Fine Chinese Ceramics and Works of Art Ӏ

FINE CHINESE CERAMICS Bonhams AND WORKS OF ART Suite 2001 Thursday 4 June 2015 One Pacific Place 88 Queensway, Admiralty Hong Kong

+852 2918 4321 +852 2918 4320 fax FINE CHINESE CERAMICS AND WORKS OF ART Ӏ

Hong Kong Ӏ Thursday 4 June 2015 22882

International Auctioneers and Valuers – bonhams.com 21 Detail 21 Detail INTERNATIONAL CHINESE CERAMICS AND WORKS OF ART TEAM

Colin Sheaf Dessa Goddard Asaph Hyman

ASIA AND AUSTRALIA

Xibo Wang Gigi Yu John Chong Shaune Kong Susie Quek Yvett Klein Hong Kong Hong Kong Hong Kong Beijing Singapore Sydney

EUROPE

Sing Yan Choy Maria Baskhanova James Hammond Rachel Hyman Rosangela Assennato Ben Law Smith Ian Glennie Asha Edwards London, London, London, London, London, London, Edinburgh Edinburgh New Bond Street New Bond Street Knightsbridge Knightsbridge Knightsbridge Knightsbridge

USA

Bruce MacLaren Olivia Hamilton Nicholas Rice Edward Wilkinson* Mark Rasmussen* New York New York New York New York New York

Henry Kleinhenz Daniel Herskee Andrew Lick Ling Shang Tiffany Chao San Francisco San Francisco San Francisco San Francisco Los Angeles

ASIA REPRESENTATIVES

Hongyu Yu Summer Fang Bernadette Rankine Akiko Tsuchida Beijing Taipei Singapore Tokyo * Indian, Himalayan & Southeast Asian Art FINE CHINESE CERAMICS AND WORKS OF ART Thursday 4 June 2015 at 10.30am Bonhams Hong Kong Gallery Suite 2001, One Pacific Place, Admiralty Hong Kong

ENQUIRIES VIEWING 新加坡 SINGAPORE CUSTOMER SERVICES 8-9 May 2015 Monday to Friday 9am - 5.30pm HONG KONG 香港 HONG KONG +852 2918 4321 Xibo Wang 王晰博 Monday 1 June 12.30am - 7pm Grand Hyatt Singapore +852 3607 0010 Tuesday 2 June 10am - 7pm Level 2, Grand Salon 拍賣品之狀況 [email protected] Wednesday 3 June 10am - 7pm 10 Scotts Road 請注意: 本目錄並無說明任何拍賣 Singapore 228211 品之狀況。按照本目錄後部份所載 Gigi Yu 虞詠芝 Bonhams Hong Kong Gallery 新加坡君悅酒店之「競投人通告第15條」, 準買家 +852 3607 0009 Suite 2001, One Pacific Place 二樓, Grand Salon 必須於拍賣前親自確定拍賣品之 [email protected] 88 Queensway, Admiralty 新加坡史各士路10號，狀況。 Hong Kong 郵政區號 228211 純為方便準買家, 本公司如在拍賣 John Chong 張叢輝香港邦瀚斯藝術廊開始前24小時收到準買家的要求, +852 3607 0015 香港金鐘道88號 SALE NUMBER 本公司可提供書面上的狀況報告。 [email protected] 太古廣場一期2001室狀況報告同時可於本公司網頁下 22882 載。該報告是依據「競投人通告第 1.6條」提供。 BEIJING PREVIEWS Hongyu Yu 俞紅雨 BIDS +86 10 6528 0922 上海 PHYSICAL CONDITION OF SHANGHAI +852 2918 4321 LOTS IN THIS AUCTION [email protected] 22-23 April 2015 +852 2918 4320 fax [email protected] PLEASE NOTE THAT THERE IS Shaune Kong 孔超 NO REFERENCE IN THIS The Langham Shanghai, To bid via the internet, +86 18611 760077 Xintiandi CATALOGUE TO THE PHYSICAL please visit www.bonhams.com [email protected] 3/F, Xintiandi Grand Ballroom CONDITION OF ANY LOT. 99 Madang Road, Xintiandi, INTENDING BIDDERS MUST Please note that bids should be Shanghai, 200021, PRC SATISFY THEMSELVES AS TO TAIWAN submitted no later than THE CONDITION OF ANY LOTS Summer Fang 方昱舲上海新天地朗廷酒店 Wednesday 3 June. New bidders AS SPECIFIED IN CLAUSE 15 +886 2 8758 2898 三樓新天地大宴會廳中國上海新天地馬當路99號, must also provide proof of OF THE NOTICE TO BIDDERS [email protected] CONTAINED AT THE END OF 郵編200021 identity and address when submitting bids. Failure to do so THIS CATALOGUE. SINGAPORE may result in bids not being 北京 Bernadette Rankine BEIJING processed. Bidders of accepted As a courtesy to intending 25-26 April 2015 +65 6701 8038 bids will receive a Bid bidders, Bonhams will provide a [email protected] Confirmation. written indication of the physical China World Summit Wing condition of lots in this sale if a Susie Quek 郭斯珍 6/F, Function Room SW61 request is received up to 24 No. 1 Jianguomenwai Avenue, Please note live online bidding hours before the auction starts. +65 6701 8058 will not be available for [email protected] Beijing, 100004, PRC Such report is also available for 國貿大酒店 (國貿三期) Lots 47 and 57 download from Bonhams 六樓, 群賢廳61 請注意: 47, 57號拍品並不接受網 website. This written indication JAPAN 中國北京建國門外大街1號, 上即時競投。 is issued subject to Clause 1.6 Akiko Tsuchida 郵編100004 of Appendix 2 to the Notice to +81 3 5532 8636 Bidders. [email protected] PAYMENT 台北 TAIPEI For an overview of the payment 2-3 May 2015 process please refer to Clause 9 IMPORTANT INFORMATION EUROPE of the “NOTICE TO BIDDERS” at The United States Government Asaph Hyman 阿薩夫 Fubon International the back of this catalogue. has banned the import of ivory +44 (0) 207 468 5888 Convention Center into the USA. Lots containing [email protected] Basement 2nd Floor ivory are indicated by the No. 108, Sec. 1, Dunhua S.Rd., ILLUSTRATIONS symbol Ф printed beside the lot Front cover: Lot 47 number in this catalogue. NORTH AMERICA Songshan District, Taipei City Back cover: Lot 57 105, Taiwan (R.O.C.) Dessa Goddard 高德莎 Ruby and Jadeite: 富邦國際會議中心 + 1 415 503 3333 We would like to thank Rubie Please note that as a result of 地下二樓 [email protected] Fong for her contribution in recent legislation ruby and jadeite 台灣台北市敦化南路段號 1 108 preparation of this catalogue gemstones of Burmese (Myanmar) and Nathan Brown for the origin may not be imported into design. the US. Rubies and jadeite of non-Burmese origin require certification before import into the US. Items affected are marked Bonhams (Hong Kong) Ltd. Trading Office Bonhams (Hong Kong) Limited Directors with a symbol ≈ . Suite 2001, One Pacific Place Colin Sheaf, Chairman Asia 88 Queensway Magnus Renfrew, Deputy Chairman Asia Admiralty Malcolm Barber, CEO Asia Alexi Fung, Managing Director Hong Kong Hong Kong Dessa Goddard, Asaph Hyman, Hugh Watchorn

Bonhams (Hong Kong) Limited Registered No. 1426522 Registered Office: Room 5501 / 55F, Central Plaza, 18 Harbour Road, Wanchai SALE INFORMATION

AFTER SALE COLLECTION Hong Kong dollar personal cheque drawn on Our Client Account details are as follows: a Hong Kong branch of a bank: all cheques 客戶賬戶詳情如下： All sold lots will be available for collection after must be cleared before you can collect your 10am on Friday 5 June from: purchases; Account Name 賬戶名稱 Bonhams Hong Kong office Bonhams (Hong Kong) Ltd - Client A/C Suite 2001, One Pacific Place, Bankers draft: if you can provide suitable 88 Queensway, Admiralty, proof of identity and we are satisfied as to the Account Number 賬戶號碼 Hong Kong genuineness of the draft of cheque, and that the 808-870174-001 funds have originated from your own account, SHIPPING we will allow you to collect your purchases Bank Name 銀行名稱 immediately; HSBC For sale collection information and estimates on domestic and international shipping as well as Cash: you may pay for Lots purchased by you at Bank Address 銀行地址 export licenses please contact our Shipping and this Sale with notes, coins or travellers cheques Head Office Inventory Manager Dick Lau on in the currency in which the Sale is conducted 1 Queens Road Tel: +852 2918 4321 (but not any other currency) provided that the Central Fax: +852 2918 4320 total amount payable by you in respect of all Lots Hong Kong [email protected] purchased by you at the Sale does not exceed HK$80,000. If the amount payable by you for Swift Code 國際匯款代碼 STORAGE CHARGES Lots exceeds that sum, the balance must be HSBCHKHHHKH paid otherwise than in coins, notes or travellers Storage charges will commence one month cheques; If paying by bank transfer, the amount after the date of the auction at the following received after the deduction of any bank rate: Bank Transfer: you may electronically transfer fees and/or conversion of the currency of HK$800 per lot per month funds to our Client Account. If you do so, please payment to Hong Kong dollars must not be quote your paddle number and invoice number less than the Hong Kong dollars amount 拍賣後提貨 as the reference. payable, as set out on the invoice.

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PAYMENT 銀行匯票：在確認有效身份證明及匯票後，買家 If you have questions with regard to payment or 可立刻提取所購之拍賣品 settlements of vendor proceeds please contact Purchases can only be released when full our Customer Service Department. settlement (inclusive of all charges) of all 現金：如所購得的拍賣品總值不超過HK$80,000 invoices issued to the buyer is received in ，買家可以現金或港幣（不接受其他貨幣）為單如果閣下通過銀行轉賬付款，我們所收的款額 cleared funds. If you are a successful Bidder, 位之旅行支票付款。如所購得的拍賣品總值超過經扣除任何銀行費用，以及／或者款項經兌換 payment will be due to be made to us by HK$80,000，HK$80,000以外的金額，必須以現成港幣後，必須不少於如發票所的應付款額。 4:30pm on the second working day after the 金及旅行支票以外的方式支付 Sale so that all sums are cleared by the seventh 由香港銀行發出的扣賬卡：以此方法付款，將 working day after the Sale. This applies even if 旅行支票：假若所購得的拍賣品總值不超過不收取額外的費用 the buyer wishes to export the lot and an export HK$80,000，買家可以旅行支票付款，但必須出 license is (or may be) required. Before bidding 示有效之身份證明。信用卡：美國運通卡，Visa ， Mastercard卡及 you should ensure that you have the necessary 海外扣帳卡均可使用。請注意，以信用卡付款 funds available and be able to pay according to 銀行轉賬：買家可利用電子轉賬至我們的銀行賬的話，將收取發票總額2%的附加費。我們建 one of the methods set out below. All cheques 戶，請注意把競標牌號碼及發票資料寫上，以作議，閣下在拍賣前可預先通知發卡銀行，以免 should be made payable to Bonhams (Hong 參考。您於付款時，由於需要確認授權而造成延誤。 Kong) Ltd - Client A/C. Unless agreed by us in advance payments made by anyone other than 中國銀聯（CUP）借記卡：如閣下使用中國銀 the registered buyer will not be accepted. We 聯借記卡1,000,000港元之內將不收取附加費， accept the following methods of payment: 超過 1,000,000港元之後的餘額將收取 2％的附加費。 46 Detail Property from the Hans Goldstein Collection of Chinese Art 漢斯先生珍藏中國藝術品 LOTS 1 - 14

Hans Goldstein grew up in Germany between the Wars in a family steeped in music and culture. As a consequence of the Second World War, he and his wife became refugees and ended up in Malaysia where he became a successful consulting civil engineer. His work took him to all parts of the Far East and this in turn stimulated his interest in Oriental art and in particular Chinese porcelain. His collection developed gradually and initially concentrated on inside-painted snuff bottles. As he became more knowledgeable, he began to collect blue and white porcelain and other Chinese ceramics and works of art that attracted his keen sense of shape, colour and artistic quality. Following his semi-retirement in the mid-1960s and his move to set up the firm’s offices in the UK, he continued to collect by regularly visiting art dealers and the main auction houses in London. On his death, his collection was bequeathed to his family.

漢斯(Hans Goldstein)生於戰爭年代德國文豪世家，二戰後與妻子於馬來西亞避難，日後成為當地土木工程顧問。漢斯熱愛東方藝術收藏，初期開始收藏內畫鼻煙壺，後來漸被中國瓷器及工藝雜項所吸引。1960年代，漢斯回到倫敦並設立英國分公司，並成為各大畫廊及拍賣行的常客。漢斯過世後，其藝術品收藏由家族繼承。

1 AN IRON-RED AND GREEN ENAMELLED ‘BUDDHIST LIONS’ The image of Buddhist lions pursuing and playing with brocade balls DISH forms the rebus ershi gunxiuqiu or shuangshi xiqiu, and provides Jiajing six-character mark and of the period the auspicious wish for an abundance of blessings and joy. The The shallow dish with gently rounded sides rising to an everted rim, present dish is a typical example of Ming-style Buddhist lions which is decorated on the exterior with four Buddhist lions, each interspersed characterised by a loose and whimsical quality. by a beribboned brocade ball, the interior with a large central medallion enclosing another pair of Buddhist lions with a brocade ball, all on a Compare two dishes in the British Museum, with the same design of vibrant dark red ground, the base with a six-character kaishu mark. Buddhist lions and colour combination, illustrated by J.Harrison-Hall, 15.2cm (6in) diam. Ming Ceramics, London, 2001, p.256, nos.9:95 and 9:96. Another similar dish in the Asian Art Museum of San Francisco is illustrated by HK$120,000 - 180,000 He Li, Chinese Ceramics, A New Comprehensive Survey, London, US$15,000 - 23,000 1996, no.457.

此盤上之題材為「二獅滾繡球」或「雙獅戲球」，是明代的典型紋明嘉靖紅地綠彩雙獅戲球紋盤青花「大明嘉靖年製」楷書款飾，象徵喜慶吉祥歡樂之意。

Provenance 來源: 倫敦大英博物館藏二例可作比較，見J.Harrison-Hall著，《Ming Bluett & Sons, London (label) Ceramics》，倫敦，2001年，頁256，編號9:95及9:96。也可參考三 Richard Meyerhoff collection, sold at Sotheby’s London, 13 May 1958, 藩市亞洲藝術博物館藏一相似例子，見He Li著，《Chinese Ceramics, lot 17 A New Comprehensive Survey》，倫敦，1996年，編號457。 Wilfred A. Evill collection (d.1963), sold at Sotheby’s London, 30 November 1965, lot 48 Sotheby’s London, 13 December 1983, lot 271 Hans Goldstein collection and thence by descent

倫敦古董商Bluett & Sons (附標籤) Richard Meyerhoff舊藏，倫敦蘇富比，1958年5月13日，拍品17 Wilfred A. Evill舊藏（於1963年過世），倫敦蘇富比，1965年11月 30日，拍品48 倫敦蘇富比，1983年12月13日，拍品271 Hans Goldstein舊藏，並由家族繼承

6 | BONHAMS FINE CHINESE CERAMICS AND WORKS OF ART | 7 Sir Percival David Collection nos.B621 and B622; ©The Trustees of the British Museum 大英博物館大衛德基金藏，編號B621及B622

2 A RARE PAIR OF BLUE AND WHITE RETICULATED CUPS The present lot belongs to a group of wares with delicate openwork Wanli six-character marks and of the period designs which would have been cut by hand when the clay was Each cup decorated with four phoenix roundels surrounded by an leather hard before firing. This required great skill and precision. The openwork ground of pierced lattice patterns, interspersed with four pierced characters reading fu shou kang ning, meaning good fortune, small circular roundels reading fu shou kang ning, all between floral long life, health and peace on the present pair of bowls, would have bands by the mouth and foot rim, the base with a six-character been extremely difficult to execute successfully and are a testament kaishu mark. to the skill of the master potter, and also explains the scarcity of such Each 9cm (3 1/2in) diam. (2). bowls.

HK$120,000 - 180,000 An identical pair of teacups, Wanli marks and of the period, in the US$15,000 - 23,000 Sir Percival David Collection, nos.B.621 and B.622 is illustrated by S.Pierson, Blue and White for China, Porcelain Treasures in the Percival David Collection, London, 2004, pp.106-107, no.45. Compare 明萬曆青花鏤空開光惯「福壽康寧」碗一對 also with a related blue and white cup, Wanli mark and period, but 青花「大明萬曆年製」楷書款 without characters and with the interior encased in a silver lining, in the National Palace Museum, Taipei, illustrated in Empty Vessels, Provenance 來源: Replenished Minds: The Culture, Practice, and Art of Tea, Taiwan, Alfred E. Hippisley Collection (1848-1939) 2000, p.100, no.79; this cup also has an imperial palace label Sir Percival David (1892-1964), nos.B.620 and B.623 indicating it was used as a teacup during the Qing dynasty. Sotheby’s London, 15 October 1968, lot 98 Hans Goldstein collection and thence by descent 此對碗運用了鏤空工藝刻「福、壽、康、寧」四字，工藝精湛絕倫，令層次倍感豐富，由於工藝繁複，燒製難度極高，是不可多得的珍賀璧理舊藏 (1848-1939) 品。大衛德爵士舊藏，編號及 (1892-1964) B.620 B.623 倫敦蘇富比，1968年10月15日，拍品98 大衛德爵士收藏中有一對明萬曆帶款的青花碗，紋飾完全相同，藏品收藏，並由家族繼承 Hans Goldstein 編號為B.621及B.622，見S.Pierson著，《Blue and White for China, Porcelain Treasures in the Percival David Collection》，倫敦，2004 年，頁106-107，編號45。國立故宮博物院藏一件明萬曆帶款的青花白地玲瓏銀裡茶鍾也可作比較，該碗貼有清宮舊黃籤，請參閱《也可以清心：茶器、茶事、茶畫》，台灣，2000年，頁100，編號79。

8 | BONHAMS FINE CHINESE CERAMICS AND WORKS OF ART | 9 3 A RARE ‘MING-STYLE’ BLUE AND WHITE BOWL The present lot is an excellent example of very fine Kangxi period Chenghua six-character mark, Kangxi ‘Ming-style’ blue and white porcelain. The rich deep cobalt blue tones Elegantly potted with rounded sides above a short foot, the exterior achieved on this bowl, as well as the style of design and composition painted in rich blue tones with a continuous heavenly landscape scene, were clearly inspired by similar figural blue and white pieces from depicting a female deity accompanied by three female attendants the early Ming dynasty. This includes decorative elements such as within a terraced courtyard by a pavilion surrounded by clouds, one the continuous scene of a terraced courtyard, with billowing clouds attendant leads with a candle lit, all amidst willow trees, flowering enveloping areas of the design, and the extremely precise and detailed plants, tall rockwork and distant mountains, the base with a Chenghua rendering of figures. Compare a Kangxi period bowl, apocryphal six-character kaishu apocryphal mark. Xuande mark with a very similar scene, illustrated in A Panorama of 12.6cm (5in) diam. Ceramics in the Collection of the National Palace Museum: Hsuan-te Ware I, Taipei, 2000, p.53, fig.46. HK$250,000 - 350,000 US$32,000 - 45,000 The illustration of court ladies or celestial maidens in garden or courtyard settings was frequently produced in the early Ming, and 清康熙青花仕女遊園圖碗青花「大明成化年製」楷書款 was particularly favoured during the Xuande period. Examples of blue Provenance 來源: and white bowls, Xuande mark and period, with drawings also of Mrs Walter Sedgwick (1883-1967) ladies on a night excursion are in the collection of the National Palace Sotheby’s London, 1 November 1965, lot 178 Museum, Taipei: see two bowls, each decorated with an attendant holding a lantern, lighting the way for her mistress in a deer-drawn Hans Goldstein collection and thence by descent carriage, illustrated in ibid., pp.244-247, nos.92 and 93. These type of Walter Sedgwick夫人 (1883-1967) 舊藏 bowls would have been the prototype for the present bowl. There are 倫敦蘇富比，1965年11月1日，拍品178 however, discernable stylistic differences between the Ming and Qing Hans Goldstein舊藏，並由家族繼承 versions, with the latter’s clouds executed with a more ‘pencilled’ effect Published and Illustrated 出版: and the ladies drawn with more pointed and angular faces, though the S.Jenyns, Later Chinese Porcelain. The Ch’ing Dynasty (1622-1912), overall aesthetic remains similar. London, 1971, pl.XVI, no.2 Compare with a rare blue and white bowl, Kangxi six-character mark and of the period, of very similar painting style, illustrated in The Complete Collection of Treasures of the Palace Museum: Blue and White Porcelain with Underglaze Red (I), Beijing, 2010, p.75, no.65. See a related blue and white bowl, Kangxi mark and period, sold at Sotheby’s Hong Kong, 7 April 2015, lot 3644.

此器青花繪《仕女遊園圖》，其造型、紋飾明顯受明代人物圖題材所影響，即所謂的「官仿官」，其青花發色青翠，富有層次。國立故宮博物院藏一件康熙仿宣德青花仕女秉燭夜遊圖碗可作比較，見《故宮藏瓷大系宣德之部：上》，台北，2000年，頁53，圖46。明宣德時期以仕女題材最為常見，參考兩件明宣德帶款例子，見同上，頁244- 247，編號92及93。類似於本器的康熙青花作品採納了明代青花器上的畫風，但繪畫技藝較為工細，層次較豐富。

再參考一件故宮博物院藏康熙帶款的青花碗，繪畫風格與本器相似，見《故宮博物院藏文物珍品全集：青花釉裏紅（上）》，北京，2010 年，頁75，編號65。另看一件康熙帶款青花碗，售於香港蘇富比，2015年4月7日，編號3644。 Image courtesy of the Palace Museum, Beijing 北京故宮博物院藏 FINE CHINESE CERAMICS AND WORKS OF ART | 11 4 A BLUE AND WHITE AND COPPER-RED ‘IMMORTALS’ BOWL The Eight Immortals, a group of legendary deities depicted in Chinese Qianlong seal mark and of the period Daoist mythology, are led by Lu Dongbin, and consists of another Decorated around the exterior with the Eight Daoist Immortals on seven members named He Xiangu, Lan Caihe, Zhang Guolao, Han a ground of copper-red crested waves, the interior with a central Xiangzi, Zhongli Quan, Li Tieguai and Cao Guojiu. The scene depicted medallion enclosing Shoulao beside a deer holding a staff, the base on the present lot of the Eight Immortals traversing through crashing with a six-character zhuanshu seal mark. waves, is a reference to the well-known Ming dynasty folklore, ‘The 22.2cm (8 3/4in) diam. Eight Immortals Crossing the Sea’. Legend has it that the Eight Immortals were en route to attend the Conference of the Magical HK$180,000 - 240,000 Peach when they encountered an ocean. Exercising their individual US$23,000 - 31,000 abilities, each by using their unique tools that are depicted with the figures on the present lot, they crossed the vast body of water. The Chinese proverb of Baxian guohai, gexian shentong is derived from 清乾隆青花釉裏紅八仙渡海圖碗青花「大清乾隆年製」篆書款 this legend, whereby it bears the moral of each individual doing their part to make a plan successful. 來源 Provenance : Wilfred A. Evill (d.1963) Bowls of this type were also produced in blue and white and are rarer Bluett & Sons, London still in doucai enamels. See a blue and white bowl with the Immortals According to the family, acquired by Hans Goldstein probably between on the exterior, Yongzheng mark and period, from the collection of 1948-1981 and thence by descent Sir Harry Garner, illustrated by S.Jenyns, Later Chinese Porcelain, London, 1971, pl.LX. Wilfred A. Evill舊藏（於1963年過世）倫敦古董商Bluett & Sons Compare a bowl of similar size and decoration sold at Christie’s New 據說此拍品由Hans Goldstein或於1948至1981年間購得，並由家族 York, 22-23 March 2012, lot 2010; see also another sold at Christie’s 繼承 New York, 19-20 September 2013, lot 1409.

此碗繪「八仙過海圖」，八仙為中國道教和中國神話中的八位神仙，包括呂洞賓、何仙姑、藍采和、張果老、韓湘子、鍾離權、李鐵拐和曹國舅。相傳八仙赴西王母蟠桃會祝壽，在過東海時李鐵拐建議將各自法寶投於水面各自過海，就是後來「八仙過海、各顯神通」的傳說。

此類碗也見於青花和鬥彩作品中，見Harry Garner爵士舊藏一件清雍正帶款青花例子，著錄於S.Jenyns，《Later Chinese Porcelain》，倫敦，1971年，圖版LX。再參考紐約佳士得，2012年3月22-23日，拍品2010；及紐約佳士得，2013年9月19-20日，拍品1409。

12 | BONHAMS FINE CHINESE CERAMICS AND WORKS OF ART | 13 5 A VERY RARE IMPERIAL FAMILLE ROSE BOTTLE VASE Yongzheng six-character mark and of the period Exquisitely enamelled in delicate shades of green, purple, white and red against a striking pure white ground, the compressed globular body rising to a straight neck decorated with a continuous scene featuring narcissus blooms on elegant long leafy stems, lingzhi fungus, and branches of nandina berries, the base with a six-character kaishu mark. 18.8cm (7 3/8in) high

HK$800,000 - 1,200,000 US$100,000 - 150,000

清雍正粉彩靈仙祝壽紋長頸瓶青花「大清雍正年製」楷書款

Provenance 來源: According to the family, acquired by Hans Goldstein probably between 1948-1981 and thence by descent

據說此拍品由Hans Goldstein或於1948-1981年間購得，並由家族繼承

14 | BONHAMS FINE CHINESE CERAMICS AND WORKS OF ART | 15 Image courtesy of the Palace Museum, Beijing 北京故宮博物院藏

The vase is a superb example of the high technical standards and Although this combination of plants and flowers is frequently seen on artistry gained on famille rose porcelains from the Yongzheng reign. Yongzheng doucai wares, it is rare to find them on famille rose vessels With the innovation of the famille rose palette including opaque and such as on the present vase. Often famille rose vessels of the period semi-opaque enamels, a wider range of colours fired on porcelain depict nandina and lingzhi with orchids or magnolia; compare a faux- that appeared softer and gentler was perfected in the Yongzheng bois famille rose brushpot, Yongzheng mark and period, from the period. These graduated shades of pink, white and yellow enamels Qing Court Collection, with very similar treatment of narcissus flowers, were expertly used by craftsmen to render delicate shading, making illustrated in Fire and Colour, Imperial Kiln Porcelain of Qing Dynasty designs more complex and pleasing. The narcissus blooms of the from the Palace Museum Collection, Macau, 2011, p.221, no.85. See present vase exemplify this, exhibiting subtle different hues of white also a famille rose dish, Yongzheng mark and period, decorated with ranging from fine pure white to yellowish and greenish white tones. narcissus together with a spray of roses, in the Victoria and Albert Museum, London, illustrated by R.Kerr, Chinese Ceramics, Porcelain The composition of the decoration, with undulating stems and leaves of the Qing Dynasty 1644-1911, London, 1986, p.111, no.94. with clusters of ripe berries above and various views of full blooms and buds, also exhibit the aesthetic sensibilities and astute artistry 此雍正粉彩瓷以白地彩繪為主，其胎體薄輕，釉面純淨，充分襯托出 favoured in the Yongzheng period. The use of the vivid iron-red enamel 粉彩之嬌麗。白地上施粉、白、黃三色，彩繪出水仙、天竺和靈芝紋 for the nandina against the softer and gentler famille rose hues also 飾，富見自然氣息，形象栩栩如生，令人賞心悅目，充分表現出恰到 provides a pleasing visual contrast. 好處的典雅和優美，無疑能代表雍正粉彩瓷器最高水平之佳作。

For examples of Yongzheng famille rose vessels demonstrating a 故宮博物院藏一件尺寸較大的清雍正粉彩桃花紋直頸瓶，同樣落有 similar aesthetic of asymmetrical and irregular, spreading, composition 「大清雍正年製」楷書款，外壁繪桃樹一株，蔓遍器身，其層次分明 lines formed by gnarled branches or long stems, see a larger famille 及富有立體效果的構圖與本器相似，氣質高雅，著錄於《故宮陶瓷 rose vase, Yongzheng six-character mark and of the period, with 館，下編》，北京，2008年，頁430，編號342。另外對比一件尺寸 large branches of peony, from the Qing Court Collection, illustrated in 較大繪有牡丹玉蘭紋的粉彩瓶，為清雍正/乾隆時期，拍賣於香港佳 Ceramics Gallery of the Palace Museum, Part II, Beijing, 2008, p.430, 士得，2013年11月27日，拍品3438。 no.342. Compare also another, but larger, famille rose globular vase, Yongzheng/Qianlong, decorated with magnolias and peonies, sold at 此器中所繪天竺、水仙和靈芝，寓「芝仙祝壽」之意，也會用於宮廷 Christie’s Hong Kong, 27 November 2013, lot 3438. 慶帝后壽誕之時，是雍正時期常見之紋飾。

The combination of nandina berries, tianzhu 天竺, and narcissus, 此類構圖較常見於鬥彩作品上，類似於本器的粉彩瓷中，在傳世品中 shuixian 水仙, form a rebus for ‘heavenly immortal’. Together with 非常少見。請參考一件現藏於故宮博物院的清雍正仿木紋釉粉彩水仙 the fungus, lingzhi 靈芝, they form the auspicious phrase ‘heavenly 花筆筒，見《鬥色爭妍：故宮藏清代御窯瓷器精品集》，澳門，2011 immortal, longevity fungus’. This group of decoration, symbolising the 年，頁221，編號85。再對比一件雍正帶款粉彩水仙牡丹紋盤，藏於 wish for health and a long life, was therefore very appropriate to mark 倫敦維多利亞和阿爾伯博物館，倫敦，1986年，頁111，編號94。 an imperial birthday celebration.

16 | BONHAMS

6 A WUCAI ‘DRAGON AND PHOENIX’ BOWL For an example of a very similar pair of wucai bowls, Daoguang marks Daoguang seal mark and of the period and period, see The Wonders of the Potter’s Palette. Qing Ceramics With deep rounded sides above a short foot rising to a slightly everted from the Collection of the Hong Kong Museum of Art, Hong Kong, rim, the exterior of the body with two five-clawed dragons amidst floral 1984, no.100. See also another example from the Muwen Tang and leafy vines, each chasing a flaming pearl and interspersed by a collection, illustrated by S.Kwan, Imperial Porcelain of Late Qing, Hong pair of phoenix, all beneath a band of ruyi-head scrolls interspersed Kong, 1983, no.44. between auspicious Buddhist Emblems, the interior with a central medallion enclosing a scaly five-clawed dragon reaching for a flaming A pair of wucai ‘dragon and phoenix’ bowls, Daoguang marks and pearl amidst fire and cloud scrolls, the base with a six-character period, was sold in these rooms, 26 May 2013, lot 239. zhuanshu seal mark. 15cm (5 7/8in) diam. 另一件與本器相似的清道光帶款例子，可參閱《清瓷薈錦：香港藝術館藏清代陶瓷》，香港，1984年，編號100。也見沐文堂藏一例，著 HK$120,000 - 180,000 錄於《關氏所藏：晚清官窯瓷器》，香港，1983年，編號44。香港 US$15,000 - 23,000 邦瀚斯也曾售出一對清道光帶款五彩龍鳳紋碗，2013年5月26日，拍品239。清道光五彩龍鳳紋碗青花「大清道光年製」篆書款

Provenance 來源: According to the family, acquired by Hans Goldstein probably between 1948-1981 and thence by descent

據說此拍品由Hans Goldstein或於1948-1981年間購得，並由家族繼承

18 | BONHAMS 7 A PAIR OF YELLOW-GROUND FAMILLE ROSE ‘WAN NIAN JIA ZI’ SAUCER DISHES Iron-red Jiaqing seal marks and of the period Each brightly enamelled on the exterior in shades of pink, blue, green and coral-red with blooming peony interspersed with Endless Knots, alternating with four characters, wan nian jia zi, all reserved on a lemon-yellow ground, the interior with five iron-red bats encircling a stylised shou character, the base with a six-character zhuanshu iron-red seal mark. Each 11.5cm (4 1/2in) diam. (2).

HK$60,000 - 80,000 US$7,700 - 10,000

清嘉慶黃地粉彩開光「萬年甲子」五福捧壽盤一對礬紅「大清嘉慶年製」篆書款

Provenance 來源: According to the family, acquired by Hans Goldstein probably between 1948-1981 and thence by descent

據說此拍品由Hans Goldstein或於1948-1981年間購得，並由家族繼承

The characters, wan nian jia zi, may be translated as ‘ten thousand years of the jiazi cyclical year’, corresponding to 1804. An attempt on the life of the Jiaqing emperor was made in 1803 and the ‘White Lotus’ rebellion which began in 1796 was finally quelled in 1804; it is therefore possible that vessels bearing the auspicious phrase were made in celebration of the military success and to wish the emperor long life.

Compare a pair of yellow-ground famille rose dishes, but decorated on the interior with a flower head encircled by lotus scrolls instead of bats, sold at Christie’s New York, 15 September 2011, lot 1634.

在中國傳統紀年干支歷中，一個甲子為六十年，可見「萬年甲子」是對皇帝祝壽之意。參考另一對黃地粉彩盤，該盤心內繪花卉紋，拍賣於紐約佳士得，2011年9月15日，拍品1634。 Two views

8 Y A CARVED YELLOW-GLAZED ‘DRAGON’ SNUFF BOTTLE Wang Bingrong, active during the Daoguang and Xianfeng periods, Wang Bingrong seal mark, circa 1820-1870 was one of the finest of a small group of independent ceramicists in Of flattened rectangular form above an oval foot rising to a short Jingdezhen of the period. At that time, the porcelain industry initiated straight neck, one side decorated with a large scaly dragon in carving on snuff bottles as a diversification from using earlier practices mid-flight pursuing a flaming pearl, worked in high relief above a of moulding. The uniformity and depth of the reticulation between the pierced ground of fiery clouds, the base incised with a four-character outer and inner layers, as exemplified by the present lot, can only be zhuanshu mark, with stopper. achieved by careful and steady carving. Dragons were among Wang’s 6.1cm (2 3/8in) high (2). most popular designs, although this particular composition is arguably among his rarer works. Compare a related yellow-glazed snuff bottle, HK$40,000 - 60,000 illustrated by H.Moss, V.Graham and K.B.Tsang, A Treasury of Chinese US$5,200 - 7,700 Snuff Bottles. The Mary and George Bloch Collection. Vol.6 Part 3. Arts of the Fire, Hong Kong, 2008, pp.771-773, no.1357. For two further ‘dragon’ snuff bottle examples, in yellowish-cream glaze and 約1820-1870年王炳榮瓷胎黃釉鏤雕雲龍戲珠鼻煙壺 in green-glaze, respectively, see B.C.Stevens, The Collector’s Book 「王炳榮作」篆書款 of Snuff Bottles, New York, 1994, p.93, nos.263 and 265. Compare a dark brown-glazed snuff bottle, also by Wang Bingrong and with a 來源 Provenance : seal mark, sold in our New York rooms, 17 March 2014, lot 8031. According to the family, acquired by Hans Goldstein probably between 1948-1981 and thence by descent 王炳榮是景德鎮瓷雕名家，活躍於清道光、咸豐年間，其作品以浮雕及鏤雕為主，所雕之紋飾有雲龍、山水人物、花鳥等。本壺以鏤據說此拍品由Hans Goldstein或於1948-1981年間購得，並由家族繼雕工藝製成，線條流暢、龍紋圖案生動活潑、可見刀法之精準和細承微，為難得的精品。其他相關例子包括一件黃釉鏤雕雲龍紋鼻煙壺，見H.Moss、V.Graham和K.B.Tsang著，《A Treasury of Chinese Snuff Bottles. The Mary and George Bloch Collection. Vol.6 Part 3. Arts of the Fire》，香港，2008年，頁771至773，編號1357；再參考二例著錄於 B.C.Stevens，《The Collector’s Book of Snuff Bottles》，紐約，1994 年，頁93，編號263和265。另見一例售於紐約邦瀚斯，2014年3月 17日，拍品8031。

20 | BONHAMS Two views

9 A CARVED VERY PALE TURQUOISE-GLAZED SNUFF BOTTLE Although Chen was an accomplished artist of the period, little was Chen Guozhi four-character mark, circa 1820-1860 mentioned about his career in 19th century literary sources. One such Of compressed pear-shape rising to the cylindrical neck and original account appears in Richard John Lynn’s 1991 translation of Zhao stopper, covered overall with a translucent pale bluish-white glaze, Zhiqian’s book on snuff and snuff bottles of the late 19th century. intricately carved with a continuous landscape scene of dwellings In this account, the unique quality of Chen’s workmanship was amidst lush hills and rivers, the base incised with a four-character described as similar to ‘carved porcelain bottles with the technique of kaishu mark, with a stopper. a painter... just as they might appear in an album of paintings done by 7.5cm (2 7/8in) high (2). the Song-era Painting Academy... although there are others who try to imitate his work, no one ever manages to match it.’ Another account HK$100,000 - 150,000 by Jin Wuxiang, author of Suxiang Suibi in the Guangxu period, stated US$13,000 - 19,000 that the value of Chen’s work as ‘every piece being valued at ten pieces of gold’, and the magistrate named Jiang Juting presented him with a calligraphy couplet in praise, reading ‘Earth and clay 約1820-1860年陳國治瓷胎淡松石釉浮雕山水鼻煙壺 turned to gold and jade; a man in plain cloth becomes of royal rank’; 「陳國治作」楷書款 see H.Moss, V.Graham, and K.B.Tsang, A Treasury of Chinese Snuff Bottles. The Mary and George Bloch Collection. Vol.6. Part 3. Arts of 來源 Provenance : the Fire, Hong Kong, 2008, pp.759-762. Sotheby’s London, 15 November 1965, lot 105 Hans Goldstein collection and thence by descent 陳國治為安徽祁門人，清道光、咸豐年間景德鎮著名瓷雕藝人。他擅於以精細入微的工藝在瓷器上雕刻山水、花卉等紋飾，深淺適度，栩倫敦蘇富比，1965年11月15日，拍品105 栩如生，富有畫意。許之衡曾於《飲流齋說瓷》中形容陳國治為「巧 Hans Goldstein舊藏，並由家族繼承匠」；金武祥在《粟香隨筆》記載陳國治的作品為「每一器值十金」；蔣矩亭亦曾有「瓦缸勝金玉，布衣傲王侯。」之讚美。民國陶務監 Chen Guozhi, a native of Qimen, Anhui Province, was renowned 督郭葆昌曾說過，瓷雕「南有陳國治，北有王炳榮，雕瓷賽金玉，出 for his ability to carve designs on porcelain with the intricacy and 手王侯輕」，可見陳國治的精湛工藝為後世所讚嘆。參考H.Moss， elegance of those found on paintings. He was active during the V.Graham和K.B.Tsang著，《A Treasury of Chinese Snuff Bottles. The Daoguang and Xianfeng reigns and may have worked for the imperial Mary and George Bloch Collection. Vol.6. Part 3. Arts of the Fire》， court, evident by the appearance of a reign mark and his name on 香港，2008年，頁759至762。瑪麗及莊智博鼻煙壺舊藏也有一件與 some of his wares. The elaborate yet delicate landscape carvings he 本壺相似的例子，後拍賣於香港邦瀚斯，《瑪麗及莊智博鼻煙壺珍 achieved, as exemplified by the present snuff bottle, established his 藏：第一部分》，2010年5月28日，拍品81。 prominence and fame.

FINE CHINESE CERAMICS AND WORKS OF ART | 21 Detail

10 Two views

10 Y Ф 11 Y Ф AN INSIDE-PAINTED GLASS SNUFF BOTTLE AN INSIDE-PAINTED GLASS ‘LANDSCAPE’ SNUFF BOTTLE Signed Zhou Leyuan, cyclically dated renchen year corresponding to Signed Ding Erzhong, cyclically dated bingshen year corresponding to 1892 1896 Intricately painted with a continuous landscape scene of insects by Intricately decorated on one side with two travellers by a large a gnarled tree and rockwork, one side with a series of dated kaishu gnarled tree amidst a mountain landscape, below a four-character inscriptions followed by the signature and a painted seal mark of the kaishu inscription followed by a painted seal of the artist, the reverse artist, with stopper. with rockwork and plants beside a further series of dated kaishu 6.3cm (2 1/2in) high (2). inscriptions followed by the signature and a painted seal mark of the artist, with stopper. HK$120,000 - 180,000 5.7cm (2 1/4in) high (2). US$15,000 - 23,000 HK$60,000 - 80,000 1892年周樂元玻璃內畫昆蟲鼻煙壺 US$7,700 - 10,000

Provenance 來源: 1896年丁二仲玻璃內畫山水人物圖鼻煙壺 According to the family, acquired by Hans Goldstein probably between 1948-1981 and thence by descent Provenance 來源: Sotheby’s London, 15 February 1966, lot 207 據說此拍品由Hans Goldstein或於1948-1981年間購得，並由家族繼承 Hans Goldstein collection and thence by descent

Zhou Leyuan (active circa 1879-1893) born in Shangyin, Zhejiang 倫敦蘇富比，1966年2月15日，拍品207 Province, is arguably one of the most important inside-painted artists. Hans Goldstein舊藏，並由家族繼承 Zhou founded his school of painting style in Beijing, and strongly influenced other artists including Ma Shaoxuan, Ding Erzhong and eY Zhongsan. Compare an inside-painted snuff bottle by Zhou Leyuan, but featuring a landscape scene with a crane, also dated renchen year corresponding to 1892, sold in these rooms, The Paul Braga Collection of Snuff Bottles, 24 November 2012, lot 11.

周樂元活躍於1879至1893年間，與馬少宣、葉仲三和丁二仲為內畫鼻煙壺的代表性人物。參考另一件周樂元內畫鼻煙壺的例子，同樣作於壬辰年(1892年)，拍賣於香港邦瀚斯，《The Paul Braga Collection of Snuff Bottles》，2012年11月24日，拍品11。 Ding Erzhong is the sobriquet of Ding Shangyu, a Qing dynasty scholar official from Tongzhou in Jiangsu Province, who was also a calligrapher, seal carver, painter and master of inside-painted snuff bottles. Compare an inside-painted snuff bottle by Ding Erzhong, formerly in the Mary and George Bloch Details Collection, featuring a related scene of rockworks and auspicious objects on one side and a landscape scene on the reverse, also dated by inscription to bingshen year corresponding to 1896, illustrated by H.Moss, V.Graham and K.B.Tsang, A Treasury of Chinese Snuff Bottles. The Mary and George Bloch Collection. Vol.4. Part 1. Inside Painted, Hong Kong, 2000, pp.280-282, no.542, later sold in these rooms, Snuff Bottles from the Mary and George Bloch Collection: Part II, 23 November 2010, lot 54.

丁二仲，原名丁尚庾，為晚清著名的藝術家，不但對內畫鼻煙壺藝術精通，而且在金石、篆刻及竹雕等領域有很高的造詣。其內畫鼻煙壺作品以山水、人物、花鳥為主，多仿宋、元、明、清之畫風，部份作品也受周樂元影響。參考例子可見瑪麗及莊智博鼻煙壺舊藏一件作於丙申年（1896年）的內畫風景鼻煙壺，著錄於H.Moss，V.Graham及K.B.Tsang，《A Treasury of Chinese Snuff Bottles. The Mary and George Bloch Collection. Vol.4. Part 1. Inside Painted》，香港，2000年，頁280至282，編號542 ，後拍賣於香港邦瀚斯，《瑪麗及莊智博鼻煙壺：第二部份》，2010年11月23日，拍品54。

12 Y Ф AN INSIDE-PAINTED AMBER SNUFF BOTTLE Signed Ye Zhongsan, cyclically dated bingshen year 11 Two views corresponding to 1896 Well painted on one side with a boy riding a water buffalo crossing a shallow stream, the reverse with plants in vases by rockwork beside a series of dated kaishu inscriptions followed by the signature of the artist, with stopper. 6.3cm (2 1/2in) high (2).

HK$60,000 - 80,000 US$7,700 - 10,000 Detail 1896年葉仲三琥珀內畫牧童騎牛圖鼻煙壺

Provenance 來源: According to the family, acquired by Hans Goldstein probably between 1948-1981 and thence by descent

據說此拍品由Hans Goldstein或於1948-1981年間購得，並由家族繼承

Ye Zhongsan (active circa 1892-1943), was born in Beijing in 1869. As demonstrated in the present lot, he was influenced by the Zhou Leyuan Beijing school of painting. Compare two related inside- painted amber snuff bottles by Ye Zhongsan, decorated with rockwork and auspicious objects in the National Palace Museum, Taipei, one dated by inscription to the 18th year of Guangxu, corresponding to 1892, illustrated in Lifting the Spirit and Body: The Art and Culture of Snuff Bottles, Shanghai, 2012, pp.264-265, no.IV-057.

葉仲三1869年生於北京，活躍於1892至1943年，為著名的內畫壺高手，其畫風受周樂元影響。參考一對清光緒十八年葉仲三作琥珀內繪歲朝圖鼻煙壺，現藏於國立故宮博物院，見《通嚏輕揚：鼻煙 12 Two views 壺文化特展》，上海，2012年，頁264至265，編號IV-057。 13 Detail

13 A RARE IMPERIAL-TRIBUTE PAINTED ENAMEL ‘EUROPEAN Snuff was an expensive luxury commodity in Europe in the 18th SUBJECT’ OVAL SNUFF BOX AND COVER century and was introduced to the Qing Court by means of European Red-enamelled Qianlong four-character mark and of the period missionaries, envoys and merchants. Snuff-taking became immensely Exquisitely enamelled with vibrant and bright colours, the hinged popular, even with the emperor himself, and the imperial household cover with a raised oval cartouche decorated with a scene of lovers, began manufacturing snuff boxes and bottles with a combination of featuring a European lady with a figure of Cupid standing on her right innovative western elements and ingenious Chinese craftsmanship. in front of leafy bushes, holding a basket of flowers in one hand and a pair of doves in the other, her head turned towards the gentleman The present lot in its form and decoration acknowledges inspirations beside her as he serenades her with his mandolin, all encircled by from several cultures including the Chinese interpretation of the Indian- a band of stylised lotus and Rococo-style leaf scrolls against a blue style lotus borders that emulates Rococo-type designs, together with a ground on the sloping sides of the cover and box, the interior of the distinct European subject matter, representing an exotic foreign culture. box and cover decorated in sepia with landscape scenes depicting The snuff box is therefore a representative artwork that bears witness European buildings on a rich yellow ground, the base with a four- to the integration of Asian and Western cultures in the imperial court. character kaishu mark. The imperial court’s fascination with European culture and hence its 7.6cm (3in) long depiction as decorative subject matter on various mediums is evident in many existing porcelain and works of art in the imperial collections HK$250,000 - 350,000 in Beijing and Taipei, ranging from clocks to snuff bottles, vases and US$32,000 - 45,000 other vessels of porcelain and glass.

清乾隆宮廷進貢銅胎畫琺瑯西洋人物圖鼻煙盒紅彩「乾隆年製」楷書款

Provenance 來源: According to the family, acquired by Hans Goldstein probably between 1948-1981 and thence by descent

據說此拍品由Hans Goldstein或於1948-1981年間購得，並由家族繼承

Published and Exhibited 出版: M.Gillingham, Chinese Painted Enamels, Ashmolean Museum, Oxford, 1975, Catalogue no.33A

26 | BONHAMS The usage of materials, forms, and techniques all reached new 在十八世紀，鼻煙在歐洲被視為具療效的奢侈品，明末清初由西方傳 heights of skill and design during the Qianlong reign. Painted enamel, 教士、大使和商人傳入中國，捲起鼻煙熱潮，鼻煙壺也成為風尚，迅 first introduced during the Kangxi reign by foreign missionaries, 速融入了中國的藝術風格。 became a defining art form of the Qianlong style, in quality, innovation and unsurpassed opulence. The actual painting on the present snuff 本盒無論從其裝飾紋飾以及器形均明顯展示了中西文化上的交流。盒 box was probably done by artists employed by private ateliers in 上所飾番蓮紋是吸收了印度佛教文化後在中國的應用，蓮花旁的葉紋 Guangzhou who were capable of producing intricately designed 也充滿了法國洛可可風格，而題材選用西洋人物，本器無疑是中西文 pieces combining Chinese and European elements. 化融合的結晶。

Compare related examples of painted enamel boxes and covers, 乾隆時期，中國的工藝在用料、造型、裝飾和技術上已發展至頂峰。 Qianlong marks and of the period, also applying a related composition 本器所運用的畫琺瑯工藝始於康熙年間，到了乾隆一朝發揚光大，相 of a Western scene encircled by Chinese elements, from the National 對於清宮造辦處畫琺瑯工藝較為注重傳統手法的宮廷樣式，本器上所 Palace Museum, Taipei, illustrated by Shi Jingfei, Radiant Luminance: 飾的西洋人物題材構圖繁密，線條奔放，色彩諧調，洋溢著西方畫 The Painted Enamelware of the Qing Imperial Court, Taipei, 2012, 風，相信是出自技藝高超的廣東畫琺瑯工匠之手。 pls.93, 94 and 104; and see also E.Rawski and J.Rawson, China: The Three Emperors, 1662-1795, London, 2005, pl.98. 類似於本器的畫琺瑯鼻煙盒非常少見，其他乾隆帶款飾西方題材的相關例子可參考國立故宮博物院的藏品，見《通嚏輕揚：鼻煙壺文化特展》，台北，2012年，圖版93、94及104；也對比E.Rawski and J.Rawson著，《China: The Three Emperors, 1662-1795》，圖版98。 14 A SUPERB LARGE GREY AND PALE YELLOW JADE CARVING OF A QILIN 17th century The recumbent beast carved with its legs tucked under its body and head turned backwards towards a book on its back, with a cloud vapour emanating between its gritted teeth, with further wisps of lingzhi-shaped clouds on its side and underside, finely detailed with scales on its legs and thighs, the back with a knobbed spine and carefully incised mane, the stone of a pale yellow-beige tone with black and grey inclusions. 15.2cm (6in) wide

HK$300,000 - 500,000 US$39,000 - 65,000

十七世紀灰玉雕麒麟擺件

Provenance 來源: Sotheby’s London, 15 February 1966, lot 247 Hans Goldstein collection and thence by descent

倫敦蘇富比，1966年2月15日，拍品247 Hans Goldstein舊藏，並由家族繼承

Published and Exhibited 出版及展覽: The Arts Council of Great Britain and The Oriental Ceramic Society, Loan Exhibition of the Animal in Chinese Art, London, 1968, Catalogue no.141 (label) J.Rawson and J.Ayers, Jade Throughout the Ages, Oriental Ceramic Society, London, 1975, Catalogue no.374 (illustrated) (label)

Two views

28 | BONHAMS The powerful yet benevolent carving of the qilin is particularly 此麒麟體態雄健，造型生動凜冽，以十七世紀玉器的用料和製作水平 rare not only for its impressive size and the superb craftsmanship 上而言，均讓人讚歎。此玉色澤和雕刻風格呈現清代早期之風，但也 demonstrated in its all round detailed carving, but also for the early 不能排除其為明晚期之作品。 depiction of this subject matter, more prevalent in later periods. The colour of the stone and style of the carving indicate an early Qing 麒麟主太平、長壽，有吉祥和幸福的象徵。據記載，伏羲、舜、孔子 dynasty dating, although a late Ming date cannot be ruled out. 等聖人都伴有麒麟出現，並帶來神的指示，最終指引勝利。本玉器雕有「麒麟吐玉書」之圖案，據說孔子誕生之前，有麒麟吐玉書於其家 The qilin represents a number of positive attributes including 院，故也有「麒麟送子」之說。 benevolence, longevity, grandeur, felicity, illustrious offspring and wise administration. It is considered a good omen as it is said to 其他十八世紀的相關例子，見《故宮博物院藏文物珍品大系：玉器 appear only during the reign of a benevolent ruler. However, the （下）》，香港，1995年，頁114，編號94（22厘米寬）；也見 particular symbolism represented by the mythical beast carrying R.Keverne編，《Jade》，倫敦，1995年，頁154，圖67（12.7厘米 books is based on a legend from the life of Confucius, when it was 寬），楊伯達先生在此書上也曾提過麒麟題材在玉器上非常少見。 said that neighbours saw a qilin delivering books made of jade at the time of his birth, and has since come to symbolise well-wishing; 另對比一件十七/十八世紀青白玉雕麒麟（16.5厘米寬），拍賣於紐約 another auspicious symbolism is conveyed by the pun lin tu yu shu 佳士得，2011年9月15日，拍品1030。 (‘May you give birth to an illustrious son’).

For several examples of similar subject matter but dated to the 18th century see: from the Palace Museum, Beijing, The Complete Collection of Treasures of the Palace Museum: Jadeware (III), Hong Kong, 1995, p.114, no.94 (22cm wide); and illustrated by R.Keverne, ed., Jade, London, 1995, p.154, fig.67 (12.7cm wide), where Yang Boda notes that ‘Kylin are rarely represented in jade’. Compare a related pale greenish-white jade carving of a qilin, 17th/18th century (16.5cm wide), sold at Christie’s New York, 15 September 2011, lot 1030.

ANOTHER PROPERTY 另一件藏品

15 A RARE GREYISH AND RUSSET JADE CARVING OF A QILIN The carving of the present lot is particularly rare with the mythical 17th/18th century beast carrying on its back a pearl emanating from a wisp of clouds, Crisply carved, its head turned sharply to the left, looking back at compared to the more familiar subject of qilin carrying books. the floating pearl amid ruyi-shaped puffs of cloud issuing from its The qilin represents a number of positive attributes including mouth, the horned beast with curling beard, tail and line-incised mane benevolence, longevity, grandeur, felicity, illustrious offspring and wise recumbent with its four legs tucked gracefully under the body, with administration. It is considered a good omen as it is said to appear flame-like motifs to the haunches, the stone of grey tone with minor only during the reign of a benevolent ruler. The pearl carried on top of russet inclusions, wood stand. the cloud scrolls could be associated with the pearl so often depicted 9.7cm (3 7/8in) long (2). pursued by dragons. The combined representation of the qilin and the pearl could therefore symbolise wise administration of the empire by HK$180,000 - 240,000 the virtuous ruler, the emperor. US$23,000 - 31,000 Compare a related white and russet jade carving of a qilin sold in our London rooms on 15 May 2014, lot 170. 十七/十八世紀灰玉雕麒麟擺件麒麟是仁慈和祥的象徵，主太平、長壽、吉祥。此拍品中的「麒麟吐珠」紋飾在玉器中非常少見，參考一件白玉帶皮雕麒麟例子，倫敦邦瀚斯，2014年5月15日，拍品170。

30 | BONHAMS 16 Detail Property from a Distinguished English Private Collection

英國顯赫私人收藏 LOTS 16 - 19

16 Y Ф A FINE AND RARE WHITE JADE CARVING OF A QILIN The present lot is a testament to the finest quality of jade workmanship Qianlong produced during the height of the Qing dynasty. The crisp treatment Attractively carved as a charming mythical beast with twin horns of the leaves and petals and on the finely incised thickly curling tail, reaching down its back, each towards a stylised lotus blossom issuing serves to highlight the smoothly carved and even-toned stone of the from a leafy stem gripped in its mouth, the front legs raised to show mythical beast’s body. the characteristic hooves, the back legs tucked underneath the body beside the thickly curling tail, the matched green-stained ivory stand The representation of the qilin is reflective of Qing taste and finely carved with foaming waves. sensibilities. Earlier representations of mythical beasts were commonly 13.3cm (5 1/4in) wide (2). exaggerated in their grotesque, fearsome and mysterious nature. J.Rawson in Chinese Jade from the Neolithic to the Qing, London, HK$400,000 - 600,000 1995, pp.349-357 notes that early jades carved as mythical creatures US$52,000 - 77,000 primarily resembled tomb sculpture in their powerful form and protective function; however, by the Qing dynasty, such jades were the prized possessions of scholars and officials, intended for sumptuous 清乾隆白玉雕麒麟銜芝擺件 display and discerning admiration. This shift can be seen in the present lot’s smiling expression, its nose carved in the form of a bat, and the Provenance 來源: almost coquettishly raised left foreleg. An English private collection The present piece is comparable to the finest found in imperial 英國私人收藏 collections: see two jade qilin carvings illustrated in The Complete Collection of Treasures of the Palace Museum, Jadeware (III), Hong Kong, 1995, nos.94 and 95.

A related pale green jade carving of a mythical beast from the Bernard Sunley collection was sold in our London rooms, 10 November 2011, lot 369.

此玉玉質溫厚，雙目炯炯有神，呈蓄勢待擊狀，長尾環曲，琢刻尤其細膩，整體雕工精湛，體現了清代玉器製造的全盛時期。

麒麟為清代常用題材之一。其他例子可參見《故宮博物院藏文物珍品大系：玉器（下）》，香港，1995年，編號94和95。Bernard Sunley 舊藏一件青玉雕瑞獸也可作比較，見倫敦邦瀚斯，2011年11月10日，拍品369。

32 | BONHAMS

17 A VERY FINE PALE GREEN JADE CARVING OF A FINGER CITRON Qianlong The fruit naturalistically carved with thick curling tendrils issuing from a gnarled stem with curling leaves and a smaller finger citron to one side, the interior deeply hollowed, the stone of a soft pale green tone with an attractive polish, wood stand. 16.2cm (6 3/8in) high (2).

HK$250,000 - 400,000 US$32,000 - 52,000

清乾隆青白玉雕佛手擺件

Provenance 來源: S.Marchant & Son Ltd., London An English private collection

倫敦古董商S.Marchant & Son Ltd. 英國私人收藏

The Chinese name for the fruit, 佛手 foshou, is also a pun meaning 「佛手」與「福壽」二字諧音，有增福添壽的寓意，也為清宮常見之福 fu ‘blessings’ or 福 fu ‘riches’, followed by 壽 shou ‘longevity’. In 題材。 addition, the finger citron fruit was thought to resemble the hand of Buddha, with its idealised, lotus-shaped ‘fingers’. This association 清宮舊藏一件玉佛手可作比較，見《故宮博物院藏品大系：玉器編9》 with Buddha, combined with its strong, pleasant fragrance, made it a ，北京，2011年，編號159；另見一例藏於倫敦維多利亞及阿爾伯 suitable altar offering to celebrate the New Year. 博物館，著錄於M.Wilson，《Chinese Jades》，倫敦，2004年，頁 52，編號51；再參考R.Keverne編，《Jade》，倫敦，1995年，頁 These numerous associations also made the fruit a popular subject 165，圖94；另一件十八世紀的例子藏於佛羅里達州大學Samuel P. matter for artists, and several examples can be found in important Harn藝術博物館，見C.Q.Mason著，《Spinach Green and Mutton-fat museum and private collections. An example from the Qing Court White: Chinese Jades of the Qing Dynasty (1644-1911)》，蓋恩斯維 Collection, is illustrated in Compendium of Collections in the Palace 爾，2006年，頁40。 Museum: Jade 9: Qing Dynasty, Beijing, 2011, no.159. Another pale green jade finger citron vase from the Victoria and Albert Museum, 另對比一件十七/十八世紀的玉雕佛手，參見R.Kleiner著，《Chinese London, is illustrated by M.Wilson, Chinese Jades, London, 2004, Jades from the Collection of Alan and Simone Hartman》，香港， p.52, no.51, where the author notes that such jade vases would have 1996年，圖版202，後來拍賣於香港佳士得，2006年11月28日，拍 been considered visually more attractive than the natural fruit, and 品1396。 that powdered incense would have been placed in the vase cavity to replicate the natural fragrance. A further example is illustrated by R.Keverne, ed., Jade, London, 1995, p.165, fig.94; and see another related example, 18th century, from the Samuel P. Harn Museum of Art, University of Florida, illustrated by C.Q.Mason in Spinach Green and Mutton-fat White: Chinese Jades of the Qing Dynasty (1644- 1911), Gainesville, Florida, 2006, p.40.

Compare also a related jade finger citron carving, 17th/18th century, illustrated by R.Kleiner in Chinese Jades from the Collection of Alan and Simone Hartman, Hong Kong, 1996, pl.202, later sold at Christie’s Hong Kong, 28 November 2006, lot 1396.

34 | BONHAMS FINE CHINESE CERAMICS AND WORKS OF ART | 35 18 A RARE LARGE PALE GREEN JADE BUDDHIST LION AND CUB CARVING 18th century The even-toned pale green stone skilfully carved as a recumbent Buddhist lion turning its head to the right, its large eyes framed by elegantly curling brows and the grinning mouth grasping the tassels of a large brocade ball balanced on its haunches, a playful cub lies on the lion’s back resting its head on the ball, its thick tail in three tufts raised over its knobbed spine. 15.5cm (6 1/8in) wide

HK$500,000 - 800,000 US$65,000 - 100,000

十八世紀青白玉雕太獅少獅擺件

Provenance 來源: Purchased from Mademoiselle Logé, 3 Rue Bourdaloue, Paris, 1913 Roger Keverne Ltd., London, 16 June 2006, no.95 An English private collection

1913年購自位於巴黎3 Rue Bourdaloue的Mademoiselle Logé 2006年6月16日購自倫敦古董商Roger Keverne Ltd.，編號95 英國私人收藏

Exhibited 展覽: Musée Cernuschi, Jades et Pierres Dures de la Chine, March 1927 Musée Cernuschi, Les Fleurs et Oiseaux dans l’Art Chinoise, April 1929

Carved from a large pale green stone, the piece maximises the 動物題材在清代玉雕極為盛行，常見有馬、象、瑞獸如麒麟或佛獅， craftsman’s possibilities for the high quality stone newly available in 本玉雕為其中一例。「大獅小獅」取「獅」與「師」之同音，寓「太 the 18th century from Khotan, resulting in an impressively weighty 師少師」之意，象徵官祿代代相傳之意。 sculpture that still retains a purity and playfulness to captivate the viewer. Large jade animal carvings represent some of the finest 相關例子可參考《故宮博物院藏文物珍品大系：玉器（II）》，上 jade products from the early Qing dynasty, leading to the heights 海，2008年，圖版161；另一例子可見R.Keverne編，《Jade》，倫 of achievement associated with the reign of the Qianlong emperor. 敦，1995年，頁163，圖90。再對比一件十八世紀例子，著錄於《閣 Animals including horses and elephants were popular; true also for 有天珍: 中國文房玉雕》，香港，2008年，圖版104。Bernard Sunley mythical beasts such as the qilin or the Buddhist lions as in the present 舊藏有一件十八世紀的例子，拍賣於倫敦邦瀚斯，2013年5月16日， lot, with the latter group arguably being the rarest. 拍品125。

The depiction here of a parent and cub, amusingly toying with a brocade ball, evokes thoughts of family strength and longevity (particularly associated with the long ribbons tied to the ball). In addition, the image of a smaller and a larger Buddhist lion, dashi xiaoshi 大獅小獅, resembles and forms the pun taishi shaoshi 太師少師, which literally translates as ‘May you and your descendant achieve high rank’.

Related jade carvings can be found in important museum and private collections. Compare a pale green and russet jade group of a Buddhist lion and two cubs playing with a brocade ball, Qing dynasty, illustrated in The Complete Collection of Treasures of the Palace Museum: Jadeware (II), Shanghai, 2008, pl.161. Another slightly larger carving of a single lion, is illustrated by R.Keverne, ed., Jade, London, 1995, p.163, fig.90. See also a slightly larger white jade Buddhist lion and cub group, 18th century, illustrated in Virtuous Treasures: Chinese Jades for the Scholar’s Table, Hong Kong, 2008, pl.104.

A rare and large pale green jade carving of a Buddhist lion, 18th century, from the Bernard Sunley collection, sold in our London rooms, 16 May 2013, lot 125.

36 | BONHAMS FINE CHINESE CERAMICS AND WORKS OF ART | 37 19 A RARE AND FINE VERY PALE GREEN JADE BOWL Qianlong Carved with a slightly flaring rim and a shallow recessed base, the smooth plain sides contrasting with a crisply carved chi dragon curling its body amidst leafy tendrils on the centre of the interior, the attractive stone of an even pale tone, wood stand. 11.6cm (4 1/2in) diam. (2).

HK$400,000 - 600,000 US$52,000 - 77,000

清乾隆青白玉雕螭龍穿花紋碗

Provenance 來源: Baron Fould-Springer, Royaumont Abbatial Palace, France S.Marchant & Son Ltd., London An English private collection

法國皇宮Royaumont Abbatial Palace的Fould-Springer男爵舊藏倫敦古董商S.Marchant & Son Ltd. 英國私人收藏

38 | BONHAMS The style and quality of the present lot embodies much of the A related dish with similarly crisp treatment of the relief carving, but celebrated 18th century jade production under the Qianlong emperor. with shallower sides of lobed petal-form, is illustrated in Compendium The stone itself is very well-polished and of remarkably even tone, of Collections in the Palace Museum: Jade 8: Qing Dynasty, Beijing, deliberately celebrated by the carver through the smooth walls of 2011, no.183. See also a similar bowl or brushwasher with a double even thickness, and the unusual gently recessed base. The deep relief fish medallion in the well, illustrated by R.Kleiner in Chinese Jades carving to the interior provides a pleasing contrast, and this carving from the Collection of Alan and Simone Hartman, Hong Kong, 1996 with its interwoven layers of leaves above and around the dragon, no.103, p.124. demonstrates the technical virtuosity of the master carver. 白玉略偏青，玉質純淨，碗敞口，斜壁，臥足。外壁光素無紋，碗內 The technique of contrasting smoother areas with crisp relief carving 底浮雕螭龍穿花紋，與腹壁光素形成鮮明對比，頗具匠心。 was particularly favoured for the larger, often ring-handled, vessels known as ‘marriage’ bowls, such as the magnificent example sold 此類以腹壁光素、內底雕花之裝飾手法在玉洗上較為多見，然此器玲 in our London rooms on 16 May 2013, lot 143. The present piece is 瓏雅趣，其尺寸正適用於雙手捧握，甚為雅緻精巧。參看倫敦邦瀚斯 carved very much in a similar vein, however it is unusual in its more 曾售出一玉雕洗，採用類似裝飾手法，2013年5月16日，編號143。 intimate size which fits perfectly in two cupped hands. The rounded 另見北京故宮藏一例菱形洗，《故宮博物院藏品大系，清代玉器8 flaring rim invites the holder to look deeper inside the vessel, giving the 》，北京，2011年，編號183。另有底部雕雙魚者，見R.Kleiner， impression that the bowl is a personalised possession for an important 《Chinese Jades from the Collection of Alan and Simone Hartman》 individual. ，香港，1996年，編號103，頁124。

THE PROPERTY OF AN ENGLISH FAMILY 英國家族藏品

20 A MAGNIFICENT WHITE JADE DOUBLE-SIDED CIRCULAR Compare a very similarly carved white jade circular screen, Qianlong, SCREEN illustrated in Christie’s 20 Years in Hong Kong, 2006, p.370, sold at Qianlong Christie’s Hong Kong, 1 December 2010, lot 3006. See also a white Crisply carved on one side with a mountain landscape, featuring a jade circular screen, Qianlong, from the Fogg Art Museum, Cambridge, pavilion with two boys playing a musical stone within the terraced Massachusetts, similarly carved with two boys ringing a musical stone, ground, a scholar accompanied by an attendant approaches the steps illustrated by R.Kleiner, Chinese Jades from the Collection of Alan and leading upwards from the side, two further scholars, one with a peony Simone Hartman, Hong Kong, 1996, pp.152-153, no.123 (top image, branch and one holding a ruyi sceptre, accompanied by a boy with a one of a pair) and later sold at Christie’s Hong Kong, 27 November peach branch, standing on a rocky landing, all amidst rocks and pine 2007, lot 1511. trees, the reverse with a stag and doe in a mountain landscape with a crane perched on one leg and another in flight, the white stone with a See also a pale green jade circular screen, Qianlong mark and of the small area of attractive russet inclusions, wood stand. period, from the Palace Museum, Beijing, illustrated in Noble Virtuosity: 22cm (8 5/8in) diam. (2). Imperial Jades of the Qing Dynasty from the Palace Museum, Macau, 2012, pl.40, similarly carved with a stag and doe. For another HK$1,000,000 - 1,500,000 white jade circular screen from the Musée National du Château de US$130,000 - 190,000 Fontainenbleau (inv.no. F 1478 C), see M.Crick, Chine Impériale: Splendeurs de la Dynasties Qing (1644-1911), Geneva, 2014, pp.152- 153. 清乾隆白玉雕松鶴福祿壽圖硯屏

白玉泛青，質潤色勻，部份帶有皮色。屏為圓形，正面雕仙山亭台樓 Provenance 來源: 閣，福、祿、壽三壽星分別手持靈芝、如意及桃枝行走山間，身後小 An English private collection and thence by descent 童跟隨，亭台前有兩小童，一童子手持靈芝，另一童子回首擊磬。屏反面雕松鶴雙鹿圖，寓意長壽吉祥。英國私人舊藏，後由家族繼承

雕刻此類圓形硯屏對玉雕工匠的技藝及選材均有極高的要求，工匠需 Circular screens such as the present lot are amongst the most 要選用大塊玉質上乘的玉料進行雕琢，此類玉料極其珍貴。此件圓形 prestigious form of jade carvings, requiring an exceptionally large 硯屏玉質柔潤，用料講究，厚度達1厘米，使得玉匠雕刻得以深淺自 and nearly flawless raw jade boulder for its production. The thick 如，將工藝發揮得淋漓盡致。 jade disc, up to 1cm at the edge, allowed the carving on both sides to be unusually deep, with the varying depths allowing the natural 此類硯屏為清代宮廷文房陳設，具有類似繪畫的視覺效果，乾隆帝尤 translucency of the stone to shine through. The crispness of the details 其寵愛此類具有「畫意」的玉器，清宮檔案中也曾有記載乾隆帝命宮 contrasts with the smooth areas of the rocky cliffs, perhaps reflecting 廷造玉作坊工匠按照宮廷繪畫對玉器進行雕刻，見楊伯達，「北京故 both the meticulous order and the expansive imagination of the ideal 宮清宮舊藏乾隆玉器」，刊於《Arts of Asia》，1992年3-4月。 scholar’s mind.

參見一例極為相似的清乾隆白玉雕圓形硯屏，著錄於《香港佳士得 The Qianlong emperor is recorded as having commissioned jade 20年》，2006年，頁370，後於香港佳士得售出，2010年12月1日， screens to be carved based on paintings from the classical canon. 編號3006。另見福格藝術博物館舊藏一例，與本拍品類似，著錄於 A number of classical paintings from the emperor’s own collection R.Kleiner，《Chinese Jades from the Collection of Alan and Simone were ordered to be reproduced in jades such as the painting entitled Hartman》，香港，1996年，編號123，後於香港佳士得售出，2007 Travellers in the Mountain, by Guan Tong of the Five Dynasties period. 年11月27日，編號1511。 The Qianlong emperor’s appreciation of jade ‘landscape’ screens is demonstrated in one of his poems, as discussed in an essay by Yang 北京故宮博物院藏一件類似的乾隆圓形硯屏，見《君子比德：故宮 Boda, Arts of Asia, ‘Jade: Emperor Ch’ien Lung’s Collection in the 珍藏清代玉器精品集》，澳門，2012年，圖版40。另見國立楓丹白 Palace Museum, Peking’, March-April 1992, which may be translated 露宮博物館藏一件白玉雕圓形硯屏（博物館編號F1478C），著錄於 as follows: M.Crick，《Chine Impériale: Splendeurs de la Dynasties Qing (1644-

1911)》，鮑氏基金，日內瓦，2014年，頁152-153。 ‘This piece of precious jade slab is from Khotan. It is unsuitable for making vessels such as the dragon hu and animal Lei. In order to fully utilise it, it is carved into a panel with the scene of “A Riverside City on a Spring Morning”. Imagination is exerted to turn the natural undulation or ruggedness into an appropriate landscape... It takes ten days to carve with a tiny bit of water and five days to shape a piece of ock.r The crafting is indeed very time-consuming’.

Such scenes of scholars and attendants dwarfed by vast mountain landscapes reflect the ideal of a peaceful retirement from public service at the end of a successful career: a dreamlike desire perhaps even more remote from the lifelong service of the emperor. The reverse of the present lot echoes the front in its depiction of remote pines and rocks, whilst the cranes and the stag and doe represent wishes for longevity, and the latter also marital bliss.

40 | BONHAMS Detail Two views

42 | BONHAMS FINE CHINESE CERAMICS AND WORKS OF ART | 43 21 Panoramic detail

Chen Rong, Nine Dragons (detail); image courtesy of the Museum of Fine Arts, Boston 陳容，《九龍圖卷》（局部），美國波士頓博物館藏

VARIOUS OWNERS 各方藏家

21 A SUPERB BAMBOO ‘DRAGON’ BRUSHPOT, BITONG The style developed under the Qianlong emperor’s direction is Qianlong recognisable for its opulence combined with precision of knifework. Superbly decorated around the exterior with a continuous scene of The present brushpot displays a high level of craftsmanship with the a large powerful scaly five-clawed dragon, detailed with a snarling, sharply precise and vigorous carving of the dragon. A great sense fierce expression, its body and tail half emerging from the crested and of depth is also emphasised by the varying degrees of carved relief tumultuous waves carved in various degrees of relief, with later silver used to depict the forceful rolling waves. It is extremely rare to find mount to the rims. a bamboo brushpot of such unrivalled quality. However, this special 15cm (5 7/8in) high genre does exist in other mediums. For an example of a porcelain brushpot painted with a dragon and inscribed with a poem in sepia HK$200,000 - 300,000 enamel, signed by Tang Ying (1682-1756), the supervisor of the US$26,000 - 39,000 imperial kiln during the Yongzheng and Qianlong periods, see P.Y.Lam, ed., Elegant Vessels for the Lofty Pavilion: the Zande Lou Gift of Porcelain with Studio Marks, Hong Kong, 1993, pl.14. 清乾隆竹雕海水龍紋筆筒

The present lot is exceptionally rare for its rendering in the bamboo 龍是中國書畫傳統中典型的題材。著名以墨龍入畫的畫家有宋代陳容 medium of the theme inspired by the celebrated Southern Song （活躍於1235-1258年），號所翁，福建長樂人。他擅詩文，善用水 painting Nine Dragons by the prominent poet, calligrapher and 墨，以畫龍名重一時，現藏於美國波士頓博物館的《九龍圖卷》便 artist Chen Rong (active 1235-1258), which is now preserved in the 是一例，見T.Wu著，《Tales from the Land of Dragons:1000 years of Museum of Fine Arts, Boston (accession number 17.1697), and is Chinese painting》，波士頓，1997年，頁197至201。後來多見此題 illustrated by T.Wu, Tales from the Land of Dragons: 1000 Years of 材出現在瓷器、鼻煙壺、其他畫作等，但是以竹雕為材料的例子甚為 Chinese Painting, Boston, 1997, pp.197-201. 少見，此筆筒為難得一件的上乘之作。

The Qianlong emperor recorded his personal admiration for Chen’s 此器所表現出的刀法精密細膩，線條婉轉流暢，富有豐富的層次，完 painting of the Nine Dragons hand scroll by adding an inscription and 美地體現了乾隆一朝達至頂峰的藝術成就。眾所周知，乾隆皇帝十分 several imperial seals. Apart from praising Chen Rong’s painting, he 欣賞陳容的《九龍圖卷》，除了卷上有乾隆帝的題跋及璽印，他也命 also ordered a court painter to produce a copy of the hand scroll. 宮廷畫師仿製此畫，因此本器很有可能出自宮廷工匠之手，為乾隆帝 Given the emperor’s esteem for the artist as well as the five-clawed 之用。 dragon as an imperial symbol, it is very likely that the brushpot would have been made for the imperial court, and possibly for the personal 此一構圖也有繪於其他器物之上，如著名清代督陶官唐英（1682- use of the emperor. 1756年）監製的墨彩龍紋筆筒便是一例，現為香港中文大學文物館藏品，見林業強編，《臺閣佳器：暫得樓捐贈堂名款瓷器》，香港，1993年，圖版14。

46 | BONHAMS

22 A RARE CINNABAR LACQUER ‘BASKETWEAVE’ SQUARE BOX, 此類雕有藤編紋漆盒在明代中晚期十分盛行，其中以彩繪描金和嵌螺 TRAY AND COVER 鈿工藝最常見。此拍品以雕漆工藝為主，蓋面上花鳥紋之雕刻技藝精 Late Ming Dynasty, early 17th century 細，為傳世品中較為少見的珍品。參考一件非常相似的例子，現藏 The quatrelobed box and cover each with four panels of gilt 於美國紐約大都會博物館，見J.C.Y.Watt和B.B.Ford著，《East Asian basketweave set within the red lacquer trefoil ground, the cover with a Lacquer: The Florence and Herbert Irving Collection》，紐約，1991 square lacquer panel on the top carved with a pair of birds perched on 年，編號64。 blossoming magnolia branches, the interior containing a square black lacquer tray set with a recessed red lacquer dish shaped as a lobed 美國克里夫蘭美術館藏也有一件雕藤編紋的漆盒例子，落有1609紀年 chrysanthemum. 年款，見J.C.Y.Watts著，《The Sumptuous Basket: Chinese Lacquer 14.5cm (5 3/4in) wide (3). with Basketry Panels》，紐約，1985年，編號29。其他相關例子可參閱沐文堂之藏品，見關善明著，《中國漆藝》，香港，2010年，圖版85至95。 HK$450,000 - 600,000 US$58,000 - 77,000

明十七世紀早期剔紅描金編竹花卉紋委角方盒，內藏蓮瓣式托盤

Basketry of this type was popular during the mid to late Ming dynasty and are usually seen with polychrome, gold painting, or mother-of- pearl inlay. The present lot with carved lacquer, however, is one of the rarer examples, executed with meticulous care and attention to detail, particularly evident in the treatment of the birds and magnolia branches. Compare a very similar example from the Metropolitan Museum of Art, New York, illustrated by J.C.Y.Watt and B.B.Ford, East Asian Lacquer: The Florence and Herbert Irving Collection, New York, 1991, no.64.

Compare another similar lacquer box and cover with basketweave panels in the Cleveland Museum of Art which is dated to 1609, illustrated by J.C.Y.Watts, The Sumptuous Basket: Chinese Lacquer with Basketry Panels, New York, 1985, no.29.

Other related examples of lacquer basketweave boxes and covers, from the Muwen Tang Collection, are illustrated by S.Kwan, Chinese Lacquer, Hong Kong, 2010, pls.85-95.

48 | BONHAMS

23 A RARE LARGE CINNABAR LACQUER ‘HUNDRED BOYS, XIWANGMU AND DAOIST IMMORTALS’ BOX AND COVER Late Ming Dynasty The top of the domed cover carved with a circular panel featuring the Queen Mother of the West with her attendant descending on a phoenix to greet four of the Eight Immortals, Zhang Guolao, Zhongli Quan, Li Tieguai and Cao Guojiu, the body further decorated with a two tiered landscape scene of boys engaging in leisurely activities, augmented by two bands of archaic chi dragon scrolls at the rim, all raised above a flaring lotus lappet foot, box. 28.5cm (11 1/4in) wide (3).

HK$450,000 - 600,000 US$58,000 - 77,000

明晚期剔紅雕漆「西王母群仙祝壽」圖蓋盒

Provenance 來源: An American private collection acquired from Rare Art, New York in the late 1980’s Image courtesy of the Palace Museum, Beijing 北京故宮博物院藏美國私人收藏，於1980年代晚期購自紐約古董商Rare Art

50 | BONHAMS Compare a related octagonal lobed lacquer box and cover from 清宮舊藏一件明晚期剔紅八仙圖葵瓣式盒可資比較，見《故宮博物院 the Qing Court Collection, with similar angular archaistic dragon 藏文物珍品全集：元明漆器》，香港，2006年，頁252至253，編號 scrolls at the rim, foot with lotus lappets, and also decorated with 200。 Daoist Immortals, illustrated in Lacquer Wares of the Yuan and Ming Dynasties. The Complete Collection of Treasures of the Palace 此漆盒或原為一對，盒上雕八仙人物包括張果老、鍾離權、李鐵拐和 Museum, Hong Kong, 2006, pp.252-253, no.200. 曹國舅為西王母祝壽，相信八仙中的其餘四位神仙（藍采和、何仙姑、韓湘子及呂洞賓）雕刻在另一件漆盒上。此類漆盒有祝壽之意， The present lot would have been one of a pair, and the accompanying 也有多子多福，子孫綿延的吉祥象徵。 box and cover would have been carved with the same decorative bands to the rims and foot, but would feature Shoulao with a deer and the other four Daoist Immortals (Lan Caihe, He Xiangu, Han Xiangzi and Lu Dongbin) on the top. Such boxes were meant to be auspicious vessels for offerings, wishing the illustrious recipient long life and plentiful offspring, which in the imperial context would have been understood to wish the emperor long life and continuity of the dynasty.

The Collection of the National Palace Museum, Taipei Image courtesy of the Palace Museum, Beijing 台北國立故宮博物院藏北京故宮博物院藏

24 A VERY RARE IMPERIAL PORCELAIN SIMULATED-CINNABAR- LACQUER TRIPOD INCENSE BURNER Qianlong seal mark and of the period The globular body supported on three short bulbous legs, with a pair of upright curling handles at the sides, elaborately moulded all over with various geometric and floral lattice patterns in imitation of cinnabar lacquer, the underside with a chrysanthemum-shaped medallion, carved with a six-character Qianlong zhuanshu mark in a line below the rim, the interior covered with turquoise enamel, with a later Japanese silver cover decorated with bamboo, box. 14.8cm (5 7/8in) wide (3).

HK$400,000 - 600,000 US$52,000 - 77,000

清乾隆仿雕漆釉錦地三足爐描金「大清乾隆年製」篆書款

A great lover of the arts, the Qianlong emperor’s reign saw an The present lot closely imitates imperial cinnabar lacquer incense application of creative ingenuity combined with high technical burners, such as the one from the Qing Court Collection, Qianlong capabilities in porcelain production to playfully recreate objects of seal mark and of the period, illustrated as part of a garniture in The other media, like hardstones, bronze, cloisonné enamel, wood and Complete Collection of Treasures of the Palace Museum: Lacquer lacquer, as exemplified by this lot. These ‘simulated’ wares reflect the Wares of the Qing Dynasty, Shanghai, 2006, no.25; and the one emperor’s penchant for interesting, innovative and luxurious pieces, illustrated by Lin Manli, Carving the Subtle Radiance of Colors: and the playful pleasure in admiring these unusual artefacts. Treasured Lacquerware in the National Palace Museum, Taipei, 1997, pl.147. Other examples of Qianlong period porcelain imitating cinnabar lacquer are found in museum collections, including a bowl with a similar floral 乾隆時期正是清代社會發展的頂峰時期，製瓷業也因此步向了創造性 diaper ground from the Qing Court Collection in the Palace Museum 的階段，再加上乾隆帝愛好藝術，刺激了製瓷藝術的創新，從而出現 Beijing, illustrated in China’s Jingdezhen Porcelain Through the Ages, 了一些新穎、奇巧、造型千姿百態的革新品種，本器便是一例，其造 Qing Dynasty, Beijing, 1998, no.242. Compare also with a bowl and 型端莊規整，製作精緻，在素器上先雕出錦地，再施釉燒成，器型和 cover in the National Palace Museum, Taipei, illustrated in Empty 釉色十分逼真，絕對是一件令人愛不釋手的珍品。 Vessels, Replenished Minds: The Culture, Practice, and Art of Tea, Taipei, 2000, p.161, no.139. Another bowl simulating cinnabar lacquer, 傳世品中的仿雕漆作品並不多見，故宮博物院清宮舊藏一件清乾隆仿 with a shou medallion on a lozenge diaper ground and a key-fret band 紅雕漆碗，見《中國歷代景德鎮瓷器》，北京，1998年，編號242； below the mouth rim, Qianlong, is in the Nanjing Museum, illustrated in 國立故宮博物院也藏一件乾隆仿雕漆紅釉銀裡蓋碗，見《也可以清 The Official Kiln Porcelain of the Chinese Qing Dynasty, Nanjing, 2003, 心：茶器·茶事·茶畫》，台北，2000年，頁161，編號139。再參考 no.308. See also a porcelain model simulating a cinnabar lacquer 南京博物院藏一件乾隆仿雕漆紅釉萬壽紋碗，著錄於《中國清代官 sundial, also with diaper grounds on the exterior, Qianlong mark and 窯瓷器》，南京，2003年，編號308。更多例子請參見J.Ayers著， period, illustrated by J.Ayers, Chinese Ceramics in the Baur Collection, 《Chinese Ceramics in the Baur Collection，Vol.2》，日內瓦，1999 Vol.2, Geneva, 1999, p.142, no.250; and see a simulated cinnabar 年，頁142，編號250；和耿寶昌著《明清瓷器鑑定》，北京，1993 lacquer lobed tray, Qianlong, illustrated by Geng Baocheng, Ming Qing 年，頁285，圖492。 ciqi jianding, Beijing, 1993, p.285, fig.492. 此爐模仿的剔紅香爐，可參考清宮舊藏一件清乾隆漆器例子，見《故宮博物院藏文物珍品全集：清代漆器》，上海，2006年，編號25；也見《和光剔采:故宮藏漆》，台北，1997年，圖版147。

52 | BONHAMS

25 A LANGYAO BALUSTER VASE Kangxi With a high shouldered body tapering towards a spreading foot, covered all over with a deep luxuriant red glaze thinning to pale red and beige around the shoulders, cylindrical neck, and slightly flaring mouthrim, the base covered with a crackled translucent glaze. 41.6cm (16 3/8in) high

HK$200,000 - 300,000 US$26,000 - 39,000

清康熙郎窯紅釉觀音樽

Copper-red glaze is frequently regarded as one of the most challenging to fire successfully. Applying the right thickness of glaze, regulating the right temperature during and after the firing process and determining the appropriate amount of firing time was paramount to achieving rich red vibrant tones. The revival of copper-red which was successfully produced during the Ming dynasty, is largely attributed to Lang Tingji, director of the Jingdezhen official kilns between 1705-1712. The term ‘Langyao’ is largely believed to be derived from his name: see N.Wood, Chinese Glazes: Their Origins, Chemistry, and Recreation, London, 1999, p.181.

郎窯紅釉對燒造過程中的氣氛、溫度等技術要求非常高，燒製難度極高，可見此器之珍貴。有關「郎窯」一詞的出處，可參閱N.Wood 著，《Chinese Glazes: Their Origins, Chemistry, and Recreation》，倫敦，1999年，頁181。

26 A RARE LONGQUAN GREEN-GLAZED RETICULATED GARDEN SEAT 15th century Of barrel-form with a convex top incised with a diamond diaper pattern, decorated around the body with a wide reticulated band of a pair of Buddhist lions, each grasping a ribbon issuing from a brocade ball and interspersed by large plantain and peony sprays, all between bands of key-frets, raised floral bosses, floral and concentric scroll bands, all covered in an olive green glaze, box. 42.5cm (16 1/2in) high (2).

HK$250,000 - 350,000 US$32,000 - 45,000

十五世紀龍泉窯青釉刻花鏤空獅子繡球鼓墩

A Longquan garden seat with similar reticulated decoration, second half 15th century, is illustrated by J.Ayers and R.Krahl, Chinese Ceramics in the Topkapi Saray Museum Istanbul. Vol.1, London, 1986, p.374, no.546. Another example is illustrated by A.Ridho, The World’s Great Collections. Oriental Ceramics. Vol.3. Museum Pusat, Jakarta, Tokyo, 1982, pl.160.

See also a similar example sold at Christie’s Hong Kong, 29 May 2007, lot 1473.

可參考一件十五世紀帶有相似鏤空紋飾的龍泉窯座墩，見J. Ayers and R.Krahl著，《Chinese Ceramics in the Topkapi Saray Museum Istanbul》，第一冊，倫敦，1986年，頁374，編號546。另見 A.Ridho著，《The World’s Great Collections. Oriental Ceramics. Vol.3. Museum Pusat, Jakarta》，東京，1982年，圖版160；再參考一例拍 25 賣於香港佳士得，2007年5月29日，拍品1473。

54 | BONHAMS 26

FINE CHINESE CERAMICS AND WORKS OF ART | 55 The Property of a Lady 女士藏品

A rare large blue and white ‘floral scroll’ dish Yongle 明永樂青花纏枝花卉紋大盤

27 A RARE LARGE BLUE AND WHITE ‘FLORAL SCROLL’ DISH Yongle With rounded sides supported on a tapered low foot rising to a slightly flaring rim, the interior exquisitely decorated with a central medallion enclosing interlocking floral scrolls bearing camellia and peony blossoms and buds, encircled with a composite floral scroll bearing eleven evenly-spaced flowers, the rim with a band of braking and crashing waves, the exterior similarly painted with a composite floral scroll. 40.5cm (16in) diam.

HK$2,500,000 - 4,000,000 US$320,000 - 520,000

明永樂青花纏枝花卉紋大盤

Provenance 來源: Henry M. Knight Collection (d.1971) A European private collection

亨利·奈特收藏 (於1971年過世) 歐洲私人收藏

Exhibited 展覽: Groninger Museum, Groningen, on loan circa 1995-2005

約1995至2005年間借展於荷蘭格羅寧根博物館

The Sir Percival David Collection; © The Trustees of the British Museum 大英博物館大衛德基金藏

58 | BONHAMS FINE CHINESE CERAMICS AND WORKS OF ART | 59 The present lot is one of a group of dishes produced with composite 盤折沿，弧壁，圈足，砂底。盤心繪纏枝牡丹紋，內壁繪纏枝花卉 floral scrolls, which can be dated to the Yongle period: one example 紋，口沿飾海水浪花。外壁繪纏枝蓮花、菊花紋共十一組。盤造型規 was excavated from the Yongle strata at Dongmentou, Zhushan, in 整，青花發色純正，紋飾佈局層次分明，繪畫筆意流暢。 1994 and published by the Chang Foundation, Imperial Hongwu and Yongle Porcelain excavated at Jingdezhen, Taipei, 1996, p.152, no.44. 此盤為明代永樂一朝所燒製青花纏枝花卉紋折沿大盤中的典型一例，類似之器曾於景德鎮東門頭珠山御窯廠遺址永樂底層出土，見鴻禧 Large serving dishes of broad, flat form were developed during the 美術館，《景德鎮出土明初官窯瓷器》，台北，1996年，頁152，圖 Yuan period, and their production continued in the early Ming. They 44。 appealed not only to the domestic Chinese market, but were also exported to the Middle East. The international demand for such pieces 明成祖朱棣在位期間，由於政治經濟穩定發展，製瓷工藝也在繼承元 brought the financial benefits of trade and also established the Yongle 代的基礎上有所進步和創新。明初此類大盤除為宮廷燒造使用外，亦 emperor’s authority and status as the legitimate ruler of China. The 專門燒製並通過朝貢貿易回贈給西亞人，這在一方面為增長了經濟發 elegant scrolling blue and white painting style became an inspiration 展，另一方面又通過貿易鞏固了明政府的統治地位。永樂一朝青花 for many potters locally and in foreign lands, with the result that such 大多使用進口鈷料，俗稱「蘇麻離青」，這種進口青料與國產青料 dishes have been described as ‘the world’s first truly global product’: 不同，含鐵較高而含錳較低，呈色濃艷，釉面會呈現自然形成的結 see C.Clunas and J.Harrison-Hall, Ming: 50 Years That Changed 晶斑點並有錫光，所繪紋飾會有暈散的現象。此類纏枝花卉紋青花 China, London, 2014, p.289, fig.257. 盤因其紋飾秀麗而得名於天下，並曾西方被形容為「天下第一之全球性產品」，見C. Clunas 與 J. Harrison-Hall著，《Ming: 50 Years That Such dishes with vivid painted cobalt blue under a clear glaze were Changed China》，倫敦，2014年，圖257。 popular and revered during the Yuan and Ming periods, with extensive examples preserved in royal collections of the Safavids in Iran, 中亞各古國皇室舊藏中亦可見類似的元、明兩朝所燒製的類似的青 Mughals in India and the Ottomans in Turkey. See an example with 花大盤，包括伊朗的薩菲王朝、印度的莫臥兒王朝以及土耳其的奧 inscribed devanagari inscription at the base indicating the name of 斯曼帝國。參看一例底部用天城文刻有莫臥兒帝國皇帝沙賈汗名字 the Emperor Shah Jahan, correspondingly dated to 1632, published 以及1632年紀年的青花大盤，見P.Hardie，「China’s Ceramic Trade by P.Hardie, ‘China’s Ceramic Trade with India’, Transactions of the with India」，於《Transactions of the Oriental Ceramic Society》，倫 Oriental Ceramic Society, London, 1983-84, vol.48, p.19, pls.3 and 敦，1983-84年，卷48，頁19，圖3，4。 4; and also see another dish dated to the early 15th century in the Archaeological Museum, Tehran, illustrated by J.A.Pope, Chinese 世界各地博物館中亦有相似之例可資參考，見德黑蘭考古博物館藏一 Porcelains from the Ardebil Shrine, Cambridge, 1981, pl.34, no.29.88. 件15世紀青花大盤，著錄於J.A.Pope，《Chinese Porcelains from the Ardebil Shrine》，劍橋，1981年，圖版34，編號29.88，另見鮑氏舊 Other examples can be found in important museum collections: see 藏一件15世紀大盤（編號A140），J.Ayers著，《Chinese Ceramics one such dish, early 15th century, illustrated by J.Ayers, Chinese in the Baur Collection》，卷1，日內瓦，1999年，頁112，圖61 Ceramics in the Baur Collection, Vol.I, Geneva, 1999, p.112, no.61; a 。英國大衛德基金亦藏一件15世紀大盤可資參考，見M.Medley， similar example, early 15th century, in the Percival David Foundation 《Illustrated Catalogue of Underglaze Blue and Copper Red of Chinese Art is described by M.Medley, Illustrated Catalogue of Decorated Porcelains》，倫敦，1976年，編號A663。另見Lenora Underglaze Blue and Copper Red Decorated Porcelains, London, 及Walter F.Brown舊藏，現藏於聖安東尼奧博物館的一件永樂青花 1976, no.A663; see also another dish of identical size and design, 纏枝紋大盤，其尺寸及紋飾與本拍品如出一轍，見M.Blackwelder及 illustrated by M.Blackwelder and J.E.Vollmer, At the Edge of the Sky. J.E.Vollmer，《At the Edge of the Sky. Asian Art in the Collection of Asian Art in the Collection of the San Antonio Museum of Art, San the San Antonio Museum of Art》，聖安東尼奧，2009年，頁92-93 Antonio, 2009, pp.92-93, pl.35; and another very similar example is in ，圖版35；。芝加哥藝術博物館藏一件曾由Russell Tyson從Bluett & the Art Institute of Chicago, museum ref.1954.463. Sons收購並捐贈的青花大盤亦可作比較，編號1954.463。

For comparable examples of such dishes in important private 除博物館外，私人收藏之類似傳世品可見繭山順吉編，《繭山龍泉 collections: see J.Mayuyama, Mayuyama, Seventy Years, Vol.1, 堂70年》，卷1，東京，1976年，編號756，另R.Krahl著，《玫茵 Tokyo, 1976, no.756; and also another illustrated by R.Krahl, Chinese 堂藏中國陶瓷》，卷2，頁52，53，編號664。另見趙從衍舊藏一 Ceramics from the Meiyintang Collection, vol.II, pp.52 and 53, no.664. 例，《Ming and Ch’ing Porcelain from the Collection of the T.Y.Chao Compare also another in the T.Y.Chao collection, illustrated in Ming Family Foundation》，香港，1978年，圖5。 and Ch’ing Porcelain from the Collection of the T.Y.Chao Family Foundation, Hong Kong, 1978, no.5 拍賣會中之類似器物，可見倫敦佳士得1996年6月10日售出一例，編號73，後於香港蘇富比於2012年4月4日售出，編號3152。另見香 A similar dish sold at Sotheby’s Hong Kong, 4 April 2012, lot 3152. 港佳士得1994年10月31日售出一例，編號548，後又於紐約佳士得 2005年9月20日售出，編號254，最後第三度由紐約蘇富比於2007年 3月19日售出，編號751。亦可見香港蘇富比2005年10月23日售出一例，編號335。

60 | BONHAMS 117

FINE CHINESE CERAMICS AND WORKS OF ART | 61 VARIOUS OWNERS 各方藏家

28 A ‘MING-STYLE’ BLUE AND WHITE MOONFLASK, BIANHU The present lot is an example of 18th century wares modelled after 18th century blue and white moonflasks from the Yongle period. Compare the form The flattened circular body boldly decorated on each side in deep with a Yongle period moonflask, decorated with lychees, illustrated by cobalt blue with a leafy fruiting branch of peaches, below a band of J.Harrison-Hall, Ming Ceramics in the British Museum, London, 2001, pendent leaves at the shoulder, with scroll-form curved handles at the p.109, no.3:20. These Ming dynasty prototypes were in turn modelled cylindrical neck, box. after Central Asian or Persian metallic flasks which first entered China 19cm (7 1/2in) high (2). in the Tang period. With painted dots to simulate the early Ming ‘heap and pile’ effect, the current lot’s peach decoration was also executed HK$100,000 - 150,000 to imitate those found on Ming period pieces. US$13,000 - 19,000 本器為十八世紀清代模仿明永樂青花作品之典型一例。可參考倫敦大英博物館藏一明永樂例子，見J.Harrison-Hall著，《Ming Ceramics in 十八世紀仿明式青花桃紋雙耳扁壺 the British Museum》，倫敦，2001年，頁109，編號3:20。

62 | BONHAMS 29 Detail 29 A RARE BLUE AND WHITE ‘THREE ABUNDANCES’ GARLIC-MOUTH VASE Qianlong seal mark and of the period Elegantly potted with a pear-shaped body above a splayed foot, rising to a slender neck and a bulbous garlic-shaped mouth, painted in rich cobalt blue tones with ‘heaped and piled’ effect depicting fruiting and flowering sprays of the Three Abundances, sanduo, below bands of downward ruyi-heads, key-fret scrolls and stylised lotus lappets on the neck and a band of crested waves on the foot, all below a continuous frieze of meandering floral scrolls at the mouth rim, the base with a six- character zhuanshu seal mark, box. 28.2cm (11 1/8in) high (2).

HK$2,200,000 - 2,500,000 US$280,000 - 320,000

清乾隆青花花果紋蒜頭瓶青花「大清乾隆年製」篆書款

Provenance 來源: Sotheby’s Hong Kong, 20 May 1987, lot 463 A European private collection

香港蘇富比，1987年5月20日，拍品463 歐洲私人舊藏

Image courtesy of the Shanghai Museum 上海博物館藏

64 | BONHAMS

The present vase belongs to a group of 18th century wares that 在十八世紀，清代宮廷常模仿明代製品，本青花器便是一例。瓶腹所 imitate the decorative styles of Ming dynasty ceramics. The boldly 繪佛手、桃及石榴花果折枝，紋飾靈感來自於明永樂及宣德青花花果 painted elegant designs of fruit and flower sprays around the body are 折枝紋梅瓶上，體現了乾隆帝慕古好雅的情懷，也逐漸具體化滿族漢 inspired by meiping vases from the Yongle and Xuande reigns. These 化的概念。有關明代的青花例子,請參考耿寶昌著，《故宮博物館藏： early Ming vases depict alternating leafy fruit and flower sprays in two 明初青花瓷》，北京，2002年，編號15及76。 higher and lower registers. The Palace Museum, Beijing, includes both a Yongle and Xuande period example, each with various fruit sprays 此瓶富有吉祥的蘊意，瓶身所飾佛手、桃和石榴紋飾的組合稱為「三 around the body, illustrated by Geng Baochang, Gugong Bowuyuan 多圖」，取諧音「福壽三多」，寓意多子、多福、多壽。當「三多 cang: Ming chu qinghua ci, Beijing, 2002, nos.15 and 76. The 18th 圖」與九只如意結合在一起，寓意「三多九如」。「九如」出自 century demand for ‘Ming-style’ wares as the present lot, reflected 《詩經·小雅·天保》，該詩中連用了九個「如」字：「九如為如山， the reverence and importance which the Qianlong emperor held for 如阜，如陵，如崗，如川之方至，如月之恆，如日之升，如松柏之 antiquity. By sinicising himself through aligning with the culture and art 茂，如南山之壽」，因每句都有「如」字，故稱「九如」，祝頌福壽 of the bygone era of early Ming Chinese rule, the Manchu emperor also 綿長。 legitimised his own. 國立故宮博物院藏一件非常相似的例子，參考《故宮藏瓷：清青花 This vase not only demonstrates the importance placed on antiquity, 瓷二》，香港，1968年，頁30至31，圖版5；另一例子藏於上海博 but also provides a wealth of auspicious wishes and blessings. The 物館，查閱《Imperial Porcelain from the Shanghai Museum》，茲沃 Three Abundances, which include finger citron, foshou 佛手, peach, 勒，2011年，頁80至81，編號52；再參考南京博物院藏一例，著錄 tao 桃 and pomegranate, shiliu 石榴, form the auspicious pun fushou 於《中國清代官窯瓷器》，上海，2003年，頁210至211。 sanduo 福壽三多, which literally translates as ‘May you be granted the three abundances of blessings, long life and sons’. When depicted 其他相似例子可參考私人收藏藏品，包括天民樓和望星樓，見《天民 together with ruyi symbols, such as on the current lot, the Three 樓藏瓷：下冊》，香港，1987年，頁88至89，編號61；和《清代康 Abundances, sanduo 三多, and the wish granting sceptre heads ruyi 雍乾官窯瓷器：望星樓藏瓷》，香港，2004年，頁60-61，編號16。如意, form an added auspicious blessing of ‘May you also be blessed with the Nine Similitudes’, sanduo jiuru 三多九如. The Nine Similitudes are a felicitous wish mentioned in the Book of Odes, which is the earliest compilation of Chinese poetry dating to the Western Zhou dynasty. The wish may be literally translated as follows:

‘May you be as the mountains and the hills, as the greater and the lesser heights, as the streams which flow in all directions, having constancy of the moon, like the rising sun, with the longevity of the Southern Mountain and the green luxuriance of the pine and cypress tress’.

See a very similar vase illustrated in Porcelain of the National Palace Museum. Blue and White Ware of the Ch’ing Dynasty. Book II, Hong Kong, 1968, pp.30-31, pl.5; another example is illustrated in Imperial Porcelain from the Shanghai Museum, Zwolle, 2011, pp.80-81, no.52; compare also another similar example from the Nanjing Museum, illustrated in Treasures in the Royalty. The Official Kiln Porcelain of the Chinese Qing Dynasty, Shanghai, 2003, pp.210-211.

For other similar examples in important private collections, see Chinese Porcelain. The S.C.Ko Tianminlou Collection. Part II, Hong Kong, 1987, pp.88-89, no.61; and Imperial Perfection. The Palace Porcelain of Three Chinese Emperors. A Selection from the Wang Xing Lou Collection, Hong Kong, 2004, pp.60-61, no.16.

66 | BONHAMS FINE CHINESE CERAMICS AND WORKS OF ART | 67 30 Property from a A RARE ARCHAISTIC PALE GREEN JADE RETICULATED TRIPOD CUP, ZHI 17th/18th century Distinguished English Comprising three sections of openwork interlocking key-fret scrolls raised on three kneeling figures, decorated around the exterior with alternating spiral and ‘S’-shaped motifs in relief, the stone of pale Private Collection yellowish-green tone, wood stand. 英國顯赫私人收藏 8.8cm (3 1/2in) high (2). HK$150,000 - 200,000 LOTS 30 - 39 US$19,000 - 26,000

十七/十八世紀青玉鏤雕仿古紋三足卮 The following ten jade carvings (Lots 30-39), formed part of a collection of Chinese works of art, Provenance 來源: largely assembled from the late 1950s to the early An English private collection and thence by descent 1980s from leading Chinese art dealers in London, including most prominently Louis Joseph, Bluett’s 英國私人收藏，並由家族繼承 and Spink’s during their peak period of activity. It is interesting to note that many of the jade carvings, some included in the selection offered in this sale and others previously sold, were acquired directly from the renowned dealer Louis Joseph who was based in fashionable Knightsbridge in London. Louis Joseph dealt as noted in his invoices in ‘Old Furniture & Clocks, Jade & Ivory Carvings and Oriental Rugs’.

The jade carvings were collected during a period when the finest of Chinese ceramics and works of art were available due to the demise of the Qing dynasty that instigated the sale of objects from prominent Chinese and Manchu families and the Image courtesy of the Palace Museum, Beijing dispersal of prominent first and second generation 北京故宮博物院藏 Western collections of Chinese art formed during the first half 20th century.

These pieces have adorned the family home and have been admired by three generations. It is now the hope of the family that others may partake in the pleasure of collecting and cherishing them.

以下10件玉雕（拍品30-39）來自英國私人收藏，是其藏品的一部分。該藏家從1950年代晚期開始至1980年代早期開始收藏，大部分藏品均來自倫敦知名古董商，其中最為人熟知的有Louis Joseph，Bluett’s 以及斯賓克等。此圖錄所呈現的藏品則全部直接得自當時位於倫敦上流商業區騎士橋的Louis Joseph，其發票上經常可見”Old Furniture & Clocks, Jade & Ivory Carvings and Oriental Rugs” 的英文字樣。

該藏家開始收藏時，正值清廷沒落，部分宮廷玉器在20世紀初期又流入市場，最後落入歐洲第一代及第二代中國藝術品收藏家手中。而該組玉雕由此家族世代收藏，至今已三代相傳。

68 | BONHAMS The present lot with its intricate openwork interlocking sections is a 此玉杯形制仿漢代酒器卮而作，參看江蘇徐州博物館藏一件西漢灰玉 masterful achievement of jade craftsmanship. In form it is inspired 卮，見J.C.S.Lin編，《The Search for Immortality: Tomb Treasures of by Han dynasty jade cups; see for example a yellowish-green jade Han China》，劍橋，2012年，圖版58。但此玉雕卮用鏤雕技法將器 cup, zhi, Western Han dynasty, from Xuzhou Museum, Jiangsu 身雕刻成「山」字形榫，相互交錯套連，更顯玉匠高超技藝。 Province, illustrated by J.C.S.Lin, ed., The Search for Immortality: Tomb Treasures of Han China, Cambridge, 2012, pl.58. The Qing jade 清宮舊藏中亦有一件清代青玉雙聯夔紋熏筒，其鏤雕手法與此玉卮類 craftsman adeptly carving the openwork sections, has elevated the 似，見《故宮博物院藏文物珍品大系：玉器（下）》，北京，頁41， cup from an ordinary utilitarian container to an extraordinary work of art 圖版33。另見一件元/明清白玉杯，著錄於Wu Hung與B.Morgan， to be handled and admired for its ingenuity. 《木扉珍藏玉器》，Bluett & Sons，倫敦，1990，編號60。

Compare a reticulated jade incense holder, Qing dynasty, from the Qing Court Collection, with similar interlocking geometric sections carved in low relief with gui dragons, illustrated in The Complete Collection of Treasures of the Palace Museum, Jadeware (II), p.41, pl.33; for another related interlocking pale green jade vessel, (attributed to the Yuan-Ming dynasty), see the Bluett & Sons, London catalogue by Wu Hung and B.Morgan, Chinese Jades from the Mu-Fei Collection, London, 1990, no.60.

FINE CHINESE CERAMICS AND WORKS OF ART | 69 31 A GREY AND PALE GREEN JADE BRUSHPOT, BITONG The image of a lone scholar in contemplation gazing upon a waterfall 18th century was a popular romanticised subject of the Song dynasty; see for Finely carved around the exterior with a continuous landscape scene, example Scholar by a Waterfall by Ma Yuan (active AD 1190-1225), in featuring an elderly scholar accompanied by a young attendant the Metropolitan Museum of Art, New York (accession no.1973.120.9). carrying a qin, admiring a waterfall cascading down between rock cliffs The use of paintings as inspiration for decoration on porcelain vases and emerging as a stream that continues onto the base, all amidst a and jade vessels and screens was popular from the late Ming dynasty backdrop of trees and rockworks, the stone of a pale tone with light period and continued onto the Qing period as exemplified in the grey areas and darker speckles, wood stand. present lot. Such idyllic depictions found favour in the Qing Court as 11.6cm (4 1/2in) high (2). is demonstrated in the variety of jade carvings with related designs; see from the National Palace Museum, Taipei, a white and russet HK$80,000 - 120,000 jade screen, Qing dynasty, similarly carved with a scholar followed US$10,000 - 15,000 by an attendant holding a wrapped qin, illustrated by Chang Li-tuan, The Refined Taste of the Emperor: Special Exhibition of Archaic and Pictorial Jades of the Ch’ing Court, Taipei, 1997, pl.64; and from the 十八世紀青灰玉雕高士賞遊圖筆筒 Qing Court Collection, see a white and russet jade boulder, Qianlong, illustrated in The Complete Collection of Treasures of the Palace 來源 Provenance : Museum: Jadeware (II), Shanghai, 2008, pl.53. Acquired prior to 13 November 1969, probably from Louis Joseph, London 明清時期的玉器開始突出「畫意」，玉匠常採用繪畫中常見題材如花 An English private collection and thence by descent 鳥、山水、人物故事等，以嫻熟工藝在玉料上雕刻出追求筆趣畫意的紋飾。此筆筒的圖案可參考南宋畫家馬遠的《松崖觀瀑圖》，現藏於 1969年11月13日前購於倫敦古董商Louis Joseph 美國大都會博物館（藏品編號1973.120.9）。以類似畫風為題材的英國私人收藏，並由家族成員繼承玉器在清代宮廷頗為流行，其他相關例子可參見國立故宮博物院藏一件清代白玉插屏，著錄於張麗瑞，《宮廷之雅：清代仿古及畫意玉器特展圖錄》，台北，1997年，圖版64；也對比清宮舊藏一件乾隆時期的白玉山子，見《故宮博物院藏文物珍品大系：玉器（II）》，上海，2008年，圖版53。

70 | BONHAMS 32 A RARE LARGE GREY AND PALE GREEN JADE ‘LOTUS LEAF’ The present lot would have graced the desk of a high ranking official BRUSHWASHER or scholar, reminding the owner of the lotus’s famed ability to remain 17th/18th century ‘unstained by the muddy surrounding’. Scholar-officials who refused Finely carved as a deeply hollowed vessel in the form of a large lotus to compromise their integrity liked to compare themselves with the leaf, incised with veins elegantly rising up to the curved foliate rim, all purity of the lotus, symbolism further imbued with its Buddhist religious borne on leafy winding stems issuing a large lotus blossom on one significance and association. The swallow, carved on one side of side, the reverse with a lone swallow in flight with its head turned the washer, symbolises the heralding of good fortune to come and a backwards, the greyish-pale-green stone with russet inclusions, prosperous change for the better. wood stand. 26.2cm (10 3/8in) wide (2). Compare a related pale green jade lotus washer, 18th century, from the Victoria and Albert Museum, London, illustrated by M.Wilson, HK$180,000 - 240,000 Chinese Jades, London, 2004, pl.56; for another related washer, Qing US$23,000 - 31,000 dynasty, from the Qing Court Collection, see The Complete Collection of Treasures of the Palace Museum: Jadeware (II), Hong Kong, 2008, pl.39. A related but smaller white and dark grey jade ‘lotus leaf’ 十七十八世紀青灰玉雕荷葉洗 / brushwasher, 17th/18th century (21.1cm wide), sold at Christie’s New York, 19-20 September 2013, lot 1739. Provenance 來源:

Acquired from Louis Joseph, London (label, no.6793) 倫敦維多利亞阿爾伯博物館藏一件十八世紀青玉荷葉洗可資比較，見 An English private collection and thence by descent M.Wilson，《Chinese Jades》，倫敦，2004年，圖版56；另見清宮舊藏一例，著錄於《故宮博物院藏文物珍品大系：玉器（II）》，香購自倫敦古董商附標籤，編號） Louis Joseph ( 6793 港，2008年，圖版39；另一件例子，可見紐約佳士得，2013年9月19 英國私人收藏，並由家族繼承至20日，拍品1739。

FINE CHINESE CERAMICS AND WORKS OF ART | 71 33 A FINE GREY AND BLACK JADE HORSE AND FOAL GROUP 17th/18th century Naturalistically modelled as a recumbent horse with hind legs tucked under its body and forelegs half raised, finely detailed with an incised mane and tail which is swept to its right side, the foal climbing up and resting its head on the horse’s back, the stone of a pale tone with dark brown and green inclusions, wood stand. 15.5cm (6 1/8in) wide (2).

HK$150,000 - 180,000 US$19,000 - 23,000

十七/十八世紀灰墨玉雕臥雙馬擺件 Invoice Provenance 來源: Acquired from Louis Joseph, London, 21 October 1960 (invoice dated 17 November 1960) An English private collection and thence by descent

1960年10月21日購自倫敦古董商Louis Joseph (收據日期為1960年11 月17日）英國私人收藏，並由家族繼承

The present lot is remarkable for the tender and naturalistic carving of the horse and foal, with the adult horse carved with its head raised in a protective poise over the playful young foal. The craftsman cleverly utilised the russet and greenish sections of the stone to denote the horses’ hide adding a further visual dimension to the lively group.

青灰玉質，雕雙馬呈嬉戲狀，一馬仰首臥伏，另一馬前蹄搭於其背上，形態生動，雕琢細膩，玉匠巧妙利用玉質自帶皮色表現馬匹皮膚，頗有匠心。

72 | BONHAMS FINE CHINESE CERAMICS AND WORKS OF ART | 73 34 invoice

34 35 A SMALL PALE GREEN AND RUSSET JADE BOULDER A RARE PALE GREEN AND RUSSET JADE ‘LOTUS POND’ CUP 18th century Qianlong Finely carved with a sage within a grotto, standing beside an incense Exquisitely carved in high relief around the exterior with a continuous burner on a stone pedestal and holding a staff, all within a rocky lotus pond scene, including lotus blooms and leaves on elegant long landscape with pine trees and a waterfall cascading down between stems issuing from swirling waves forming the base, with two swallows cliffs, the even pale green stone with speckles of dark brown in flight above, the pale green stone with minor russet streaks at the inclusions, wood stand. rim, wood stand. 9.2cm (3 5/8in) wide (2). 9.8cm (3 7/8in) wide (2).

HK$50,000 - 80,000 HK$100,000 - 150,000 US$6,500 - 10,000 US$13,000 - 19,000

十八世紀青白玉雕山水人物圖山子清乾隆青白玉雕蓮花洗

Provenance 來源: Provenance 來源: Acquired from Bluett & Sons, London, on 16 March 1959 (invoice Acquired prior to 10 March 1973, probably from Louis Joseph, London dated 24 March 1959) An English private collection and thence by descent An English private collection and thence by descent 於1973年3月10日前購得，或購自倫敦古董商Louis Joseph 1959年3月16日購於倫敦古董商Bluett & Sons (收據日期為英國私人收藏，並由家族繼承 1959年3月24日）英國私人收藏，並由家族繼承 The present lot depicting the naturalistic scene of a lotus pond surrounded by its typical flora, with a pair of swallows in flight, was a symbolic attempt to bring the garden into the living quarters of the house, and more specifically into the immediate surroundings of the scholar-official or a member of the Qing Court. Only very large gardens would have been graced with a lotus pond and this scholarly object would have asserted the high status of the owner. Furthermore, the depiction of lotus would have been understood to represent the owner as a person of integrity - a reflection of the famed ability of the flower to remain ‘unstained by the muddy surroundings’. Additional religious symbolism would have been imparted by the lotus being one of the Eight Buddhist Emblems, symbolising purity. A swallow, known to arrive in the Spring, heralds good fortune and a prosperous change for the better; a pair of swallows, would therefore double the auspicious wishes. Valuation 此器以出於污泥而不染的蓮花為題材，蓮花為八吉祥寶物之一，象徵高尚純潔的品格；燕子是春天的象徵，寓意吉祥。此器雕工流利精巧，且紋飾寓意吉祥，具乾隆時期的特徵，為難得的上乘之作。

FINE CHINESE CERAMICS AND WORKS OF ART | 75 36 A WHITE JADE ‘MAGNOLIA’ VASE Qianlong/Jiaqing The white jade of even tone crisply carved as three tall magnolia blossoms issuing from a single curling stem, the larger two with the petal tips beginning to curl away from the centre of the opening flower revealing a hollow vase, wood stand. 11.4cm (4 1/2in) high (2).

HK$80,000 - 120,000 US$10,000 - 15,000

清乾隆/嘉慶白玉雕玉蘭花插

Provenance 來源: Acquired probably from Louis Joseph, London, prior to 20 August 1968 An English private collection and thence by descent

於1968年8月20日前購得，或購自倫敦古董商 Louis Joseph 英國私人收藏，並由家族繼承

The magnolia is a symbol of purity, making it extremely suitable as a subject for carving from this piece of fine white jade. This combination of white jade forming a white magnolia also embodies a particularly apt pun on the name for the flower (玉蘭 yulan) which incorporates the word for jade (玉 yu). Compare a related but larger white jade magnolia vase illustrated in The Woolf Collection of Chinese Jade, London, 2013, no.78.

此器所雕之玉蘭是潔白、高雅的象徵。可參考一件體積較大的白玉玉蘭花插，著錄於《The Woolf Collection of Chinese Jade》，倫敦，2013年，編號78。 36

37 A LARGE YELLOW JADE ‘GOURD’ BRUSHWASHER 19th century Crisply carved as an elongated gourd borne on gnarled leafy tendrils bearing smaller gourds and blossoms, the yellow stone with subtle russet inclusions, wood stand. 18.4cm (7 1/4in) wide (2).

HK$60,000 - 80,000 US$7,700 - 10,000

十九世紀黃玉雕瓜式洗

Provenance 來源: An English private collection and thence by descent

英國私人收藏，並由家族繼承

Gourds surrounded by tendrils trailing smaller gourds are a popular concept in Chinese imagery, symbolising family strength and continuity. The larger and smaller gourds (瓜 gua and 瓞 die respectively) represent ‘May you there be ceaseless generations of sons and grandsons’ (瓜瓞綿綿 guadie mianmian) and the tendrils (蔓帶 mandai) are a pun for ‘ten thousand generations’ (萬代 wandai). Compare a related but larger white jade brushwasher, 18th century, sold in our London rooms, 12 May 2011, lot 92.

相關例子可參見一白玉例子，拍賣於倫敦邦瀚斯，2011年5月12日，拍品92。

76 | BONHAMS 38 A RARE PALE GREEN JADE ‘TREASURE BAG’ VASE Qianlong Beautifully worked in the form of a cloth sack with a knotted ribbon loosely tied at the neck, the exterior intricately carved in relief with two egrets beside tall hibiscus branches and lush lotus blooms, buds and leaves, wood stand. 12.1cm (4 3/4in) high (2).

HK$50,000 - 80,000 US$6,500 - 10,000

清乾隆青白玉雕「路路連科」包袱瓶

Provenance 來源: Acquired on 20 August 1968, probably from Louis Joseph, London (no.6845) An English private collection and thence by descent

於1968年8月20日購得，或購自倫敦古董商 Louis Joseph (編號6845）英國私人收藏，並由家族繼承

The current lot bears many hidden auspicious connotations. Egret, lusi 鷺鷥, and hibiscus, mufurong 木芙蓉, form the pun, yilu ronghua 一路榮華, which literally translates as ‘May you enjoy an affluent life throughout your life’. The pair of egrets, lu 鷺 and blossoming lotus, lian 蓮 also form the pun lulu lianke 路路連科, which literally translates as ‘passing the series of civil service examinations, one after another’. The treasure bag further symbolises the offering of best wishes and the bringing of good tidings to the recipient. The lotus, further to its Buddhist associations, represents integrity and purity, both qualities much valued in a scholar- official. 38

39 A SPINACH-GREEN JADE INCENSE BURNER AND COVER, GUI 18th/19th century The deep rounded body raised on a spreading foot, with a pair of archaic mythical beast mask handles on each side, intricately carved in shallow relief with taotie masks amidst ruyi scrolls, and six evenly- spaced short vertical flanges below the mouth rim, the domed cover with a further band of taotie masks and surmounted by a pierced coiling chi dragon, wood stand. 16.4cm (6 1/2in) wide (3).

HK$60,000 - 80,000 US$7,700 - 10,000

十八/十九世紀碧玉雕仿古饕餮紋簋式蓋爐

Provenance 來源: Acquired prior to 29 November 1984 (date of Spink & Son Ltd., London valuation) An English private collection and thence by descent

於1984年11月29日前購得（此為倫敦古董商 Spink & Son Ltd.為其所做估價的日期）英國私人收藏，並由家族繼承

Compare a related spinach green jade incense burner and cover, Qianlong mark and of the period, from the Qing Court Collection, with related ‘square’ shaped handles, but with a flaring finial on the cover and lower foot, illustrated in The Complete Collection of Treasures of the Palace Museum: Jadeware (II), Shanghai, 2008, pl.106.

乾隆帝好古敏求，崇尚慕古之風，提倡復古主義，認為古典器物樸素、精純、高雅、有意涵，詳閱張麗瑞著《宮廷之雅：清代仿古及畫意玉器特展圖錄》，台北，1997年，頁49。清宮舊藏一乾隆帶款例子，見 39 《故宮博物院藏文物珍品大系：玉器（II）》，上海，2008年，圖版106。 FINE CHINESE CERAMICS AND WORKS OF ART | 77 ANOTHER PROPERTY 另一件藏品

40 A RARE LARGE PALE GREEN JADE ‘DOUBLE LINGZHI’ The confident, fluid carving of the impressive washer is distinctive BRUSHWASHER of highly skilled Qianlong period jade craftsmanship. The generous, 18th century deeply hollowed interiors make full use of the large pale green stone, The well carved gnarled branch issuing two deeply-hollowed heads whilst the twisting branches and smaller lingzhi provide a naturalistic of lingzhi, the larger with a clambering chi dragon biting at the rim and setting for the twin washers, symbolic of longevity. both surrounded by further lingzhi and curling leafy tendrils, the stone of pale green tone with light inclusions. Several examples can be found in important private collections: see 20.5cm (8 1/8in) wide Ming and Qing Chinese Arts from the C.P.Lin Collection, Hong Kong, 2014, no.143; another with bats from the Andrew K.F.Lee Collection, HK$400,000 - 600,000 Qianlong, illustrated in Virtuous Treasures: Chinese Jades for the US$52,000 - 77,000 Scholar’s Table, Hong Kong, 2007, no.66; a related but taller jade vase with lingzhi is illustrated in The Woolf Collection of Chinese Jade, London, 2013, no.74; see also a smaller very pale green jade lingzhi 十八世紀青玉雕靈芝如意洗 washer, Qing dynasty, illustrated by Zheng Xinmiao, ed., Compendium of Collections in the Palace Museum: Jade 10: Qing Dynasty, Beijing, Affixed label reading 第陸號 (‘number six’) 2011, no.196. 此拍品附有「第陸號」的標籤。此器用料頗奢，雕刻線條流暢，技藝精湛，盡顯乾隆時期玉雕的最高水準。相關例子可參考《長青館藏瓷、玉、角、畫琺瑯》，香港，2014年，編號143；也見李景勳藏一乾隆例子，著錄於香港大學美術博物館，《閣有天珍：中國文房玉雕》，香港，2007年，編號66 ；再參閱《The Woolf Collection of Chinese Jade》，倫敦，2013年，編號74；也可比較故宮博物院藏一清代玉洗，見鄭欣淼編，《故宮博物院藏品大系：玉器編10》，北京，2011年，編號196。

78 | BONHAMS

THE PROPERTY OF A LADY 女士藏品

41 A WHITE AND RUSSET JADE ‘TWIN-FISH AND BAJIXIANG’ Early Twentieth Century from the Asian Art Museum of San Francisco, ‘MARRIAGE’ BOWL San Francisco, 2007, p.180, also illustrating a related pale green jade Qianlong ‘twin-fish’ basin, dated 1786; and see also from the National Palace Finely carved with tall flaring sides rising to a lipped rim decorated Museum, Taipei, a jade ‘twin-fish’ basin, Qianlong, illustrated by with a band of key-fret scrolls, the exterior carved in relief with evenly- Chang Li-tuan, The Refined Taste of the Emperor: Special Exhibition of spaced Eight Buddhist Emblems, the bajixiang, above a diamond- Archaic and Pictorial Jades of the Ch’ing Court, Taipei, 1997, pl.7. ground frieze, all raised on four ruyi-head feet, the white stone with minor russet inclusions, wood stand. Considered as one of the most auspicious motifs of the Eight Buddhist 19.7cm (7 3/4in) wide (2). Emblems, bajixiang, the twin-fish symbolises freedom from restraint as well as the wish for marital bliss, prosperity and an abundance of HK$250,000 - 400,000 good luck. As fish are reputed to swim in pairs and are known for their US$32,000 - 52,000 reproductive powers, the double-fish also signifies the joys of union and numerous offspring.

清乾隆白玉雕八吉祥雙魚洗 Compare a related celadon jade footed bowl, Qianlong mark and of the period, carved in the centre with two swimming fish, the exterior Provenance 來源: carved with the bajixiang, sold at Sotheby’s Paris, 13 June 2012, lot Charles (b.1861) and Kenneth (b.1896) Beresford, and thence by 182. descent 雙魚為佛教八吉祥物之一，象徵超越世間自由解脫的修行者，也寓查理斯·貝爾斯福德(生於1861年)和肯尼斯·貝爾斯福德(生於1896年)舊意婚姻美滿，多子多孫。乾隆帝慕古，在仿古器中尤其喜歡雙魚紋藏，並由家族成員繼承飾。此器之佈局及紋飾以漢代銅盤為藍本，參考三藩市亞洲藝術博物館藏一件落有1786紀年年款的青玉雙魚紋盆，見M.Knight，He Li ‘Twin-fish’ decorated archaistic vessels are said to have been a 和T.Tse Bartholomew著，《Chinese Jades: Ming Dynasty to Early particular favourite of the Qianlong emperor. This may have been Twentieth Century from the Asian Art Museum of San Francisco》， due to their inspiration in form and design from archaic bronzes, and 三藩市，2007年，頁180；國立故宮博物院也藏一乾隆例子，著錄於 in the case of the present lot, a bronze pan of the Han dynasty, and 張麗瑞，《宮廷之雅：清代仿古及畫意玉器特展圖錄》，台北，1997 because of the multi-layered symbolism of the twin-fish motif; see 年，圖版7。再參考一件乾隆帶款的例子，拍賣於巴黎蘇富比，2012 M.Knight, He Li, T.Tse Bartholomew, Chinese Jades: Ming Dynasty to 年6月13日，拍品182。

80 | BONHAMS FINE CHINESE CERAMICS AND WORKS OF ART | 81 Franco Marinotti, Shanghai, circa 1918 Property from the Franco Marinotti Collection

Coming from a small city in Italy, the extraordinary journey of Franco Marinotti (1891-1966) began in a textile company near Milan (the Filatura Cascami Seta) at the beginning of the 20th century, where he made his way up to the prominent position of managing the Warsaw and Moscow branches. This enriching experience and strong commercial relationships developed in Russia allowed him to launch his own company in 1921, the CICE - Compagnia Industriale Commercio Estero. It also enabled him to have continuous business links with Russia and South East Asia even following the October Revolution in 1917. The enterprise, which was intended to facilitate and regulate the economic relationships between Italian companies and Russia, resulted in Marinotti becoming a highly influential commercial and political figure.

In 1930, Senatore Borletti, one of the most important Milanese entrepreneurs and financiers, asked Marinotti to become managing director of the SNIA Viscosa. He subsequently became CEO in 1934 and President and shareholder of SNIA until his death in 1966. In these politically and economically troubled times, Franco Marinotti proved to be an exceptional leader bringing the company to an unprecedented international level, revealing himself as a man of great intuition and many talents, with a clear disposition for innovation. His merits were also recognised by King Umberto II, the last King of Italy, who rewarded him with the noble title of Count of Torviscosa, a town founded by Marinotti.

As a philanthropist, he was very much involved in collecting and preserving art, including Antiquities, Old Master Paintings, Oriental and Modern and Contemporary Art. His collection demonstrates his wide range of interests and passion for collecting. In 1949, he bought the Palazzo Grassi through SNIA Viscosa, and founded the ‘Centro Internazionale delle Arti e del Costume’. Exceptionally, through both wars, Marinotti continued to support artists, such as the members of the Futurists Movement, as well as ceramics artists and even funded archaeological sites, demonstrating his extraordinary strong, complex character and unique vision through his career and pursuit of arts and culture. It is possible that this magnificent jade vase was acquired during his travels to China in the early 20th century.

意大利企業家 Franco Marinotti 藏品

Franco Marinotti是20世紀初期意大利著名的紡織企業家，曾擔任該集團華沙及莫斯科分部的總裁。1921年，他在俄羅斯成立自己的公司並迅速發展壯大，直至俄國十月革命時，他的公司仍在正常運營。他企業的成功為他今後在俄羅斯、東南亞、以及意大利的事業鋪平道路，並成為歐洲商界及政界中的重要人物。

此人於1930年受當時米蘭著名企業家之邀，成為了意大利最大紡織及化纖集團SNIA Viscosa的首席執行官，並在1966年成為集團總裁及董事。在位期間，Franco以其卓越的領導才能以及敏銳的辨識力將集團帶向國際舞台，其功績還受到了意大利王室最後一任國王翁貝托二世的認可。

在世時，Franco亦是一位慈善家並對藝術品收藏情有獨鍾。他的收藏囊括古董、大師級油畫、東方古代及近代藝術等等，展示了他興趣廣泛的一面。1949年，他收購了位於威尼斯的格拉西宫並在其舊址成立「國際藝術與服裝中心」。在戰亂期間，他多次出資支持未來主義畫家及陶瓷藝術家進行藝術創作，還資助考古發掘活動，足可見其對事業的謀略以及對藝術的熱愛。此件玉雕方蓋瓶極有可能是他於20世紀早期在中國獲得。 42 AN EXCEPTIONAL VERY PALE GREEN JADE VASE AND COVER Qianlong Of rectangular section rising from a splayed foot to high shoulders and a waisted neck, flanked by a pair of mythical beast handles, the body finely carved in raised relief featuring archaic and geometric designs of ruyi-heads forming taotie masks, leaf lappets, cloud scrolls and key-fret scroll borders, the stone of a very pale green tone with minor russet veins. 26.8cm (10 1/2in) high (2).

HK$1,200,000 - 1,500,000 US$150,000 - 190,000

清乾隆青白玉雕如意饕餮紋獸耳瓶

Provenance 來源: Franco Marinotti (1891-1966) and thence by descent

意大利企業家Franco Marinotti (1891-1966)舊藏，並由家族繼承

84 | BONHAMS FINE CHINESE CERAMICS AND WORKS OF ART | 85 The present vase in its low relief design incorporating taotie masks and 玉質青白色，純淨溫潤。器為仿古造型，扁方體，瓶身兩側有獸耳， the mythical beast handles, is inspired by archaic bronzes of the Shang 腹部呈梯形，方形足，覆鬥式蓋，長方形鈕。頸部及腹部兩面浮雕饕 dynasty. This is consistent with the Qianlong emperor’s fascination with 餮如意紋，瓶口、蓋口及瓶底各飾迴紋一周。 archaic and ancient objects. Chang Li-tuan notes in The Refined Taste of the Emperor: Special Exhibition of Archaic and Pictorial Jades of 乾隆皇帝慕古如痴，在藝術上極力倡導「復古」及「仿古」，強調玉 the Ch’ing Court, National Palace Museum, Taipei, 1997, p.49 that the 器應向古器物學習，即謂「玩物仍存師古情」。為讓宮廷造辦處領會 Qianlong emperor proposed to ‘restore ancient ways’, suggesting that 其要求，乾隆皇帝將內府收藏古器物的圖錄，如《西清古鑑》交付玉 jade carvers turn to antiquity for models, which would enable them 工為新製玉器時造型及紋飾提供藍本。見張麗端著，《宮廷之雅：清 to imbue their designs with simplicity and honesty, and so achieve 代仿古及畫意玉器特展圖錄》，1997年，頁49。 refinement and elegance. The ‘ancient ways’ referred to the intrinsic values of sincerity, simplicity, and happy exuberance. 此件饕餮紋獸耳瓶玉質溫潤，用料講究，雕工精湛。相似的帶有饕餮紋的玉雕瓶，見維多利亞及阿伯特博物館藏一例，著錄於M.Wilson， The present vase is particularly noteworthy for its fine quality of 《Chinese Jades》，倫敦，2003年，圖版109。另見一例乾隆白玉 jade stone and impressive size. The process of its carving on the 瓶，著錄於《Age of Glories: An Exhibition of Important Chinese Arts exterior and the hollowing of the deep interior would have entailed a from Collections on Both Sides of the Taiwan Strait》，北京，2009 significant amount of wastage of the prized stone, making this vase an 年，圖版38。另見一例器形類似的乾隆白玉獸耳活環耳瓶，著錄於霍 exceptionally prized object. As such, it would have probably adorned 滿棠，《韞玉生輝：松竹堂珍藏玉器》，香港，2011，圖版135。 the interior of one of the imperial palaces or the home of a high-ranking official.

For a related white jade vase and cover, Qianlong, with taotie design and a similarly shaped finial, from the Victoria and Albert Museum, London, see M.Wilson, Chinese Jades, London, 2004, pl.109; see also a related white jade vase and cover, Qianlong, with a similar finial, illustrated in Age of Glories: An Exhibition of Important Chinese Arts from Collections on Both Sides of the Taiwan Strait, Beijing, 2009, pl.38; for a further white jade vase and cover, Qianlong, with the surface kept plain and with elephant ring handles, see T.Fok, The Splendour of Jade: The Songzhutang Collection of Jade, Hong Kong, 2011, pl.135.

86 | BONHAMS FINE CHINESE CERAMICS AND WORKS OF ART | 87 VARIOUS OWNERS 各方藏家

43 A RARE PAIR OF GILT-BRONZE AND CLOISONNÉ ENAMEL STEM CUPS Incised Qianlong six-character marks and of the period Each with deep rounded sides raised on a tall splayed foot, the body with four archaistic chi dragons, each within a lobed cartouche evenly- spaced between leafy floral scrolls, the foot decorated with further floral scrolls between bands of pendant leaves and ruyi heads, all brilliantly enamelled in various vibrant colours and shades of white, red, blue, yellow, pink and green on a vivid turquoise ground, the base incised with a six-character kaishu mark. Each 11.6cm (4 5/8in) high (2).

HK$500,000 - 800,000 US$65,000 - 100,000

清乾隆銅胎掐絲琺瑯團螭龍紋高足杯一對陰文「大清乾隆年製」楷書款

Provenance 來源: Formerly from the collection of Claude Burrard Reboul (1825-1886) and thence by decent to Colonel Jaques-Frederic Reboul (1863-1937)

Claude Burrard Reboul (1825-1886年)舊藏，由Jaques-Frederic Reboul上校(1863-1937年)繼承

The present pair of cloisonné enamel cups are rare in decoration and 此對掐絲琺瑯高足杯紋飾及造型新穎罕見，傳世品稀少，體現出乾隆 form, and are indicative of the flourishing production of outstanding art 一朝掐絲琺瑯工藝的高超水平。杯上所飾螭龍紋效法古代青銅器紋 during the Qianlong emperor’s reign. 飾，反映出乾隆帝慕古之風。乾隆一朝大舉提倡復古主義，又下喻命內廷畫師為宮中所藏高古青銅器繪製《西清古鑑》，繼而為工匠提供 The chi dragons on the cups, with scrolling bodies and pronounced 靈感。雖然類似的螭龍紋可從其他材料的作品中看得到，但像本器般 slightly hooked snouts, were inspired by those found on archaic 以六瓣式開光內繪此螭龍紋卻殊為少見。參考一件故宮博物院藏乾隆 bronzes. This follows the Qianlong emperor’s affinity for antiquity and 帶款掐絲琺瑯爵，器身為海棠式開光，內飾螭龍紋，見《邃古今來： ‘ancient ways’, which directed craftsmen to draw inspiration from 清宮仿古文物精品特集》，澳門，2005年，頁100至101，編號23。 archaic objects. However, while these stylised versions of dragons with elongated sinuous bodies are typically found on all variety of medium 乾隆時期國家昌盛，工藝品不斷加入了不少創新元素，本拍品的高足 and Chinese works of art, to find them in hexalobed medallions on 杯無論從設計紋飾，構圖以及器形都明顯地展示了這一特徵。可參閱 cloisonné enamel, such as those on the present cups, is extremely B.Quette著，《Cloisonné, Chinese Enamels from the Yuan, Ming and rare. See a cloisonné enamel embellished jue and stand, Qianlong Qing Dynasties》，2011年，紐約，頁53。 mark and of the period, with a pair of chi dragons within a lobed cartouche on each side, in the Palace Museum Beijing, illustrated in Pierre Uldry藏一件乾隆帶款的掐絲琺瑯高足杯可作對比，該器 Views of Antiquity in the Qing Imperial Palace, Macau, 2005, pp.100- 足部較本器短，口部較寬且撇口，著錄於H.Brinker and A.Lutz， 101, no.23. 《Chinesisches Cloisonné. Die Sammlung Pierre Uldry》，雷特伯格博物館，蘇黎世，1985年，頁263，編號262及262a。 Such innovative approach to design and composition is characteristic of art from Qianlong’s reign, where archaic designs and iconography were creatively combined with fresh elements or reinterpreted and revised. Unlike wares from the previous reigns, which more generally adhered to design principles following archaic objects or Ming dynasty cloisonné enamels, Qianlong period pieces exhibit greater diversity of design: see B.Quette, ‘Cloisonné Form and Decoration from the Yuan through the Qing Dynasty’, in Cloisonné, Chinese Enamels from the Yuan, Ming and Qing Dynasties, 2011, New York, p.53.

The goblet form of the present lot, with a considerably longer foot than most cloisonné enamel cups, is also very rare. Compare with an example of another cloisonné stem cup with a similar incised Qianlong six-character mark and of the period, but with a shorter stem and wider flaring sides in the Pierre Uldry Collection, illustrated by H.Brinker and A.Lutz Chinesisches Cloisonné. Die Sammlung Pierre Uldry, Museum Rietberg, Zurich, 1985, p.263, nos.262 and 262a.

88 | BONHAMS

44 A RARE PAIR OF CLOISONNÉ ENAMEL ‘BAJIXIANG’ PRICKET CANDLESTICKS Jiaqing seal marks and of the period Each broad bell-shaped base vividly and densely enamelled with scrolling lotus blooms interspersed with the Eight Buddhist Emblems, the bajixiang, below a band of interlocking ruyi-heads, surmounted by a drip-pan similarly decorated and with a six-character zhuanshu seal mark in a line, supporting a smaller drip-pan centred by the gilt pricket, all reserved on a bright turquoise ground, the edges and footrim with gilt borders. Each 39.5cm (15 1/2in) high (2).

HK$300,000 - 500,000 US$39,000 - 65,000

清嘉慶銅胎掐絲琺瑯八吉祥纏枝蓮紋燭台一對「大清嘉慶年製」篆書款

The candlesticks probably formed part of a five-piece altar garniture also consisting of an incense burner, and a pair of vases. The garniture, decorated with appropriate Buddhist iconography such as the Eight Buddhist Emblems, bajixiang and leafy lotus scrolls, would have been used for religious or ritual ceremonies, and probably would have graced one of the temples patronised by the Jiaqing emperor and court. Cloisonné enamel candlesticks bearing the Jiaqing seal mark are very rare. Nonetheless, the shape and decoration combining Buddhist Emblems and motifs, perpetuates styles of candlesticks from the Qianlong period, which were made in various media including cloisonné enamel, lacquer and porcelain.

90 | BONHAMS Compare with a pair of ruby-ground famille rose candlesticks, Qianlong seal marks and period, illustrated in Imperial Porcelain from the Shanghai Museum, The Hague, 2011, pp.92-93, nos.61 and 62. See also a pair of yellow-ground famille rose candlesticks, Jiaqing mark and period, in the Palace Museum, Beijing, illustrated in The Official Kiln Porcelain of the Chinese Qing Dynasty, Shanghai, 2003, p.374. These porcelain counterparts are very similar in shape and decoration to the present lot, including the bell-shaped foot, the drip pan with straight flaring sides, and the placement of decorative motifs.

此對燭台可能原為佛教供器五供中的一部份。供器一般一組五件，包括一只香爐、一對燭台及一對花觚，稱為「五供」，多用於佛教慶典、宗教節日等祭祀活動。鈴有「大清嘉慶年製」款的掐絲琺瑯燭台在傳世品中殊為少見，因此本器可能用於宮廷或由嘉慶帝下旨修建的寺院中。

本器飾八吉祥和纏枝蓮紋，琺瑯色彩豐富，厚重華美，仍保留著乾隆朝的遺風，類似的燭台也見於其他材料如漆器、瓷器等。上海博物館藏一對乾隆帶款胭脂紅地粉彩燭台可資比較，見《Imperial Porcelain from the Shanghai Museum》，海牙，2011年，頁92至93，編號61 及62；故宮博物院也藏一對嘉慶帶款黃地粉彩燭台，參閱《中國清代官窯瓷器》，上海，2003年，頁374；以上例子從器形及紋飾構圖上看，均與本器相似。

FINE CHINESE CERAMICS AND WORKS OF ART | 91 THE PROPERTY OF A LADY 女士藏品

45 A LARGE GILT-BRONZE FIGURE OF A LAMA Compare a similar Tibetan gilt-bronze figure of a monk, dated circa Tibet, 18th/19th century 18th century, also composed of four separately cast parts, sold at Seated in dhyanasana on a lotus base with one hand raised in vitarka Sotheby’s London, 10-11 March 1985, lot 138. A related group of mudra and the other placed on his lap, wearing long flowing pleated three figures including Tsongkhapa with his principal pupils in a shrine, robes, detailed with incised floral scrolls at the hems, the cold-gilt face 19th century, also constructed in pieces but made of hammered with a strict expression. and chased copper and silver, in the Museum der Kulturen Basel, is 38.5cm (15 1/8in) high illustrated by C.B.Wilpert, ed., Tibet: Buddhas, Gods, Saints, Munich, 2001, pp.36-37, no.9. HK$150,000 - 200,000 US$19,000 - 26,000 While it is difficult to definitively determine the identity of the figure, the upturned eyebrows are an unusual element that is most commonly associated with Padmasambhava. For a related example of the 西藏十八/十九世紀銅鎏金喇嘛像 same period in the Alice Kandell Collection, see M.M.Rhie and

R.A.F.Thurman, A Shrine for Tibet: The Alice Kandell Collection, New Provenance 來源: York, 2009, pp.104-105, nos.II-2a and 2b. A European private collection

瑞士Museum der Kulturen Basel藏一組三件宗喀巴和其弟子像，其歐洲私人收藏鑄造方式可與本像作比較，請參閱C.B.Wilpert，《Tibet: Buddhas,

Gods, Saints》，慕尼黑，2001年，頁36至37，編號9。另見一件同 The Qing emperors and court had a close affinity to Tibetan Buddhism 樣是以四部分分開鑄造並拼裝的18世紀銅鎏金上師像，後售於倫敦蘇 and revered the high lamas of the major sects. An essay written by 富比，1985年3月10-11日，拍品138。 Emperor Qianlong in the 56th year of his reign (1791) titled, Lama shuo [On Lamaism], discloses the court’s attitude and policy towards 本喇嘛像身份雖不明確，但其較為少見的上翹眉毛，通常為蓮花 Lamaism, see: Wang Baoguang, ‘An Analysis of the Relationship 生的面部特徵之一，可參考Alice Kandell藏一例，見M.M.Rhie and between the Qing Emperor’s Belief in Tibetan Buddhism and R.A.F.Thurman，《A Shrine for Tibet: The Alice Kandell Collection》， Their Tactics of Running China from the Aspect of Lama Shuo (on 紐約，2009年，頁104至105，編號II-2a及2b。 Lamaism)’, Lightness of Essence: Tibetan Buddhism Relics of the Palace Museum, Macau, 2003, p.370. Wang notes that the religion was important not simply as a venerated belief and faith, but also as a tactic of governance effective in stabilising outer regions such as Mongolia. The proliferation of Tibetan Buddhist figures, including Lamas such as the present lot, during the 18th/19th centuries is a testament to the religion’s political and cultural importance.

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PROPERTY FROM A DISTINGUISHED EUROPEAN PRIVATE COLLECTION 歐洲顯赫私人收藏

46 A RARE IMPERIAL DOUCAI ‘NARCISSUS’ DISH Yongzheng six-character mark and of the period Thinly-potted with gently rounded sides, finely decorated on the interior with a central medallion depicting flowering narcissus growing between rockwork, under overhanging nandina berries, and beside lingzhi fungus, the exterior with three evenly-spaced groups of lingzhi issuing from rockwork, all delicately enamelled with vivid shades of blue, yellow, white, pink and green within the underglaze-blue outlines, the base with a six-character kaishu mark. 20.6cm (8 1/8in) diam.

HK$600,000 - 800,000 US$77,000 - 100,000

清雍正鬥彩靈仙祝壽圖盤青花「大清雍正年製」楷書款

Provenance 來源: A distinguished European private collection and thence by descent Yinzhen’s (Yongzheng’s) Amusements: ‘Copying a Sutra in a Studio’; image courtesy of the Palace Museum, Beijing 歐洲顯赫私人收藏，並由家族成員繼承《胤禛行樂圖：畫齋寫經》，北京故宮博物院藏 Easily identified by its brilliantly-coloured red berries and evergreen 此盤飾靈芝、水仙、天竺和壽石紋飾，這組合取諧音「芝仙祝壽」 bamboo-like leaves, the nandina is also known as the ‘heavenly 之意，為雍正時期常見紋飾之一。北京故宮博物院藏《胤禛行樂 bamboo’, tianzhu 天竺, for its resistance to the cold winters and as 圖：書齋寫經》圖中，描繪雍正帝著文人服飾，展示執筆寫經的 a welcoming sight of the season. When paired with the narcissus, 場景，而門窗外亦可見「芝仙祝壽」的主題，見《雍正：清世宗 shuixian 水仙, the fungus, lingzhi 靈芝, and rockworks, shoushi 壽石, 文物大展》，台北，2009年，編號I-57，頁117。杜倫大學的高本 they form the pun ‘may the immortality of the fungus congratulate you 堪東方博物館藏Malcolm Macdonald舊藏一件例子可資比較，見 on your birthday and bestow longevity’, zhixian zhushou 芝仙祝壽. 《A Descriptive and Illustrated Catalogue of the Malcolm Macdonald The fondness of the Yongzheng emperor for this floral and rockwork Collection of Chinese Ceramics in the Gulbenkian Museum of Oriental composition is evident in a painting from the Qing Court Collection Art and Archaeology》，牛津，1972年，圖版LXXII，編號205。玫茵 in the Palace Museum, Beijing, depicting the emperor sitting in the 堂也藏一件相似的鬥彩盤，見R.Krahl著《Chinese Ceramics from the imperial garden copying a sutra, illustrated in Harmony and Integrity: Meiyintang Collection》，倫敦，1994至2010年，第二冊，頁135，編 The Yongzheng Emperor and His Times, Taipei, 2009, no.I-57, p.117. 號765。香港佳士得也曾售出一對類似的例子可做比較，2014年5月 28日，拍品2911。 Compare an example illustrated in A Descriptive and Illustrated Catalogue of the Malcolm Macdonald Collection of Chinese Ceramics in the Gulbenkian Museum of Oriental Art and Archaeology, Oxford, 1972, pl.LXXII, no.205. See also a similar doucai dish in the Meiyintang Collection, illustrated by R.Krahl, Chinese Ceramics from the Meiyintang Collection, London, 1994-2010, vol.II, p.135, no.765.

A pair of similar dishes was sold at Christie’s Hong Kong, 28 May 2014, lot 2911.

FINE CHINESE CERAMICS AND WORKS OF ART | 95 The imperial teadust-ground famille rose vase Gilt-incised Qianlong seal mark and of the period 清乾隆御製茶葉末釉粉彩開光「富貴綿長」雙龍耳瓶「大清乾隆年製」篆書印款

“The factory glaze can be classified as eel-skin yellow, snake-skin green and speckled yellow”

Tang Ying ‘Commemorative Stele on Ceramic Production’ 1735 Gazetteer of Fuliang County, 1763

「一仿廠官窯，有鱔魚黃、蛇皮綠、黃斑點三種」

《陶成紀事碑記》，唐英，錄於乾隆四十八年《浮梁縣志》

98 | BONHAMS

THE PROPERTY OF A LADY 女士藏品

47 AN EXCEPTIONALLY RARE IMPERIAL TEADUST-GROUND FAMILLE ROSE VASE Gilt-incised Qianlong seal mark and of the period The bulbous body finely enamelled with four raised medallions, one pair decorated in mirror image with a tasselled harlequin lantern hanging from a flowering peony branch issuing from rockwork above buds of aster, lingzhi fungus and other blossoms, the other pair also in mirror image and similarly enamelled with a tasselled harlequin lantern suspended from tree peony above further blossoms and lingzhi sprays, the medallions each encircled by a gilt border and reserved against an even teadust-glazed ground finely speckled with flakes of gilt, the moulded flaring neck flanked by a pair of reticulated stylised dragon handles edged with gilt, the underside similarly glazed with gilt speckles. 36.9cm (14 1/2in) high

HK$6,000,000 - 8,000,000 US$770,000 - 1,000,000

清乾隆御製茶葉末釉粉彩開光「富貴綿長」雙龍耳瓶「大清乾隆年製」篆書印款

Provenance 來源: A distinguished English private collection

英國顯赫私人舊藏

100 | BONHAMS

imitate a variety of materials such as coral, silver and bronze, wood, lacquer, and bamboo. The glaze on the present vase, known as ‘teadust’ is a crystallised glaze, which reached its maturity during the Yongzheng and Qianlong periods. Known as Chang guan (Factory glaze) in Qing texts, it is composed of yellow and olive specks resembling the tea dust. Due to varied firing conditions, a diverse range of tones results, with a subsequent flurry of names such as ‘eel yellow’, ‘crab-green’, ‘snake-skin green’ and others.

The combination of teadust monochrome glaze with famille rose decoration is extremely rare. However, for a related example combining a monochrome glaze with famille rose enamelled medallion decoration from the Qing Court Collection, see a large famille rose bronze-brown- ground double gourd vase, Qianlong, illustrated in The Complete Collection of Treasures of the Palace Museum: Porcelains with Cloisonne Enamel Decoration and Famille Rose Decoration, Hong Kong, 1999, pl.138. For another example see a famille rose teadust- ground double gourd vase, Qianlong seal mark and period, produced in 1743, during the superintendence of Tang Ying, now in the National Palace Museum, Taipei, illustrated by Liao Pao Show, Stunning Decorative Porcelain from the Ch’ien-lung Reign, Taipei, 2008, pl.67.

The four circular medallions, one on each side, divided to two pairs each in mirror image of the other, are vibrantly decorated in the famille rose palette with floral blossoms including tree peony, rose, aster, pink and lingzhi fungus. The peony known as the ‘King of flowers’ represents Spring and the lingzhi fungus the wish for longevity; combined they are symbolic of renewal.

Other than these auspicious meanings, the medallions also appear to establish a ‘window’ to an idyllic garden scene for the viewer to Image courtesy of the Palace Museum, Beijing contemplate. Idealised visions of nature are presented by the flowers 北京故宮博物院藏 and plants growing naturally and unrestrained amidst the rocks, beneath the overhanging branches suspending lanterns swaying gently in the wind. The use of medallions to invite and bring a viewer to ‘a world beyond’, by depicting miniature landscapes and garden scenes, The magnificent famille rose teadust-ground vase is extremely rare and seemed to have gained exceptional prominence and favour during no other example appears to have been published. the Qianlong emperor’s reign. There are many examples of Qianlong period famille rose porcelain with landscape medallions in the imperial The vase is an outstanding example of Qing dynasty innovation and collections including a pair of ruby-ground bowls and a reticulated experimentation during the 18th century in form, glaze and decorative ruby-ground vase in the National Palace Museum, Taipei, illustrated by design. Liao Pao Show, ibid., pls.12 and 69. It is interesting to note that the famille rose medallions on both the present vase and latter example in The form of the vase, whilst demonstrating boldness and confidence the National Palace Museum are raised. This would have been another in shape and size, is also a continuation of monochrome vases of the consideration and challenge during the potting process, requiring preceding Yongzheng period, which were in turn inspired by bronze dexterous and precise craftsmanship. archaic vases of the late Spring and Autumn period and Han dynasty (6th to 2nd century BC): see for example a smaller celadon-glazed The unusual harlequin design of the tasselled lanterns can also be vase, Yongzheng mark and period, sold at Sotheby’s Hong Kong seen in the diamond-shaped geometrical elements on a turquoise- on 8 October 2010, lot 2671. The archaic inspiration of the present ground famille rose pierced-rim dish, Qianlong seal mark and of the vase follows the Qianlong emperor’s call to ‘restore ancient ways’, period, in the National Palace Museum, Taipei, museum no.12703. referring to the view of ancient culture as having intrinsic qualities Compare also the cross-shaped elements on a famille rose gilt ground of sincerity, simplicity and happy exuberance. For this purpose the double-gourd vase, Qianlong seal mark and of the period, in the emperor instructed the court to collect drawings of antiquities, such as Jiangxi Province Jingdezhen Pottery and Porcelain Museum, illustrated the Xi Qing Gu Jian (Catalogue of Xiqing Antiquities), which were then in China’s Jingdezhen Porcelain Through the Ages, Qing Dynasty, provided to craftsmen for inspiration. See Chang Li-tuan, The Refined Beijing, 1998, nos.194 and 195. See also a rare pair of famille rose Taste of the Emperor: Special Exhibition of Archaic and Pictorial Jades yellow-ground moonflasks, Qianlong seal marks and of the period, with of the Ch’ing Court, Taipei, 1997, pp.49-50. harlequin designs and decorated with dragon boats, sold at Sotheby’s Hong Kong, 11 April 2008, lot 2821. Innovative and archaic-inspired porcelain production reached its peak during the Qing dynasty, under the direction of Tang Ying (1682-1756) The vase of bold proportions, imposing size and complex decorative who was sent by the imperial court to Jingdezhen as Superintendent and technical design, is a manifestation of Qing dynasty opulence and of the imperial porcelain works, circa 1728-1748. An important virtuosity achieved by the master-potters during the Qianlong period. element of this innovation was achieved through experimentation Made for the pleasure of the emperor and the imperial court, this vase in monochrome glazes and the playful simulation using porcelain to was very possibly the result of a special, arguably unique, commission.

102 | BONHAMS

瓶撇口，長頸，豐肩，圓身，圈足外撇。頸部兩側塑龍耳，瓶身通體施茶葉末釉，瓶身四面作開光並各以粉彩繪山石花卉及牡丹靈芝，牡丹花枝上繫一盤長，盤長下結三流蘇，寓意「富貴綿長」。整器造型端莊而古雅，茶葉末釉配合粉彩裝飾新穎而雅緻，為宮廷器物中極為稀有之例。

此瓶器形呈前朝之風，慕春秋戰國及漢代青銅器之古韻，整體造型秀雅端莊但不失大氣。參見一例尺寸較小的清雍正青釉瓶，售於香港蘇富比，2010年10月8日，編號2671。乾隆皇帝能文善武，嗜古成癖，曾命梁詩正等人纂修《西清古鑑》，記錄清代宮廷所收藏商周至唐代青銅器過千件。因為在藝術風格上乾隆皇帝又追求復古而出新，所以《西清古鑑》中所著錄之古器物對御窯廠的製瓷也給予很大影響。

乾隆一朝之景德鎮御窯廠燒造官窯器，呈前朝之精良推巧思之創新。在負責督理景德鎮窯務的唐英（1682-1756）的督理下，御窯廠為迎合上意不斷試製和創新樣供奉，把雍正時期已有的造型及裝飾方法弘揚並大力慕古和革新，從而出現了一些華麗奇巧的獨特品種。此時御窯廠除了使用不同的單色釉來模仿各種材質例如珊瑚、青銅器甚至是木頭及竹器的紋理以外，亦創燒出鱔魚黃、蟹甲青、蛇皮綠及茶葉末等單色釉品種。此類品種在清代典籍中被稱為「廠官釉」，其中茶葉末釉以其青褐色釉中散佈不規則的黃色星點或絲紋為特點，燒成後色調有深淺之分，清新雅緻。

此類同時以單色茶葉末釉及粉彩開關裝飾的例子極為少見，清宮舊藏中有一件清乾隆粉彩醬地描金開光嬰戲圖葫蘆瓶可供參考，現藏於北京故宮博物院，見《故宮博物院藏文物珍品大系：琺瑯彩、粉彩》，香港，1999年，圖138。另見台北故宮博物院藏一件乾隆八年洋彩廠官釉金花葫蘆轉旋瓶可資參考，見廖寶秀編，《華麗彩瓷：乾隆洋彩》，台北，2008年，圖67。

此瓶瓶身四面開光中粉彩所繪牡丹山石兼揉西方繪畫技法，勾染皴 Image courtesy of the Palace Museum, Beijing 擦，濃淡分水，清新艷麗。牡丹又名「富貴花」，被視為花中之王，北京故宮博物院藏而靈芝寓意長壽，牡丹枝上繫盤長，則寓意「長壽富貴」或「富貴綿長」。此瓶上以菱形組合而成的盤纏，亦可於台北故宮博物院藏一件清乾隆綠松地粉彩盤上看到（博物館編號12703）。江西省景德鎮陶瓷博物館藏一件清乾隆粉彩葫蘆瓶上亦有類似的菱形紋飾，見《中國歷代景德鎮瓷器：清卷》，北京，1998，圖194及195。另見一對清乾隆黃地粉彩抱月瓶上所見，見香港蘇富比，2008年4月11日，拍品 2821。此瓶器形端莊大方而不失秀雅，裝飾工藝複雜卻一絲不苟，為乾隆御窯廠在前朝基礎上推陳出新所燒製出的難得宮廷佳器。

The Collection of the National Palace Museum, Taipei 台北國立故宮博物院藏

104 | BONHAMS FINE CHINESE CERAMICS AND WORKS OF ART | 105 VARIOUS OWNERS 各方藏家

48 A RARE CORAL-GROUND AND GILT-DECORATED VASE, The pair to the present vase, published by R.Krahl and C.Von Spee, MEIPING Chinese Ceramics from the Gulexuan Collection, Lünen, 2003, no.141, Late Qing Dynasty, gilt Shendetang mark was sold in our London rooms, 6 November 2014, lot 197. The narrow waisted neck and rounded shoulders tapering to a recessed base, covered with a bright iron-red ground lavishly gilt with The Shendetang, or Hall of Prudent Virtue, has been identified as a Hall eight stylised lotus flowers and formal lotus scrolls alternating in two at the western end of the Jiuzhouqingyan Palace, or Palace of Peace ranks amid buds and suspended ruyi heads, musical stones and in the Nine Regions, within the Yuanmingyuan grounds, and which was tassels, all between a ruyi border and lotus motifs at the neck and completed in 1831: see M.Wilson, Rare Marks on Chinese Ceramics, stylised petal panels, the base with a four-character kaishu mark. London, 1998, p.36. Geng Baochang in Ming Qing ciqi jianding, Hong 16.2cm (6 3/8in) high Kong, 1993, pp.385-386, records the mark on 34 different types of Daoguang-period vessels, including a red-glazed and gilt bowl, but on HK$200,000 - 300,000 only one Guangxu vessel. US$26,000 - 39,000 Amongst the Shendetang group of wares, the present lot is very unusual. The style of the gilding on the bright red ground suggests 清晚期珊瑚紅地描金纏枝蓮紋梅瓶描金「慎德堂製」楷書款 that it is a rare example from the Guangxu rather than the Daoguang period, and furthermore it has a gilt rather than an iron-red mark: in the Provenance 來源: late Qing dynasty text Taoya (Refinements of Pottery), vol.II, p.1, such Sotheby’s London, 15 December 1987, lot 172 (one of a pair) a gilt mark is noted as being ‘occasional’. Georg Weishaupt (1906-2004) Nagel, the Weishaupt Collection, 21 May 2004, lot 844 Compare a jardinière attributed to the Guangxu period with a related gilt flower design and similar lappet border on a bright red ground 倫敦蘇富比，年月日，拍品號其一 1987 12 15 172 illustrated in Chūgoku tōji zenshū (Complete Series on Chinese 舊藏 Georg Weishaupt(1906-2004) Ceramics), vol.21, Kyoto, 1981, pl.151. 德國納高，收藏，年月日，拍品 Weishaupt 2004 5 21 844 此器本為一對，另一件曾出版在R.Krahl and C.Von Spee著，《Chinese Ceramics from the Gulexuan Collection》，呂嫩，2003 年，編號141，後來售於倫敦邦瀚斯，2014年11月6日，拍品197。

慎德堂為圓明園內的一組建築，位於九州清晏的西面，於道光十一年（1831年）落成，請詳閱M.Wilson著，《Rare Marks on Chinese Ceramics》，倫敦，1998年，頁36。耿寶昌先生曾記錄過三十四種「慎德堂製」款，大部份繪在道光瓷器上，當中也包括一件光緒時期紅釉描金碗，見《明清瓷器鑒定》，香港，1993年，頁385至386。

《陶雅》記載：「慎德堂瓷器皆抹紅楷款，亦有金款者。」從目前傳世品中慎德堂瓷器大部份為紅彩款，描金款非常少見，且此瓶上的描金裝飾更具光緒風格，可見此瓶之罕有。

參考一件光緒時期紅地描金花卉紋花盆，見《Chūgoku tōji zenshū》，第21冊，1981年，圖版151。

Bonhams London, 6 November 2014, lot 197 (the pair to the present lot) 倫敦邦瀚斯2014年11月6日，拍品197（與此拍品本為一對）

106 | BONHAMS FINE CHINESE CERAMICS AND WORKS OF ART | 107 49 A VERY RARE LACQUERED AND ENAMELLED YIXING STONEWARE ‘CHRYSANTHEMUM’ TEAPOT AND COVER Qianlong The compressed globular body finely moulded as a chrysanthemum, flanked by a pointed spout and ‘C’-shaped handle, the exterior decorated with alternating wan symbols, ruyi-heads, bats and floral sprays, all lacquered red and picked out in gilt outlines above a dark blue ground, the base with a probably later red-lacquered Qianlong four-character kaishu mark. 17.5cm (6 7/8in) wide (2).

HK$250,000 - 400,000 US$32,000 - 52,000

清乾隆紫泥髹漆描金花卉蝠紋瓜棱壺

The tradition of Yixing wares commissioned by the court first began 瓜棱形壺身，短直流，正耳把，瓜棱形蓋，寶珠鈕，棱瓣形圈足。紫 in the Ming dynasty, however it was the subsequent Qing emperors 泥作胎，蓋與腹壁髹以藍漆為地色，繪描金粉彩蓮花蝙蝠雜寶紋，以 who prized purple clay teapots, building up a collection of stunning 金彩勾勒紋飾，並施以紅、黃、藍等彩填充。壺鈕，壺口沿及圈足均 Yixing teapots of all variety of form and decoration. The present lot 飾金彩。壺底圈足內罩黑漆一層，並以紅彩作「乾隆年製」四字楷書 is similar to a gilt-lacquered and enamelled Yixing teapot, gilt-incised 款，從底款制式來看，或為後加款。 Qianlong six-character mark and period, one of a pair, illustrated by Geng Baochang, The Complete Collection of Treasures of the Palace 以髹漆裝飾的宜興紫砂壺始於明代，清雍正年間清宮造辦處工匠將髹 Museum: Purple Sandy Ware, Shanghai, 2008, pp.34-35, no.27; like 器工藝運用至紫砂壺上，以供宮廷使用。宜興窯雖然是江蘇的地方窯 most lacquered Yixing wares, the Palace Museum teapot was kept 口，但仍然皇室的重視。至乾隆時期，宮中使用的宜興紫砂壺通常是 in the Yangxindian or Hall of Mental Cultivation and Qianqinggong or 成套或成對燒製。此類瓜棱壺責是在宜興燒胎，然後呈入宮廷由造辦 Palace of Heavenly Purity. It is noted that the Palace Museum example 處分別進行髹漆、描金、彩畫並書款，其款識的書寫格式與御用官窯 was first potted and fired in Yixing, Wuxi, Jiangsu Province, and then 瓷器是完全相同的。此瓜棱壺雖然髹漆及粉彩彩繪方式與宮廷一致， lacquered, enamelled and gilt within the Palace: See Wang Jianhua, 但以黑漆髹地並以紅彩寫款則較為少見，或為後加款。 Yixing Zisha Wares in the Palace Museum, Beijing, 2007, p.64. Wang also states that these Yixing teapots were produce for imperial use and 清宮養心殿舊藏一對清乾隆紫泥綠地描金瓜棱壺，但底部未髹漆，鈐 were made in sets or as pairs. 金彩「大清乾隆年製」六字篆書款，見耿寶昌，《故宮博物院藏文物珍品大系：紫砂器》，上海，2008年，頁34-35，編號27。參看北京 The chrysanthemum-form (also referred to as melon-form) of both 故宮博物院藏另一件清乾隆瓜棱壺，底部鈐「陳殷尚製」四字篆書 the Palace Museum example and the present lot required high 款，見同著錄，頁53，圖版40。 precision in executing the segments to simulate floral or plant shapes, demonstrating the exceptional technical excellence achieved by the potters during the Qianlong period.

Image courtesy of the Palace Museum, Beijing 北京故宮博物院藏 THE PROPERTY OF A GENTLEMAN 士紳藏品

50 A MAGNIFICENT VERY PALE GREEN JADE TEAPOT AND COVER 18th/19th century The teapot skilfully formed from a fine even-toned very pale green stone, the globular body raised on a low stepped foot, crisply carved in low relief on one side with two bats in flight over sprays of leafy chrysanthemum issuing from rockwork, the other side with a trunk of blossoming prunus with branches spreading over the rounded spout opposite the handle formed as a single-horned mythical beast, the interior expertly hollowed and gently polished, the cover carved with sprays of flowering prunus and narcissus buds on leaves beneath the knop with four rows of radiating petals. 19.3cm (7 5/8in) wide (2).

HK$600,000 - 800,000 US$77,000 - 100,000

十八/十九世紀青白玉雕花卉紋夔龍柄執壺

Provenance 來源: An English private collection and thence by descent

英國私人收藏，並由家族成員繼承

110 | BONHAMS Detail Exquisitely crafted jade vessels such as the present teapot and cover 青白玉質，瑩潤溫澤，壺唇口，扁圓身，壺流微彎，夔龍式柄，圈足 are amongst the most impressive and eye-catching objects in the 微撇。壺身一面淺浮雕山石梅花，另一面雕牡丹，壺蓋亦雕刻花卉紋 imperial collections, for the opulent use of the precious jade stone, 與壺身呼應。 the exquisite form and accomplished carving. The delicacy of the floral stems reaching across the smoothly carved and evenly toned 清宮中有大量玉雕宮廷日用器，但執壺的數量相對較少。玉雕飲食器 body is a masterful demonstration of the finesse and sensitivity of the 皿，因雕刻多費玉料，自漢代起就稀世如珍。劉明倩指出：「宋徽 craftsman, exemplary of jade craftsmanship at its peak. 宗嗜愛以玉杯飲酒，視其為權利象徵，以震懾契丹。玉雕器皿製作艱難，其價值多勝於瓷製品。」見《Chinese Jades》，倫敦，2004 Food and drink vessels made of jade were extremely cherished 年，頁38-44。 treasures from as early as the Han dynasty, particularly as they required great expense and wastage of precious jade to produce. 相似之例，見北京故宮博物院藏數件玉雕執壺，其中一件亦採用夔龍 M.Wilson in Chinese Jades, London, 2004, p.38, records an anecdote 形柄，見《故宮博物院藏品大系，清代玉器10》，北京，2011年，圖 of the Song dynasty ruler, Emperor Huizong, expressing concern about 版131-135。另參看一例清乾隆白玉雕執壺，著錄於《閣有天珍: 中國 his desire to use jade cups being viewed as an extravagance, and a 文房玉雕》，香港，2007年，編號23。另一件清乾隆白玉雕光素執壺 cunning courtier suggesting that such use was an important emblem 於英國威立士售出，2011年5月18日，編號471。 of his power in comparison to the rival Qidan dynasty. The author also notes that ‘of all food and wine vessels, the ewer is the most difficult to make.... [such pieces] would this have been more valuable and rare than porcelain ones...’, see ibid., p.44.

The chrysanthemum, juhua 菊花, and plum blossom, meihua 梅花, forms the auspicious synergy of the ‘Two Friends of Winter’, suihan eryou 歲寒二友. Both motifs symbolises longevity as they remain constant despite the inclement weather. The combination of these two elements can also be read as meishou 眉壽, whereby the plum blossom is a pun for eyebrow, mei 眉; a long eyebrow is considered a sign of longevity. Bats, fu 蝠, can also be read as fu 福, which forms the pun fushou 福壽, which literally translates as ‘prosperity and longevity’. Similarly, the narcissus, shuixian 水仙, is a pun for ‘immortality’, and when combined with the imagery of plum blossoms as carved on the teapot cover, they form the pun tianxian gongshou 天仙供壽, which literally translates as ‘May the heavenly immortals honour you with longevity’.

Several examples of white jade teapots and covers dated to the Qing dynasty, including one with related treatment of the mythical beast head handle as the present lot, are illustrated in Compendium of Collections in the Palace Museum: Jade 10: Qing Dynasty, Beijing, 2011, nos.131-135. See also a white jade teapot and cover, Qianlong, from the collection of Andrew K.F.Lee, illustrated in Virtuous Treasures: Chinese Jades for the Scholar’s Table, Hong Kong, 2007, Catalogue, no.23.

Compare a related white jade teapot and cover, Qianlong, but of plain exterior, sold at Woolley and Wallis, Salisbury, 18 May 2011, lot 471.

112 | BONHAMS FINE CHINESE CERAMICS AND WORKS OF ART | 113 51 Detail

114 | BONHAMS A magnificent very pale green jade ‘marriage’ bowl Qianlong 清乾隆青白玉雕花卉紋雙蝶耳活環洗 VARIOUS OWNERS 各方藏家

51 A MAGNIFICENT VERY PALE GREEN JADE ‘MARRIAGE’ BOWL A number of similarly fine jade bowls are preserved in museum and Qianlong private collections. For a related example of the use of butterfly The smooth, softly polished sides finely hollowed from a very pale handles, see a white jade censer and cover with four butterfly handles green stone and raised on four low feet curved to follow the shape suspending loose rings, illustrated in The Complete Collection of of the bowl, the two opposing handles each formed as a butterfly Treasures of the Palace Museum: Jadeware (II), Shanghai, 2008, spreading its delicate wings to each side and the long antennae pl.27; see also a jade bowl with closely related butterfly handles looping towards the wing tips, each butterfly supported on a handle but fish carved on the interior, illustrated by P.F.Schneeburger, The suspending a loose ring, the interior crisply carved in relief with two Baur Collection, Geneva, 1976, no.B11; another also with butterfly opening blossoms and a bud amongst intertwined serrated foliage, handles but with the Three Auspicious Fruits in the well is illustrated wood stand. 21.5cm (8 1/2in) wide (2). by R.Kleiner, Chinese Jades from the Collection of Alan and Simone Hartman, Hong Kong, 1996, no.88 and sold at Christie’s Hong Kong, HK$1,500,000 - 1,800,000 27 November 2007, lot 1503. US$190,000 - 230,000 青白玉質。圓身，敞口，淺腹。洗兩側雕蝴蝶形耳並套活環，腹壁內外光素，洗底內部凸雕纏枝牡丹。底部有四矮足。清乾隆青白玉雕花卉紋雙蝶耳活環洗此玉洗雕工嫻熟，內底凸雕與腹部光素形成對比更顯雍容雅緻。類似 Provenance 來源：例子可在博物館及私人收藏中所見，北京故宮博物院舊藏一件青玉 Acquired from John Sparks Ltd., London, on 29 November 1954 四蝶耳活環，其蝶形耳與本拍品類似，見《故宮博物院藏文物珍品 A European private collection and thence by descent 大集：玉器（下）》，上海，2008年，圖版27。另見鮑氏收藏一件蝴蝶耳活環洗，著錄與P.F.Schneeburger，《The Baur Collection》， 1954年11月29日購自倫敦古董商John Sparks 日內瓦，1976年，編號B11，另見一件玉雕三多紋雙碟耳活環洗，歐洲私人收藏，並由家族繼承著錄於R. Kleiner，《Chinese Jades from the Collection of Alan and Simone Hartman》，香港，1996年，編號88，後由香港佳士得售 The present lot is an exemplary piece of Qianlong period jade carving 出，2007年11月27日，編號1503。 in its varied styles: the crisp, tautly curled carving on the interior contrasts with the open simplicity of the butterflies and the softly polished smooth exterior. Finely carved jade bowls such as the present lot were often decorated with auspicious motifs such as bats and butterflies to form the handles, or a pair of fish on the interior, making them a most suitable gift for happy occasions such as a marriage. The pair of butterfly handles on the present lot symbolises joyful encounter, xi xiang feng 喜相逢, and by extension marital happiness; with the pair of delicate insects embodying the union of husband and wife.

116 | BONHAMS FINE CHINESE CERAMICS AND WORKS OF ART | 117 52 A WHITE JADE ‘BASKETWEAVE’ SNUFF BOTTLE Qianlong/Daoguang The compressed globular body with a concave foot and cylindrical neck, finely carved in relief to the body with tight basket weave patterns, the stone of an even white tone, stopper. 5cm (2in) high (2).

HK$100,000 - 150,000 US$13,000 - 19,000

清乾隆/道光白玉雕柳編紋鼻煙壺

Provenance 來源: Buntyn of Honolulu, Hawaii, 1990 Christie’s New York, Hildegard Schonfeld Collection, 21 March 2013, lot 1110

夏威夷檀香山，1990年紐約佳士得，Hildegard Schonfeld收藏，2013年3月 21日，拍品1110

PROPERTY FROM A DISTINGUISHED EUROPEAN PRIVATE COLLECTION 歐洲顯赫私人收藏 Lots 53 - 55 52 53 A SMALL PALE GREEN JADE INCENSE BURNER AND COVER Late Qing Dynasty The compressed globular body supported on three short waisted feet, with delicately carved scroll handles, each with a loose ring suspending from a dragon head grasping a scrolling tendril in its mouth, the slightly compressed domed cover surmounted by a pair of Buddhist lions flanking a brocade ball, the stone of an even pale tone, wood stand. 10.6cm (4 1/2in) wide (3).

HK$120,000 - 180,000 US$15,000 - 23,000

清晚期青玉雕龍耳活環三足蓋爐

Provenance 來源: An English private collection, acquired before 1980, and thence by descent

英國私人收藏，於1980年前購得，並由家族成員繼承

Compare a related larger pale green jade incense burner and cover, late Qing dynasty/Republic period, with taotie design, from the Avery Brundage Collection, in the Asian Art Museum of San Francisco, ref.no.B60J25.

三藩市亞洲藝術博物館藏Avery Brundage舊藏一件清晚期/民國青玉雕饕餮紋蓋爐可作比較，館藏編號 B60J25。

118 | BONHAMS PROPERTY FROM A DISTINGUISHED EUROPEAN PRIVATE COLLECTION 歐洲顯赫私人收藏

54 A FINE VERY PALE GREEN JADE FIGURE OF GUANYIN AND ATTENDANT 19th century Carved standing in long flowing robes beside a young boy, probably depicting Shancai, with hands clasped together wearing a celestial ribbon, with one hand holding a rosary and the other tucked in her robes, her slender face carved with a peaceful smiling expression, the stone of a very pale green tone, wood stand. 19cm (7 1/2in) high (2).

HK$150,000 - 200,000 US$19,000 - 26,000

十九世紀青白玉雕觀音善財立像

Provenance 來源: An English private collection, acquired before 1980, and thence by descent

英國私人收藏，於1980年前購得，並由家族成員繼承

Legend has it that Shancai was a disabled boy from India who wanted to study the dharma. Upon hearing that there was a Buddhist teacher on the rocky island of Putuo he journeyed there and found Guanyin despite his disability. Guanyin decided to test the boy’s resolve to fully study the Buddhist teachings, conjuring the illusion of three sword- wielding pirates running up the hill to attack her. Shancai, seeing that his teacher was in danger, hobbled uphill and when seeing Guanyin jumping over the edge of the cliff, followed her. Shancai fell down the cliff but was halted in mid-air by Guanyin, who now asked him to walk. Shancai found that he could walk normally and that he was no longer crippled. When he looked into a pool of water he also discovered that he now had a very handsome face. From that day forth, Guanyin taught Shancai the dharma.

Compare a related white jade figure of Guanyin on rockwork, Qing dynasty, from the Palace Museum, Beijing, illustrated in Noble Virtuosity: Imperial Jades of the Qing Dynasty from the Palace Museum, Macau, 2012, pl.12. A related smaller white jade figure of Guanyin, Qianlong, carved seated on rockwork, sold at Sotheby’s Paris, 9 June 2011, lot 19; see also a related pale celadon jade figure of Guanyin standing on a dragonfish, 19th century, sold at Sotheby’s New York, 16-17 September 2014, lot 269.

北京故宮博物院藏一件清代白玉雕觀音，可資參考，見《君子比德：故宮珍藏清代玉器精品集》，澳門，2012年，圖版12。另見一件清乾隆雕觀音坐像，後於巴黎蘇富比售出，2011年6月9日，編號19 。另有一件19世紀青玉雕觀音立像，售於紐約蘇富比，2014年9月15-17日，編號269。 PROPERTY FROM A DISTINGUISHED EUROPEAN PRIVATE COLLECTION 歐洲顯赫私人收藏

55 A RARE SPINACH-GREEN JADE ‘LAOZI PASSING THROUGH THE HANGU PASS’ DOUBLE-SIDED CIRCULAR SCREEN Early 19th century Skilfully worked into a large circular plaque with varying levels of relief on both sides, the front side decorated with Laozi riding a buffalo flanked by a young attendant, greeted by Yinxi beside his attendant holding a plantain leaf fan, all within a landscape scene with the fortified Hangu Pass at the top, amidst rocky ledges, lush pine trees, and a waterfall, the reverse carved with a large pavilion beside a river with tall overhanging pine trees and a crane in mid-flight overlooking another crane perched on rockwork, the stone of an intensely rich spinach green tone with minor pale green speckled inclusions. 21.5cm (8 1/2in) diam.

HK$600,000 - 800,000 US$77,000 - 100,000

十九世紀早期碧玉雕「老子出關」圖插屏

Provenance 來源: A European private collection

歐洲私人收藏

120 | BONHAMS Front The rare double-sided spinach green jade screen depicts on its front 碧玉玉質，含淺綠色及黑斑。插屏圓形，一面浮雕「老子出關」圖， the episode of the great philosopher and poet Laozi, founder of 老子騎於牛背，準備出函谷關雲遊四海，遠處見尹喜拱手相迎，另一 Daoism, passing through the Hangu Pass meeting the commander 面雕仙鶴亭台圖，高山清水，仙鶴祥雲，一派仙境。插屏雙面均顯精 of the Pass, Yinxi. Various versions of the legend exist. According to 湛雕工，深淺有度，頗有意境。 one, when Yinxi was guarding the Hangu Pass in Henan Province, he saw a purple vapour coming from the east, auguring the arrival of 相傳老子見周王朝日漸衰敗，便選擇離開故土，準備出函谷關四處雲 an important person. He cleared the paths and waited outside, soon 遊。函谷關總兵尹喜遠眺日出東方，見紫氣東來，出關相迎，見老子 seeing Laozi arriving on his mount. Yinxi invited Laozi into his place 騎青牛而來，便辭官隨老子沿秦嶺終南山神仙路西行，行至將軍山 of meditation, where the philosopher wrote the Daode jing (‘Book of 下，只見祥雲繚繞，溪流縱橫，魚翔淺底，百鳥爭鳴，泉水叮咚，猶 Dao’) and gave it to him. Laozi then remounted and disappeared into 如世外桃源。傳說《道德經》就是在此情境下應運而生。 the mist. This theme is also known as ziqi donglai (‘purple vapour coming from the east’) and is an idiom for foretelling the coming of 參看Avery Brundage舊藏一件青玉山子，亦以「老子出關」為主體而 miraculous things to come. According to other versions Yinxi became 雕刻，見《Chinese Jades: Ming Dynasty to Early Twentieth Century a disciple and left with Laozi. from the Asian Art Museum of San Francisco》，三藩市，2007年，圖版360。另見國立楓丹白露宮博物館藏一件白玉雕仙鶴亭台圓形硯 A green jade boulder with the same subject matter, from the Avery 屏，著錄於M.Crick，《Chine Impériale: Splendeurs de la Dynasties Brundage Collection, is illustrated by M.Knight, He Li and T.Tse Qing (1644-1911)》，鮑氏基金，日內瓦，2014年，頁1153，圖版 Bartholomew, Chinese Jades: Ming Dynasty to Early Twentieth 68。 Century from the Asian Art Museum of San Francisco, San Francisco, 2007, pl.360. For a related subject matter on the reverse of a crane looking up at another in flight, see a white and russet jade circular screen, Qianlong, from the Musée National du Château de Fontainebleau, illustrated by M.Crick, Chine Impériale: Splendeurs de la Dynastie Qing (1644-1911), Geneva, 2014, p.153, pl.68.

122 | BONHAMS Reverse

FINE CHINESE CERAMICS AND WORKS OF ART | 123 THE PROPERTY OF AN ENGLISH FAMILY 英國家族藏品

56 A FINE AND RARE WHITE JADE ‘BAJIXIANG’ ‘MARRIAGE’ BOWL Qianlong The rounded sides finely carved in relief with evenly-spaced beribboned Eight Buddhist Emblems, bajixiang, above a lappet border, each enclosing a trefoil motif, the lipped rim flanked by a pair of high relief carved mythical beast handles, each suspending a loose ring, all elevated on five splayed ruyi feet, the stone of an even white tone with faint russet veins, wood stand. 21.5cm (8 1/2in) wide (2).

HK$600,000 - 800,000 US$77,000 - 100,000

清乾隆白玉雕八吉祥紋獸耳活環洗

Provenance 來源: Acquired prior to 27 November 1946 (date of valuation by Camerons Ltd., London), and thence by descent

於1946年11月27日前購得（此為倫敦Camerons Ltd.為其作估價之日期），並由家族繼承

Invoice

124 | BONHAMS

The present bowl demonstrates the highly skilled craftsmanship achieved at the height of the Qing dynasty, during the celebrated Qianlong reign. This is exemplified in the remarkable carving of the mythical beast loose ring handles, the evenly spaced Eight Buddhist Emblems on the exterior, finely balancing the symbolic embellishment of the exterior yet successfully allowing the fine quality of the white jade to show at the same time.

It is likely that the present bowl was carved after the Qianlong emperor’s campaign for the pacification of the Dzungars and Xinjiang (1755-1759), as this campaign secured control over the area of Khotan, allowing direct access to greater quantities of larger-sized high quality jade and therefore for the production of generously proportioned carvings and vessels such as the present lot compared to previous periods. For related jade ‘marriage’ bowls from the Qing Court Collection, see Zhen Xinmiao, Compendium of Collections in the Palace Museum: Jade, Qing Dynasty, vol.10, Beijing, 2010, pls.180, 198 and 205. The sheer opulence of the present bowl is emphasised by the generous proportions of the well-hollowed interior, and the significant wastage of the prized jade stone in the carving of the flanking mythical beast loose ring handles, thus creating a spacial depth of form. The five ruyi-shaped supports also raise the bowl, allowing a greater appreciation of the well carved lappet border and finely balanced suspended rings.

This magnificent jade bowl belongs to the group of ‘marriage’ bowls alternatively carved with butterfly, bat or dragon handles, popular in the Qing Court. Just as with butterfly-handled bowls, the two mythical beasts also represent the concept of happiness at union. This combined with the auspicious Eight Buddhist Emblems: Pair of Fish, Victory Banner, Wheel of Dharma, Parasol, Lotus, Endless Knot, Treasure Vase and Conch Shell, would have been a particularly fitting present on the event of a wedding celebration.

Compare a white jade ‘marriage’ bowl carved with similar mythical beast-head handles, in the De An Tang collection, included in the Palace Museum exhibition A Romance with Jade, Beijing, 2004, Catalogue no.7. See also a related pale green jade ‘marriage’ bowl, 18th century, but carved on the exterior with leafy blossom sprays and lingzhi and on the interior with lingzhi, sold at our London rooms, 17 May 2012, lot 40.

青白玉質，洗圓身，敞口，底承五如意雲足，器身兩側作獸耳，獸耳下有活環。器身外壁一周浮雕八吉祥紋，近足出雕蓮瓣一周。器內壁光素無紋，透露玉質自身瑩潤之光澤。

此洗所用玉質上佳。乾隆二十四年平定新疆地區準格爾部和回部動亂後，大量上等玉料進入宮廷，促進了宮廷玉器的製作生產。清宮舊藏中類似的玉雕洗，可見《故宮博物院藏品大系，清代玉器10》，北京，2010年，圖版180，198及205。工匠刻意不在此洗內壁作裝飾，以最大空間展示玉質本身，同時其活環獸耳及如意雲足又足顯工匠精工，為難得的一器。

傳世品中類似之例，見北京故宮博物院展覽圖錄，《玉緣：德安堂藏玉》，北京，2004年，編號7。另見一件18世紀青玉雕靈芝洗，售於倫敦邦瀚斯，2012年5月17日，編號40。

126 | BONHAMS FINE CHINESE CERAMICS AND WORKS OF ART | 127 日清取暉 ‘Qinghuige, west of the sleeping chambers 資閣 Standing grand and tall, both air and incense flows 治在通寢 Far reaching views through many layers 鑑殿一西 Sitting quietly for a few moments 二偏 Viewing the serene landscapes, anxiety dissipates 冊，觀高 Entering a tranquil realm 之爽，延 Mind and body become one’ 周熏， The Jiaqing Emperor 而復幽 (Cyclically dated wuchen zhongfu ri, 28 July 1808, 始深《清暉閣觀書記》 Qinghuige guanshu ji ‘Reading at Qinghuige’) ，障默景有。所機得暇 . . 靜 . . 坐 . 御，筆遠清屏暉煩閣歊觀。書境記界，清嘉涼慶，帝心戊神辰融年會中。伏日作

THE IMPERIAL SPINACH-GREEN JADE ‘SHUI MU ZHAN QING HUA’ SEAL

Guo Fuxiang

The present extraordinary imperial seal belonging to During the Qianlong period, numerous seals were the Jiaqing emperor is made of spinach-green jade and grouped in three, comprising a head seal and two the knob is carved with a dragon crouching on his four accompanying seals. Such particular seal groupings can legs amidst cloud scrolls. It is 4.2cm square and 7cm be further categorised into two sub-types. The first type high, incised with five characters Shui mu zhan qing bears a pavilion’s name as the head seal and two poetic hua (‘Tranquil water and luxuriant trees in the garden’). phrases on the accompanying seals, explaining the The carvings on both the seal knob as well as the seal origin and history of that particular pavilion. The second itself are exceptionally refined and meticulous, fully type bears three closely related proverbs as inscriptions, demonstrating the high level of craftsmanship. This seal constituting a ‘proverbs seal set’. The Jiaqing emperor is recorded in the Jiaqing Baosou, a catalogue of the certainly followed suit and created at least seventy sets Jiaqing emperor’s imperial seals, now preserved in the of seals of similar format.1 The present imperial Palace Museum, Beijing, and is undoubtedly a genuine spinach-green jade ‘Shui mu zhan qing hua’ seal falls imperial artefact of the Jiaqing period, given its matching into the first type of such conscientious seal grouping. texture, size, calligraphic style and composition of the seal with the recorded one. There is no doubt that the Jiaqing emperor deliberately followed his father for his aesthetic merit, as reflected According to the Jiaqing Baosou, this seal is part of a in the form and craftsmanship of this seal. The seal set of three, with the other two bearing the inscriptions inscriptions, on the other hand, reveal more of the of Qinghuige (‘Pavilion of Purity and Sunlight’) and Yun ri Jiaqing emperor’s personal feelings and thoughts during xiang hui ying (‘Cloud and sun brightening each other’), his reign. As mentioned above, the present imperial confirming that this set of seals was created specifically seal belongs to a set of three seals where the first to be stored in Qinghuige within the Yuanmingyuan. denotes the name of an imperial hall or pavilion. This combination was favoured by the Qianlong emperor and The Jiaqing emperor, whose given name is Yongyan, was followed by his fifteenth son when he ascended was the fifth emperor in the Qing dynasty. Prosperity the throne. In the case of the ‘Shui mu zhan qing hua’ continued from the Kangxi and Qianlong periods and seal, as it belongs to a set of three seals especially made through Jiaqing’s 25 years of ruling; yet Jiaqing’s reign for use in the Qinghuige within the Yuanmingyuan, it period indicates a critical point in the Qing dynasty, is necessary to study and take into consideration the with the downfall of the nation following his reign. inscriptions carved on the two other seals, which would This suggests a complicated state of affairs for both have comprised the set, and the historical context of the the Jiaqing emperor and the nation. Among the Qing place in relation to the Jiaqing emperor himself. emperors, the Jiaqing emperor owned a relatively substantial collection of seals, with the qualities and Qinghuige was located in the western part of style of the seals exemplifying the characteristics of Jiuzhouqingyan, an imperial palace complex built north such a transitional period. Despite being crowned at of the Qianhu Lake within the Yuanmingyuan. Three main 36, the emperor enjoyed little political power during palaces, the Yuanmingyuan Palace, the Fengsanwuci the first five years of his reign. Instead, the emperor Palace and the Jiuzhouqingyan Palace stood along emeritus, Qianlong, continued to carry out the ultimate the complex’s main axis, forming the core part of the rulings. Under this particular circumstances, it was Summer Palace. To the east of the main axis was the not easy for the Jiaqing emperor to separate himself Tiandiyijiachun Palace, where the Daoguang emperor from certain formats that were well-established in the was born, and to the west was the residence of the former reign. These formats were maintained during the Qianlong emperor, the Le’anhe Palace. Qinghuige was Jiaqing period and are distinctly represented in his seals, built on a terrace further to the west of the Le’anhe especially in the way of grouping the seals. Palace. The palaces within the complex that were built during the Kangxi period are among the earliest constructions in the Yuanmingyuan.

130 | BONHAMS The short distance between the emperor’s personal The inscription on the other accompanying seal ‘Yun residence and the Qinghuige made the latter an ri xiang hui ying’ was adopted from a Southern and important retreat during the emperor’s visit and Northern dynasties poem Deng jiang zhong gu yu (‘On stay in the Summer Palace. Records indicate that a Climbing the Solitary Island in the River’), composed by monumental painting of the Yuanmingyuan’s panoramic the prominent poet Xie Lingyun. In his poem, Xie wrote view was hung on the northern wall of Qinghuige during ‘cloud and sun brightening each other, sky and water the Qianlong period.2 It is also known that the Qianlong both freshened and limpid’, displaying the compelling emperor was particularly fond of the nine pine trees in and marvellous aspect of the landscape he experienced front of the Qinghuige, where he used to be sit beneath when he was roaming around the solitary island amidst for tea tasting or playing the qin. the river, at the same time expressing his admiration on the contrast between the beguiling sky and the The Jiaqing emperor visited Qinghuige for the first enchanting clouds. time in 1801, to honour and pray for his father’s great guidance and tolerance. In a poem titled “Qinghuige” These two couplets match perfectly with the allure written during this first visit, the Jiaqing emperor emanating from Qinghuige, and are thus of metaphorical expressed his hope to follow in his father’s footsteps, significance to this Yuanmingyuan pavilion. It is common protecting the imperial family’s royal legacy.3 Following that seals interact with literature, explaining why the this first visit, the emperor continued to visit Qinghuige Jiaqing emperor decided to merge this poetry with his year after, becoming increasingly fond of the tranquility seals. and scenery of Qinghuige, and considered it to be the pre-eminent summer retreat in the Yuanmingyuan, In summary, it is understood that the present seal evident from the imperial poems written by him during was once in imperial use by the Jiaqing emperor his later visits. in Qinghuige, and was specifically made for this Yuanmingyuan pavilion. This type of imperial seal, There is thus a readily interpreted association among although not frequently used by the emperors, was the group of the three seals stored in the Qinghuige. The commonly stored in its relevant hall. Therefore, it is clear present imperial seal ‘Shui mu zhan qing hua’, together that the exceptional imperial ‘Shui mu zhan qing hua’ with other side seal ‘Yun ri xiang hui ying’, explicitly seal embodies a significantly historical, aesthetic as well illustrate their relationship with the pavilion, where the as cultural values. name of the pavilion, Qinghui, forms from the fourth character of both seals, ‘qing’ and ‘hui’, which is one of the most typical way of combinations used on imperial 1 Guo Fuxiang, Ming Qing Di Hou Xi Yin, Beijing, 2003, p.169 seals during the Jiaqing period. 2 Yu Mingzhong, ed., Qian ding r ixia jiu wen kao, vol.80

The inscription on the seal ‘Shui mu zhan qing hua’ 3 Yong Yan, Yu zhi shi chu ji, vol.31 draws inspiration from an Eastern Jin dynasty poem by Xie Hun, entitled You Xichi (‘Roaming around the West Pond’). This poem addresses the temporality of life through describing the surrounding scenery that Xie and his companions saw from the West Pond, where he wrote ‘the sunset shimmer while the birds return, tranquil water and luxuriant trees appear in the garden’, conveying the brilliance of the sunset’s reflection on the water.

FINE CHINESE CERAMICS AND WORKS OF ART | 131 The Yuanmingyuan (see the Jiuzhouqingyan and Qinghuige within it marked in red); Reproduced after Lin Fangning, Yuan Ming Yuan: Qing Emperor’s Splendid Gardens, Taipei, 2013, p.202, pl.III-3 圓明園地盤全圖（紅色部分為九洲清晏及清暉閣）圖片轉自林芳吟，《圓明園：大清皇帝最美的夢》，台北，2013，頁202，圖III-3

The Jiuzhouqingyan (see the Qinghuige marked in red); reproduced after He Yan, ‘Zaixian Yuanmingyuan Jiuzhouqingyan’, part I, published in Zijincheng, October 2011, p.31 九洲清晏地盤全圖（紅色表示部分為清暉閣）圖片轉自賀艷，「再現圓明園3：九洲清晏（上）」，《紫禁城》，北京，2011年10月，頁31 Dong Banda, The Qianlong Emperor in Qinghuige, 1744 Zhang Zongcang, the Qianlong Emperor in Qinghuige, 1753 董邦達，〈弘曆松蔭消夏圖〉，乾隆九年（ 1744）張宗蒼，〈弘曆撫琴圖〉，乾隆十八年（ 1753）

Zhang Zongcang, The Qianlong Emperor in Qinghuige, 1753; Images117 courtesy of the Palace Museum, Beijing 張宗蒼，〈弘曆松蔭揮筆圖〉，乾隆十八年（ 1753）北京故宮博物院藏 FINE CHINESE CERAMICS AND WORKS OF ART | 133 關於嘉慶碧玉雲龍鈕「水木湛清華」璽郭福祥

此璽碧玉質，雲龍鈕，印面4.2厘米見方，通高7厘米，木湛清華」璽，就要將它和與它同組的另外兩璽「清暉印文為陰文「水木湛清華」五字。無論是印鈕還是印文閣」璽和「雲日相暉映」璽放在一起，並與其所有者嘉的雕琢都精細熟練，顯示出雕琢者的高超技藝。此璽在慶帝的歷史境遇結合起來進行考察。既然該「水木湛清現藏於北京故宮的《嘉慶寶藪》中有明確著錄，經與實華」璽所在的組璽是專門為圓明園清暉閣製作的，這就物比對，無論是質地、體量大小，還是篆法佈局都與該不能不考察印主嘉慶皇帝與清暉閣的關係。書中的記載完全相合，可以確定此璽為嘉慶帝寶璽的真品。根據《嘉慶寶藪》，此璽為三方組璽中的一方，與之相配的另外兩方璽分別為「清暉閣」璽和「雲日相暉按清暉閣位於圓明園九州清晏景區內。九州清晏位於圓映」璽，表明該組璽是為放置在圓明園清暉閣中而專門明園前湖北岸，中軸由三進南向大殿組成，第一進為圓製作的。明園殿，中間為奉三無私殿，最北為九州清晏殿。中軸東有「天地一家春」，為道光皇帝的出生處。西有「樂安和」，是乾隆皇帝的寢宮。再西就是建築在石臺之上此璽的所有者嘉慶皇帝名顒琰，為清朝入關後的第五代的清暉閣。九州清晏一區是圓明園最早的建築群落，始皇帝。在他統治清朝的二十五年之中，既秉承了康乾盛建於康熙時期，從雍正時期開始就是清朝皇帝御園居住世之遺緒，又處於清王朝由盛及衰的重要轉折時期，因時的寢宮。由於清暉閣離寢宮很近，地勢相對較高，視此在各方面都呈現出似乎難以言說的複雜情狀。在清野相對開闊，植被比較豐富，因此清暉閣便成為皇帝重代，嘉慶皇帝是擁有寶璽數量比較多的一位皇帝，如同要的休憩場所。據載乾隆時期清暉閣北壁曾懸掛巨幅圓他所處的那個時代一樣，他的寶璽也同樣體現出巔峰與明園全景圖，2可能即是出於賞景的需要。根據現有的沒落交錯的特點。眾所周知，嘉慶皇帝繼位時已經三十資料，我們知道乾隆皇帝居住圓明園時就經常光顧清暉六歲，與其他皇帝不同的是，嘉慶繼位後並不能乾綱獨閣，特別喜歡清暉閣前面的九株松樹，在閣中靜聽松斷，當了太上皇帝的乾隆仍掌握著最高決策權。這種特濤，品茗撫琴。殊的經歷，使得嘉慶帝很難擺脫乾隆時期形成的某些定式。乾隆時期的一切似乎都以其慣性在嘉慶朝向前滾動，這種慣性在嘉慶的寶璽中也有不折不扣的表現，一嘉慶皇帝繼位後，於嘉慶六年（1801）第一次登上清個例子是組璽的刻製。乾隆時製作了相當數量的由一方暉閣，作《題清暉閣》詩 3，詩中主要是對景憑吊，感引首章和兩方壓腳章組成的三方一組的組璽，這種組璽念其父皇的深恩厚澤，表示要繼承先父的大烈鴻猷，遵又可分為兩種情況：一是引首為宮殿璽，兩方壓腳為詩先祖之法，守祖宗基業。此後每一年，嘉慶皇帝都會在文警句璽，用以說明殿名璽中殿名的含義及來歷，可以盛夏之時登臨此閣，避暑賞景，題詩唱詠。透過這些稱之為宮殿組璽；一是引首和壓腳都是成語璽，在內容詩作，我們可以知道嘉慶皇帝登臨清暉閣時的所見所思上可以相互註解，可以稱之為成語組璽。嘉慶帝亦步乾和所感。嘉慶帝認為清暉閣是圓明園中第一避暑清涼隆之後塵，刻製了不下七十組這樣的組璽。1而此方「水之地，因此詩篇中有許多是對清暉閣消暑去熱功能的讚木湛清華」所在的組璽就屬於前一種情況。美，如「御園第一避暑地」、「層閣高且深，消夏最佳處」、「御園軒敞本無暑，坐茲高閣尤清涼」、「高閣四時宜，永夏倍佳妙」、「高閣最宜長夏居」、「避暑如果說上述在寶璽製作方面嘉慶帝對乾隆的刻意模仿反燕居境最清」等等。在這樣的清涼環境中，人的愉悅心映出嘉慶帝與乾隆帝之間的延續和繼承關係的話，那境是可以想像的，於是乎周圍的景色也同樣變得優雅而麼，對此方寶璽內容的解讀似乎更能折射出嘉慶帝自己迷人。在這樣的環境中，半榻琴書、一杯清茶成為嘉慶的思想和意識。前面已經講過，「水木湛清華」璽是嘉帝理政之餘難得的休閑方式。同樣在這樣的環境中，作慶帝諸多三方一組宮殿組璽中的一方，而這種宮殿組璽為帝王的嘉慶皇帝亦不時流露出對國家和百姓的憂思和中的三方印文在內容上又關聯甚密，兩方壓腳章表明了關切，顯露出其帝王情懷。對於嘉慶皇帝而言，清暉閣印主對宮殿名稱的理解和詮釋。因此，筆者認為，對於應該是他夏日園居時避暑納涼，暢觀美景，靜思自省的這樣的組璽，要理解組璽中的任何一方，都必須將三方最佳去處。組璽放在一起進行解讀。同樣，要很好地理解此方「水

134 | BONHAMS 了解了這些，我們就可以很容易地理解此璽所在的「清暉閣」組璽中三方璽印之間的關係。首先，此璽和該組璽印的另一枚壓腳章「雲日相暉映」璽共同構成了對引首章「清暉閣」宮殿名稱取意最為直接和明了的詮釋。兩方壓腳章「水木湛清華」和「雲日相暉映」中的第四字恰好組合成引首章「清暉閣」中的「清暉」二字，這種方式的組璽在嘉慶帝的御用璽印中並不少見。其次，兩方壓腳章的印文雖然選自古人的詩文，但其描寫的情境卻恰恰與嘉慶皇帝登臨清暉閣時所看到的圓明園美景和意境相合，從而轉化成為對當時清暉閣景觀最準確的文學表達。按「水木湛清華」典出東晉詩人謝混的《遊西池》詩，詩中作者描寫了與友人同遊西池所看到的美好景色，尤其是詩中的「景昃鳴禽集，水木湛清華」一句，更是道出了夕陽斜照之下的西池飛鳥歸巢，歡聚枝頭，落日餘暉流灑在池面，水含清光，樹顯秀色的迷人之處。而「雲日相暉映」典出南北朝傑出文學家謝靈運的《登江中孤嶼》詩，詩中的「雲日相暉映，空水共澄鮮」描寫的正是作者遊覽江心孤嶼時所見到的神奇美景，白雲麗日相互輝映，倒映於清澈的江水之中，水天一色，給人以澄明空靈之感。如果將這兩句詩從原詩中抽離出來，再組合在一起，可以發現其所描繪的景色與圓明園清暉閣的環境是相當吻合的，這使我們很容易地理解嘉慶皇帝選取這些印文刻製成組璽的內在邏輯關係。

通過上述可知，此方「水木湛清華」璽是嘉慶皇帝御用「清暉閣」組璽中的一方，是專門為圓明園清暉閣製作的。這種組璽一般存放於相應的宮殿中，雖然鈐蓋使用的幾率不是很高，但卻成為相應宮殿的重要象徵物，具有相當的歷史、藝術和文化價值。

1 郭福祥：《明清帝后璽印》頁169。北京：國際文化出版公司， 2003年。

2 清·于敏中等編纂：《欽定日下舊聞考》卷80。

3 清·顒琰：《御製詩初集》卷31。

FINE CHINESE CERAMICS AND WORKS OF ART | 135 Imperial poem by the Jiaqing emperor, 《清暉閣晚坐吟》Qinghuige wanzuo yin, ‘Recitation While Sitting in the Night at the Qinghuige’, cyclically dated to 甲子 Jiazi, corresponding to 1804; reproduced after 清仁宗御制詩 Qing Renzong Imperial Poetry, vol.3, Haikou, 2000, p.19 「清暉閣晚坐吟」，《清仁宗御製詩》，第三冊，海南出版社，2000年，頁19

Imperial manuscript by the Jiaqing emperor, 《清暉閣觀書記》Qinghuige Right: The Jiaqing emperor (detail); guanshu ji, ‘Reading at Qinghuige’, cyclically dated wuchen zhongfu ri, 戌辰 image courtesy of the Palace Museum, 中伏日, corresponding to 28 July 1808; reproduced after 秘殿珠林石渠寶笈 Beijing 三編 Midian zhulin shiqu baoji sanbian, vol.8, Taipei, 1969, pp.3636-3637. 北京故宮博物院藏「御筆清暉閣觀書記」，《秘殿珠林石渠寶芨三編》，台北國立故宮博物院印行，1969年，頁3636-3637

136 | BONHAMS

The important and rare spinach green jade ‘shui mu zhan qing hua’ The first seven verses may be translated as follows: seal belongs to a set of three imperial jade seals, with the other two bearing the inscriptions 清暉閣 Qinghuige and 雲日相暉映 yun ri xiang ‘Qinghuige, west of the sleeping chambers hui ying. This set of seals is recorded in The Palace Museum, 清代帝 Standing grand and tall, both air and incense flows 后璽印譜Qingdai dihou xiyin pu [Catalogue of Imperial Seals of the Far reaching views through many layers Qing Dynasty], vol.9, Jiaqing section 2, Beijing, 2005, p.150. Sitting quietly for a few moments Viewing the serene landscapes, anxiety dissipates This set of seals was used for and within the Qinghuige, a summer Entering a tranquil realm retreat located in the western part of the 九州清晏 Jiuzhouqingyan, a Mind and body become one’ tranquil and scenic island within the Yuanmingyuan. The eloquent prose and the evocative record of the Jiaqing emperor’s First constructed during the Kangxi period, the Qinghuige was thoughts reflect the lifelong relentless duty he felt towards his people, purposefully built as part of the imperial family’s living and leisure that laid heavily on the shoulders, and his continuous perseverance quarters. It was also the designated place for the celebration of to improve his rule. It also demonstrates the importance of the retreat the Lantern Festival during the Yongzheng and Qianlong periods. as one of few places where he could take a pause, ‘sit quietly for a Extremely private and secluded, this highly secured area was reserved few moments’ and enter a spiritual place of tranquillity, though even solely for the use of the emperor and members of the imperial family. in those few treasured moments the emperor’s mind was not far from Special permits were required for officials and servants to enter; his duty. see He Yan, ‘再現圓明園－九洲清晏（下）Zaixian yuanmingyuan- Jiuzhouqingyan (Third)’, 《紫禁城》Zijincheng, Beijing, Jan 2012, The phrase 水木湛清華 shui mu zhan qing hua, inscribed on the pp.26 and 37. present jade seal, which may be translated as ‘Tranquil water and luxuriant trees in the garden’, are an allusion to the landscape scenery Similarly to the Sanxitang (‘Hall of Three Rarities’), the Qinghuige of the Qinghuige. The phrase originates in an Eastern Jin dynasty was another imperial space of personal importance to the Qianlong poem by Xie hun, entitled, 遊西池詩 You xichi si. The poem addresses emperor. He enjoyed playing musical instruments and performing the temporality of life through describing the surrounding scenery: tea ceremonies there. His clear affection for the retreat is evident in the emperor’s special commissioning of several imperial paintings 悟彼蟋蟀唱，信此勞者歌。 recording the scenery of the summer retreat in the Palace Museum, 有來豈不疾，良遊常蹉跎。 Beijing, illustrated by by Liao Baoxiu, 茶韻茗事－故宮茶話 Chayun 逍遙越城肆，願言屢經過。 mingshi-Gugong chahua, Taipei, 2010, pp.156 and 159. These 迴阡被陵闕，高台眺飛霞。 include: 惠風盪繁囿，白雲屯曾阿。景昃鳴禽集，水木湛清華。 Two paintings by Zhang Zongcang 張宗蒼, the first titled弘曆松蔭揮褰裳順蘭沚，徙倚引芳柯。筆圖Hongli songyin huibi tu [Hongli writing under pine trees] and the 美人愆歲月，遲暮獨如何？ second titled 弦曆撫琴圖 Hongli fuqian tu [Hongli Playing Qin], both 無為牽所思，南榮戒其多。 cyclically dated to 癸酉 guiyou, corresponding to 1753; The Qinghuige was demolished during the early Daoguang period and A painting by Dong Bangda 董邦達, titled 弘曆松蔭消夏圖(山靜日長 the area was reconstructed into new pavilions. It is therefore likely that 圖) Hongli songyin xiaoxia tu (shan jing ri zhang tu) [Hongli spending the seal would have been removed for safe keeping, probably within summer under pine trees], cyclically dated to 甲子 jiazi, corresponding the Forbidden City. to 1744. A unique work of art, the present seal is one of the few surviving Following in his father’s footsteps, the Qinghuige continued to be a imperial artefacts that documents the existence and beauty of the preferred favourite of the Jiaqing emperor. The emperor recorded his Qinghuige, a personal space of tranquillity for the Qianlong and personal fondness and affection for the pavilion in an imperial poem, Jiaqing emperors. cyclically dated to 甲子 jiazi, corresponding to 1804, titled 《清暉閣晚坐吟》 Qinghuige wanzuo yin (‘Recitation While Sitting in the Night The continuation of artistic styles and decorative designs on imperial at the Qinghuige’); see 清仁宗御制詩 Qing Renzong Imperial Poetry, artefacts from the Qianlong period, such as the present lot, expresses vol.3, Haikou, 2000, p.19. the Jiaqing emperor’s reverence and filial duty to his father’s reign. This direct visual continuation from the former to the latter reign The first seven verses may be translated as follows: is demonstrated in seals of similar form and design dated to the Qianlong reign period: see from the Qing Court Collection, an imperial ‘Unsurpassed imperial garden for retreat during the hot summer green jade ‘Xin qing wen miao xiang’ seal, Qianlong (6.7cm high), Dense pine trees overshadowing the blazing sunlight illustrated in Classics of the Forbidden City: Imperial Seals of the Ming Grand and tall where the air is fresh and Qing Dynasties, Beijing, 2008, pl.193; for another imperial greyish- Gusts of light breeze flow through the long corridors green seal, Qing dynasty, of similar design of crouching dragon with In good spirits with heart at peace, its feet pointing in different directions, inscribed ‘Chizheng wanmin Visiting occasionally to recite at this artistic haven zhi bao’ (12.6cm long x 10.4cm high), see The Complete Collection A place where one would find contentment’ of Treasures of the Palace Museum: Ancient Seals, Shanghai, 2008, pl.394. Compare also, from the British Museum, an imperial grey jade A further recording of his time spent in the retreat whilst reading ‘zi qian bu xi’ seal, 18th century (5.7cm wide x 8.8cm high; museum the first two chapters of a book on politics titled 《資治通鑑》Zizhi ref.no.1885,1227.65), which entered the museum’s collection in 1885. tongjian, provides us with a priceless and intimate insight into the Sets of three imperial seals were particularly favoured during the late emperor’s state of mind and the importance of the Qinghuige to him. Qianlong period, especially for his 80th birthday, with this style of The record begins with a description of the pavilion and his fondness grouping continuing onto the Jiaqing period. for it, and is followed by his thoughts on governance, noting his insights on qualities a leader should have. This record, cyclically dated Compare a related imperial spinach green jade ‘hui qi you ji’ seal, wuchen zhongfu ri, 戌辰中伏日, corresponding to 28 July 1808, is Jiaqing, (7cm high), sold at Sotheby’s Hong Kong on 5 October 2011, included in the imperial manuscript 《清暉閣觀書記》 Qinghuige lot 1910. guanshu ji [Reading at Qinghuige], published in 秘殿珠林石渠寶笈三編 Midian zhulin shiqu baoji sanbian, vol.8, Taipei, 1969, pp.3636- 3637.

138 | BONHAMS 此璽為嘉慶帝組璽中的其中一方，此組寶璽共計三方，其他兩方分別又如嘉慶十三年（1808年）所作《御筆清暉閣觀書記》中記有：為「清暉閣」璽及「雲日相暉映」璽，此三方寶均在北京故宮博物院「清暉閣在寢殿西偏，高爽延熏，幽深障景。機睱靜坐，遠屏煩歊。藏《清代帝後璽印譜》中有所著錄，見故宮博物院編，《清代帝後璽境界清涼，心神融會。日取資治通鑑一二冊觀之，周而復始，默有所印譜：第九冊，嘉慶卷二》，北京，2005年，頁150。得...... 」

此組寶璽應屬嘉慶皇帝在圓明園九洲清晏內清暉閣中使用的嘉言詩詞詩中字字句句無不體現嘉慶皇帝勤政圖治卻又憂國憂民的思緒，更可類寶璽。清暉閣建造於康熙年間，位於圓明園九洲清晏西側，是九洲看出清暉閣作為其寧心靜思的私人場所的重要性。清晏景區西路的主要建築之一，也是雍正乾隆年間元宵節張燈慶賞之所，至道光中期西路大規模改建後此閣才不復存在。因歷代帝王「水木湛清華」典出東晉謝琨「游西池」，形容山水草木之美，明清均在此處寢局遊賞，使得九洲清晏島成為園內防範最森嚴的禁區，兩代園林即常襲用「清華」二字為名。值得注意的是，此方寶上第四見賀艷，「再現圓明園3：九洲清晏（下）」，刊於《紫禁城》，北字「清」與《清代帝後璽印譜》中著錄第二方第四字「暉」組合恰京，2012年1月，頁26-27。恰是「清暉」，更證明三方印璽最初應是成組製作。

乾隆年間，清暉閣亦是清高宗弘曆讀書品茗、撫琴養心的私人產所，嘉慶一朝之皇家御用品多承乾隆之風，而印璽作為宮廷典章用玉，大並曾命宮廷畫師繪其在此讀書品茗的記實畫作，這包括張宗蒼於乾隆多為皇帝親自使用。此類私印性質寶璽的製作與設計通常都由皇帝親十八年（1753年）所繪的「弘歷松蔭揮筆圖」以及「弘歷撫琴圖」；旨執行，為宮中造辦處所刻。此璽印鈕蛟龍雕刻風格與乾隆一朝類董邦達於乾隆九年（1744年）所繪的「弘歷松蔭消夏圖（山靜日長似，而也很有可能在清暉閣改建後被轉移至其他地方保存。具有同類圖）」，見廖寶秀著，《茶韻茗事：故宮茶話》，台北，2010年，頁風格的印璽，詳見清宮舊藏一枚碧玉盤龍「心清聞妙香」方形璽，著 156-159，圖7，9及10。錄於《故宮經典:明清帝后寶璽》，北京，2008年，圖版193。另見清宮舊藏一枚「敕正萬民之寶」盤龍寶璽，著錄於《故宮博物院藏文物至嘉慶一朝，清暉閣依然是清仁宗颙琰避暑修心、讀書靜思之所，珍品大系：璽印》，上海，2008年，圖版394。另資參考大英博物館從嘉慶皇帝本人於清暉閣所詩詞中即可見：如作於嘉慶九年（1804 藏一件18世紀「自強不息」寶璽（寬5.7厘米，高8.8厘米，館藏編號年）的《清暉閣晚坐吟》中記有「御園第一避暑地，喬松密蔭遮驕 1885,1227.65），此印璽於1885年被博物館徵集入館。陽。棟宇深邃氣清潔，涼飔習習來修廊。幾餘養志宜靜攝，偶遊藝府吟短章。為君奚可有所好，一人動靜天下望...... 」，見《清仁宗御製另參考一枚清嘉慶「會其有極」蛟龍鈕印璽，後於香港蘇富比售詩二集》卷五，海南出版社，2000年，頁19。出，2011年10月5日，編號1910。

FINE CHINESE CERAMICS AND WORKS OF ART | 139 THE PROPERTY OF A GENTLEMAN 士紳藏品

57 AN IMPORTANT IMPERIAL SPINACH-GREEN JADE ‘SHUI MU ZHAN QING HUA’ SEAL Jiaqing The square base surmounted by a lively five-clawed dragon, crouching on his four legs amidst cloud scrolls, with each clawed foot turned the other way, together forming the character wan, the flaming pearl of wisdom set below the dragon’s open jaws revealing his tongue and flanked by the elongated whiskers, below the ruyi-shaped nose, bulging eyes and bushy eyebrows flanked by the two horns, the flowing mane parted along the scaled body with a knobbed spine, terminating in coiled and spiked tail, the underside finely incised in zhuanshu script with five characters reading 水木湛清華 shui mu zhan qing hua, which may be read as: ‘Tranquil water and luxuriant trees in the garden’, the jade stone of a vibrant green tone highlighted by speckled black flecks. 7.3cm high x 4.2cm square (2 7/8in high x 1 5/8 in square)

HK$2,000,000 - 3,000,000 US$260,000 - 390,000

清嘉慶御製碧玉虯龍戲珠鈕「水木湛清華」璽

Provenance 來源: An English private collection According to the family, the seal was gifted to the late father of the present owner prior to 1994.

英國私人收藏；傳於1994年前由友人贈予現藏家之父親

57 Seal face 57 Seal impression Record of the set of seals from the imperial archives, Jiaqing Baosou

140 | BONHAMS FINE CHINESE CERAMICS AND WORKS OF ART | 141 CHRONOLOGY

NEOLITHIC CULTURES

Cishan-Peiligang c. 6500-5000 BC Sui 589-618 Central Yangshao c. 5000-3000 BC Tang 618-906 Gansu Yangshao c. 3000-1500 BC Five Dynasties 907-960 Hemadu c. 5000-3000 BC Liao 907-1125 Daxi c. 5000-3000 BC Song Majiabang c. 5000-3500 BC Northern Song 960-1126 Dawenkou c. 4300-2400 BC Southern Song 1127-1279 Songze c. 4000-2500 BC Jin 1115-1234 Hongshan c. 3800-2700 BC Yuan 1279-1368 Liangzhu c. 3300-2250 BC Ming Longshan c. 3000-1700 BC Hongwu 1368-1398 Qijia c. 2250-1900 BC Jianwen 1399-1402 Yongle 1403-1424 EARLY DYNASTIES Hongxi 1425 Xuande 1426-1435 Shang c. 1500-1050 BC Zhengtong 1436-1449 Western Zhou 1050-771 BC Jingtai 1450-1456 Eastern Zhou Tianshun 1457-1464 Spring & Autumn 770-475 BC Chenghua 1465-1487 Warring States 475-221 BC Hongzhi 1488-1505 Zhengde 1506-1521 IMPERIAL CHINA Jiajing 1522-1566 Longqing 1567-1572 Qin 221-207 BC Wanli 1573-1620 Han Taichang 1620 Western Han 206 BC-AD 9 Tianqi 1621-1627 Xin AD 9-25 Chongzhen 1628-1644 Eastern Han AD 25-220 Qing Three Kingdoms Shunzhi 1644-1661 Shu (Han) 221-263 Kangxi 1662-1722 Wei 220-265 Yongzheng 1723-1735 Wu 222-280 Qianlong 1736-1795 Southern dynasties (Six Dynasties) Jiaqing 1796-1820 Western Jin 265-316 Daoguang 1821-1850 Eastern Jin 317-420 Xianfeng 1851-1861 Liu Song 420-479 Tongzhi 1862-1874 Southern Qi 479-502 Guangxu 1875-1908 Liang 502-557 Xuantong 1909-1911 Chen 557-589 Northern dynasties REPUBLICAN CHINA Northern Wei 386-535 Eastern Wei 534-550 Republic 1912-1949 Western Wei 535-557 People’s Republic 1949- Northern Qi 550-577 Northern Zhou 557-581

142 | BONHAMS INTERNATIONAL ASIAN ART AUCTION CALENDAR 2015

ASIAN ART CHINESE ART FROM THE ASIAN ART Monday 11 May SCHOLAR’S STUDIO Monday 9 November Knightsbridge, London Monday 14 September Knightsbridge, London New York FINE CHINESE ART THE EDWARD WRANGHAM Thursday 14 May FINE JAPANESE WORKS COLLECTION OF JAPANESE ART, New Bond Street, London OF ART PART VI Wednesday 16 September Tuesday 10 November FINE JAPANESE ART New York New Bond Street, London Thursday 14 May New Bond Street, London INDIAN, HIMALAYAN AND FINE CHINESE ART SOUTHEAST ASIAN ART Thursday 12 November FINE CHINESE PAINTINGS Thursday 17 September London, New Bond Street Sunday 31 May New York Hong Kong FINE JAPANESE ART ASIAN ART Thursday 12 November FINE CHINESE CERAMICS Wednesday 23 September New Bond Street, London AND WORKS OF ART Knightsbridge, London Thursday 4 June ASIAN ART Hong Kong MODERN AND Wednesday 18 November CONTEMPORARY ART Edinburgh ISLAMIC AND INDIAN ART Saturday 3 October Tuesday 9 June Hong Kong FINE CHINESE CERAMICS Knightsbridge, London AND WORKS OF ART ISLAMIC ART Saturday 21 November FINE ASIAN WORKS OF ART Wednesday 7 October Hong Kong Tuesday 23 June New Bond Street, London San Francisco FINE CHINESE PAINTINGS: ASIAN DECORATIVE ARTS CLASSICAL, MODERN AND ASIAN DECORATIVE ARTS Tuesday 13 October CONTEMPORARY INK Wednesday 24 June San Francisco Saturday 21 November San Francisco Hong Kong JAPANESE PAPERS ASIAN ART Monday 19 October FINE ASIAN WORKS OF ART Wednesday 8 July New York Tuesday 15 December Edinburgh San Francisco ART OF THE SAMURAI BRITISH AND EUROPEAN Tuesday 20 October ASIAN DECORATIVE ARTS CERAMICS, GLASS AND New York Wednesday 16 December ASIAN ART San Francisco Tuesday 14 July Oxford A RARE AND LARGE VIEWING FINE CHINESE ART GILT-LACQUERED WOOD 9 - 13 May 2015 Thursday 14 May 2015 FIGURE OF GUANYIN New Bond Street, London 17th/18th century ENQUIRIES 86cm (33 7/8in) high +44 (0) 20 7468 8248 £80,000 - 120,000 [email protected]

bonhams.com/chineseart A RARE AND LARGE VIEWING WANG HUI (1632-1717) ENQUIRIES FINE CHINESE ART FINE CHINESE PAINTINGS Landscapes GILT-LACQUERED WOOD 9 - 13 May 2015 Sunday 31 May 2015 +852 2918 4321 Thursday 14 May 2015 FIGURE OF GUANYIN Ink and colour on paper, [email protected] New Bond Street, London 17th/18th century ENQUIRIES Bonhams Hong Kong Gallery album of ten leaves 86cm (33 7/8in) high +44 (0) 20 7468 8248 Suite 2001, One Pacific Place Dated 1698 [email protected] £80,000 - 120,000 Hong Kong HKD$7,000,000 – 10,000,000

王翬 (1632-1717) 乾隆御題王翬山水冊設色紙本冊頁十開一六九八年作 25.7 x 39厘米乾隆御題詩全文, 著錄於《清高宗御製詩文全集》「御製詩四集」卷十, 頁十八至十九

bonhams.com/chineseart bonhams.com/hongkong New York catalogue ad.indd 1 3/3/15 2:12 PM New York catalogue ad.indd 1 3/3/15 2:12 PM NOTICE TO BIDDERS items which are unsuitable for connection are sold as items discretion from time to time by notice given orally or in writing will be issued with a large card (a “paddle”) with a printed the Sale. You will be liable to pay the Purchase Price, which Please note there is a 2% surcharge on the total invoice of interest for display purposes only. before or during a Sale. number on it. This will be attributed to you for the purposes is the Hammer Price plus any Tax. value when payments are made using credit cards. It may This notice is addressed by Bonhams to any person who If you yourself do not have expertise regarding a Lot, you of the Sale. Should you be a successful Bidder you will be advisable to notify your card provider of your intended may be interested in a Lot, including Bidders and potential should consult someone who does to advise you. We can THE LOT IS AVAILABLE FOR INSPECTION AND YOU MUST need to ensure that your number can be clearly seen by the At the same time, a separate contract is also entered into purchase in advance to reduce delays caused by us having Bidders (including any eventual Buyer of the Lot). For ease assist in arranging facilities for you to carry out or have FORM YOUR OWN OPINION IN RELATION TO IT. YOU ARE Auctioneer and that it is your number which is identified as between us as auctioneers and the Buyer. This is our Buyer’s to seek authority when you come to pay. If you have any of reference we refer to such persons as “Bidders” or “you”. carried out more detailed inspections and tests. Please ask STRONGLY ADVISED TO EXAMINE ANY LOT OR HAVE IT the Buyer’s. You should not let anyone else use your paddle Agreement, the terms of which are set out in Appendix 2 questions with regard to payment, please contact our Our List of Definitions and Glossary is incorporated into our staff for details. EXAMINED ON YOUR BEHALF BEFORE THE SALE. as all Lots will be invoiced to the name and address given on at the end of the Catalogue. Please read the terms of the Customer Services Department. this Notice to Bidders. It is at Appendix 3 at the back of the your Bidder Registration Form. Once an invoice is issued it Contract for Sale and our Buyer’s Agreement contained in Catalogue. Where words and phrases are used in this notice Any person who damages a Lot will be held liable for the loss 4. CONDUCT OF THE SALE will not be changed. the Catalogue in case you are the successful Bidder. We China UnionPay (CUP) debit cards: No surcharge for which are in the List of Definitions, they are printed in italics. caused. Our Sales are public auctions which persons may attend and may change the terms of either or both of these agreements in using CUP debit cards will apply on the first HK$1,000,000 you should take the opportunity to do so. If there is any doubt as to the Hammer Price of, or whether advance of their being entered into, by setting out different terms invoiced to a Buyer in any Sale; a 2% surcharge will be IMPORTANT: Additional information applicable to the Sale 3. DESCRIPTIONS OF LOTS AND ESTIMATES you are the successful Bidder of, a particular Lot, you must in the Catalogue and/or by placing an insert in the Catalogue and/ made on the balance over HK$1,000,000. may be set out in the Catalogue for the Sale, in an insert in We do reserve the right at our sole discretion to refuse draw this to the attention of the Auctioneer before the next or by notices at the Sale venue and/or by oral announcements the Catalogue and/or in a notice displayed at the Sale venue Contractual Description of a Lot admission to our premises or to any Sale without stating Lot is offered for Sale. The decision of the Auctioneer is before and during the Sale. You should be alert to this possibility considered final and conclusive. of changes and ask if there have been any. 10. COLLECTION AND STORAGE and you should read them as well. Announcements affecting The Catalogue contains an Entry about each Lot. Each a reason. We have complete discretion as to whether the The Buyer of a Lot will not be allowed to collect it until the Sale may also be given out orally before and during the Lot is sold by its respective Seller to the Buyer of the Lot Sale proceeds, whether any Lot is included in the Sale, payment in full and in cleared funds has been made (unless At the end of the Sale, or when you have finished bidding Sale without prior written notice. You should be alert to this as corresponding only with that part of the Entry which is the manner in which the Sale is conducted and we may 7. BUYER’S PREMIUM AND OTHER CHARGES we have made a special arrangement with the Buyer). Details please return your paddle to the Bidder registration desk. possibility of changes and ask in advance of bidding if there printed in bold letters and (except for the colour, which may offer Lots for sale in any order we choose notwithstanding PAYABLE BY THE BUYER relating to the collection of a Lot, the storage of a Lot and our Under the Buyer’s Agreement, a premium (the Buyer’s have been any. be inaccurately reproduced) with any photograph of the Lot the numbers given to Lots in the Catalogue. You should Storage Contractor after the Sale are set out in the Buyer’s Premium) is payable to us by the Buyer in accordance with the in the Catalogue. The remainder of the Entry, which is not therefore check the date and starting time of the Sale, Bidding by telephone Agreement as set out in Appendix 2 of the Catalogue. 1. OUR ROLE printed in bold letters, represents Bonhams’ opinion (given whether there have been any withdrawals or late entries. If you wish to bid at the Sale by telephone, please complete terms of the Buyer’s Agreement and at rates set out below, In its role as auctioneer of Lots, Bonhams acts solely for on behalf of the Seller) about the Lot only and is not part of Remember that withdrawals and late entries may affect the an Absentee and Telephone Bidding Form, which is available calculated by reference to the Hammer Price and payable in from our offices or in the Catalogue. Please then return it to addition to it. Storage charges and Expenses are also payable 11. SHIPPING and in the interests of the Seller. Bonhams’ job is to sell the the Contractual Description in accordance with which the Lot time at which a Lot you are interested in is put up for Sale. Please refer enquiries on this to our customer services the office which is responsible for the Sale at least 24 hours by the Buyer as set out in the Buyer’s Agreement. Lot at the highest price obtainable at the Sale to a Bidder. is sold by the Seller. department dealing with the Sale. Bonhams does not act for Buyers or Bidders in this role and We have complete discretion to refuse any bid, to nominate in advance of the Sale. It is your responsibility to check with does not give advice to Buyers or Bidders. When it or its Estimates any bidding increment we consider appropriate, to divide any our Bids Office that your bid has been received. Telephone For this Sale the following rates of Buyer’s Premium will be calls may be recorded. The telephone bidding facility is a payable by Buyers of Lots: 12. EXPORT/TRADE RESTRICTIONS staff make statements about a Lot or, if Bonhams provides In most cases, an Estimate is printed beside the Entry. Lot, to combine two or more Lots, to withdraw any Lot from It is your sole responsibility to comply with all Hong Kong discretionary service and may not be available in relation to all 25% up to HK$800,000 of the Hammer Price a Condition Report on a Lot it is doing that on behalf of the Estimates are only an expression of Bonhams’ opinion made a Sale and, before the Sale has been closed, to put up any export and overseas import regulations relating to your Lots. We will not be responsible for bidding on your behalf if 20% from HK$800,001 of the Hammer Price Seller of the Lot. Bidders and Buyers who are themselves on behalf of the Seller of the range where Bonhams thinks Lot for auction again. purchases and also to obtain any relevant export and/or you are unavailable at the time of the Sale or if the telephone 12% from HK$15,000,001 of the Hammer Price not expert in the Lots are strongly advised to seek and the Hammer Price for the Lot is likely to fall; it is not an import licence(s). obtain independent advice on the Lots and their value before estimate of value. It does not take into account any Tax or Auction speeds can exceed 100 Lots to the hour and bidding connection is interrupted during bidding. Please contact us for further details. bidding for them. Buyer’s Premium payable. Lots can in fact sell for Hammer increments are generally about 10%. However these do vary 8. TAX The need for export and import licences varies from country The Hammer Price and the Buyer’s Premium payable by Prices below and above the Estimate. Any Estimate should from Sale to Sale and from Auctioneer to Auctioneer. Please to country and you should acquaint yourself with all relevant the Buyer is exclusive of any goods or service tax or other The Seller has authorised Bonhams to sell the Lot as its not be relied on as an indication of the actual selling price or check with the department organising the Sale for advice on Bidding by post or fax local requirements and provisions. agent on its behalf and, save where we expressly make it value of a Lot. this. Absentee and Telephone Bidding Forms can be found in the Tax (whether imposed by Hong Kong or otherwise). If any back of this Catalogue and should be completed and sent such Tax was to be paid under Hong Kong laws or any other clear to the contrary, Bonhams acts only as agent for the The refusal of any import or export licence(s) or any delay in to the office responsible for the Sale. It is in your interests laws, the Buyer shall be solely responsible to pay such Tax Seller. Any statement or representation we make in respect Estimates are in the currency of the Sale. Where a Reserve has been applied to a Lot, the Auctioneer obtaining such licence(s) shall not permit the rescission of any to return your form as soon as possible, as if two or more and at the rate and time as required by the relevant law, or of a Lot is made on the Seller’s behalf and, unless Bonhams may, in his absolute discretion, place bids (up to an amount Sale nor allow any delay in making full payment for the Lot. sells a Lot as principal, not on our behalf and any Contract Condition reports not equalling or exceeding such Reserve) on behalf of the Bidders submit identical bids for a Lot, the first bid received if such Tax is to be paid by us, we may add such Tax to the for Sale is between the Buyer and the Seller and not with us. In respect of most Lots, you may ask for a Condition Report Seller. We are not responsible to you in respect of the takes preference. In any event, all bids should be received Purchase Price payable by the Buyer. at least 24 hours before the start of the Sale. Please check 13. CITES REGULATIONS If Bonhams sells a Lot as principal this will either be stated on its physical condition from Bonhams. If you do so, this presence or absence of any Reserve in respect of any Lot. Buyers are advised to check the regulations applicable to your Absentee and Telephone Bidding Form carefully before in the Catalogue or an announcement to that effect will be will be provided by Bonhams on behalf of the Seller free of 9. PAYMENT Hong Kong exportation and overseas importation when returning it to us, fully completed and signed by you. It is It is of critical importance that you ensure that you have made by the Auctioneer, or it will be stated in a notice at the charge. Bonhams is not entering into a contract with you in If there is a Reserve it will normally be no higher than the exporting any goods from Hong Kong to the place of your responsibility to check with our Bids Office that your bid readily available funds to pay the Purchase Price and the Sale or an insert in the Catalogue. respect of the Condition Report and accordingly does not lower figure for any Estimate in the Catalogue, assuming that importation. Buyers should also be aware that the export has been received. This additional service is complimentary Buyer’s Premium (plus Tax and any other charges and assume responsibility to you in respect of it. Nor does the the currency of the Reserve has not fluctuated adversely from Hong Kong of any items made of or incorporating and is confidential. Such bids are made at your own risk Expenses to us) in full before making a bid for the Lot. If you Bonhams does not owe or undertake or agree to any duty Seller owe or agree to owe you as a Bidder any obligation against the currency of the Estimate. ivory, whalebone, tortoiseshell, rhinoceros horn, coral and and we cannot accept liability for our failure to receive and/ are a successful Bidder, payment will be due to be made to or responsibility to you in contract or tort (whether direct, or duty in respect of this free report about a Lot which is other restricted materials is prohibited unless a CITES or place any such bids. All bids made on your behalf will be us by 4.30 pm on the second working day after the Sale so collateral, express, implied or otherwise). If you successfully available for your own inspection or for inspection by an The Buyer will be the Bidder who makes the highest bid export licence is obtained from the Agriculture, Fisheries made at the lowest level possible subject to Reserves and that all sums are cleared by the seventh working day after bid for a Lot and buy it, at that stage Bonhams does enter expert instructed by you. However, any written description acceptable to the Auctioneer for any Lot (subject to any and Conservation Department of Hong Kong. A period of 8 other bids made for the Lot. Where appropriate your bids the Sale. Payment will have to be by one of the following into an agreement with the Buyer. The terms of that contract of the physical condition of the Lot contained in a Condition applicable Reserve) to whom the Lot is knocked down by the weeks may be required for the purposes of obtaining such will be rounded down to the nearest amount consistent with methods (all cheques should be made payable to Bonhams are set out in our Buyer’s Agreement save for those varied Report will form part of the Contractual Description of the Lot Auctioneer at the striking of the Auctioneer’s hammer. Any export licence. by announcement given out orally before and/or during the under which it is sold to any Buyer. dispute as to the highest acceptable bid will be settled by the the Auctioneer’s bidding increments. New Bidders must also (Hong Kong) Limited). Bonhams reserves the right to vary provide proof of identity when submitting bids. Failure to do the terms of payment at any time. Unless agreed by us Sale, which you will find atAppendix 2 at the back of the Auctioneer in his absolute discretion. Please note that Lots marked in the catalogue with a Y this may result in your bid not being placed. advance payments made by anyone other than the registered Catalogue. This will govern Bonhams’ relationship with the The Seller’s responsibility to you next to the lot number contain one or more of the aforesaid buyer will not be accepted. Buyer. The Seller does not make or agree to make any All bids tendered will relate to the actual Lot number restricted materials. However, the omission of such letter Y representation of fact or contractual promise, guarantee or announced by the Auctioneer. Bidding via the internet does not automatically mean that the Lot is not subject to Please visit our Website at http://www.bonhams.com for 2. LOTS warranty and undertakes no obligation or duty, whether in Hong Kong dollar personal cheque drawn on a Hong CITES regulations. Buyers are advised to obtain information details of how to bid via the internet. all cheques must be cleared Subject to the Contractual Description printed in bold letters contract or in tort (other than to the eventual Buyer as set An electronic currency converter may be used at the Sale. Kong branch of a bank : from the relevant regulatory authorities regarding export and before you can collect your purchases. in the Entry about the Lot in the Catalogue (see paragraph 3 out above), in respect of the accuracy or completeness This equipment is provided as a general guide as to the import restrictions, requirements and costs prior to bidding. below), Lots are sold to the Buyer on an “as is” basis, with of any statement or representation made by him or on his equivalent amount in certain currencies of a given bid. We Bidding through an agent all faults and imperfections. No reference is made in the behalf which is in any way descriptive of any Lot or as to the do not accept any responsibility for any errors which may Bids will be accepted as placed on behalf of the person Bankers draft cheque: if you can provide suitable proof named as the principal on the Bidding Form although we may of identity and we are satisfied as to the genuineness of the 14. THE SELLERS AND/OR BONHAMS’ LIABILITY Catelogue to any defect, damage or restoration of the Lot. anticipated or likely selling price of any Lot. Other than as occur in the use of the currency converter. Other than any liability of the Seller to the Buyer of a Lot refuse to accept bids from an agent on behalf of a principal draft or cheque, and that the funds have originated from your Please see paragraph 15. set out above, no statement or representation in any way under the Contract for Sale, neither we nor the Seller are and may require written confirmation from the principal own account, we will allow you to collect your purchases descriptive of a Lot or any Estimate is incorporated into any We hereby give you notice that we may use video cameras to liable (whether in negligence or otherwise) for any error confirming the agent’s authority to bid. Nevertheless, as the immediately; Illustrations and photographs contained in the Catalogue Contract for Sale between a Seller and a Buyer. record the Sale and may record telephone calls for reasons or misdescription or omission in any Description of a Lot Bidding Form explains, any person placing a bid as agent (other than photographs forming part of the Contractual of security and to assist in solving any disputes which may or any Estimate in respect of it, whether contained in the on behalf of another (whether or not he has disclosed that you may pay for Lots purchased by you at this Sale Description) or elsewhere of any Lots are for identification Bonhams’ responsibility to you arise in relation to bids made at the Sale. Cash: Catalogue or otherwise, whether given orally or in writing fact or the identity of his principal) will be jointly and severally with notes, coins or travellers cheques in the currency in purposes only. They may not reveal the true condition of the You have the opportunity of examining the Lot if you want and whether given before or during the Sale. Neither we liable with the principal to the Seller and to Bonhams under which the Sale is conducted (but not any other currency) Lot. A photograph or illustration may not reflect an accurate to and the Contract for Sale for a Lot is with the Seller and At some Sales, for example, jewellery Sales, we may use nor the Seller will be liable for any loss of Business, profits, any contract resulting from the acceptance of a bid. provided that the total amount payable by you in respect reproduction of the colour(s) of the Lot. not with Bonhams; Bonhams acts as the Seller’s agent only screens on which images of the Lots will be projected. This revenue or income, or for loss of reputation, or for disruption of all Lots purchased by you at the Sale does not exceed (unless Bonhams sells the Lot as principal). service is provided to assist viewing at the Sale. The image to Business or wasted time on the part of management or Subject to the above, please let us know if you are acting on HK$80,000. If the amount payable by you for Lots exceeds Lots are available for inspection prior to the Sale and it is for on the screen should be treated as an indication only of the staff, or for indirect losses or consequential damages of any behalf of another person when bidding for Lots at the Sale. that sum, the balance must be paid otherwise than in coins, you to satisfy yourself as to each and every aspect of a Lot, Bonhams undertakes no obligation to you to examine, current Lot. It should be noted that all bids tendered will kind, irrespective in any case of the nature, volume or source Equally, please let us know if you intend to nominate another notes or travellers cheques; including its authorship, attribution, condition, provenance, investigate or carry out any tests, either in sufficient depth or relate to the actual Lot number announced by the Auctioneer. of the loss or damage alleged to be suffered, and irrespective person to bid on your behalf at the Sale unless this is to be history, background, authenticity, style, period, age, at all, on each Lot to establish the accuracy or otherwise of We do not accept any responsibility for any errors which may of whether the said loss or damage is caused by or claimed carried out by us pursuant to an Absentee and Telephone you may electronically transfer funds to suitability, quality, roadworthiness (if relevant), origin, value any descriptions or opinions given by Bonhams, or by any occur in the use of the screen. Bank transfer: in respect of any negligence, other tort, breach of contract (if Bidding Form that you have completed. If we do not approve our Client Account. If you do so, please quote your paddle and estimated selling price (including the Hammer price). It person on Bonhams’ behalf, whether in the Catalogue or any) or statutory duty, restitutionary claim or otherwise. is your responsibility to examine any Lot in which you are elsewhere. 5. BIDDING the agency arrangements in writing before the Sale, we are number and invoice number as the reference. Our Client entitled to assume that the person bidding at the Sale is Account details are as follows: interested. We do not accept bids from any person who has not In any circumstances where we and/or the Seller are liable bidding on his own behalf. Accordingly, the person bidding at Bank : HSBC You should not suppose that such examinations, completed and delivered to us one of our Bidding Forms, in relation to any Lot or any Description or Estimate made the Sale will be the Buyer and will be liable to pay the Hammer Address : Head Office It should be remembered that the actual condition of a investigations or tests have occurred. either our Bidder Registration Form, Absentee and Telephone of any Lot, or the conduct of any Sale in relation to any Lot, Price and Buyer’s Premium and associated charges. If we 1 Queen’s Road Central, Hong Kong Lot may not be as good as that indicated by its outward Bidding Form before the Sale. You may be asked for proof of whether in damages, for an indemnity or contribution, or for approve the identity of your client in advance, we will be in a Account Name: Bonhams (Hong Kong) Limited. - appearance. In particular, parts may have been replaced or Bonhams does not make or agree to make any identity, residence, financial details and references, which, if a restitutionary remedy or otherwise, our and/or the Seller’s position to address the invoice to your principal rather than Client A/C renewed and Lots may not be authentic or of satisfactory representation of fact, and undertakes no obligation or duty asked for, you must supply if your bids are to be accepted by liability (combined, if both we and the Seller are liable) will be you. We will require proof of the agent’s client’s identity and Account Number: 808 870 174001 quality; the inside of a Lot may not be visible and may not (whether in contract or tort) in respect of the accuracy or us. Please bring your passport, Hong Kong Identity Card (or limited to payment of a sum which will not exceed by way residence in advance of any bids made by the agent on his SWIFT Code: HSBCHKHHHKH be original or may be damaged, as for example where it is completeness of any statement or representation made similar photo proof of identity) and a debit or credit card. We of maximum the amount of the Purchase Price of the Lot behalf. Please refer to our Conditions of Business and contact covered by upholstery or material. Given the age of many by Bonhams or on Bonhams’ behalf which is in any way may request a deposit from you before allowing you to bid. irrespective in any case of the nature, volume or source of our Customer Services Department for further details. If paying by bank transfer, the amount received after the Lots they may have been damaged and/or repaired and you descriptive of any Lot or as to the anticipated or likely selling any loss or damage alleged to be suffered or sum claimed as deduction of any bank fees and/or conversion of the currency should not assume that a Lot is in good condition. price of any Lot. We may refuse entry to a Sale to any person even if that due, and irrespective of whether the liability arises from any of payment to Hong Kong dollars must not be less than person has completed a Bidding Form. 6. CONTRACTS BETWEEN THE BUYER AND SELLER negligence, other tort, breach of contract (if any) or statutory the Hong Kong dollars amount payable, as set out on the Electronic or mechanical parts may not operate or may not No statement or representation by Bonhams or on its AND THE BUYER AND BONHAMS duty or otherwise. comply with current statutory requirements. You should behalf in any way descriptive of any Lot or any Estimate is Bidding in person On the Lot being knocked down to the Buyer, a Contract invoice. for Sale of the Lot will be entered into between the Seller not assume that electrical items designed to operate on incorporated into our Buyer’s Agreement. You should come to our Bidder registration desk at the Nothing set out above will be construed as excluding or and the Buyer on the terms of the Contract for Sale set out there is no mains electricity will be suitable for connection to the mains Sale venue and fill out a Bidder Registration Form on (or, if Debit cards issued by a Hong Kong bank: restricting (whether directly or indirectly) our liability or in at the back of the Catalogue save for those additional charge for purchases made with these cards; electricity supply and you should obtain a report from a Alterations possible, before) the day of the Sale. The bidding number Appendix 1 excluding or restricting any person’s rights or remedies in varied by announcement given out orally before and/or during American Express, Visa and Mastercard only. qualified electrician on their status before doing so. Such Descriptions and Estimates may be amended at Bonhams’ system is sometimes referred to as “paddle bidding”. You credit cards: respect of (i) fraud, or (ii) death or personal injury caused by

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PAGE 1 PAGE 2 will be issued with a large card (a “paddle”) with a printed the Sale. You will be liable to pay the Purchase Price, which Please note there is a 2% surcharge on the total invoice number on it. This will be attributed to you for the purposes is the Hammer Price plus any Tax. value when payments are made using credit cards. It may of the Sale. Should you be a successful Bidder you will be advisable to notify your card provider of your intended need to ensure that your number can be clearly seen by the At the same time, a separate contract is also entered into purchase in advance to reduce delays caused by us having Auctioneer and that it is your number which is identified as between us as auctioneers and the Buyer. This is our Buyer’s to seek authority when you come to pay. If you have any the Buyer’s. You should not let anyone else use your paddle Agreement, the terms of which are set out in Appendix 2 questions with regard to payment, please contact our as all Lots will be invoiced to the name and address given on at the end of the Catalogue. Please read the terms of the Customer Services Department. your Bidder Registration Form. Once an invoice is issued it Contract for Sale and our Buyer’s Agreement contained in will not be changed. the Catalogue in case you are the successful Bidder. We China UnionPay (CUP) debit cards: No surcharge for may change the terms of either or both of these agreements in using CUP debit cards will apply on the first HK$1,000,000 If there is any doubt as to the Hammer Price of, or whether advance of their being entered into, by setting out different terms invoiced to a Buyer in any Sale; a 2% surcharge will be you are the successful Bidder of, a particular Lot, you must in the Catalogue and/or by placing an insert in the Catalogue and/ made on the balance over HK$1,000,000. draw this to the attention of the Auctioneer before the next or by notices at the Sale venue and/or by oral announcements Lot is offered for Sale. The decision of the Auctioneer is before and during the Sale. You should be alert to this possibility considered final and conclusive. of changes and ask if there have been any. 10. COLLECTION AND STORAGE The Buyer of a Lot will not be allowed to collect it until payment in full and in cleared funds has been made (unless At the end of the Sale, or when you have finished bidding 7. BUYER’S PREMIUM AND OTHER CHARGES we have made a special arrangement with the Buyer). Details please return your paddle to the Bidder registration desk. PAYABLE BY THE BUYER relating to the collection of a Lot, the storage of a Lot and our Under the Buyer’s Agreement, a premium (the Buyer’s Storage Contractor after the Sale are set out in the Buyer’s Premium) is payable to us by the Buyer in accordance with the Bidding by telephone Agreement as set out in Appendix 2 of the Catalogue. If you wish to bid at the Sale by telephone, please complete terms of the Buyer’s Agreement and at rates set out below, an Absentee and Telephone Bidding Form, which is available calculated by reference to the Hammer Price and payable in from our offices or in the Catalogue. Please then return it to addition to it. Storage charges and Expenses are also payable 11. SHIPPING Please refer enquiries on this to our customer services the office which is responsible for the Sale at least 24 hours by the Buyer as set out in the Buyer’s Agreement. department dealing with the Sale. in advance of the Sale. It is your responsibility to check with our Bids Office that your bid has been received. Telephone For this Sale the following rates of Buyer’s Premium will be calls may be recorded. The telephone bidding facility is a payable by Buyers of Lots: 12. EXPORT/TRADE RESTRICTIONS It is your sole responsibility to comply with all Hong Kong discretionary service and may not be available in relation to all 25% up to HK$800,000 of the Hammer Price export and overseas import regulations relating to your Lots. We will not be responsible for bidding on your behalf if 20% from HK$800,001 of the Hammer Price purchases and also to obtain any relevant export and/or you are unavailable at the time of the Sale or if the telephone 12% from HK$15,000,001 of the Hammer Price import licence(s). connection is interrupted during bidding. Please contact us for further details. 8. TAX The need for export and import licences varies from country The Hammer Price and the Buyer’s Premium payable by to country and you should acquaint yourself with all relevant the Buyer is exclusive of any goods or service tax or other Bidding by post or fax local requirements and provisions. Absentee and Telephone Bidding Forms can be found in the Tax (whether imposed by Hong Kong or otherwise). If any back of this Catalogue and should be completed and sent such Tax was to be paid under Hong Kong laws or any other The refusal of any import or export licence(s) or any delay in to the office responsible for the Sale. It is in your interests laws, the Buyer shall be solely responsible to pay such Tax obtaining such licence(s) shall not permit the rescission of any to return your form as soon as possible, as if two or more and at the rate and time as required by the relevant law, or Sale nor allow any delay in making full payment for the Lot. Bidders submit identical bids for a Lot, the first bid received if such Tax is to be paid by us, we may add such Tax to the takes preference. In any event, all bids should be received Purchase Price payable by the Buyer. at least 24 hours before the start of the Sale. Please check 13. CITES REGULATIONS Buyers are advised to check the regulations applicable to your Absentee and Telephone Bidding Form carefully before 9. PAYMENT Hong Kong exportation and overseas importation when returning it to us, fully completed and signed by you. It is It is of critical importance that you ensure that you have exporting any goods from Hong Kong to the place of your responsibility to check with our Bids Office that your bid readily available funds to pay the Purchase Price and the importation. Buyers should also be aware that the export has been received. This additional service is complimentary Buyer’s Premium (plus Tax and any other charges and from Hong Kong of any items made of or incorporating and is confidential. Such bids are made at your own risk Expenses to us) in full before making a bid for the Lot. If you ivory, whalebone, tortoiseshell, rhinoceros horn, coral and and we cannot accept liability for our failure to receive and/ are a successful Bidder, payment will be due to be made to other restricted materials is prohibited unless a CITES or place any such bids. All bids made on your behalf will be us by 4.30 pm on the second working day after the Sale so export licence is obtained from the Agriculture, Fisheries made at the lowest level possible subject to Reserves and that all sums are cleared by the seventh working day after and Conservation Department of Hong Kong. A period of 8 other bids made for the Lot. Where appropriate your bids the Sale. Payment will have to be by one of the following weeks may be required for the purposes of obtaining such will be rounded down to the nearest amount consistent with methods (all cheques should be made payable to Bonhams export licence. the Auctioneer’s bidding increments. New Bidders must also (Hong Kong) Limited). Bonhams reserves the right to vary provide proof of identity when submitting bids. Failure to do the terms of payment at any time. Unless agreed by us Please note that Lots marked in the catalogue with a Y this may result in your bid not being placed. advance payments made by anyone other than the registered next to the lot number contain one or more of the aforesaid buyer will not be accepted. restricted materials. However, the omission of such letter Y Bidding via the internet does not automatically mean that the Lot is not subject to Please visit our Website at http://www.bonhams.com for Hong Kong dollar personal cheque drawn on a Hong CITES regulations. Buyers are advised to obtain information details of how to bid via the internet. all cheques must be cleared Kong branch of a bank : from the relevant regulatory authorities regarding export and before you can collect your purchases. import restrictions, requirements and costs prior to bidding. Bidding through an agent Bids will be accepted as placed on behalf of the person Bankers draft cheque: if you can provide suitable proof named as the principal on the Bidding Form although we may of identity and we are satisfied as to the genuineness of the 14. THE SELLERS AND/OR BONHAMS’ LIABILITY Other than any liability of the Seller to the Buyer of a Lot refuse to accept bids from an agent on behalf of a principal draft or cheque, and that the funds have originated from your under the Contract for Sale, neither we nor the Seller are and may require written confirmation from the principal own account, we will allow you to collect your purchases liable (whether in negligence or otherwise) for any error confirming the agent’s authority to bid. Nevertheless, as the immediately; or misdescription or omission in any Description of a Lot Bidding Form explains, any person placing a bid as agent or any Estimate in respect of it, whether contained in the on behalf of another (whether or not he has disclosed that you may pay for Lots purchased by you at this Sale Cash: Catalogue or otherwise, whether given orally or in writing fact or the identity of his principal) will be jointly and severally with notes, coins or travellers cheques in the currency in and whether given before or during the Sale. Neither we liable with the principal to the Seller and to Bonhams under which the Sale is conducted (but not any other currency) nor the Seller will be liable for any loss of Business, profits, any contract resulting from the acceptance of a bid. provided that the total amount payable by you in respect revenue or income, or for loss of reputation, or for disruption of all Lots purchased by you at the Sale does not exceed to Business or wasted time on the part of management or Subject to the above, please let us know if you are acting on HK$80,000. If the amount payable by you for Lots exceeds staff, or for indirect losses or consequential damages of any behalf of another person when bidding for Lots at the Sale. that sum, the balance must be paid otherwise than in coins, kind, irrespective in any case of the nature, volume or source Equally, please let us know if you intend to nominate another notes or travellers cheques; of the loss or damage alleged to be suffered, and irrespective person to bid on your behalf at the Sale unless this is to be of whether the said loss or damage is caused by or claimed carried out by us pursuant to an Absentee and Telephone you may electronically transfer funds to Bank transfer: in respect of any negligence, other tort, breach of contract (if Bidding Form that you have completed. If we do not approve our Client Account. If you do so, please quote your paddle any) or statutory duty, restitutionary claim or otherwise. the agency arrangements in writing before the Sale, we are number and invoice number as the reference. Our Client entitled to assume that the person bidding at the Sale is Account details are as follows: In any circumstances where we and/or the Seller are liable bidding on his own behalf. Accordingly, the person bidding at Bank : HSBC in relation to any Lot or any Description or Estimate made the Sale will be the Buyer and will be liable to pay the Hammer Address : Head Office of any Lot, or the conduct of any Sale in relation to any Lot, Price and Buyer’s Premium and associated charges. If we 1 Queen’s Road Central, Hong Kong whether in damages, for an indemnity or contribution, or for approve the identity of your client in advance, we will be in a Account Name: Bonhams (Hong Kong) Limited. - a restitutionary remedy or otherwise, our and/or the Seller’s position to address the invoice to your principal rather than Client A/C liability (combined, if both we and the Seller are liable) will be you. We will require proof of the agent’s client’s identity and Account Number: 808 870 174001 limited to payment of a sum which will not exceed by way residence in advance of any bids made by the agent on his SWIFT Code: HSBCHKHHHKH of maximum the amount of the Purchase Price of the Lot behalf. Please refer to our Conditions of Business and contact irrespective in any case of the nature, volume or source of our Customer Services Department for further details. If paying by bank transfer, the amount received after the any loss or damage alleged to be suffered or sum claimed as deduction of any bank fees and/or conversion of the currency due, and irrespective of whether the liability arises from any of payment to Hong Kong dollars must not be less than 6. CONTRACTS BETWEEN THE BUYER AND SELLER negligence, other tort, breach of contract (if any) or statutory the Hong Kong dollars amount payable, as set out on the AND THE BUYER AND BONHAMS duty or otherwise. On the Lot being knocked down to the Buyer, a Contract invoice. for Sale of the Lot will be entered into between the Seller Nothing set out above will be construed as excluding or and the Buyer on the terms of the Contract for Sale set out there is no Debit cards issued by a Hong Kong bank: restricting (whether directly or indirectly) our liability or in at the back of the Catalogue save for those additional charge for purchases made with these cards; Appendix 1 excluding or restricting any person’s rights or remedies in varied by announcement given out orally before and/or during American Express, Visa and Mastercard only. credit cards: respect of (i) fraud, or (ii) death or personal injury caused by

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PAGE 2 our negligence (or by the negligence of any person under our Estimated Weights Corks and Ullages We will keep your data for a period of five years from the 3 DESCRIPTIONS OF THE LOT 7 COLLECTION OF THE LOT control or for whom we are legally responsible), or (iii) acts or If a stone(s) weight appears within the body of the Ullage refers to the space between the base of the cork date of your last contact with us so as to simplify any future 3.1 Paragraph 2.1.5 sets out what is the 7.1 Unless otherwise agreed in writing with you by omissions for which we are liable under the Occupiers Liability Description in capital letters, the stone(s) has been and the wine. Ullage levels for Bordeaux shaped bottles are registration. The data may be transferred to and stored outside Contractual Description of the Lot. In particular, Bonhams, the Lot will be released to you or to Hong Kong, and you agree to this transfer. You have the right the Lot is not sold as corresponding with that your order only when Bonhams has received Ordinance (Chapter 314 of the Laws of Hong Kong), or (iv) unmounted and weighed by Bonhams. If the weight of the only normally noted when below the neck and for Burgundy, any other liability to the extent the same may not be excluded to request us not to use your information for these purposes part of the Entry in the Catalogue which is not cleared funds to the amount of the full Purchase stone(s) is stated to be approximate and does not appear Alsace, German and Cognac shaped bottles when greater or restricted as a matter of law or (v) our undertakings under by contacting Bonhams (Hong Kong) Limited (which for the printed in bold letters, which merely sets out Price and all other sums owed by you to the paragraph 9 of the Buyer’s Agreement. The same applies in in capital letters, the stone(s) has been assessed by us than 4 centimetres (cm). Acceptable ullage levels increase purpose of the Personal Data (Privacy) Ordinance (Chapter (on the Seller’s behalf) Bonhams’ opinion about Seller and to Bonhams. respect of the Seller, as if references to us in this paragraph within its/their settings, and the stated weight is a statement with age; generally acceptable levels are as follows: 486 of the Laws of Hong Kong) is the data user) at Montpelier the Lot and which is not part of the Contractual were substituted with references to the Seller. of our opinion only. This information is given as a guide Under 15 years old – into neck or less than 4cm Galleries, Montpelier Street, London, SW7 1HH, United Description upon which the Lot is sold. Any 7.2 The Seller is entitled to withhold possession and Bidders should satisfy themselves with regard to this 15 to 30 years old – top shoulder (ts) or up to 5cm Kingdom or by e-mail at [email protected]. statement or representation other than that from you of any other Lot he has sold to you 15. DAMAGE AND RESTORATION information as to its accuracy. Over 30 years old – high shoulder (hs) or up to 6cm part of the Entry referred to in paragraph at the same or at any other Sale and whether Bidders should note that there is no reference to any defect, It should be noted that ullages may change between APPENDIX 1 2.1.5 (together with any express alteration to currently in Bonhams’ possession or not until it as referred to in paragraph 2.1.5), including payment in full and in cleared funds of the damage or restoration in this Catalogue. A detailed Condition Signatures publication of the Catalogue and the Sale and that corks may Report can be provided by Bonhams up to 24 hours before CONTRACT FOR SALE any Description or Estimate, whether made Purchase Price and all other sums due to the 1. A diamond brooch, by Kutchinsky fail as a result of transporting the wine. We will only accept the Sale. When providing Condition Reports, we do not IMPORTANT: These terms may be changed in advance of orally or in writing, including in the Catalogue Seller and/or Bonhams in respect of the Lot. When the maker’s name appears in the title, in Bonhams’ responsibility for Descriptions of condition at the time of guarantee that there are no other defects present which have the Sale of the Lot to you, by the setting out of different terms or on Bonhams’ Website, or by conduct, or 7.3 You will collect and remove the Lot at your own not been mentioned. Bidders should satisfy themselves by opinion the piece is by that maker. publication of the Catalogue and cannot accept responsibility in the Catalogue for the Sale and/or by placing an insert in otherwise, and whether by or on behalf of the expense from Bonhams’ custody and/or control inspection, as to the condition of each Lot. Please see the 2. A diamond brooch, signed Kutchinsky for any loss resulting from failure of corks either before or the Catalogue and/or by notices at the Sale venue and/or by Seller or Bonhams and whether made prior to or from the Storage Contractor’s custody in Contract for Sale printed in this Catalogue. Has a signature that, in Bonhams’ opinion, is authentic but after this point. oral announcements before and during the Sale at the Sale or during the Sale, is not part of the Contractual accordance with Bonhams’ instructions or may contain gemstones that are not original, or the piece venue. You should be alert to this possibility of changes and Description upon which the Lot is sold. requirements. 16. BOOKS may have been altered. Options to buy parcels ask in advance of bidding if there have been any. As stated above, all Lots are sold on an “as is” basis, subject 3. A diamond brooch, mounted by Kutchinsky A parcel is a number of Lots of identical size of the same 3.2 Except as provided in paragraph 2.1.5, the 7.4 You will be wholly responsible for packing, to all faults, imperfections and errors of Description save as Has been created by the jeweller, in Bonhams’ opinion, but wine, bottle size and Description. The Buyer of any of these UNDER THIS CONTRACT, THE SELLER’S LIABILITY IN Seller does not make or give and does not handling and transport of the Lot on collection RESPECT OF THE QUALITY OF THE LOT, ITS FITNESS agree to make or give any contractual promise, and for complying with all import or export set out below. However, you will be entitled to reject a Book using stones or designs supplied by the client. Lots has the option to accept some or all of the remaining FOR ANY PURPOSE AND ITS CONFORMITY WITH ANY undertaking, obligation, guarantee, warranty, or regulations in connection with the Lot. in the circumstances set out in paragraph 11 of the Buyers Lots in the parcel at the same price, although such options DESCRITION IS LIMITED. YOU ARE STRONGLY ADVISED representation of fact, or undertake any duty of Agreement. Please note that Lots comprising printed Books, 19. PICTURES will be at the Auctioneer’s sole discretion. Absentee Bidders TO EXAMINE THE LOT FOR YOURSELF AND/OR OBTAIN AN care, in relation to any Description of the Lot or 7.5 You will be wholly responsible for any removal, unframed maps and bound manuscripts are not liable to VAT Explanation of Catalogue Terms are, therefore, advised to bid on the first Lot in a parcel. INDEPENDENT EXAMINATION OF IT BEFORE YOU BUY IT. any Estimate in relation to it, nor of the accuracy storage or other charges or expenses incurred on the Buyer’s Premium. The following terms used in the Catalogue have the following or completeness of any Description or Estimate by the Seller if you do not remove the Lot in meanings but are subject to the general provisions relating to Bottling Details and Case Terms 1 THE CONTRACT which may have been made by or on behalf accordance with this paragraph 7 and will Descriptions contained in the Contract for Sale: 1.1 These terms govern the Contract for Sale of the of the Seller including by Bonhams. No such indemnify the Seller against all charges, costs, 17. CLOCKS AND WATCHES The following terms used in the Catalogue have the following Lot by the Seller to the Buyer. Description or Estimate is incorporated into this including any legal costs and fees, expenses All Lots are sold “as is”, and the absence of any reference • “Jacopo Bassano”: in our opinion a work by the artist. meanings: When the artist’s forename(s) is not known, a series of CB – Château bottled Contract for Sale. and losses suffered by the Seller by reason of to the condition of a clock or watch does not imply that 1.2 The Definitions and Glossary contained in your failure to remove the Lot including any the Lot is in good condition and without defects, repairs or asterisks, followed by the surname of the artist, whether DB – Domaine bottled Appendix 3 in the Catalogue are incorporated 4 FITNESS FOR PURPOSE AND charges due under any Storage Contract. All preceded by an initial or not, indicates that in our opinion EstB – Estate bottled restorations. Most clocks and watches have been repaired in into this Contract for Sale and a separate copy SATISFACTORY QUALITY such sums due to the Seller will be payable on the course of their normal lifetime and may now incorporate the work is by the artist named; BB – Bordeaux bottled can also be provided by Bonhams on request. 4.1 The Seller does not make and does not demand. parts not original to them. Furthermore, Bonhams makes • “Attributed to Jacopo Bassano”: in our opinion probably BE – Belgian bottled Where words and phrases are used which are agree to make any contractual promise, no representation or warranty that any clock or watch is in a work by the artist but less certainty as to authorship is FB – French bottled in the List of Definitions in it, they are printed in undertaking, obligation, guarantee, warranty, 8 FAILURE TO PAY FOR THE LOT working order. As clocks and watches often contain fine expressed than in the preceding category; GB – German bottled italics. or representation of fact in relation to the 8.1 If the Purchase Price for a Lot is not paid to and complex mechanisms, Bidders should be aware that • “Studio/Workshop of Jacopo Bassano”: in our opinion a OB – Oporto bottled satisfactory quality of the Lot or its fitness for Bonhams in full in accordance with the Contract 1.3 Seller sells the Lot as the principal to the any purpose. for Sale the Seller will be entitled, with the prior a general service, change of battery or further repair work, work by an unknown hand in a studio of the artist which UK – United Kingdom bottled may or may not have been executed under the artist’s owc – original wooden case Contract for Sale, such contract being made written agreement of Bonhams but without for which the Buyer is solely responsible, may be necessary. between the Seller and you through Bonhams 4.2 The Seller will not be liable for any breach of further notice to you, to exercise one or more of direction; iwc – individual wooden case Bidders should be aware that the importation of watches which acts in the sole capacity as the Seller’s any undertaking, whether implied by the Sale of the following rights (whether through Bonhams • “Circle of Jacopo Bassano”: in our opinion a work by such as Rolex, Frank Muller and Corum into the United oc – original carton agent and not as an additional principal. Goods Ordinance (Chapter 26 of the Laws of or otherwise): States is highly restricted. These watches may not be a hand closely associated with a named artist but not However, if the Catalogue states that Bonhams Hong Kong) or otherwise, as to the satisfactory shipped to the USA and can only be imported personally. necessarily his pupil; SYMBOLS sells the Lot as principal, or such a statement is quality of the Lot or its fitness for any purpose. 8.1.1 to terminate immediately the Contract for Sale • “Follower of Jacopo Bassano”: in our opinion a work by THE FOLLOWING SYMBOLS ARE USED TO DENOTE made by an announcement by the Auctioneer, of the Lot for your breach of contract; 18. JEWELLERY a painter working in the artist’s style, contemporary or Y Subject to CITES regulations when exporting these or by a notice at the Sale, or an insert in the 5 RISK, PROPERTY AND TITLE Catalogue, then Bonhams is the Seller for the 5.1 Risk in the Lot passes to you when it is knocked 8.1.2 to re-sell the Lot by auction, private treaty or Ruby and Jadeite nearly contemporary, but not necessarily his pupil; items outside the EU, see clause 13. Ruby and jadeite gemstones of Burmese (Myanmar) origin • “Manner of Jacopo Bassano”: in our opinion a work in the ≈ Please note that as a result of recent legislation ruby purposes of this agreement. down to you on the fall of the Auctioneer’s any other means on giving seven days’ written hammer in respect of the Lot. The Seller will notice to you of the intention to resell; may not be imported into the US. Rubies and jadeite of style of the artist and of a later date; and jadeite gem stones of Burmese (Myanmar) origin 1.4 The contract is made on the striking of the not be responsible thereafter for the Lot prior to • “After Jacopo Bassano”: in our opinion, a copy of a may not be imported into the US. Rubies and jadeite of non–Burmese origin require certification before import Auctioneer’s hammer in respect of the Lot when you collecting it from Bonhams or the Storage 8.1.3 to retain possession of the Lot; known work of the artist; into the US and it is the Buyer’s responsibility to obtain all non-Burmese origin require certification before import it is knocked down to you. Contractor, with whom you have separate relevant and required export/import licences, certificates • “Signed and/or dated and/or inscribed”: in our opinion the into the US. contract(s) as Buyer. You will indemnify the 8.1.4 to remove and store the Lot at your expense; signature and/or date and/or inscription are from the hand and documentation before shipping. Failure by the Buyer to ○ The Seller has been guaranteed a minimum price for 2 SELLER’S UNDERTAKINGS Seller and keep the Seller fully indemnified from successfully import goods into the US does not constitute of the artist; the Lot, either by Bonhams or a third party. This may 2.1 The Seller undertakes to you that: and against all claims, proceedings, costs, 8.1.5 to take legal proceedings against you for any grounds for non payment or cancellation of Sale. Bonhams • “Bears a signature and/or date and/or inscription”: in our take the form of an irrevocable bid by a third party, who expenses and losses arising in respect of any sum due under the Contract for Sale and/or will not be responsible for any additional costs in this regard opinion the signature and/or date and/or inscription have may make a financial gain on a successful Sale or a 2.1.1 The Seller is the owner of the Lot or is duly injury, loss and damage caused to the Lot after damages for breach of contract; howsoever incurred. been added by another hand. financial loss if unsuccessful. authorised to sell the Lot by the owner; the fall of the Auctioneer’s hammer until you ▲ Bonhams owns the Lot either wholly or partially or may obtain full title to it. 8.1.6 to be paid interest on any monies due (after 2.1.2 save as disclosed in the Entry for the Lot in the as well as before judgement or order) at the 20. PORCELAIN AND GLASS otherwise have an economic interest. Gemstones Catalogue, the Seller sells the Lot with full title 5.2 Title to the Lot remains in and is retained by annual rate of 5% per annum above the base Damage and Restoration Historically many gemstones have been subjected to Ф This lot contains or is made of ivory. The United States guarantee or, where the Seller is an executor, the Seller until the Purchase Price and all other rate of Standard Chartered Bank (Hong Kong) For your guidance, in our Catalogues we detail, as far as a variety of treatments to enhance their appearance. Government has banned the import of ivory into trustee, liquidator, receiver or administrator, with sums payable by you to Bonhams in relation to Limited from time to time to be calculated on Sapphires and rubies are routinely heat treated to improve practicable, recorded all significant defects, cracks and the USA. whatever right, title or interest he may have in the Lot have been paid in full to, and received in a daily basis from the date upon which such their colour and clarity, similarly emeralds are frequently restoration. Such practicable Descriptions of damage cannot the Lot; cleared funds by, Bonhams. monies become payable until the date of actual be definitive, and in providing Condition Reports, we cannot 22. LANGUAGE payment; treated with oils or resin for the same purpose. Other The Notice to Bidders is published in both Chinese and Guarantee that there are no other defects present which 2.1.3 except where the Sale is by an executor, treatments such as staining, irradiation or coating may have English. If there is any dispute in its interpretation, the English 6 PAYMENT have not been mentioned. Bidders should satisfy themselves trustee, liquidator, receiver or administrator 6.1 Your obligation to pay the Purchase Price arises 8.1.7 to repossess the Lot (or any part thereof) which been used on other gemstones. These treatments may version will prevail. the Seller is both legally entitled to sell the Lot, when the Lot is knocked down to you on the has not become your property, and for this be permanent, whilst others may need special care or re- by inspection, as to the condition of each Lot. Please see the Contract for Sale printed in this Catalogue. Because of and legally capable of conferring on you quiet fall of the Auctioneer’s hammer in respect of the purpose you hereby grant an irrevocable licence treatment over the years to retain their appearance. Bidders DATA PROTECTION – USE OF YOUR INFORMATION possession of the Lot Lot. to the Seller by himself and to his servants or the difficulty in determining whether an item of glass has As a result of the services provided by us, we obtain personal should be aware that Estimates assume that gemstones agents to enter upon all or any of your premises been repolished, in our Catalogues reference is only made to data about you (which expression for the purposes of this may have been subjected to such treatments. A number 2.1.4 the Seller has complied with all requirements, 6.2 Time will be of the essence in relation to (with or without vehicles) during normal paragraph only includes your employees and officers, if any). of laboratories issue certificates that give more detailed visible chips and cracks. No mention is made of repolishing, legal or otherwise, relating to any export or payment of the Purchase Price and all other Business hours to take possession of the Lot or You agree to our use of it as follows. Descriptions of gemstones. However there may not be severe or otherwise. import of the Lot, and all duties and Taxes in sums payable by you to Bonhams. Unless part thereof; respect of the export or import of the Lot have agreed in writing with you by Bonhams on the consensus between different laboratories on the degrees, We may use your data to notify you about changes to our 21. WINE (unless stated to the contrary in the Catalogue Seller’s behalf (in which case you must comply 8.1.8 to retain possession of any other property sold or types of treatment for any particular gemstone. In services and to provide you with information about products Lots which are lying under Bond and those liable to VAT may or announced by the Auctioneer) been paid with the terms of that agreement), all such to you by the Seller at the Sale or any other the event that Bonhams has been given or has obtained or services that you request from us or which we feel may and, so far as the Seller is aware, all third parties sums must be paid to Bonhams by you in the auction or by private treaty until all sums due certificates for any Lot in the Sale these certificates will be not be available for immediate collection. be of interest to you. Data about you may be analysed to have complied with such requirements in the currency in which the Sale was conducted by under the Contract for Sale shall have been Examining the wines identify your potential preferences for these purposes. We disclosed in the Catalogue. Although, as a matter of policy, past; not later than 4.30pm on the second working paid in full in cleared funds; It is occasionally possible to provide a pre-Sale tasting for may disclose your data to any member of our group (which Bonhams endeavours to provide certificates from recognised day following the Sale and you must ensure that larger parcels (as defined below). This is generally limited to means our subsidiaries, our ultimate holding company and laboratories for certain gemstones, it is not feasible to obtain 2.1.5 subject to any alterations expressly identified as the funds are cleared by the seventh working 8.1.9 to retain possession of, and on three months’ its subsidiaries as defined in section 1159 and schedule certificates for each Lot. In the event that no certificate is more recent and everyday drinking wines. Please contact the such made by announcement or notice at the day after the Sale. Payment must be made written notice to sell, Without Reserve, any 6 of the Companies Act 2006, including any overseas published in the Catalogue, Bidders should assume that the department for details. Sale venue or by the Notice to Bidders or by to Bonhams by one of the methods stated in of your other property in the possession of subsidiary). Subject to this, we will not disclose your data to It is not our policy to inspect every unopened case. In the an insert in the Catalogue, the Lot corresponds the Notice to Bidders unless otherwise agreed the Seller and/or of Bonhams (as bailee for gemstones may have been treated. Neither Bonhams nor any third party, but we may from time to time provide you case of wines older than 20 years the boxes will usually with the Contractual Description of the Lot, with you in writing by Bonhams. If you do not the Seller) for any purpose (including, without the Seller accepts any liability for contradictions or differing with information about goods and services provided by third have been opened and levels and appearance noted in being that part of the Entry about the Lot in the pay any sums due in accordance with this limitation, other goods sold to you) and to apply certificates obtained by Buyers on any Lots subsequent to parties which we feel may be of interest to you. Any member Catalogue which is in bold letters and (except paragraph, the Seller will have the rights set out any monies due to you as a result of such the Sale. the Catalogue where necessary. You should make proper of our group may use your data for similar purposes. allowance for variations in ullage levels and conditions of for colour) with any photograph of the Lot in the in paragraph 8 below. sale in satisfaction or part satisfaction of any corks, capsules and labels. Catalogue and the contents of any Condition amounts owed to the Seller or to Bonhams; and Report which has been provided to the Buyer.

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PAGE 3 PAGE 4 We will keep your data for a period of five years from the 3 DESCRIPTIONS OF THE LOT 7 COLLECTION OF THE LOT date of your last contact with us so as to simplify any future 3.1 Paragraph 2.1.5 sets out what is the 7.1 Unless otherwise agreed in writing with you by registration. The data may be transferred to and stored outside Contractual Description of the Lot. In particular, Bonhams, the Lot will be released to you or to Hong Kong, and you agree to this transfer. You have the right the Lot is not sold as corresponding with that your order only when Bonhams has received to request us not to use your information for these purposes part of the Entry in the Catalogue which is not cleared funds to the amount of the full Purchase by contacting Bonhams (Hong Kong) Limited (which for the printed in bold letters, which merely sets out Price and all other sums owed by you to the purpose of the Personal Data (Privacy) Ordinance (Chapter (on the Seller’s behalf) Bonhams’ opinion about Seller and to Bonhams. 486 of the Laws of Hong Kong) is the data user) at Montpelier the Lot and which is not part of the Contractual Galleries, Montpelier Street, London, SW7 1HH, United Description upon which the Lot is sold. Any 7.2 The Seller is entitled to withhold possession Kingdom or by e-mail at [email protected]. statement or representation other than that from you of any other Lot he has sold to you part of the Entry referred to in paragraph at the same or at any other Sale and whether APPENDIX 1 2.1.5 (together with any express alteration to currently in Bonhams’ possession or not until it as referred to in paragraph 2.1.5), including payment in full and in cleared funds of the CONTRACT FOR SALE any Description or Estimate, whether made Purchase Price and all other sums due to the IMPORTANT: These terms may be changed in advance of orally or in writing, including in the Catalogue Seller and/or Bonhams in respect of the Lot. the Sale of the Lot to you, by the setting out of different terms or on Bonhams’ Website, or by conduct, or 7.3 You will collect and remove the Lot at your own in the Catalogue for the Sale and/or by placing an insert in otherwise, and whether by or on behalf of the expense from Bonhams’ custody and/or control the Catalogue and/or by notices at the Sale venue and/or by Seller or Bonhams and whether made prior to or from the Storage Contractor’s custody in oral announcements before and during the Sale at the Sale or during the Sale, is not part of the Contractual accordance with Bonhams’ instructions or venue. You should be alert to this possibility of changes and Description upon which the Lot is sold. requirements. ask in advance of bidding if there have been any. 3.2 Except as provided in paragraph 2.1.5, the 7.4 You will be wholly responsible for packing, UNDER THIS CONTRACT, THE SELLER’S LIABILITY IN Seller does not make or give and does not handling and transport of the Lot on collection RESPECT OF THE QUALITY OF THE LOT, ITS FITNESS agree to make or give any contractual promise, and for complying with all import or export FOR ANY PURPOSE AND ITS CONFORMITY WITH ANY undertaking, obligation, guarantee, warranty, or regulations in connection with the Lot. DESCRITION IS LIMITED. YOU ARE STRONGLY ADVISED representation of fact, or undertake any duty of TO EXAMINE THE LOT FOR YOURSELF AND/OR OBTAIN AN care, in relation to any Description of the Lot or 7.5 You will be wholly responsible for any removal, INDEPENDENT EXAMINATION OF IT BEFORE YOU BUY IT. any Estimate in relation to it, nor of the accuracy storage or other charges or expenses incurred or completeness of any Description or Estimate by the Seller if you do not remove the Lot in 1 THE CONTRACT which may have been made by or on behalf accordance with this paragraph 7 and will 1.1 These terms govern the Contract for Sale of the of the Seller including by Bonhams. No such indemnify the Seller against all charges, costs, Lot by the Seller to the Buyer. Description or Estimate is incorporated into this including any legal costs and fees, expenses Contract for Sale. and losses suffered by the Seller by reason of 1.2 The Definitions and Glossary contained in your failure to remove the Lot including any Appendix 3 in the Catalogue are incorporated 4 FITNESS FOR PURPOSE AND charges due under any Storage Contract. All into this Contract for Sale and a separate copy SATISFACTORY QUALITY such sums due to the Seller will be payable on can also be provided by Bonhams on request. 4.1 The Seller does not make and does not demand. Where words and phrases are used which are agree to make any contractual promise, in the List of Definitions in it, they are printed in undertaking, obligation, guarantee, warranty, 8 FAILURE TO PAY FOR THE LOT italics. or representation of fact in relation to the 8.1 If the Purchase Price for a Lot is not paid to satisfactory quality of the Lot or its fitness for Bonhams in full in accordance with the Contract 1.3 Seller sells the Lot as the principal to the any purpose. for Sale the Seller will be entitled, with the prior Contract for Sale, such contract being made written agreement of Bonhams but without between the Seller and you through Bonhams 4.2 The Seller will not be liable for any breach of further notice to you, to exercise one or more of which acts in the sole capacity as the Seller’s any undertaking, whether implied by the Sale of the following rights (whether through Bonhams agent and not as an additional principal. Goods Ordinance (Chapter 26 of the Laws of or otherwise): However, if the Catalogue states that Bonhams Hong Kong) or otherwise, as to the satisfactory sells the Lot as principal, or such a statement is quality of the Lot or its fitness for any purpose. 8.1.1 to terminate immediately the Contract for Sale made by an announcement by the Auctioneer, of the Lot for your breach of contract; or by a notice at the Sale, or an insert in the 5 RISK, PROPERTY AND TITLE Catalogue, then Bonhams is the Seller for the 5.1 Risk in the Lot passes to you when it is knocked 8.1.2 to re-sell the Lot by auction, private treaty or purposes of this agreement. down to you on the fall of the Auctioneer’s any other means on giving seven days’ written hammer in respect of the Lot. The Seller will notice to you of the intention to resell; 1.4 The contract is made on the striking of the not be responsible thereafter for the Lot prior to Auctioneer’s hammer in respect of the Lot when you collecting it from Bonhams or the Storage 8.1.3 to retain possession of the Lot; it is knocked down to you. Contractor, with whom you have separate contract(s) as Buyer. You will indemnify the 8.1.4 to remove and store the Lot at your expense; 2 SELLER’S UNDERTAKINGS Seller and keep the Seller fully indemnified from 2.1 The Seller undertakes to you that: and against all claims, proceedings, costs, 8.1.5 to take legal proceedings against you for any expenses and losses arising in respect of any sum due under the Contract for Sale and/or 2.1.1 The Seller is the owner of the Lot or is duly injury, loss and damage caused to the Lot after damages for breach of contract; authorised to sell the Lot by the owner; the fall of the Auctioneer’s hammer until you obtain full title to it. 8.1.6 to be paid interest on any monies due (after 2.1.2 save as disclosed in the Entry for the Lot in the as well as before judgement or order) at the Catalogue, the Seller sells the Lot with full title 5.2 Title to the Lot remains in and is retained by annual rate of 5% per annum above the base guarantee or, where the Seller is an executor, the Seller until the Purchase Price and all other rate of Standard Chartered Bank (Hong Kong) trustee, liquidator, receiver or administrator, with sums payable by you to Bonhams in relation to Limited from time to time to be calculated on whatever right, title or interest he may have in the Lot have been paid in full to, and received in a daily basis from the date upon which such the Lot; cleared funds by, Bonhams. monies become payable until the date of actual payment; 2.1.3 except where the Sale is by an executor, 6 PAYMENT trustee, liquidator, receiver or administrator 6.1 Your obligation to pay the Purchase Price arises 8.1.7 to repossess the Lot (or any part thereof) which the Seller is both legally entitled to sell the Lot, when the Lot is knocked down to you on the has not become your property, and for this and legally capable of conferring on you quiet fall of the Auctioneer’s hammer in respect of the purpose you hereby grant an irrevocable licence possession of the Lot Lot. to the Seller by himself and to his servants or agents to enter upon all or any of your premises 2.1.4 the Seller has complied with all requirements, 6.2 Time will be of the essence in relation to (with or without vehicles) during normal legal or otherwise, relating to any export or payment of the Purchase Price and all other Business hours to take possession of the Lot or import of the Lot, and all duties and Taxes in sums payable by you to Bonhams. Unless part thereof; respect of the export or import of the Lot have agreed in writing with you by Bonhams on the (unless stated to the contrary in the Catalogue Seller’s behalf (in which case you must comply 8.1.8 to retain possession of any other property sold or announced by the Auctioneer) been paid with the terms of that agreement), all such to you by the Seller at the Sale or any other and, so far as the Seller is aware, all third parties sums must be paid to Bonhams by you in the auction or by private treaty until all sums due have complied with such requirements in the currency in which the Sale was conducted by under the Contract for Sale shall have been past; not later than 4.30pm on the second working paid in full in cleared funds; day following the Sale and you must ensure that 2.1.5 subject to any alterations expressly identified as the funds are cleared by the seventh working 8.1.9 to retain possession of, and on three months’ such made by announcement or notice at the day after the Sale. Payment must be made written notice to sell, Without Reserve, any Sale venue or by the Notice to Bidders or by to Bonhams by one of the methods stated in of your other property in the possession of an insert in the Catalogue, the Lot corresponds the Notice to Bidders unless otherwise agreed the Seller and/or of Bonhams (as bailee for with the Contractual Description of the Lot, with you in writing by Bonhams. If you do not the Seller) for any purpose (including, without being that part of the Entry about the Lot in the pay any sums due in accordance with this limitation, other goods sold to you) and to apply Catalogue which is in bold letters and (except paragraph, the Seller will have the rights set out any monies due to you as a result of such for colour) with any photograph of the Lot in the in paragraph 8 below. sale in satisfaction or part satisfaction of any Catalogue and the contents of any Condition amounts owed to the Seller or to Bonhams; and Report which has been provided to the Buyer.

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PAGE 4 8.1.10 so long as such goods remain in the possession Seller’s negligence (or any person under the 11 GOVERNING LAW AND DISPUTE 2 PERFORMANCE OF THE CONTRACT FOR premises storage fees at our current daily rates from time to time to be calculated on a daily basis of the Seller or Bonhams as its bailee, to rescind Seller’s control or for whom the Seller is legally RESOLUTION SALE (currently a minimum of HK$50 plus Tax per from the date upon which such monies become the contract for the Sale of any other goods responsible), or (iii) acts or omissions for which 11.1 Law You undertake to us personally that you will Lot per day) will be payable from the expiry of payable until the date of actual payment; sold to you by the Seller at the Sale or at any the Seller is liable under the Occupiers Liability All transactions to which this agreement applies observe and comply with all your obligations the period referred to in paragraph 4.2. These other auction or by private treaty and apply any Ordinance (Chapter 314 of the Laws of Hong and all connected matters will be governed and undertakings to the Seller under the storage fees form part of our Expenses. 7.1.6 to repossess the Lot (or any part thereof) which monies received from you in respect of such Kong), or (iv) any other liability to the extent the by and construed in accordance with the Contract for Sale in respect of the Lot. has not become your property, and for this goods in part or full satisfaction of any amounts same may not be excluded or restricted as a laws of Hong Kong. Bonhams has a disputes 4.5 Until you have paid the Purchase Price and any purpose you hereby grant an irrevocable licence owed to the Seller or to Bonhams by you. matter of law. procedure in place 3 PAYMENT Expenses in full the Lot will either be held by us to us, by ourselves, our servants or agents, to 3.1 Unless agreed in writing between you and us or as agent on behalf of the Seller or held by the enter upon all or any of your premises (with or 8.2 You agree to indemnify the Seller against all 10 MISCELLANEOUS 11.2 Language as otherwise set out in the Notice to Bidders, Storage Contractor as agent on behalf of the without vehicles) during normal business hours legal and other costs of enforcement, all losses 10.1 You may not assign either the benefit or burden you must pay to us by not later than 4.30pm on Seller and ourselves on the terms contained in to take possession of any Lot or part thereof; and other expenses and costs (including any of the Contract for Sale. The Contract for Sale is published in both the second working day following the Sale: the Storage Contract. monies payable to Bonhams in order to obtain Chinese and English. If there is any dispute in its 7.1.7 to sell the Lot Without Reserve by auction, the release of the Lot) incurred by the Seller 10.2 The Seller’s failure or delay in enforcing or interpretation, the English version will prevail. 3.1.1 The Purchase Price for the Lot; 4.6 You undertake to comply with the terms of any private treaty or any other means on giving you (whether or not court proceedings will have exercising any power or right under the Storage Contract and in particular to pay the three months written notice of our intention to been issued) as a result of Bonhams taking Contract for Sale will not operate or be deemed APPENDIX 2 3.1.2 A Buyer’s Premium in accordance with the rates charges (and all costs of moving the Lot into do so; steps under this paragraph 8 on a full indemnity to operate as a waiver of his rights under it set out in the Notice to Bidders, and storage) due under any Storage Contract. You basis together with interest thereon (after as except to the extent of any express waiver given BUYER’S AGREEMENT acknowledge and agree that you will not be able 7.1.8 to retain possession of any of your other well as before judgement or order) at the rate to you in writing. Any such waiver will not affect IMPORTANT: These terms may be changed in advance of 3.1.3 If the Lot is marked [AR], an Additional Premium to collect the Lot from the Storage Contractor’s property in our possession for any purpose specified in paragraph 8.1.6 from the date upon the Seller’s ability subsequently to enforce any the sale of the Lot to you, by the setting out of different terms which is calculated and payable in accordance premises until you have paid the Purchase (including, without limitation, other goods sold which the Seller becomes liable to pay the same right arising under the Contract for Sale. in the Catalogue for the Sale and/or by placing an insert in with the Notice to Bidders together with VAT on Price, any Expenses and all charges due under to you or with us for sale) until all sums due to until payment by you. the Catalogue and/or by notices at the Sale venue and/or by that sum if applicable so that all sums due to us the Storage Contract. us have been paid in full; 10.3 If either party to the Contract for Sale is oral announcements before and during the Sale at the Sale are cleared funds by the seventh working day 8.3 On any re-sale of the Lot under paragraph 8.1.2, prevented from performing that party’s venue. You should be alert to this possibility of changes and after the Sale. 4.7 You will be wholly responsible for packing, 7.1.9 to apply any monies received from you for any the Seller will account to you in respect of any respective obligations under the Contract for ask in advance of bidding if there have been any. handling and transport of the Lot on collection purpose whether at the time of your default balance remaining from any monies received by Sale by circumstances beyond its reasonable 3.2 You must also pay us on demand any Expenses and for complying with all import or export or at any time there after in payment or part him or on his behalf in respect of the Lot, after control or if performance of its obligations would 1 THE CONTRACT payable pursuant to this agreement. regulations in connection with the Lot. payment of any sums due to us by you under the payment of all sums due to the Seller and by reason of such circumstances give rise to a 1.1 These terms govern the contract between this agreement; to Bonhams, within 28 days of receipt of such significantly increased financial cost to it, that Bonhams personally and the Buyer, being the 3.3 All payments to us must be made in the 4.8 You will be wholly responsible for any removal, monies by him or on his behalf. party will not, for so long as such circumstances person to whom a Lot has been knocked down currency in which the Sale was conducted, storage, or other charges for any Lot not 7.1.10 on three months’ written notice to sell, Without prevail, be required to perform such obligations. by the Auctioneer. using, unless otherwise agreed by us in removed in accordance with paragraph 4.2, Reserve, any of your other property in our 9 THE SELLER’S LIABILITY This paragraph does not apply to the obligations writing, one of the methods of payment set payable at our current rates, and any Expenses possession or under our control for any purpose 9.1 The Seller will not be liable for any injury, loss or imposed on you by paragraph 6. 1.2 The Definitions and Glossary contained in out in the Notice to Bidders. Our invoices will we incur (including any charges due under the (including other goods sold to you or with us for damage caused by the Lot after the fall of the Appendix 3 to the Catalogue for the Sale are only be addressed to the registered Bidder Storage Contract), all of which must be paid sale) and to apply any monies due to you as a Auctioneer’s hammer in respect of the Lot. 10.4 Any notice or other communication to be given incorporated into this agreement and a separate unless the Bidder is acting as an agent for a by you on demand and in any event before any result of such sale in payment or part payment under the Contract for Sale must be in writing copy can also be provided by us on request. named principal and we have approved that collection of the Lot by you or on your behalf. of any amounts owed to us; 9.2 Subject to paragraphs 9.3 to 9.5 below, except and may be delivered by hand or sent by first Where words and phrases which are defined in arrangement, in which case we will address the 7.1.11 refuse to allow you to register for a future Sale for breach of the express undertaking provided class post or air mail or fax transmission, if the List of Definitions are used in this agreement, invoice to the principal. 5 STORING THE LOT or to reject a bid from you at any future Sale or in paragraph 2.1.5, the Seller will not be liable to the Seller, addressed c/o Bonhams at its they are printed in italics. Reference is made We agree to store the Lot until the earlier of to require you to pay a deposit before any bid for any breach of any term that the Lot will address or fax number in the Catalogue (marked in this agreement to information printed in the 3.4 Unless otherwise stated in this agreement all your removal of the Lot or until the time and is accepted by us at any future Sale in which correspond with any Description applied to it for the attention of the Company Secretary), and Notice to Bidders, printed at the beginning of sums payable to us will be subject to the Tax date set out in the Notice to Bidders (or if no case we will be entitled to apply such deposit in by or on behalf of the Seller, whether implied by if to you to the address or fax number of the the Catalogue for the Sale, and where such at the appropriate rate and such Tax will be date is specified, by 4.30pm on the seventh payment or part payment, as the case may be, the Sale of Goods Ordinance (Chapter 26 of the Buyer given in the Bidding Form (unless notice information is referred to it is incorporated into payable by you on all such sums. day after the Sale) and, subject to paragraphs of the Purchase Price of any Lot of which you Laws of Hong Kong) or otherwise. of any change of address is given in writing). It this agreement. 6 and 10, to be responsible as bailee to you are the Buyer. is the responsibility of the sender of the notice 3.5 We may deduct and retain for our own benefit for damage to or the loss or destruction of the 9.3 The Seller will not be liable (whether in or communication to ensure that it is received in 1.3 Except as specified in paragraph 4 of the from the monies paid by you to us the Buyer’s Lot (notwithstanding that it is not your property 7.2 You agree to indemnify us against all legal and negligence, other tort, breach of contract or a legible form within any applicable time period. Notice to Bidders the Contract for Sale of the Premium, the Commission payable by the Seller before payment of the Purchase Price). If you other costs, all losses and all other expenses statutory duty or in restitution or under the Lot between you and the Seller is made on the in respect of the Lot, any Expenses and Tax do not collect the Lot before the time and date (whether or not court proceedings will have Misrepresentation Ordinance (Chapter 284 of 10.5 If any term or any part of any term of the fall of the Auctioneer’s hammer in respect of and any interest earned and/or incurred until set out in the Notice to Bidders (or if no date is been issued) incurred by us as a result of our the Laws of Hong Kong), or in any other way) for Contract for Sale is held to be unenforceable the Lot, when it is knocked down to you and at payment to the Seller. specified, by 4.30pm on the seventh day after taking steps under this paragraph 7 on a full any lack of conformity with, or inaccuracy, error, or invalid, such unenforceability or invalidity will that moment a separate contract is also made the Sale) we may remove the Lot to another indemnity basis together with interest thereon misdescription or omission in any Description of not affect the enforceability and validity of the between you and Bonhams on the terms in this 3.6 Time will be of the essence in relation to any location, the details of which will usually be set (after as well as before judgement or order) at the Lot or any Entry or Estimate in relation to the remaining terms or the remainder of the relevant Buyer’s Agreement. payment payable to us. If you do not pay the out in the Notice to Bidders. If you have not paid the rate specified in paragraph 7.1.5 from the Lot made by or on behalf of the Seller (whether term. Purchase Price, or any other sum due to us in for the Lot in accordance with paragraph 3, and date upon which we become liable to pay the made in writing, including in the Catalogue, 1.4 We act as agents for the Seller and are not accordance with this paragraph 3, we will have the Lot is moved to any third party’s premises, same until payment by you. or on the Website, or orally, or by conduct or 10.6 References in the Contract for Sale to Bonhams answerable or personally responsible to you the rights set out in paragraph 7 below. the Lot will be held by such third party strictly otherwise) and whether made before or after this will, where appropriate, include reference to for any breach of contract or other default by to Bonhams’ order and we will retain our lien 7.3 If you pay us only part of the sums due to us agreement or prior to or during the Sale. Bonhams’ officers, employees and agents. the Seller, unless Bonhams sells the Lot as 3.7 Where a number of Lots have been knocked over the Lot until we have been paid in full in such payment shall be applied firstly to the principal. down to you, any monies we receive from accordance with paragraph 3. Purchase Price of the Lot (or where you have 9.4 The Seller will not be liable for any loss of 10.7 The headings used in the Contract for Sale you will be applied firstly pro-rata to pay the purchased more than one Lot pro-rata towards Business, Business profits or revenue or income are for convenience only and will not affect its 1.5 Our personal obligations to you are governed Purchase Price of each Lot and secondly pro- 6 RESPONSIBILITY FOR THE LOT the Purchase Price of each Lot) and secondly or for loss of reputation or for disruption to interpretation. by this agreement and we agree, subject to the rata to pay all amounts due to Bonhams. 6.1 Only on the payment of the Purchase Price to the Buyer’s Premium (or where you have Business or wasted time on the part of the terms below, to the following obligations: to us will title in the Lot pass to you. However purchased more than one Lot pro-rata to the Buyer or of the Buyer’s management or staff 10.8 In the Contract for Sale “including” means 4 COLLECTION OF THE LOT under the Contract for Sale, the risk in the Lot Buyer’s Premium on each Lot) and thirdly to any or, for any indirect losses or consequential “including, without limitation”. 1.5.1 we will, until the date and time specified in the 4.1 Subject to any power of the Seller or us to passed to you when it was knocked down to other sums due to us. damages of any kind, irrespective in any case Notice to Bidders or otherwise notified to you, refuse to release the Lot to you, once you you. of the nature, volume or source of the loss or 10.9 References to the singular will include reference store the Lot in accordance with paragraph 5; have paid to us, in cleared funds, everything 7.4 We will account to you in respect of any balance damage alleged to be suffered, and irrespective to the plural (and vice versa) and reference to due to the Seller and to us, we will release the 6.2 You are advised to obtain insurance in respect we hold remaining from any monies received by of whether the said loss or damage is caused any one gender will include reference to the 1.5.2 subject to any power of the Seller or us to Lot to you or as you may direct us in writing. of the Lot as soon as possible after the Sale. us in respect of any sale of the Lot under our by or claimed in respect of any negligence, other genders. refuse to release the Lot to you, we will release The Lot will only be released on production of rights under this paragraph 7 after the payment other tort, breach of contract, statutory duty, the Lot to you in accordance with paragraph a stamped, paid invoice, obtained from our 7 FAILURE TO PAY OR TO REMOVE THE LOT of all sums due to us and/or the Seller within 28 restitutionary claim or otherwise; 10.10 Reference to a numbered paragraph is to a 4 once you have paid to us, in cleared funds, cashier’s office. AND PART PAYMENTS days of receipt by us of all such sums paid to us. paragraph of the Contract for Sale. everything due to us and the Seller; 7.1 If all sums payable to us are not so paid in full 9.5 In any circumstances where the Seller is liable to 4.2 You must collect and remove the Lot at your at the time they are due and/or the Lot is not 8 CLAIMS BY OTHER PERSONS IN RESPECT you in respect of the Lot, or any act, omission, 10.11 Save as expressly provided in paragraph 10.12 1.5.3 we will provide a guarantee in the terms set out own expense by the date and time specified in removed in accordance with this agreement, OF THE LOT statement, or representation in respect of it, or nothing in the Contract for Sale confers (or in paragraph 9. the Notice to Bidders, or if no date is specified we will without further notice to you be entitled 8.1 Whenever it becomes apparent to us that the this agreement or its performance, and whether purports to confer) on any person who is not by 4.30pm on the seventh day after the Sale. to exercise one or more of the following rights Lot is the subject of a claim by someone other in damages, for an indemnity or contribution a party to the Contract for Sale any benefit 1.6 We do not make or give and do not agree (without prejudice to any rights we may exercise than you and other than the Seller (or that such or for a restitutionary remedy or in any way conferred by, or the right to enforce any term of, to make or give any contractual promise, 4.3 For the period referred to in paragraph 4.2, the on behalf of the Seller): a claim can reasonably be expected to be whatsoever, the Seller’s liability will be limited to the Contract for Sale. undertaking, obligation, guarantee, warranty, Lot can be collected from the address referred made), we may, at our absolute discretion, deal payment of a sum which will not exceed by way representation of fact in relation to any to in the Notice to Bidders for collection on 7.1.1 to terminate this agreement immediately for with the Lot in any manner which appears to us of maximum the amount of the Purchase Price 10.12 Where the Contract for Sale confers an Description of the Lot or any Estimate in relation the days and times specified in the Notice to your breach of contract; to recognise the legitimate interests of ourselves of the Lot irrespective in any case of the nature, immunity from, and/or an exclusion or restriction to it, nor of the accuracy or completeness of any Bidders.Thereafter, the Lot may be removed and the other parties involved and lawfully to volume or source of any loss or damage alleged of, the responsibility and/or liability of the Seller, Description or Estimate which may have been elsewhere for storage and you must enquire 7.1.2 to retain possession of the Lot; protect our position and our legitimate interests. to be suffered or sum claimed as due, and it will also operate in favour and for the benefit made by us or on our behalf or by or on behalf from us as to when and where you can collect Without prejudice to the generality of the irrespective of whether the liability arises from of Bonhams, Bonhams’ holding company and of the Seller (whether made orally or in writing, it, although this information will usually be set 7.1.3 to remove, and/or store the Lot at your discretion and by way of example, we may: any negligence, other tort, breach of contract, the subsidiaries of such holding company and including in the Catalogue or on Bonhams’ out in the Notice to Bidders. expense; statutory duty, bailee’s duty, restitutionary claim the successors and assignees of Bonhams and Website, or by conduct, or otherwise), and 8.1.1 retain the Lot to investigate any question raised or otherwise. of such companies and of any officer, employee whether made before or after this agreement or 4.4 If you have not collected the Lot by the date 7.1.4 to take legal proceedings against you for or reasonably expected by us to be raised in and agent of Bonhams and such companies, prior to or during the Sale. No such Description specified in the Notice to Bidders, you authorise payment of any sums payable to us by you relation to the Lot; and/or 9.6 Nothing set out in paragraphs 9.1 to 9.5 above each of whom will be entitled to avail itself of the or Estimate is incorporated into this agreement us, acting as your agent and on your behalf, to (including the Purchase Price) and/or damages will be construed as excluding or restricting same relevant right at law. between you and us. Any such Description or enter into a contract (the “Storage Contract”) for breach of contract; 8.1.2 deliver the Lot to a person other than you; and/or (whether directly or indirectly)any person’s Estimate, if made by us or on our behalf, was with the Storage Contractor for the storage liability or excluding or restricting any person’s (unless Bonhams itself sells the Lot as principal) of the Lot on the then current standard terms 7.1.5 to be paid interest on any monies due to us (after 8.1.3 commence interpleader proceedings or seek rights or remedies in respect of (i) fraud, or made as agent on behalf of the Seller. and conditions agreed between Bonhams and as well as before judgement or order) at the annual any other order of any court, mediator, arbitrator (ii) death or personal injury caused by the the Storage Contractor (copies of which are rate of 5% per annum above the base lending rate or government body; and/or available on request). If the Lot is stored at our of Standard Chartered Bank (Hong Kong) Limited

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PAGE 5 PAGE 6 2 PERFORMANCE OF THE CONTRACT FOR premises storage fees at our current daily rates from time to time to be calculated on a daily basis SALE (currently a minimum of HK$50 plus Tax per from the date upon which such monies become You undertake to us personally that you will Lot per day) will be payable from the expiry of payable until the date of actual payment; observe and comply with all your obligations the period referred to in paragraph 4.2. These and undertakings to the Seller under the storage fees form part of our Expenses. 7.1.6 to repossess the Lot (or any part thereof) which Contract for Sale in respect of the Lot. has not become your property, and for this 4.5 Until you have paid the Purchase Price and any purpose you hereby grant an irrevocable licence 3 PAYMENT Expenses in full the Lot will either be held by us to us, by ourselves, our servants or agents, to 3.1 Unless agreed in writing between you and us or as agent on behalf of the Seller or held by the enter upon all or any of your premises (with or as otherwise set out in the Notice to Bidders, Storage Contractor as agent on behalf of the without vehicles) during normal business hours you must pay to us by not later than 4.30pm on Seller and ourselves on the terms contained in to take possession of any Lot or part thereof; the second working day following the Sale: the Storage Contract. 7.1.7 to sell the Lot Without Reserve by auction, 3.1.1 The Purchase Price for the Lot; 4.6 You undertake to comply with the terms of any private treaty or any other means on giving you Storage Contract and in particular to pay the three months written notice of our intention to 3.1.2 A Buyer’s Premium in accordance with the rates charges (and all costs of moving the Lot into do so; set out in the Notice to Bidders, and storage) due under any Storage Contract. You acknowledge and agree that you will not be able 7.1.8 to retain possession of any of your other 3.1.3 If the Lot is marked [AR], an Additional Premium to collect the Lot from the Storage Contractor’s property in our possession for any purpose which is calculated and payable in accordance premises until you have paid the Purchase (including, without limitation, other goods sold with the Notice to Bidders together with VAT on Price, any Expenses and all charges due under to you or with us for sale) until all sums due to that sum if applicable so that all sums due to us the Storage Contract. us have been paid in full; are cleared funds by the seventh working day after the Sale. 4.7 You will be wholly responsible for packing, 7.1.9 to apply any monies received from you for any handling and transport of the Lot on collection purpose whether at the time of your default 3.2 You must also pay us on demand any Expenses and for complying with all import or export or at any time there after in payment or part payable pursuant to this agreement. regulations in connection with the Lot. payment of any sums due to us by you under this agreement; 3.3 All payments to us must be made in the 4.8 You will be wholly responsible for any removal, currency in which the Sale was conducted, storage, or other charges for any Lot not 7.1.10 on three months’ written notice to sell, Without using, unless otherwise agreed by us in removed in accordance with paragraph 4.2, Reserve, any of your other property in our writing, one of the methods of payment set payable at our current rates, and any Expenses possession or under our control for any purpose out in the Notice to Bidders. Our invoices will we incur (including any charges due under the (including other goods sold to you or with us for only be addressed to the registered Bidder Storage Contract), all of which must be paid sale) and to apply any monies due to you as a unless the Bidder is acting as an agent for a by you on demand and in any event before any result of such sale in payment or part payment named principal and we have approved that collection of the Lot by you or on your behalf. of any amounts owed to us; arrangement, in which case we will address the 7.1.11 refuse to allow you to register for a future Sale invoice to the principal. 5 STORING THE LOT or to reject a bid from you at any future Sale or We agree to store the Lot until the earlier of to require you to pay a deposit before any bid 3.4 Unless otherwise stated in this agreement all your removal of the Lot or until the time and is accepted by us at any future Sale in which sums payable to us will be subject to the Tax date set out in the Notice to Bidders (or if no case we will be entitled to apply such deposit in at the appropriate rate and such Tax will be date is specified, by 4.30pm on the seventh payment or part payment, as the case may be, payable by you on all such sums. day after the Sale) and, subject to paragraphs of the Purchase Price of any Lot of which you 6 and 10, to be responsible as bailee to you are the Buyer. 3.5 We may deduct and retain for our own benefit for damage to or the loss or destruction of the from the monies paid by you to us the Buyer’s Lot (notwithstanding that it is not your property 7.2 You agree to indemnify us against all legal and Premium, the Commission payable by the Seller before payment of the Purchase Price). If you other costs, all losses and all other expenses in respect of the Lot, any Expenses and Tax do not collect the Lot before the time and date (whether or not court proceedings will have and any interest earned and/or incurred until set out in the Notice to Bidders (or if no date is been issued) incurred by us as a result of our payment to the Seller. specified, by 4.30pm on the seventh day after taking steps under this paragraph 7 on a full the Sale) we may remove the Lot to another indemnity basis together with interest thereon 3.6 Time will be of the essence in relation to any location, the details of which will usually be set (after as well as before judgement or order) at payment payable to us. If you do not pay the out in the Notice to Bidders. If you have not paid the rate specified in paragraph 7.1.5 from the Purchase Price, or any other sum due to us in for the Lot in accordance with paragraph 3, and date upon which we become liable to pay the accordance with this paragraph 3, we will have the Lot is moved to any third party’s premises, same until payment by you. the rights set out in paragraph 7 below. the Lot will be held by such third party strictly to Bonhams’ order and we will retain our lien 7.3 If you pay us only part of the sums due to us 3.7 Where a number of Lots have been knocked over the Lot until we have been paid in full in such payment shall be applied firstly to the down to you, any monies we receive from accordance with paragraph 3. Purchase Price of the Lot (or where you have you will be applied firstly pro-rata to pay the purchased more than one Lot pro-rata towards Purchase Price of each Lot and secondly pro- 6 RESPONSIBILITY FOR THE LOT the Purchase Price of each Lot) and secondly rata to pay all amounts due to Bonhams. 6.1 Only on the payment of the Purchase Price to the Buyer’s Premium (or where you have to us will title in the Lot pass to you. However purchased more than one Lot pro-rata to the 4 COLLECTION OF THE LOT under the Contract for Sale, the risk in the Lot Buyer’s Premium on each Lot) and thirdly to any 4.1 Subject to any power of the Seller or us to passed to you when it was knocked down to other sums due to us. refuse to release the Lot to you, once you you. have paid to us, in cleared funds, everything 7.4 We will account to you in respect of any balance due to the Seller and to us, we will release the 6.2 You are advised to obtain insurance in respect we hold remaining from any monies received by Lot to you or as you may direct us in writing. of the Lot as soon as possible after the Sale. us in respect of any sale of the Lot under our The Lot will only be released on production of rights under this paragraph 7 after the payment a stamped, paid invoice, obtained from our 7 FAILURE TO PAY OR TO REMOVE THE LOT of all sums due to us and/or the Seller within 28 cashier’s office. AND PART PAYMENTS days of receipt by us of all such sums paid to us. 7.1 If all sums payable to us are not so paid in full 4.2 You must collect and remove the Lot at your at the time they are due and/or the Lot is not 8 CLAIMS BY OTHER PERSONS IN RESPECT own expense by the date and time specified in removed in accordance with this agreement, OF THE LOT the Notice to Bidders, or if no date is specified we will without further notice to you be entitled 8.1 Whenever it becomes apparent to us that the by 4.30pm on the seventh day after the Sale. to exercise one or more of the following rights Lot is the subject of a claim by someone other (without prejudice to any rights we may exercise than you and other than the Seller (or that such 4.3 For the period referred to in paragraph 4.2, the on behalf of the Seller): a claim can reasonably be expected to be Lot can be collected from the address referred made), we may, at our absolute discretion, deal to in the Notice to Bidders for collection on 7.1.1 to terminate this agreement immediately for with the Lot in any manner which appears to us the days and times specified in the Notice to your breach of contract; to recognise the legitimate interests of ourselves Bidders.Thereafter, the Lot may be removed and the other parties involved and lawfully to elsewhere for storage and you must enquire 7.1.2 to retain possession of the Lot; protect our position and our legitimate interests. from us as to when and where you can collect Without prejudice to the generality of the it, although this information will usually be set 7.1.3 to remove, and/or store the Lot at your discretion and by way of example, we may: out in the Notice to Bidders. expense; 8.1.1 retain the Lot to investigate any question raised 4.4 If you have not collected the Lot by the date 7.1.4 to take legal proceedings against you for or reasonably expected by us to be raised in specified in the Notice to Bidders, you authorise payment of any sums payable to us by you relation to the Lot; and/or us, acting as your agent and on your behalf, to (including the Purchase Price) and/or damages enter into a contract (the “Storage Contract”) for breach of contract; 8.1.2 deliver the Lot to a person other than you; and/or with the Storage Contractor for the storage of the Lot on the then current standard terms 7.1.5 to be paid interest on any monies due to us (after 8.1.3 commence interpleader proceedings or seek and conditions agreed between Bonhams and as well as before judgement or order) at the annual any other order of any court, mediator, arbitrator the Storage Contractor (copies of which are rate of 5% per annum above the base lending rate or government body; and/or available on request). If the Lot is stored at our of Standard Chartered Bank (Hong Kong) Limited

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PAGE 6 8.1.4 require an indemnity and/or security from you in or omission in any Description of the Lot or 11.3 If either party to this agreement is prevented from Subject to this, we will not disclose your data to any third party Lot for sale, storage charges, removal charges or costs of levies or other assessments. return for pursuing a course of action agreed to any Entry or Estimate in respect of it, made by performing that party’s respective obligations but we may from time to time provide you with information collection from the Seller as the Seller’s agents or from a “Terrorism” means any act or threatened act of terrorism, by you. us or on our behalf or by or on behalf of the under this agreement by circumstances about goods and services provided by third parties which we defaulting Buyer, plus Tax. whether any person is acting alone or on behalf of or in Seller (whether made in writing, including in the beyond its reasonable control or if performance feel may be of interest to you. Any member of our group may “Forgery” an imitation intended by the maker or any other connection with any organisation(s) and/or government(s), 8.2 The discretion referred to in paragraph 8.1: Catalogue, or on the Bonhams’ Website, or of its obligations would by reason of such use your data for similar purposes. person to deceive as to authorship, attribution, origin, committed for political, religious or ideological or similar orally, or by conduct or otherwise) and whether circumstances give rise to a significantly authenticity, style, date, age, period, provenance, culture, purposes including, but not limited to, the intention to 8.2.1 may be exercised at any time during which we made before or after this agreement or prior to increased financial cost to it, that party will We will keep your data for a period of five years from the source or composition, which at the date of the Sale had influence any government and/or put the public or any have actual or constructive possession of the Lot, or during the Sale. not, for so long as such circumstances prevail, date of your last contact with us so as to simplify any future a value materially less than it would have had if the Lot section of the public into fear. or at any time after such possession, where the be required to perform such obligations. This registration. The data may be transferred to and stored outside had not been such an imitation, and which is not stated to “Trust Account” the bank account of Bonhams into which all cessation of such possession has occurred by 10.2 Our duty to you while the Lot is at your risk paragraph does not apply to the obligations Hong Kong and you agree to this transfer. be such an imitation in any description of the Lot. A Lot relevant sums received in respect of the Purchase Price of any reason of any decision, order or ruling of any court, and/or your property and in our custody and/or imposed on you by paragraph 3. will not be a Forgery by reason of any damage to, and/or Lot will be paid, such account to be a distinct and separate mediator, arbitrator or government body; and control is to exercise reasonable care in relation You have the right to request us not to use your information for restoration and/or modification work (including repainting or account to Bonhams’ normal business bank account. to it, but we will not be responsible for damage 11.4 Any notice or other communication to be given these purposes by contacting Bonhams (Hong Kong) Limited over painting) having been carried out on the Lot, where that “Website” Bonhams website at www.bonhams.com. 8.2.2 will not be exercised unless we believe that to the Lot or to other persons or things caused under this agreement must be in writing and may at Montpelier Galleries, Montpelier Street, London, SW7 1HH, damage, restoration or modification work (as the case may “Withdrawal Notice” the Seller’s written notice to Bonhams there exists a serious prospect of a good by: be delivered by hand or sent by registered post United Kingdom (which for the purpose of the Personal Data be) does not substantially affect the identity of the Lot as one revoking Bonhams’ instructions to sell a Lot. arguable case in favour of the claim. or air mail or fax transmission (if to Bonhams (Privacy) Ordinance (Chapter 486 of the Laws of Hong Kong) is conforming to the description of the Lot. “Without Reserve” where there is no minimum price at which 10.2.1 handling the Lot if it was affected at the time marked for the attention of the Company the data user) or by e-mail at client.services@ bonhams.com. “Guarantee” the obligation undertaken personally by a Lot may be sold (whether at auction or by private treaty). 9 FORGERIES of sale to you by woodworm and any damage Secretary), to the address or fax number of Bonhams to the Buyer in respect of any Forgery and, in the 9.1 We undertake a personal responsibility for any is caused as a result of it being affected by the relevant party given in the Contract Form APPENDIX 3 case of specialist Stamp Sales and/or specialist Book Sales, GLOSSARY Forgery in accordance with the terms of this woodworm; or (unless notice of any change of address is given a Lot made up of a Stamp or Stamps or a Book or Books as The following expressions have specific legal meanings with paragraph 9. in writing). It is the responsibility of the sender of DEFINITIONS and GLOSSARY set out in the Buyer’s Agreement. which you may not be familiar. The following glossary is 9.2 Paragraph 9 applies only if: 10.2.2 changes in atmospheric pressure; nor will we the notice or communication to ensure that it is Where these Definitions and Glossary are incorporated, the “Hammer Price” the price in the currency in which the intended to give you an understanding of those expressions be liable for: received in a legible form within any applicable following words and phrases used have (unless the context Sale is conducted at which a Lot is knocked down by the but is not intended to limit their legal meanings:- 9.2.1 your name appears as the named person to 10.2.3 damage to tension stringed musical time period. otherwise requires) the meanings given to them below. The Auctioneer. whom the original invoice was made out by us instruments; or Glossary is to assist you to understand words and phrases “Hong Kong” the Hong Kong Special Administrative Region “artist’s resale right”: the right of the creator of a work of in respect of the Lot and that invoice has been 11.5 If any term or any part of any term of this which have a specific legal meaning with which you may not of the People’s Republic of China. art to receive a payment on sales of that work subsequent to paid; and 10.2.4 damage to gilded picture frames, plaster picture agreement is held to be unenforceable or invalid, be familiar. “Loss and Damage Warranty” means the warranty the original sale of that work by the creator of it as set out in frames or picture frame glass; and if the Lot is such unenforceability or invalidity will not affect LIST OF DEFINITIONS described in paragraph 8.2.1 of the Conditions of Business. the Artists Resale Right Regulations 2006. 9.2.2 you notify us in writing as soon as reasonably or becomes dangerous, we may dispose of it the enforceability and validity of the remaining “Additional Premium” a premium, calculated in accordance “Loss and Damage Warranty Fee” means the fee “bailee”: a person to whom goods are entrusted. practicable after you have become aware that without notice to you in advance in any manner terms or the remainder of the relevant term. with the Notice to Bidders, to cover Bonhams’ expenses described in paragraph 8.2.3 of the Conditions of Business. “indemnity”: an obligation to put the person who has the Lot is or may be a Forgery, and in any event we think fit and we will be under no liability to relating to the payment of royalties under the Artists Resale “Lot” any item consigned to Bonhams with a view to its sale the benefit of the indemnity in the same position in which within one year after the Sale, that the Lot is a you for doing so. 11.6 References in this agreement to Bonhams Right Regulations 2006 which is payable by the Buyer to at auction or by private treaty (and reference to any Lot will he would have been, had the circumstances giving rise to Forgery; and will, where appropriate, include reference to Bonhams on any Lot marked [AR] which sells for a Hammer include, unless the context otherwise requires, reference to the indemnity not arisen and the expression “indemnify” is 10.3 We will not be liable to you for any loss of Bonhams’ officers, employees and agents. Price which together with the Buyer’s Premium (but excluding individual items comprised in a group of two or more items construed accordingly. 9.2.3 within one month after such notification has Business, Business profits, revenue or income any VAT) equals or exceeds 1000 euros (converted into offered for sale as one lot). “interpleader proceedings”: proceedings in the Courts to been given, you return the Lot to us in the same or for loss of Business reputation or for disruption 11.7 The headings used in this agreement are the currency of the Sale using the European Central Bank “Motoring Catalogue Fee” a fee payable by the Seller to determine ownership or rights over a Lot. condition as it was at the time of the Sale, to Business or wasted time on the part of the for convenience only and will not affect its Reference rate prevailing on the date of the Sale). Bonhams in consideration of the additional work undertaken “knocked down”: when a Lot is sold to a Bidder, indicated accompanied by written evidence that the Lot Buyer’s management or staff or, if you are buying interpretation. “Auctioneer” the representative of Bonhams conducting the by Bonhams in respect of the cataloguing of motor vehicles by the fall of the hammer at the Sale. is a Forgery and details of the Sale and Lot the Lot in the course of a Business, for any 11.8 In this agreement “including” means “including, Sale. and in respect of the promotion of sales of motor vehicles. “lien”: a right for the person who has possession of the Lot number sufficient to identify the Lot. indirect losses or consequential damages of without limitation”. “Bidder” a person who has completed a Bidding Form. “New Bond Street” means Bonhams’ saleroom at 101 New to retain possession of it. any kind, irrespective in any case of the nature, “Bidding Form” our Bidder Registration Form, our Absentee Bond Street, London W1S 1SR. “risk”: the possibility that a Lot may be lost, damaged, 9.3 Paragraph 9 will not apply in respect of a volume or source of the loss or damage alleged 11.9 References to the singular will include reference and Telephone Bidding Form. “Notional Charges” the amount of Commission and Tax destroyed, stolen, or deteriorate in condition or value. Forgery if: to be suffered, and irrespective of whether the to the plural (and vice versa) and reference to any “Bonhams” Bonhams (Hong Kong) Limited or its successors which would have been payable if the Lot had been sold at “title”: the legal and equitable right to the ownership of a Lot. said loss or damage is caused by or claimed one gender will include reference to the other or assigns. Bonhams is also referred to in the Buyer’s the Notional Price. “tort”: a legal wrong done to someone to whom the wrong 9.3.1 the Entry in relation to the Lot contained in in respect of any negligence, other tort, breach genders. Agreement, the Conditions of Business and the Notice to “Notional Fee” the sum on which the Consignment Fee doer has a duty of care. the Catalogue reflected the then accepted of contract, statutory duty, bailee’s duty, a Bidders by the words “we”, “us” and “our”. payable to Bonhams by the Seller is based and which is general opinion of scholars and experts or restitutionary claim or otherwise. 11.10 Reference to a numbered paragraph is to a “Book” a printed book offered for sale at a specialist book calculated according to the formula set out in the Conditions fairly indicated that there was a conflict of such paragraph of this agreement. sale. of Business. SALE OF GOODS ORDINANCE (Chapter 26 of the Laws opinion or reflected the then current opinion of 10.4 In any circumstances where we are liable to “Business” includes any trade, business and profession. “Notional Price” the latest in time of the average of the of Hong Kong) an expert acknowledged to be a leading expert you in respect of a Lot, or any act, omission, 11.11 Save as expressly provided in paragraph 11.12 “Buyer” the person to whom a Lot is knocked down by the high and low estimates given by us to you or stated in the The following is an extract from the Sale of Goods Ordinance in the relevant field; or statement, representation in respect of it, or nothing in this agreement confers (or purports to Auctioneer. The Buyer is also referred to in the Contract of Catalogue or, if no such estimates have been given or stated, (Chapter 26 of the Laws of Hong Kong): this agreement or its performance, and whether confer) on any person who is not a party to this Sale and the Buyer’s Agreement by the words “you” and the Reserve applicable to the Lot. 9.3.2 it can be established that the Lot is a Forgery damages, for an indemnity or contribution or for agreement any benefit conferred by, or the right “your”. “Notice to Bidders” the notice printed at the front of our “Section 14 Implied undertaking as to title etc. only by means of a process not generally a restitutionary remedy or in any way whatsoever, to enforce any term of, this agreement. “Buyer’s Agreement” the contract entered into by Catalogues. accepted for use until after the date on which our liability will be limited to payment of a sum Bonhams with the Buyer (see Appendix 2 in the Catalogue). “Purchase Price” the aggregate of the Hammer Price and (1) In every contract of sale, other than one to the Catalogue was published or by means of which will not exceed by way of maximum the 11.12 Where this agreement confers an immunity “Buyer’s Premium” the sum calculated on the Hammer Tax which subsection (2) applies, there is- a process which it was unreasonable in all the amount of the Purchase Price of the Lot plus from, and/or an exclusion or restriction of, the Price at the rates stated in the Notice to Bidders. on the Hammer Price. (where applicable) the Buyer’s circumstances for us to have employed. Buyer’s Premium (less any sum you maybe responsibility and/or liability of Bonhams, it will also “Catalogue” the catalogue relating to the relevant Sale, Premium (a) an implied condition on the part of the seller entitled to recover from the Seller) irrespective operate in favour and for the benefit of Bonhams’ including any representation of the catalogue published on and VAT on the Buyer’s Premium and any Expenses. that in the case of the sale, he has a right to sell 9.4 You authorise us to carry out such processes in any case of the nature, volume or source of holding company and the subsidiaries of such our Website. “Reserve” the minimum price at which a Lot may be sold the goods, and in the case of an agreement to and tests on the Lot as we in our absolute any loss or damage alleged to be suffered or holding company and the successors and assigns “Commission” the commission payable by the Seller to (whether at auction or by private treaty). sell, he will have a right to sell the goods at the discretion consider necessary to satisfy sum claimed as due, and irrespective of whether of Bonhams and of such companies and of any Bonhams calculated at the rates stated in the Contract Form. “Sale” the auction sale at which a Lot is to be offered for time when the property is to pass; and ourselves that the Lot is or is not a Forgery. the liability arises from negligence, other tort, officer, employee and agent of Bonhams and such “Condition Report” a report on the physical condition of a sale by Bonhams. breach of contract, statutory duty, bailee’s duty, a companies, each of whom will be entitled to avail Lot provided to a Bidder or potential Bidder by Bonhams on “Sale Proceeds” the net amount due to the Seller from the (b) an implied warranty that the goods are 9.5 If we are satisfied that a Lot is a Forgery we will restitutionary claim or otherwise. itself of the same relevant right at law. behalf of the Seller. sale of a Lot, being the Hammer Price less the Commission, free, and will remain free until the time when (as principal) purchase the Lot from you and “Consignment Fee” a fee payable to Bonhams by the Seller any Tax chargeable thereon, Expenses and any other amount the property is to pass, from any charge or you will transfer the title to the Lot in question You may wish to protect yourself against loss by 12 GOVERNING LAW calculated at rates set out in the Conditions of Business. due to us in whatever capacity and howsoever arising. encumbrance not disclosed or known to the to us, with full title guarantee, free from any obtaining insurance. 12.1 Law “Contract Form” the contract form, or vehicle entry form, “Seller” the person who offers the Lot for sale named on buyer before the contract is made and that the liens, charges, encumbrances and adverse as applicable, signed by or on behalf of the Seller listing the the Contract Form. Where the person so named identifies on buyer will enjoy quiet possession of the goods claims, in accordance with the provisions of 10.5 Nothing set out above will be construed as All transactions to which this agreement applies Lots to be offered for sale by Bonhams. the form another person as acting as his agent, or where the except so far as it may be disturbed by the owner Sections 14(1) (a) and 14(1)(b) of the Sale of excluding or restricting (whether directly or and all connected matters will be governed by “Contract for Sale” the sale contract entered into by the person named on the Contract Form acts as an agent for a or other person entitled to the benefit of any Goods Ordinance (Chapter 26 of the Laws of indirectly) any person’s liability or excluding and construed in accordance with the laws of Seller with the Buyer (see Appendix 1 in the Catalogue). principal (whether such agency is disclosed to Bonhams or charge or encumbrance so disclosed or known. Hong Kong) and we will pay to you an amount restricting any person’s rights or remedies in Hong Kong. Bonhams has a disputes procedure “Contractual Description” the only description of the Lot not), “Seller” includes both the agent and the principal who equal to the sum of the Purchase Price, Buyer’s respect of (i) fraud, or (ii) death or personal in place. (being that part of the Entry about the Lot in the Catalogue shall be jointly and severally liable as such. The Seller is also (2) In a contract of sale, in the case of which there Premium, Tax and Expenses paid by you in injury caused by our negligence (or any person which is in bold letters, any photograph (except for the colour) referred to in the Conditions of Business by the words “you” appears from the contract or is to be inferred respect of the Lot. under our control or for whom we are legally 12.2 Language and the contents of any Condition Report) to which the Seller and “your”. from the circumstances of the contract an responsible), or (iii) acts or omissions for which undertakes in the Contract of Sale the Lot corresponds. “Specialist Examination” a visual examination of a Lot by a intention that the seller should transfer only such 9.6 The benefit of paragraph 9 is personal to, and we are liable under the Occupiers Liability The Buyer’s Agreement is published in both “Description” any statement or representation in any specialist on the Lot. title as he or a third person may have, there is- incapable of assignment by, you. Ordinance (Chapter 314 of the Laws of Hong Chinese and English. If there is any dispute in its way descriptive of the Lot, including any statement or “Stamp” means a postage stamp offered for sale at a Kong) , or (iv) any other liability to the extent the interpretation, the English version will prevail. representation relating to its authorship, attribution, condition, Specialist Stamp sale. (a) an implied warranty that all charges or 9.7 If you sell or otherwise dispose of your interest same may not be excluded or restricted as a provenance, authenticity, style, period, age, suitability, quality, “Standard Examination” a visual examination of a Lot by a encumbrances known to the seller and not in the Lot, all rights and benefits under this matter of law, or (v) under our undertaking in DATA PROTECTION - USE OF YOUR INFORMATION origin, value, estimated selling price (including the Hammer non-specialist member of Bonhams’ staff. known to the buyer have been disclosed to the paragraph will cease. paragraph 9 of these conditions. As a result of the services provided by us, we obtain personal Price). “Storage Contract” means the contract described in buyer before the contract is made; and data about you (which expression for the purposes of this “Entry” a written statement in the Catalogue identifying the paragraph 8.3.3 of the Conditions of Business or paragraph 9.8 Paragraph 9 does not apply to a Lot made up 11 MISCELLANEOUS paragraph only includes your employees and officers, if Lot and its lot number which may contain a description and 4.4 of the Buyer’s Agreement (as appropriate). (b) an implied warranty that neither- of or including a Chinese painting or Chinese 11.1 You may not assign either the benefit or burden relevant). You agree to our use of it as follows. illustration(s) relating to the Lot. “Storage Contractor” means the company identified as (i) the seller; nor paintings, a motor vehicle or motor vehicles, a of this agreement. “Estimate” a statement of our opinion of the range within such in the Catalogue. (ii) in a case where the parties to the contract Stamp or Stamps or a Book or Books. We may use your data to notify you about changes to our which the hammer is likely to fall. “Tax” means all taxes, charges, duties, imposts, fees, levies intend that the seller should transfer only 11.2 Our failure or delay in enforcing or exercising services and to provide you with information about products “Expenses” charges and expenses paid or payable by or other assessments, and all estimated payments thereof, such title as a third person may have, that 10 OUR LIABILITY any power or right under this agreement will not or services that you request from us or which we feel may Bonhams in respect of the Lot including legal expenses, including without limitation income, business profits, branch person; nor 10.1 We will not be liable whether in negligence, operate or be deemed to operate as a waiver be of interest to you. Data about you may be analysed to banking charges and expenses incurred as a result of profits, excise, property, sales, use, value added (VAT), (iii) anyone claiming through or under the other tort, breach of contract or statutory duty of our rights under it except to the extent of any identify your potential preferences for these purposes. We an electronic transfer of money, charges and expenses environmental, franchise, customs, import, payroll, transfer, seller or that third person otherwise than or in restitution or under the Misrepresentation express waiver given to you in writing. Any such may disclose your data to any member of our group (which for insurance, catalogue and other reproductions and gross receipts, withholding, social security, unemployment under a charge or encumbrance disclosed Ordinance (Chapter 284 of the Laws of Hong waiver will not affect our ability subsequently to means our subsidiaries, our ultimate holding company and illustrations, any customs duties, advertising, packing or taxes, as well as stamp duties and other costs, imposed by or known to the buyer before the contract Kong) or in any other way for lack of conformity enforce any right arising under this agreement. its subsidiaries as defined in section 1159 and schedule 6 of shipping costs, reproductions rights’ fees, Taxes, levies, the Hong Kong government applicable from time to time and is made, will disturb the buyer’s quiet with or any inaccuracy, error, misdescription the Companies Act 2006, including any overseas subsidiary). costs of testing, searches or enquiries, preparation of the any interest and penalty relating to such taxes, charges, fees, possession of the goods.

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PAGE 7 PAGE 8 Subject to this, we will not disclose your data to any third party Lot for sale, storage charges, removal charges or costs of levies or other assessments. but we may from time to time provide you with information collection from the Seller as the Seller’s agents or from a “Terrorism” means any act or threatened act of terrorism, about goods and services provided by third parties which we defaulting Buyer, plus Tax. whether any person is acting alone or on behalf of or in feel may be of interest to you. Any member of our group may “Forgery” an imitation intended by the maker or any other connection with any organisation(s) and/or government(s), use your data for similar purposes. person to deceive as to authorship, attribution, origin, committed for political, religious or ideological or similar authenticity, style, date, age, period, provenance, culture, purposes including, but not limited to, the intention to We will keep your data for a period of five years from the source or composition, which at the date of the Sale had influence any government and/or put the public or any date of your last contact with us so as to simplify any future a value materially less than it would have had if the Lot section of the public into fear. registration. The data may be transferred to and stored outside had not been such an imitation, and which is not stated to “Trust Account” the bank account of Bonhams into which all Hong Kong and you agree to this transfer. be such an imitation in any description of the Lot. A Lot relevant sums received in respect of the Purchase Price of any will not be a Forgery by reason of any damage to, and/or Lot will be paid, such account to be a distinct and separate You have the right to request us not to use your information for restoration and/or modification work (including repainting or account to Bonhams’ normal business bank account. these purposes by contacting Bonhams (Hong Kong) Limited over painting) having been carried out on the Lot, where that “Website” Bonhams website at www.bonhams.com. at Montpelier Galleries, Montpelier Street, London, SW7 1HH, damage, restoration or modification work (as the case may “Withdrawal Notice” the Seller’s written notice to Bonhams United Kingdom (which for the purpose of the Personal Data be) does not substantially affect the identity of the Lot as one revoking Bonhams’ instructions to sell a Lot. (Privacy) Ordinance (Chapter 486 of the Laws of Hong Kong) is conforming to the description of the Lot. “Without Reserve” where there is no minimum price at which the data user) or by e-mail at client.services@ bonhams.com. “Guarantee” the obligation undertaken personally by a Lot may be sold (whether at auction or by private treaty). Bonhams to the Buyer in respect of any Forgery and, in the APPENDIX 3 case of specialist Stamp Sales and/or specialist Book Sales, GLOSSARY a Lot made up of a Stamp or Stamps or a Book or Books as The following expressions have specific legal meanings with DEFINITIONS and GLOSSARY set out in the Buyer’s Agreement. which you may not be familiar. The following glossary is Where these Definitions and Glossary are incorporated, the “Hammer Price” the price in the currency in which the intended to give you an understanding of those expressions following words and phrases used have (unless the context Sale is conducted at which a Lot is knocked down by the but is not intended to limit their legal meanings:- otherwise requires) the meanings given to them below. The Auctioneer. Glossary is to assist you to understand words and phrases “Hong Kong” the Hong Kong Special Administrative Region “artist’s resale right”: the right of the creator of a work of which have a specific legal meaning with which you may not of the People’s Republic of China. art to receive a payment on sales of that work subsequent to be familiar. “Loss and Damage Warranty” means the warranty the original sale of that work by the creator of it as set out in LIST OF DEFINITIONS described in paragraph 8.2.1 of the Conditions of Business. the Artists Resale Right Regulations 2006. “Additional Premium” a premium, calculated in accordance “Loss and Damage Warranty Fee” means the fee “bailee”: a person to whom goods are entrusted. with the Notice to Bidders, to cover Bonhams’ expenses described in paragraph 8.2.3 of the Conditions of Business. “indemnity”: an obligation to put the person who has relating to the payment of royalties under the Artists Resale “Lot” any item consigned to Bonhams with a view to its sale the benefit of the indemnity in the same position in which Right Regulations 2006 which is payable by the Buyer to at auction or by private treaty (and reference to any Lot will he would have been, had the circumstances giving rise to Bonhams on any Lot marked [AR] which sells for a Hammer include, unless the context otherwise requires, reference to the indemnity not arisen and the expression “indemnify” is Price which together with the Buyer’s Premium (but excluding individual items comprised in a group of two or more items construed accordingly. any VAT) equals or exceeds 1000 euros (converted into offered for sale as one lot). “interpleader proceedings”: proceedings in the Courts to the currency of the Sale using the European Central Bank “Motoring Catalogue Fee” a fee payable by the Seller to determine ownership or rights over a Lot. Reference rate prevailing on the date of the Sale). Bonhams in consideration of the additional work undertaken “knocked down”: when a Lot is sold to a Bidder, indicated “Auctioneer” the representative of Bonhams conducting the by Bonhams in respect of the cataloguing of motor vehicles by the fall of the hammer at the Sale. Sale. and in respect of the promotion of sales of motor vehicles. “lien”: a right for the person who has possession of the Lot “Bidder” a person who has completed a Bidding Form. “New Bond Street” means Bonhams’ saleroom at 101 New to retain possession of it. “Bidding Form” our Bidder Registration Form, our Absentee Bond Street, London W1S 1SR. “risk”: the possibility that a Lot may be lost, damaged, and Telephone Bidding Form. “Notional Charges” the amount of Commission and Tax destroyed, stolen, or deteriorate in condition or value. “Bonhams” Bonhams (Hong Kong) Limited or its successors which would have been payable if the Lot had been sold at “title”: the legal and equitable right to the ownership of a Lot. or assigns. Bonhams is also referred to in the Buyer’s the Notional Price. “tort”: a legal wrong done to someone to whom the wrong Agreement, the Conditions of Business and the Notice to “Notional Fee” the sum on which the Consignment Fee doer has a duty of care. Bidders by the words “we”, “us” and “our”. payable to Bonhams by the Seller is based and which is “Book” a printed book offered for sale at a specialist book calculated according to the formula set out in the Conditions sale. of Business. SALE OF GOODS ORDINANCE (Chapter 26 of the Laws “Business” includes any trade, business and profession. “Notional Price” the latest in time of the average of the of Hong Kong) “Buyer” the person to whom a Lot is knocked down by the high and low estimates given by us to you or stated in the The following is an extract from the Sale of Goods Ordinance Auctioneer. The Buyer is also referred to in the Contract of Catalogue or, if no such estimates have been given or stated, (Chapter 26 of the Laws of Hong Kong): Sale and the Buyer’s Agreement by the words “you” and the Reserve applicable to the Lot. “your”. “Notice to Bidders” the notice printed at the front of our “Section 14 Implied undertaking as to title etc. “Buyer’s Agreement” the contract entered into by Catalogues. Bonhams with the Buyer (see Appendix 2 in the Catalogue). “Purchase Price” the aggregate of the Hammer Price and (1) In every contract of sale, other than one to “Buyer’s Premium” the sum calculated on the Hammer Tax which subsection (2) applies, there is- Price at the rates stated in the Notice to Bidders. on the Hammer Price. (where applicable) the Buyer’s “Catalogue” the catalogue relating to the relevant Sale, Premium (a) an implied condition on the part of the seller including any representation of the catalogue published on and VAT on the Buyer’s Premium and any Expenses. that in the case of the sale, he has a right to sell our Website. “Reserve” the minimum price at which a Lot may be sold the goods, and in the case of an agreement to “Commission” the commission payable by the Seller to (whether at auction or by private treaty). sell, he will have a right to sell the goods at the Bonhams calculated at the rates stated in the Contract Form. “Sale” the auction sale at which a Lot is to be offered for time when the property is to pass; and “Condition Report” a report on the physical condition of a sale by Bonhams. Lot provided to a Bidder or potential Bidder by Bonhams on “Sale Proceeds” the net amount due to the Seller from the (b) an implied warranty that the goods are behalf of the Seller. sale of a Lot, being the Hammer Price less the Commission, free, and will remain free until the time when “Consignment Fee” a fee payable to Bonhams by the Seller any Tax chargeable thereon, Expenses and any other amount the property is to pass, from any charge or calculated at rates set out in the Conditions of Business. due to us in whatever capacity and howsoever arising. encumbrance not disclosed or known to the “Contract Form” the contract form, or vehicle entry form, “Seller” the person who offers the Lot for sale named on buyer before the contract is made and that the as applicable, signed by or on behalf of the Seller listing the the Contract Form. Where the person so named identifies on buyer will enjoy quiet possession of the goods Lots to be offered for sale by Bonhams. the form another person as acting as his agent, or where the except so far as it may be disturbed by the owner “Contract for Sale” the sale contract entered into by the person named on the Contract Form acts as an agent for a or other person entitled to the benefit of any Seller with the Buyer (see Appendix 1 in the Catalogue). principal (whether such agency is disclosed to Bonhams or charge or encumbrance so disclosed or known. “Contractual Description” the only description of the Lot not), “Seller” includes both the agent and the principal who (being that part of the Entry about the Lot in the Catalogue shall be jointly and severally liable as such. The Seller is also (2) In a contract of sale, in the case of which there which is in bold letters, any photograph (except for the colour) referred to in the Conditions of Business by the words “you” appears from the contract or is to be inferred and the contents of any Condition Report) to which the Seller and “your”. from the circumstances of the contract an undertakes in the Contract of Sale the Lot corresponds. “Specialist Examination” a visual examination of a Lot by a intention that the seller should transfer only such “Description” any statement or representation in any specialist on the Lot. title as he or a third person may have, there is- way descriptive of the Lot, including any statement or “Stamp” means a postage stamp offered for sale at a representation relating to its authorship, attribution, condition, Specialist Stamp sale. (a) an implied warranty that all charges or provenance, authenticity, style, period, age, suitability, quality, “Standard Examination” a visual examination of a Lot by a encumbrances known to the seller and not origin, value, estimated selling price (including the Hammer non-specialist member of Bonhams’ staff. known to the buyer have been disclosed to the Price). “Storage Contract” means the contract described in buyer before the contract is made; and “Entry” a written statement in the Catalogue identifying the paragraph 8.3.3 of the Conditions of Business or paragraph Lot and its lot number which may contain a description and 4.4 of the Buyer’s Agreement (as appropriate). (b) an implied warranty that neither- illustration(s) relating to the Lot. “Storage Contractor” means the company identified as (i) the seller; nor “Estimate” a statement of our opinion of the range within such in the Catalogue. (ii) in a case where the parties to the contract which the hammer is likely to fall. “Tax” means all taxes, charges, duties, imposts, fees, levies intend that the seller should transfer only “Expenses” charges and expenses paid or payable by or other assessments, and all estimated payments thereof, such title as a third person may have, that Bonhams in respect of the Lot including legal expenses, including without limitation income, business profits, branch person; nor banking charges and expenses incurred as a result of profits, excise, property, sales, use, value added (VAT), (iii) anyone claiming through or under the an electronic transfer of money, charges and expenses environmental, franchise, customs, import, payroll, transfer, seller or that third person otherwise than for insurance, catalogue and other reproductions and gross receipts, withholding, social security, unemployment under a charge or encumbrance disclosed illustrations, any customs duties, advertising, packing or taxes, as well as stamp duties and other costs, imposed by or known to the buyer before the contract shipping costs, reproductions rights’ fees, Taxes, levies, the Hong Kong government applicable from time to time and is made, will disturb the buyer’s quiet costs of testing, searches or enquiries, preparation of the any interest and penalty relating to such taxes, charges, fees, possession of the goods.

HK/NTB/MAIN/03.15

PAGE 8 競投人通告任何人士損毀拍賣品須承擔所導致的損失。本公司亦保留權利，可全權酌情拒絕任何人士進入拍賣會結束後，或閣下完成競投後，請把號牌交回 7. 買家費用及買家須支付的其他收費 10. 領取及儲存本公司物業或任何拍賣會，而無須提出理由。本公競投人登記櫃檯。本通告乃由邦瀚斯致任何可能對拍賣品有興趣的人 3. 拍賣品的說明及成交價估計司可全權決定銷售所得款項、任何拍賣品是否包括根據買家協議，買家須按照買家協議條款及下文所拍賣品的買家須待全數以已結清款項付款後，方可士，包括競投人或潛在競投人（包括拍賣品的任何於拍賣會、拍賣會進行的方式，以及本公司可以按電話競投列的費率向本公司支付費用（買家費用），該費用領取拍賣品（本公司與買家另有安排除外）。有關最終買家）。為便於提述，本文稱該等人士為「競拍賣品的合約說明我們選擇的任何次序進行拍賣，而不論圖錄內所按成交價計算，並為成交價以外的收費。買家亦須領取拍賣品、儲存拍賣品以及本公司的儲存承辦商投人」或「閣下」。載的拍賣品編號。因此，閣下應查核拍賣會的日期若閣下擬用電話於拍賣會競投，請填妥缺席者及電按照買家協議的規定支付儲存收費的開支。詳情載於圖錄後的附錄二之買家協議。圖錄內載有每項拍賣品的資料。賣家僅按資料內以及開始時間，是否有拍賣品撤銷或有新加入的拍賣話競投表格，該表格可於本公司辦事處索取或附於本競投人通告附有釋義及詞彙。該等釋義及詞彙載粗體刊載的部份以及（除顏色外，該等顏色可能未品。請注意有拍賣品撤銷或新加入均可能影響閣下圖錄內。請於拍賣會舉行前最少24小時把該表格交買家須就本次拍賣會的拍賣品按以下費率支付買 11. 運輸於圖錄後的附錄三內，釋義內所收錄的詞語及用詞有準確重現拍賣品的顏色）圖錄內所載的任何照對其有興趣的拍賣品的拍賣時間。回負責有關拍賣會的辦事處。閣下須負責查核本公家費用：在本文內以斜體刊載。片，向買家相應出售每項拍賣品。資料內其餘並非司的競投辦事處是否已收到閣下的出價。電話內容成交價首800,000港元的25% 有關這方面的問題，請向本公司負責拍賣會的客戶以粗體刊載的部份，僅為邦瀚斯代表賣家就拍賣品本公司可全權決定拒絕任何出價，採用我們認為適可能被錄音。電話競投辦法為一項視情況酌情提供成交價800,001港元或以上部分的20% 服務部門查詢。重要事項﹕有關拍賣會的額外資料可載於拍賣會的提供的意見，並不構成合約說明一部份，而賣家乃合的出價增幅，將任何拍賣品分開拍賣，將兩項或的服務，並非所有拍賣品均可採用。若於拍賣會舉成交價15,000,001港元或以上部分的12% 圖錄、圖錄的插頁及／或於拍賣會場地展示的通根據合約說明出售拍賣品。以上拍賣品合併拍賣，撤銷於某個拍賣會上拍賣行時無法聯絡閣下，或競投時電話接駁受到干擾， 12. 出口／貿易限制告，閣下亦須參閱該等資料。本公司亦可於拍賣會的任何拍賣品，以及於有爭議時將任何拍賣品重本公司不會負責代表閣下競投。有關進一步詳情請 8. 稅項前或於拍賣會上以口頭形式發出會影響拍賣會的公成交價估計新拍賣。與我們聯絡。閣下須單獨承擔符合與閣下購買拍賣品有關的香港佈，而毋須事先給予書面通知。閣下須注意此等可買家支付的成交價及買家費用並不包括任何商品或所有出口及從海外進口的規例以及取得有關出口能變動的情況，並於競投前查詢是否有任何變動。在大部份情況下，成交價估計會刊載於資料旁邊。拍賣速度可超過每小時100項拍賣品，而出價增幅以郵遞或傳真方式競投服務稅或其他稅項（不論香港或其他地方是否徵收及／或進口許可證的責任。成交價估計僅為邦瀚斯代表賣家表達的意見，而邦一般約為10%。然而，這些都可因不同的拍賣會及該等稅項）。若根據香港法例或任何其他法例而須 1. 本公司的角色瀚斯認為拍賣品相當可能會以該價成交；成交價估拍賣人而有所不同，請向主辦拍賣會的部門查詢這缺席者及電話競投表格載於本圖錄後，閣下須填妥繳納該等稅項，買家須單獨負責按有關法例規定的各國對發出進出口許可證有不同的規定，閣下應了計並非對價值的估計。成交價估計並無計及任何應方面的意見。該表格並送交負責有關拍賣會的辦事處。由於在有稅率及時間繳付該等稅項，或如該等稅項須由本公解所有有關的當地規定及條文。作為拍賣品的拍賣人，邦瀚斯純粹代賣家及為賣家付稅項或買家費用。拍賣品實際成交價可能低於或兩個或以上競投人就拍賣品遞交相同出價時，會優司繳付，則本公司可把該等稅項加於買家須支付的權益行事。邦瀚斯的職責為於拍賣會以可從競投高於成交價估計。閣下不應依賴任何成交價估計為倘若拍賣品有底價，拍賣人可按其絕對酌情權代表先接受最先收到的出價，因此，為閣下的利益起的買價。倘若閣下未能或延誤取得該等許可證，閣下不可撤人取得的最高價格出售拍賣品。邦瀚斯並非以這角拍賣品實際售價或價值的指標。賣家出價（直至金額不等於或超過該底價為止）。見，應盡早交回表格。無論如何，所有出價最遲須銷任何銷售，亦不容許閣下延遲全數支付拍賣品。色為買家或競投人行事，亦不向買家或競投人提供本公司不會就任何拍賣品設有底價或不設底價而向於拍賣會開始前24小時收到。請於交回閣下的缺 9. 付款意見。邦瀚斯或其職員就拍賣品作出陳述或若邦瀚成交價估計採用拍賣會所用的貨幣單位。閣下負責。席者及電話競投表格前，仔細檢查該表格是否已填 13. 瀕危野生動植物種國際貿易公約（「CITES」）斯提供有關拍賣品的狀況報告時，邦瀚斯或其職員妥並已由閣下簽署。閣下須負責查核本公司的競投於出價競投拍賣品前，閣下必須確保擁有可動用資乃代表賣家行事。本公司強烈建議本身並非有關拍狀況報告倘若設有底價，並假設底價所用的貨幣單位對成交辦事處是否已收到閣下的出價。此項額外服務屬免金，以向本公司全數支付買價及買家費用（加稅項建議買家在需要從香港出口任何貨物到進口地時，賣品之專家的買家或競投人須於競投前尋求並取得價估計所用貨幣單位的匯率並無出現不利變動，底費及保密性質。閣下須承擔作出該等出價的風險，及任何其他收費及開支）。若閣下為成功競投人，了解適用的香港出口及海外進口規例。買家亦須注有關拍賣品及其價值的獨立意見。就大部份拍賣品而言，閣下可要求邦瀚斯提供拍賣價通常不會高於圖錄所載的任何最低成交價估計。本公司不會就未能收到及／或代為出價而承擔任何閣下須於拍賣會後第二個工作日下午四時三十分前意，除非取得香港漁農自然護理署發出的CITES出品的狀況報告。若閣下提出該要求，則邦瀚斯會免責任。所有代閣下作出的出價會以盡可能最低的價向本公司付款，以便所有款項於拍賣會後第七個工口證，香港禁止出口任何以象牙、鯨魚骨、龜甲、賣家已授權邦瀚斯作為其代理及其代表出售拍賣費代賣家提供該報告。邦瀚斯並無就該狀況報告與任何拍賣品的買家為出價最高者（在符合任何適用格作出，惟須受拍賣品的底價及其他出價的規限。作日前已結清。閣下須以下列其中一種方法付款犀牛角、珊瑚及其他受限制物品所做成的物品或包品，除非本公司明確表示並非如此，邦瀚斯僅作為閣下訂立合約，因此，邦瀚斯並不就該報告向閣下的底價的情況下）並為拍賣人以敲打拍賣人槌子形在適當時，閣下的出價會下調至最接近之金額，以（所有支票須以Bonhams (Hong Kong) Limited)。含該等原素的物品。辦理該等出口證可能需時八賣家的代理行事。除非邦瀚斯作為主事人出售拍賣承擔責任。對此份供閣下本身或閣下所指示專家查式接納其出價的競投人。任何有關最高可接受出價符合拍賣人指定的出價增幅。新競投人在遞交出邦瀚斯保留於任何時間更改付款條款的權利。除非個星期。品，本公司就拍賣品所作的任何陳述或申述均為代閱的免費報告，賣家向閣下作為競投人亦不承擔或的爭議由拍賣人以絕對酌情權決定。價時須提供身份證明，否則可導致閣下的出價不本公司事先同意，由登記買家以外的任何人士付款表賣家作出而非代表本公司作出，而任何銷售合約並無同意承擔任何義務或責任。然而，狀況報告內予受理。概不接受。請注意在圖錄內拍賣品編號旁附有Y的拍賣品包含乃買家與賣家訂立而非與本公司訂立。倘若邦瀚斯有關拍賣品的書面說明構成拍賣品的合約說明一部所有競投出價須就拍賣人宣佈的實際拍賣品編號一個或多個上述的限制物品。但沒有附有Y字母作為主事人出售拍賣品，本公司會就此情況於圖錄份，賣家乃根據合約說明向買家出售拍賣品。作出。網上競投由一家銀行的香港分行付款的私人港元支票：須待的，並不自動地表示拍賣品不受CITES規例所限。內說明或由拍賣人作出公佈，或於拍賣會的通告或支票結清後，閣下方可領取拍賣品。本公司建議買家在出價前從有關監管機構取得關於圖錄的插頁說明。賣家對閣下的責任拍賣會上可能會使用電子貨幣換算機。該設備乃為有關如何在網上競投的詳情，請瀏覽本公司網站進出口管制的資料、規定及費用。採用若干貨幣的出價而提供與其相等幣值的一般指 http://www.bonhams.com。銀行匯票／本票：如閣下可提供適當身份證明，而邦瀚斯毋須對閣下承擔亦概無向閣下承諾或同意就賣家或其代表所作出以任何形式說明拍賣品或有引，本公司不會就使用該等貨幣換算機的任何錯誤這些資金源自您自己的帳戶，且本公司信納該匯票 14. 賣家及／或邦瀚斯的責任任何合約或侵權法下的義務或責任（不論直接、間關拍賣品預測售價或可能售價的任何陳述或申述的而負責。透過代理人競投屬真實，本公司可容許閣下即時領取拍賣品；接、明示、暗示或以其他方式）。在閣下成功投得準確性或完備性，賣家並無或並無同意作出任何事除根據銷售合約賣家須對買家承擔的責任外，本公並購買拍賣品時，邦瀚斯會在其時與買家訂立協實陳述或合約承諾、擔保或保證，亦不就其承擔不本公司謹此知會閣下，本公司可能為保安理由以及本公司會接受代表競投表格所示主事人作出的出司或賣家（不論是疏忽或其他）概不對拍賣品說明議，該合約的條款載於買家協議，除非該等條款已論合約或侵權法上的任何義務或責任（除對上述對協助解決拍賣會上可能在出價方面產生的任何爭價，惟本公司有權拒絕代表主事人的代理作出的出現金：如所購得的拍賣品總值不超過HK$80,000，或拍賣品的成交價估計的任何錯誤或錯誤說明或遺於拍賣會前及／或於拍賣會上以口頭公佈形式被修最終買家的責任除外）。除以上所述外，以任何形議，而以攝錄機錄影拍賣會作為記錄及可能將電話價，並可能要求主事人以書面形式確認代理獲授權閣下可以鈔票、錢幣為這次拍賣會上所購得的拍賣漏負責，而不論其是載於圖錄內或其他，亦不論是訂，閣下可於圖錄後的附錄二查閱該協議。邦瀚斯式說明拍賣品或任何成交價估計的陳述或申述概不內容錄音。出價。儘管如此，正如競投表格所述，任何作為他品付款。如所購得的拍賣品總值超過HK$80,000 於拍賣會上或之前以口頭或書面形式作出。本公與買家的關係受該協議所規管。納入賣家與買家訂立的任何銷售合約內。人代理的人士（不論他是否已披露其為代理或其主，HK$80,000以外的金額，敬請閣下使用鈔票、錢司或賣家亦不就任何業務、利潤、收益或收入上的在某些例如拍賣珠寶的拍賣會，我們或會在銀幕上事人的身份），須就其獲接納的出價而根據因此幣以外的方式付款；損失，或聲譽受損，或業務受干擾或管理層或職工 2. 拍賣品邦瀚斯對閣下的責任投射拍賣品的影像，此服務乃為便於在拍賣會上觀而產生的合約與主事人共同及個別向賣家及邦瀚浪費時間，或任何種類的間接損失或相應產生的損看。銀幕上的影像只應視為顯示當時正進行拍賣的斯負責。害而承擔任何責任，而在任何情況下均不論指稱所在圖錄內有關拍賣品的資料內以粗體刊載的合約說如閣下擬查看拍賣品，閣下會獲得有關安排。有關拍賣品，閣下須注意，所有競投出價均與拍賣人實銀行匯款：閣下可把款項電匯至本公司的信託帳蒙受損失或損害賠償的性質、數量或來源，亦不論明所規限下（見下文第3段），拍賣品乃以其「現拍賣品的銷售合約乃與賣家訂立而非邦瀚斯；邦瀚際宣佈的拍賣品編號有關，本公司不會就使用該等在上文規限下，倘若閣下是代表他人於拍賣會競投戶。請註明閣下的號牌編號及發票號碼作為參考。該等損失或損害賠償是否由於任何疏忽、其他侵權況」售予買家，附有各種瑕疵及缺點。在圖錄內並斯僅作為賣家的代理行事（邦瀚斯作為主事人出售銀幕的任何錯誤而負責。拍賣品，請知會本公司。同樣，倘若閣下擬委託他本公司信託帳戶的詳情如下：法、違反合約（如有）或法定責任、復還申索或其無就拍賣品的任何瑕疵、損壞或修復提供指引。請拍賣品除外）。人代表閣下於拍賣會競投，亦請知會本公司，但根銀行： HSBC 他而產生或就此而申索。參考第15段。 5. 競投據閣下所填缺席者及電話競投表格而由本公司代為地址： Head Office 邦瀚斯概不向閣下承擔任何對於每件拍賣品進行查競投除外。假若本公司並無於拍賣會前以書面形式 1 Queen’s Road Central, Hong Kong 在任何情況下，倘若本公司及／或賣家就任何拍賣圖錄內或其他地方有關任何拍賣品的插圖及照片驗、調查或任何測試（足夠深入或完全不進行），參加競投的任何人士，必須於拍賣會前填妥並交回認可有關代理安排，則本公司有權假定該名於拍賣帳戶名稱：Bonhams (Hong Kong) Limited-Client A/C 品或對任何拍賣品的說明或成交價估計，或任何拍（屬合約說明一部份的照片除外）僅供識別之用，以確定邦瀚斯或代表邦瀚斯的任何人士在圖錄內或本公司的競投表格，競投人登記表格或缺席者及電會上競投的人士是代表本身進行競投。因此，該名帳號： 808 870 174001 賣品有關拍賣會的進行而須承擔責任，不論其是損可能並不反映拍賣品的真實狀況，照片或插圖亦可其他地方作出的任何說明或意見的準確性或其他話競投表格），否則本公司不會接受其出價。本公於拍賣會上競投的人士將為買家，並須負責支付成 Swift code: HSBCHKHHHKH 害賠償、彌償或責任分擔，或復還補救責任或其能未有準確重現拍賣品的顏色。的責任。司可要求閣下提供有關身份、住址、財務資料及介交價及買家費用以及有關收費。若本公司事先已認他，本公司及／或賣家的責任（倘若本公司及賣家紹人的證明，閣下必須應本公司要求提供該等證許閣下所代表的當事人，則我們會向閣下的主事人若以銀行匯款支付，在扣除任何銀行費用及或將付均須負責，雙方聯同負責）將限於支付金額最高不拍賣品於拍賣會前可供查看，閣下須自行了解拍賣閣下不應假定已經進行該等查驗、調查或測試。明，否則本公司不會接受閣下出價。請攜帶護照、發出發票而非閣下。就代理代表其當事人作出的出款貨幣兌換為港元後的金額，本公司所收到的金額超過拍賣品買價的款項，而不論指稱所蒙受損失或品的每個和各個方面，包括作者、屬性、狀況、出香港身份證（或附有照片的類似身份證明文件）及價，本公司須事先獲得該當事人的身份證明及地不得少於發票所示的應付港元金額。損害賠償或所申索應付款項的性質、數量或來源，處、歷史、背景、真實性、風格、時期、年代、適就邦瀚斯或其代表所作出以任何形式說明拍賣品或扣賬卡或信用卡出席拍賣會。本公司可要求閣下交址。有關詳情，請參與本公司的業務規則及聯絡本亦不論該等責任是由於任何疏忽、其他侵權法、違合性、品質、駕駛性能（如適用）、來源地、價值有關拍賣品預測售價或可能售價的任何陳述或申述付保證金，方接受競投。公司客戶服務部。香港銀行發出的扣帳卡：以此等卡支付拍賣品不會反合約（如有）或法定責任或其他而產生。及估計售價（包括成交價）。對閣下有興趣的任何的準確性或完備性，邦瀚斯並無或並無同意作出任額外收費；拍賣品進行審查乃閣下的責任。何事實陳述，亦不就其承擔任何（不論合約或侵權即使已填妥競投表格，本公司仍有權拒絕任何人士 6. 買家與賣家及買家與邦瀚斯的合約上文所述不得解釋為排除或限制（不論直接或間法上的）義務或責任。進入拍賣會。信用卡：美國運通卡，Visa, Mastercard卡及海外接）本公司就(i)欺詐，或(ii)因本公司疏忽（或因本敬須注意拍賣品的實際狀況可能不及其外觀所顯示於買家投得拍賣品後，賣家與買家須按圖錄後附錄扣帳卡均可使用。請注意，以信用卡付款的話，將公司所控制的任何人士或本公司在法律上須代其負的狀況。尤其是可能有部件已置換或更新，拍賣品邦瀚斯或其代表以任何形式說明拍賣品或任何成交親自出席競投一所載銷售合約的條款，訂立拍賣品的銷售合約，收取發票總額2%的附加費。我們建議，閣下在拍責任的任何人士的疏忽）引致人身傷亡，或(iii)根據亦可能並非真品或具有滿意品質；拍賣品的內部可價估計的陳述或申述概不納入買家協議內。除非該等條款已於拍賣會前及／或於拍賣會上以口賣前可預先通知發卡銀行，以免您於付款時，由於香港法例第314章佔用人法律責任條例，本公司須能無法查看，而其可能並非原物或有損壞，例如為閣下須於拍賣會舉行當日（或，如可以，之前）前頭公佈形式被修訂。閣下須負責支付買價，即成交需要確認授權而造成延誤。負責的作為或不作為，或(iv)任何法律上不可排除或襯裡或物料所覆蓋。鑑於很多拍賣品出品年代久修改邦瀚斯可於拍賣會前或於拍賣會上以口頭或書往拍賣會的競投人登記櫃檯填寫競投人登記表格。價加任何稅項。限制的其他責任或(v)本公司根據買家協議第9段的遠，故可能有損毀及／或經過修理，閣下不應假設面形式給予通知下，不時按邦瀚斯的酌情權決定修所採用的競投編號制度可稱為「舉牌競投」。閣下承諾，而須承擔的責任，或排除或限制任何人士就拍賣品狀況良好。改說明及成交價估計。會獲發一個註有號碼的大型牌子（「號牌」），以同時，本公司作為拍賣人亦會與買家訂立另一份合中國銀聯（CUP）借記卡：如閣下使用中國銀聯上述而享有的權利或補救方法。此段同樣適用於賣便閣下於拍賣會競投。要成功投得拍賣品，閣下須約，即買家協議，其條款載於圖錄後部的附錄二借記卡1,000,000港元之内将不收取附加費，超過家，猶如本段凡提述本公司均以賣家取代。電子或機械部件或會不能操作或並不符合現時的法拍賣品可供查看，而閣下必須自行對拍賣品作出判確保拍賣人可看到閣下號牌的號碼，該號碼會用作內。若閣下為成功競投人，請細閱本圖錄內銷售合 1,000,000港元之後的餘額将收取2％的附加費。定要求。閣下不應假設其設計為使用主電源的電器斷。本公司強烈建議閣下於拍賣會前親自或委託他識別閣下為買家。由於所有拍賣品均會按照競投人約及買家協議的條款。本公司可於訂立該等協議前 15. 損壞及修復物品乃適合接上主電源，閣下應在得到合格電工報人代閣下查看拍賣品。登記表格所載的姓名及地址發出發票，故閣下不應修訂其中一份或同時兩份協議的條款，修訂方式可告其適合使用主電源後，方可將其接上主電源。不將號牌轉交任何其他人士使用。發票一經發出後將以是在圖錄載列不同的條款，及／或於圖錄加入插競投人須注意本圖錄並無就任何瑕疵、損壞或修復適合接上電源的物品乃僅作為擺設物品出售。 4. 拍賣會的規則不予更改。頁，及／或於拍賣會場地以通告，及／或於拍賣會提供指引。邦瀚斯可在拍賣會前24小時提供一份詳之前或之上以口頭形式公佈。閣下須注意此等可能細的狀況報告。本公司在提供狀況報告時，不能保若閣下對拍賣品並無專業知識，則應諮詢有該等知本公司舉行的拍賣會為公開拍賣，各界人士均可參若對於成交價或閣下是否成功投得某項拍賣品有修訂的情況，並於競投前查詢是否有任何修訂。證並無任何沒有提及的其他瑕疵。競投人應自行審識人士的意見。本公司可協助閣下安排進行（或已加，閣下亦應把握其機會。任何疑問，閣下必須於下一項拍賣品競投前向拍視拍賣品，以了解其狀況。請參閱刊載在本圖錄的進行）更詳細的查驗。詳情請向本公司職員查詢。賣人提出。拍賣人的決定得視為最終及不可推翻銷售合約。的決定。

PAGE 9 PAGE 10 拍賣會結束後，或閣下完成競投後，請把號牌交回 7. 買家費用及買家須支付的其他收費 10. 領取及儲存競投人登記櫃檯。根據買家協議，買家須按照買家協議條款及下文所拍賣品的買家須待全數以已結清款項付款後，方可電話競投列的費率向本公司支付費用（買家費用），該費用領取拍賣品（本公司與買家另有安排除外）。有關按成交價計算，並為成交價以外的收費。買家亦須領取拍賣品、儲存拍賣品以及本公司的儲存承辦商若閣下擬用電話於拍賣會競投，請填妥缺席者及電按照買家協議的規定支付儲存收費的開支。詳情載於圖錄後的附錄二之買家協議。話競投表格，該表格可於本公司辦事處索取或附於圖錄內。請於拍賣會舉行前最少24小時把該表格交買家須就本次拍賣會的拍賣品按以下費率支付買 11. 運輸回負責有關拍賣會的辦事處。閣下須負責查核本公家費用：司的競投辦事處是否已收到閣下的出價。電話內容成交價首800,000港元的25% 有關這方面的問題，請向本公司負責拍賣會的客戶可能被錄音。電話競投辦法為一項視情況酌情提供成交價800,001港元或以上部分的20% 服務部門查詢。的服務，並非所有拍賣品均可採用。若於拍賣會舉成交價15,000,001港元或以上部分的12% 行時無法聯絡閣下，或競投時電話接駁受到干擾， 12. 出口／貿易限制本公司不會負責代表閣下競投。有關進一步詳情請 8. 稅項與我們聯絡。閣下須單獨承擔符合與閣下購買拍賣品有關的香港買家支付的成交價及買家費用並不包括任何商品或所有出口及從海外進口的規例以及取得有關出口以郵遞或傳真方式競投服務稅或其他稅項（不論香港或其他地方是否徵收及／或進口許可證的責任。該等稅項）。若根據香港法例或任何其他法例而須缺席者及電話競投表格載於本圖錄後，閣下須填妥繳納該等稅項，買家須單獨負責按有關法例規定的各國對發出進出口許可證有不同的規定，閣下應了該表格並送交負責有關拍賣會的辦事處。由於在有稅率及時間繳付該等稅項，或如該等稅項須由本公解所有有關的當地規定及條文。兩個或以上競投人就拍賣品遞交相同出價時，會優司繳付，則本公司可把該等稅項加於買家須支付先接受最先收到的出價，因此，為閣下的利益起的買價。倘若閣下未能或延誤取得該等許可證，閣下不可撤見，應盡早交回表格。無論如何，所有出價最遲須銷任何銷售，亦不容許閣下延遲全數支付拍賣品。於拍賣會開始前24小時收到。請於交回閣下的缺 9. 付款席者及電話競投表格前，仔細檢查該表格是否已填 13. 瀕危野生動植物種國際貿易公約（「CITES」）妥並已由閣下簽署。閣下須負責查核本公司的競投於出價競投拍賣品前，閣下必須確保擁有可動用資辦事處是否已收到閣下的出價。此項額外服務屬免金，以向本公司全數支付買價及買家費用（加稅項建議買家在需要從香港出口任何貨物到進口地時，費及保密性質。閣下須承擔作出該等出價的風險，及任何其他收費及開支）。若閣下為成功競投人，了解適用的香港出口及海外進口規例。買家亦須注本公司不會就未能收到及／或代為出價而承擔任何閣下須於拍賣會後第二個工作日下午四時三十分前意，除非取得香港漁農自然護理署發出的CITES出責任。所有代閣下作出的出價會以盡可能最低的價向本公司付款，以便所有款項於拍賣會後第七個工口證，香港禁止出口任何以象牙、鯨魚骨、龜甲、格作出，惟須受拍賣品的底價及其他出價的規限。作日前已結清。閣下須以下列其中一種方法付款犀牛角、珊瑚及其他受限制物品所做成的物品或包在適當時，閣下的出價會下調至最接近之金額，以（所有支票須以Bonhams (Hong Kong) Limited)。含該等原素的物品。辦理該等出口證可能需時八符合拍賣人指定的出價增幅。新競投人在遞交出邦瀚斯保留於任何時間更改付款條款的權利。除非個星期。價時須提供身份證明，否則可導致閣下的出價不本公司事先同意，由登記買家以外的任何人士付款予受理。概不接受。請注意在圖錄內拍賣品編號旁附有Y的拍賣品包含一個或多個上述的限制物品。但沒有附有Y字母網上競投由一家銀行的香港分行付款的私人港元支票：須待的，並不自動地表示拍賣品不受CITES規例所限。支票結清後，閣下方可領取拍賣品。本公司建議買家在出價前從有關監管機構取得關於有關如何在網上競投的詳情，請瀏覽本公司網站進出口管制的資料、規定及費用。 http://www.bonhams.com。銀行匯票／本票：如閣下可提供適當身份證明，而這些資金源自您自己的帳戶，且本公司信納該匯票 14. 賣家及／或邦瀚斯的責任透過代理人競投屬真實，本公司可容許閣下即時領取拍賣品；除根據銷售合約賣家須對買家承擔的責任外，本公本公司會接受代表競投表格所示主事人作出的出司或賣家（不論是疏忽或其他）概不對拍賣品說明價，惟本公司有權拒絕代表主事人的代理作出的出現金：如所購得的拍賣品總值不超過HK$80,000，或拍賣品的成交價估計的任何錯誤或錯誤說明或遺價，並可能要求主事人以書面形式確認代理獲授權閣下可以鈔票、錢幣為這次拍賣會上所購得的拍賣漏負責，而不論其是載於圖錄內或其他，亦不論是出價。儘管如此，正如競投表格所述，任何作為他品付款。如所購得的拍賣品總值超過HK$80,000 於拍賣會上或之前以口頭或書面形式作出。本公人代理的人士（不論他是否已披露其為代理或其主，HK$80,000以外的金額，敬請閣下使用鈔票、錢司或賣家亦不就任何業務、利潤、收益或收入上的事人的身份），須就其獲接納的出價而根據因此幣以外的方式付款；損失，或聲譽受損，或業務受干擾或管理層或職工而產生的合約與主事人共同及個別向賣家及邦瀚浪費時間，或任何種類的間接損失或相應產生的損斯負責。害而承擔任何責任，而在任何情況下均不論指稱所銀行匯款：閣下可把款項電匯至本公司的信託帳蒙受損失或損害賠償的性質、數量或來源，亦不論在上文規限下，倘若閣下是代表他人於拍賣會競投戶。請註明閣下的號牌編號及發票號碼作為參考。該等損失或損害賠償是否由於任何疏忽、其他侵權拍賣品，請知會本公司。同樣，倘若閣下擬委託他本公司信託帳戶的詳情如下：法、違反合約（如有）或法定責任、復還申索或其人代表閣下於拍賣會競投，亦請知會本公司，但根銀行： HSBC 他而產生或就此而申索。據閣下所填缺席者及電話競投表格而由本公司代為地址： Head Office 競投除外。假若本公司並無於拍賣會前以書面形式 1 Queen’s Road Central, Hong Kong 在任何情況下，倘若本公司及／或賣家就任何拍賣認可有關代理安排，則本公司有權假定該名於拍賣帳戶名稱：Bonhams (Hong Kong) Limited-Client A/C 品或對任何拍賣品的說明或成交價估計，或任何拍會上競投的人士是代表本身進行競投。因此，該名帳號： 808 870 174001 賣品有關拍賣會的進行而須承擔責任，不論其是損於拍賣會上競投的人士將為買家，並須負責支付成 Swift code: HSBCHKHHHKH 害賠償、彌償或責任分擔，或復還補救責任或其交價及買家費用以及有關收費。若本公司事先已認他，本公司及／或賣家的責任（倘若本公司及賣家許閣下所代表的當事人，則我們會向閣下的主事人若以銀行匯款支付，在扣除任何銀行費用及或將付均須負責，雙方聯同負責）將限於支付金額最高不發出發票而非閣下。就代理代表其當事人作出的出款貨幣兌換為港元後的金額，本公司所收到的金額超過拍賣品買價的款項，而不論指稱所蒙受損失或價，本公司須事先獲得該當事人的身份證明及地不得少於發票所示的應付港元金額。損害賠償或所申索應付款項的性質、數量或來源，址。有關詳情，請參與本公司的業務規則及聯絡本亦不論該等責任是由於任何疏忽、其他侵權法、違公司客戶服務部。香港銀行發出的扣帳卡：以此等卡支付拍賣品不會反合約（如有）或法定責任或其他而產生。額外收費； 6. 買家與賣家及買家與邦瀚斯的合約上文所述不得解釋為排除或限制（不論直接或間信用卡：美國運通卡，Visa, Mastercard卡及海外接）本公司就(i)欺詐，或(ii)因本公司疏忽（或因本於買家投得拍賣品後，賣家與買家須按圖錄後附錄扣帳卡均可使用。請注意，以信用卡付款的話，將公司所控制的任何人士或本公司在法律上須代其負一所載銷售合約的條款，訂立拍賣品的銷售合約，收取發票總額2%的附加費。我們建議，閣下在拍責任的任何人士的疏忽）引致人身傷亡，或(iii)根據除非該等條款已於拍賣會前及／或於拍賣會上以口賣前可預先通知發卡銀行，以免您於付款時，由於香港法例第314章佔用人法律責任條例，本公司須頭公佈形式被修訂。閣下須負責支付買價，即成交需要確認授權而造成延誤。負責的作為或不作為，或(iv)任何法律上不可排除或價加任何稅項。限制的其他責任或(v)本公司根據買家協議第9段的承諾，而須承擔的責任，或排除或限制任何人士就同時，本公司作為拍賣人亦會與買家訂立另一份合中國銀聯（CUP）借記卡：如閣下使用中國銀聯上述而享有的權利或補救方法。此段同樣適用於賣約，即買家協議，其條款載於圖錄後部的附錄二借記卡1,000,000港元之内将不收取附加費，超過家，猶如本段凡提述本公司均以賣家取代。內。若閣下為成功競投人，請細閱本圖錄內銷售合 1,000,000港元之後的餘額将收取2％的附加費。約及買家協議的條款。本公司可於訂立該等協議前 15. 損壞及修復修訂其中一份或同時兩份協議的條款，修訂方式可以是在圖錄載列不同的條款，及／或於圖錄加入插競投人須注意本圖錄並無就任何瑕疵、損壞或修復頁，及／或於拍賣會場地以通告，及／或於拍賣會提供指引。邦瀚斯可在拍賣會前24小時提供一份詳之前或之上以口頭形式公佈。閣下須注意此等可能細的狀況報告。本公司在提供狀況報告時，不能保修訂的情況，並於競投前查詢是否有任何修訂。證並無任何沒有提及的其他瑕疵。競投人應自行審視拍賣品，以了解其狀況。請參閱刊載在本圖錄的銷售合約。

PAGE 10 16. 書籍論前面有沒有列出名字的首字母，表示依我們的意拍賣品時，缺席的競投人最好能從第一批開始競投。公司強烈建議閣下於購買拍賣品前親自查看拍賣賣條例所隱含的承諾或其他，賣家毋就違反 8.1.5 就閣下於銷售合約所欠的任何款項及/或違見這乃是該藝術家的作品；品，及／或尋求對拍賣品進行獨立的查驗。任何承諾而承擔任何責任。約的損害賠償，向閣下採取法律程序；如上文所述，拍賣品乃以其「現況」售予買家，附酒瓶細節及酒箱詞彙有以下拍賣品說明所列出的各種瑕疪、缺點及錯誤。「出自巴薩諾」：我們認為這很可能是該藝術家的 1 合約 5 風險、產權及所有權 8.1.6 就任何應付款項（於頒布判決或命令之前及然而，在買家協議第 11 段所列出之情況下，閣下作品，但其確定程度不如上一個類別那麼肯定；本圖錄內下列詞彙有以下的意義：之後）收取由應支付款項日期起至實際付款有權拒絕領取書籍。請注意：購買包含印刷書籍、 1.1 此等條款乃規管賣家向買家出售拍賣品的銷 5.1 由拍賣人落槌表示閣下投得拍賣品起，拍賣日期止的利息，按渣打銀行無框地圖及裝訂手稿的拍賣品，將無須繳付買家費「巴薩諾畫室／工作室」：我們認為這是該藝術家 CB – 酒莊瓶裝售合約。品的風險即轉由閣下承擔。不管閣下是否已（香港）有限公司不時的基本利率加5厘的用的增值稅。畫室裡不知名人士的作品，是否由該藝術家指導下 DB – 葡萄園瓶裝向邦瀚斯或儲存承辦商閣下作為買家與儲存年利率每日計息；創作則不能確定； EstB – 莊園瓶裝 1.2 圖錄內附錄三所載的釋義及詞彙已納入本承辦商另有合約領取拍賣品，賣家隨即無須 17. 鐘錶 BB – 波爾多瓶裝銷售合約，邦瀚斯亦可應要求提供獨立的版負責。由拍賣人落槌起至閣下取得拍賣品期 8.1.7 取回並未成為閣下財產的拍賣品（或其任何「巴薩諾圈子」：我們認為這是由與該藝術家關係 BE – 比利時瓶裝本。釋義內所收錄的詞語及用詞在本合約內間，閣下須就拍賣品的任何損傷、遺失及損部份）的管有權，就此而言（除非買家作為所有拍賣品均以拍賣時的「現況」出售；對於鐘錶密切的人士所創作，但不一定是其弟子； FB – 法國瓶裝以斜體刊載。壞而產生的所有索償、程序、費用、開支及消費者向賣家購買拍賣品而賣家於業務過程狀況並沒有提供任何指引，並不代表該拍賣品狀況 GB – 德國瓶裝損失，向賣家作出彌償並使賣家獲得仕數彌中出售該拍賣品），閣下謹此授予賣家不可良好、毫無缺陷，或未曾維修、修復。大部份鐘錶「巴薩諾追隨者」：我們認為這是以該藝術家風格 OB – 奧波爾圖瓶裝 1.3 賣家作為銷售合約的主事人出售拍賣品，該償。撤銷特許，准許賣家或其受僱人或代理於正在其正常使用期內都曾維修，並或裝進非原裝的配創作的畫家的作品，屬當代或接近當代的，但不一 UK – 英國瓶裝合約為賣家及閣下透過邦瀚斯而訂立，而邦常營業時間進入閣下所有或任何物業（不論件。此外，邦瀚斯並不表述或保證鐘錶都在正常運定是其弟子； owc – 原裝木箱瀚斯僅作為賣家的代理行事，而並非額外的 5.2 直至買價及閣下就拍賣品應付予邦瀚斯的所是否連同汽車），以取得拍賣品或其任何部轉的狀態中。由於鐘錶通常包含精細而複雜的機械 iwc – 獨立木箱主事人。然而，倘若圖錄說明邦瀚斯以主有其他款項已全數支付並由邦瀚斯全數收到份的管有權；裝置，競投人應當知悉鐘錶或需接受保養、更換電「巴薩諾風格」：我們認為這是該藝術家風格的、 oc – 原裝紙板箱事人身份出售拍賣品，或拍賣人作出公佈如為止，拍賣品的所有權仍然由賣家保留。池或進行維修，以上全是買家的責任。競投人應當並且屬較後期的作品；此說明，或於拍賣會的通告或圖錄的插頁說 8.1.8 保留賣家於該拍賣會或任何其他拍賣或以私知悉勞力士、法穆蘭及崑崙等品牌的腕錶進口至美符號明，則就本協議而言，邦瀚斯為賣家。 6 付款人協約向閣下出售的任何其他財產的管有國是有嚴格限制的，或不能經船運而只能由個人帶「仿巴薩諾」：我們認為這是該藝術家某知名畫作以下符號表明下列情況：權，直至根據銷售合約應付的所有款項已以進。的複製作品； 6.1 在拍賣人落槌表示閣下投得拍賣品後，閣下結清款項全數支付為止； Y 當出口這些物件至歐盟以外地方，將受瀕危野 1.4 拍賣人就閣下的出價落槌即表示成交時，本即有責任支付買價。 18. 珠寶「由……署名及／或註上日期及／或題詞」：我們生動植物種國際貿易公約規限，請參閱第13 條。合約即告成立。 8.1.9 保留由賣家及／或邦瀚斯（作為賣家的受託認為署名及／或日期及／或題詞出自該藝術家的手 ≈ 請注意，受最近立法影響，產自緬甸的紅寶石 6.2 就支付買價及閣下應付予邦瀚斯的所有其他保管人）因任何目的（包括但不限於其他已紅寶石及翡翠筆；及翡翠或不能進口美國。非產自緬甸的紅寶石 2 賣家的承諾款項而言，時限規定為要素。除非閣下與邦售予閣下的貨品）而管有的閣下任何其他財及翡翠在進口美國前需經過核證。瀚斯（代表賣家）以書面另有協定（在此情產的管有權，並在給予三個月書面通知下，產自緬甸的紅寶石及翡翠或不能進口美國。非產自「載有……的署名及／或日期及／或題詞」：我們 ○ 賣家獲邦瀚斯或第三方保證能取得拍賣品的最 2.1 賣家向閣下承諾：況下，閣下須遵守該協議的條款），閣下必不設底價出售該財產，以及把因該等出售所緬甸的紅寶石及翡翠在進口美國前需經過核證，買認為簽署及／或日期及／或題詞是由他人加上的。低價格。第三方或會因此提供一個不可撤銷的須最遲於拍賣會後第二個工作日下午四時三得而應付閣下的任何款項，用於清償或部份家有責任在付運前取得所有相關及規定的進出口執出價；如銷售成功，該第三方將可獲利，否則 2.1.1 賣家為拍賣品的擁有人或由擁有人正式授權十分，以拍賣會採用的貨幣向邦瀚斯支付所清償閣下欠負賣家或邦瀚斯的任何款項；及照、證明書及文件。買家未能成功將貨品運進美國， 20. 瓷器及玻璃將有損失。出售拍賣品；有該等款項，閣下並須確保款項在拍賣會後並不構成不付款或取消買賣的理由。因有關事宜所 ▲ 邦瀚斯全部或部份擁有該拍賣品，或以其他形第七個工作日前已結清。閣下須採用在競投 8.1.10 只要該等貨品仍然由賣家或邦瀚斯作為賣家招致的額外費用，邦瀚斯概不負責。損毁及修復式與其經濟利益相關。 2.1.2 除在圖錄內所載有關拍賣品的資料有披露以人通告所述的其中一種方法向邦瀚斯付款，的受託保管人管有，撤銷賣家於該拍賣會或 Ф 此拍賣品包含象牙或是象牙製品。美國政府已外，賣家出售的拍賣品將附有全面所有權的閣下與邦瀚斯以書面另有協定除外。倘若閣任何其他拍賣或以私人協約向閣下出售任何寶石在本圖錄裡，作為閣下的指引，在切實可行的範圍禁止象牙製品入境。保證，或如果賣家為遺囑執行人、受託人、下未有根據本段支付任何應付款項，則賣家其他貨品的銷售合約，並把已收到閣下就該內，我們會詳細記述所有明顯的瑕疪、裂痕及修復清盤人、接管人或管理人，則他擁有因該身將享有下文第8段所述的權利。等貨品支付的任何款項，部份或全部用於清根據以往經驗，很多寶石都經過一系列的處理去提狀況。此等實際的損毁說明不可能作為確定依據， 22. 語言份而附於拍賣品的任何權利，業權或權益。償閣下欠負賣家或邦瀚斯的任何款項。升外觀。藍寶石及紅寶石慣常會作加熱處理以改良而且提供狀況報告後，我們不保證該物件不存在其 7 領取拍賣品色澤及清晰度；為了類似原因，綠寶石會經過油或他沒有提及的瑕疪。競投人應當透過親自檢查而自本競投人通告以中英文刊載。如就詮譯本競投人通 2.1.3 除非賣家為遺囑執行人、受託人、清盤人、 8.2 就因邦瀚斯根據本第8段採取行動而招致賣樹脂的處理。其他寶石則會經過如染色、輻照或鍍行判別每件拍賣品的狀況。請參閱刊載於本圖錄裡告有任何爭議，以英文條款為本。接管人或管理人，賣家在法律上有權出售拍 7.1 除非閣下與邦瀚斯以書面另有協定，只可待家負上的所有法律及其他強制執行費用、所膜等的處理。此等處理有些是永久的，有些則隨著的銷售合約。由於難以鑑別玻璃物件是否經過磨光，賣品，及能授予閣下安寧地享有對拍賣品的邦瀚斯收到金額等於全數買價及閣下應付予有損失及其他開支及費用（包括為獲發還拍年月需要不斷維護以保持其外觀。競投人應當知悉本圖錄內的參考資料只列出清晰可看的缺口與裂保障資料 ﹣閣下資料的用途管有。賣家及邦瀚斯的所有其他款項的已結清款項賣品而應付邦瀚斯的任何款項）（不論是否估計拍賣品的成交價時，已假設寶石或接受過該等痕。不論程度嚴重與否，磨光狀況均不會提及。後，閣下或閣下指定的人士方可獲發放拍賣已採取法律行動），閣下同意按全數彌償基處理。有數家鑑定所可發出說明更詳盡的證書；但本公司以提供服務為目的，本公司取得有關閣下的 2.1.4 賣家已遵從任何與拍賣品進出口有關的所有品。準並連同其利息就某件寶石所接受的處理與程度，不同鑑定所的結 21. 葡萄酒個人資料（就本段而言，此詞僅包括閣下的僱員及規定（不論是法律上或其他），拍賣品的所（於頒布判決或命令之前及之後）向賣家論並不一定一致。倘若邦瀚斯已取得有關任何拍賣高級職員，如有）。閣下同意本公司以該等資料作有關進出口的稅及稅項均已繳付（除非圖錄 7.2 賣家有權保持管有閣下同一或任何另外的拍作出彌償，利息按第8.1.6段的利率由賣家品的相關證書，此等內容將於本圖錄裡披露。雖然凡在本公司總部拍賣場的以及需繳納增值稅的拍賣下述用途。內說明其未付或拍賣人公佈其未付）。就賣賣會向閣下出售的任何其他拍賣品，不論其應支付款項日期起計至閣下支付該款項的根據內部政策，邦瀚斯將盡力為某些寶石提供認可品，或不能立刻領取。家所悉，所有第三方亦已在過往遵從該等規目前是否由邦瀚斯管有，直至以已結清款項日期止。鑑定所發出的證書，但要為每件拍賣品都獲取相關本公司可利用閣下的資料向閣下發出有關本公司服定；全數支付該拍賣品的買價及閣下應付予賣家證書，實際上並不可行。倘若本圖錄裡並沒有刊出檢驗葡萄酒務變動的通知，以及向閣下提供有關產品或服務的及／或邦瀚斯的所有其他款項為止。 8.3 於根據第8.1.2段重新出售拍賣品後，賣家證書，競投人應當假設該等寶石已經過處理。邦瀚資料，而該等資料乃閣下要求本公司提供或本公司 2.1.5 除任何於拍賣會場地以公佈或通告，或以競須把任何在支付欠負賣家或邦瀚斯的所有款斯或賣家任何一方在任何拍賣品出售以後，即使買對於較大批量（定義見下文）的拍賣品，偶爾可進認為閣下可能對該等產品及服務感興趣。有關閣下投人通告，或以圖錄插頁形式指明的任何修改 7.3 閣下須自費按照邦瀚斯的指示或規定領取由項後所餘下的款項，於其收到該等款項的二家取得不同意見的證書，也概不負責。行拍賣前試酒。通常，這只限於較新的及日常飲用的資料可能用作分析，以了解閣下在這方面的潛外，拍賣品與拍賣品的合約說明相應，即在圖邦瀚斯保管及／或控制或由儲存承辦商保管十八日內交還閣下。的葡萄酒。在喜好。本公司可能向本集團任何成員公司（指本錄內有關拍賣品的資料內以粗體刊載的部份（的拍賣品，並將其移走。估計重量公司的附屬公司、本公司最終控股公司及其附屬公顏色除外），連同圖錄內拍賣品的照片，以及 9 賣家的責任我們一般不會開箱檢驗未開箱的葡萄酒。酒齡超過司，定義見二零零六年英國公司法第1159條及附表已向買家提供的任何狀況報告的內容。 7.4 閣下須全面負責領取拍賣品時的包裝、處理如該寶石重量在本圖錄內文裡以大寫字母顯示，表 20 年的酒通常已經開箱，缺量水平及外觀如有需要 6，包括任何海外附屬公司）披露閣下的資料。除此及運輸，以及全面負責遵從與拍賣品有關的 9.1 在拍賣人落槌表示拍賣品成交後，賣家無須明該寶石未經鑲嵌，並且是由邦瀚斯稱重量的。如會在本圖錄內說明，之外，本公司不會向任何第三方披露閣下的資料， 3 拍賣品的說明所有進出口規定。再就拍賣品所引致的任何損傷、損失或損害果該寶石的重量以「大約」表示，以及並非以大寫惟本公司可能不時向閣下提供我們相信閣下可能感負責。字母顯示，表明該寶石由我們依據其鑲嵌形式評估，酒塞與缺量興趣的第三方貨品及服務的有關資料。本集團任何 3.1 第2.1.5段載述何謂拍賣品的合約說明，尤 7.5 倘閣下未有按照本第7段提走拍賣品，閣下所列重量只是我們陳述的意見而已。此資料只作為成員公司亦可以閣下的資料作類似用途。其是拍賣品並非按圖錄內資料當串沒有以粗須全面負責賣家涉及的搬運、儲存或其他收 9.2 在下文第9.3至9.5段的規限下，除違反第指引使用，競投人應當自行判別該資料的準確度。缺量指瓶塞底與液面之間的空間。波爾多酒瓶的缺體刊載的內容出售，該等內容僅載述（代表費或開支。閣下並須就賣家因閣下未能提走 2.1.5段所規定的明確承諾外，不論是根據量水平一般在瓶頸下才會注意得到；而對於勃艮第、本公司將保留閣下的資料為期五年，由閣下最後與賣方）邦瀚斯對拍賣品的意見，而並不構成拍賣品而招致的所有收費、費用，包括任何香港法例第26章貨品售賣條例而默示的條款署名阿爾薩斯、德國及干邑的酒瓶，則要大於4 厘米（公我們聯繫的日期起計，以便簡化任何日後再辦理登拍賣品售出時所按的合約說明的一部份。任法律訟費及費用，開支及損失，包括根據任或其他，賣家無須就違反拍賣品須與拍賣品分）。可接受的缺量水平會隨著酒齡增加，一般的記時的手續。該等資料可轉移及儲存於香港以外地何並非第2.1.5段所述該部份資料的任何陳何儲存合約的任何收費，向賣家作出彌償。的任何說明相應的條款而負責。 1. 鑽石胸針，由辜青斯基製造可接受水平如下：方，而閣下同意此轉移。閣下有權要求不以閣下的述或申述，包括任何說明或成交價做計，不所有此等應付予賣家的款項均須於被要求時當製造者的名字出現在名稱裡，邦瀚斯認為該物件資料作此等用途，有關要求請聯絡Bonhams (Hong 論是以口頭或書面，包括載於圖錄內或於邦支付。 9.3 就賣家或其代表於本協議之前或之後或於拍由該製造者製作。 15 年以下－瓶頸內或少於 4 厘米 Kong) Ltd（就香港法例第486章個人資料（私隱）瀚斯的網站上或以行為作出或其他，不論由賣會之前或進行期間，所作出（不論是以書條例而言，為資料的使用者）（地址：Montpelier 或代表賣家或邦瀚斯及是否於拍賣會之前或 8 未有支付拍賣品的款項面，包括在圖錄或網站，或口頭形式或以行 2. 鑽石胸針，由辜青斯基署名 15-30 年－瓶肩頂部 (ts) 或最多 5 厘米 Galleries, Montpelier Street, London, SW7 1HH, 之上作出，一概不構成拍賣品售出時所按的為或其他）的任何拍賣品說明或資料或拍賣邦瀚斯認為有署名的該是真品，但可能包含非原裝 United Kingdom）或以電郵聯絡client.services@ 合約說明的一部份。 8.1 倘若閣下未有按照銷售合約向邦瀚斯支付拍品的成交價估計，出現不符合或不準確、錯的寶石，或該物件經過改動。 30 年或以上－瓶肩高處 (hs) 或最多 6 厘米 bonhams.com。賣品的全數買價，則賣家有權在事先得到邦誤、錯誤說明或遺漏，賣家均無須承擔任何 3.2 除第2.1.5段的規定外，對於可能由賣家或瀚斯的書面同意下，但無須另行通知閣下，相關的責任（不論為疏忽、其他侵權法、違 3. 鑽石胸針，由辜青斯基裝嵌請注意：缺量水平在本圖錄發行至拍賣會舉行期間附錄一代表賣家（包括由邦瀚斯）作出有關拍賣品行使以下一項或多項權利（不論是透過邦瀚反合約或法定責任或復還或根據香港法例第邦瀚斯認為物件由該珠寶商或寶石匠創作，但所用或有所改變，而且瓶塞或會在運輸過程中出現問題。的任可說明或其任何成交價估計，賣家並無斯或其他）﹕ 284章失實陳述條例的責任，或任何其他責寶石或設計是由客戶提供的。本圖錄發行時，我們只對狀況說明出現差異承擔責銷售合約作出或發出亦無同意作出或發出任何合約允任）。任，而對瓶塞問題所招致的損失，不論是在圖錄發諾、承諾、責任、擔保、保證或事實陳述或 8.1.1 因閣下違反合約而即時終止銷售合約； 19. 圖畫行之前或之後，我們概不負責。重要事項：此等條款可能會於向閣下出售拍賣品前承諾任何謹慎責任。該等說明或戊交價估計 9.4 就買家或買家管理層或職工之任何業務、予以條訂，修訂的方式可以是在圖錄載列不同的條一概不納入本銷售合約。 8.1.2 在給予閣下七日書面通知，知會閣下擬重新業務利潤或收益或收入上的損失，或聲譽受拍賣品圖錄詞彙解釋批量購買的選擇款，及／或於圖錄加入插頁，及／或於拍賣會場地出售拍賣品後，以拍賣、私人協約或任何其損，或業務受干擾或浪費時間，或任何種類上以通告，及／或於拍賣會之前或之上以口頭形式 4 對用途的合適程度及令人滿意的品質他方式重新出售拍賣品；的間接損失或相應產生的損害，賣家均無須以下詞彙在本圖錄裡有下列意義，但以銷售合約內批量拍賣品乃指一定數目批次的、包含同款葡萄酒、公佈。閣下須注意此等可能修訂的情況，並於競投 4.1 賣家並無亦無同意對拍賣品的令人滿意品質承擔任何相關的責任，不論該指稱所蒙受損跟拍賣品說明相關的一般條文為準：相同瓶數、相同瓶款及相同說明的拍賣品。批量拍前查詢是否有任何修訂。或其就任何用途的合適程度作出任何合約允 8.1.3 保留拍賣品的管有權；失或損害的性質、數量或來源，亦不論該等賣品內任何某批次的買家，可選擇以同樣價錢購買諾、承諾、責任、擔保、保證或事實陳述。損失或損害賠償是否由於任何疏忽、其他侵「巴薩諾」：我們認為這是該藝術家的作品。倘若該批量拍賣品其餘部份或全部的拍賣品，雖然該選根據本合約，賣家對拍賣品的質量、任何用途的適 8.1.4 遷移及儲存拍賣品，費用由閣下承擔；權法、違反合約、法定責任、復還申索或其該藝術家的名字不詳，其姓氏後附有一串星號，不擇權最終由拍賣官全權酌情決定。因此，競投批量用性及其與說明是否一致而須承擔有限的責任。本 4.2 對於拍賣品的令人滿意品質或其就任何用途他而產生或就此而申索；的合適程度，不論是香港法例第26章貨品售

PAGE 11 PAGE 12 公司強烈建議閣下於購買拍賣品前親自查看拍賣賣條例所隱含的承諾或其他，賣家毋就違反 8.1.5 就閣下於銷售合約所欠的任何款項及/或違品，及／或尋求對拍賣品進行獨立的查驗。任何承諾而承擔任何責任。約的損害賠償，向閣下採取法律程序；

1 合約 5 風險、產權及所有權 8.1.6 就任何應付款項（於頒布判決或命令之前及之後）收取由應支付款項日期起至實際付款 1.1 此等條款乃規管賣家向買家出售拍賣品的銷 5.1 由拍賣人落槌表示閣下投得拍賣品起，拍賣日期止的利息，按渣打銀行售合約。品的風險即轉由閣下承擔。不管閣下是否已（香港）有限公司不時的基本利率加5厘的向邦瀚斯或儲存承辦商閣下作為買家與儲存年利率每日計息； 1.2 圖錄內附錄三所載的釋義及詞彙已納入本承辦商另有合約領取拍賣品，賣家隨即無須銷售合約，邦瀚斯亦可應要求提供獨立的版負責。由拍賣人落槌起至閣下取得拍賣品期 8.1.7 取回並未成為閣下財產的拍賣品（或其任何本。釋義內所收錄的詞語及用詞在本合約內間，閣下須就拍賣品的任何損傷、遺失及損部份）的管有權，就此而言（除非買家作為以斜體刊載。壞而產生的所有索償、程序、費用、開支及消費者向賣家購買拍賣品而賣家於業務過程損失，向賣家作出彌償並使賣家獲得仕數彌中出售該拍賣品），閣下謹此授予賣家不可 1.3 賣家作為銷售合約的主事人出售拍賣品，該償。撤銷特許，准許賣家或其受僱人或代理於正合約為賣家及閣下透過邦瀚斯而訂立，而邦常營業時間進入閣下所有或任何物業（不論瀚斯僅作為賣家的代理行事，而並非額外的 5.2 直至買價及閣下就拍賣品應付予邦瀚斯的所是否連同汽車），以取得拍賣品或其任何部主事人。然而，倘若圖錄說明邦瀚斯以主有其他款項已全數支付並由邦瀚斯全數收到份的管有權；事人身份出售拍賣品，或拍賣人作出公佈如為止，拍賣品的所有權仍然由賣家保留。此說明，或於拍賣會的通告或圖錄的插頁說 8.1.8 保留賣家於該拍賣會或任何其他拍賣或以私明，則就本協議而言，邦瀚斯為賣家。 6 付款人協約向閣下出售的任何其他財產的管有權，直至根據銷售合約應付的所有款項已以 6.1 在拍賣人落槌表示閣下投得拍賣品後，閣下結清款項全數支付為止； 1.4 拍賣人就閣下的出價落槌即表示成交時，本即有責任支付買價。合約即告成立。 8.1.9 保留由賣家及／或邦瀚斯（作為賣家的受託 6.2 就支付買價及閣下應付予邦瀚斯的所有其他保管人）因任何目的（包括但不限於其他已 2 賣家的承諾款項而言，時限規定為要素。除非閣下與邦售予閣下的貨品）而管有的閣下任何其他財瀚斯（代表賣家）以書面另有協定（在此情產的管有權，並在給予三個月書面通知下， 2.1 賣家向閣下承諾：況下，閣下須遵守該協議的條款），閣下必不設底價出售該財產，以及把因該等出售所須最遲於拍賣會後第二個工作日下午四時三得而應付閣下的任何款項，用於清償或部份 2.1.1 賣家為拍賣品的擁有人或由擁有人正式授權十分，以拍賣會採用的貨幣向邦瀚斯支付所清償閣下欠負賣家或邦瀚斯的任何款項；及出售拍賣品；有該等款項，閣下並須確保款項在拍賣會後第七個工作日前已結清。閣下須採用在競投 8.1.10 只要該等貨品仍然由賣家或邦瀚斯作為賣家 2.1.2 除在圖錄內所載有關拍賣品的資料有披露以人通告所述的其中一種方法向邦瀚斯付款，的受託保管人管有，撤銷賣家於該拍賣會或外，賣家出售的拍賣品將附有全面所有權的閣下與邦瀚斯以書面另有協定除外。倘若閣任何其他拍賣或以私人協約向閣下出售任何保證，或如果賣家為遺囑執行人、受託人、下未有根據本段支付任何應付款項，則賣家其他貨品的銷售合約，並把已收到閣下就該清盤人、接管人或管理人，則他擁有因該身將享有下文第8段所述的權利。等貨品支付的任何款項，部份或全部用於清份而附於拍賣品的任何權利，業權或權益。償閣下欠負賣家或邦瀚斯的任何款項。 7 領取拍賣品 2.1.3 除非賣家為遺囑執行人、受託人、清盤人、 8.2 就因邦瀚斯根據本第8段採取行動而招致賣接管人或管理人，賣家在法律上有權出售拍 7.1 除非閣下與邦瀚斯以書面另有協定，只可待家負上的所有法律及其他強制執行費用、所賣品，及能授予閣下安寧地享有對拍賣品的邦瀚斯收到金額等於全數買價及閣下應付予有損失及其他開支及費用（包括為獲發還拍管有。賣家及邦瀚斯的所有其他款項的已結清款項賣品而應付邦瀚斯的任何款項）（不論是否後，閣下或閣下指定的人士方可獲發放拍賣已採取法律行動），閣下同意按全數彌償基 2.1.4 賣家已遵從任何與拍賣品進出口有關的所有品。準並連同其利息規定（不論是法律上或其他），拍賣品的所（於頒布判決或命令之前及之後）向賣家有關進出口的稅及稅項均已繳付（除非圖錄 7.2 賣家有權保持管有閣下同一或任何另外的拍作出彌償，利息按第8.1.6段的利率由賣家內說明其未付或拍賣人公佈其未付）。就賣賣會向閣下出售的任何其他拍賣品，不論其應支付款項日期起計至閣下支付該款項的家所悉，所有第三方亦已在過往遵從該等規目前是否由邦瀚斯管有，直至以已結清款項日期止。定；全數支付該拍賣品的買價及閣下應付予賣家及／或邦瀚斯的所有其他款項為止。 8.3 於根據第8.1.2段重新出售拍賣品後，賣家 2.1.5 除任何於拍賣會場地以公佈或通告，或以競須把任何在支付欠負賣家或邦瀚斯的所有款投人通告，或以圖錄插頁形式指明的任何修改 7.3 閣下須自費按照邦瀚斯的指示或規定領取由項後所餘下的款項，於其收到該等款項的二外，拍賣品與拍賣品的合約說明相應，即在圖邦瀚斯保管及／或控制或由儲存承辦商保管十八日內交還閣下。錄內有關拍賣品的資料內以粗體刊載的部份（的拍賣品，並將其移走。顏色除外），連同圖錄內拍賣品的照片，以及 9 賣家的責任已向買家提供的任何狀況報告的內容。 7.4 閣下須全面負責領取拍賣品時的包裝、處理及運輸，以及全面負責遵從與拍賣品有關的 9.1 在拍賣人落槌表示拍賣品成交後，賣家無須 3 拍賣品的說明所有進出口規定。再就拍賣品所引致的任何損傷、損失或損害負責。 3.1 第2.1.5段載述何謂拍賣品的合約說明，尤 7.5 倘閣下未有按照本第7段提走拍賣品，閣下其是拍賣品並非按圖錄內資料當串沒有以粗須全面負責賣家涉及的搬運、儲存或其他收 9.2 在下文第9.3至9.5段的規限下，除違反第體刊載的內容出售，該等內容僅載述（代表費或開支。閣下並須就賣家因閣下未能提走 2.1.5段所規定的明確承諾外，不論是根據賣方）邦瀚斯對拍賣品的意見，而並不構成拍賣品而招致的所有收費、費用，包括任何香港法例第26章貨品售賣條例而默示的條款拍賣品售出時所按的合約說明的一部份。任法律訟費及費用，開支及損失，包括根據任或其他，賣家無須就違反拍賣品須與拍賣品何並非第2.1.5段所述該部份資料的任何陳何儲存合約的任何收費，向賣家作出彌償。的任何說明相應的條款而負責。述或申述，包括任何說明或成交價做計，不所有此等應付予賣家的款項均須於被要求時論是以口頭或書面，包括載於圖錄內或於邦支付。 9.3 就賣家或其代表於本協議之前或之後或於拍瀚斯的網站上或以行為作出或其他，不論由賣會之前或進行期間，所作出（不論是以書或代表賣家或邦瀚斯及是否於拍賣會之前或 8 未有支付拍賣品的款項面，包括在圖錄或網站，或口頭形式或以行之上作出，一概不構成拍賣品售出時所按的為或其他）的任何拍賣品說明或資料或拍賣合約說明的一部份。 8.1 倘若閣下未有按照銷售合約向邦瀚斯支付拍品的成交價估計，出現不符合或不準確、錯賣品的全數買價，則賣家有權在事先得到邦誤、錯誤說明或遺漏，賣家均無須承擔任何 3.2 除第2.1.5段的規定外，對於可能由賣家或瀚斯的書面同意下，但無須另行通知閣下，相關的責任（不論為疏忽、其他侵權法、違代表賣家（包括由邦瀚斯）作出有關拍賣品行使以下一項或多項權利（不論是透過邦瀚反合約或法定責任或復還或根據香港法例第的任可說明或其任何成交價估計，賣家並無斯或其他）﹕ 284章失實陳述條例的責任，或任何其他責作出或發出亦無同意作出或發出任何合約允任）。諾、承諾、責任、擔保、保證或事實陳述或 8.1.1 因閣下違反合約而即時終止銷售合約；承諾任何謹慎責任。該等說明或戊交價估計 9.4 就買家或買家管理層或職工之任何業務、一概不納入本銷售合約。 8.1.2 在給予閣下七日書面通知，知會閣下擬重新業務利潤或收益或收入上的損失，或聲譽受出售拍賣品後，以拍賣、私人協約或任何其損，或業務受干擾或浪費時間，或任何種類 4 對用途的合適程度及令人滿意的品質他方式重新出售拍賣品；的間接損失或相應產生的損害，賣家均無須 4.1 賣家並無亦無同意對拍賣品的令人滿意品質承擔任何相關的責任，不論該指稱所蒙受損或其就任何用途的合適程度作出任何合約允 8.1.3 保留拍賣品的管有權；失或損害的性質、數量或來源，亦不論該等諾、承諾、責任、擔保、保證或事實陳述。損失或損害賠償是否由於任何疏忽、其他侵 8.1.4 遷移及儲存拍賣品，費用由閣下承擔；權法、違反合約、法定責任、復還申索或其 4.2 對於拍賣品的令人滿意品質或其就任何用途他而產生或就此而申索；的合適程度，不論是香港法例第26章貨品售

PAGE 12 9.5 在任何情況下，倘若賣家就拍賣品，或任何 11 規管法律個工作日下午四時三十分向本公司支付﹕ 4.7 閣下須全面負責領取拍賣品時的包裝、處理售的貨品）而管有的閣下任何其他財產不設以識別該拍賣品。其就拍賣品所作的作為、不作為、陳述、或及運輸，以及全面負責遵從與拍賣品有關的底價出售，並把因該等出售所得而應付予閣申述，或就本協議或其履行而須對閣下負 11.1 法律 3.1.1 拍賣品的買價；所有進出口規定。下的任何款項，用於支付或部份支付閣下欠 9.3 於下述情況下，第9段不適用於膺品﹕ 責，則不論其為損害賠償、彌償或責任分負本公司的任何款項；擔，或復還補救，或以其他任何形式，賣家本協議下的所有交易以及所有有關事宜，均 3.1.2 按照競投人通告規定費率的買家費用；及 4.8 倘閣下未有按照第4.2段提走拍賣品，閣下 9.3.1 圖錄所載有關該拍賣品的資料已反映當時學的責任將限於支付金額最高不超過拍賣品買受香港法例規管並據其解釋。須全面負責本公司涉及的任何搬運、儲存 7.1.11 於日後拍賣會拒絕為閣下登記，或於日後任者及專家的公認意見，或已公平地指出該等價的款項，不論該損失或損害賠償或所申索 3.1.3 若拍賣品註明[AR]，一項按照競投人通告規或其他收費（按照本公司的目前收費率）及何拍賣會拒絕閣下出價，或於日後任何拍賣意見有衝突，或已反映公認為有關範疇主要應付款項的性質、數量或來源，亦不論該等 11.2. 語言定計算及支付的額外費用，連同該款項的增任何開支（包括根據儲存合約的任何收費）會在接受任何出價前要求閣下先支付按金，專家在當時的意見；或責任是否由於任何疏忽、其他侵權法、違反值稅（如適用），所有應付本公司款項須於。所有此等款項須於本公司要求時由閣下支在該情況下，本公司有權以該按金支付或部合約、法定責任、受託保管人責任、復還申本銷售合約以中英文刋載。如就詮譯本銷售拍賣會後七個工作日或之前以已結清款項收付，並無論如何，於閣下或閣下的代表領取份支付（視情況而定）閣下為買家的任何拍 9.3.2 僅可採用於刊印圖錄日期前一般不會採用的索或其他而產生。合約有任何爭議，以英文條款為本。悉。拍賣品前必須支付。賣品的買價。方法才能確定拍賣品為膺品，或採用的確定方法在所有情況下本公司若採用則屬不合 9.6 上文9.1至9.5段所述不得解釋為排除或限制附錄二 3.2 根據本協議，閣下亦須應要求向本公司支付 5 拍賣品儲存 7.2 就因本公司根據本第7段採取行動而招致的理。（不論直接或間接）任何人士就(i)欺詐，或任何開支。所有法律及其他費用、所有損失及其他開支 (ii)因賣家疏忽（或因賣家所控制的任何人士買家協議本公司同意把拍賣品儲存，直至閣下提取拍（不論是否已採取法律行動），閣下同意按 9.4 閣下授權本公司在絕對酌情權下決定採取本或賣家在法律上須代其負責任的任何人士的 3.3 除非本公司以書面方式另行同意，所有款項賣品或直至競投人通告指定的時間及日期（全數彌償基準並連同其利息（於頒布判決或公司認為要讓本公司信納拍賣品並非膺品而疏忽）引致人身傷亡，或(iii)根據香港法例重要事項：此等條款可能會於向閣下出售拍必須以拍賣會所用貨幣，按競投人通告所列或若無指定日期，則為拍賣會後第七日下午命令之前及之後）向本公司作出彌償，利息必需進行的程序及測試。第314章佔用人法律責任條例，本公司須負賣品前予以修訂，修訂的方式可以是在圖錄其中一種方法支付。本公司發票只發給登記四時三十分之前）為止，以較早日期為準，按第7.1.5段訂明的利率由本公司應支付款責的作為或不作為，或(iv)任何法律上不可載列不同的條款，及／或於圖錄加入插頁，競投人，除非競投人乃作為指明主事人的代並在第6及第10段規限下，作為受託保管人項日期起計至閣下支付該款項的日期止。 9.5 倘本公司信納拍賣品為膺品，本公司會（作排除或限制的其他責任，而須承擔的責任，及／或於拍賣會場地上以通告，及／或於拍理，且本公司已認可該安排，在該情況下，而就拍賣品的損壞或損失或毀壞向閣下負責為主事人）向閣下購買該拍賣品，而閣下須或排除或限制任何人士就上述而享有的權利賣會之前或之上以口頭形式公佈。閣下須注本公司會將發票發給主事人。（儘管在支付買價前，拍賣品仍未為閣下的 7.3 倘閣下僅支付部份應付予本公司的款項，則按照香港法例第26章貨品售賣條例第14(1) 或補救方法。意此等可能修訂的情況，並於競投前查詢是財物）。若閣下於競投人通告所規定的時間該等付款將首先用於支付該拍賣品的買價（ (a)及14(1)(b)條規定，向本公司轉讓有關拍否有任何修訂。 3.4 除非本協議另有規定，所有應付本公司款項及日期（或若無指定日期，則為拍賣會後第或若閣下購買多於一項拍賣品，則按比例支賣品的所有權，並附有全面所有權的保證， 10 一般事項須按適當稅率繳付稅項，閣下須就所有該等七日下午四時三十分之前）前仍未領取拍賣付每項拍賣品的買價），然後支付買家費用不得有任何留置權、質押、產權負擔及敵對 1 合約款項支付稅款。品，本公司可將拍賣品遷往另一地點，有關（或若閣下購買多於一項拍賣品，則按比例申索，而本公司將向閣下支付相等於閣下就 10.1 閣下不得轉讓銷售合約的利益或須承擔的責詳情通常會載於競投人通告內。倘若閣下未支付每項拍賣品的買家費用），再然後用以拍賣品已支付的買價、買家費用、稅項及開任。 1.1 此等條款規管乃邦瀚斯個人與買家的合約， 3.5 本公司可從閣下付給本公司的任何款項中，有按第3段就拍賣品付款，而拍賣品被移送支付應付予本公司的任何其他款項。支總數的款項。買家即拍賣人落槌表示其投得拍賣品的人扣除並保留有關拍賣品的買家費用、賣家應至任何第三者物業，則該第三者會嚴格地以 10.2 倘若賣家未能或延遲強制執行或行使任何銷士。付的佣金、任何開支及稅項以及任何賺得邦瀚斯為貨主而持有拍賣品，而本公司將保 7.4 本公司根據本第7段的權利出售任何拍賣品 9.6 第9段的利益為僅屬於閣下個人的利益，閣售合約下的權力或權利，這不得作為或視及／或產生的利息，利益歸本公司，直至將留拍賣品留置權，直至已按照第3段向本公所收到的款項，於支付應付予本公司及／或下不能將其轉讓。其作為賣家放棄其根據銷售合約所賦予的權 1.2 拍賣會圖錄內附錄三所載的釋義及詞彙已款項付予賣家時止。司支付所有款項為止。賣家的所有款項後仍由本公司持有的餘款，利，任何以書面形式給予閣下的明確放棄除納入本協議，本公司可應要求提供獨立的版將於本公司收到該等款項的二十八日內交還 9.7 倘若閣下出售或以其他方式出售閣下於拍賣外。任何該等放棄並不影響賣家其後強制執本。釋義內所收錄的詞語及用詞在本協議內 3.6 就向本公司支付應付的任何款項而言，時限 6 對拍賣品的責任閣下。品的權益，則根據本段的所有權利及利益即行根據銷售合同所產生任何權利的能力。以斜體刊載。本協議提述刊印於拍賣會圖錄規定為要素。倘若閣下未能按照本第3段向告終止。開始部份的競投人通告的資料，而該等被提本公司支付買價或任何其他應付本公司款 6.1 待閣下向本公司支付買價後，拍賣品的所有 8 其他人士就拍賣品的申索 10.3 倘銷售合約任何一方，因在合理控制範圍以述的資料已納入本協議。項，本公司將擁有下文第7段所載的權利。權方會移交閣下。然而，根據銷售合約，拍 9.8 第9段不適用於由或包括一幅或多幅中國外的情況下而無法履行該訂約方根據銷售合賣品的風險則由閣下投得拍賣品之時起由閣 8.1 倘本公司知悉除閣下及賣家外有人就拍賣品畫、一輛或多輛汽車、一個或多個郵票或一約的責任，或倘在該等情況下履行其責任會 1.3 於拍賣人落槌表示閣下投得拍賣品時，閣下 3.7 若閣下投得多項拍賣品，本公司收到閣下的下承擔。提出申索（或可合理地預期會提出申索），本或多本書籍構成的拍賣品。導致其增加重大財務成本，則該訂約方只要與賣家就拍賣品的銷售合約即告訂立，而在款項將首先用於按比例支付每項拍賣品的買本公司有絕對酌情權決定以任何方式處理拍在該情況仍然持續時，不會被要求履行該等那時刻，閣下與邦瀚斯亦已按本買家協議條價，然後按比例支付應付邦瀚斯的所有款 6.2 閣下應於拍賣會後盡快為拍賣品投買保險。賣品，以確立本公司及其他涉及人士的合法 10 本公司的責任責任。本段並不適用於第6段對閣下施加的款訂立另一份獨立的合約。項。權益及在法律上保障本公司的地位及合法權責任。 7 未能付款或提取拍賣品及部份付款益。在不損害該酌情權的一般性原則下，並 10.1 就本公司或代表本公司或賣家或代表賣家於 1.4 本公司乃作為賣家的代理行事，無須就賣家 4 領取拍賣品作為舉例，本公司可﹕ 本協議之前或之後或於拍賣會之前或之上， 10.4 銷售合約下的任何通知或其他通訊，必須以之任何違約或其他失責而對閣下負責或承擔 7.1 倘若應付予本公司的所有款項未有於其到期所作出（不論是以書面，包括在圖錄或邦瀚書面形式作出，並可由專人送交或以第一類個人責任，邦瀚斯作為主事人出售拍賣品除 4.1 在賣家或本公司可拒絕向閣下發放拍賣品的支付時全數支付，及／或未有按照本協議提 8.1.1 保留拍賣品以調查就拍賣品提出或本公司合斯的網站上或口頭形式或以行為或其他）任郵件或空郵或以傳真方式發送，並就賣家而外。任何權力規限下，閣下一旦以已結清款項向取拍賣品，則本公司可行使以下一項或多項理地預期會提出的任何問題；及／或何拍賣品說明或資料或拍賣品的成交價估言，發送至圖錄所載邦瀚斯的地址或傳真號賣家及本公司支付應付的款項後，本公司可權利（在不損害本公司可以代賣家行使的任計，出現不符合或不準確、錯誤、錯誤說明碼（註明交公司秘書收），由其轉交賣家； 1.5 本公司對閣下的個人責任受本協議規管，在即向閣下或按閣下的書面指示發放拍賣品。何權利下），而無須另行通知閣下﹕ 8.1.2 向閣下以外的其他人士交付拍賣品；及／或或遺漏，本公司無須就此而承擔任何責任，而就閣下而言，則發送至競投表格所示的買下文條款所規限下，本公司同意下列責任﹕ 領取拍賣品時，必須出示從本公司的出納員不論是否為疏忽、其他侵權法、違反合約或家地址或傳真號碼（除非已以書面形式通知的辦公室取得已加蓋印章的發票，方獲發 7.1.1 因閣下違反合約而即時終止本協議； 8.1.3 展開互爭權利訴訟或尋求任何法院、調解法定責任或復還或根據香港法例第284章失更改地址）。通知或通訊發出人須有責任確 1.5.1 本公司會按照第5段儲存拍賣品，直至競投行。人、仲裁人或政府機關的任何其他命令；實陳述條例的責任。保其清晰可讀並於任何適用期間內收到。人通告所指定的日期及時間或另行通知閣下 7.1.2 保留拍賣品的管有權；及／或為止； 4.2 閣下須按競投人通告指定的日期及時間，自 10.2 當拍賣品由閣下承擔風險時及／或當拍賣品 10.5 倘若銷售合約的任何條款或任何條款的任何費領取拍賣品，倘未有指定任何日期，則為 7.1.3 遷移及／或儲存拍賣品，費用由閣下承擔； 8.1.4 就採取閣下同意的行動，要求閣下提供彌償已成為閣下的財產並由本公司保管及／或控部份被裁定為不可強制執行或無效，則該等 1.5.2 在賣家或本公司拒絕向閣下發放拍賣品的任拍賣會後第七日下午四時三十分或之前。保證及／或抵押品。制時，本公司對閣下之責任限於對閣下行使不可強制執行或無效並不影響該合同其餘條何權力所規限下，本公司會於閣下以已結清 7.1.4 就閣下所欠的任何款項（包括買價）及／或合理程度的謹慎，惟本公司無須就因下述原款或有關條款其餘部份的強制執行能力或有款項向本公司及賣家所須支付之所有款項 4.3 於第4.2段所述的期間內，可按競投人通告違約的損害賠償，向閣下採取法律程序； 8.2 第8.1段所述的酌情權﹕ 因對拍賣品或其他人士或物件造成的損害負效性。後，即按照第4段向閣下發放拍賣品；指定的日期及時間到競投人通告所述地址領責﹕ 取拍賣品。其後拍賣品可能遷移至其他地點 7.1.5 就任何應付款項（於頒布判決或命令之前及 8.2.1 可於本公司對拍賣品擁有實際或推定管有權 10.6 銷售合約內凡提述邦瀚斯均指，倘適用，包 1.5.3 本公司會按照第9段所載條款提供擔保。儲存，屆時閣下必須向本公司查詢可在何時之後）收取由應支付款項日期起至實際付款時隨時行使，或倘若該管有權因法院、調解 10.2.1 處理拍賣品，倘若於向閣下出售時拍賣品已括邦瀚斯的高級職員、僱員及代理。何地領取拍賣品，儘管此資料通常會列於競日期止的利息，按渣打銀行人、仲裁人或政府機關的任何裁決、命令或受到蟲蛀，而任何損壞乃由於拍賣品受蟲蛀 1.6 不論於此協議之前或之後或於拍賣會之前或投人通告內。（香港）有限公司不時的基本借貸利率加5 判決而終止，於該管有權終止後隨時行使；所導致；或 10.7 銷售合約內所用標題僅為方便參考而設，概之上，對由本公司或代表本公司或由賣家或厘的年利率每日計息；及不影響合約的詮釋。代表賣家所作出的任何拍賣品的說明或其成 4.4 若閣下未有於競投人通告指定的日期領取拍 10.2.2 大氣壓力改變；交價估計（不論其是以口頭或書面，包括載賣品，則閣下授權本公司作為閣下代理，代 7.1.6 取回並未成為閣下財產的拍賣品（或其任何 8.2.2 除非本公司相信該申索真正有希望成為有良 10.8 銷售合約內「包括」一詞指「包括，但不限於圖錄內或於邦瀚斯的網站上，或以行為作表閣下與儲存承辦商訂立合約（「儲存合部份）管有權，就此而言，閣下謹此授予本好爭辯理據的個案，否則不會行使。本公司亦不就以下負責﹕ 於」。出或其他），或對該等拍賣品的說明或其成約」），條款及條件按邦瀚斯當時與儲存承公司不可撤銷特許，准許本公司或其受僱人交價估計的準確性或完備性，本公司一概不辦商協定（可應要求提供副本）的標準條款或代理於正常營業時間進入閣下所有或任何 9 膺品 10.2.3 弦樂器的損壞；或 10.9 單數詞語包括眾數詞語（反之亦然），任何作出或發出亦無同意作出或發出任何合約允及條件儲存拍賣品。倘拍賣品儲存於本公司物業（不論是否連同汽車），以取得拍賣品一個性別的詞語包括其他性別。諾、承諾、責任、擔保、保證或事實陳述。物業，則須由第4.2段所述期間屆滿起，按（或其任何部份）的管有權； 9.1 本公司根據本第9段的條款就任何膺品承擔 10.2.4 金箔畫架、石膏畫架或畫架玻璃的的損壞；該等說明或成交價估計一概不納入閣下與本本公司目前的每日收費（目前最低為每項拍個人責任。而倘若拍賣品構成或變為有危險，本公司可 10.10 凡提述第某段，即指銷售合約內該編號的段公司訂立的本協議。任何由本公司或代表本賣品每日50港元另加稅項）支付儲存費，該 7.1.7 在給予閣下三個月書面通知，知會閣下本公以其認為適合的方法予以棄置而無須事先通落。公司作出該等說明或成交價估計，均是代賣等儲存費為本公司開支的一部份。司擬出售拍賣品後，以拍賣、私人協約或任 9.2 第9段僅於以下情況適用﹕ 知閣下，而本公司無須就此對閣下負責。家而作出（邦瀚斯作為主事人出售拍賣品除何其他方式按不設底價形式出售拍賣品； 10.11 除第10.12段有明確規定外，銷售合約概無外）。 4.5 於直至閣下已全數支付買價及任何開支為 9.2.1 閣下為本公司就拍賣品發出原有發票的抬頭 10.3 就買家管理層或職工之任何業務、業務利賦予（或表示賦予）非銷售合約訂約方的任止，拍賣品將由本公司作為賣家的代理持 7.1.8 保留由本公司因任何目的（包括，但不限人，而該發票已被支付；及潤或收益或收入上的損失，或業務聲譽受何人士，任何銷售合約條款所賦予的利益或 2 履行銷售合約有，或由儲存承辦商作為賣家及本公司的代於，其他已售予閣下或交予本公司出售的貨損，或業務受干擾或浪費時間，或倘若閣下強制執行該等條款的權利。理按照儲存合約的條款持有。品）而管有的閣下任何其他財產的管有權， 9.2.2 閣下於知悉拍賣品為或可能為膺品後，在合於業務過程中購買拍賣品，就任何種類的間閣下個人向本公司承諾，閣下將遵守及遵從直至所有應付本公司款項已全數支付為止；理地切實可行範圍內盡快，並無論如何須於接損失或相應產生的損害，本公司均無須向 10.12 銷售合約凡賦予賣家豁免、及／或排除或限閣下根據拍賣品銷售合約對賣家的所有責任 4.6 閣下承諾遵守任何儲存合約的條款，尤其是拍賣會後一年內，以書面通知本公司拍賣品閣下承擔任何相關的責任，不論指稱所蒙受制其責任時，邦瀚斯、邦瀚斯的控股公司及及承諾。支付根據任何儲存合約應付的收費（及所有 7.1.9 以本公司因任何目的而收到的閣下款項，無為膺品；及損失或損害的性質、數量或來源，亦不論該該控股公司的附屬公司，邦瀚斯及該等公司搬運拍賣品入倉的費用）。閣下確認並同論該等款項於閣下失責時或其後任何時間收等損失或損害賠償是由於任何疏忽、其他侵的後續公司及承讓公司，以及邦瀚斯及該等 3 付款意，於直至閣下已支付買價、任何開支及所到，用作支付或部份支付閣下於本協議下應 9.2.3 於發出該通知後一個月內，閣下把拍賣品退權法、違反合約、法定責任、受託保管人責公司的任何高級職員、僱員及代理的承繼人有儲存合約下的收費為止，閣下不得從儲存付予本公司的任何款項；回本公司，而拍賣品的狀況須與拍賣會時的任、復還申索或其他而產生或就此而申索。及受讓人亦可享有同樣的法律上的有關利 3.1 除非閣下與本公司另有書面協定或競投人通承辦商的物業領取拍賣品。狀況一樣，並連同證明拍賣品為膺品的書面益。告另有規定外，閣下最遲須於拍賣會後第二 7.1.10 在給予三個月書面通知下，把本公司因任何證明，以及有關拍賣會及拍賣品編號的資料 10.4 在任何情況下，倘若本公司就拍賣品，或任目的（包括其他已售予閣下或交予本公司出

PAGE 13 PAGE 14 4.7 閣下須全面負責領取拍賣品時的包裝、處理售的貨品）而管有的閣下任何其他財產不設以識別該拍賣品。及運輸，以及全面負責遵從與拍賣品有關的底價出售，並把因該等出售所得而應付予閣所有進出口規定。下的任何款項，用於支付或部份支付閣下欠 9.3 於下述情況下，第9段不適用於膺品﹕ 負本公司的任何款項； 4.8 倘閣下未有按照第4.2段提走拍賣品，閣下 9.3.1 圖錄所載有關該拍賣品的資料已反映當時學須全面負責本公司涉及的任何搬運、儲存 7.1.11 於日後拍賣會拒絕為閣下登記，或於日後任者及專家的公認意見，或已公平地指出該等或其他收費（按照本公司的目前收費率）及何拍賣會拒絕閣下出價，或於日後任何拍賣意見有衝突，或已反映公認為有關範疇主要任何開支（包括根據儲存合約的任何收費）會在接受任何出價前要求閣下先支付按金，專家在當時的意見；或。所有此等款項須於本公司要求時由閣下支在該情況下，本公司有權以該按金支付或部付，並無論如何，於閣下或閣下的代表領取份支付（視情況而定）閣下為買家的任何拍 9.3.2 僅可採用於刊印圖錄日期前一般不會採用的拍賣品前必須支付。賣品的買價。方法才能確定拍賣品為膺品，或採用的確定方法在所有情況下本公司若採用則屬不合 5 拍賣品儲存 7.2 就因本公司根據本第7段採取行動而招致的理。所有法律及其他費用、所有損失及其他開支本公司同意把拍賣品儲存，直至閣下提取拍（不論是否已採取法律行動），閣下同意按 9.4 閣下授權本公司在絕對酌情權下決定採取本賣品或直至競投人通告指定的時間及日期（全數彌償基準並連同其利息（於頒布判決或公司認為要讓本公司信納拍賣品並非膺品而或若無指定日期，則為拍賣會後第七日下午命令之前及之後）向本公司作出彌償，利息必需進行的程序及測試。四時三十分之前）為止，以較早日期為準，按第7.1.5段訂明的利率由本公司應支付款並在第6及第10段規限下，作為受託保管人項日期起計至閣下支付該款項的日期止。 9.5 倘本公司信納拍賣品為膺品，本公司會（作而就拍賣品的損壞或損失或毀壞向閣下負責為主事人）向閣下購買該拍賣品，而閣下須（儘管在支付買價前，拍賣品仍未為閣下的 7.3 倘閣下僅支付部份應付予本公司的款項，則按照香港法例第26章貨品售賣條例第14(1) 財物）。若閣下於競投人通告所規定的時間該等付款將首先用於支付該拍賣品的買價（ (a)及14(1)(b)條規定，向本公司轉讓有關拍及日期（或若無指定日期，則為拍賣會後第或若閣下購買多於一項拍賣品，則按比例支賣品的所有權，並附有全面所有權的保證，七日下午四時三十分之前）前仍未領取拍賣付每項拍賣品的買價），然後支付買家費用不得有任何留置權、質押、產權負擔及敵對品，本公司可將拍賣品遷往另一地點，有關（或若閣下購買多於一項拍賣品，則按比例申索，而本公司將向閣下支付相等於閣下就詳情通常會載於競投人通告內。倘若閣下未支付每項拍賣品的買家費用），再然後用以拍賣品已支付的買價、買家費用、稅項及開有按第3段就拍賣品付款，而拍賣品被移送支付應付予本公司的任何其他款項。支總數的款項。至任何第三者物業，則該第三者會嚴格地以邦瀚斯為貨主而持有拍賣品，而本公司將保 7.4 本公司根據本第7段的權利出售任何拍賣品 9.6 第9段的利益為僅屬於閣下個人的利益，閣留拍賣品留置權，直至已按照第3段向本公所收到的款項，於支付應付予本公司及／或下不能將其轉讓。司支付所有款項為止。賣家的所有款項後仍由本公司持有的餘款，將於本公司收到該等款項的二十八日內交還 9.7 倘若閣下出售或以其他方式出售閣下於拍賣 6 對拍賣品的責任閣下。品的權益，則根據本段的所有權利及利益即告終止。 6.1 待閣下向本公司支付買價後，拍賣品的所有 8 其他人士就拍賣品的申索權方會移交閣下。然而，根據銷售合約，拍 9.8 第9段不適用於由或包括一幅或多幅中國賣品的風險則由閣下投得拍賣品之時起由閣 8.1 倘本公司知悉除閣下及賣家外有人就拍賣品畫、一輛或多輛汽車、一個或多個郵票或一下承擔。提出申索（或可合理地預期會提出申索），本或多本書籍構成的拍賣品。本公司有絕對酌情權決定以任何方式處理拍 6.2 閣下應於拍賣會後盡快為拍賣品投買保險。賣品，以確立本公司及其他涉及人士的合法 10 本公司的責任權益及在法律上保障本公司的地位及合法權 7 未能付款或提取拍賣品及部份付款益。在不損害該酌情權的一般性原則下，並 10.1 就本公司或代表本公司或賣家或代表賣家於作為舉例，本公司可﹕ 本協議之前或之後或於拍賣會之前或之上， 7.1 倘若應付予本公司的所有款項未有於其到期所作出（不論是以書面，包括在圖錄或邦瀚支付時全數支付，及／或未有按照本協議提 8.1.1 保留拍賣品以調查就拍賣品提出或本公司合斯的網站上或口頭形式或以行為或其他）任取拍賣品，則本公司可行使以下一項或多項理地預期會提出的任何問題；及／或何拍賣品說明或資料或拍賣品的成交價估權利（在不損害本公司可以代賣家行使的任計，出現不符合或不準確、錯誤、錯誤說明何權利下），而無須另行通知閣下﹕ 8.1.2 向閣下以外的其他人士交付拍賣品；及／或或遺漏，本公司無須就此而承擔任何責任，不論是否為疏忽、其他侵權法、違反合約或 7.1.1 因閣下違反合約而即時終止本協議； 8.1.3 展開互爭權利訴訟或尋求任何法院、調解法定責任或復還或根據香港法例第284章失人、仲裁人或政府機關的任何其他命令；實陳述條例的責任。 7.1.2 保留拍賣品的管有權；及／或 10.2 當拍賣品由閣下承擔風險時及／或當拍賣品 7.1.3 遷移及／或儲存拍賣品，費用由閣下承擔； 8.1.4 就採取閣下同意的行動，要求閣下提供彌償已成為閣下的財產並由本公司保管及／或控保證及／或抵押品。制時，本公司對閣下之責任限於對閣下行使 7.1.4 就閣下所欠的任何款項（包括買價）及／或合理程度的謹慎，惟本公司無須就因下述原違約的損害賠償，向閣下採取法律程序； 8.2 第8.1段所述的酌情權﹕ 因對拍賣品或其他人士或物件造成的損害負責﹕ 7.1.5 就任何應付款項（於頒布判決或命令之前及 8.2.1 可於本公司對拍賣品擁有實際或推定管有權之後）收取由應支付款項日期起至實際付款時隨時行使，或倘若該管有權因法院、調解 10.2.1 處理拍賣品，倘若於向閣下出售時拍賣品已日期止的利息，按渣打銀行人、仲裁人或政府機關的任何裁決、命令或受到蟲蛀，而任何損壞乃由於拍賣品受蟲蛀（香港）有限公司不時的基本借貸利率加5 判決而終止，於該管有權終止後隨時行使；所導致；或厘的年利率每日計息；及 10.2.2 大氣壓力改變； 7.1.6 取回並未成為閣下財產的拍賣品（或其任何 8.2.2 除非本公司相信該申索真正有希望成為有良部份）管有權，就此而言，閣下謹此授予本好爭辯理據的個案，否則不會行使。本公司亦不就以下負責﹕ 公司不可撤銷特許，准許本公司或其受僱人或代理於正常營業時間進入閣下所有或任何 9 膺品 10.2.3 弦樂器的損壞；或物業（不論是否連同汽車），以取得拍賣品（或其任何部份）的管有權； 9.1 本公司根據本第9段的條款就任何膺品承擔 10.2.4 金箔畫架、石膏畫架或畫架玻璃的的損壞；個人責任。而倘若拍賣品構成或變為有危險，本公司可 7.1.7 在給予閣下三個月書面通知，知會閣下本公以其認為適合的方法予以棄置而無須事先通司擬出售拍賣品後，以拍賣、私人協約或任 9.2 第9段僅於以下情況適用﹕ 知閣下，而本公司無須就此對閣下負責。何其他方式按不設底價形式出售拍賣品； 9.2.1 閣下為本公司就拍賣品發出原有發票的抬頭 10.3 就買家管理層或職工之任何業務、業務利 7.1.8 保留由本公司因任何目的（包括，但不限人，而該發票已被支付；及潤或收益或收入上的損失，或業務聲譽受於，其他已售予閣下或交予本公司出售的貨損，或業務受干擾或浪費時間，或倘若閣下品）而管有的閣下任何其他財產的管有權， 9.2.2 閣下於知悉拍賣品為或可能為膺品後，在合於業務過程中購買拍賣品，就任何種類的間直至所有應付本公司款項已全數支付為止；理地切實可行範圍內盡快，並無論如何須於接損失或相應產生的損害，本公司均無須向拍賣會後一年內，以書面通知本公司拍賣品閣下承擔任何相關的責任，不論指稱所蒙受 7.1.9 以本公司因任何目的而收到的閣下款項，無為膺品；及損失或損害的性質、數量或來源，亦不論該論該等款項於閣下失責時或其後任何時間收等損失或損害賠償是由於任何疏忽、其他侵到，用作支付或部份支付閣下於本協議下應 9.2.3 於發出該通知後一個月內，閣下把拍賣品退權法、違反合約、法定責任、受託保管人責付予本公司的任何款項；回本公司，而拍賣品的狀況須與拍賣會時的任、復還申索或其他而產生或就此而申索。狀況一樣，並連同證明拍賣品為膺品的書面 7.1.10 在給予三個月書面通知下，把本公司因任何證明，以及有關拍賣會及拍賣品編號的資料 10.4 在任何情況下，倘若本公司就拍賣品，或任目的（包括其他已售予閣下或交予本公司出

PAGE 14 何就拍賣品的作為、不作為、陳述，或本協 12 規管法律投人提供有關拍賣品狀況的報告。票。 (b) 一項隱含的保證條款︰下列人士不會干擾議或其履行而須對閣下負責，則不論其為損「寄售費」賣家應付予邦瀚斯的費用，按照業務規「標準查驗」由並非專家的邦瀚斯職員對拍賣品進買方安寧地管有貨品─ 害賠償、彌償或責任分擔，或復還補救，或 12.1 法律則訂明的費率計算。行目視查驗。 (i) 賣方；及不論任何形式，本公司的責任將限於支付金「儲存合約」指業務規則第8.3.3段或買家協議第 (ii) 如合約雙方的意向是賣方只轉讓第三者的所額最高不超過拍賣品買價加買家費用（減除本協議下的所有交易以及所有有關事宜，均「合約表格」由賣家或代表賣家簽署的合約表格或 4.4段（按適用）所述的合約。有權，則該第三者；及閣下可能有權向賣家收回的款項）的款項，受香港法例規管並根據其解釋。汽車資料表（按適用），載有供邦瀚斯提供以作銷「儲存承辦商」於圖錄指明的公司。 (iii) 任何透過或藉着賣方或第三者提出申索的不論指稱所蒙受損失或損害賠償或所申索應售的拍賣品清單。「稅項」指香港政府所實施不時適用的所有稅項、人，而該項申索並非根據在合約訂立前已向買付款項的性質、數量或來源，亦不論該等責 12.2 語言「銷售合約」賣家與買家訂立的銷售合約（見圖錄收費、關稅、費用、徵費或其他評稅，以及所有其方披露或已為買方所知的押記或產權負擔而提任是否由於任何疏忽、其他侵權法、違反合內附錄一）。估計付款，包括，但不限於，收入、業務利潤、分出的。約、法定責任、受託保管人責任、復還申索本買家協議以中英文刋載。如就詮譯本買家「合約說明」唯一的拍賣品說明（即圖錄內有關拍行利潤、貨物稅、財產、銷售、使用、增值（增值或其他而產生。協議有任何爭議，以英文條款為本。賣品的資料內以粗體刊載的部份、任何照片（顏色稅）、環保、特許、海關、進口、薪金、轉讓、總除外）以及狀況報告的內容），賣家於銷售合約承收入、預扣、社會保障、失業稅項及印花稅及其他閣下宜購買保險以保障閣下的損失。保障資料 – 閣下資料的用途諾拍賣品與該說明相符。收費，以及就該等稅項、收費、費用、徵費或其他「說明」以任何形式對拍賣品所作的陳述或申述，評稅的任何利息及罰款。 10.5 上文所述不得解釋為排除或限制（不論直接由於本公司提供的服務，本公司取得有關閣下的個包括有關其作者、屬性、狀況、出處、真實性、風「恐怖主義」指任何恐怖主義行為或該等行為的威或間接）任何人士就(i)欺詐，或(ii)因本公司人資料（就本段而言，此詞僅包括閣下的僱員及職格、時期、年代、適合性、品質、來源地、價值及脅，無論任何人單獨行動或代表或與任何組織及／疏忽（或因本公司所控制的任何人士或本公員（如有））。閣下同意本公司以該等資料作下估計售價（包括成交價）。或政府有關而行動，為政治、宗教或思想或類似目司在法律上須代其負責任的任何人士的疏述用途。「資料」圖錄內識別拍賣品及其編號的書面陳述，的，包括，但不限於，企圖影響任何政府或使公眾忽）引致人身傷亡，或(iii)根據香港法例第可能包括有關拍賣品的說明及圖示。或任何部份公眾陷入恐慌。 314章佔用人法律責任條例，本公司須負責本公司可利用閣下的資料向閣下發出有關本公司服「成交價估計」本公司對成交價可能範圍的意見「信託帳戶」邦瀚斯的銀行帳戶，就任何拍賣品所的作為或不作為，或(iv)任何法律上不可排務變動的通知，以及向閣下提供有關產品或服務的的陳述。收買價的所有有關項款均收入該帳戶，該帳戶為與除或限制的其他責任，或(v)本公司根據此資料，而該等資料乃閣下要求本公司提供或本公司「開支」邦瀚斯就拍賣品已付或應付的收費及開邦瀚斯正常銀行帳戶有所區別及獨立的帳戶。等條件第9段的承諾，而須承擔的責任，或認為閣下可能對該等產品及服務感興趣。有關閣下支，包括法律開支、因電匯而產生的銀行收費及開「網站」網址為www.bonhams.com的邦瀚斯網排除或限制任何人士就上述而享有的權利或的資料可能用作分析，以了解閣下在這方面的潛支、保險收費及開支、圖錄及其他製作及說明、任站。補救方法。在喜好。本公司可能向本集團任何成員公司（指本何關稅、宣傳、包裝或運輸費用、轉載權費、稅「撤銷通知」賣家向邦瀚斯發出的書面通知，以撤公司的附屬公司、本公司最終控股公司及其附屬公項、徵費、測試、調查或查詢費用、出售拍賣品的銷由邦瀚斯出售拍賣品的指示。 11 一般事項司，定義見二零零六年英國公司法第1159條及附表預備工作、儲存收費、來自賣家作為賣家代理或來「不設底價」指並無規定拍賣品可予出售的最低價 6，包括海外附屬公司）披露閣下的資料。除此以自失責買家的遷移收費或領取費用，加稅項。格（不論以拍賣或私人協約形式） 11.1 閣下不得轉讓本協議的利益或須承擔的責外，本公司不會向任何第三方披露閣下的資料，惟「膺品」其製作者或其他人士意圖在其作者、屬任。本公司可能不時向閣下提供我們相信閣下可能感興性、來源地、真實性、風格、日期、年代、時期、詞彙趣的第三方貨品及服務的有關資料。本集團任何成出處、文化、來源或成份方面進行欺騙的偽造品，以下詞句有特定法律涵義，而閣下可能對該等涵義 11.2 倘若本公司未能或延遲強制執行或行使任何員公司亦可以閣下的資料作類似用途。而該膺品於拍賣會日期的價值大幅低於其若非偽造並不熟悉。下列詞彙乃為協助閣下了解該等詞句，本協議下的權力或權利，這不得作為或視其的價值。且任何拍賣品說明一概無指明其為偽造。惟無意就此而限制其法律上的涵義：作為本公司放棄根據本協議所賦予的權利，本公司將保留閣下的資料為期五年，由閣下最後與拍賣品不會因其損壞、及／或對其進行修復及／或任何以書面形式給予閣下的明確放棄除外。我們聯繫的日期起計，以便簡化任何日後再辦理登修改（包括重畫或覆畫）而成為膺品，惟該損壞或「藝術家轉售權」﹕按二零零六年藝術家轉售權規任何該等放棄並不影響本公司其後強制執行記時的手續。該等資料可轉移及儲存於香港以外地修復或修改（視情況而定）並無實質影響拍賣品與例的規定，藝術品作者於原出售該作品後，就出售根據本協議所產生任何權利的能力。方，而閣下同意此轉移。拍賣品說明符合的特性。該作品而收取款項的權利。「受託保管人」﹕貨品所交託的人士。 11.3 倘本協議任何一方，因在其合理控制範圍以閣下有權要求不以閣下的資料作此等用途，「保証」在任何膺品上邦瀚斯對買家全力承擔的責「彌償保證」﹕為保證使該彌償保證受益人回復其外的情況下而無法履行該訂約方根據本協議有關要求請聯絡Bonhams 1793 Limited（地任，以及在專門郵票拍賣會及／或專門書藉拍賣會猶如導致須予彌償的情況並無發生時所處狀況的責的責任，或倘在該等情況下履行其責任會導址﹕Montpelier Galleries, Montpelier Street, 當中，根據買家協議內定立，由郵票或書藉組成的任，「彌償」一詞亦按此解釋。致其增加重大財務成本，則該訂約方只要在 London, SW7 1HH, United Kingdom）（就香港拍賣品。「互爭權利訴訟」﹕由法院裁定拍賣品擁有權誰屬該情況仍然持續時，不會被要求履行該等責法例第486章個人資料(私隱)條例而言，為資料的的訴訟。任。本段並不適用於第3段對閣下施加的責使用者）或以電郵聯絡client.services@bonhams. 「成交價」拍賣人落槌表示拍賣品成交的價格，其「投得」﹕拍賣品售予一名競投人之時，於拍賣會任。 com。貨幣為拍賣會所採用的貨幣。上以落槌表示。「香港」中華人民共和國香港特別行政區。「留置權」﹕管有拍賣品的人士保留其管有權的 11.4 本協議下的任何通知或其他通訊，必須以書附錄三「遺失或損壞保證」指業務規則第8.2.1段所述的權利。面形式作出，並可由專人送交或以掛號郵件保證。「風險」﹕拍賣品遺失、損壞、損毀、被竊，或狀或空郵或以傳真方式（如發給邦瀚斯，註明釋義及詞彙「遺失或損壞保證費用」指業務規則第8.2.3段所況或價值惡化的可能性。交公司秘書收），發送至合約表格所示有關述的費用。「所有權」﹕拍賣品擁有權的法律及衡平法上的訂約方的地址或傳真號碼（除非已以書面形倘納入此等釋義及詞彙，下列詞語及用詞具有（除「拍賣品」任何託付予邦瀚斯，供以拍賣或私人協權利。式通知更改地址）。通知或通訊發出人須確文義另有所指外）以下所賦予的涵義。詞彙乃為協約形式出售的任何物品（而凡提述任何拍賣品，均「侵權法」﹕對他人犯下法律上的過失，而犯過者保其清晰可讀並於任何適用期間內收到。助閣下了解有特定法律涵義的詞語及用詞而設，閣包括（除非文義另有所指）作為由兩項或以上物品對該人士負有謹慎責任。下可能對該等涵義並不熟悉。組成的一項拍賣品內的個別項目）。 11.5 倘若本協議的任何條款或任何條款的任何部「汽車圖錄費」作為邦瀚斯製作汽車的圖錄及就出香港法例第26章貨品售賣條例份被裁定為不可強制執行或無效，則該等不釋義售汽車進行推廣而須承擔額外工作的代價，而應由可強制執行或無效並不影響本協議其餘條款「額外費用」按照競投人通告計算的費用，以彌補賣家付予邦瀚斯的費用。以下為香港法例第26章貨品售賣條例的摘錄：或有關條款其餘部份的強制執行能力或有效邦瀚斯須根據二零零六年藝術家轉售權規例支付「New Bond Street」指邦瀚斯位於 101 New Bond 性。版權費的開支，買家須就任何註有[AR]且其成交價 Street, London W1S 1SR的拍賣場。「第14條有關所有權等的隱含責任承擔連同買家費用（但不包括任何增值稅）等於或超過「名義收費」倘拍賣品已按名義價格出售，則為應 11.6 本協議內凡提述邦瀚斯均指，倘適用，包括 1,000歐元（按拍賣會當日的歐洲中央銀行參考匯率付的佣金及稅項。 (1) 除第(2)款適用的售賣合約外，每份售賣合約均邦瀚斯的高級職員、僱員及代理。換算為拍賣會所用貨幣）的拍賣品。「名義費用」賣家應付予邦瀚斯的寄售費所依據的有─ 「拍賣人」主持拍賣會的邦瀚斯代表。金額，該費用按照業務規則訂明的公式計算。 11.7 本協議內所用標題僅為方便參考而設，概不「競投人」已填妥競投表格的人士。「名義價格」本公司向閣下提供或載於圖錄的最近 (a) 一項賣方須符合的隱含條件︰如該合約是一影響本協議的詮釋。「競投表格」本公司的競投人登記表格、缺席者及期高、低估價的平均數，或若並無提供或載列該等宗售賣，他有權售賣有關貨品，如該合約是一電話競投表格。估價，則為拍賣品適用的底價。項售賣協議，則他在貨品產權轉移時，將有權 11.8 本協議內「包括」一詞指「包括，但不限「邦瀚斯」邦瀚斯拍賣有限公司（Bonhams (Hong 「競投人通告」刊印於本公司圖錄前部的通告。售賣該等貨品；及於」。 Kong) Limited）或其後繼公司或承讓公司。於買「買價」成交價與成交價的稅項相加的總數。家協議、業務規則及競投人通告內，邦瀚斯亦稱「底價」拍賣品可予出售的最低價格（不論以拍賣 (b) 一項隱含的保證條款︰該等貨品並無任何 11.9 單數詞語包括眾數詞語（反之亦然），任何為我們。或私人協約形式）。在訂立合約前未向買方披露或未為買方所知的一個性別的詞語包括其他性別。「書籍」於專門書籍拍賣會提供以作銷售的印刷押記或產權負擔，而在產權轉移前亦不會有這書籍。「拍賣會」由邦瀚斯提供以作銷售拍賣品的拍賣樣的押記或產權負擔；此外，買方將安寧地享 11.10 凡提述第某段，即指本協議內該編號的段會。有對該等貨品的管有，但如對該項管有的干擾落。「業務」包括任何行業、業務及專業。「出售所得款項」拍賣品售出後賣家所得的款項淨是由有權享有已向買方披露或已為買方所知的「買家」拍賣人落槌表示由其投得拍賣品的人士。額，即成交價扣除佣金、其任何應繳稅項、開支及任何押記或產權負擔的利益的擁有人或其他有 11.11 除第11.12段有明確規定外，本協議概無賦於銷售合約及買家協議內，買家亦稱為「閣下」。任何其他應付予本公司的款項不論以何身份及如權享有該等利益的人作出的，則不在此限。予（或表示賦予）非本協議訂約方的任何人「買家協議」邦瀚斯與買家訂立的合約（見圖錄內何產生。士，任何本協議條款所賦予的利益或強制執附錄二）。「賣家」合約表格所列明提供拍賣品以作銷售的人 (2) 如售賣合約所顯示或從合約的情況所推定的意行該等條款的權利。「買家費用」以成交價按競投人通告訂明的費率計士。若該列名人士在表格上指明另一人士作為其代向，是賣方只轉讓其本身的所有權或第三者的算的款項。理，或若合約表格所列明人士作為主事人的代理行所有權，則合約中有─ 11.12 本協議凡賦予賣家豁免、及／或排除或限制「圖錄」有關拍賣會的圖錄，包括任何於本公司網事（不論該代理關係是否已向邦瀚斯披露），則 (a) 一項隱含的保證條款︰賣方所知但不為買方邦瀚斯責任時，邦瀚斯的控股公司及該控股站刊載的圖錄陳述。「賣家」包括該代理及主事人，而彼等須就此共同所知的所有押記或產權負擔，在合約訂立前已公司的附屬公司，邦瀚斯及該等公司的後續「佣金」賣家應付予邦瀚斯的佣金，按照合約表格及個別負責。業務規則內亦稱賣家為「閣下」。向買方披露；及公司及承讓公司，以及邦瀚斯及該等公司的訂明的費率計算。「專家查驗」由專家對拍賣品進行目視查驗。任何高級職員、僱員及代理的承繼人及受讓「狀況報告」由邦瀚斯代表賣家向競投人或潛在競「郵票」指於專門郵票拍賣會提供以作銷售的郵人亦可享有同樣的法律上利益。

PAGE 15 PAGE 16 票。 (b) 一項隱含的保證條款︰下列人士不會干擾「標準查驗」由並非專家的邦瀚斯職員對拍賣品進買方安寧地管有貨品─ 行目視查驗。 (i) 賣方；及「儲存合約」指業務規則第8.3.3段或買家協議第 (ii) 如合約雙方的意向是賣方只轉讓第三者的所 4.4段（按適用）所述的合約。有權，則該第三者；及「儲存承辦商」於圖錄指明的公司。 (iii) 任何透過或藉着賣方或第三者提出申索的「稅項」指香港政府所實施不時適用的所有稅項、人，而該項申索並非根據在合約訂立前已向買收費、關稅、費用、徵費或其他評稅，以及所有其方披露或已為買方所知的押記或產權負擔而提估計付款，包括，但不限於，收入、業務利潤、分出的。行利潤、貨物稅、財產、銷售、使用、增值（增值稅）、環保、特許、海關、進口、薪金、轉讓、總收入、預扣、社會保障、失業稅項及印花稅及其他收費，以及就該等稅項、收費、費用、徵費或其他評稅的任何利息及罰款。「恐怖主義」指任何恐怖主義行為或該等行為的威脅，無論任何人單獨行動或代表或與任何組織及／或政府有關而行動，為政治、宗教或思想或類似目的，包括，但不限於，企圖影響任何政府或使公眾或任何部份公眾陷入恐慌。「信託帳戶」邦瀚斯的銀行帳戶，就任何拍賣品所收買價的所有有關項款均收入該帳戶，該帳戶為與邦瀚斯正常銀行帳戶有所區別及獨立的帳戶。「網站」網址為www.bonhams.com的邦瀚斯網站。「撤銷通知」賣家向邦瀚斯發出的書面通知，以撤銷由邦瀚斯出售拍賣品的指示。「不設底價」指並無規定拍賣品可予出售的最低價格（不論以拍賣或私人協約形式）

詞彙以下詞句有特定法律涵義，而閣下可能對該等涵義並不熟悉。下列詞彙乃為協助閣下了解該等詞句，惟無意就此而限制其法律上的涵義：

「藝術家轉售權」﹕按二零零六年藝術家轉售權規例的規定，藝術品作者於原出售該作品後，就出售該作品而收取款項的權利。「受託保管人」﹕貨品所交託的人士。「彌償保證」﹕為保證使該彌償保證受益人回復其猶如導致須予彌償的情況並無發生時所處狀況的責任，「彌償」一詞亦按此解釋。「互爭權利訴訟」﹕由法院裁定拍賣品擁有權誰屬的訴訟。「投得」﹕拍賣品售予一名競投人之時，於拍賣會上以落槌表示。「留置權」﹕管有拍賣品的人士保留其管有權的權利。「風險」﹕拍賣品遺失、損壞、損毀、被竊，或狀況或價值惡化的可能性。「所有權」﹕拍賣品擁有權的法律及衡平法上的權利。「侵權法」﹕對他人犯下法律上的過失，而犯過者對該人士負有謹慎責任。

香港法例第26章貨品售賣條例

以下為香港法例第26章貨品售賣條例的摘錄：

「第14條有關所有權等的隱含責任承擔

(1) 除第(2)款適用的售賣合約外，每份售賣合約均有─

(a) 一項賣方須符合的隱含條件︰如該合約是一宗售賣，他有權售賣有關貨品，如該合約是一項售賣協議，則他在貨品產權轉移時，將有權售賣該等貨品；及

(b) 一項隱含的保證條款︰該等貨品並無任何在訂立合約前未向買方披露或未為買方所知的押記或產權負擔，而在產權轉移前亦不會有這樣的押記或產權負擔；此外，買方將安寧地享有對該等貨品的管有，但如對該項管有的干擾是由有權享有已向買方披露或已為買方所知的任何押記或產權負擔的利益的擁有人或其他有權享有該等利益的人作出的，則不在此限。

(2) 如售賣合約所顯示或從合約的情況所推定的意向，是賣方只轉讓其本身的所有權或第三者的所有權，則合約中有─ (a) 一項隱含的保證條款︰賣方所知但不為買方所知的所有押記或產權負擔，在合約訂立前已向買方披露；及

PAGE 16 To e-mail any of the below use the first name dot second Bonhams Specialist Departments name @bonhams.com eg. [email protected]

19th Century Paintings British & European Furniture & Works of Art Motor Cars Scientific Instruments UK Porcelain & Pottery UK UK Jon Baddeley Charles O’ Brien UK Fergus Lyons Tim Schofield +44 20 7393 3872 +44 20 7468 8360 John Sandon +44 20 7468 8221 +44 20 7468 5804 U.S.A. U.S.A +44 20 7468 8244 U.S.A U.S.A Jonathan Snellenburg Madalina Lazen U.S.A Jeffrey Smith Mark Osborne +1 212 461 6530 +1 212 644 9108 Peter Scott +1 415 503 3413 +1 415 503 3353 +1 415 503 3326 EUROPE Scottish Pictures 20th Century British Art Greek Art Philip Kantor Chris Brickley Matthew Bradbury California & Olympia Pappa +32 476 879 471 +44 131 240 2297 +44 20 7468 8295 American Paintings +44 20 7468 8314 Scot Levitt Automobilia Silver & Gold Boxes Aboriginal Art +1 323 436 5425 Golf Sporting UK UK Francesca Cavazzini Memorabilia Toby Wilson Michael Moorcroft +61 2 8412 2222 Carpets Kevin Mcgimpsey +44 8700 273 619 +44 20 7468 8241 UK +44 1244 353123 U.S.A U.S.A African, Oceanic Mark Dance Kurt Forry Aileen Ward & Pre-Columbian Art +44 8700 27361 Irish Art +1 415 391 4000 +1 800 223 5463 UK U.S.A. Penny Day Philip Keith Hadji Rahimipour +44 20 7468 8366 Motorcycles South African Art +44 2920 727 980 +1 415 503 3392 Ben Walker Giles Peppiatt U.S.A Impressionist & +44 8700 273616 +44 20 7468 8355 Fredric Backlar Chinese & Asian Art Modern Art Automobilia +1 323 436 5416 UK UK Adrian Pipiros Sporting Guns Asaph Hyman India Phillips +44 8700 273621 Patrick Hawes American Paintings +44 20 7468 5888 +44 20 7468 8328 +44 20 7393 3815 Alan Fausel U.S.A U.S.A Musical Instruments +1 212 644 9039 Dessa Goddard Tanya Wells Philip Scott Toys & Dolls +1 415 503 3333 +1 917 206 1685 +44 20 7393 3855 Leigh Gotch Antiquities HONG KONG +44 20 8963 2839 Madeleine Perridge +852 3607 0010 Islamic & Indian Art Native American Art +44 20 7468 8226 AUSTRALIA Claire Penhallurick Jim Haas Travel Pictures Yvett Klein +44 20 7468 8249 +1 415 503 3294 Veronique Scorer Antique Arms & Armour +61 2 8412 2222 +44 20 7393 3962 UK Japanese Art Natural History David Williams Clocks UK U.S.A Urban Art +44 20 7393 3807 UK Suzannah Yip Claudia Florian Gareth Williams U.S.A James Stratton +44 20 7468 8368 +1 323 436 5437 +44 20 7468 5879 Paul Carella +44 20 7468 8364 U.S.A +1 415 503 3360 U.S.A Jeff Olson Old Master Pictures Watches & Jonathan Snellenburg +1 212 461 6516 UK Wristwatches Art Collections, +1 212 461 6530 Andrew Mckenzie UK Estates & Valuations Jewellery +44 20 7468 8261 +44 20 7447 7412 Harvey Cammell Coins & Medals UK U.S.A U.S.A. +44 (0) 20 7468 8340 UK Jean Ghika Mark Fisher Jonathan Snellenburg John Millensted +44 20 7468 8282 +1 323 436 5488 +1 212 461 6530 Art Nouveau & Decorative +44 20 7393 3914 U.S.A HONG KONG Art & Design U.S.A Susan Abeles Orientalist Art Nick Biebuyck UK Paul Song +1 212 461 6525 Charles O’Brien +852 2918 4321 Mark Oliver +1 323 436 5455 AUSTRALIA +44 20 7468 8360 +44 20 7393 3856 Anellie Manolas Whisky U.S.A Contemporary Art +61 2 8412 2222 Photography UK Frank Maraschiello UK HONG KONG U.S.A Martin Green +1 212 644 9059 Ralph Taylor Graeme Thompson Judith Eurich +44 1292 520000 +44 20 7447 7403 +852 3607 0006 +1 415 503 3259 U.S.A Australian Art U.S.A Joseph Hyman Merryn Schriever Jeremy Goldsmith Marine Art Portrait Miniatures +1 917 206 1661 +61 2 8412 2222 +1 917 206 1656 UK UK HONG KONG Alex Clark Veronique Scorer +44 20 7393 3986 Daniel Lam +61 3 8640 4088 Costume & Textiles +44 20 7393 3962 +852 3607 0004 Claire Browne U.S.A Prints and Multiples Australian Colonial +44 1564 732969 Gregg Dietrich UK Wine Furniture and Australiana +1 917 206 1697 Rupert Worrall UK +1 415 861 7500 Entertainment +44 20 7468 8262 Richard Harvey Memorabilia Mechanical Music U.S.A +44 (0) 20 7468 5811 Books, Maps & UK Jon Baddeley Judith Eurich U.S.A Manuscripts +44 20 7393 3844 +44 20 7393 3872 +1 415 503 3259 Doug Davidson UK U.S.A +1 415 503 3363 Matthew Haley Catherine Williamson Modern, Contemporary Russian Art HONG KONG +44 20 7393 3817 +1 323 436 5442 & Latin American Art UK Daniel Lam U.S.A U.S.A Sophie Law +852 3607 0004 Christina Geiger Alexis Chompaisal +44 20 7468 8334 +1 212 644 9094 +1 323 436 5469 U.S.A Yelena Harbick British & European Glass Modern Design +1 212 644 9136 UK Gareth Williams Simon Cottle +44 20 7468 5879 +44 20 7468 8383 U.S.A. Suzy Pai +1 415 503 3343

SD10/2/15 International Salerooms, Offices and Associated Companies( • Indicates Saleroom)

UNITED KINGDOM Representatives: Scotland The Netherlands Representatives: ASIA Dorset De Lairessestraat 154 Arizona London Bill Allan Edinburgh • 1075 HL Amsterdam Terri Adrian-Hardy Hong Kong • 101 New Bond Street • +44 1935 815 271 22 Queen Street +31 (0) 20 67 09 701 +1 (480) 994 5362 Suite 2001 London W1S 1SR Edinburgh [email protected] One Pacific Place +44 20 7447 7447 East Anglia EH2 1JX California 88 Queensway +44 20 7447 7400 fax +44 131 225 2266 Portugal Central Valley Admiralty Bury St. Edmunds +44 131 220 2547 fax Rua Bartolomeu Dias nº David Daniel Hong Kong Montpelier Street • 21 Churchgate Street 160. 1º +1 (916) 364 1645 +852 2918 4321 London SW7 1HH Bury St Edmunds Glasgow Belem +852 2918 4320 fax +44 20 7393 3900 Suffolk IP33 1RG 176 St. Vincent Street, 1400-031 Lisbon Southern California [email protected] Christine Eisenberg +44 20 7393 3905 fax +44 1284 716 190 Glasgow +351 (0) 91 921 4778 +44 1284 755 844 fax G2 5SG [email protected] +1 (949) 646 6560 Beijing Hongyu Yu South East +44 141 223 8866 Colorado Suite 511 England Norfolk +44 141 223 8868 fax Russia – Moscow Julie Segraves Chang An Club The Market Place Anastasia Vinokurova +1 (720) 355 3737 10 East Chang An Avenue Brighton & Hove Reepham Representatives: +7 964 562 3845 19 Palmeira Square Norfolk NR10 4JJ Wine & Spirits [email protected] Florida Beijing 100006 Hove, East Sussex +44 1603 871 443 Tom Gilbey Palm Beach +86(0) 10 6528 0922 BN3 2JN +44 1603 872 973 fax +44 1382 330 256 Russia - St. Petersburg +1 (561) 651 7876 +86(0) 10 6528 0933 fax +44 1273 220 000 Marina Jacobson Miami [email protected] +44 1273 220 335 fax Midlands Wales +7 921 555 2302 +1 (305) 228 6600 [email protected] Ft. 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G-NET22/4/15 Registration and Bidding Form (Attendee / Absentee / Online / Telephone Bidding) Please circle your bidding method above.

Sale title: Fine Chinese Art Sale date: 4 June 2015

Sale no. 22882 Sale venue: Hong Kong Paddle number (for office use only) If you are not attending the sale in person, please provide details of the Lots on which you wish to bid at least 24 hours prior to the sale. Bids will be rounded down to the nearest increment. Please refer to the Notice to Bidders in the catalogue This sale will be conducted in accordance with for further information relating to Bonhams executing telephone, online or absentee bids on your behalf. Bonhams will Bonhams’ Conditions of Sale and bidding and buying endeavour to execute these bids on your behalf but will not be liable for any errors or failing to execute bids. at the Sale will be regulated by these Conditions. You should read the Conditions in conjunction with General Bid Increments HK$: the Sale Information relating to this Sale which sets $10,000 - 20,000...... by 1,000s $200,000 - 500,000...... by 20,000 / 50,000 / 80,000s out the charges payable by you on the purchases $20,000 - 50,000...... by 2,000 / 5,000 / 8,000s $500,000 - 1,000,000...... by 50,000s you make and other terms relating to bidding and $50,000 - 100,000...... by 5,000s $1,000,000 - 2,000,000...... by 100,000s buying at the Sale. You should ask any questions you $100,000 - 200,000...... by 10,000s above $2,000,000...... at the auctioneer’s discretion have about the Conditions before signing this form. These Conditions also contain certain undertakings The auctioneer has discretion to split any bid at any time. by bidders and buyers and limit Bonhams’ liability to bidders and buyers.

Data protection – use of your information Customer Number Title Where we obtain any personal information about you, we shall only use it in accordance with the terms of our First Name Last Name Privacy Policy (subject to any additional specific consent(s) you may have given at the time your information was Company name (to be invoiced if applicable) disclosed). A copy of our Privacy Policy can be found on our website (www.bonhams.com) or requested by post Address from Customer Services Department, Suite 2001, One Pacific Place, 88 Queensway, Hong Kong or by e-mail from [email protected]. City County / State Credit and Debit Card Payments There is no surcharge for payments made by debit cards issued by Post / Zip code Country a Hong Kong bank. All other debit cards, CUP cards and all credit cards are subject to a 2% surcharge on the total invoice price. Telephone mobile Telephone daytime Telephone evening Fax Notice to Bidders. Clients are requested to provide photographic proof of Preferred number(s) in order for Telephone Bidding (inc. country code) ID - passport, driving licence, ID card, together with proof of address - utility bill, bank or credit card statement etc. Corporate clients should also provide a copy of their articles of association / company registration documents, E-mail (in capitals) together with a letter authorising the individual to bid on the company’s behalf. Failure to provide this may result in By providing your email address above, you authorise Bonhams to send to this address information relating to Sales, marketing material and news your bids not being processed. For higher value lots you concerning Bonhams. Bonhams does not sell or trade email addresses. may also be asked to provide a bank reference. I am registering to bid as a private buyer I am registering to bid as a trade buyer If successful Please note that all telephone calls are recorded. Please tick if you have registered with us before I will collect the purchases myself Important Please contact me with a shipping quote When registering, the Bidder accepts personal liability for his/her purchase payment, unless it has been previously agreed in writing (if applicable) with Bonhams, that a Bidder is acting as an agent for a third party. Any person placing a bid as agent on behalf of another (whether or not he has disclosed this fact or the identity of his principal) will be jointly and severally liable with the principal to the Seller and * Any person, bidders and purchasers must be at least 18 to Bonhams under any contract resulting from the acceptance of a bid. By signing this form you agree to be bound by the Notice to years of age to participate in the Sale of Lots comprising Bidders printed in this Catalogue. You also authorise Bonhams to pursue a financial reference from your bank. Finally, Bonhams may wine, spirits and liquors. request that you provide proof of identity and permanent address for verification and client administration purposes.

Telephone or MAX bid in HK$ Lot no. Brief description Covering bid* Absentee (T / A) (excluding premium)

BY SIGNING THIS FORM YOU AGREE THAT YOU HAVE SEEN THE CATALOGUE AND HAVE READ AND UNDERSTOOD OUR CONDITIONS OF SALE AND WISH TO BE BOUND BY THEM, AND AGREE TO PAY THE BUYER’S PREMIUM, TAX AND ANY OTHER CHARGES MENTIONED IN THE NOTICE TO BIDDERS. THIS AFFECTS YOUR LEGAL RIGHTS.

Your signature: Date:

* Covering Bid: A maximum bid (exclusive of Buyers Premium) to be executed by Bonhams only if we are unable to contact you by telephone, or should the connection be lost during bidding. NB. Payment will only be accepted from an account in the same name as shown on the invoice and Auction Registration form. Please email or fax the completed Auction Registration form and requested information to: Bonhams, Customer Services, Suite 2001, One Pacific Place, 88 Queensway, Hong Kong. Tel: +852 2918 4321 Fax: +852 2918 4320, [email protected] Bonhams (Hong Kong) Limited. Suite 2001, One Pacific Place, 88 Queensway, Hong Kong. Company Number 1426522. HK/06/14 : :

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: $10,000 - 20,000...... by 1,000s $200,000 - 500,000...... by 20,000 / 50,000 / 80,000s $20,000 - 50,000...... by 2,000 / 5,000 / 8,000s $500,000 - 1,000,000...... by 50,000s $50,000 - 100,000...... by 5,000s $1,000,000 - 2,000,000...... by 100,000s $100,000 - 200,000...... by 10,000s $2,000,000 ………....

在本公司獲得任何有關閣下的個人資料時, 本公司只會根據本公司的「私隠政策」條款使用閣下的資料 (以閣下披露資料時給予本公司的任何額外特定同意為準)｡閣下可透過本公司網站 (www.bonhams.com)﹑ 郵寄香港金鐘太古廣場一期2001室客戶服務部或電郵至hongkong@ bonhams.com索取「私隠政策」的副本｡

閣下倘若提供以上電郵地址，代表授權邦瀚斯可把跟拍賣會、市場資料與消息相關的信息發送至此電郵地址。邦瀚斯不會售賣或與第三方交換此等電郵地址資料。

閣下簽署此表格, 則代表閣下已閱讀圖錄, 亦已細閱並理解我們的「業務規定」, 並願意受其約束, 及同意繳付「競投人通告」內提及的「買家費用」、增值稅及其他收費。這影響閣下的法律權利。

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: 香港金鐘太古廣場一期2001室客戶服務部電話: +852 2918 4321 傳真: +852 2918 4320, [email protected] 香港金鐘太古廣場一期2001室Bonhams (Hong Kong) Limited.公司編號1426522 HK/09V1/12 27 Detail

FINE CHINESE CERAMICS Bonhams AND WORKS OF ART Suite 2001 Thursday 4 June 2015 One Pacific Place 88 Queensway, Admiralty Hong Kong

+852 2918 4321 +852 2918 4320 fax FINE CHINESE CERAMICS AND WORKS OF ART Ӏ

Hong Kong Ӏ Thursday 4 June 2015 22882

International Auctioneers and Valuers – bonhams.com