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Produced Byray Manzarek
PRODUCED BY RAY MANZAREK Originally released April 1980 Originally released May 1981 Originally released July 1982 Originally released September 1983 Frank Gargani Debbie Leavitt Power... Passion... Poetry! Attack the world. Let’s do some damage. What a band. Four monsters of skin. My favorite rockers of the then time. John Doe - Mr. Handsome - of the deep rich voice, the hard, strong jaw, the angular bass stance and the hot/cool lyrics. Their harmonies - some would say Schoenberg - his partner Exene, of the wailing scream in the night, the clear eyed pinning of American failings, the fine words of Diana Bonebrake love and booze and madness in the midnight dawn of Los Angeles. “Johny Hit and Run Paulene...” and he’s got a sterilized hypo filled with a sex-machine drug, and he only has 24 hours to shoot all Paulenes between the legs. So get busy, boy. And he does. Listen to those words! That naughty, naughty Johny. I love ‘em. And Exene’s “The World’s a Mess, it’s in My Kiss.” I just love that crazy combination: World - Mess - Kiss. And Billy Zoom on guitar, or is that at least 3 or 4 guitars. How does he do it? It’s so massive, so sharp, so bright, so fucking LOUD!!! And he is so silver smooth and cool. Effortless fingering, impeccable on the frets. Doesn’t he ever make a mistake? Is he a flesh and blood Valhalla guitar god? Yeahhh! And who is that madman beating the living shit out those drums? Ladies and Gentleman... D. -
Essay on the Nomination and Confirmation of the First Latina Justice on the US Supreme Court
ESSAYS AN ESSAY ON THE NOMINATION AND CONFIRMATION OF THE FIRST LATINA JUSTICE ON THE U.S. SUPREME COURT: THE ASSIMILATION DEMAND AT WORK KEVIN R. JOHNSON* INTRODUCTION ................................. ........... 98 I. THURGOOD MARSHALL'S APPOINTMENT TO THE SUPREME COURT: CONFIRMATION AS A TEST OF ASSIMILATION...................................... 107 A. The "JudicialActivist" Charge ............... 110 B. The "Anti-White" Presumption.............. 111 C. Affiliation with the National Association for the Advancement of Colored People ............. 112 II. SANDRA DAY O'CONNOR'S APPOINTMENT: SENATE CONFIRMATION AS CORONATION ......... 115 III. SONIA SOTOMAYOR'S APPOINTMENT TO THE SUPREME COURT: CONFIRMATION AS A TEST OF ASSIMILATION...................................... 119 * Dean, University of California at Davis School of Law and Mabie-Apallas Professor of Public Interest Law and Chicana/o Studies; A.B. University of Califor- nia, Berkeley; J.D. Harvard University. Elica Vafaie and Esmeralda Soria, both of the Class of 2011, provided invaluable research assistance. Joanna Cuevas Ingram and Michael Wu, both of the Class of 2012, and Aida Macedo, Class of 2011, pro- vided helpful editorial assistance. I participated with Hispanics for a Fair Judiciary in supporting Justice Sotomayor's confirmation and blogged on the Senate Judiciary Committee confirmation hearings for Concurring Opinions (http://www.concurring opinions.com/), La Opinion (http://www.impre.com/laopinion), and Immigration- Prof (http://lawprofessors.typepad.com/immigration/). Some of the ideas in this Es- say were presented in embryonic form in those forums. Conversations with Vik Amar helped my thinking on various parts of this Essay. Sofia Martos, Lauren Gil- bert, Afra Afsharipour, Cruz Reynoso, Miguel M6ndez, Michael Olivas, Steve Bender, Sylvia Lazos, Leticia Saucedo, Keith Aoki, Angela Onwuachi-Willig, Mary Romero, Christopher David Ruiz Cameron, Sergio Garcia, Luis Fuentes-Rohwer, Pedro Malavet, Maria Pab6n L6pez, Ediberto Romin, Mary Louise Frampton, and George A. -
Here Is a Printable
Ryan Leach is a skateboarder who grew up in Los Angeles and Ventura County. Like Belinda Carlisle and Lorna Doom, he graduated from Newbury Park High School. With Mor Fleisher-Leach he runs Spacecase Records. Leach’s interviews are available at Bored Out (http://boredout305.tumblr.com/). Razorcake is a bi-monthly, Los Angeles-based fanzine that provides consistent coverage of do-it-yourself punk culture. We believe in positive, progressive, community-friendly DIY punk, and are the only bona fide 501(c)(3) non-profit music magazine in America. We do our part. An Oral History of The Gun Club originally appeared in Razorcake #29, released in December 2005/January 2006. Original artwork and layout by Todd Taylor. Photos by Edward Colver, Gary Leonard and Romi Mori. Cover photo by Edward Colver. Zine design by Marcos Siref. Printing courtesy of Razorcake Press, Razorcake.org he Gun Club is one of Los Angeles’s greatest bands. Lead singer, guitarist, and figurehead Jeffrey Lee Pierce fits in easily with Tthe genius songwriting of Arthur Lee (Love), Chris Hillman (Byrds), and John Doe and Exene (X). Unfortunately, neither he nor his band achieved the notoriety of his fellow luminary Angelinos. From 1979 to 1996, Jeffrey manned the Gun Club ship through thick and mostly thin. Understandably, the initial Fire of Love and Miami lineup of Ward Dotson (guitar), Rob Ritter (bass), Jeffrey Lee Pierce (vocals/ guitar) and Terry Graham (drums) remains the most beloved; setting the spooky, blues-punk template for future Gun Club releases. At the time of its release, Fire of Love was heralded by East Coast critics as one of the best albums of 1981. -
Taj Mahal Andyt & Nick Nixon Nikki Hill Selwyn Birchwood
Taj Mahal Andy T & Nick Nixon Nikki Hill Selwyn Birchwood JOE BONAMASSA & DAVE & PHIL ALVIN NUMBER FIVE www.bluesmusicmagazine.com US $7.99 Canada $9.99 UK £6.99 Australia A$15.95 COVER PHOTOGRAPHY © ART TIPALDI NUMBER FIVE 6 KEB’ MO’ Keeping It Simple 5 RIFFS & GROOVES by Art Tipaldi From The Editor-In-Chief 24 DELTA JOURNEYS 11 TAJ MAHAL “Jukin’” American Maestro by Phil Reser 26 AROUND THE WORLD “ALife In The Music” 14 NIKKI HILL 28 Q&A with Joe Bonamassa A Knockout Performer 30 Q&A with Dave Alvin & Phil Alvin by Tom Hyslop 32 BLUES ALIVE! Sonny Landreth / Tommy Castro 17 ANDY T & NICK NIXON Dennis Gruenling with Doug Deming Unlikely Partners Thorbjørn Risager / Lazy Lester by Michael Kinsman 37 SAMPLER 5 20 SELWYN BIRCHWOOD 38 REVIEWS StuffOfGreatness New Releases / Novel Reads by Tim Parsons 64 IN THE NEWS ANDREA LUCERO courtesy of courtesy LUCERO ANDREA FIRE MEDIA SHORE © PHOTOGRAPHY PHONE TOLL-FREE 866-702-7778 E-MAIL [email protected] WEB bluesmusicmagazine.com PUBLISHER: MojoWax Media, Inc. “Leave your ego, play the music, PRESIDENT: Jack Sullivan love the people.” – Luther Allison EDITOR-IN-CHIEF: Art Tipaldi CUSTOMER SERVICE: Kyle Morris Last May, I attended the Blues Music Awards for the twentieth time. I began attending the GRAPHIC DESIGN: Andrew Miller W.C.Handy Awards in 1994 and attended through 2003. I missed 2004 to celebrate my dad’s 80th birthday and have now attended 2005 through 2014. I’ve seen it grow from its CONTRIBUTING EDITORS David Barrett / Michael Cote / Thomas J. Cullen III days in the Orpheum Theater to its present location which turns the Convention Center Bill Dahl / Hal Horowitz / Tom Hyslop into a dazzling juke joint setting. -
Discouraging Racial Preferences in Adoptions
Discouraging Racial Preferences in Adoptions Solangel Maldonado* More than 20,000 white Americans go abroad each year to adopt children from other countries, the majority of whom are not white. At the same time, there are more African American children available for adoption than there are African American families seeking to adopt them. While Americans claim there are few healthy infants available for adoption in the United States, hundreds of African American newborns each year are placed with white families in Canada and other countries. Tracing the history of transracial adoption in the United States, this Article argues that one reason why Americans go abroad to adopt is race. The racial hierarchy in the adoption market places white children at the top, African American children at the bottom, and children of other races in between, thereby rendering Asian or Latin American children more desirable to adoptive parents than African American children. Drawing on the rich literature on cognitive bias, this Article debunks the myths about domestic and international adoptions and shows that racial preferences, even if unconscious, play a role in many Americans’ decisions to adopt internationally. This Article proposes that the law discourage adoptions based on racial preferences by requiring that Americans seeking to adopt internationally, while there are available children in the United States who meet their non-race-based criteria, show non-race-based reasons for going abroad. * Associate Professor, Seton Hall University School of Law. J.D. 1996, Columbia Law School. I am grateful to Michelle Adams, Mark Alexander, Ruby Andrew, Carlos Bellido, Carl Coleman, Kevin Kelly, Jason Gardner, Timothy Glynn, Tristin Green, Rachel Godsil, Charlie Sullivan, the participants in the 12th International Society of Family Law Conference in Salt Lake City, the participants in the Second National POC in Washington, D.C., and the participants in the LatCrit X Conference in San Juan, Puerto Rico, for their helpful comments. -
Bio Dave Alvin and Jimmie Dale Gilmore
Dave Alvin & Jimmie Dale Gilmore Downey to Lubbock Biography written by: Joe Nick Patoski Downey, California to Lubbock, Texas is a thousand-mile straight shot across the heart of the American West, with not much in between. The cities at each end of the line are one-time cowtowns that grew into symmetrically-platted working-class communities with very little to interrupt the horizon plane, making for big empty canvasses that require a vivid imagination to fill in all that blank space. Dave Alvin from Downey and Jimmie Dale Gilmore from Lubbock have been filling canvasses with music of the American West for decades, coming from two very different directions. The title track explains Alvin is a Strat-packing, wild blues Blaster, a nod to the roots rock band he formed with his brother Phil in 1978 before Dave peeled off to go his own way in 1986. He’s been part of the bands X, the Knitters, and the Flesh Eaters, tours relentlessly with his own band, the Guilty Ones, and continues apace on musical quests informed by his love of California and its history, and by Texas and the South, where most of the great music that was made in Los Angeles before and after the Second World War came from. Gilmore is the old Flatlander from the Great High Plains, acknowledging his first group, the folk-country trio formed in Lubbock 1972 with Joe Ely and Butch Hancock who continue performing and recording today. In addition to the Flatlanders and an extended solo career, he has been part of several ensembles including the Hub City Movers and The Wronglers with Warren Hellman, who started the Hardly, Strictly Bluegrass Festival in San Francisco. -
Michele Mulazzani's Playlist: Le 999 Canzoni Piu' Belle Del XX Secolo
Michele Mulazzani’s Playlist: le 999 canzoni piu' belle del XX secolo (1900 – 1999) 001 - patti smith group - because the night - '78 002 - clash - london calling - '79 003 - rem - losing my religion - '91 004 - doors - light my fire - '67 005 - traffic - john barleycorn - '70 006 - beatles - lucy in the sky with diamonds - '67 007 - nirvana - smells like teen spirit - '91 008 - animals - house of the rising sun - '64 009 - byrds - mr tambourine man - '65 010 - joy division - love will tear us apart - '80 011 - crosby, stills & nash - suite: judy blue eyes - '69 012 - creedence clearwater revival - who'll stop the rain - '70 013 - gaye, marvin - what's going on - '71 014 - cocker, joe - with a little help from my friends - '69 015 - fleshtones - american beat - '84 016 - rolling stones - (i can't get no) satisfaction - '65 017 - joplin, janis - piece of my heart - '68 018 - red hot chili peppers - californication - '99 019 - bowie, david - heroes - '77 020 - led zeppelin - stairway to heaven - '71 021 - smiths - bigmouth strikes again - '86 022 - who - baba o'riley - '71 023 - xtc - making plans for nigel - '79 024 - lennon, john - imagine - '71 025 - dylan, bob - like a rolling stone - '65 026 - mamas and papas - california dreamin' - '65 027 - cure - charlotte sometimes - '81 028 - cranberries - zombie - '94 029 - morrison, van - astral weeks - '68 030 - springsteen, bruce - badlands - '78 031 - velvet underground & nico - sunday morning - '67 032 - modern lovers - roadrunner - '76 033 - talking heads - once in a lifetime - '80 034 -
Blues Notes March 2013
Volume eighteen, number three • march 2013 Raise the RoofTUESDAY, fund APRIL R30TaiseH • 6pm RShowtime featu • THR E 21ingST Saloon tommy CastRo $10 admission for current members of BSO, $20 admission for nonmembers (nonmembers can join BSO at door to receive discounted member admission) Since 1980, the Blues Foundation has been inducting individuals, recordings and literature into the Blues Hall of Fame, but until now there has not been a physical Blues Hall of Fame. Establishing a Blues Hall of Fame enhances one of the founding programs of The Blues Foundation. The “Raise the Roof” campaign calls for up to $3.5 million to create a Blues Hall of Fame in Memphis. It will be the place to: honor inductees year-round; listen to and learn about the music; and enjoy historic mementos of this all-American art form. The new Blues Music Hall of Fame will be the place for serious Blues fans, casual visitors, and wide-eyed students. It will facilitate audience development and membership growth. It will expose, enlighten, educate, and entertain. The BSO Presents ––—— POPA CHUBBY ——–– Sunday, March 17th Whiskey Tango • 311 South 15th Street • Omaha, NE tickets $10 adv and $15 DOS — AlSO — Popa CHUBBY • Wednesday, March 20th • The Zoo Bar-6pm 3RD ANNUAL NEBRASKA BLUES CHALLENGE THURSDAY BLUES SERIES March 24, April 7, April 21 (all Sundays) 4727 S 96th Plaza Mark your Calendar All Shows 5:30pm Watch OmahaBlues.com and see the February 28th .............................. The Brandon Santini Band ($8) poster in this issue for schedules! March 7th .......................................................... -
“The Greatest Gift Is the Realization That Life Does Not Consist Either In
“The greatest gift is the realization that life does not consist either in wallowing in the past or peering anxiously into the future; and it is appalling to contemplate the great number of often painful steps by which ones arrives at a truth so old, so obvious, and so frequently expressed. It is good for one to appreciate that life is now. Whatever it offers, little or much, life is now –this day-this hour.” Charles Macomb Flandrau Ernest Hemingway drank here. Cuban revolutionaries Fidel Castro and Che Guevera drank here. A longhaired young hippie musician named Jimmy Buffett drank and performed here, too. From the 1930’s through today this rustic dive bar has seen more than its share of the famous and the infamous. It’s a little joint called Capt. Tony’s in Key West, Florida. Eighty-seven-year-old Anthony ‘Capt. Tony’ Tarracino has been the owner and proprietor of this boozy establishment since 1959. It seems Tony, as a young mobster, got himself into some serious trouble with ‘the family’ back in New Jersey and needed to lay low for a while. In those days, the mosquito invested ‘keys’ (or islands) on the southernmost end of Florida’s coastline was a fine place for wise guys on the lam to hide out. And this was well before the tee-shirt shops, restaurants, bars, art galleries, charming B&B’s and quaint hotels turned Key West into a serious year-round tourist destination. Sure, there were some ‘artsy’ types like Hemingway and Tennessee Williams living in Key West during the late 50’s when Tony bought the bar, but it was a seaside shanty town where muscular hard-working men in shrimp boats and cutters fished all day for a living. -
DAVE ALVIN and PHIL ALVIN • L0ST TIME Wednesday, March 2Nd Waiting Room Lounge, Omaha See for Tix & Info
VOLUME TWENTY-ONE, NUMBER TWO • FEBRUARY 2016 Thursday, Feb. 4th - 6 pm • THE NICK SCHNEBELEN BAND • 21st Saloon, Omaha DAVE ALVIN AND PHIL ALVIN • L0ST TIME Wednesday, March 2nd Waiting Room Lounge, Omaha See www.sundayroadhouse.com for tix & info Thursday, March 3rd Zoo Bar, Lincoln See www.zoobar.com for tix & info Feb. 4th ...................................................... Nick Schnebelen Band ($10) Feb. 6th (Sat. 8 pm) ............................................Achilles Last Band ($5) Feb. 11th ...................................................................... Kelley Hunt ($15) Feb. 18th .....................................Studebaker John and the Hawks ($10) Feb. 20th (Sat. 8 pm) .................................. Daddy Mac & the Flack ($5) KELLEY HUNT Feb. 25th ..............................................................Randy McAllister ($10) Thursday, Feb.11th - 6 pm Feb. 27th (Sat. 8 pm) ................ Tim Budig Band CD Release Party ($5) March 3rd ................................................. The Chris Duarte Group ($10) 21st Saloon, Omaha March 5th (Sat. 8 pm) ..............Kris Lager Band ($10 with first drink free) March 10th ............................................................... Johnny Rawls ($10) PAGE 2 BLUES NEWS • BLUES SOCIETY OF OMAHA Please consider switching to the GREEN VERSION of Blues Notes. You will be saving the planet while saving BSO some expense. Contact Sher Dostal at [email protected] to switch to e-mail delivery and get the scoop days before snail mail members! BLUES ON THE RADIO: Mondays 1pm-3pm on KIOS 91.5 “Blues in the Afternoon” with Mike Jacobs You can listen to the live stream at www.kios.org Sundays 9am-Noon on KIWR 89.7 Rick Galusha’s “PS Blues” Pacific Street Blues & Americana podcast: http://kiwrblues.podOmatic.com/entry/2010-02-03T11_00_49-08_00 Lincoln’s KZUM Radio - Nebraska’s only community radio, and you can listen to it on the web at KZUM.org. -
Psaudio Copper
Issue 142 AUGUST 2ND, 2021 Is there a reader among us who doesn’t dig ZZ Top? We mourn the passing of Joseph Michael “Dusty” Hill (72), bassist, vocalist and keyboardist for the tres hombres. Blending blues, boogie, bone-crushing rock, born-for-MTV visuals, humor and outrageousness – they once took a passel of live animals on stage as part of their 1976 – 1977 Worldwide Texas Tour – Hill, drummer Frank Beard and guitarist Billy F. Gibbons have scorched stages worldwide. As a friend said, “it’s amazing how just three guys could make that much sound.” Rest in peace, Mr. Hill. In this issue: Anne E. Johnson gets inspired by the music of Renaissance composer William Byrd, and understands The Animals. Wayne Robins reviews Native Sons, the superb new album from Los Lobos. Ray Chelstowski interviews The Immediate Family, featuring studio legends Waddy Wachtel, Lee Sklar, Russ Kunkel and others, in an exclusive video interview. I offer up more confessions of a record collector. Tom Gibbs finds much to like in some new SACD discs. John Seetoo winds up his coverage of the Audio Engineering Society’s Spring 2021 AES show. Ken Sander travels through an alternate California reality. WL Woodward continues his series on troubadour Tom Waits. Russ Welton interviews cellist Jo Quail, who takes a unique approach to the instrument. In another article, he ponders what's needed for sustaining creativity. Adrian Wu looks at more of his favorite analog recordings. Cliff Chenfeld turns us on to some outstanding new music in his latest Be Here Now column. -
Legendariska Los Lobos Åter Till Gävle Konserthus
Los Lobos 2018-08-28 13:17 CEST Legendariska Los Lobos åter till Gävle Konserthus I april 2007 spelade Los Lobos för en euforisk publik i ett knökfullt Gävle Konserthus, för övrigt den enda konserten i Sverige. Den 1 september kommer Los Lobos tillbaka till Gävle för en ny konsert. Med sin sköna mix av rockabilly, latin, jazz och blues blandat med sitt mexikanska arv har Los Lobos mutat in sitt eget musikaliska område i över 40 år. Los Lobos bildades 1973 som Los Lobos Del Este Los Angeles och är hos den breda massan antagligen mest kända för filmmusiken till ”La Bamba”, historien om rock’n’roll-stjärnans Ritchie Valens korta liv. Men de är så mycket mer än så. De har sina rötter i mexikansk musik men blandar upp den med rockabilly, latin, jazz, soul och blues. Genom åren har de släppt ett tjugotal studioalbum och valdes 2015 in i Rock and Roll Hall of Fame. Senaste plattan Gates of Gold celebrerar immigranternas Amerika och låtarna handlar om ögonblick ur bandmedlemmarnas liv och vilka erfarenheter och val livet bjuder. Hela tiden nyfikna och aktuella har de skannat av och speglat sin samtid. Med rötterna i stadsdelen East LA är Los Lobos självklara företrädare för ”Nuevo Latino” där de blandar det mesta av den mixade kulturen som Los Angeles är byggd kring till en musikalisk gryta av rock, blues, country, tex-mex, r&b, spansk och mexikansk folkmusik. Med sin särpräglade ”Nuevo Latino” har de kommit att bli ett av musikvärlden viktigaste band. Den 1 september kommer Los Lobos till Gävle Konserthus! Los Lobos, som betyder ”vargarna”, består än idag av samma medlemmar som varit med sedan starten: Louie Perez – trummor, gitarr, slagverk, sång Steve Berlin – saxofon, slagverk, flöjt, midsax, munspel, melodika Cesar Rosas – sång, gitarr, mandolin Conrad Lozano – bas, guitarrón, sång David Hidalgo – sång, gitarr, dragspel, slagverk, bas, keyboard, melodika, trummor, violin, banjo Enrique ”Bugs” Gonzalez – trummor/slagverk Sedan invigningen 1998 har Gävle Konserthus varit den naturliga arenan i Gävle för Musik, Mat och Möten.