Deployed Soldiers and Social Science Academics (Part 2 of 5)
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The Three Phases of Arendt's Theory of Totalitarianism*
The Three Phases of Arendt's Theory of Totalitarianism* X~1ANNAH Arendt's The Origins of Totalitarianism, first published in 1951, is a bewilderingly wide-ranging work, a book about much more than just totalitarianism and its immediate origins.' In fact, it is not really about those immediate origins at all. The book's peculiar organization creates a certain ambiguity regarding its intended subject-matter and scope.^ The first part, "Anti- semitism," tells the story of tbe rise of modern, secular anti-Semi- tism (as distinct from what the author calls "religious Jew-hatred") up to the turn of the twentieth century, and ends with the Drey- fus affair in Erance—a "dress rehearsal," in Arendt's words, for things still worse to come (10). The second part, "Imperialism," surveys an assortment of pathologies in the world politics of the late nineteenth and early twentieth centuries, leading to (but not direcdy involving) the Eirst World War. This part of the book examines the European powers' rapacious expansionist policies in Africa and Asia—in which overseas investment became the pre- text for raw, openly racist exploitation—and the concomitant emergence in Central and Eastern Europe of "tribalist" ethnic movements whose (failed) ambition was the replication of those *Earlier versions of this essay were presented at the University of Virginia and at the conference commemorating the fiftieth anniversary of The Origins of Toudilarianism hosted by the Hannah Arendt-Zentrum at Carl Ossietzky University in Oldenburg, Ger- many. I am grateful to Joshua Dienstag and Antonia Gnmenberg. respectively, for arrang- ing these (wo occasions, and also to the inembers of the audience at each—especially Lawrie Balfour, Wolfgang Heuer, George KJosko, Allan Megili, Alfons Sollner, and Zoltan Szankay—for their helpful commeiiLs and criticisms. -
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Cultural Experimentation as Regulatory Mechanism in Response to Events of War and Revolution in Russia (1914-1940) Anita Tárnai Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Anita Tárnai All rights reserved ABSTRACT Cultural Experimentation as Regulatory Mechanism in Response to Events of War and Revolution in Russia (1914-1940) Anita Tárnai From 1914 to 1940 Russia lived through a series of traumatic events: World War I, the Bolshevik revolution, the Civil War, famine, and the Bolshevik and subsequently Stalinist terror. These events precipitated and facilitated a complete breakdown of the status quo associated with the tsarist regime and led to the emergence and eventual pervasive presence of a culture of violence propagated by the Bolshevik regime. This dissertation explores how the ongoing exposure to trauma impaired ordinary perception and everyday language use, which, in turn, informed literary language use in the writings of Viktor Shklovsky, the prominent Formalist theoretician, and of the avant-garde writer, Daniil Kharms. While trauma studies usually focus on the reconstructive and redeeming features of trauma narratives, I invite readers to explore the structural features of literary language and how these features parallel mechanisms of cognitive processing, established by medical research, that take place in the mind affected by traumatic encounters. Central to my analysis are Shklovsky’s memoir A Sentimental Journey and his early articles on the theory of prose “Art as Device” and “The Relationship between Devices of Plot Construction and General Devices of Style” and Daniil Karms’s theoretical writings on the concepts of “nothingness,” “circle,” and “zero,” and his prose work written in the 1930s. -
SENATE March 12 Repair, Or Construction; to the Committee on by Mr.AVERY: - by Mr
3824 CONGRESSIONAL RECORD-- SENATE March 12 repair, or construction; to the Committee on By Mr.AVERY: - By Mr. McDONOUGH: Banking and Currency. H.R. 10670. A bill to declare that certain H.R.10673. A bill for the relief-of Eng (Ng) By Mr. WILLIAMS: land of the United States is held by the Yook Gee; to the Committee on the Judi H.R. 10654. A bill to support the price of United States in trust for the Prairie Band ciary. soybeans; to the Committee on Agriculture. of Pottawatomie Indians In Kansas; to the H.R. 10674. A bill for the relief of Toshi H.R. 10655. A bill to amend section 402 of Conunittee on Interior and· Insular Affairs. nori Kondo; to the Committee on the Judi the Federal Aviation Act of 1958 to require By Mr. ARENDS: ciary. approval by the Civil Aeronautics Board of H.J. Res. 656. Joint resolution authoriz H.R. 10675. A bill for the relief of Mrs. certain schedules of foreign air carriers; ing the Secretary of the Navy to receive for Umeno Taga; to the Committee on the Judi to the Committee on Interstate and Foreign instruction at the U.S. Naval\ Academy at ciary. Commerce. Annapolis two citizens and subjects of the By Mr. MACGREGOR: H.R. 10656. A bill to prescribe the oath of Kingdom of Belgium; to the Committee on H.R. 10676. A bill for the relief of Dr. office of justices and judges of the United Armed Services. Shaoul G. S. Shashoua; to the Committee States; to the Committee on the Judicia~y. -
Dissertation After Crash 4-7-10
Roma De Profundis: Post-Economic Miracle Rome and the Films of Dario Argento (1970-1982) By Michael Loren Siegel B.A., University of Michigan, 2000 M.A., Brown University, 2003 A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Department of Modern Culture and Media at Brown University Providence, Rhode Island May 2010 © Copyright 2010 by Michael Loren Siegel This dissertation by Michael Loren Siegel is accepted in its present form by the Department of Modern Culture and Media as satisfying the dissertation requirement for the degree of Doctor of Philosophy Date___________ ___________________________________ Professor Mary Ann Doane, Advisor Recommended to the Graduate Council Date___________ ___________________________________ Professor Philip Rosen, Reader Date___________ ___________________________________ Professor Massimo Riva, Reader Approved by the Graduate Council Date___________ ___________________________________ Professor Sheila Bonde, Dean of the Graduate School iii VITA Michael Loren Siegel was born on July 31, 1978 in Pittsburgh, Pennsylvania. He earned his B.A. in Film and Video Studies at the University of Michigan in Ann Arbor, Michigan in 2000, and his M.A. in Modern Culture and Media at Brown University in Providence, Rhode Island in 2003. His work on Italian cinema, television, urbanity, and visual culture has been published in the anthologies Cinematic Rome (ed. Richard Wrigley) and The Place of the Moving Image (eds. John David Rhodes and Elena Gorfinkel), and is forthcoming in A Companion to Italian Cinema (ed. Peter Brunette) and the British Film Institute’s centenary collection on Michelangelo Antonioni (ed. John David Rhodes). ! iv ACKNOWLEDGEMENTS Writing a dissertation can be an intensely isolating experience. -
3.1 Anti-Colonial Terrorism: the Algerian Struggle
1 EMMANOUIL ARETOULAKIS National and Kapodistrian University of Athens, Greece Terrorism and Literariness: The terrorist event in the 20th and 21st centuries 2 Terrorism and Literariness: The terrorist event in the 20th and 21st centuries Author Emmanouil Aretoulakis NATIONAL AND KAPODISTRIAN UNIVERSITY OF ATHENS, GREECE Critical Reader William Schultz Editor Anastasia Tsiadimou ISBN: 978-960-603-462-6 Copyright © ΣΔΑΒ, 2015 Το παρόν έργο αδειοδοηείηαι σπό ηοσς όροσς ηης άδειας Creative Commons. Αναθορά Γημιοσργού - Μη Δμπορική Χρήζη - Παρόμοια Γιανομή 3.0. Για να δείηε ένα ανηίγραθο ηης άδειας ασηής επιζκεθηείηε ηον ιζηόηοπο https://creativecommons.org/licenses/by-nc-sa/3.0/gr/ HELLENIC ACADEMIC LIBRARIES Δθνικό Μεηζόβιο Πολσηετνείο Ζρώων Πολσηετνείοσ 9, 15780 Εωγράθοσ www.kallipos.gr 3 Front cover picture Baricades set up during the Algerian War of Independence. January 1960. Street of Algier. Photo by Michel Marcheux, CC-BY-SA-2.5,wikipedia http://fr.wikipedia.org/wiki/Image 4 Table of Contents Abbreviation List ........................................................................................................... 7 INTRODUCTION ......................................................................................................... 8 The end of History, the Clash of Civilizations and the question of the Real: Historico-Political Peregrinations ............................................................................ 12 Revolutionary Art, Theory, and Literature as Violence ........................................... 18 Notes........................................................................................................................ -
South Korean Cinema and the Conditions of Capitalist Individuation
The Intimacy of Distance: South Korean Cinema and the Conditions of Capitalist Individuation By Jisung Catherine Kim A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Film and Media in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Kristen Whissel, Chair Professor Mark Sandberg Professor Elaine Kim Fall 2013 The Intimacy of Distance: South Korean Cinema and the Conditions of Capitalist Individuation © 2013 by Jisung Catherine Kim Abstract The Intimacy of Distance: South Korean Cinema and the Conditions of Capitalist Individuation by Jisung Catherine Kim Doctor of Philosophy in Film and Media University of California, Berkeley Professor Kristen Whissel, Chair In The Intimacy of Distance, I reconceive the historical experience of capitalism’s globalization through the vantage point of South Korean cinema. According to world leaders’ discursive construction of South Korea, South Korea is a site of “progress” that proves the superiority of the free market capitalist system for “developing” the so-called “Third World.” Challenging this contention, my dissertation demonstrates how recent South Korean cinema made between 1998 and the first decade of the twenty-first century rearticulates South Korea as a site of economic disaster, ongoing historical trauma and what I call impassible “transmodernity” (compulsory capitalist restructuring alongside, and in conflict with, deep-seated tradition). Made during the first years after the 1997 Asian Financial Crisis and the 2008 Global Financial Crisis, the films under consideration here visualize the various dystopian social and economic changes attendant upon epidemic capitalist restructuring: social alienation, familial fragmentation, and widening economic division. -
2. Utopia and Its Negative
Dystopia and Political Imagination in the Twentieth Century by Matthew Benjamin Cole Department of Political Science Duke University Date:_______________________ Approved: ___________________________ Michael Gillespie, Co-Supervisor ___________________________ Tom Spragens, Co-Supervisor ___________________________ Ruth Grant ___________________________ Malachi Hacohen Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Political Science in the Graduate School of Duke University 2017 i v ABSTRACT Dystopia and Political Imagination in the Twentieth Century by Matthew Benjamin Cole Department of Political Science Duke University Date:_______________________ Approved: ___________________________ Michael Gillespie, Co-Supervisor ___________________________ Tom Spragens, Co-Supervisor ___________________________ Ruth Grant ___________________________ Malachi Hacohen An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Political Science in the Graduate School of Duke University 2017 i v Copyright by Matthew Cole 2017 Abstract My dissertation offers an interpretation of twentieth century political thought which emphasizes the influence of dystopian images, themes, and anxieties. Drawing examples from philosophy, literature, and social science, I show how negative visions of future society have played an important critical function in our contemporary understanding of freedom, power, -
Front Line Assembly - Bio
FRONT LINE ASSEMBLY - BIO Front Line Assembly is the primary focus of Vancouver-based musician Bill Leeb. A founding member of Skinny Puppy, Leeb moved on to form FLA in 1986 with Michael Balch, releasing some cassettes (since released as Total Terror I & II) which paved the way for their 1987 releases: The Initial Command, State of Mind, and Corrosion. In late 1988, they recorded the mini-LP Disorder, since combined with Corrosion and released as Corroded Disorder. Their 1989 release, Gashed Senses and Crossfire, further cemented their popularity in the industrial scene, and prompted their first world tour. By 1990, Balch had departed and Rhys Fulber rounded out the duo, releasing Caustic Grip. But it was two years later when the duo released the classic album, Tactical Neural Implant, which has become for many, the genre's crowning moment. To this day, TNI still defines the best of industrial music. FLA enraged many of their fans in 1994 when they began to experiment with their established electronic-only sound. Millenium, with its heavy doses of live and sampled metal guitars, dared its audience to grow and expand with the band beyond industrial's perceived barriers. Front Line stepped to the firing line again in 1995 with Hard Wired, which reflected both a return to form and a continued embracing of the guitar. Hard Wired not only picked up where Implant left off, it improved on the sound by adding in elements of all of their side projects. A fall European tour was recorded for the 1996 release Live Wired, their first concert CD ever. -
A Supposedly Fun Thing I'll Never Do Again: Essays And
Praise for David Foster Wallace’s a supposedly fun thing i’ll never do again “Further cements Wal ace’s reputation as probably the most ambitious and prodigious literary talent of his generation, an erupting Vesuvius of prose and ideas and intel ect.” —John Marshal , Seattle Post Intelligencer “The title essay is worth the price of the book… irrefutable proof of comic genius…. Yes, he’s a great writer, get used to it.” —Adam Begley, New York Observer “Wal ace puts enough energy, attitude, thought, ‘fun’ (in and out of quotes) and sheer information into any single page to wear me out. But they don’t…. As long as he’s wil ing to get down and rassle with this stuff, I’m glad to sit here and read al about it.” —David Gates, Newsweek “You don’t want to miss out on reading David Foster Wal ace. Yes, he’s that good.” —Kane Webb, Arkansas Democrat-Gazette “He has Gore Vidal’s biting wit, Christopher Hitchens’s ability to disrobe intel ectual impostors, and Pynchon’s sense of the bizarre…. Not just refreshing, it’s downright exhilarating.” —David Daley, Hartford Courant “Wal ace’s sheer verbal precocity and versatility stun.” —Joan Hinkemeyer, Rocky Mountain News “DFW is smart and funny, a man from whose word processor flows a torrent of bril iant observations and hysterical wit. Do your disposition and your mind a favor: Read this book.” —Steven E. Alford, Houston Chronicle “A marvelous book…. Sparkling reportage…. If one wants to see the zeitgeist auto-grappling, in al its necessary confusions, one must read every essay in this book.” —James Wood, Newsday “Funny as al get-out…. -
Antigone Claimed, "I Am a Stranger": Democracy, Membership and Unauthorized Immigration
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations Dissertations and Theses Fall November 2014 ANTIGONE CLAIMED, "I AM A STRANGER": DEMOCRACY, MEMBERSHIP AND UNAUTHORIZED IMMIGRATION ANDRES FABIAN HENAO CASTRO University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_2 Part of the Ancient Philosophy Commons, Classical Literature and Philology Commons, Comparative Literature Commons, Continental Philosophy Commons, Dramatic Literature, Criticism and Theory Commons, Ethics and Political Philosophy Commons, Feminist Philosophy Commons, Law and Philosophy Commons, Law and Politics Commons, Legal Theory Commons, Other Feminist, Gender, and Sexuality Studies Commons, Performance Studies Commons, Political Theory Commons, Politics and Social Change Commons, Race, Ethnicity and Post-Colonial Studies Commons, Social and Cultural Anthropology Commons, Theory, Knowledge and Science Commons, and the Visual Studies Commons Recommended Citation HENAO CASTRO, ANDRES FABIAN, "ANTIGONE CLAIMED, "I AM A STRANGER": DEMOCRACY, MEMBERSHIP AND UNAUTHORIZED IMMIGRATION" (2014). Doctoral Dissertations. 211. https://doi.org/10.7275/5842739.0 https://scholarworks.umass.edu/dissertations_2/211 This Open Access Dissertation is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of ScholarWorks@UMass Amherst. For more information, -
Crisis and Critique Book.Pdf
When a person is in crisis, she goes to see a psychoanalyst. When society is in crisis, sociology emerges as psychoanalysis on a grand scale. And when critique enters into crisis, one turns to Rodrigo Cordero. Not that one will find a way out of the crisis, but following a rich investigation of the relation between critique and crisis in social theory, from Marx to Habermas and Arendt to Foucault, one will rediscover the human frailty in the cracks of society and our responsibility to respond to it. Frederic Vandenberghe, Professor in Sociology at the Institute of Social and Political Studies, Rio de Janeiro State University. Author of A Philosophical History of German Sociology Rodrigo Cordero has done a magnificent job in shedding light on the pivotal role that both crisis and critique play in the tension- laden construction of human reality. This book is a powerful reminder of the profound fragility that permeates the whole of social life, including its seemingly most solidified dimensions. I have never come across a more persuasive account of the multiple ways in which the dynamic relationship between the experience of crisis and the practice of cri- tique defines—and, indeed, constantly redefines—the normative parameters for what it means to be human. Simon Susen, City University London. Author of The ‘Postmodern Turn’ in the Social Sciences and The Foundations of the Social: Between Critical Theory and Reflexive Sociology “Society is not a solid crystal, but an organism capable of change, and constantly engaged in a process of change.” This quote from the Preface to Capital signifies not only a cornerstone of sociology but is more actual than ever. -
Crisis and Critique on the Fragile Foundations of Social Life
Crisis and Critique On the Fragile Foundations of Social Life Rodrigo Cordero Introduction When the World Becomes a Problem Social life is a delicate and complex achievement. Normally, the everyday surface of social institutions and practices makes us forget that the seemingly unitary and durable character of the social world is inherently fragile, without fixed and ultimate foundations. This sense of fragility circulates discretely, almost silently until something breaks and, like a seismic event, disturbs the common sense of order. This is the moment of crisis: the moment at which the world around us becomes problematic and loses its character as a unitary and natural phenomenon. The sense of distress, discontinuity and uncertainty all concur for crisis to become a moment ripe for questioning the conventional char- acter of social norms and the intelligibility of social facts. By putting things into question practically, crisis interrupts the continuity of what appears solid, justi- fied and functional; it opens a breach in meaning and established practices that we cannot simply bypass. In a way, crisis is the moment where we are compelled to ask questions: where are we, what is going on, what went wrong, how we can get out of here? This exercise of placing questions, however small it sometimes may appear, is precisely what breaks the silence of things and interrupts the sense of completion of the world. In other words, it places us in relation to the limits of the frameworks that sustain our forms of life and, therefore, in relation to a world that is not immune to questioning.