CBD News Edition 41 – April 2018
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The Runners of Shawnee Road
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses Fall 12-20-2013 The Runners of Shawnee Road Melissa Remark University of New Orleans, [email protected] Follow this and additional works at: https://scholarworks.uno.edu/td Part of the Fiction Commons Recommended Citation Remark, Melissa, "The Runners of Shawnee Road" (2013). University of New Orleans Theses and Dissertations. 1761. https://scholarworks.uno.edu/td/1761 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. The Runners of Shawnee Road A Thesis Submitted to the Graduate Faculty of The University of New Orleans in partial fulfillment of the requirements for the degree of Master of Fine Arts in Film, Theater and Communication Arts Creative Writing by Melissa Remark B.A. Trent University, 2010 Diploma, Humber College, 2000 December, 2013 The Sheeny Man rides through the streets pulling his wagon of junk. Sometimes he is black, sometimes he is white, and sometimes he is French. -
Popular Music, Stars and Stardom
POPULAR MUSIC, STARS AND STARDOM POPULAR MUSIC, STARS AND STARDOM EDITED BY STEPHEN LOY, JULIE RICKWOOD AND SAMANTHA BENNETT Published by ANU Press The Australian National University Acton ACT 2601, Australia Email: [email protected] Available to download for free at press.anu.edu.au A catalogue record for this book is available from the National Library of Australia ISBN (print): 9781760462123 ISBN (online): 9781760462130 WorldCat (print): 1039732304 WorldCat (online): 1039731982 DOI: 10.22459/PMSS.06.2018 This title is published under a Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International (CC BY-NC-ND 4.0). The full licence terms are available at creativecommons.org/licenses/by-nc-nd/4.0/legalcode Cover design by Fiona Edge and layout by ANU Press This edition © 2018 ANU Press All chapters in this collection have been subjected to a double-blind peer-review process, as well as further reviewing at manuscript stage. Contents Acknowledgements . vii Contributors . ix 1 . Popular Music, Stars and Stardom: Definitions, Discourses, Interpretations . 1 Stephen Loy, Julie Rickwood and Samantha Bennett 2 . Interstellar Songwriting: What Propels a Song Beyond Escape Velocity? . 21 Clive Harrison 3 . A Good Black Music Story? Black American Stars in Australian Musical Entertainment Before ‘Jazz’ . 37 John Whiteoak 4 . ‘You’re Messin’ Up My Mind’: Why Judy Jacques Avoided the Path of the Pop Diva . 55 Robin Ryan 5 . Wendy Saddington: Beyond an ‘Underground Icon’ . 73 Julie Rickwood 6 . Unsung Heroes: Recreating the Ensemble Dynamic of Motown’s Funk Brothers . 95 Vincent Perry 7 . When Divas and Rock Stars Collide: Interpreting Freddie Mercury and Montserrat Caballé’s Barcelona . -
Joni Mitchell," 1966-74
"All Pink and Clean and Full of Wonder?" Gendering "Joni Mitchell," 1966-74 Stuart Henderson Just before our love got lost you said: "I am as constant as a northern star." And I said: "Constantly in the darkness - Where 5 that at? Ifyou want me I'll be in the bar. " - "A Case of You," 1971 Joni Mitchell has always been difficult to categorize. A folksinger, a poet, a wife, a Canadian, a mother, a party girl, a rock star, a hermit, a jazz singer, a hippie, a painter: any or all of these descriptions could apply at any given time. Moreover, her musicianship, at once reminiscent of jazz, folk, blues, rock 'n' roll, even torch songs, has never lent itself to easy categorization. Through each successive stage of her career, her songwriting has grown ever more sincere and ever less predictable; she has, at every turn, re-figured her public persona, belied expectations, confounded those fans and critics who thought they knew who she was. And it has always been precisely here, between observers' expec- tations and her performance, that we find contested terrain. At stake in the late 1960s and early 1970s was the central concern for both the artist and her audience that "Joni Mitchell" was a stable identity which could be categorized, recognized, and understood. What came across as insta- bility to her fans and observers was born of Mitchell's view that the honest reflection of growth and transformation is the basic necessity of artistic expres- sion. As she explained in 1979: You have two options. -
RADIO and TELEVISION MIRROR, Published Monthly by MACFADDEN PUBLICATIONS, INC., Washington and South Avenues, Dunellen, New Jersey
10* The Favorite of Millions of Listeners BIG SISTER Now as a ROMANTIC NOVEL ve pages f (5pec.Sl star po?tra.ts - Stella Dallas and Front Page Farrell WHISPER "I LOVE YOU" ^^^ W,TH Perfume, Face Powder, Lipstick, Talcum, Single toosePow- JCOfl der Vanity *» ZZVWaaaA YOUR STAR IS LUCKY., if your Smile is Right! Your smile is YOU! Help keep your But remember healthy gums are impor- Ipana is specially designed not only to gums firmer, your teeth brighter tant if you want your smile to have clean teeth brilliantly and thoroughly with Ipana and massage! brightness and sparkle. That's why it's but, with massage, to help firm and so unwise ever to ignore the first warn- strengthen your gums. Massage a little YOU don't have to be a beauty to have ing tinge of "pink" on your tooth brush. extra Ipana onto your gums every time beauty's rewards — popularity, suc- you brush your teeth. Notice its clean Tooth cess, the man you want most to win. Never ignore "Pink Brush" and refreshing taste. That invigorating Even if you're "plain" let your hopes If you see "pink" on your tooth brush "tang" means circulation is quickening in tissues—helping soar high. Fortune can be more than ...see your dentist. He may merely say gum gums to health- ier firmness. kind . fortune can be lavish if your your gums have become tender because smile is right! A lovely smile is a mag- today's soft foods have robbed them of Get a tube of economical Ipana Tooth net to others . -
Inter/View: Talks with America's Writing Women
University of Kentucky UKnowledge Literature in English, North America English Language and Literature 1990 Inter/View: Talks with America's Writing Women Mickey Pearlman Katherine Usher Henderson Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Pearlman, Mickey and Henderson, Katherine Usher, "Inter/View: Talks with America's Writing Women" (1990). Literature in English, North America. 56. https://uknowledge.uky.edu/upk_english_language_and_literature_north_america/56 Inter/View Inter/View Talks with America's Writing Women Mickey Pearlman and Katherine Usher Henderson THE UNIVERSITY PRESS OF KENTUCKY PHOTO CREDITS: M.A. Armstrong (Alice McDermott), Jerry Bauer (Kate Braverman, Louise Erdrich, Gail Godwin, Josephine Humphreys), Brian Berman (Joyce Carol Oates), Nancy Cramp- ton (Laurie Colwin), Donna DeCesare (Gloria Naylor), Robert Foothorap (Amy Tan), Paul Fraughton (Francine Prose), Alvah Henderson (Janet Lewis), Marv Hoffman (Rosellen Brown), Doug Kirkland (Carolyn See), Carol Lazar (Shirley Ann Grau), Eric Lindbloom (Nancy Willard), Neil Schaeffer (Susan Fromberg Schaeffer), Gayle Shomer (Alison Lurie), Thomas Victor (Harriet Doerr, Diane Johnson, Anne Lamott, Carole -
Laneways in Danger
LANEWAYS IN DANGER THE NEED FOR NEW POLICIES AND DIRECTIONS TO PROPERLY PROTECT MELBOURNE’S CITY LANEWAYS ACDC Lane - Iconic wall demolished This old brick wall and its art at the rear of 108 Flinders Street is now gone, demol- ished in 2012 for an apartment develop- ment. June 2012 Preamble This report provides an account of the current state of laneway preservation and management in Melbourne’s CBD. It is Melbourne Heritage Actions assertion that the current CBD lanes policy is appallingly out of date and does not take into account the rich diversification of uses currently seen in laneways over the last 15 years. This report will also give an account of the current threats to lanes, how they can be better managed and where the most important existing laneways are which are currently unprotected. Melbourne Heritage Action have also produced a policy steering document which is intended to provide a detailed indication as to how our laneways should be managed and protected. A major photographic assessment of the CBDs existing laneways undertaken by Melbourne Heritage Action member Tristan Davies, has also been included as an appendix and is designed to provide the reader with an overview of the kind of unique and vibrant places the current policy fails to protect. Presgraves Place In a heritage precinct, but it’s laneway buildings current have the lowest amount of protection (D- grading) The lane itself is also Class 3, the lowest level in current policy, despite a cafe, shops and art lining the lane, and it’s multiple daytime through- block access via the Capital Theatre Arcade and Howey Place. -
Charter Amended to Include Paying to Attorneys Fees for Town Litigation
HOW TO GET THE LEADER: Just Fill in the Form On Page 10 And Return It to Us! Serving the Town Since J890 — FuHUbsd CAR Thursday, July 7,1994 Ever? Tliunfr 232-44*7 PORTV CENTS PRIOR POLICY HAD BEEN AN UNWRITTEN ONE Charter Amended to Include Paying to Attorneys Fees For Town Litigation Services Limitations for Donating Money to Political Parties Doing Business With Town Discussed; Sexual Harassment Policy Adopted at Urging of Insurance Fund By PAUI, J.PEYTON S/mittlly Wrimnftr The Vttafirld Uatrr ning Board, Board of Adjustment who is paid to represent the town's The Town Council voted to and town attorneys. Each of the best interest should not hold a amend its ordi nance Tuesday with attorneys currently receives an polit ical post. He said Mr. Cockren regard to payment for litigation annual stipend. The amendment should step down as party Chair- rendered for (he town by the Plan- was a clarification of the town's man. non-written policy of paying for Mayor Boothe argued the plan- litigation services. ning and zoning boards appoint July 4 Festival, First Ward Councilman An- their own attorneys. He said Mr. Fireworks Called thony M. LaPorta, a Democrat Cockren has served for five years A Great Success who will challenge Republican and is appointed each year. The "The Weslfield Bicentennial Festi- Mayor Garland C. "Bud" Boothe, Mayor said that the attorney did val and Fireworks in Tamaques Park Jr. in the November 8 General not have the political post when on Monday, July 4, was a success in all Election, brought the issue up last he was first appointed board at- respects," stated Westfield MayorGar- land C. -
Charles Kleibacker, Master of the Bias Cut; Designs, Construction and Techniques
CHARLES KLEIBACKER, MASTER OF THE BIAS CUT; DESIGNS, CONSTRUCTION AND TECHNIQUES DISSERTATION Presented in Partial Fulfillment of the Requirements for The Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Joycelyn Falsken, M.A. ***** The Ohio State University 2008 Dissertation Committee: Professor Patricia A. Cunningham, Adviser Professor Kathryn A. Jakes Professor Alice L. Conklin Curator Gayle M. Strege Copyright by Joycelyn Falsken 2008 ABSTRACT Charles Kleibacker was a fashion designer in New York City from 1960 to 1986, a time when fashion styles reflected the turmoil that occurred in society throughout those years. However, through it all Charles maintained an individual design aesthetic – soft figure-flattering bias dresses with a classic look that could be worn for years. This earned him a devoted clientele of women who purchased his designer ready-to-wear garments at top stores in New York, or were custom fit in his workshop. Because of his preference for and skill with bias, he became known as the Master of the Bias Cut. Trained in French couturier methods of construction, Kleibacker’s garments were all produced with the highest standards in fabric, construction and fit. Bias is known to be the most difficult ‘cut’ to work with when constructing garments. Charles experimented until he figured out how to solve the challenges, and then trained his workers in the exacting techniques required. Having first a career in journalism, Charles’ path to fashion was in “no way normal” and his approach to his business and the industry was not the norm either. Starting small, through much determination and sacrifice, he overcame many obstacles to produce garments engineered for an enduring and graceful artistry. -
CBD News Edition 52 – April 2019
FOR THE MONTH OF APRIL, 2019 ISSUE 52 WWW.CBDNEWS.COM.AU 见 29 页 FREE BACKLASH ON GIANT PAY PHONES DRAMA OVER "FEARLESS GIRL" POUNDING THE GRID WARM WELCOME FOR STUDENTS - page 3 - - page 4 - - page 7 - - page 11 - Vigil for Christchurch New Zealanders sang an impromptu waiata on the steps of the State Library on March 18 to mourn the victims of the shooting in Christchurch. Sarah Daley, one of the singers pictured left (centre, second row), has been living in Melbourne for seven years. “We were called up and just joined in,” she said. The New Zealanders were among an estimated 800 people who attended a vigil organised by the Islamic Council of Victoria. Leaders of seven religions spoke and led prayers but it was the New Zealanders who brought tears to the eyes of the crowd. Heritage owners exploit tax loophole By Meg Hill decision dropping its value to just $1 and it might mean fewer buildings were given Cr Leppert said the current situation was a setting a precedent for others. The mammoth heritage status in the future. burden on local councils. CBD building was previous valued at $29 “The owners of the Argus, Leviathan, A growing number of CBD million. “Heritage does have value and economic value, so it’s bizarre to see that discounted Batmans Hill Hotel and others, just like the buildings have had their The Age reported that the Block Arcade is completely,” he said. GPO, have all previously lodged planning official values slashed as also now officially valued at just $1. -
Engaging Our Histories and the Difficult Histories We Teach
ENGAGING OUR HISTORIES AND THE DIFFICULT HISTORIES WE TEACH Stephanie C. Konle A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the School of Education. Chapel Hill 2018 Approved by: Madeleine R. Grumet Cheryl Mason Bolick Suzanne Gulledge Xue Lan Rong Lynda Stone © 2018 Stephanie C. Konle ALL RIGHTS RESERVED ii ABSTRACT Stephanie C. Konle: Engaging Our Histories and the Difficult Histories We Teach (Under the direction of Madeleine R. Grumet) This dissertation proposes to enrich the scope of history education research, and by extension the preparation of history and social studies teachers and the classroom experiences of their students, through the inclusion of autobiography in the study of history. Education research on the teaching of history has typically focused on what scholars call “historical thinking skills,” skills imported from the professional discipline, including contextualization, perspective, use of evidence, etc. While these disciplinary methods are important for the promotion of a deeper and more critical understanding of the past, they often neglect the more emotionally fraught interests, concerns, and questions about the past that teachers and students bring into the classroom. In this research I convened six teachers who teach history or social studies in the Southeast United States, asking them to reflect on how their own relationships to—and anxieties about—particular past events relate to their teaching practice. Participants generated narratives and read and discussed each other’s work along with selections of scholarly texts chosen to prompt further reflection. -
Harmony, Rhythm, Tempo, Dynamics, Form, and Tone Color
1 www.onlineeducation.bharatsevaksamaj.net www.bssskillmission.in “Music”. In Section 1 of this course you will cover these topics: Listening: The Elements Of Music Music Around The World The Middle Ages: 400-1400 Topic : Listening: The Elements Of Music Topic Objective: At the end of the lesson the students will be able to: Learn About Instrument Recognition Comprehend Timbre Understand Crescendo Define Presto Definition/Overview: Music: Music is an art form in which the medium is sound organized in time. Music consists of the deliberate organization of a number of elements of sound. These include: texture, melody, WWW.BSSVE.IN harmony, rhythm, tempo, dynamics, form, and tone color. Different voices and instruments produce different sounds which can be combined in ensembles such as choruses, string quartets, brass choirs, bands, and orchestras. www.bsscommunitycollege.in www.bssnewgeneration.in www.bsslifeskillscollege.in 2 www.onlineeducation.bharatsevaksamaj.net www.bssskillmission.in Whereas popular music is often improvised or assembled in the studio, classical music tends to require a lot of rehearsal and is usually performed in a formal setting. Although it is an over-simplification to do so, it can be useful to divide music history into style periods, and to examine the relationship between music and other arts such as painting and literature. Key Points: 1. Instrument Recognition: Instrument Recognition is a process by which musicians learn to identify instruments of music. 2. Timbre Timbre, or tone quality, is an amalgam of several factors. For example, each sound has an attack, or beginning, which may be sharp or gradual. The sound may then hold a steady pitch or it may have vibrato. -
Abba. a Principios De Los Años Setenta, Cuatro Suecos Llamados Anni-Frid
ABBA Abba. A principios de los años setenta, cuatro suecos llamados Anni-Frid, Agnetha, Bjorn y Benny formaron uno de los grupos de más éxito de los setenta y principios de los ochenta. Bautizaron el grupo jugando con las iniciales de sus cuatro integrantes. El resultado: ABBA. El salto a la fama de Abba ocurrió en 1974, cuando ganaron el festival de Eurovisión, en su mejor edición, con la canción Waterloo. A partir de ese momento, todos sus discos se situaron en las listas de los más vendidos en toda Europa. El álbum completo de 'Waterloo' incluye temas de muy diversos estilos, intentando descubrir aquellos que más podían agradar al público. En su siguiente disco, 'Arrival', Abba muestra ya su propio estilo de música, que se vio continuado en 'Abba', en el que se incluyen algunos de sus temas de mayor éxito, como 'Mamma mia', 'I do, I do, I do' y 'S.O.S.'. Tras varios discos de éxitos y en pleno apogeo triunfal por Europa, Abba decide conquistar el mercado norteamericano. Para ello diseñan un nuevo disco, 'Voulez-Vous', con ritmos totalmente discotequeros. El resultado es un sonoro fracaso, ya que no consiguieron despertar de su indiferencia al público americano. Los componentes de Abba formaban dos parejas sentimentales. Por un lado, Bjorn y Agnetha y por otro Anni-Frid y Benny. A finales de 1978, Bjorn y Agnetha anunciaron su ruptura sentimental, lo que repercutió seriamente en las relaciones entre los miembros de Abba, lo que motivó el inicio del declive del grupo. Posteriormente, en 1980 la otra pareja de Abba también se divorció, y esta vez sí que la situación fue insostenible como para mantener en pie un grupo en el que es imprescindible la armonía entre sus integrantes.