DOCSLIB.ORG

"Freedom and Alienation in Graham Greene's "Brighton Rock," Albert Camus' "The Plague," and Other Related Texts."

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
_________________________________________________________________________Swansea University E-Theses "Freedom and alienation in Graham Greene's "Brighton Rock," Albert Camus' "The Plague," and other related texts." Breeze, Brian How to cite: _________________________________________________________________________ Breeze, Brian (2005) "Freedom and alienation in Graham Greene's "Brighton Rock," Albert Camus' "The Plague," and other related texts.". thesis, Swansea University. http://cronfa.swan.ac.uk/Record/cronfa42557 Use policy: _________________________________________________________________________ This item is brought to you by Swansea University. Any person downloading material is agreeing to abide by the terms of the repository licence: copies of full text items may be used or reproduced in any format or medium, without prior permission for personal research or study, educational or non-commercial purposes only. The copyright for any work remains with the original author unless otherwise specified. The full-text must not be sold in any format or medium without the formal permission of the copyright holder. Permission for multiple reproductions should be obtained from the original author. Authors are personally responsible for adhering to copyright and publisher restrictions when uploading content to the repository. Please link to the metadata record in the Swansea University repository, Cronfa (link given in the citation reference above.) http://www.swansea.ac.uk/library/researchsupport/ris-support/ FREEDOM AND ALIENATION in Graham Greene’s Brighton Rock, Albert Camus’ The Plague, and other related texts. BRIAN BREEZE M.Phil. 2005 UNIVERSITY OF WALES SWANSEA PRIFYSGOL CYMRU ABERTAWE ProQuest N um ber: 10805306 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10805306 Published by ProQuest LLO (2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code Microform Edition © ProQuest LLO. ProQuest LLO. 789 East Eisenhower Parkway P.Q. Box 1346 Ann Arbor, Ml 4 8 1 0 6 - 1346 BRIEF SUMMARY This thesis is an exploration of the idea of human freedom, with particular reference to moral or ethical choice, and to what extent man can be alienated from his ability to make significant choices. I have chosen two novels in which to contextualise these concepts: Graham Greene’s Brighton Rock is set in England in 1938, and describes what Greene saw as the spiritual shallowness and tawdry materialism of his society at that time. He explores the situation of a young gangster from a deprived background who sets himself against the world around him, comparing the concept of ‘good and evil’ with the more materialistic idea of ‘right and wrong’. In The Plague, Camus has a similar idea of the shallowness of the citizens of Oran in North Africa, who are woken from their indifference to life by an outbreak of Bubonic Plague. The plague may be taken as an analogy of the Nazi invasion of France and the way in which the French people confronted this threat to their freedom. Both novels are investigated against a background of broadly existential thought, particularly the ideas of Soren Kierkegaard and Jean-Paul Sartre. Camus’ idea of the ‘absurd’ and Greene’s Catholicism will also be seen to be relevant. Camus came to believe that freedom can only be achieved through a positive ‘resistance’ to the alienation which threatens out power of choice, and I will argue that the thinking of both writers is consistent with this idea. Also implicit in the work of both Greene and Camus is the notion that freedom can only be achieved by means of a lucid confrontation with the self in the context of a human community, and that the ‘outsider’ must always remain alienated from the freedom which is possible for those who are fully engaged with such a community. FREEDOM AND ALIENATION in Graham Greene’s Brighton Rock, Albert Camus’ The Plague and other related texts. BRIAN BREEZE TABLE OF CONTENTS List of Abbreviations ii Introduction 1 Part One: An Exploration of Brighton Rock and The Plague 1. Brighton Rock 16 2. The Plague Preliminaries - a Short Introduction to Oran and its Citizens 47 The Journey of Raymond Rambert 58 The Joumey of Father Paneloux 60 The Joumey of Jean Tarrou 68 The Joumey of Joseph Grand 73 The Joumey of Dr Rieux 76 Part Two: Social and Individual Alienation and the concept of Choice 81 3. Authentic Choices 85 4. A Choice of Goodand Evil 96 5. Absurd Choices 116 6. Colonisation and Oppression 130 Part Three: Conclusion 7. Freedom and Resistance 150 Bibliography References 177 Intemet Sources 179 184 LIST OF ABBREVIATIONS To avoid unnecessary confusion, abbreviations have been used only for those texts from which I have most commonly quoted. Graham Greene: BR Brighton Rock GFS A Gun For Sale Albert Camus: PL The Plague, Trans. Stuart Gilbert, (1960) OS The Outsider MOS The Myth o f Sisyphus Reb The Rebel INTRODUCTION Graham Greene and Albert Camus were both active during what is generally regarded as a crucial part of the twentieth century: before during and after the Second World War. Both writers explore the moral landscape which may be seen as the natural territory of the ethical concepts of Freedom and Alienation which I wish to investigate in this thesis. I have chosen to carry out my exploration of these concepts mainly in the context of two novels: Graham Greene’s Brighton Rock, and Albert Camus’ The Plague, although I will refer to a variety of other sources so that the ideas found in the texts may be juxtaposed with other relevant concepts. A certain amount of background will also be necessary - philosophical, social, political etc. - in order that a broad perspective of the situation in which the texts were created and reacted to by both contemporary and modem readers and critics may be provided. Let us begin by looking at some relevant details concerning the novels and their authors. Greene, Camus and the main texts Greene was bom in England in 1904, the son of the headmaster of Berkhamstead school. Camus was bom in North Africa in 1913 into a poor French colonial family; he never met his father, who was killed in the First World War before Camus reached the age of one. Although they may be regarded as contemporaries, their backgrounds may be seen to be sufficiently different to provide us with contrasting viewpoints from which to look at the moral questions which I wish to ask. It is also clear that they were aware of each other’s work; we will see that Camus wrote down quotes from 2 some of Greene’s novels in hisNotebooks, and that Greene annotated the margins of his copy of Camus’ Notebooks. Both Greene and Camus attacked what they saw as the complacency of their respective societies: for Greene, the shallow spirituality of England in the period before World War II, and for Camus, the way that so many of the people of France either lay prone under the Nazi occupation or actively collaborated with the German authorities. The Plague was published in 1947, and has as its subject matter a fictitious epidemic of bubonic plague which infects the North African town of Oran, causing it to be isolated from the world around it. This can be (and often is) read as an analogy of the Nazi occupation of France. There is a sense in which we can regard Camus’ novel as representing the inevitable outcome for a society such as that which Greene had portrayed inBrighton Rock, which is set in the English seaside town of Brighton in 1938. Greene had returned to England in May of that year after having travelled extensively in Mexico, where he had been gathering material for an account of the ‘fiercest persecution of religion anywhere since the reign of Elizabeth’' by the revolutionary government of President Calles, and which was to be calledThe Lawless Roads. (Interestingly, while in Mexico he was also adding the finishing touches to Brighton Rock). His description of the contrast which he found between the dreary shallowness of England and the vivid and violent life which he had left behind in Mexico is disturbing: Mass in Chelsea seemed curiously fictitious; no Peon knelt with his arms out in the attitude of the cross, no woman dragged herself up the aisle on her knees. It would have seemed shocking, like the Agony itself. We do not mortify ourselves. Perhaps we are in need of violence.^ 3 Britain was soon to begin preparations for a possible war as a response to the developing situation in Europe, particularly following the ‘Anschluss’ - Hitler’s annexation of Austria on March 11^\ 1938 - and the continuing Nazi threat to the Sudeten area of Czechoslovakia. Yet, despite the obviously worsening situation, the Prime Minister, Neville Chamberlain, was regularly in contact with Hitler, trying to appease the Nazis with plans for the surrender of part of Czechoslovakia.* He was still, in September, able to refer to the situation in Czechoslovakia as ‘a quarrel in a far away country between people of whom we know nothing’, and that ‘it seems ... impossible that [such] a quarrel ... should be the subject of war.’^ Greene, it seems , felt otherwise: ‘How could a world like this end in anything but war? ... the grit of the London afternoon ... the long waste of the Clapham Road ... Victorian houses falling into decay in their little burial grounds.L ater in the year, he describes how: Violence came nearer ..
Load more

Recommended publications
  • 'Bishop Blougram's Apology', Lines 39~04. Quoted in a Sort of Life (Penguin Edn, 1974), P
    Notes 1. Robert Browning, 'Bishop Blougram's Apology', lines 39~04. Quoted in A Sort of Life (Penguin edn, 1974), p. 85. 2. Wqys of Escape (Penguin edn, 1982), p. 58. 3. Ibid., p. 167. 4. Walter Allen, in Contemporary Novelists, ed. James Vinson and D. L. Kirkpatrick (Macmillan, 1982), p. 276. 5. See 'the Virtue of Disloyalty' in The Portable Graham Greene, ed. Philip Stratford (Penguin edn, 1977), pp. 606-10. 6. See also Ways of Escape, p. 207. Many passages of this book first appeared in the Introductions to the Collected Edition. 7. A Sort of Life, p. 58. 8. Ways of Escape, p. 67. 9. A Sort of Life, pp. 11, 21. 10. Collected Essays (Penguin edn, 1970), p. 83. 11. Ibid., p. 108. 12. A Sort of Life, pp. 54-5. 13. Ibid., p. 54n. 14. Ibid., p. 57. 15. Collected Essays, pp. 319-20. 16. Ibid., p. 13. 17. Ibid., p. 169. 18. Ibid., p. 343. 19. Ibid., p. 345. 20. Philip Stratford, 'Unlocking the Potting Shed', KeT!Jon Review, 24 (Winter 1962), 129-43, questions this story and other 'confessions'. Julian Symons, 'The Strength of Uncertainty', TLS, 8 October 1982, p. 1089, is also sceptical. 21. A Sort of Life, p. 80. 22. Ibid., p. 140. 23. Ibid., p. 145. 24. Ibid., p. 144. 25. Ibid., p. 156. 26. W. H. Auden, 'In Memory ofW. B. Yeats', 1940, line 72. 27. The Lawless Roads (Penguin edn, 1971), p. 37 28. Ibid., p. 40. 29. Ways of Escape, p. 175. 137 138 Notes 30. Ibid., p.
    [Show full text]
  • Nesetrilovai Reflection1930s O
    University of Pardubice Faculty of Arts and Philosophy Reflection of the 1930´s British Society in Graham Greene´s Brighton Rock Iva Nešetřilová Bachelor thesis 2017 Prohlašuji: Tuto práci jsem vypracovala samostatně. Veškeré literární prameny a informace, které jsem v práci využila, jsou uvedeny v seznamu použité literatury. Byla jsem seznámena s tím, že se na moji práci vztahují práva a povinnosti vyplývající ze zákona č. 121/2000 Sb., autorský zákon, zejména se skutečností, že Univerzita Pardubice má právo na uzavření licenční smlouvy o užití této práce jako školního díla podle § 60 odst. 1 autorského zákona, a s tím, že pokud dojde k užití této práce mnou nebo bude poskytnuta licence o užití jinému subjektu, je Univerzita Pardubice oprávněna ode mne požadovat přiměřený příspěvek na úhradu nákladů, které na vytvoření díla vynaložila, a to podle okolností až do jejich skutečné výše. Souhlasím s prezenčním zpřístupněním své práce v Univerzitní knihovně. V Pardubicích dne 17.3.2017 Iva Nešetřilová Acknowledgements I would like to thank my supervisor, Mgr. Olga Roebuck, M.Litt. Ph.D. for giving me the opportunity to choose this topic, for her professional help, advice, and, especially, for the time she had spent when consulting my work. Annotation This paper examines and analyses the reflection of British Society in the novel Brighton Rock by Graham Green. The first part explores the situation in Britain around the 1930s, the period when the book was written and published, and briefly focuses on the changing landscape brought about by the Depression and aftermath of the First World War. The emphasis is confined mostly to how these changes affected the lower classes, and a brief description of what constitutes working class is provided.
    [Show full text]
  • Cervantes and the Spanish Baroque Aesthetics in the Novels of Graham Greene
    TESIS DOCTORAL Título Cervantes and the spanish baroque aesthetics in the novels of Graham Greene Autor/es Ismael Ibáñez Rosales Director/es Carlos Villar Flor Facultad Facultad de Letras y de la Educación Titulación Departamento Filologías Modernas Curso Académico Cervantes and the spanish baroque aesthetics in the novels of Graham Greene, tesis doctoral de Ismael Ibáñez Rosales, dirigida por Carlos Villar Flor (publicada por la Universidad de La Rioja), se difunde bajo una Licencia Creative Commons Reconocimiento-NoComercial-SinObraDerivada 3.0 Unported. Permisos que vayan más allá de lo cubierto por esta licencia pueden solicitarse a los titulares del copyright. © El autor © Universidad de La Rioja, Servicio de Publicaciones, 2016 publicaciones.unirioja.es E-mail: [email protected] CERVANTES AND THE SPANISH BAROQUE AESTHETICS IN THE NOVELS OF GRAHAM GREENE By Ismael Ibáñez Rosales Supervised by Carlos Villar Flor Ph.D A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy At University of La Rioja, Spain. 2015 Ibáñez-Rosales 2 Ibáñez-Rosales CONTENTS Abbreviations ………………………………………………………………………….......5 INTRODUCTION ...…………………………………………………………...….7 METHODOLOGY AND STRUCTURE………………………………….……..12 STATE OF THE ART ..……….………………………………………………...31 PART I: SPAIN, CATHOLICISM AND THE ORIGIN OF THE MODERN (CATHOLIC) NOVEL………………………………………38 I.1 A CATHOLIC NOVEL?......................................................................39 I.2 ENGLISH CATHOLICISM………………………………………….58 I.3 THE ORIGIN OF THE MODERN
    [Show full text]
  • Introduction
    Notes INTRODUCTION 1. Graham Greene (ed.), The Old School (London: Jonathan Cape, 1934) 7-8. (Hereafter OS.) 2. Ibid., 105, 17. 3. Graham Greene, A Sort of Life (London: Bodley Head, 1971) 72. (Hereafter SL.) 4. OS, 256. 5. George Orwell, The Road to Wigan Pier (London: Gollancz, 1937) 171. 6. OS, 8. 7. Barbara Greene, Too Late to Turn Back (London: Settle and Bendall, 1981) ix. 8. Graham Greene, Collected Essays (London: Bodley Head, 1969) 14. (Hereafter CE.) 9. Graham Greene, The Lawless Roads (London: Longmans, Green, 1939) 10. (Hereafter LR.) 10. Marie-Franc;oise Allain, The Other Man (London: Bodley Head, 1983) 25. (Hereafter OM). 11. SL, 46. 12. Ibid., 19, 18. 13. Michael Tracey, A Variety of Lives (London: Bodley Head, 1983) 4-7. 14. Peter Quennell, The Marble Foot (London: Collins, 1976) 15. 15. Claud Cockburn, Claud Cockburn Sums Up (London: Quartet, 1981) 19-21. 16. Ibid. 17. LR, 12. 18. Graham Greene, Ways of Escape (Toronto: Lester and Orpen Dennys, 1980) 62. (Hereafter WE.) 19. Graham Greene, Journey Without Maps (London: Heinemann, 1962) 11. (Hereafter JWM). 20. Christopher Isherwood, Foreword, in Edward Upward, The Railway Accident and Other Stories (Harmondsworth: Penguin, 1972) 34. 21. Virginia Woolf, 'The Leaning Tower', in The Moment and Other Essays (NY: Harcourt Brace Jovanovich, 1974) 128-54. 22. JWM, 4-10. 23. Cockburn, 21. 24. Ibid. 25. WE, 32. 26. Graham Greene, 'Analysis of a Journey', Spectator (September 27, 1935) 460. 27. Samuel Hynes, The Auden Generation (New York: Viking, 1977) 228. 28. ]WM, 87, 92. 29. Ibid., 272, 288, 278.
    [Show full text]
  • Graham Greene and the Idea of Childhood
    GRAHAM GREENE AND THE IDEA OF CHILDHOOD APPROVED: Major Professor /?. /V?. Minor Professor g.>. Director of the Department of English D ean of the Graduate School GRAHAM GREENE AND THE IDEA OF CHILDHOOD THESIS Presented, to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS By Martha Frances Bell, B. A. Denton, Texas June, 1966 TABLE OF CONTENTS Chapter Page I. INTRODUCTION 1 II. FROM ROMANCE TO REALISM 12 III. FROM INNOCENCE TO EXPERIENCE 32 IV. FROM BOREDOM TO TERROR 47 V, FROM MELODRAMA TO TRAGEDY 54 VI. FROM SENTIMENT TO SUICIDE 73 VII. FROM SYMPATHY TO SAINTHOOD 97 VIII. CONCLUSION: FROM ORIGINAL SIN TO SALVATION 115 BIBLIOGRAPHY 121 ill CHAPTER I INTRODUCTION A .narked preoccupation with childhood is evident throughout the works of Graham Greene; it receives most obvious expression its his con- cern with the idea that the course of a man's life is determined during his early years, but many of his other obsessive themes, such as betray- al, pursuit, and failure, may be seen to have their roots in general types of experience 'which Green® evidently believes to be common to all children, Disappointments, in the form of "something hoped for not happening, something promised not fulfilled, something exciting turning • dull," * ar>d the forced recognition of the enormous gap between the ideal and the actual mark the transition from childhood to maturity for Greene, who has attempted to indicate in his fiction that great harm may be done by aclults who refuse to acknowledge that gap.
    [Show full text]
  • Wireless Women: the “Mass” Retreat of Brighton Rock Jeffrey Sconce Northwestern University
    47 Wireless Women: The “Mass” Retreat of Brighton Rock Jeffrey Sconce Northwestern University All popular fi ction must feature a romantic couple, and so it is in the open- ing pages of Brighton Rock (1938) that Graham Greene introduces Pinkie and Rose, the teenagers whose abrasive courtship and perverse marriage will both enact and travesty this convention as the novel unfolds. When Pinkie fi rst meets Rose, she is working at Snow’s as a waitress. Entering the establishment, Pinkie encounters a wireless set “droning a programme of weary music broadcast by a cinema organist—a great vox humana trembl[ing] across the crumby stained desert of used cloths: the world’s wet mouth lamenting over life” (24). This reference to the weary lamentations of wireless remains an isolated detail until moments before Pinkie takes his fatal plunge over the cliff in the novel’s closing pages. Having taken Rose up the coast from Brighton with plans to facilitate her suicide, the couple sits for a few awkward moments in an empty hotel lounge. As Rose works on her half of the couple’s double-suicide note, to be left behind for the benefi t of “Daily Express readers, to what one called the world” (260), wireless makes a brief but meaningful re-appearance as that world speaks back. “The wireless was hidden behind a potted plant; a violin came wailing out, the notes shaken by atmospherics,” writes Greene (250). Later, the violin fades away and “a time signal pinged through the rain. A voice behind the plant gave them the weather report—storms coming up from the Continent, a depression in the Atlantic, tomorrow’s forecast” (251).
    [Show full text]
  • The Ambivalent Catholic Modernity of Graham Greene’S
    THE AMBIVALENT CATHOLIC MODERNITY OF GRAHAM GREENE’S BRIGHTON ROCK AND THE POWER AND THE GLORY A Dissertation Submitted to the Faculty of the Graduate School of Arts and Sciences Of Georgetown University in partial fulfillment of the requirements for the degree of Master of Arts In English By Karl O’Hanlon, B.A. Washington D.C. 28 th April, 2010 THE AMBIVALENT CATHOLIC MODERNITY OF GRAHAM GREENE’S BRIGHTON ROCK AND THE POWER AND THE GLORY Karl O’Hanlon, B.A. Thesis Advisor: John Pfordresher, Ph.D. ABSTRACT This thesis argues that the “religious sense” which emerged from Graham Greene’s Catholicism provides the basis for the critique of the ethics of modernity in his novels Brighton Rock (1938) and The Power and the Glory (1940). In his depiction of the self-righteous Ida Arnold in Brighton Rock , Greene elicits some problems inherent in modern ethical theory, comparing secular “right and wrong” unfavourably with a religious sense of “good and evil.” I suggest that the antimodern aspects of Pinkie in Brighton Rock are ultimately renounced by Greene as potentially dangerous, and in The Power and the Glory his critique of modernity evolves to a more ambivalent dialectic, in which facets of modernity are affirmed as well as rejected. I argue that this evolution in stance constitutes Greene’s search for a new philosophical and literary idiom – a “Catholic modernity.” ii With sincere thanks to John Pfordresher, for the great conversations about Greene, encouragement, careful reading, and patience in waiting for new chapter drafts, without which this thesis would have been much the poorer.
    [Show full text]
  • 10000 General Knowledge Questions and Answers 10000 General Knowledge Questions and Answers No Questions Quiz 1 Answers
    10000 quiz questions and answers www.cartiaz.ro 10000 general knowledge questions and answers 10000 general knowledge questions and answers www.cartiaz.ro No Questions Quiz 1 Answers 1 Carl and the Passions changed band name to what Beach Boys 2 How many rings on the Olympic flag Five 3 What colour is vermilion a shade of Red 4 King Zog ruled which country Albania 5 What colour is Spock's blood Green 6 Where in your body is your patella Knee ( it's the kneecap ) 7 Where can you find London bridge today USA ( Arizona ) 8 What spirit is mixed with ginger beer in a Moscow mule Vodka 9 Who was the first man in space Yuri Gagarin 10 What would you do with a Yashmak Wear it - it's an Arab veil 11 Who betrayed Jesus to the Romans Judas Escariot 12 Which animal lays eggs Duck billed platypus 13 On television what was Flipper Dolphin 14 Who's band was The Quarrymen John Lenon 15 Which was the most successful Grand National horse Red Rum 16 Who starred as the Six Million Dollar Man Lee Majors 17 In the song Waltzing Matilda - What is a Jumbuck Sheep 18 Who was Dan Dare's greatest enemy in the Eagle Mekon 19 What is Dick Grayson better known as Robin (Batman and Robin) 20 What was given on the fourth day of Christmas Calling birds 21 What was Skippy ( on TV ) The bush kangaroo 22 What does a funambulist do Tightrope walker 23 What is the name of Dennis the Menace's dog Gnasher 24 What are bactrians and dromedaries Camels (one hump or two) 25 Who played The Fugitive David Jason 26 Who was the King of Swing Benny Goodman 27 Who was the first man to
    [Show full text]
  • The Mystery of Evil in Five Works by Graham Greene
    W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1984 The Mystery of Evil in Five Works by Graham Greene Stephen D. Arata College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the English Language and Literature Commons Recommended Citation Arata, Stephen D., "The Mystery of Evil in Five Works by Graham Greene" (1984). Dissertations, Theses, and Masters Projects. Paper 1539625259. https://dx.doi.org/doi:10.21220/s2-6j1s-0j28 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. The Mystery of Evil // in Five Works by Graham Greene A Thesis Presented to The Faculty of the Department of English The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Stephen D. Arata 1984 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree Master of Arts /;. WiaCe- Author Approved, September 1984 ABSTRACT Graham Greene's works in the 1930s reveal his obsession with the nature and source of evil in the world. The world for Greene is a sad and frightening place, where betrayal, injustice, and cruelty are the norm. His books of the 1930s, culminating in Brighton Rock (1938), are all, on some level, attempts to explain why this is so.
    [Show full text]
  • Drehschluss Für Die Bestsellerverfilmung „Brighton Rock“ Mit Sam Riley, Andrea Riseborough Und Helen Mirren
    PRESSEINFORMATION Drehschluss für die Bestsellerverfilmung „Brighton Rock“ mit Sam Riley, Andrea Riseborough und Helen Mirren Leipzig, 14. Dezember 2009 Am Freitag, den 11.12. fiel in London die letzte Klappe zu „Brighton Rock“, der Verfilmung des gleichnamigen Bestsellers von Graham Greene. Die achtwöchigen Dreharbeiten mit dem hochkarätigen Cast um Sam Riley, Andrea Riseborough, Helen Mirren und John Hurt fanden in Brighton, Eastbourne und London statt. KINOWELT bringt den Film 2011 in die deutschen Kinos. „Brighton Rock“ ist die Buchadaption des britischen Autors Graham Greene. Regisseur Rowan Joffe verlegt den 1938 erschienenen Roman in das Großbritannien der 60er Jahre – die klassische Ära des britischen Gangsters und der Jugendrebellion. In den Hauptrollen spielen Sam Riley („Control“) als Anti-Held an der Seite von Newcomerin Andrea Riseborough („Happy Go Lucky“), Oscar-Gewinnerin Helen Mirren („Die Queen“) und dem Charakterdarsteller John Hurt („The Limits of Control“). Produziert wurde „Brighton Rock“ vom preisgekrönten Produzenten Paul Webster („Abbitte“) für Kudos Pictures. „Brighton Rock“ ist zugleich die erste größere Produktion von Optimum Releasing, mit Unterstützung von BBC Films, UK Film Council´s Premiere Fund, UK Film Council´s Development Fund und StudioCanal. Bereits 1947 kam unter der Regie von John Boulting eine gleichnamige Verfilmung von Greenes Roman mit Lord Richard Attenborough in der Hauptrolle in die Kinos – einer der erfolgreichsten Filme des britischen Film Noir. Deutscher Verleih von „Brighton Rock“ ist die KINOWELT. Die britische Kinowelt-Schwesterfirma Optimum Releasing hat „Brighton Rock“ entwickelt und bringt den Film in Großbritannien in die Kinos. Der Verleih in Frankreich und der Weltvertrieb liegen beim Mutterkonzern StudioCanal. Zum Inhalt des Films: Das britische Seebad Brighton in den 60er Jahren: Mods vs.
    [Show full text]
  • Proquest Dissertations
    A THESIS ON GRAHAM GREENS MASTER IN THE FICTIONAL STUDY OF EVIL By Sister Sadie Hedwig Neumann, S.G.M. Thesis presented to the Faculty of Arts of the TJniversity of Ottawa in view to obtaining the degree of Master of Arts. mmjw Saint Norbert, Manitoba, 1951 UMI Number: EC55492 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI® UMI Microform EC55492 Copyright 2011 by ProQuest LLC All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 ACKNOWLEDGMENT This thesis has been prepared under the direction of Reverend Father Rene Lavigne, O.M.I., Dean of the Faculty of Arts. The technique has been submitted to Mr. George Buxton, M.A., D.Lit., Director of the Department of English Literature, of the Faculty of Arts, University of Ottawa. To all who have offered their kind co-operation, we wish to express our thanks. TABLE OF CONTENTS Chapter page INTRODUCTION iv I.- BIOGRAPHY 1 Principal Works 8 II.- CATHOLIC PHILOSOPHY IN FICTION 9 III.- WRITING TECHNIQUE 16 IY.- INTERPRETATION OF OUR TIMES 26 V.- THE MAN WITHIN 41 71.- LESSER WORKS 52 1.
    [Show full text]
  • Brighton Rock''
    Technological University Dublin ARROW@TU Dublin Articles School of Business and Humanities 2011-5 Hell, Flames and Damnation : Graham Greene's ''Brighton Rock'' Eamon Maher Technological University Dublin, [email protected] Follow this and additional works at: https://arrow.tudublin.ie/ittbus Part of the Creative Writing Commons, and the Religion Commons Recommended Citation Maher, E. (2011) Hell, Flames and Damnation : Graham Greene's ''Brighton Rock'', Spirituality, Vol.17, May- June 2011, No. 96 pp.183. This Article is brought to you for free and open access by the School of Business and Humanities at ARROW@TU Dublin. It has been accepted for inclusion in Articles by an authorized administrator of ARROW@TU Dublin. For more information, please contact [email protected], [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 4.0 License 'Hell, Flames and Damnation': Graham Greene's 'Brighton Rock' Eamon Maher Published in 1938, Brighton Rock is the first novel by Graham Greene The writer is to deal in an overt manner with Catholic themes. Because of his in­ Lecturer in Humani­ fatuation with Vivien Dayrell-Browning, a convert to Catholicism to ties in the Institute of whom he was engaged, Greene started taking instruction in Catholic Technology Tallaght, doctrine, which led to his being received into the Catholic Church in Dublin. His most 1926. Throughout his writing career, Catholic themes continued to recent book is 'The Church and its Spirl' preoccupy him, culminating in such masterpieces as The Power and John McGahern and the Glory (1940), The Heart ofthe Matter (1948) and The End ofthe the Catholic Question Affair (1951).
    [Show full text]