Manuscript Language Guide for Sibelius® | Ultimate Software Legal Notices

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ManuScript Language Guide for Sibelius® | Ultimate Software Legal Notices © 2020 Avid Technology, Inc., (“Avid”), all rights reserved. This guide may not be duplicated in whole or in part without the written consent of Avid. For a current and complete list of Avid trademarks visit: www.avid.com/legal/trademarks-and-other-notices Bonjour, the Bonjour logo, and the Bonjour symbol are trademarks of Apple Computer, Inc. Thunderbolt and the Thunderbolt logo are trademarks of Intel Corporation in the U.S. and/or other countries. This product may be protected by one or more U.S. and non-U.S. patents. Details are available at www.avid.com/patents. Product features, specifications, system requirements, and availability are subject to change without notice. Guide Part Number 9329-66140-00 REV A 3/20 Contents Introduction . 1 Rationale. 1 Technical Support . 2 System Requirements and Compatibility Information . 2 Conventions Used in Sibelius Documentation . 2 Resources. 3 Sibelius ManuScript Language Tutorial. 4 Edit Plug-ins . 4 Editing the Code. 7 Loops . 9 Objects . 11 Representation of a Score . 12 The “for each” Loop. 14 Indirection, Sparse Arrays, and User Properties . 15 Dialog Editor. 19 Set Creation Order . 21 Debugging Plug-ins . 24 Storing and Retrieving Preferences . 25 Object Reference . 30 Syntax . 30 Expressions . 31 Operators . 33 Global Constants . 34 Global Constants . 34 Object Reference . 67 Hierarchy of Objects . 67 All Objects . 68 Accessibility . 69 AnnotationItem . 69 Bar. 69 Barline. 74 Barlines. 74 BarObject . 75 BarRest . 77 Bracket . 77 Brackets and Braces . 78 Clef . 78 ManuScript Language Guide iii Comment. 78 ComponentList . 79 Component . 79 DateTime . 79 Dictionary . 80 DocumentSetup . 81 DynamicPartCollection. ..

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^^^•::.':' THE AMERICAN HISTORY AND ENCYCLOPEDIA OF MUSIC W. L. HUBBARD EDITOR IN CHIEF ARTHUR FOOTE GEO. W. ANDREWS EDWARD DICKINSON Associate Editors Special Contributors G. W. CHADWICK FREDERICK STARR FRANK DAMROSCH H. E. KREHBIEL FREDERICK STOCK EMIL LIEBLING W. J. HENDERSON Irving Squire Toledo New York Chicago a. \ fc irO'V^i^ I c^ -^ ci I- i! -O c^ 2 G rt c^ t: -a ?^ <u (u > ,^ '-^ <u -5 •*-" n o ^ ^ .^ t-, n:; OT o c '-' -Ti > ." cj bjois 'o 5 S^ ^ S -r. c^ w S^ ri, 0/5 o ~rt gj O I o >^^ 00 I— > C/5 J3 :3 r^ CO w o v^ 'C ^ ^ +-> CO o t3 ' .2 «-> OJ (U U^ CO O •-- ^^7 CO -^ fin 3 u <U o CO M j« S 2:! I> "rt Id ;n f^- rt -r; "" --^ S CO CO, o c^-;:; o ^ Oh o ^ Ci:^ o aj 4_) o _^ J^ b^ s-< i^ <j5 ^ b/)-p CO rt rt s o ?^ o ^ bjO i= .in OT C/^ < o ^ <u ._ -I-' Digitized by tine Internet Arcinive in 2011 witin funding from Boston Public Library http://www.archive.org/details/musicalinstrumenOOandr THE AMERICAN HISTORY AND ENCYCLOPEDIA OF MUSIC MUSICAL INSTRUMENT WITH INTRODUCTION BY FREDERICK STOCK AND GEORGE W. ANDREWS EDITOR IRVING SQutre; Toiedo New York Chicago Copyright 1908 by IRVING SQUIRE Entered Stationers' Hall LONDON -• CONTENTS Introduction . 1 The Development of the Orchestra 9 The Development of Musical Instruments .... 31 Musical Instruments 89 Selected Bibliography 255 INTRODUCTION INTRODUCTION George W. Andrews. The fact of the universality of musical instruments and musical expression among men will not fail to impress the attentive reader of this book.
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' Fz4- -/)L L-- Adviser School of Music ACKNOWLEDGEMENTS
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Egberto Bermúdez [email protected]
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