made at wsa Accepting 10 Architecture 7 Such goals to 8 Such visions and Such work, it was 9 6 5 studio practice, but which also have radical have also which but practice, studio systematically.” decentraliseda asact wouldsystem which processes. symbiotic already made contributes substantially to diversity and contexture.” diversity and experiment which would never be and thus, at any given time, will be the engineeringarchitectureand arts - the and essentially - moving beyond a ‘responsive environment’ towards an ‘evolutionary environment’ - a evolutionaryTis socio-culturalsolution. environmental and environment works on the premises of dynamic stimulating interrelationships and rich connections, “between man, his simultaneously being nature; and extensions thinkingalternativeof thosesimilar are to organises the space-time continuum eco- and reclamation systems to adapt to the of of nature only – “creating, changing and challenges to accepted systems and ways of of ways and systems accepted to challenges make, whatwe andto contributeswhatis completed: “it willincessantlyexplainand“it completed: form the world out of it’s very self-anew best of all architectures.” beginning and end, originator and result, material material and reclamation system which manipulates the sensing structure to the hoped, would create an autoplastic systemautoplastican create would hoped, producer and user.” to to both an enriching pedagogic mode for terminating, in an in-deterministic manner, manner, in-deterministic an in terminating, sciences soft and hard the of integration the to a livingmateriala requiresorganism,a to it to sense such environments. Secondly, a needs of the user. Tirdly, a computer nervous structure organises the sensing total needs of the user. It would have itself against any disruption. Te system tasks of organisation and complexity and reversible capabilities and could balance Soleri, Buckminster Fuller et al, belongingal, et BuckminsterFuller Soleri, frst, a sensing structure subsystem akin working, as Vesley remarks, “what we know we “what remarks, Vesley as working, what it is possible to know.” was to be seen as a material in transition would absorb and be capable of higher level level higher of capable be and absorb would Hilbertz could only be realised through He based the system on three sub sectionsthreesub system basedon the He – open systemsopen – being regulated the by law is 1 It was It 4 Tese 3 (CYBERnetics & 19 for naturalmaterialsbuilding for 2 Cybertecture systems, systems, control mechanisms that structures and materials -what Hilbertz archiTECTURE), analogous to living evolutionary environmental system “which system environmental evolutionary energy that could be naturally grown of natural organization that a cybernetic organize materials in a self-determined architectures that are “self-organizingenvironmental open systems capable of called called can yield a raft of experience which can collectively being reshaped towards new Te it. placesGoetheaslife new change,a function (utilising computer technology forming higher orders of organization” formingof higherorders manner. Hilbertzmanner.outlinean to attempted materials with low to moderate states of mechanisms of evolutionary processes heuristic method is one of discoveringand of one is methodheuristic historical process radically.” Wolf Hilbertz Wolf radically.” process historical plant, technology and nature. life ruins.” blossoms of Goethe out through examination of the phenomena that determines the frequency of natural thischange) could enable these new the now. To this end the seascapearchitectthe end this To now. the imperatives that created a symbiosis of man, animal, imperatives included renewable building then be drawn from, of the processes of evolutionary heuristic for desire e T things. environmentalour addressthat technologies impact. A heuristic approach is to enable Seascape Architecture, Ampere, Autopia Keywords Introduction fnding, projecting solutions borne of out whilst also supporting biodiversity. supporting also whilst Forest Higgs & collective, from the late Hilbertz, Goreau. Dr. Dr. T omas Goreau and Newton Fallis, Drawing, Visualisation, Mineral Accretion, Accretion, MineralVisualisation, Drawing, Examination and integration of the Wolf Hilbertz (1938 -2007), coral scientist 1960s researched and articulated categoricalarticulated and researched 1960s “Cybertecture is a concept to reverse a new change,and times falls down, old “ e T

Autopia . Te early (Cybernetics (Goreau, Hilbertz 2005). Cybertecture Autopia Autopia Ampere ). ). Te author’s composite

to to see

stage of the project involved large scale of of working - out’ to provide or image heuristically other visualization techniques-arguingother the drawing in architectural practice (Evans drawings present this vision as a method envisioned envisioned - and managing fragile and threatened coral coral threatened and fragile managing and of eld f emerging an creating thus ecosystems evolving evolving habitat (Hilbertz, Goreau 1970, evolutionary environmental system, a coral coral a system, environmental evolutionary and involves a process of creating arti cial creating f of a process and involves charged solutions, spaces and structures case for the maintenance of thisparticularmaintenance of the casefor can be considered as heuristic and also as heuristic can be considered coral reefs which are stronger and more basis there is a consideration of the role of of role theconsiderationbasis of a isthere building materials developing a mode hand drawing, its decline and its relation to to relation its and decline its drawing,hand hand drawings of possible outcomes and to to understanding the project as a form of to ourto changing climate. issues in construction and production technology, an accreted city of coral is in in growth three to ve f times faster than normal, protects coastline, and grows es an es f exempli technology e T reefs. natural investigation focuses particularly on that of of that on particularly focuses investigation the development of ‘self organizing’ natural organizing’ ‘self of development the resilient to degrading factors found on fsh populations through its constantly which arguably can ‘inuence’f and ‘work wide implications for wide restoring, designing implications which which is reliant, multiplies more tradable, (left) Autopia Ampere, 2009, After Pencil, and Hilbertz Wolf Newton Fallis (1978), 23.5cm * 13.8cm. (1970) Fallis and collective, the paper considers Biorock® the mineral accretion technology, technology, the mineral accretion Biorock® Dr Dr Tomas Goreau, architect Newton Paul Cureton Paul Latin. Latin.

visionary in the testing of ideas - (Videre, Evolutionary Architectures Evolutionary Seascape Architecture Seascape (Fallis 2010). (Fallise T drawings2010). of Abstract Analysing the works of the seascape architect architect seascape the of works the Analysing Through Through the application of such & Architecture) (Hilbertz 1970). Tis Wolf Hilbertz (1938 -2007), coral scientist coral scientist -2007), Hilbertz (1938 Wolf 1996, 1996, 2000). T is is a type of drawing 1992, 2008). Importantly the technology has technology the Importantly 2008). 1992, ‘dialogic drawing’ (Dee 2004). thisFrom

‘visionary’ species (a morphological type) of of type) morphological (a species ‘visionary’ Videre: Drawing and and Drawing Videre: at wsa made e new structures on various damaged damaged various on structures new e T intensely more “are corals Biorock e T The piloting of mineral accretion accretion mineral of piloting The Applying an electrical charge powered by powered charge electrical an Applying Hilbertz develops, demonstrate such such demonstrate develops, Hilbertz e reefs reefs e T environments. harsh within when is T e charge the sustained. electrical would then become attached to the Biorock were previously the reefs weref cantly signi Seament, Seacrete, or Mineral Accretion). Accretion). or Mineral Seacrete, Seament, Coral Arks Coral e arks also also arks’. ‘coral termed Te arks are reefs grow to ability their thus and radiation in Tus, the it process. resistance becomes growth accelerate both and structure reef repairing. cation. f speci original the in rebar environmental and cability reproductive the regulation and absorption of solar solar of absorption and regulation the cial cial f Tearti clear. is environment this in intervention active but palliative just not same the in growing and identical a at representations (visual) original the shing shing f sustainable economically provide and rates growth higher have pigmented, photovoltaic or wind generators to a sunken unique the conserve to need pressing the and structuring coral of possibilities heuristic methods which methods heuristic in turn represent ed ed f to be any or speci shape including size morpohology”, growth and branching developed better times ve f to three growth in multiplies called (also Biorock® called material marine habitat so essential to life that that life to essential so habitat marine faster than normal and protects coastline. grade rebar) would charge and repair or repair and charge would rebar) grade conservators of the sites, thus destroying destroying thus sites, the of conservators coral population is dead coral sites have attracted juvenile sh,f moray water where areas in grown be also can energy, metabolic more with left is coral tissue coral Small carbonate. calcium of walls create and materials crystallise create new coral reefs as well as being self- level conceptual – a cycle evolving pattern areas, converting shermen areas, f to sh f farmers, world the 25%of that indicate estimates damaged from storms. crabs, cucumbers, sea urchins, sea eels, the of form the on depending all depth, can reefs the Likewise issue. an is quality in role important an plays corals of Pigmentation conditions. environmental demonstrated a harmonious ocean building of thinking. cation of the the of cation f identi the patterns, such squid, shrimps, bivalves, and even dolphins and resilient more is age, by stronger construction (usually steel mesh armature 11 e electrical charge would would charge electrical e T 13 than those genetically genetically those than 14 15 As some coral reef the imperative for 12

‘hot spots’, extended periods of warm sea sea warm of periods spots’,extended ‘hot 1800s attaching corals to wooden stakes, stakes, wooden to corals attaching 1800s is creates networks of stakeholders all all stakeholders of networks creates is T Te arks have fcant economicsigni fbene ts Atoll - Te Republic of the Marshall Islands. Ampere, iig oa, ih ad H sensitive, PH and light coral, Living Lombok, Trawangan, Gili Bali, Lestari, De Mahla banks, Mahla De Hilbertz Hilbertz and Collective searched for suitable Indonesia, Ihura Island, Maldives and Arno would be the most valuable ecosystem for ecosystem valuable most the be would wire, electricity and labour being the being only and labour electricity wire, properly and for accounted properly were was deemed the most suitable. Additional deemed the most was Additional suitable. research research sites the examining geography and reef restoration has been reported in the the in reported been has restoration reef near Sicily, though Saya de Malha Banks Banks Malha de Saya Sicily, though near temperatures above by one caused temperatures Celsius by possibly caused bleaching is coral issue which areas to tourism apropos particular to implement is T concrete than seawalls. levels, soil levels, erosion, and tonutrients excess in Colombia. in Indas de las of Cartagena city ancient the limits erosion and is substantially cheaper cheaper erosion is and substantially limits have undergone extensive damage due to due damage extensive undergone have history of such thinking. Maldives the in implemented been has builds have taken place in more than a than more in place taken have builds whenbathymetry he came upon Seamount modules modules coral longertake to roottake and by absorbing the wave energy. years few a in feet fty f by grow to beach destruction natural of resources marine ts include the construction costs- construction the include benef ts managed. from sewage and fertilizers.”andfromsewage global warming. oa re communities”. reef coral creating a Biorock breakwater- causing the coral as building material has appeared in appeared has material as building coral as Hilbertz and Goreau claim, coral reefs reefs coral claim, Goreau and Hilbertz as outlay. Testing has taken place in Saya Saya in place taken has Testing outlay. ecosystems to rising temperatures, sea sea temperatures, rising to ecosystems – “the most vulnerable climate our current evolving, but also disappearing is an icon for dozen countries such as Pemuteran, Karang economic and environmental services services environmental and economic their if worldwide countries 100 a over decimation. human and the on downturn spiralling dangerous a excrete they that pollutants the to due establish and monitor to together work which of to Darwin. known was and storms become snorkelling storms and become dive snorkelling spots. stepping stone for shallow water species). water shallow for stone stepping essential (and ecosystem marine shallow reefs or ships concrete sunken old cars, as such cial f arti Other arks. the sustain 22 25 - “thus do not produce genuine genuine produce not do “thus - east of Gibraltar and Skerki Bank 17 e arks coastline protection protection coastline arks Te 19 is precedent shows the the shows precedent is T 27 T e rate of fcation acidi 24 20 NE Indian Ocean, a Ocean, Indian NE 20 16 In addition coral In comparison comparison In 23 21 Additional Additional 18 26 Te use of A major major A vision of a synergistic ‘constant state of state ‘constant synergistic a of vision sh species causing reproductive issues. reproductive causing species sh f Coral is perhaps the prime example example prime the perhaps is Coral transition. the mission is one of conservation and and conservation of one is mission the trigger alongside rising sea temperatures for carbon in uptake an to due sea the in landscaping landscaping in which to locate our building becoming’, methods - something that grows from itself ects ects f a PHTe also drop bleaching. coral of a living mega structure, of marine marine of structure, mega living a of is heuristic method provides a provides method heuristic is T anew. dioxide in the atmosphere ects f e and is one 30 29 As ‘Seascape architecture’ architecture’ ‘Seascape As

of architecture always in in always architecture of 28 Seaport Interior, After Newton Fallis (1970), Fallis 21.5 Newton 2010, Pencil, After *31cm. Interior, Seaport made at wsa AutopiaAmpere, 32 spectated from a tower of of spectated tower a from appearance, but form in the process of of development thedrawing depictsthat a from the beaten path and explore his[/ path the and from beaten explore becoming, as Paul Klee genesis.” by Newton Fallis, who worked with her] her] particular interests.” the mineral accretion technological coral It is appropriate thatis appropriate It from the illustration Hilbertz, this particular vision can be Visualisation Micro-nation a of “Not form, “Not forming,but formnot as fnal Seaport Interior, * 31cm. After Pencil, 2010, Newton 21.5 Fallis (1970), 21 solving,design processes, environmental awareness all leading as Doehne states, of the early stage visualisations for the of the material. It was a of convergenceexperimentation and creativity and andengineering studios whichdeveloped a heuristic based method. Essentially a discipline is owed in great part to some collaboration between the architecture collaboration for for the architecture students’ to ee f “ project and projections of the possibility pedagogicdeliveringmode basicskill sets, the visualizations which then delivered interdisciplinary approaches to problem Suchproject,a philosophy and emerging 31 sustaining with human help... architecture, it also focuses on designed ensembles and ecologies of fora and fauna that are self artistically satisfying habitats... code inspiring the counterpart landscaper. theprofessional missionembodies the same philosophy and ethical while producing aesthetically and Like its counterpart landscape as Goreau and Hilbertz state, restoration of the marine ecosystem and at wsa made e composite produced was a means for means a was produced composite Te As Dee maintains, adopting a critical critical a adopting maintains, Dee As (Biorock®) possibilities in the form of a of form the in possibilities (Biorock®) and Applications’, IEEE, Journal of Oceanic Engineering, Vol. 4, No. 3, July, (1979), July, 3, No. 4, Vol. pp94-113. Engineering, 2011, 17cm* Oceanic of Pencil, Journal 26cm. IEEE, Applications’, and in Water: Sea Experiments of Minerals et al Wolf‘Electrodeposition Hilbertz from of Out Ocean’the ‘Grow unknown, (OTEC Plants), After Structures which to examine visual conventions that conventions that visual to examine which researcher with a more concrete critical critical concrete more a with researcher of purpose the for but representation er from written critiques critiques written from er f di studies these its design, not for the purpose of slavish slavish of purpose the for not design, its the author to understand the elements of elements the understand to author the position (through lived experience) with with experience) lived (through position mode of enquiry of a Klee’esque (Moses) Klee’esque a of enquiry of mode method of dialogic drawing “provides the drawing ofmethod dialogic genesis, the stages of a work and its “coming gauging its complex ideological positioning city and oceanographic research institute. institute. research oceanographic and city of images and their use.” their and ofimages and ecologically demonstrative activity. activity. demonstrative ecologically and 33 It to adopt a is Autopia with Or to recount Heidegger “let us go to the to go the us “let Heidegger Or to recount radical socio-cultural-political implicationsradical socio-cultural-political in our relationship with the ocean that also into being” furniturenearly obsolete. making occupants its of comfort the for creation of free form internal space more space internal form free of creation the allow would method construction actual work what and and ask how actual it is”. akin to biology than architecture, built built architecture, than biology to akin fes exempli an evolutionary environmental with city autonomous an architecture), itself. manifest to will a and expression system. Cybertecture is an economic, material trading, trading, material economic, an is 36 Based on Based a sea foor,shallow the 34 a desire for the recreation of recreation for the desire a 22 (CYBERnetics and and (CYBERnetics 37 Vaulted open open Vaulted 35 e space would contain entertainment entertainment contain would space e T wishes of the inhabitants using the three three the using inhabitants the of wishes oor plans would be developed avoiding avoiding developed be would plans foor running circuitry and services would be be would services and circuitry running then being re-grown. Tese activities would incisions in the structure, these incisions incisions these structure, the in incisions form thin concrete shell structures. shell concrete thin form form would be to similar air form and free grown grown in and function as the arteries of the growing the space and location to thelocation to and space thegrowing complexes, hydroponic gardens, parklands and designing compartmentalisation, and recreational space. It would cultivate cultivate would It space. recreational and structure, which could be extended with with extended be could which structure, Conduit pens. sh f hold and seaweeds Such theorised. that Hilbertz sub-systems 38 made at wsa

44 . ) a pilot pilot a ) infuence 45 (though not all 41 43 whilst an aesthetic an whilst Translations Translations from Drawing to see, to look forward look to see, to is hard to quantify but could quantify but to hard is , drawing has sometimes Autopia Ampere Autopia ), imply wider social, political re- infuence 42 simple recording of light stimuli; organised into fowing structures evolutionary exercise. expandingparameter. As such the act of drawing was a very freeing, means ‘I understand’. Seeing, it has it Seeing, understand’. ‘I means long been recognized, is not the it is a selective and creative processcreativeselectiveand a is it arestimuli environmental which in that provide signs meaningful to the purposive organism. related process. In English ‘I see’ To To see and to think are closely ‘natural’ to maintain at the a generative role in its dual projectivequalities: an ‘over-determined’ surface equivalence and the propelling of the directionality of drawing “the subject medium). this in formed be can architecture betweenobsessive up drawingopened has moreover and ideas, of history the of part as and communicate the design choices and a testing of vision for optimal solutions, pilots:of theof , is f sci- resistant and to f lters such of lived space. Tis species of drawing, of which there are many types (just as architecturally similar land reclamations oceanographic consequences. can visualize intention and perhaps as creations than ‘form t’f architecture or matter (the building or space) will exist after exist will space) or building (the matter be located in an attempt to understand myth of pictorial space to provide a visuala provide pictorialmythspace to of has a futurological ability it also functionsalsofuturological a it ability has possible context. As Tuan remarks context.possibleAs part Tuan of practitioners and those who have displaced have who those and practitioners the process, line language of communication. Ultimately, to to ‘see’ think and see forward, mediating combined and practical conceptual the the drawing not before it” before not drawing the contemporarymethodinthe architecture Stuart Cohen has argued, can to to Building fction in its applicability and possibility would state in with sometimes problematic un-foreseen Drawing, like coral, has a quality of Evans would argue for the reverse Euclid ofered a defnition of a species of (Videre, Latin. Latin. (Videre, A contemporary paradox of ‘pilot’ hand & landscapearchitecture. & Whilst drawing us applied, drawing’s ability to speculate, to ability drawing’s applied, usT is Tis Tis is what drawing sometimes allows, ‘becoming’, as Robin Evans (1944 – 1993) 1993) – Evans‘becoming’,as(1944 Robin

40 . Te 23 as the title suggests under and hydrogen collection seemed early components, but would not meaningful ways? Hydraulic, be from remote the inhabitants. It be surrounded by the ecological handled correctly. Manufacturing processes that made their life there lifetheir processesmade that were they if enjoyable, and possible they be integrated in pleasing really seemed inhabitants could would be engaged, but how could wind and solar systems would be Farming and waste recycling speculate on the energy and excitement drafting Autopia, original Autopia drawing, using the golden golden the drawing,using Autopia original demonstrated by Fallis when recounting of Texas, Austin and then founded the a student of Hilbertz, alongside Forrest and building components, all of which are which allof components, building and were possibilities Such resources. exportable T.Savage’s Marshall into amalgamated developed as technological possibilities are free claims, from such territorial on non-traditionalon building materials. coercion (at least for a while) as the oceans the as while) a for least (at coercion gravity based robotic constructions for format a drawing which ‘grew’; grappling mean by Fallis, was produced in large materialise from the original conception, would Autopia accretion. mineral for metal be being autonomous, free from political present in what took place there. Te naturalsociologicalpurpose,use,material imitation and technological-function. Such Such technological-function. and imitation thought processes and visualization are the fall semester of Hilbertz1970. asked technologiesmany explore to studentsthe as such zero- infancy in their were that rst practical step, colonizing the oceans the colonizing step, practical frst the colonies sister its and ‘Aquarius’ through include tidal turbines and wave generators. wave tidalandturbines include the notion of Cybertecturemoving of before notion the to the School of Architecture, University recyclablesurfacecanonly materials. One use in space and oceans, and land-based with complex ideas of philosophical working working as both a creator of aquaculture Magnesium could also be used as the base the as used be also could Magnesium Higgs and the engineering school during Having studied architecture in Berlin,Hilbertz began teaching at Southern Fallis worked on a number of drawings of number Fallisa ason worked Environment Laboratory’. He worked on University in Baton Rouge, Louisiana in Millennial Project: Colonizing the Galaxy in in Galaxy the Colonizing Project: Millennial Eight Eight Easy Steps 1965 1965 where he founded the ‘Responsive ‘Symbiotic ‘Symbiotic Process Lab’ in working1970 e plants would involve plantsinvolve wouldTe 39 structure involves a proposal from Hilbertz from proposal a involves structure easily be repaired and the plants could deep shafts formed of accreted material. and evolving the city, responding to its currents. Te plants could also produce computer neural network monitoring food production. A part of the Autopia for Ocean Termal Energy Conservation magnesium production. Possibilities other Possibilities magnesiumproduction. be re-anchored to shift with prevailing be enacted by robots controlled by a super- a by controlled robots enactedby be thanOTECs,discussedhas project theas into electricity. into inhabitants from humidity control to refractory magnesium, the raw material for for material raw the refractorymagnesium, (OTEC) plants converting thermalconvertingenergyplants (OTEC) Again, any damage occurring could at wsa made Autopia Ampere Section with OTEC Plants, 2011, Pencil, 26cm *26.5cm. 2011, 26cm Plants, OTEC Pencil, with Section Ampere Autopia when interviewed on the Autopia piece, he proven has fuence, in arguable an with in which architectural history is rife with with rife is history architectural which in design information of tool a as value its examples. Fallis demonstrated this role, role, this demonstrated Fallis examples. lling lling f is hand your as that Found implications and attempt to generate of city’sthe to ponder vastness the able is mind your forms some in virtual,thisassimpli fesacomplex inter- weighted towards the virtual object; object; virtual the towards weighted Contemporary visual focus is more more is focus visual Contemporary relationship of visual method. William William method. visual of relationship ed arguments arguments ed f simpli current resisting positioning the hand crafted against the the against crafted hand the positioning was always at the forefront. atthe always was new form and technological technological and form new solutions to problems – Ecology Ecology – problems to solutions 24 46 ‘Republic of Desire’ using the ‘Dream ‘Dream the using Desire’ of ‘Republic Walls’ software) beyond it “… you get get you “… it beyond software) Walls’ Gibson articulates in in articulates Gibson thespacebeyond thatsortoffellaway, leaning were you that sense funny this when design computational within that lled lled – f by has both Gibson, similarly unful forever.” concentrating upon the object, (in the the (in object, the upon concentrating out, over the edge of the world, and and world, the of edge the over out, 47 is ‘beyond’ space described described space ‘beyond’ is T ita Lgt , Light Virtual made at wsa mez & Pelletier,mez& 55 Pérez-G 54 56 sustainable development, because of international commitments to constraints on doing the right thingright the doing constraints on generations may be the truest test for the environment. for functions protecting coral reefs for future it places some of the most stringentmost the of places some it Synergetical you-and-we Cosmic ecology regenerating Humanity will be re-orientated way entropic its one From fMe- rst energy wastings To its syntropic circulatoryTo scientifc papers, and drawings produced system approach, involving reactive and seascape architecture is needed as,seascape needed architecture is Summary accretion process, illuminate and move optimismborne of collaborationout and architecturalstudiothe within opportunity ecosystem promoting and educating on of the evolution of the city and its as well as acidifcation and the devastatingrecent Tsunamis’ combined with of education in certain sea communities amongst many other factors make and challenging designs and plans to and the light, between the conceived contained within Hilbertz and Goreau’s can enrich architectural production. complexinter-relationships andfunctions humankindstake.Similarahas sentiment proactive capabilities, within which is found in Fuller, in found is in the ‘Symbiotic Process Lab’ on the into the visionary- embodying an marinelandscaping,provide countering to the increasing degradation of the coral the importance of marine biodiversity. It the unreal [?].” unreal the thuscall andmark out,like Lefebvre, the transitiveprojection,ofrole geometry and its abstractness, an abstractness which inits viewing moving beyond the image itself, to where further imaginingtake place,can construing a mental image likewise the development drawings requireschangea thinkingof whole afor radioactivedischarges,lack overandf shing statesGoreauAsresearch to. respondinto readable/visible). Between the real and Coral bleaching and rising sea temperatures, sea rising and bleaching Coral Hilbertz’s endeavours highly provocative (abstraction) and the perceived (the A small coral fragment grows anew, Autopia marks a movement, and invites – Seascape Architecture.

52 49 ( Vol 1, 1, Vol ( Tese social Pencil Points: 51 e Production Production Te 48 53 we need to enable 25 where he warns produce“...we it is desirable to acquire “an acute 50 of culture, of our individual and collective existence. collective beyond, it illuminates the space boundaries. Defning the space between light between andthe beginning and darkness, the [it] evokes temporality and sense of the feel of his pen or pencil on detachment, vacuous formal representation representation formalvacuous detachment, and the privileging of the image and interest in haptics) in in haptics) interest and ability maintains a connection with the architectural production. as Tim Ingold writes; embodies hand its history on a drawingsingle sheet. of “What exists, between the shadows qualities of becoming: endeavours. As James Corner suggests in eidetic operations – specifc ideational onlythe reproducible, and hence weonly existingof social relations”. connector to lived space, and be resistant to to resistant be and space, lived to connector constructing (projecting) new landscapes. new (projecting) constructing form of ‘speculative of mimeticediting’form over found in Henri Lefebvre’s Lefebvre’s Henri in found for projection is at stake and so are its forms of representational technique with be consciously reductive in its choices - a production, the ideology of representationideology of theproduction, produce only by reproducing or imitatingreproducingor by onlyproduce is reproducibility production...because past phenomenology of our environment,phenomenologyour of this potentially, can constitute the material playswithmethodsothervisualization, of transcription and Cartesian projection). and Cartesian projection). transcription the paper, a delicacy of touch that is not is said to be able to almost ‘see’ with his its application & standardization of visuality pure a becoming es f de sense this techniques for construing techniques(imagining)for and resistant to spaces of alienation and in respect but revitalized in the role that it relations can in part refect back, reversibilityin a of design, the ideology of unlike that of the skilled surgeon who of Space just as susceptible to literal perspective fngertips.”. As long as the suggested which which cannot be reductive, but needs to what ensures the renewal (or reproduction) reproduction) renewal(or ensuresthe what Hand drawing involves the body, is Drawing should not be privileged in this (pre-empting the contemporary resurgencecontemporarythe (pre-empting (though historically drawing has been As the draughtsman Oliver Regan states Recovering Recovering Landscape, Journal of the Draughting Room Wider implications for design can be Tis is moving from Lefébvre’s question 1920) , mez & Architectural advances, as Alberto Pérez-G departure. T ough the digital, whilst bringing new fractals and detailing information reduction: a disruption of the drawing needs to provide a promise in the interrupting of its objectivity and in in its cultural layering and points of Louise Pelletier suggest in suggest Pelletier Louise visible and invisible axioms to drawing Representation and Representation the Hinge Perspective Autopia Ampere Section with Pencil, OTEC Plants, 26cm 2011, * 26.5cm. at wsa made Brise soleil, Detail of Autopia Ampere, After Newton Fallis (1970) 18.5cm (1978), Fallis *13.8cm. Newton Wolf Hilbertz and Pencil, After 2009, Ampere, Autopia of Detail soleil, Brise 26 made at wsa

p180. Pencil World , trans. Progressive (London: , Journal of Te United (1994), (1994), , 2011. (London: Penguin, And it Came to Pass

, (New Jersey: Princeton edition (London: Little,

nd , Vol. , 4,Vol. No. 3, July, (1979), , 2 ed st 1 e MillennialTProject:e Colonizing Virtual Light Te Production of Space , Vol 32:1, Sep, (1978), pp2-3. Sep, (1978), 32:1, , Vol (New York: PrincetonArchitecturalYork: (New (Massachusetts: MIT Press, 2000), Te Projective Cast: Architecture and Space and Place: T e Perspective of Translations from Drawing to Building Lines: A Brief History (London: Architectural Association & Pelletier, (2000), p.6. Recovering Landscape in Contemporary Vol. 17 No. 3, (2005),3, pp375-409No. 17 (p376). Vol. , ed, Jamie Snyder (Baden: Lars Muller , May, (1970), pp98-103. (1970), , May, Gómez (Minneapolis: University of Minnesota Press, - Stuart E. Cohen, ‘History as Drawing’ Wolf Wolf Hilbertz, ‘Towards Cybertecture’, Paul Cureton, January2010- April 2011. Aristotle, Plato, Herundes, Proculs et al ofer many Amy Johnson, Tin Shell Concrete Structures, Division for Ocean Afairs and the Law of the Sea, Robin Evans, Alberto Perez-Gomez, & Louise Pelletier, Savage T. Marshall, SavageT. Wolf Wolf Hilbertz, et al., ‘Electrodeposition of Minerals Lefèbvre, p.390. (1991), Tim Ingold, Richard Buckminster Fuller George Hartman & Jan Cigliano, ed., William Gibson, Paul Cureton, Interview with Dr Tomas Goreau, Robin Evans, Yi-Fu Tuan, Tomas J. Goreau, Global Coral Reef Alliance, Pérez James Corner, ed., ‘Eidetic Operations and New TomasGoreau,J. Raymond L. Hayes, Henri Lefebvre,

species and defnitions towards plane geometry. in Sea Water: Experiments and Applications’, IEEE, pp94-113. p377. p.xxvii. Landscapes’ in Newton Fallis, Forrest Higgs, Kai Hilbertz, Ursula Hilbertz & Derrick Hilbertz, January 2010- April 2011. Routledge, 2007), p167. Publications, 1996), p165. Publishers, 2008), p121. Restoration: Costs and benefts for coral reefs’, Press, 1999), pp153-169 (p153). Press, pp153-169 1999), Brown & Company, p80. 1994), Donald Nicholson-Smith, (Oxford: Blackwell, 1991), Concrete Decor, November December 2009, p30-33. Online www.concretedecor.net [Accessed p1. 9/3/2011], Of ce of Legal Afairs, United Nations, the Galaxy in Eight Easy Steps its Tree Geometrics 38 39 36 37 (London: MIT Press, 2000), pp377-383. drawing and workingbecome. to out...then for structures and spaces countingtowards ananti-homogeny and 41 42 43 44 45 46 47 48 49 40 Architectural Press, 2004), p6-7. Drafting Room, 1920-194, LandscapeArchitecture for for the biosphere – this is the time for Nations Convention on the Law of the Sea Resource Review, Resource Experience and Other Essays their assistance in the writing of thispiece. writingof assistancetheirthe in 50 Points Reader: Selected Readings from a Journal for the restoredand enacted, onesmall example 55 56 54 57 51 52 53 58 Wolf Wolf Hilbertz, Sun and Sea, e.V., ‘Marine Ecosystem Special thanks to Dr Tomas Goreau, Journal of Oceanic Engineering 1977), p10. p266.1993), Newton Fallis, Forrest Higgs, Kai Hilbertz,KaiHiggs, Forrest Fallis, Newton Architectural Education Architectural Representation and the Perspective Hinge vision,correctionala synergistic activity Architecture Ursula Hilbertz & Derrick Hilbertz for – Not to Stay

World , patent Fisheries Landscape Journalofthe , Hamburg, Handbook of Encyclopedia of , online http:// 176-180 (p179). 176-180 , ed. Jürg Spiller. , ed. Robert L. France, 27 , (1994), pp, (1994), Poetry, Language, Tought Tus, the drawings , Method, ofenhancing the growth 58 , August p66-73. (2010), Vol. 17 No. 17 3,Vol. (2005), pp375-409 Solar-generated Building Material Electro Accretion: Grow Shelters from , Vol 23 , Vol (EOLSS), (Oxford: Eolss Publishers, , ed. Patrick Safran, in 1879-1940 1879-1940 Notebooks Vol. 17 No. 3, (2005),3, pp375-409No. 17 (p390). Vol. , Newton, MA (1987). Tomas J. Goreau, Global Coral Reef , Vol 29:1, (2004), 29:1, pp13-30, Vol (p.22). , July, (1972), p1. (1972), , July, Scientifc American Tomas J. Goreau, Raymond L. Hayes, ‘Coral UnitedStates Patent Wolf Wolf Hilbertz, Marah J. Hardt, Carl Safna, ‘ Treatening Ocean Paul Klee, Ibid, p2. Frank Gutzeit, Tomas Goreau & Wolf Hilbertz, Ibed, p179. Wolf Wolf Hilbertz, Wolf Hilbertz,Wolf p247. (1972) Gaynell Doehne, ‘Architecture has a new mission’, Catherine Dee, ‘Te Imaginary Texture of the Tomas J. Goreau, Global Coral Reef Alliance, Martin Heidegger, Ibid, p15. Wolf Wolf Hilbertz, Tomas Goreau, ‘Bottom up Tomas J. Goreau, Raymond L. Hayes, ‘Reef AlvaroOrtega, ‘BasicTechnology: Mineral Accretion

bleachingand Ocean ‘Hot Spots”, AMBIO, for Shelter.SeawaterforSource Building’,a asfor MIMAR In in Indonesia, Panama and Palau’, in p99. globalcoral.org/Solar%20Generated%20Building%20 Life’, no 5543034, p2. (1996), solutions to our changing climate. As substantial yet discernable through the Real... Critical Visual Studies in Landscape Architecture: downloads/2002/saya_2002_rev1.pdf [Accessed Restoration: Costs and benefts for coral reefs’, Restoration as a Fisheries Management inTool’, Media Ltd. pp60-63. 1989) Material%20from%20Seawater.pdf [Accessed 8/8/2010]. Contexts, Foundations and Approaches’, Ecosystem Restoration: Costs and benefts for coral reefs’, from Seawater as a Sink for Carbon developedandanimage end coralof reefs energize just one future vision. Tus drawing, without faith in the genetic Community-Based Coral Reef and Fisheries Restoration contain a pressing philosophy to be 29 22 23 24 25 26 27 28 2008), p3. 20 21 9/1/2011] p3. 9/1/2011] faith that geometrically defned lines Sea Materials Second Expedition to Saya de Malha message inscribed on paper, there is provideinor fuenceheuristically charged 35 no architecture”. 32 33 34 30 31 of aquatic organisms, and structures created thereby 32: Architecture in Development (London: Concept (London: Harper Perennial, p18. 1975), (p403). (London; New York: Taylor & Francis, 2008), pp143-159 (p147). Alliance, Wolf Hilbertz, Sun and Sea, e.V., ‘Marine August 2002, online http://www.wolfhilbertz.com/ Vol.1 Vol.1 : Tinking eye (London : Lund Humphries, 1961), Research Human Environment Life Support Systems Resource Review, Resource Regenerative Landscape Design will engender something else more and Aquaculture Wolf Wolf Hilbertz, Sun and Sea, e.V., ‘Marine Ecosystem Evans states, “Without the architect’s 13/2/2011]. 18 19 16 17 World Resource Review, Alcalde , , , , patent selected papers selected papers Reef restoration Biorock®/ Mineral , which remain , online, http://www. ArchitectureandNature ArchitectureandNature Proceedings of the Kentucky It is through the 57 , Method of enhancing the growth , Global Coral Reef Alliance, , SFB 230, University Stuttgart Architecture in the age of divided Te biorock process, picturing reef Electro Accretion: Grow Shelters from he Responsive House: he Responsive House: Autopia Ampere , Newton, MA (1987). (Cambridge, Mass.; London: 2006), MIT, p6. ed. Michael Kennedy (Kentucky: University of Global Coral Reef Alliance, Wolf Wolf Hilbertz, Tomas Goreau, Dalibor Vesely, United States Patent Wolf Wolf Hilbertz, Ari Spenhof , Ibid, pp97-98. Ibid, pp119-127. Wolf Wolf Hilbertz, ‘Solar-generated Artifcial and Wolf Hilbertz, Wolf ‘Manifesto’, in Wolf Wolf Hilbertz, Strategies for Evolutionary Dr Tomas Goreau tirelessly campaigns for the Wolf Hilbertz, Wolf ‘Manifesto’, in Wolf Wolf Hilbertz, ‘Cybernetic Architecture, A Wolf Wolf Hilbertz, Strategies for Evolutionary

booklet%20online%20version%201.4.pdf [Accessed scales and relations towards a one and allactivity mitigating– global warming, and discussions from the Te Shirt-Sleeve Sessions in costal costal pollution. and University pp119-127. Tuebingen, 2, (1992), and discussions from the Te Shirt-Sleeve Sessions in SFB 230, University Stuttgart and University Tuebingen, Studies in Fine Arts, pp95-99 1970), (p95). SFB 230, University Stuttgart and University Tuebingen, globalcoral.org/Reef%20Restoration%20as%20a%20 no 5543034, p3. (1996), of the United Nations Commission on Sustainable Natural Structures: Principles, Strategies, and Models’, Natural Construction Materials and World Climate, conservation of Coral Reefs, President of the Global Island Developing States. Responsive House Building Technologies, ed. by Stan fragile ecosystems, allows local online, http://www.globalcoral.org/Biorock%20%20 May 3-5, 1972), p1. May 3-5, 1972), Fisheries%20Management%20Tool.htm [Accessed Responsive House Building Technologies, ed. by Stan Kentucky & Te Graham Foundation for Advanced Development Partnership in New Technologies for Small Reef%20Restoration.html [Accessed 20/12/09]. management of its resources, changing May 3-5, 1972), pp 247-255 (p251). pp 247-255 May 3-5, 1972), 6/8/2010], p20. 6/8/2010], Mineral%20Accretion%20Technology%20for%20 6 8 Environments, in T possible, and the work conducted Coral Reef Alliance (GCRA) and is the Coordinator thereafter perhaps, that we can touch, through the use of Biorock restoring Environments, in T rising sea levels, diseases (in corals) and building with electricity Such re-empowerment of communities 2 2, (1992), pp119-127. 2, (1992), 2, (1992), pp119-127. 2, (1992), 2010, 2010, online http://www.globalcoral.org/Biorock%20 7 9 Sea Materials representation: the question of creativity in the Shadow of 3 of aquatic organisms, and structures created thereby Teleological Approach’, in 4 Allen (Massachusetts: Department of Architecture, MIT, Allen (Massachusetts: Department of Architecture, MIT, vision of Design, Reef Restoration, Mariculture and Shore Protection as a Fisheries Management Tool 5 Production 1 14 12 11 10 15 13 Workshop on Computer Applications To Environmental Architecture and Nature Accretion Technology for ‘to see’, amplify, critically evaluate and