DOCSLIB.ORG

June 1906) Winton J

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
June 1906) Winton J Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 6-1-1906 Volume 24, Number 06 (June 1906) Winton J. Baltzell Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Baltzell, Winton J.. "Volume 24, Number 06 (June 1906)." , (1906). https://digitalcommons.gardner-webb.edu/etude/515 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. JUNE, 1906. U. 2.tf- THE ETUDE 345 CHURCH MUSIC CONTENTS “THE ETUDE” ■ June, 1906 Some Recent Publications OF The Making of an Artist CLAYTON F. SUMMY CO. GRADED EDITION FOR THE PIANO Alfred ltdsmaucr Music Teachers’ National Association_ 220 Wabash Avenue, Chicago. From Mozart's Workshop It. /'. Kerst-Elberfeld SONGS. What is American Music? ROSE. N. Clark Smith. Henry T. Finch BYE O’BABUM. N Clark Smith. Gluck & Lava ter. A BREAMIN'. N. Clark Smith.. The Three plantation (tongs; the melodies are traditional, lie The Hand of the Pianist...R. Brcithaupt Notes on Rubinstein’s Teaching are sty fid'“Cwmh8orngl" ^hey are eet*whh mmlcUnl'y”^ Sandra Draickar panimente yet in striot kreping with this class of music. The Handling of Piano Technic for Very ABIDE WITH ME. Mabel Howard McDulTec. "Young Children (First Grade) A good churchly setting of this farorite hymn. For i Teachers’ TV. 8. B. Mathews . am voice. APRIL IS HERE. Otaas. E. Wheeler. The Music Teachers’ Association of Ger¬ SONO OF SPRING. Wm. Lewis (Mover .. ORGAN MUSIC many . "wo charming, bright, joyous Spring Songa. Both for me- The Study Value of the Pedal E.D.Hale PIANO SOLO. Edition The Abolition of Key ,/. TV. (1. Hathaway THE JUGGLER. Edythe Pruyn Hall.4 The Teacher's Influence Marie Benedict SLEEP SONO. (Pedal Study) Edytlio Pruyn Hall.. .3 One hundred specially selected stand¬ Isadora Duncan and Ilcr School for TWILIGHT. Edythe Pruyn Hall..3 Classic Dancir....... .)/. Hook 303 Good characteristic pieces, all in grade II. ard modern compositions, in. all grades. Children’s Page. THE WANDERER’S DREAM. Hiram WUlis. 6 Editorial . A melodious teaching number Grade 111. (Each number published separately.) Vocal Department. .11. IV. Greene LITTLE BEGINNER’S PIANOFORTE ALBUM Hannah Smith, net. ..6 Organ and Choir. .A’. E. Tnictte Eight little pieces in early part of first grade. Little rhyme CORRECTLY FINGERED Violin Department. come Lehmann Teachers’ Round Table. ... A\ Corey POETIC 'FOLK™DANCES-BACH—Selected end edited b: CAREFULLY PHRASED Studies in Prejudice. George Hahn Calvin B. Cady. Net . .fi European Musical Topics . .Arthur Elson A collection of nine of the simplest dances by Job. Beb. Bad Publisher’s Notes. published in two editions, one without markings of any k ini COMPLETELY REVISED (students’ edition), at d one with careful editing and anno Recital Programs. tuitions (teachers' edition). Humoresques. .1. II. Hausrath 403 To meet the requirements of both Musical Items. teacher and pupil. Home Notes. Puzzles and Games. Reviews of New Publicat CHOIR MUSIC. Questions and Answers.. Dismiss Us with Thy Blessing. P De ( ostei I Heard the Voice of Jesus Say. E D. Keck Blessed Be the Lord. K D. Keck GRADED MUSIC Te Deum a short, effective setting. 0. B. Clen Gently Lord, O Gently Lead Us. II. W Han Fairy Fingers.Paul Wachs 307 ' he Cross of Christ I Glory. L D Russel Polka Graciense, Op. 4 No. 4 (4 hands) ire is a Land. L. D Russell. L. F. EDITION F. Bend el 370 te best evidence of our confidence in these Language of Flowers.O'. N. Benson 374 Cantilene (Violin and Piano) F. Borowski 377 IS Parisians .O'. Bachmann 3S0 Chiming Bells.1. Trojelli 3S2 ATTRACTIVE Polonaise in C-sharp minor, Op. 20 No. 1 F. Chopin 3S4 INTERESTING The Drummer Boy’s March Karl Hechter 3-S7 Two Maidens.E. .1. P. Newcomb 30t ELI CIOU S' INSTRUCTIVE A Message iu My Dream.. .It. M. Stulls 302 J. Fischer & Bro„ LVLR AG L constantly used by more than 1000 7 1 II, Bible Honse, IS. T. competent teachers with PERFECT Deiig/i tfuJJjf 0 SATISFACTION. Publishers //i /farm on if Sold at all Fount5 5? ATTENTION! V/y/h t/ie Spirit of Teachers, Pianists and Students Rhys-Herbert’s Vocal Collections Carbonated m Bottles THEMATIC CATALOGUES FOR Commencement Songs—A Collection of ALL OUTINGS TEACHERS SENT UPON Unison, two-part female, three-part REQUEST male and female, and four-part male “DAYBREAK” and mixed choruses, for School Closing f" - Exercises. Net.$ .50 Secular Quartets—Vol. 1. Male Voices . .50 OUR TEACHERS’ SAMPLE VOLUMES •* ** Vol. 2. Female “ . .50 A COMPLETE LISZT REPERTOIRE IN ONE VOLUME MAKE SELECTIONS EASY AND HANDY “ Vol. 3. Mixed “ . .50 They should be on your Dealer’s Counter Sacred Quartets—For Male Voices . .35 IF NOT THERE-PLEASE WRITE The above five volumes contain arrangement! .FRAN? LISZT ALBUM AND MENTION THE NAME OF YOUR by Rhys-Herhert only. When ordering any of ^ WORKS n 0% DEALER same indirectly, mention Rhys-Herbert's name >no Price, 81.00 in connection with title and no substitute trill A collection of the most admired and generally be sent you. popular works of this great composer, both of his Fischer’s Album of Piano Trios—(3 per¬ original works as well as the transcriptions of famous Every Teacher or Student of Harmony songs and operatic airs. who will do us the favor of sending for it will receive formers, one Piano). Volume 1, contains Gaining in favor as are the works of Liszt, this LEO. FEIST mHK0 NEW YflRII a copy gratis of the essay 14 compositions, grades 2 to 4, suitable volume containing all of his favorite works under one MbrarV nf to “IS MODERN MUSIC KEYLESS” for Commencement Exercises, etc. $1.00 cover cannot but be received with enthusiasm. contains 16 compositions oi Publisher of SEND for> We have published an essay of is pages brimful of decided Sample copy will be mailed upon receipt logic and powerful analysis on Ihis very topic The discourse of 60 cents. MANSFELDT TECHNIC conies from the pen of Carl W. Grimm, the author of' Modern THEODORE PRESSER, Publisher, 1712 Chestnut Street, Philadelphia, Pa. Harmony." For the reason that we are anxious to acquainl Positively the greatest work of it* every one with this Author s views on Harmony Teaching, Choruses for School Closing Exer¬ -OURr which prove a great help to clear up many vague ideas and cises kind ever conceived. disputed points, we have decided to send this pamphlet who does us t he favor) Fischer’s Album of Vocal Duets for Fe¬ month only. Writ. PRICE, TWO DOLLARS AND FIFTY CENTS. today before you forget. male Voices with Piano accompaniment. CATALOGS Four volumes, each.$.75 FLEXIBLE CLOTH BINDING. MONEY BACK IF NOT FRIENDSHIP SONGS A Simple Method of Modern Harmony, $1.50 Fischer’s Album of Vocal Trios for Fe¬ ALL THAT IS CLAIMED FOR IT. ORGAN MUSIC, By CARL W. GRIMM male Voices with Piano accompaniment. One volume.75 F ORGAN BOOKS, “ I am exceedingly delighted with the work. The various relationships of chords are made clear and, what is the principa The volumes of Duets and Trios mentioned port for the voice, the titles of the seve^^ are weM made- and afford excelled sup- thing they are logically represented, and consequently give a Mall orders not solicited. We prefer that yon anthems, etc. key to the apparently most complicated harmony successions. above, suitable for all grades, have been com¬ “O HEART OF MINE,” -HEAVEN,” “HUSHABY BABY,” “ALONE” purchase our publications from your dealer; hut H soet you a trifle (a postal card). I will recommend it on every occasion.” piled with the greatest care ; equally much atten¬ “THE FOUR-LEAFED CLOVER,” “DESIRE,” “THE TWENTY-THIRD PSALM .. ,0rget “• for °"e or *M 0f ,hMe ADOLPH WE1DIG. tion has been paid to the selection of texts as well he does not have the goods, please order direct. as to the musical portion. THEODORE PRESSER. 1712 Chestnut St., PHILA^ PA. White-Smith Music Publishing Company The GEO. B. JENNINGS CO. Opereltas. collections of organ, violin, BOSTON NEW YORK CHICAGO 105-107 W. Fourth Sl. CINCINNATI, O. ., will be mailed upon application. Ad- M-B4 Stanhope St. 13 East 17tb St. 259 Wabash Ate. PIANOS '’-"“•“■I a~»»=. «I Tone, Please mention THE ETUDE when addressing our advertiser* _ Touch, Unsurpassed Construction. Workmanship* STRIGH & ZEIDLER -and Excellence; and New Artlstlc Designs ^ ^ Manufacturer, Artirt/e Grand! and Un right Vianas _1 32d St- & Alexander Ave., NEW YORK 346 THE ETUDE CONCERT AND EXHIBITION FOR 28 Glee or Chorus Books SCHOOLS AND SEMINARIES At Introductory Rates (ONE Copy ONLY of each Book at this Sample Price) FOR TWO PERFORMERS ON ONE PIANO FOUR HANDS i'lte1 Old Black Joe. Gimhei My Old Kentucky Home Grobe-Pratt $j 2j 671 Dicker 'art Spngs (or Male Voices (Partly Humorous!. Dixie’s Land.Grobe^Z S? I —„.jbVoTleidi aic- ci, us 22 Part Songs within the ra .ge of ordinary Toices 7567S6|0lee 0le»,_.... Club Vol. •> ns 21 Part Songs “ “ •* “ “ 11 bast/ffl‘le • • ..IVollenhaJl m 10*1, Glee Club Vol 3 coma ns 13 Part Songs. Highest note F sharp (Partly llui Grand March de Concert .
Load more

Recommended publications
  • June 1902) Winton J
    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 6-1-1902 Volume 20, Number 06 (June 1902) Winton J. Baltzell Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Baltzell, Winton J.. "Volume 20, Number 06 (June 1902)." , (1902). https://digitalcommons.gardner-webb.edu/etude/471 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. THE PUBLISHER OF THE ETVDE WILL SUPPLY ANYTHING IN MUSIC. 11^ VPl\W4-»* _ The Sw»d Volume ol ••The Cmet In Mmk" mil be rmdy to «'»!' >* Apnl "* WORK m VOLUME .. 5KI55 nETUDE I, Clic.pl". Oodard. and Sohytte. II. Chamlnade. J^ ^ Sthumann and Mosz- Q. Smith. A. M. Foerater. and Oeo. W. W|enin«ki. VI. kowski (Schumann occupies 75 pages). • Kelley» Wm. Berger, and Deahm. and Fd. Sehnett. VII. It. W. O. B. Klein. VIII, Saint-Saens, Paderewski, Q Y Bn|ch Max yogrich. IX. (llazounov, Balakirev, the Waltz Strau ’ M g Forces in the X. Review ol the Coum a. a Wholes The Place ol Bach nr Development; Influence ol the Folks Song, etc.
    [Show full text]
  • From Piano Girl to Professional: the Changing
    University of Kentucky UKnowledge Theses and Dissertations--Music Music 2014 FROM PIANO GIRL TO PROFESSIONAL: THE CHANGING FORM OF MUSIC INSTRUCTION AT THE NASHVILLE FEMALE ACADEMY, WARD’S SEMINARY FOR YOUNG LADIES, AND THE WARD- BELMONT SCHOOL, 1816-1920 Erica J. Rumbley University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Rumbley, Erica J., "FROM PIANO GIRL TO PROFESSIONAL: THE CHANGING FORM OF MUSIC INSTRUCTION AT THE NASHVILLE FEMALE ACADEMY, WARD’S SEMINARY FOR YOUNG LADIES, AND THE WARD-BELMONT SCHOOL, 1816-1920" (2014). Theses and Dissertations--Music. 24. https://uknowledge.uky.edu/music_etds/24 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 32,1912-1913, Trip
    INFANTRY HALL . PROVIDENCE Itoaimt ^gmpfjmuj (§xttytBtxu Thirty-second SeaBon, J9J2-J9J3 Dr. KARL MUCK, Conductor Programme oftfo> SECOND CONCERT WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE TUESDAY EVENING, NOVEMBER 19 AT 8.15 COPYRIGHT, 1912, BY C. A. ELLIS PUBLISHED BY C. A. ELLIS, MANAGER — %l#uiinlfano iuiu' "After the Symphony Concert" a prolonging of musical pleasure by home-firelight awaits the owner of a "Baldwin." The strongest impressions of the concert season are linked with Baldwintone, exquisitely exploited by pianists eminent in their art. Schnitzer, Pugno, Scharwenka, Bachaus De Pachmann! More than chance attracts the finely-gifted amateur to this keyboard. Among people who love good music, who have a culti- vated knowledge of it, and who seek the best medium for producing it, the Baldwin is chief. In such an atmosphere it is as happily "at home" as are the Preludes of Chopin, the Liszt Rhapsodies upon a virtuoso's programme. THE BOOK OF THE BALDWIN free upon request. Sole Representative MRS. LUCY H. MILLER 28 GEORGE STREET - - PROVIDENCE, R.I. Boston Symphony Orchestra PERSONNEL Thirty-second Season, 1912-1913 Dr. KARL MUCK, Conductor Violins. Witek, A., Roth, 0. Hoffmann, J. Mahn, F. Concert-master. Kuntz, D. Tak, E. Theodorowicz, J. Noack, S. Strube, G. Rissland, K. Ribarsch, A. Traupe, W. Koessler, M. Bak t A. Mullaly, J. Goldstein, H. Habenicht, W. Akeroyd, J. Spoor, S. Berger, H. Fiumara, P. Fiedler, B. Marble, E. Hayne, E. Tischer-Zeitz, H. Kurth, R. Grunberg, M. Goldstein, S. Pinfield, C. E. Gerardi, A. Violas. Ferir, E. Werner, H. Pauer, 0.
    [Show full text]
  • Eine Liebes-Novelle (A Love Story) for Viola and Piano
    The American Viola Society Eine Liebes-Novelle (A Love Story) 5 Bagatellen für viola und pianoforte, Op. 20 Benjamin Cutter (1857-1910) AVS Publications 044 Preface Benjamin Cutter (1857–1910) was born in Woburn, Massachusetts, and studied violin with Julius Eichberg and harmony with Stephan Emery (who also taught Arthur Foote) in Boston. After further musical studies in Germany, he returned to Boston, where he played viola in the newly formed Boston Symphony Orchestra.1 He went on to become a noted educator at the New England Conservatory (NEC), teaching a variety of subjects, including violin, viola, harmony, theory, and composition. In addition to teaching at the NEC, Cutter also played viola in various ensembles there, including a faculty string quartet and the NEC Orchestra. Eine Liebes-Novelle (A Love Story) was published as five separate movements in 1895 by the Boston firm of Arthur P. Schmidt (A. P. S. 1891–1895), making it one of the earliest American viola compositions—if not the first—to be published in the United States. The format of the work—five short pieces written in a relatively light and popular style—would have appealed to amateur violists, a burgeoning group that was attracting the attention of publishers and music dealers in the 1890s. Cutter performed the work prior to publication at a “Concert of Original Manuscript Compositions” on May 16, 1889, at the New England Conservatory. Notes about the Sources The primary sources for this edition are the manuscript scores and parts for each movement housed in the A. P. Schmidt Company Archives, Music Division, Library of Congress (the same sources used for the original published editions).
    [Show full text]
  • Society for American Music Forty-Second Annual Conference
    Society for American Music Forty-Second Annual Conference Hosted by Northeastern University and Babson College Hyatt Regency Cambridge 9–13 March 2016 Boston, Massachusetts Mission of the Society for American Music he mission of the Society for American Music Tis to stimulate the appreciation, performance, creation, and study of American musics of all eras and in all their diversity, including the full range of activities and institutions associated with these musics throughout the world. ounded and first named in honor of Oscar Sonneck (1873–1928), the early Chief of the Library of Congress Music Division and the F pioneer scholar of American music, the Society for American Music is a constituent member of the American Council of Learned Societies. It is designated as a tax-exempt organization, 501(c)(3), by the Internal Revenue Service. Conferences held each year in the early spring give members the opportunity to share information and ideas, to hear performances, and to enjoy the company of others with similar interests. The Society publishes three periodicals. The Journal of the Society for American Music, a quarterly journal, is published for the Society by Cambridge University Press. Contents are chosen through review by a distinguished editorial advisory board representing the many subjects and professions within the field of American music.The Society for American Music Bulletin is published three times yearly and provides a timely and informal means by which members communicate with each other. The annual Directory provides a list of members, their postal and email addresses, and telephone and fax numbers. Each member lists current topics or projects that are then indexed, providing a useful means of contact for those with shared interests.
    [Show full text]
  • Volume 20, Number 05 (May 1902) Winton J
    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 5-1-1902 Volume 20, Number 05 (May 1902) Winton J. Baltzell Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Baltzell, Winton J.. "Volume 20, Number 05 (May 1902)." , (1902). https://digitalcommons.gardner-webb.edu/etude/470 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. PRICE a FIFTEEN CENTS THE ETUDE 161 THE etude CONCERT AND EXHIBITION CONTENTS NOVELTIES IN SONG LATEST COMPOSITIONS “THE ETUDE,” - - May, 1902 new WORKS MUSIC We have given herewith a slight thematic suggestion Victorious Liszt. Henry T. Finck. 167 of each song; also the words* so that one can absorb the PUBLISHED BY Liszt as a Musical Influence. Louis C. Elson. 168 G. SCHIRMER PIANOFORTE sentiment of each. SCHOOLS, SEMINARIES. ETC. Liszt, the Musical Liberal. C. von Sternberg.169 All Songs mentioned here sent for examination. NEW YOR.K The John Church Company Liszt as Pianist and Composer. W. S. B. Mathews. 170 Liszt as a Teacher. Amy Fay.
    [Show full text]
  • Symphony Hall. Boston Huntington and Massachusetts Avenues
    SYMPHONY HALL. BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Branch Exchange Telephones, Ticket and Administration Offices, Back Bay 1492 INC. PIERRE MONTEUX. Conductor FORTY-THIRD SEASON. 1923-1924 roEramm^ WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE COPYRIGHT, 1924, BY BOSTON SYMPHONY ORCHESTRA, INC. THE OFFICERS AND TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA, Inc. FREDERICK P. CABOT President GALEN L. STONE ..... Vice-President ERNEST B. DANE Treasurer ALFRED L AIKEN ARTHUR LYMAN FREDERICK P. CABOT HENRY B. SAWYER ERNEST B. DANE GALEN L. STONE M. A. DE WOLFE HOWE BENTLEY W. WARREN JOHN ELLERTON LODGE E. SOHIER WELCH W. H. BRENNAN, Manager G. E. JUDD, Assistant Manager X345 '^™r"T'"irT**^^^'*T^^^T^'T*T™T"T"~rTT~T~~r~T~~^_t_ 1 111 T~~r"~r"T^T^f^T '£TNOV€c\, and J^ture Ststnwaj Qolltction bj<J^C'^Vjeth STEIN WAY THE INSTRUMENT OF THE IMMORTALS the 26th of March, 1827, died Liszt and Rubinstein, for Wagner, Berlioz ONLudwig van Beethoven, of whom and Gounod. And today, a still greater it has been said that he was the Steinway than these great men knew, greatest of all musicians. A generation responds to the touch of Padcrewksi, later was born the Steinway Piano, which Rachmaninoff and Hofmann. Such, in is acknowledged to be the greatest of all fact, are the fortunes of time, that today, pianofortes. What a pity it is that the this Instrument of the Immortals, greatest master could not himself have this piano, more perfect than any played upon the greatest instrument — Beethoven ever dreamed of, can be poS' that these two could not have been born sessed and played and cherished not only together! Though the Steinway was de- by the few who are the masters of music, nied Beethoven, it was here in time for but by the many who are its lovers.
    [Show full text]
  • U.S. Sheet Music Collection
    U.S. SHEET MUSIC COLLECTION SUB-GROUP I, SERIES 4, SUB-SERIES A (INSTRUMENTAL) Consists of instrumental sheet music published between 1861 and 1890. Titles are arranged in alphabetical order by surname of known composer or arranger; anonymous compositions are inserted in alphabetical order by title. ______________________________________________________________________________ Box 134 Abbot, John M. The vesper bell mazurka. For solo piano. Boston: Oliver Ditson & Co., 1863. Abbot, John M. The vesper bell mazurka. For solo piano. New York: Firth, Son & Co., 1863. Abecasis, S. Duchess of Albany gavotte. For solo piano. Boston: Oliver Ditson & Co., 1883. Adams, O. S. Daily exercises for piano students. New York: Wm. A. Pond & Co., 1874. Adams, O. S. Polka caprice. For solo piano. New York: Wm. A. Pond & Co., 1880. Adams, Oliver S. Une fleur de printemps (Spring flower) mazurka. For solo piano. New York: Wm. A. Pond & Co., 1864. Adelstein, Samuel. “Bella” mazurka. Violin obbligato. Also includes arrangement for guitar solo by L. B. Douglass. [s.l.]: J. P. Broder & Co., 1889. Agosty, Florian. Orphee aux enfers gallop. No. 5 in “Hitchcock’s Ten Cent or Dime Series of Select Music for the Million,” vol. 1. New York: Benjamin W. Hitchcock, 1869. Cover features lithograph. Alard, D. Berceuse, op. 49, no. 2. For violin and piano. No. 9 in “Repertoire del’Artiste for Violin and Piano.” Baltimore: George Willig & Co., [s.d.]. Alard, D. La fille du regiment. For violin and piano. In “Eight Easy Operatic Fantasies.” Boston: Oliver Ditson & Co., [between 1858 and 1876]. Allen, Geo. W. Waltz quadrille. With a complete description of the figures.
    [Show full text]
  • The Americas in European Music Encyclopedias
    The Americas in European Music Encyclopedias Part 1 ENGLAND (ANO SCOTLAND) Thomas Busby ( 1755-1838) compiled the first music lexicon reprinted in the United States, A Complete Dictionary of Mwic (Philadelphia: G.M. & W. Snider, 1827). Continental precedents would have permitted Busby's a1luding to American lndian music (Jean-Jacques Rousseau, 1768) or mentioning New World composers whose names were circulating in Europe by the 1790's (José Mazza). Busby did neither. lnstead his geographic biases permitted his snubbing even Spain, mother of American colonies. In the uxiv + 331-page "fourth edition with additions and improve· ments" of his A Dictionary of Mwic (London: Printed for Richanl Phillips, 1817), Busby offered these definitions (pages 45, 52, 246-247). CANARJES. 1ñe name of an old dance, of which we have a sample in PurceU's opera of Dioc/esian. lt is a sprightly air of two strains; the time, three quaven in a bar, the fll'St pointed. None of the foreign airs are distinguished by any name analogous to this; we have, therefore, rason to con­ clude that the Can aries is of English invention. CHACONN'E. (French.) An air, borrowed from the Arabians; the characteristic of whi<:h is a ground bas.s, consisting of four or eight measures of triple time of three crotchets, with its repetition to continuaUy varied melodies. 1ñe Chaconne somewhat resembles the Sarabande but is rather m<n grave, has the füst and last crotchet of every bar strongly accented, and was fonnerly used asan accompan:•.. ent to a certain dance, slow, and graceful in its movement.
    [Show full text]
  • The Art of Music
    ^-iSzassoife CHnrtipU Ititerattg ^library BOUGHT WITH THE INCOME OF THE SAGE ENDOWMENT FUND THE eiFT OF 3Hctirg m. Sage 1891 k- 3^M3f 3J/I7/X 9306 ""'"""•^ '"'"^ ML 100.M39"" V.4 ^''^iiflnuiPL.'S.MSiP -^ comprehensive librar 3 1924 022 385 292 Cornell University Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924022385292 THE ART OF MUSIC The Art of Music A Comprehensive Library of Information for Music Lovers and Musicians Editoi-in-Chief DANIEL GREGORY MASON Columbia University * Associate Editors EDWARD B. HILL LELAND HALL Harvard Univsrsity Past Professor, TTniv. of 'Wisconsin Managing Editor CESAR SAERCHINGER Modern Music Society of New York In Fourteen Volumes Profusely Illustrated NEW YORK THE NATIONAL SOCIETY OF MUSIC Edward Alexander MacDowell After a photo from lite THE ART OF MUSIC: VOLUME FOUR Music in America Department Editors: ARTHUR FARWELL AND W. DERMOT DARBY Introduction by ARTHUR FARWELL Associate Editor 'Musical America' Formerly Lecturer on Music, Cornell University, and Supervisor of Municipal Concerts, City of New York NEW YORK THE NATIONAL SOCIETY OF MUSIC Copyright, 1916, by THE NATIONAL SOCIETY OF MUSIC, Inc. [All Bights Reserved] MUSIC IN AMERICA INTRODUCTION Prophecy, not history, is the most truly important concern of music in America. What a new world, with new processes and new ideals, will do with the tract- able and still unformed art of music; what will arise from the contact of this art with our unprecedented democracy—these are the questions of deepest import in our musical life in the United States.
    [Show full text]
  • Opera in English: Class and Culture in America, 1878–1910
    OPERA IN ENGLISH: CLASS AND CULTURE IN AMERICA, 1878–1910 Kristen M. Turner A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music in the College of Arts and Sciences. Chapel Hill 2015 Approved by: Annegret Fauser Mark Evan Bonds John Nádas Katherine K. Preston Philip Vandermeer ©2015 Kristen M. Turner ALL RIGHTS RESERVED ii ABSTRACT Kristen M. Turner: Opera in English: Class and Culture in America, 1878–1910 (Under the direction of Annegret Fauser) European grand opera performed in English translation was a potent cultural force in the United States at the end of the long nineteenth century. Analysis of business correspondence, theater records, advertisements, reviews, and social commentaries, reveals that rhetoric about opera engaged with issues of class, race, gender, and nationalism. Critics identified foreign-language grand opera as a high art, suitable primarily for the upper class and educated listeners. In contrast, writers viewed the same operas sung in English as entertainment for a middle-class audience who wished to enjoy opera in the vernacular performed by American singers. Southern small towns, such as Raleigh, North Carolina, used English-language opera and art music to reinforce racial boundaries and to project a civic identity as a refined, middle-class city. The African American community, as a result of segregation and oppression, had different conceptions about art, class, and culture than the white majority. African American writers framed English-language performances by the all-black Theodore Drury Grand Opera Company as a way to resist racial tyranny by emphasizing the skill of the troupe’s singers and the sophistication of its educated black audience.
    [Show full text]
  • November 1941) James Francis Cooke
    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 11-1-1941 Volume 59, Number 11 (November 1941) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Music Pedagogy Commons, and the Music Performance Commons Recommended Citation Cooke, James Francis. "Volume 59, Number 11 (November 1941)." , (1941). https://digitalcommons.gardner-webb.edu/etude/244 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. — m o * WOTId ofmusic y PUB LIS BY THEODORE PKE'> EDITORIAL in •d Oil? tmERTIP! DR. JAMES FI THE WO^ ^ Guy McOr *nd Hct Add the beautiful instrumental Kobcrt Brainc Dr. effects of the Solovox to Pietro Dciro Dr. NicboU* Douty music council has I the national YOUR OWN PIANO! performances of works tabulated the HERE. THERE AND EVERYWHERE MARTINEL- FO U N O composers, GIOVANNI by American-born written THE MUSIC AL WORLD LI, world-famous tenor, sixteen leading symphony or- il dayed by has accepted the ap- the United States during chestras in artistic there were pointment as season, and found that last director of the Chicago Those works written by nat- ft (n ninety-two. Company. The C^onlents or cm ber, 1941 Americans, oi aliens living in Opera uraiized UNIVERSITY OF DENVER has member of the aggregated one hundred and the musical life of our South American THE veteran rtlcj: Si rtxn America, music activi- of perform- neighbor.
    [Show full text]