic reproduction, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. ©2021 Journal of International Women’s Studies. Settling in a Foreign Land: Women’s Experiences in Exile in Latvian Writer Irma Grebzde’s Prose Fiction By Ingrīda Kupšāne1, Sandra Meškova2 Abstract Exile is a central motif of 20th century European culture, and literature was often tied to historical events throughout this century, especially during World War II. In Latvian literature, this motif was partially the result of the emigration of a great part of the population in 1944; many were fleeing direct warfare and the return of the Soviet army, escaping from Latvia.