Harmony, Rhythm, Tempo, Dynamics, Form, and Tone Color
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The Runners of Shawnee Road
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses Fall 12-20-2013 The Runners of Shawnee Road Melissa Remark University of New Orleans, [email protected] Follow this and additional works at: https://scholarworks.uno.edu/td Part of the Fiction Commons Recommended Citation Remark, Melissa, "The Runners of Shawnee Road" (2013). University of New Orleans Theses and Dissertations. 1761. https://scholarworks.uno.edu/td/1761 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. The Runners of Shawnee Road A Thesis Submitted to the Graduate Faculty of The University of New Orleans in partial fulfillment of the requirements for the degree of Master of Fine Arts in Film, Theater and Communication Arts Creative Writing by Melissa Remark B.A. Trent University, 2010 Diploma, Humber College, 2000 December, 2013 The Sheeny Man rides through the streets pulling his wagon of junk. Sometimes he is black, sometimes he is white, and sometimes he is French. -
The History of Rock Music: 1970-1975
The History of Rock Music: 1970-1975 History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page Inquire about purchasing the book (Copyright © 2009 Piero Scaruffi) Sound 1973-78 (These are excerpts from my book "A History of Rock and Dance Music") Borderline 1974-78 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. In the second half of the 1970s, Brian Eno, Larry Fast, Mickey Hart, Stomu Yamashta and many other musicians blurred the lines between rock and avantgarde. Brian Eno (34), ex-keyboardist for Roxy Music, changed the course of rock music at least three times. The experiment of fusing pop and electronics on Taking Tiger Mountain By Strategy (sep 1974 - nov 1974) changed the very notion of what a "pop song" is. Eno took cheap melodies (the kind that are used at the music-hall, on television commercials, by nursery rhymes) and added a strong rhythmic base and counterpoint of synthesizer. The result was similar to the novelty numbers and the "bubblegum" music of the early 1960s, but it had the charisma of sheer post-modernist genius. Eno had invented meta-pop music: avantgarde music that employs elements of pop music. He continued the experiment on Another Green World (aug 1975 - sep 1975), but then changed its perspective on Before And After Science (? 1977 - dec 1977). Here Eno's catchy ditties acquired a sinister quality. -
Popular Music, Stars and Stardom
POPULAR MUSIC, STARS AND STARDOM POPULAR MUSIC, STARS AND STARDOM EDITED BY STEPHEN LOY, JULIE RICKWOOD AND SAMANTHA BENNETT Published by ANU Press The Australian National University Acton ACT 2601, Australia Email: [email protected] Available to download for free at press.anu.edu.au A catalogue record for this book is available from the National Library of Australia ISBN (print): 9781760462123 ISBN (online): 9781760462130 WorldCat (print): 1039732304 WorldCat (online): 1039731982 DOI: 10.22459/PMSS.06.2018 This title is published under a Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International (CC BY-NC-ND 4.0). The full licence terms are available at creativecommons.org/licenses/by-nc-nd/4.0/legalcode Cover design by Fiona Edge and layout by ANU Press This edition © 2018 ANU Press All chapters in this collection have been subjected to a double-blind peer-review process, as well as further reviewing at manuscript stage. Contents Acknowledgements . vii Contributors . ix 1 . Popular Music, Stars and Stardom: Definitions, Discourses, Interpretations . 1 Stephen Loy, Julie Rickwood and Samantha Bennett 2 . Interstellar Songwriting: What Propels a Song Beyond Escape Velocity? . 21 Clive Harrison 3 . A Good Black Music Story? Black American Stars in Australian Musical Entertainment Before ‘Jazz’ . 37 John Whiteoak 4 . ‘You’re Messin’ Up My Mind’: Why Judy Jacques Avoided the Path of the Pop Diva . 55 Robin Ryan 5 . Wendy Saddington: Beyond an ‘Underground Icon’ . 73 Julie Rickwood 6 . Unsung Heroes: Recreating the Ensemble Dynamic of Motown’s Funk Brothers . 95 Vincent Perry 7 . When Divas and Rock Stars Collide: Interpreting Freddie Mercury and Montserrat Caballé’s Barcelona . -
Joni Mitchell," 1966-74
"All Pink and Clean and Full of Wonder?" Gendering "Joni Mitchell," 1966-74 Stuart Henderson Just before our love got lost you said: "I am as constant as a northern star." And I said: "Constantly in the darkness - Where 5 that at? Ifyou want me I'll be in the bar. " - "A Case of You," 1971 Joni Mitchell has always been difficult to categorize. A folksinger, a poet, a wife, a Canadian, a mother, a party girl, a rock star, a hermit, a jazz singer, a hippie, a painter: any or all of these descriptions could apply at any given time. Moreover, her musicianship, at once reminiscent of jazz, folk, blues, rock 'n' roll, even torch songs, has never lent itself to easy categorization. Through each successive stage of her career, her songwriting has grown ever more sincere and ever less predictable; she has, at every turn, re-figured her public persona, belied expectations, confounded those fans and critics who thought they knew who she was. And it has always been precisely here, between observers' expec- tations and her performance, that we find contested terrain. At stake in the late 1960s and early 1970s was the central concern for both the artist and her audience that "Joni Mitchell" was a stable identity which could be categorized, recognized, and understood. What came across as insta- bility to her fans and observers was born of Mitchell's view that the honest reflection of growth and transformation is the basic necessity of artistic expres- sion. As she explained in 1979: You have two options. -
RADIO and TELEVISION MIRROR, Published Monthly by MACFADDEN PUBLICATIONS, INC., Washington and South Avenues, Dunellen, New Jersey
10* The Favorite of Millions of Listeners BIG SISTER Now as a ROMANTIC NOVEL ve pages f (5pec.Sl star po?tra.ts - Stella Dallas and Front Page Farrell WHISPER "I LOVE YOU" ^^^ W,TH Perfume, Face Powder, Lipstick, Talcum, Single toosePow- JCOfl der Vanity *» ZZVWaaaA YOUR STAR IS LUCKY., if your Smile is Right! Your smile is YOU! Help keep your But remember healthy gums are impor- Ipana is specially designed not only to gums firmer, your teeth brighter tant if you want your smile to have clean teeth brilliantly and thoroughly with Ipana and massage! brightness and sparkle. That's why it's but, with massage, to help firm and so unwise ever to ignore the first warn- strengthen your gums. Massage a little YOU don't have to be a beauty to have ing tinge of "pink" on your tooth brush. extra Ipana onto your gums every time beauty's rewards — popularity, suc- you brush your teeth. Notice its clean Tooth cess, the man you want most to win. Never ignore "Pink Brush" and refreshing taste. That invigorating Even if you're "plain" let your hopes If you see "pink" on your tooth brush "tang" means circulation is quickening in tissues—helping soar high. Fortune can be more than ...see your dentist. He may merely say gum gums to health- ier firmness. kind . fortune can be lavish if your your gums have become tender because smile is right! A lovely smile is a mag- today's soft foods have robbed them of Get a tube of economical Ipana Tooth net to others . -
Inter/View: Talks with America's Writing Women
University of Kentucky UKnowledge Literature in English, North America English Language and Literature 1990 Inter/View: Talks with America's Writing Women Mickey Pearlman Katherine Usher Henderson Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Pearlman, Mickey and Henderson, Katherine Usher, "Inter/View: Talks with America's Writing Women" (1990). Literature in English, North America. 56. https://uknowledge.uky.edu/upk_english_language_and_literature_north_america/56 Inter/View Inter/View Talks with America's Writing Women Mickey Pearlman and Katherine Usher Henderson THE UNIVERSITY PRESS OF KENTUCKY PHOTO CREDITS: M.A. Armstrong (Alice McDermott), Jerry Bauer (Kate Braverman, Louise Erdrich, Gail Godwin, Josephine Humphreys), Brian Berman (Joyce Carol Oates), Nancy Cramp- ton (Laurie Colwin), Donna DeCesare (Gloria Naylor), Robert Foothorap (Amy Tan), Paul Fraughton (Francine Prose), Alvah Henderson (Janet Lewis), Marv Hoffman (Rosellen Brown), Doug Kirkland (Carolyn See), Carol Lazar (Shirley Ann Grau), Eric Lindbloom (Nancy Willard), Neil Schaeffer (Susan Fromberg Schaeffer), Gayle Shomer (Alison Lurie), Thomas Victor (Harriet Doerr, Diane Johnson, Anne Lamott, Carole -
Culture and the Policies of Change Culture and the Policies of Change Conference Reader Conference Reader
CultureWatchEurope Conference 2010 Culture and the Policies of Change Culture and the Policies of Change Culture and the Policies Conference Reader Conference Reader Brussels, 6-7 September 2010 European European Economic Commission and Social Committee EUNIC CultureWatchEurope Conference 2010 “Culture and the Policies of Change” Conference Reader TABLE OF CONTENTS Foreword................................................................................................................................................. 5 by Robert PALMER, Director of Culture and Cultural and Natural Heritage, Council of Europe Contribution on the Conference: Culture and the Policies of Change................................................... 7 by Jan TRUSZCZYŃSKI, Director-General for Education and Culture, European Commission Report on the Conference ...................................................................................................................... 9 by Steve GREEN, EUNIC Work Group Session Notes.................................................................................................................. 23 Background Papers.............................................................................................................................. 49 The Empathic Civilization by Jeremy RIFKIN................................................................................... 49 Empathic Education: the Transformation of Learning in an Interconnected World by Jeremy RIFKIN............................................................................................................................ -
Author: Title: Year
This work is made freely available under open access. AUTHOR: TITLE: YEAR: OpenAIR citation: This work was submitted to- and approved by Robert Gordon University in partial fulfilment of the following degree: _______________________________________________________________________________________________ OpenAIR takedown statement: Section 6 of the “Repository policy for OpenAIR @ RGU” (available from http://www.rgu.ac.uk/staff-and-current- students/library/library-policies/repository-policies) provides guidance on the criteria under which RGU will consider withdrawing material from OpenAIR. If you believe that this item is subject to any of these criteria, or for any other reason should not be held on OpenAIR, then please contact [email protected] with the details of the item and the nature of your complaint. This thesis is distributed under a CC ____________ license. ____________________________________________________ THE DISCOURSE OF CULTURAL LEADERSHIP Jonathan Francis Richard Price A thesis submitted in partial fulfilment of the requirements of the Robert Gordon University for the degree of Doctor of Philosophy This research was carried out in connection with the On The Edge research programme at Gray’s School of Art, Robert Gordon University, Aberdeen, UK Funded by the Innovation, Design and Sustainability Research Institute (IDEAS) February 2016 ii Abstract The discourse of cultural leadership Cultural leadership has been a key concept in cultural policy and training since 2002. Most closely associated with the UK’s Clore Leadership Programme, it has been developed through various courses and initiatives domestically and internationally, initially as a response to crises of financial management and governance within major cultural institutions. This emergence of cultural leadership coincided with growing political interest in the social benefits of the arts and the economic potential of the creative industries. -
18 »20 Juillet 2008 » Iles Du Frioul, Marseille
EDITO FerdiNAND RicHard ar la force des choses, et à quelques jours près, MIMI inaugure le volet musical de la P présidence française de l’Union européenne (sans pourtant figurer dans le catalogue du bazar… papier hyper-glacé…). FESTIVAL Coïncidence symbolique pour un petit festival qui, pour ateLieR l’émerveillement de nos amis d’ici ou d’ailleurs, met la 23ÈME vraie Europe en scène depuis maintenant 23 ans. ÉDitiON Mais l’Europe des musiques, c’est quoi ? On rêve d’une autonomie économique, de pratiques de proximité, de compagnonnages d’audace, d’exceptions culturelles dans toutes les périphéries (sans exception, VENDREDI pas simplement à Paris), de tribunes libres, de scènes 18 JUILLET ouvertes, de télévisions-régionales-partenaires-intel- 2008 FR. 18TH OF JULY 08 ligents-de-la-création-locale, d’une Europe ouverte aux artistes du monde, etc… en un mot, une approche Nuit “où ai-je “WHERE DID multi-latérale… DONC MIS MA I LEAVE MY 2008 Rien à voir avec le prestige national, ou avec les profits tête ?” HEAD?” nIGHT du loisir ou du tourisme de masse… Rien à voir avec la confiscation du bon goût, les terminaux de la consom- Kisetsu Première mondiale This night will certainly not be mation culturelle pour tous, les murs de la forteresse, la Résidence de création AMI the one of intense pogoting. LLET compétition des États. Avec le nationalisme rampant… soutenue par Mécènes du Sud Rather, it will present a dizzying I Dans ce pays et pendant ce semestre, particulièrement, Avec l’ensemble vocal le nom commun array of repertoires. -
Beyond Green: the Arts As a Catalyst for Sustainability
Beyond Green: The Arts as a Catalyst SESSION REPORT for Sustainability 561 Salzburg Global Seminar is grateful to the Edward T. Cone Foundation for its generous support of Session 561. We are also grateful for the additional support from the Robert Rauschenberg Foundation, the Bush Foundation, the David Rockefeller Fund and Red Bull Amaphiko. Salzburg Global Seminar would like to thank all participants for donating their time and expertise to this Session. Session 561 February 19 to 24, 2016, Salzburg, Austria Beyond Green: The Arts as a Catalyst for Sustainability Report Authors: Holly Sidford and Alexis Frasz Photos: Herman Seidl Cover Image: Mundano 03 Session 561 | Beyond Green: The Arts as a Catalyst for Sustainability Table of Contents 05 Summary 09 Introductory Session 11 Plenary Sessions 11 Opening Conversation: Artists Inspiring Change 13 Raising Awareness and Catalyzing Public Engagement 15 Learning from ArtCOP21 17 Changing Mindsets and Shifting Behaviors 19 The City as Driver of Change 22 Designs on the Future 24 Enablers of Change 26 Encouraging Bolder Policymaking 29 Fireside Chat: We Are What We Eat 31 Small Group Summaries and Recommendations 31 Regional Groups 32 Discussion Groups 32 Group 1 – Artists Catalyzing Change 33 Group 2 – Raising Awareness, Engaging the Public, and Changing Behavior 34 Group 3 – People and Planet: Connecting Stewardship, Justice and Prosperity 35 Group 4 – Sustainability and the City 36 Group 5 – Forging New Alliances and Partnerships for Exponential Change 38 Conclusion APPENDIX 40 List of Session Particitpants, Observers and Staff 04 Summary The creative sector is playing an increasingly significant role in raising awareness of climate change and encouraging sustainable social, economic, and environmental practices worldwide. -
Charter Amended to Include Paying to Attorneys Fees for Town Litigation
HOW TO GET THE LEADER: Just Fill in the Form On Page 10 And Return It to Us! Serving the Town Since J890 — FuHUbsd CAR Thursday, July 7,1994 Ever? Tliunfr 232-44*7 PORTV CENTS PRIOR POLICY HAD BEEN AN UNWRITTEN ONE Charter Amended to Include Paying to Attorneys Fees For Town Litigation Services Limitations for Donating Money to Political Parties Doing Business With Town Discussed; Sexual Harassment Policy Adopted at Urging of Insurance Fund By PAUI, J.PEYTON S/mittlly Wrimnftr The Vttafirld Uatrr ning Board, Board of Adjustment who is paid to represent the town's The Town Council voted to and town attorneys. Each of the best interest should not hold a amend its ordi nance Tuesday with attorneys currently receives an polit ical post. He said Mr. Cockren regard to payment for litigation annual stipend. The amendment should step down as party Chair- rendered for (he town by the Plan- was a clarification of the town's man. non-written policy of paying for Mayor Boothe argued the plan- litigation services. ning and zoning boards appoint July 4 Festival, First Ward Councilman An- their own attorneys. He said Mr. Fireworks Called thony M. LaPorta, a Democrat Cockren has served for five years A Great Success who will challenge Republican and is appointed each year. The "The Weslfield Bicentennial Festi- Mayor Garland C. "Bud" Boothe, Mayor said that the attorney did val and Fireworks in Tamaques Park Jr. in the November 8 General not have the political post when on Monday, July 4, was a success in all Election, brought the issue up last he was first appointed board at- respects," stated Westfield MayorGar- land C. -
Literary Montage in the Writings of Jonathan Safran Foer, Aleksandar Hemon and W
PHOTOGRAPHY AND TRAUMA IN PHOTO-FICTION: LITERARY MONTAGE IN THE WRITINGS OF JONATHAN SAFRAN FOER, ALEKSANDAR HEMON AND W. G. SEBALD By Romi Mikulinsky A thesis submitted in conformity with the requirements for the degree of Ph.D Graduate Department of English University of Toronto © Copyright by Romi Mikulinsky (2009) Library and Archives Bibliothèque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l’édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre référence ISBN: 978-0-494-67754-4 Our file Notre référence ISBN: 978-0-494-67754-4 NOTICE: AVIS: The author has granted a non- L’auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l’Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distribute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L’auteur conserve la propriété du droit d’auteur ownership and moral rights in this et des droits moraux qui protège cette thèse. Ni thesis. Neither the thesis nor la thèse ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent être imprimés ou autrement printed or otherwise reproduced reproduits sans son autorisation.