Revisiting New Year's Divination at Suwa Taisha
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East-West Film Journal, Volume 3, No. 2
EAST-WEST FILM JOURNAL VOLUME 3 . NUMBER 2 Kurosawa's Ran: Reception and Interpretation I ANN THOMPSON Kagemusha and the Chushingura Motif JOSEPH S. CHANG Inspiring Images: The Influence of the Japanese Cinema on the Writings of Kazuo Ishiguro 39 GREGORY MASON Video Mom: Reflections on a Cultural Obsession 53 MARGARET MORSE Questions of Female Subjectivity, Patriarchy, and Family: Perceptions of Three Indian Women Film Directors 74 WIMAL DISSANAYAKE One Single Blend: A Conversation with Satyajit Ray SURANJAN GANGULY Hollywood and the Rise of Suburbia WILLIAM ROTHMAN JUNE 1989 The East- West Center is a public, nonprofit educational institution with an international board of governors. Some 2,000 research fellows, grad uate students, and professionals in business and government each year work with the Center's international staff in cooperative study, training, and research. They examine major issues related to population, resources and development, the environment, culture, and communication in Asia, the Pacific, and the United States. The Center was established in 1960 by the United States Congress, which provides principal funding. Support also comes from more than twenty Asian and Pacific governments, as well as private agencies and corporations. Kurosawa's Ran: Reception and Interpretation ANN THOMPSON AKIRA KUROSAWA'S Ran (literally, war, riot, or chaos) was chosen as the first film to be shown at the First Tokyo International Film Festival in June 1985, and it opened commercially in Japan to record-breaking busi ness the next day. The director did not attend the festivities associated with the premiere, however, and the reception given to the film by Japa nese critics and reporters, though positive, was described by a French critic who had been deeply involved in the project as having "something of the air of an official embalming" (Raison 1985, 9). -
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VOLUME 1: BORDERS 2018 Published by National Institute of Japanese Literature Tokyo EDITORIAL BOARD Chief Editor IMANISHI Yūichirō Professor Emeritus of the National Institute of Japanese 今西祐一郎 Literature; Representative Researcher Editors KOBAYASHI Kenji Professor at the National Institute of Japanese Literature 小林 健二 SAITō Maori Professor at the National Institute of Japanese Literature 齋藤真麻理 UNNO Keisuke Associate Professor at the National Institute of Japanese 海野 圭介 Literature KOIDA Tomoko Associate Professor at the National Institute of Japanese 恋田 知子 Literature Didier DAVIN Associate Professor at the National Institute of Japanese ディディエ・ダヴァン Literature Kristopher REEVES Associate Professor at the National Institute of Japanese クリストファー・リーブズ Literature ADVISORY BOARD Jean-Noël ROBERT Professor at Collège de France ジャン=ノエル・ロベール X. Jie YANG Professor at University of Calgary 楊 暁捷 SHIMAZAKI Satoko Associate Professor at University of Southern California 嶋崎 聡子 Michael WATSON Professor at Meiji Gakuin University マイケル・ワトソン ARAKI Hiroshi Professor at International Research Center for Japanese 荒木 浩 Studies Center for Collaborative Research on Pre-modern Texts, National Institute of Japanese Literature (NIJL) National Institutes for the Humanities 10-3 Midori-chō, Tachikawa City, Tokyo 190-0014, Japan Telephone: 81-50-5533-2900 Fax: 81-42-526-8883 e-mail: [email protected] Website: https//www.nijl.ac.jp Copyright 2018 by National Institute of Japanese Literature, all rights reserved. PRINTED IN JAPAN KOMIYAMA PRINTING CO., TOKYO CONTENTS -
Hakuba Newsletter February 2021 Jan.25, 2021
Hakuba Newsletter February 2021 Jan.25, 2021 A message from Hakuba Village mayor due to Preventing the spread of COVID-19 on Jan 20. Infection Alert Level 5 and Special Alert 2 have been announced for Hakuba Village To all people related to Hakuba Village I am a mayor of Hakuba Village, Masatake Shimokawa. I would like to inform you that Hakuba Village has been raised to alert level 5 for COVID-19. Within the Northern Japan Alps, the infection alert level was raised to 4 on January 16, and COVID-19 1. Nagano Prefecture will request the cooperation of Special Alert 1 was issued, and between January 17 and restaurants and other establishments that serve January 19, seven positive cases were confirmed in alcoholic beverages in restricting or suspending the Hakuba Village. use of their facilities (closing or shortening business It also includes high-risk cases such as mass hours). infections in dormitories and other communal houses, Target area: Hakuba Village Central Area: The area is and cases where the route of infection is unknown. surrounded by Hirakawa to the south, Matsukawa to Nagano Prefecture has announced an infection alert the north, and the JR Oito Line to the east. level of 5 and a special alert level of 2, which means Period: Jan. 22 - Feb. 4 that the infection has spread significantly. This is 2. Please take more thorough measures to prevent equivalent to Stage 3 in Japan, and this situation is infection at workplaces and communal homes. particularly severe in Nagano Prefecture. I am sure that everyone involved in Hakuba In addition to above request, on January 14, Nagano Village is feeling anxious about the rapidly changing Prefecture issued a declaration of a medical emergency situation, but I would like to remind everyone that the for the entire prefecture. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Producing Place, Tradition and the Gods: Mt. Togakushi, Thirteenth through Mid-Nineteenth Centuries Permalink https://escholarship.org/uc/item/90w6w5wz Author Carter, Caleb Swift Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Producing Place, Tradition and the Gods: Mt. Togakushi, Thirteenth through Mid-Nineteenth Centuries A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Asian Languages and Cultures by Caleb Swift Carter 2014 ABSTRACT OF THE DISSERTATION Producing Place, Tradition and the Gods: Mt. Togakushi, Thirteenth through Mid-Nineteenth Centuries by Caleb Swift Carter Doctor of Philosophy in Asian Languages and Cultures University of California, Los Angeles, 2014 Professor William M. Bodiford, Chair This dissertation considers two intersecting aspects of premodern Japanese religions: the development of mountain-based religious systems and the formation of numinous sites. The first aspect focuses in particular on the historical emergence of a mountain religious school in Japan known as Shugendō. While previous scholarship often categorizes Shugendō as a form of folk religion, this designation tends to situate the school in overly broad terms that neglect its historical and regional stages of formation. In contrast, this project examines Shugendō through the investigation of a single site. Through a close reading of textual, epigraphical, and visual sources from Mt. Togakushi (in present-day Nagano Ken), I trace the development of Shugendō and other religious trends from roughly the thirteenth through mid-nineteenth centuries. This study further differs from previous research insofar as it analyzes Shugendō as a concrete system of practices, doctrines, members, institutions, and identities. -
Through the Case of Izumo Taishakyo Mission of Hawaii
The Japanese and Okinawan American Communities and Shintoism in Hawaii: Through the Case of Izumo Taishakyo Mission of Hawaii A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAIʽI AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN AMERICAN STUDIES MAY 2012 By Sawako Kinjo Thesis Committee: Dennis M. Ogawa, Chairperson Katsunori Yamazato Akemi Kikumura Yano Keywords: Japanese American Community, Shintoism in Hawaii, Izumo Taishayo Mission of Hawaii To My Parents, Sonoe and Yoshihiro Kinjo, and My Family in Okinawa and in Hawaii Acknowledgement First and foremost, I would like to express my deep and sincere gratitude to my committee chair, Professor Dennis M. Ogawa, whose guidance, patience, motivation, enthusiasm, and immense knowledge have provided a good basis for the present thesis. I also attribute the completion of my master’s thesis to his encouragement and understanding and without his thoughtful support, this thesis would not have been accomplished or written. I also wish to express my warm and cordial thanks to my committee members, Professor Katsunori Yamazato, an affiliate faculty from the University of the Ryukyus, and Dr. Akemi Kikumura Yano, an affiliate faculty and President and Chief Executive Officer (CEO) of the Japanese American National Museum, for their encouragement, helpful reference, and insightful comments and questions. My sincere thanks also goes to the interviewees, Richard T. Miyao, Robert Nakasone, Vince A. Morikawa, Daniel Chinen, Joseph Peters, and Jikai Yamazato, for kindly offering me opportunities to interview with them. It is a pleasure to thank those who made this thesis possible. -
Japan Geoscience Union Meeting 2009 Presentation List
Japan Geoscience Union Meeting 2009 Presentation List A002: (Advances in Earth & Planetary Science) oral 201A 5/17, 9:45–10:20, *A002-001, Science of small bodies opened by Hayabusa Akira Fujiwara 5/17, 10:20–10:55, *A002-002, What has the lunar explorer ''Kaguya'' seen ? Junichi Haruyama 5/17, 10:55–11:30, *A002-003, Planetary Explorations of Japan: Past, current, and future Takehiko Satoh A003: (Geoscience Education and Outreach) oral 301A 5/17, 9:00–9:02, Introductory talk -outreach activity for primary school students 5/17, 9:02–9:14, A003-001, Learning of geological formation for pupils by Geological Museum: Part (3) Explanation of geological formation Shiro Tamanyu, Rie Morijiri, Yuki Sawada 5/17, 9:14-9:26, A003-002 YUREO: an analog experiment equipment for earthquake induced landslide Youhei Suzuki, Shintaro Hayashi, Shuichi Sasaki 5/17, 9:26-9:38, A003-003 Learning of 'geological formation' for elementary schoolchildren by the Geological Museum, AIST: Overview and Drawing worksheets Rie Morijiri, Yuki Sawada, Shiro Tamanyu 5/17, 9:38-9:50, A003-004 Collaborative educational activities with schools in the Geological Museum and Geological Survey of Japan Yuki Sawada, Rie Morijiri, Shiro Tamanyu, other 5/17, 9:50-10:02, A003-005 What did the Schoolchildren's Summer Course in Seismology and Volcanology left 400 participants something? Kazuyuki Nakagawa 5/17, 10:02-10:14, A003-006 The seacret of Kyoto : The 9th Schoolchildren's Summer Course inSeismology and Volcanology Akiko Sato, Akira Sangawa, Kazuyuki Nakagawa Working group for -
Representations of Pleasure and Worship in Sankei Mandara Talia J
Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei mandara Talia J. Andrei Submitted in partial fulfillment of the Requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences Columbia University 2016 © 2016 Talia J.Andrei All rights reserved Abstract Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei Mandara Talia J. Andrei This dissertation examines the historical and artistic circumstances behind the emergence in late medieval Japan of a short-lived genre of painting referred to as sankei mandara (pilgrimage mandalas). The paintings are large-scale topographical depictions of sacred sites and served as promotional material for temples and shrines in need of financial support to encourage pilgrimage, offering travelers worldly and spiritual benefits while inspiring them to donate liberally. Itinerant monks and nuns used the mandara in recitation performances (etoki) to lead audiences on virtual pilgrimages, decoding the pictorial clues and touting the benefits of the site shown. Addressing themselves to the newly risen commoner class following the collapse of the aristocratic order, sankei mandara depict commoners in the role of patron and pilgrim, the first instance of them being portrayed this way, alongside warriors and aristocrats as they make their way to the sites, enjoying the local delights, and worship on the sacred grounds. Together with the novel subject material, a new artistic language was created— schematic, colorful and bold. We begin by locating sankei mandara’s artistic roots and influences and then proceed to investigate the individual mandara devoted to three sacred sites: Mt. Fuji, Kiyomizudera and Ise Shrine (a sacred mountain, temple and shrine, respectively). -
Nagano Regional
JTB-Affiliated Ryokan & Hotels Federation Focusing mainly on Nagano Prefecture Regional Map Nagano Prefecture, where the 1998 winter Olympics were held, is located in the center of Japan. It is connected to Tokyo in the southeast, Nagoya in the southwest, and also to Kyoto and Osaka. To the northeast you can get to Niigata, and to the northwest, you can get to Toyama and Kanazawa. It is extremely convenient to get to any major region of Japan by railroad, or highway bus. From here, you can visit all of the major sightseeing area, and enjoy your visit to Japan. Getting to Nagano Kanazawa Toyama JR Hokuriku Shinkansen Hakuba Iiyama JR Oito Line JR Hokuriku Line Nagano Ueda Karuizawa Limited Express () THUNDER BIRD JR Shinonoi Line JR Hokuriku Matsumoto Chino JR Chuo Line Shinkansen JR Chuo Line Shinjuku Shin-Osaka Kyoto Nagoya Tokyo Narita JR Tokaido Shinkansen O 二ニ〕 kansai Chubu Haneda On-line゜ Booking Hotel/Ryokan & Tour with information in Japan CLICK! CLICK! ~ ●JAPAN iCAN.com SUN 廊 E TOURS 四 ※All photos are images. ※The information in this pamphlet is current as of February 2019. ≫ JTB-Affiliated Ryokan & Hotels Federation ヽ ACCESS NAGANO ヽ Narita International Airport Osaka Haneda(Tokyo ダ(Kansai International International Airport) Airport) Nagoya Snow Monkey (Chubu Centrair The wild monkeys who seem to International Airport) enjoy bathing in the hot springs during the snowy season are enormously popular. Yamanouchi Town, Nagano Prefecture Kenrokuen This Japanese-style garden is Sado ga shima Niigata (Niigata Airport) a representative example of Nikko the Edo Period, with its beauty Niigata This dazzling shrine enshrines and grandeur. -
80Th Anniversary Celebration Konko Mission of Wahiawa
80th Anniversary Celebration Konko Mission of Wahiawa Konko Mission of Wahiawa 207 Muliwai Avenue Wahiawa, HI. 96786 Phone & Fax: (808) 621-6667 E-mail: [email protected] “Thank you for the blessings till today” Sunday, March 15, 2020 Konko Mission of Wahiawa 80th Anniversary 60 Konko Mission of Wahiawa 80th Anniversary 1 49) Mansho, Rene 108) Yasutake, Rev. Tetsuro (Waipahu Kyokai) 50) Masaki, Chelsea 109) Yasutake, Rev. Mitsuko (Waipahu Kyokai) 51) Masaki, Hunter 110) Yasutake, Rev. Akinobu (Waipahu Kyokai) 52) Masaki, Judy 111) Yasutake, Rev. Miyoko (Waipahu Kyokai) 53) Masaki, Sean 112) Yasutake, Judy 54) Matsunaga, Tsugumi 113) Yasutake, Rev. Hisayo (Wailuku Kyokai) 55) Matsuoka, Rev. Edna (Wahiawa Kyokai) 114) Yasutake, Rev. Kanae (Wailuku Kyokai) 56) Matsuoka, Clayton 115) Yasutake, Aimee Guests 57) Miyahara, Nolan 116) Yasutake, Rev. Michiyoshi (Amagi Kyokai) 58) Miyasaka, Janet 117) Yasutake, Rev. Sachiko (Amagi Kyokai) 1) Adkison, Bryce 59) Miyashiro, Leong-Courtney 118) Yee, Jeremy 60) Montes, Rie 119) Yip, Fong 2) Adkison, Jason 3) Adkison, Jayden 61) Motosue, Reiko 120) Yip, Paley 62) Newell, Yuka 121) Zhao, Lyndon 4) Adkison, Trisha 5) Arakaki, Terry Jean 63) Nguyen, Chris 122) Zhao, Susan 64) Noguchi, Hugh 6) Esteban, Joyce 65) Oda, Glenn 7) Fukagawa, Rev. Shoryu (Ryusenji Soto Mission) 66) Oda, Claire 8) Fukushima, Dennis 9) Furusho, Alex 67) Ohata, Nancy 68) Ogino, Kiyoteru 10) Furusho, Masumi 11) Furusho, Nicholas 69) Okuno, Loren 70) Okuno, Rev. Setsuko (Hanapepe Kyokai) 12) Furusho, Randy 13) Grange, Evan 71) -
University of Nevada, Reno American Shinto Community of Practice
University of Nevada, Reno American Shinto Community of Practice: Community formation outside original context A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in Anthropology By Craig E. Rodrigue Jr. Dr. Erin E. Stiles/Thesis Advisor May, 2017 THE GRADUATE SCHOOL We recommend that the thesis prepared under our supervision by CRAIG E. RODRIGUE JR. Entitled American Shinto Community Of Practice: Community Formation Outside Original Context be accepted in partial fulfillment of the requirements for the degree of MASTER OF ARTS Erin E. Stiles, Advisor Jenanne K. Ferguson, Committee Member Meredith Oda, Graduate School Representative David W. Zeh, Ph.D., Dean, Graduate School May, 2017 i Abstract Shinto is a native Japanese religion with a history that goes back thousands of years. Because of its close ties to Japanese culture, and Shinto’s strong emphasis on place in its practice, it does not seem to be the kind of religion that would migrate to other areas of the world and convert new practitioners. However, not only are there examples of Shinto being practiced outside of Japan, the people doing the practice are not always of Japanese heritage. The Tsubaki Grand Shrine of America is one of the only fully functional Shinto shrines in the United States and is run by the first non-Japanese Shinto priest. This thesis looks at the community of practice that surrounds this American shrine and examines how membership is negotiated through action. There are three main practices that form the larger community: language use, rituals, and Aikido. Through participation in these activities members engage with an American Shinto community of practice. -
T He Sp Lendour of the Middle Jo M on C Ulture
* 42 Ilona Bausch THE SPLENDOUR OF THE MIDDLE JOMON CULTURE: ULTURE CERAMICS FROM THE CENTRAL JAPANESE HIGHLANDS C The Japanese Jomon period, characterised by a prehistoric hunter- gatherer society with a vigorous material culture, is particularly noted for its long-lasting ceramic traditions. Currently enjoying great popularity in ON Japan, the Jomon culture remains largely unknown in Europe. This is due to its absence from most Japanese collections outside Japan – despite the M efforts of several European museums in the 2000s to invite temporary exhibitions with representative Jomon ‘national treasures’ loaned from O various Japanese museums.1 As it is impossible to do full justice to the J regional and temporal diversity within the Jomon culture, this essay will introduce the most salient general aspects before focusing on the the Highlands in Central Honshu, an area that produced distinctive ceramics with evocative designs during the Middle Jomon phase (circa 3520-2470 BC) – to provide a glimpse into the variety of Jomon forms and iconography. A general background to the Jomon period (13,350-400 BC) The first inhabitants of Japan, and probable ancestors of the Jomon, were modern humans who arrived in the archipelago during the Late Pleistocene Ice Ages, about 40,000 to 35,000 years ago, via Okinawa and Hokkaido. They discovered local stone sources for manufacturing hunting tools, including obsidian (a volcanic glass highly suitable for sharp-edged tools such as spear points), and traded them over long distances. Around 16,500 years ago, nomadic hunters in Japan first started making pottery. This is one of the world’s oldest ceramic traditions, roughly contemporaneous to, but probably independent from similar developments in China and Siberia.2 The added possibilities for cooking and storage proved to be a great boon, and pottery vessels soon became a permanent feature, making up a large proportion of finds at any Jomon excavation. -
Manual Text LAWRENCE SCHICK LAWRENCE SCHICK Artistic Director with SANDY PETERSEN MICHAEL HAIRE Manual Editor Lead Programmer JEFFERY L
SWORD OF THE SAMURAI Computer Game MICROPROSE SOFTWARE INC. 180 Lakefront Drive, Hunt Valley, MD 2 1030 (410) 771-I 151 All rights reserved Copyright 0 I989 by MicroProse Software, inc. This bk may not be reproduced in whole or in part by any means without permission, except the quotation of brief passages for reviews. PRINTING HISTORY First printing 1989 Printing: 9 8 7 6 5 4 3 2 1 Sword of the Samurai is MicroProse Software’s trademark for its computer game of feudal Japan. SWORD OF THE SAMURAI Game Design/Project Leader Manual Text LAWRENCE SCHICK LAWRENCE SCHICK Artistic Director with SANDY PETERSEN MICHAEL HAIRE Manual Editor Lead Programmer JEFFERY L. BRIGGS JIM SYNOSKI Print Media Director Role-Playing Program IRIS IDOKOCI JIM SYNOSKI Full-Page Illustrations with SID MEIER RONNIE ORDANZA and MARCELL CIOLA Melee Program Spot Illustrations JOHN KENNEDY OSCAR RATTI* Battle Program Layout DAVID McKlBBlN MICHAEL HAIRE and MURRAY TAYLOR with DAN CHANG Paper Map Graphics Duel Program MARCELL CIOLA SID MEIER MURRAY TAYLOR and MICHAEL REIS Music and Sound Quality Assurance KEN LAGACE and JIM McCONKEY ALAN ROIREAU, CHRIS TAORMINO, Music by JEFFERY L. BRIGGS and RUSS COONEY Computer Graphics Packaging Design MICHAEL HAIRE MARK CIOLA and JOHN EMORY with JACKIE ROSS Type Fonts by BARBARA BENTS *(from Secrets of the Samurai by Oscar Ratti and Adele Westbrook; used by permission of the publisher, the Charles E. Tuttle Company, Inc.) CONTENTS INTRODUCTION THE LIFE OF A SAMURAI General Overview: Another Time, Another Culture 3 Quickstart: On the