On the Etymology of He 'River' in Chinese
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Official Colours of Chinese Regimes: a Panchronic Philological Study with Historical Accounts of China
TRAMES, 2012, 16(66/61), 3, 237–285 OFFICIAL COLOURS OF CHINESE REGIMES: A PANCHRONIC PHILOLOGICAL STUDY WITH HISTORICAL ACCOUNTS OF CHINA Jingyi Gao Institute of the Estonian Language, University of Tartu, and Tallinn University Abstract. The paper reports a panchronic philological study on the official colours of Chinese regimes. The historical accounts of the Chinese regimes are introduced. The official colours are summarised with philological references of archaic texts. Remarkably, it has been suggested that the official colours of the most ancient regimes should be the three primitive colours: (1) white-yellow, (2) black-grue yellow, and (3) red-yellow, instead of the simple colours. There were inconsistent historical records on the official colours of the most ancient regimes because the composite colour categories had been split. It has solved the historical problem with the linguistic theory of composite colour categories. Besides, it is concluded how the official colours were determined: At first, the official colour might be naturally determined according to the substance of the ruling population. There might be three groups of people in the Far East. (1) The developed hunter gatherers with livestock preferred the white-yellow colour of milk. (2) The farmers preferred the red-yellow colour of sun and fire. (3) The herders preferred the black-grue-yellow colour of water bodies. Later, after the Han-Chinese consolidation, the official colour could be politically determined according to the main property of the five elements in Sino-metaphysics. The red colour has been predominate in China for many reasons. Keywords: colour symbolism, official colours, national colours, five elements, philology, Chinese history, Chinese language, etymology, basic colour terms DOI: 10.3176/tr.2012.3.03 1. -
Tao Te Ching [1] and the Founder of 老子 Philosophical Taoism, but He Is Also Revered As a Deity in Religious Taoism and Traditional Chinese Religions
老子天使 לאו דזה 老子 ﻻو تسي Λάου-Τζε Laozi - Wikipedia, the free encyclopedia https://en.wikipedia.org/wiki/Lao_Tzu Laozi From Wikipedia, the free encyclopedia (Redirected from Lao Tzu) Laozi (also Lao-Tzu, Lao-Tsu , or Lao-Tze ) was a philosopher and poet of ancient China. He is best known as Laozi the reputed author of the Tao Te Ching [1] and the founder of 老子 philosophical Taoism, but he is also revered as a deity in religious Taoism and traditional Chinese religions. Although a legendary figure, he is usually dated to around the 6th century BC and reckoned a contemporary of Confucius, but some historians contend that he actually lived during the Warring States period of the 5th or 4th century BC. [2] A central figure in Chinese culture, Laozi is claimed by both the emperors of the Tang dynasty and modern people of the Li surname as a founder of their lineage. Throughout history, Laozi's work has been embraced by various anti-authoritarian movements. [3] Contents 1 Names 2 Historical views Laozi, depicted as Daode Tianzun 3 Tao Te Ching Born Zhou Dynasty 3.1 Taoism Died Zhou Dynasty 4 Influence 4.1 Eremitism Era Ancient philosophy 4.2 Politics Region Chinese philosophy 5 References School Taoism 5.1 Footnotes Notable ideas Wu wei 5.2 Bibliography Influenced 6 Further reading 7 External links Names [4] In traditional accounts, Laozi's personal name is usually given as Li Er (李耳, Old *Rəʔ N əʔ, Mod. Lǐ Ěr) and [4] his courtesy name as Boyang (trad. 伯陽, simp. -
The Plural Forms of Personal Pronouns in Modern Chinese Baoying Qiu University of Massachusetts Amherst
University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses 1911 - February 2014 2013 The plural forms of personal pronouns in Modern Chinese Baoying Qiu University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/theses Part of the Chinese Studies Commons Qiu, Baoying, "The lurp al forms of personal pronouns in Modern Chinese" (2013). Masters Theses 1911 - February 2014. 1150. Retrieved from https://scholarworks.umass.edu/theses/1150 This thesis is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses 1911 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. THE PLURAL FORMS OF PERSONAL PRONOUNS IN MODERN CHINESE A Dissertation Presented By BAOYING QIU Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment Of the requirements for the degree of MASTER OF ARTS September 2013 Department of Languages, Literatures & Cultures Asian Languages & Literatures © Copyright by Baoying Qiu 2013 All Rights Reserved The Plural Forms of Personal Pronouns in Modern Chinese A Dissertation Presented By BAOYING QIU Approved as to style and content by: _________________________________ Zhongwei Shen, Chair __________________________________ David K. Schneider, Member __________________________________ Elena Suet-Ying Chiu, Member _________________________________ Amanda C. Seaman, Director Asian -
Social Studies Enrichment Packet Plouffe Academy Ancient China
Social Studies Enrichment Packet Plouffe Academy Ancient China 1 Adapted from Learning Outcomes Language Objectives – The student will… use past tense verbs in English correctly to describe the historic events and impact of the ancient Chinese dynasties. use descriptive adjectives, including those to describe color, age, size and distance to describe the geography, innovations and trade of ancient China. Content Objectives – use specific examples to describe in English how the physical geography of China presented ancient people with challenges. identify at least three ways that the geography of China influenced the way ancient people lived explain the major beliefs of Confucianism, Taoism and Legalism, founders, and influence on ancient Chinese government. name at least two major accomplishments of each of the Shang, Zhou, Qin, and Han dynasties. identify the purpose of the Silk Road and describe how cultural diffusion took place because of its existence. analyze why the Great Wall of China was built and if was it necessary? Key Vocabulary Terms: dynasty warlord aristocracy periphery bureaucracy plateau emperor nomad Confucianism terrain Taoism mandate Terracotta Army Ying and Yang Legalism Sentry Great Wall permeated basin 2 Adapted from Exploring the Geography of Ancient China Today, China is the third-largest country in the world. Third in land size to only Russia and Canada, China has close to four million square miles of land. To its north, China is bordered by Mongolia and Russia. Kazakhstan and Krygzstan share China’s western border, and its southern neighbors include India, Nepal, Burma, and Vietnam. In 1990, China’s population hovered slightly over 1 billion people, but by the year 2025, China is expected to have over 1.5 billion. -
Images of the Immortal : the Cult of Lu Dongbin At
IMAGES OF THE IMMORTAL IMAGES OF THE THE CULT OF LÜ DONGBIN AT THE PALACE OF ETERNAL JOY IMMORTAL Paul R. Katz University of Hawai‘i Press Honolulu © 1999 University of Hawai‘i Press All rights reserved Printed in the United States of America 040302010099 54321 Library of Congress Cataloging-in-Publication Data Katz, Paul R., 1961– Images of the immortal: the cult of Lü Dongbin at the Palace of Eternal Joy/Paul R. Katz. p. cm. Includes bibliographical references and index. ISBN 0–8248–2170–X (alk. paper) 1. Yung-le kung (Temple; Jui-ch’eng, China) 2. Lü, Tung- pin, b. 798. 3. Taoism. I. Title. II. Title: Cult of Lü Dongbin at the Palace of Eternal Joy. BL1941.5.J84K37 1999 99–31640 299’.51—dc21 CIP University of Hawai‘i Press books are printed on acid-free paper and meet the guidelines for permanence and durability of the Council on Library Resources. Designed by Jeanne Calabrese Printed by The Maple Vail Manufacturing Group To Shufen, Emily, and Philip Contents Preface ix Notes on Citation and Transliteration xiii Periods of Chinese History xv Abbreviations xvi Introduction 1 Chapter 1 The Site—the Palace of Eternal Joy 24 Chapter 2 The Cult—the Immortal Lü Dongbin 52 Chapter 3 Text 1—Temple Inscriptions 94 Chapter 4 Text 2—the Murals 131 Chapter 5 Reception and Reinterpretation 177 Conclusion 195 Appendix A Stele Inscriptions at the Palace of Eternal Joy 203 Appendix B Hagiographic Murals in the Hall of Purified Yang 211 Notes 225 Glossary 247 Bibliography 257 Index 299 vii Preface hortly after completing the rough draft of this book, I received the summerS 1997 issue of the Asian Studies Newsletter (vol. -
The Forest of Laughs (Xiaolin)
Dottorato di ricerca in Lingue, Culture e Società Scuola di Dottorato in Lingue, Culture e Società 23° ciclo (A. A. 2007/2008 –A. A. 2009/2010) The Forest of Laughs ( Xiaolin ) Mapping the offspring of self-aware literature in ancient China SETTORE SCIENTIFICO DISCIPLINARE DI AFFERENZA : L-OR/21 Tesi di dottorato di Giulia Baccini , 955493 Direttore della Scuola di dottorato Tutori del dottorando Prof. Rosella Mamoli Zorzi Prof. Tiziana Lippiello Prof. Olga Lomová 1 Table of Contents Acknowledgements ……………………………………………………………. .4 Introduction ……………………………………………………………………...5 Chapter 1—The Xiaolin as a paiyou xiaoshuo …………………………10 1.1. Paiyou , the jester ………………………………………………………….12 1. 1. 2. The “Guji liezhuan” chapter, biographies about the jesters?...............14 1. 1. 3. Zhuangzi ’s zhiyan , jester-like words…………………………………25 1. 2. Western Han times—the poet as a jester ……………………………….32 1. 2. 1. Mei Gao………………………………………………………………35 1. 2. 2. Dongfang Shuo……………………………………………………….38 1. 3. Eastern Han times, the institution of Hongdu Gate Academy …………49 1. 4. The end of Han dynasty, beginning of Wei ………………………………57 1. 5. Conclusion ………………………………………………………………….62 Chapter 2—To Understand a story, to understand a text ………………63 2. 1. A man of Chu got a pheasant: Narrative variation and motifs’ adaptation in ancient anecdotal lore — a case of study ……………………………………66 2. 1. 1. The Hanshi waizhuan : The envoy of Qi looses a swan goose………...68 2. 1. 2. The Shuiyuan : Wu Ze of Wei loses a swan goose…………………….72 2. 1. 3. The Lu Lianzi : Zhan Wusuo of Qi loses a swan goose………………..76 2. 1. 4. The Shiji : Chunyu Kun of Qi loses a swan goose……………………..80 2. -
Fine Chinese Ceramics and Works of Art Ӏ
FINE CHINESE CERAMICS Bonhams AND WORKS OF ART Suite 2001 Thursday 4 June 2015 One Pacific Place 88 Queensway, Admiralty Hong Kong +852 2918 4321 +852 2918 4320 fax FINE CHINESE CERAMICS AND WORKS OF ART FINE CHINESE CERAMICS AND WORKS OF ART Ӏ Hong Kong Ӏ Thursday 4 June 2015 22882 International Auctioneers and Valuers – bonhams.com 21 Detail 21 Detail INTERNATIONAL CHINESE CERAMICS AND WORKS OF ART TEAM Colin Sheaf Dessa Goddard Asaph Hyman ASIA AND AUSTRALIA Xibo Wang Gigi Yu John Chong Shaune Kong Susie Quek Yvett Klein Hong Kong Hong Kong Hong Kong Beijing Singapore Sydney EUROPE Sing Yan Choy Maria Baskhanova James Hammond Rachel Hyman Rosangela Assennato Ben Law Smith Ian Glennie Asha Edwards London, London, London, London, London, London, Edinburgh Edinburgh New Bond Street New Bond Street Knightsbridge Knightsbridge Knightsbridge Knightsbridge USA Bruce MacLaren Olivia Hamilton Nicholas Rice Edward Wilkinson* Mark Rasmussen* New York New York New York New York New York Henry Kleinhenz Daniel Herskee Andrew Lick Ling Shang Tiffany Chao San Francisco San Francisco San Francisco San Francisco Los Angeles ASIA REPRESENTATIVES Hongyu Yu Summer Fang Bernadette Rankine Akiko Tsuchida Beijing Taipei Singapore Tokyo * Indian, Himalayan & Southeast Asian Art FINE CHINESE CERAMICS AND WORKS OF ART Thursday 4 June 2015 at 10.30am Bonhams Hong Kong Gallery Suite 2001, One Pacific Place, Admiralty Hong Kong ENQUIRIES VIEWING 新加坡 SINGAPORE CUSTOMER SERVICES 8-9 May 2015 Monday to Friday 9am - 5.30pm HONG KONG 香港 HONG KONG +852 2918 4321 Xibo -
An Analytical Study of Laozi's Biography in Shiji by Tianyu Fan BA in Chinese, May 2017
“Seize the dragon's tail” - An Analytical Study of Laozi’s biography in Shiji by Tianyu Fan B.A. in Chinese, May 2017, Hebei University A Thesis submitted to The Faculty of The Columbian College of Arts and Sciences of The George Washington University in partial fulfillment of the requirements for the degree of Master of Arts May 19, 2019 Thesis directed by Jonathan Chaves Professor of Chinese © Copyright 2019 by Tianyu Fan All rights reserved Table of Contents Chapter 1: Introduction …………………………………………………………………...1 \ Chapter 2: Literature Review and the Background………………………………………7 Chapter 3: Theoretical interpretation and the creative principle of Shiji………………14 Chapter 4: Textual Analysis of the biography of Laozi in Shiji…………………………29 Chapter 5: The Analysis of contradictions…………………………………………….42 Chapter 6: Conclusion………………………………………………………………….52 Bibliography …………………………………………………………………………….56 Chapter 1: Introduction Scholarly attention to the biography of Laozi in Shiji began, mainly, in a series of debates on Laozi 老子 and the Dao de Jing 道德经 conducted by Doubting Antiquity School (Gushi bian 古史辨派) scholars start in the 1920s. The Gushi bian school was raised during the New Culture Movement of China, inspired by the thought of “sorting out Chinese classics” proposed by Hu Shi 胡适. The school gradually developed academic characteristics such as “doubting Antiquity and distinguishing the forgeries”. With this guiding ideology and the historical research method (a combination of Chinese and Western methodology)1, they questioned the inherent understanding of ancient Chinese history. Among these questions, the question of Laozi’s existence is probably the greatest and most influential. As one of the most important philosophical schools in ancient China, Taoism has continuously had a significant impact on Chinese society. -
Historical Truth, Historical Criticism and Ideology Leiden Series in Comparative Historiography
HISTORICAL TRUTH, HISTORICAL CRITICISM AND IDEOLOGY LEIDEN SERIES IN COMPARATIVE HISTORIOGRAPHY Editors AXEL SCHNEIDER SUSANNE WEIGELIN-SCHWIEDRZIK VOLUME 1 HISTORICAL TRUTH HISTORICAL CRITICISM AND IDEOLOGY Chinese Historiography and Historical Culture from a New Comparative Perspective EDITED BY HELWIG SCHMIDT-GLINTZER, ACHIM MITTAG AND JÖRN RÜSEN BRILL LEIDEN • BOSTON 2005 This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data A C.I.P. record for this book is available from the Library of Congress. ISSN 1574-4493 ISBN 90 04 14237 1 © Copyright 2005 by Koninklijke Brill NV, Leiden, The Netherlands Koninklijke Brill NV incorporates the imprints Brill Academic Publishers, Martinus Nijhoff Publishers and VSP. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Authorization to photocopy items for internal or personal use is granted by Brill provided that the appropriate fees are paid directly to The Copyright Clearance Center, 222 Rosewood Drive, Suite 910 Danvers, MA 01923, USA. Fees are subject to change. printed in the netherlands Dedicated to the Memory of Michael Quirin (1954 – 2004) CONTENTS Preface ........................................................................................ xi Helwig Schmidt-Glintzer List of Contributors ................................................................... -
會稽: Guaiji? Guiji? Huiji? Kuaiji? Some Remarks on an Ancient Chinese Place-Name
SINO-PLATONIC PAPERS Number 234 March, 2013 會稽: Guaiji? Guiji? Huiji? Kuaiji? Some Remarks on an Ancient Chinese Place-Name by James M. Hargett Victor H. Mair, Editor Sino-Platonic Papers Department of East Asian Languages and Civilizations University of Pennsylvania Philadelphia, PA 19104-6305 USA [email protected] www.sino-platonic.org SINO-PLATONIC PAPERS FOUNDED 1986 Editor-in-Chief VICTOR H. MAIR Associate Editors PAULA ROBERTS MARK SWOFFORD ISSN 2157-9679 (print) 2157-9687 (online) SINO-PLATONIC PAPERS is an occasional series dedicated to making available to specialists and the interested public the results of research that, because of its unconventional or controversial nature, might otherwise go unpublished. The editor-in-chief actively encourages younger, not yet well established, scholars and independent authors to submit manuscripts for consideration. Contributions in any of the major scholarly languages of the world, including romanized modern standard Mandarin (MSM) and Japanese, are acceptable. In special circumstances, papers written in one of the Sinitic topolects (fangyan) may be considered for publication. Although the chief focus of Sino-Platonic Papers is on the intercultural relations of China with other peoples, challenging and creative studies on a wide variety of philological subjects will be entertained. This series is not the place for safe, sober, and stodgy presentations. Sino- Platonic Papers prefers lively work that, while taking reasonable risks to advance the field, capitalizes on brilliant new insights into the development of civilization. Submissions are regularly sent out to be refereed, and extensive editorial suggestions for revision may be offered. Sino-Platonic Papers emphasizes substance over form. -
Translating China
TRANSLATING CHINA Volume 2, Number 1, January, 2016 ISSN: 2203 - 8450 Huineng: The Sixth Patriarch of Zen Buddhism The Potala Palace: The Pearl of Tibet Xu Zhimo: A Romantic Chinese Poet Philosophers in Chinese History The Yungang Grottoes SCORESBY VIC AUSTRALIA ISSN 2203-8450 CONTENTS 01 The Potala Palace: The Pearl of Tibet / Lu Xuefei 06 Harbin: An Ice and Snow World /Liu Hetian 09 The Naadam Festival: A Cultural Feast of the Brave /Wang Yan 12 San Zi Jing /Zhu Yingping & Li Yanhong 18 A Glance of the Cross-stitch /Zhang Yaya 23 The Hangu Pass: An Ancient Fortress of Charm /Geng Wenwen 27 The Ordinary World: A Masterpiece of Lu Yao / Zhu Yingping 31 An Introduction to the Cover Page Painting 32 The Tradition of Wanghuo in Shanxi Province /Li Junxia 34 Xu Zhimo: A Romantic Chinese Poet /Hu Jie 40 Peonies in Heze /Li Qian 43 The Beauty of China’s Stone Forest /Li Yarong 46 Sun Tzu’s The Art of War /Li Yanhong 48 Handan: Home to Idioms / Zhu Weiliang 50 China in the Eyes of an American: An Introduction to How Was China / Dodie Johnston 52 The Yungang Grottoes / Xu Shuyi 58 Huineng: The Sixth Patriarch of Zen Buddhism / Wang Quanzhi 61 Philosophers in Chinese History /Madelein Gonzalez 64 The Brilliant and Profound Chinese Characters: A Walk into the National Museum of Chinese Characters /Zhang Lu 67 Shiji: The Enduring Legacy of Ancient Chinese Dynasties / Liu Xinmiao 69 Laosicheng: A World Cultural Heritage in West Hunan Province /Wu Haohao 77 The Speech at the 2nd Meeting of the International Network for UNESCO Online Silk Road Platform /Wang Qiang The Potala Palace: The Pearl of Tibet The Potala Palace: The Pearl of Tibet As the roof of the world, the Potala Palace The roofs of five palaces, decorated with gold commonly known as “the second Mountain and copper tiles, are the essence of Tibet art.