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Fashion Designers' Decision-Making Process
Iowa State University Capstones, Theses and Graduate Theses and Dissertations Dissertations 2013 Fashion designers' decision-making process: The influence of cultural values and personal experience in the creative design process Ja-Young Hwang Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/etd Part of the Art and Design Commons Recommended Citation Hwang, Ja-Young, "Fashion designers' decision-making process: The influence of cultural values and personal experience in the creative design process" (2013). Graduate Theses and Dissertations. 13638. https://lib.dr.iastate.edu/etd/13638 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Fashion designers’ decision-making process: The influence of cultural values and personal experience in the creative design process by Ja -Young Hwang A dissertation submitted to the graduate faculty in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Major: Apparel, Merchandising, and Design Program of Study Committee: Mary Lynn Damhorst, Co-Major Professor Eulanda Sanders, Co-Major Professor Sara B. Marcketti Cindy Gould Barbara Caldwell Iowa State University Ames, Iowa 2013 Copyright © Ja Young Hwang, 2013. All rights -
Study on the Recent Status of Rental Hanbok Jeogori for Women 111 Increased Their Numbers to 955 Hanbok Rental Sites Which Domestic and Foreign Tourists
Journal of Fashion Business Vol.22, No.3 Study on the Recent Status of — ISSN 1229-3350(Print) Rental Hanbok Jeogori for Women ISSN 2288-1867(Online) — J. fash. bus. Vol. 22, † No. 3:109-121, July. 2018 Sanghee Park https://doi.org/ 10.12940/jfb.2018.22.3.109 Dept. of Fashion Industry, Baewha Women's University, Korea Corresponding author — Sanghee Park Tel : +82-2-399-0759 Fax : +82-2-737-6722 E-mail: [email protected] Keywords Abstract rental jeogori, design, size, Recently, it is one of the popular fashion and cultural events that people of pattern the younger generation put on a hanbok and take a picture together with communicating by SNS. For this reason, the rent-hanbok market takes a big part of the Korean traditional costume market. Therefor, the recognition of hanbok is changed from the style of uncomfortable and ceremonial clothes, to becoming popular as everyday dress in the younger generation. The various designs of the rental hanbok show two different opinions. One is the increasing popular and general public interest and demand for wearing and showing off traditional hanbok fashions in a positive outlook. Another is the case of the wrong stereotype and knowledge for traditional costume which results in a negative outlook for this type of fashion statement. This study is to look into renting hanbok jeogori for women in Seoul and in Junju. There are 39 styles available in joegori. That being noted, the traditional jeogori has seop and git with dongjung. But it is seen that rental jeogoris do not have the seop, or have the dongjung position as similar to the Po as seen on the men’s coat. -
ASIAN ART MUSEUM UNVEILS COUTURE KOREA First Major Exhibition of Korean Fashion in U.S
PRESS CONTACT: Zac T. Rose 415.581.3560 [email protected] ASIAN ART MUSEUM UNVEILS COUTURE KOREA First Major Exhibition of Korean Fashion in U.S. Showcases Traditional Styles Alongside Contemporary Designs, Highlighting Global Influence from Seoul to San Francisco San Francisco, October 5 — Couture Korea presents historic and contemporary fashion from Korea and beyond, exclusively at the Asian Art Museum of San Francisco from November 3, 2017 to February 4, 2018. The result of a partnership between the Seoul-based Arumjigi Culture Keepers Foundation and the Asian Art Museum, this original exhibition introduces American audiences to the incomparable artistry and the living legacy of Korean dress. Couture Korea — whose title borrows from the French to convey Korea’s comparable tradition of exquisite, handcrafted tailoring — weaves together courtly costume from centuries past with the runways of today’s fashion capitals. The exhibition features more than 120 works, including a king’s ethereal robe, various 18th- century women’s ensembles and layers of silk undergarments, alongside contemporary clothing stitched from hardworking denim and even high-tech neoprene. Re-creations of Joseon dynasty (1392–1910) garments using handmade fabrics are juxtaposed with modern styles by celebrated Korean designers Jin Teok, Im Seonoc and Jung Misun as well as looks from Chanel’s Karl Lagerfeld that were inspired by Korean artistic traditions. “Couture Korea elegantly interlaces the traditions of the past with contemporary clothing design to illuminate the ways Koreans — and fashion aficionados around the world — express themselves and their cultural affiliations through dress today,” explains exhibition curator and King Yeongjo's outer robe (dopo), 2015. -
A Study on the Items and Shapes of Korean Shrouds
IJCC, Vol. 3 No. 2, 100 ~ 123(2000) 26 A Study on the Items and Shapes of Korean Shrouds Min-Yi Nam* and Myung-Sook Han *Instructor, Joong Bu University Professor, Dept, of Clothing and Textiles, Sang Myung University Abstract The purpose of this research was to understand changes in Korean shrouds and to enhance practical usage of them by examing the items and shapes of Korean shrouds classified into two categories, traditional and current. We first examined the history of shrouds and funeral ceremonies from the prehistoric age to the Chos 6n dynasty, and second, examined the items and shapes of traditional and current shrouds. As for the items, no big changes were recognized though there had been some changes in the way of using Keum(^), Po(袍L and Kwadu(裏月j). Overall, the items had became somewhat simplified. The traditional shapes of shrouds are relatively -well-maintained despite some changes in current shrouds Aksu, Yeom이'女慨 etc, which had been made easier to put on. Key words : traditional shrouds, current shrouds, the items of shrouds, the shapes of shrouds, funeral ceremonies. and generally shown in everyday life as well as I ・ Introduction in funeral rites. Therefore, 'death' is a mournful thing but at the same time a rite that makes us Since Koreans have believed in the idea of feel reverence for the next world. the next world from ancient times, in which The rite of washing the deceased and clothing death is regarded as a departure towards a new them in ceremonial costumes is a mode of world rather than an end, they have practiced living of all times and a part of Korean culture. -
Summer School Korean-American Children
홀 매eong뻐ek City , {장 • · The host organiz gement organization 윷 Pyeongtaek Ci ongtaek Cultural Center .59 3.A. ·Date · Location 1st : 31 Uuly] ∼ 3[Aug] Wootdali culture Village ‘ 2nd: 7lAug ∼ 10 [Aug] 컵 1 .s9 !nts 고 43.A. 니 l. ::>cnedules /l 니 Q $$m 1| Q 이 잉 미e ‘、/,,、] ] 2 낀 q 까 [ 미 m / D m어 e ] 」 3 口 2. Learning Class (1) Taekwondo Class (Korean T 「 aditional Ma 「 ti al A 「 ts) · · · · · · · · · · · · · · · · · · 4 (2) English Drama Class (Korean T 「 aditional Fai 「Y Tale) · · · · · · · · · · · · · · · · 6 (The Wenny Man and the Three Goblins, Heungbu And Nolbu) 口 3. Experience Korean Culture ( 1) National Museum of Korea 12 (2) Where did old people live? 13 (3) Rice and farming tools 15 (4) Weapon and Warriors · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · 16 (5) The National Folk Museum of Ko 「 ea · · · · · · · · · · · · · · · · · · · · · · · · · · · · 17 (6) Korean fol k tale ‘ Heungbu and Nolbu’ . 18 (7) Ko 「 ean t 「 aditional game ” Y ut-no 「 i ” 19 口 4. Experiential learning of Korean Traditional Culture ( 1) Jinwi Hyanggyo · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · 21 (2) Korean Traditional Clothes(Hanbok) · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · 22 (3) k orean t 「 a ditional bow · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · · 25 (4) Making miniature Sotdae and Jangseung · · · · · · · · · · · · · · · · · · · · · · · · · · 27 (5) Rubbing Copi e s ” Takbon ” (Ko 「 ean custom painting) · · · · · · · · · · · -
Handbook for Korean Studies Librarianship Outside of Korea Published by the National Library of Korea
2014 Editorial Board Members: Copy Editors: Erica S. Chang Philip Melzer Mikyung Kang Nancy Sack Miree Ku Yunah Sung Hyokyoung Yi Handbook for Korean Studies Librarianship Outside of Korea Published by the National Library of Korea The National Library of Korea 201, Banpo-daero, Seocho-gu, Seoul, Korea, 137-702 Tel: 82-2-590-6325 Fax: 82-2-590-6329 www.nl.go.kr © 2014 Committee on Korean Materials, CEAL retains copyright for all written materials that are original with this volume. ISBN 979-11-5687-075-3 93020 Handbook for Korean Studies Librarianship Outside of Korea Table of Contents Foreword Ellen Hammond ······················· 1 Preface Miree Ku ································ 3 Chapter 1. Introduction Yunah Sung ···························· 5 Chapter 2. Acquisitions and Collection Development 2.1. Introduction Mikyung Kang·························· 7 2.2. Collection Development Hana Kim ······························· 9 2.2.1 Korean Studies ······································································· 9 2.2.2 Introduction: Area Studies and Korean Studies ································· 9 2.2.3 East Asian Collections in North America: the Historical Overview ········ 10 2.2.4 Collection Development and Management ···································· 11 2.2.4.1 Collection Development Policy ··········································· 12 2.2.4.2 Developing Collections ···················································· 13 2.2.4.3 Selection Criteria ···························································· 13 2.2.4.4 -
Uniquely Korea
Uniquely Retaining Visual Authenticity Koreain Cultural Presentations Deanna Cannon Master of Fine Arts Thesis Project Liberty University School of Communication & the Arts Department of Studio and Digital Arts Uniquely Acknowledgments Special thanks to those whose love and support have helped this project blossom into something special. Retaining Visual Authenticity To my chair and thesis committee whose in Cultural Presentations encouragement and guidance led me to a deeper understanding of my topic and research. Korea To all my professors who challenged me to grow in my skills and gain confidence in my abilities. To my sisters for all their support, both academically and emotionally. To my parents who supported me throughout my academic career and always encouraged my interest in illustration. And especially to my mom who introduced me to Korea and has always been there to guide me as I delved deeper into my Korean heritage. Diane Xu, Chair Heather Burt, First Reader Kami Anderson, Second Reader © 2021 Deanna Cannon Written and Designed by Deanna Cannon Todd Smith, Department Chair deannabohae.art/thesis Abstract Contents As educators and creators seek to introduce students to cultures from around the world to increase cultural awareness, visual media has also become a powerful tool to disseminate the visual culture of a people. When media Chapter One: The Problem ........................................................06 misrepresents a culture, the introduction to the culture can be flawed and create more problems. How then can media creators ensure that their Chapter Two: Research Report ...................................................10 representations are accurate? This project proposes that careful research balanced with an observation of the culture’s visual presentations can help guide cultural representations toward authenticity. -
Royal Portraits of the Joseon Dynasty (1392-1910) in Ritual Context
Like Life: Royal Portraits of the Joseon Dynasty (1392-1910) in Ritual Context By © 2018 Son, Myenghee (Son, Myeonghui) Submitted to the graduate degree program in Art History and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Chair: Marsha Haufler Sherry Fowler Jungsil Lee Amy McNair Kyoim Yun Date Defended: 26 April 2018 ii The dissertation committee for Myenghee Son (Myeonghui Son) certifies that this is the approved version of the following dissertation: Like Life: Royal Portraits of the Joseon Dynasty (1392-1910) in Ritual Context Chair: Marsha Haufler Date Approved: 26 April 2018 iii Abstract Like Life: Royal Portraits of the Joseon Dynasty (1392-1910) in Ritual Context Myenghee Son 2018 This dissertation examines the functions and meanings of Joseon royal portraits by investigating them in light of the material culture and the ritual practices of royal ancestor worship in royal portrait halls, where offerings of wine and food were presented before portrait paintings for royal ancestral rites. This study classifies portrait halls as either official or informal, depending on their inclusion in or exclusion from the official state rites and goes on to discern the different features and functions of specific portrait halls through in-depth investigation of the ritual goods used therein and the interior settings and adornment of the halls. By distinguishing repositories, where portraits were not formally worshipped, from portrait halls, it also offers case studies of portraits in the repositories and illuminates their original function and distinctive character in form and style. -
Apparel Production
APPAREL PRODUCTION www.eiilmuniversity.ac.in Contents Chapter:1 Origin of clothing Chapter: 2 Functions Chapter: 3 Scholarship Chapter: 4 Cultural aspects Chapter: 5 Origin and history Chapter: 6 Contemporary clothing Chapter: 7 Political issues Chapter: 8 Life cycle Chapter: 9 Gloves Chapter: 10 Fiber Plant Chapter: 11 Human Chapter: 12 Forcasting Chapter 1 Origin of Clothing There is no easy way to determine when clothing was first developed, but some information has been inferred by studying lice. The body louse specifically lives in clothing and diverged from head lice about 107,000 years ago, suggesting that clothing existed at that time. Another theory is that modern humans are the only survivors of several species of primates who may have worn clothes and that clothing may have been used as long as 650 thousand years ago. Other louse- based estimates put the introduction of clothing at around 42,000–72,000 BP. Head louse The head louse (Pediculus humanus capitis) is an obligate ectoparasite of humans. Head lice are wingless insects spending their entire life on the human scalp and feeding exclusively on human blood. Humans are the only known hosts of this specific parasite, while chimpanzees host a closely related species, Pediculus schaeffi. Other species of lice infest most orders of mammals and all orders of birds. Like all lice, head lice differ from other hematophagic ectoparasites such as the flea in that lice spend their entire life cycle on a host. Head lice cannot fly, and their short stumpy legs render them incapable of jumping, or even walking efficiently on flat surfaces. -
Development of Korean Style Loungewear (Part II)
[ Research Paper ] EISSN 2234-0793 PISSN 1225-1151 Journal of the Korean Society of Clothing and Textiles Vol. 36, No. 12 (2012) p.1247~1256 http://dx.doi.org/10.5850/JKSCT.2012.36.12.1247 Development of Korean Style Loungewear (Part II) † Keum-Seok Chae · Yooshin Na Dept. of Clothing & Textiles, Sookmyung Women's University Received July 17, 2012; Revised (September 28, 2012; November 19, 2012); Accepted November 19, 2012 Abstract The paper details the development of a Korean style loungewear based on traditional Korean hanbok clothing. For this, we surveyed and collected data from 3,500 adults over 20 years of age. The questions were on their preferences of hanbok for both traditional and contemporary styles as well as loungewear. The survey showed that preferences for hanbok were high for both traditional and contemporary styles. The survey also suggests how a successful mass-produced Korean style loungewear should be designed to increase its popularity. It should feature comfortably simplified silhouettes, a selection of contemporary colors from Korean symbolic colors, modernized Korean textile surface designs, and easy-to-maintain healthy fabric. Based on these results, the development direction of Korean style loungewear was set and various loungewear samples were produced. Another group of survey participants were asked to try on samples and their pre- ferences were surveyed. At the conclusion, a version that was most preferred among the participants was obtained. We suggest one-piece style and two-piece style designs with silhouettes based on the characteristics of traditional Korean costumes. The preferred fabric for loungewear was natural and soft cotton.