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The String Quartets of George Onslow First Edition
The String Quartets of George Onslow First Edition All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Edition Silvertrust a division of Silvertrust and Company Edition Silvertrust 601 Timber Trail Riverwoods, Illinois 60015 USA Website: www.editionsilvertrust.com For Loren, Skyler and Joyce—Onslow Fans All © 2005 R.H.R. Silvertrust 1 Table of Contents Introduction & Acknowledgements ...................................................................................................................3 The Early Years 1784-1805 ...............................................................................................................................5 String Quartet Nos.1-3 .......................................................................................................................................6 The Years between 1806-1813 ..........................................................................................................................10 String Quartet Nos.4-6 .......................................................................................................................................12 String Quartet Nos. 7-9 ......................................................................................................................................15 String Quartet Nos.10-12 ...................................................................................................................................19 The Years from 1813-1822 ...............................................................................................................................22 -
8. Eligibility for Special Education Services A
8. Eligibility for Special Education Services a. Fact Sheets on i. ADHD Fact Sheet on Disabilities from NICHCY (http://nichcy.org/disability) ii. Autism Spectrum Disorders Fact Sheet iii. Blindness/Visual Impairment Fact Sheet iv. Cerebral Palsy Fact Sheet v. Deaf-Blindness Fact Sheet vi. Deafness and Hearing Loss Fact Sheet vii. Developmental Delay Fact Sheet viii. Down Syndrome Fact Sheet ix. Emotional Disturbance Fact Sheet x. Epilepsy Fact Sheet xi. Intellectual Disabilities Fact Sheet xii. Learning Disabilities Fact Sheet xiii. Other Health Impairment Fact Sheet xiv. Traumatic Brain Injury Fact Sheet b. Disability Worksheets for Eligibility for Special Education (from OSSE/DCPS) i. Other Health Impairment Disability Worksheet ii. Specific Learning Disability Worksheet iii. Emotional Disturbance Disability Worksheet Attention-Deficit/ Hyperactivity Disorder NICHCY Disability Fact Sheet #19 Updated March 2012 break down his lessons into gets to choose something fun several parts. Then they have he’d like to do. Having a him do each part one at a child with AD/HD is still a Mario’s Story time. This helps Mario keep challenge, but things are his attention on his work. looking better. Mario is 10 years old. When he was 7, his family At home, things have learned he had AD/HD. At changed, too. Now his What is AD/HD? the time, he was driving parents know why he’s so everyone crazy. At school, he active. They are careful to Attention-deficit/hyperac- couldn’t stay in his seat or praise him when he does tivity disorder (AD/HD) is a keep quiet. At home, he something well. -
Hall of Fame Andy Partridge
Hall of Fame Andy Partridge Andrew John Partridge (born 11 November 1953) is an English singer, songwriter, guitarist, and record producer from Swindon. He is best known for co-founding the rock band XTC, in which he served as the group's primary songwriter and vocalist. While the band was formed as an early punk rock group, Partridge's music drew heavily from British Invasion songwriters, and his style gradually shifted to more traditional pop, often with pastoral themes. The band's only British top 10 hit, "Senses Working Overtime" (1982), was written by Partridge. In addition to his work with XTC, Partridge has released one solo album on Virgin Records in 1980 called Take Away / The Lure of Salvage. He has also collaborated (as performer, writer or record producer) with recording artists, including Martin Newell, with whom he recorded and produced an album in 1993 entitled The Greatest Living Englishman released in Japan as a duo album. Partridge was producer for the English band Blur during the recording of Modern Life Is Rubbish (1993). He was replaced by Stephen Street at the insistence of their record label, Food. According to Partridge he was unpaid for the sessions and received his expenses only. Partridge also wrote four songs for Disney's version of James and the Giant Peach (1996) but was replaced by Randy Newman when he could not get Disney to offer him "an acceptable deal". In the 2000s, Partridge began releasing demos of his songs under his own name in The Official Fuzzy Warbles Collector's Album and the Fuzzy Warbles album series on his APE House record label. -
One Dead, 2 Injured in Shooting Witnesses at the Scene, There Ing at the Scene
INSIDE: ONLINE NOTICE OF INTERNET TAX CERTIFICATE SALE, Section B Today’s Weather High The 93° F Precip: 0% Sunny skies. High 93F. Winds W at 10 to 15 mph. Chance of rain 0%. UV Index: 11 - Extreme Jasper News For up to the minute weather go to n f l a o n l i n e . c o m www.nflaonline.com. 143rd YEAR, NUMBER 24 THURSDAY, MAY 22, 2014 2 SECTION 42 PAGES 50¢ One dead, 2 injured in shooting witnesses at the scene, there ing at the scene. Two other were people talking outside men, David Washington and SuspectBy Joyce Marie Taylorarrestedthe Lowndesin Ga. County, Ga. the residence when gunfire Louis Ash were also injured. [email protected] Sheriff’s Office around noon erupted from the bushes Washington was shot in the on Sunday, May 18, without across the street from the resi- calf and Ash was nicked by a A shooting incident early incident at a motel in Lake dence. HCSO and Jasper Po- bullet. They were both attend- Sunday morning left one man Park, Ga. lice Department were dis- ed to by EMS and released. dead and two others with mi- According to Reid, Allen patched to the scene. Allen fled the scene and nor injuries, according to had been involved in an alter- Reid said Frank Carl Jones based on information received Hamilton County Sheriff Har- cation earlier on Saturday and III (approx. age 37) was sitting during an investigation by rell Reid. The suspect shooter, shortly after midnight he ar- on the front porch of the resi- HCSO, the Florida Depart- Daphedron Lamar Allen, 34, rived at a residence at 106 8th dence when the gunfire start- Jasper, was later arrested by Ave. -
June 1902) Winton J
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 6-1-1902 Volume 20, Number 06 (June 1902) Winton J. Baltzell Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Baltzell, Winton J.. "Volume 20, Number 06 (June 1902)." , (1902). https://digitalcommons.gardner-webb.edu/etude/471 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. THE PUBLISHER OF THE ETVDE WILL SUPPLY ANYTHING IN MUSIC. 11^ VPl\W4-»* _ The Sw»d Volume ol ••The Cmet In Mmk" mil be rmdy to «'»!' >* Apnl "* WORK m VOLUME .. 5KI55 nETUDE I, Clic.pl". Oodard. and Sohytte. II. Chamlnade. J^ ^ Sthumann and Mosz- Q. Smith. A. M. Foerater. and Oeo. W. W|enin«ki. VI. kowski (Schumann occupies 75 pages). • Kelley» Wm. Berger, and Deahm. and Fd. Sehnett. VII. It. W. O. B. Klein. VIII, Saint-Saens, Paderewski, Q Y Bn|ch Max yogrich. IX. (llazounov, Balakirev, the Waltz Strau ’ M g Forces in the X. Review ol the Coum a. a Wholes The Place ol Bach nr Development; Influence ol the Folks Song, etc. -
From Piano Girl to Professional: the Changing
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2014 FROM PIANO GIRL TO PROFESSIONAL: THE CHANGING FORM OF MUSIC INSTRUCTION AT THE NASHVILLE FEMALE ACADEMY, WARD’S SEMINARY FOR YOUNG LADIES, AND THE WARD- BELMONT SCHOOL, 1816-1920 Erica J. Rumbley University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Rumbley, Erica J., "FROM PIANO GIRL TO PROFESSIONAL: THE CHANGING FORM OF MUSIC INSTRUCTION AT THE NASHVILLE FEMALE ACADEMY, WARD’S SEMINARY FOR YOUNG LADIES, AND THE WARD-BELMONT SCHOOL, 1816-1920" (2014). Theses and Dissertations--Music. 24. https://uknowledge.uky.edu/music_etds/24 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Boston Symphony Orchestra Concert Programs, Season 47,1927
SYMPHONY HALL,. BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Branch Exchange Telephones, Ticket and Administration Offices, Back Bay 1492 Bo; wmmm Uirelhesl^>a^> ki INC. SERGE KOUSSEVITZKY, Conductor FORTY-SEVENTH SEASON, 1927-1928 WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE COPYRIGHT, 1928, BY BOSTON SYMPHONY ORCHESTRA, INC. THE OFFICERS AND TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA, Inc. FREDERICK P. CABOT President BENTLEY'W. WARREN Vice-President ERNEST B. DANE Treasurer FREDERICK P.. CABOT FREDERICK E. LOWELL ERNEST B. DANE ARTHUR LYMAN N. PENROSE HALLOWELL EDWARD M. PICKMAN M. A. DE WOLFE HOWE HENRY B. SAWYER JOHN ELLERTON LODGE BENTLEY W. WARREN W. H. BRENNAN, Manager G. E. JUDD, Assistant Manager 1825 STEIN WAY the instrument of the immortals Not only the best piano, but the best piano value It is possible to build a piano to beauty of line and tone, it is the sell at any given price, but it is not greatest piano value ever offered! often possible to build a good . Convenient terms will be piano under such conditions. arranged, if desired. Steinway pianos are not—and There is a Steinway dealer in your com- never have been built to meet a — munity, or near you, through whom you price. They are made as well as may purchase a new Steinway piano with human skill can make them, and a small cash deposit, and the balance will the price is determined later. The be extended over a period of two years. accepted partial result is the world's finest piano. Used pianos in exchange. Such an instrument costs more Prices: an^ U than a commonplace product—yet «fPO 4 O P in point of long life, prestige, and Pitts transportation STEINWAY & SONS, Steinway Hall, 109 W. -
Blur Bang Mp3, Flac, Wma
Blur Bang mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Bang Country: UK Released: 1991 Style: Indie Rock MP3 version RAR size: 1471 mb FLAC version RAR size: 1681 mb WMA version RAR size: 1936 mb Rating: 4.8 Votes: 823 Other Formats: AA AUD MIDI VOC RA DTS DMF Tracklist Hide Credits Bang 1 3:34 Producer – Stephen Street Explain 2 2:44 Producer – Stephen Street Luminous 3 3:14 Engineer [uncredited] – John Smith Producer – Blur Berserk 4 6:52 Engineer [uncredited] – Leo*Producer – Blur Companies, etc. Phonographic Copyright (p) – Food Ltd. Licensed To – EMI Records Ltd. Copyright (c) – Food Ltd. Published By – MCA Music Ltd. Credits Design [Blur Art Banged Out By] – Stylorouge Music By – Blur Photography By [Roosters] – Quantity Songwriter – Albarn* Notes Published by MCA Music Ltd. ℗ 1991 food ltd under exclusive licence to EMI records ltd. © 1991 EMI records ltd Comes in J-card CD single case with insert. Barcode and Other Identifiers Barcode (Scanned): 5099920441227 Barcode (Text): 5 099920 441227 Rights Society: BIEM / MCPS Label Code: LC 0299 Matrix / Runout: 204412 2 00 1:1:1 EMI SWINDON Other versions Category Artist Title (Format) Label Category Country Year 12 FOOD 31, Bang (12", 12 FOOD 31, Blur Food, Parlophone UK 1991 2044126 Single) 2044126 CDFOOD 31, CDFOOD 31, Blur Bang (CD, Single) Food, Parlophone Europe 1991 2044122 2044122 FOOD 31, 2044127 Blur Bang (7", Single) Food, Parlophone FOOD 31, 2044127 UK 1991 TCFOOD 31, Bang (Cass, Food, Food, TCFOOD 31, Blur UK 1991 FOOD 31, 2044124 Single) Parlophone FOOD 31, 2044124 Bang (7", Single, FOOD 31, 2044127 Blur Food, Parlophone FOOD 31, 2044127 UK 1991 Pap) Related Music albums to Bang by Blur Blur - On Your Own (Crouch End Broadway Mix) Blur - Beetlebum Blur - Stereotypes Blur - I Love Her Blur - Song 2 Blur - Tender Blur - Blur Parlophone,Food,EMI Records Ltd.,EMI Records Ltd.,Yacht Associates,EMI,EMI,EMI Swindon – 7243 8 55562 2 7 CD, Album 1997, Europe - Blur - The Great Escape Blur - Blur Blur - There's No Other Way. -
Birk Ies AIL D LA Ms
Birk Ies AIL D LA Ms LES RITA MITSOUKO headlonginto'60snostalgiawith GRAVITY KILLS ACOUSTIQUES Beatlesque harmonies and a psychedelic ENOUGH - TVT/VIRGiN/EMI Delabel (France) guitar, but there's much more to Bartels Producer: Gravity Kills/John Fryer Producer -Les Rita Mitsouko, Condo than meets the eye. For example, there's These industrial-techno-rock alch- The fantastique French duo are back after the mid -tempo Tom Waits melancholy of emists are currently on a European a long hiatus, but not with new material. Arms Around My Anger and the fragile tour with Skunk Anansie, which This album was recorded live for a TV show folky ballad (To The Carnival With) Ruby. tells you where they're at. Dark, fast on French channel M6 and consists of 11 ofThe pulsating rhythmic If That's What and furious, the overwhelming effect their former successes-from Marcia Baila You Want has substantial alternative is of Nine Inch Nails in singalong to CEst Comme Ca-completely re -worked radio appeal, while ACE will love the mode. Enough was composed in a with new arrangements. In addition, singer country -rock ballad Misty Morning. night for a spare slot on a St.Louis Catherine Ringer and composer/ TM radio station. featured in the gritty instrumentalist Fred Chichin offer two new thrillerfilmSevenandpacks tracks-a duet with Princess Erika and ELEVEN PICTURES lifetimes of textured guitar energy another with rapper Doc Gyneco. Although INITIALS into four minutes. the band is no longer experimenting as it Mascot I=> F" did in the early '80s, the outcome is still Producer: Eleven Pictures, Berne Randulw refreshing, and Ringer confirms that she is Whilst playing the Dynamo metal festival a superb singer with style. -
Conclusion: Popular Music, Aesthetic Value, and Materiality
CONCLUSION: POPULAR MUSIC, AESTHETIC VALUE, AND MATERIALITY Popular music has been accused of being formulaic, homogeneous, man- ufactured, trite, vulgar, trivial, ephemeral, and so on. These condemna- tions have roots in aspects of the Western aesthetic tradition, especially its modernist and expressivist branches, according to which great art innovates, breaks and re-makes the rules, expresses the artist’s personal vision or unique emotions, or all these. Popular music has its defenders. But they have tended to appeal to the same inherited aesthetic criteria, defending some branches of popular music at the expense of others― valorising its artistic, expressive, innovative, or authentic branches against mere ‘pop’. These evaluations are problematic, because they presuppose all along a set of criteria that are slanted against the popular fi eld. We therefore need new frameworks for the evaluation of popular music. These frameworks need to enable us to evaluate pieces of popular music by the standards proper to this particular cultural form―to judge how well these pieces work as popular music, not how successfully they rise above the popular condition. To devise such frameworks we need an account of popular music’s standard features and of the further organising qualities and typical val- ues to which these features give rise. Popular music normally has four layers of sound―melody, chords, bass, and percussion―and each layer is normally made up of repetitions of short elements, these repeti- tions being aligned temporally with one another, with whole sections of repeated material then being repeated in turn to constitute song sections. © The Author(s) 2016 249 A. -
Boston Symphony Orchestra Concert Programs, Season 32,1912-1913, Trip
INFANTRY HALL . PROVIDENCE Itoaimt ^gmpfjmuj (§xttytBtxu Thirty-second SeaBon, J9J2-J9J3 Dr. KARL MUCK, Conductor Programme oftfo> SECOND CONCERT WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE TUESDAY EVENING, NOVEMBER 19 AT 8.15 COPYRIGHT, 1912, BY C. A. ELLIS PUBLISHED BY C. A. ELLIS, MANAGER — %l#uiinlfano iuiu' "After the Symphony Concert" a prolonging of musical pleasure by home-firelight awaits the owner of a "Baldwin." The strongest impressions of the concert season are linked with Baldwintone, exquisitely exploited by pianists eminent in their art. Schnitzer, Pugno, Scharwenka, Bachaus De Pachmann! More than chance attracts the finely-gifted amateur to this keyboard. Among people who love good music, who have a culti- vated knowledge of it, and who seek the best medium for producing it, the Baldwin is chief. In such an atmosphere it is as happily "at home" as are the Preludes of Chopin, the Liszt Rhapsodies upon a virtuoso's programme. THE BOOK OF THE BALDWIN free upon request. Sole Representative MRS. LUCY H. MILLER 28 GEORGE STREET - - PROVIDENCE, R.I. Boston Symphony Orchestra PERSONNEL Thirty-second Season, 1912-1913 Dr. KARL MUCK, Conductor Violins. Witek, A., Roth, 0. Hoffmann, J. Mahn, F. Concert-master. Kuntz, D. Tak, E. Theodorowicz, J. Noack, S. Strube, G. Rissland, K. Ribarsch, A. Traupe, W. Koessler, M. Bak t A. Mullaly, J. Goldstein, H. Habenicht, W. Akeroyd, J. Spoor, S. Berger, H. Fiumara, P. Fiedler, B. Marble, E. Hayne, E. Tischer-Zeitz, H. Kurth, R. Grunberg, M. Goldstein, S. Pinfield, C. E. Gerardi, A. Violas. Ferir, E. Werner, H. Pauer, 0. -
Eine Liebes-Novelle (A Love Story) for Viola and Piano
The American Viola Society Eine Liebes-Novelle (A Love Story) 5 Bagatellen für viola und pianoforte, Op. 20 Benjamin Cutter (1857-1910) AVS Publications 044 Preface Benjamin Cutter (1857–1910) was born in Woburn, Massachusetts, and studied violin with Julius Eichberg and harmony with Stephan Emery (who also taught Arthur Foote) in Boston. After further musical studies in Germany, he returned to Boston, where he played viola in the newly formed Boston Symphony Orchestra.1 He went on to become a noted educator at the New England Conservatory (NEC), teaching a variety of subjects, including violin, viola, harmony, theory, and composition. In addition to teaching at the NEC, Cutter also played viola in various ensembles there, including a faculty string quartet and the NEC Orchestra. Eine Liebes-Novelle (A Love Story) was published as five separate movements in 1895 by the Boston firm of Arthur P. Schmidt (A. P. S. 1891–1895), making it one of the earliest American viola compositions—if not the first—to be published in the United States. The format of the work—five short pieces written in a relatively light and popular style—would have appealed to amateur violists, a burgeoning group that was attracting the attention of publishers and music dealers in the 1890s. Cutter performed the work prior to publication at a “Concert of Original Manuscript Compositions” on May 16, 1889, at the New England Conservatory. Notes about the Sources The primary sources for this edition are the manuscript scores and parts for each movement housed in the A. P. Schmidt Company Archives, Music Division, Library of Congress (the same sources used for the original published editions).