Six-Dimensional Fun – the World's First Passenger-Carrying Robot
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The Theme Park As "De Sprookjessprokkelaar," the Gatherer and Teller of Stories
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2018 Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories Carissa Baker University of Central Florida, [email protected] Part of the Rhetoric Commons, and the Tourism and Travel Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Doctoral Dissertation (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Baker, Carissa, "Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories" (2018). Electronic Theses and Dissertations, 2004-2019. 5795. https://stars.library.ucf.edu/etd/5795 EXPLORING A THREE-DIMENSIONAL NARRATIVE MEDIUM: THE THEME PARK AS “DE SPROOKJESSPROKKELAAR,” THE GATHERER AND TELLER OF STORIES by CARISSA ANN BAKER B.A. Chapman University, 2006 M.A. University of Central Florida, 2008 A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the College of Arts and Humanities at the University of Central Florida Orlando, FL Spring Term 2018 Major Professor: Rudy McDaniel © 2018 Carissa Ann Baker ii ABSTRACT This dissertation examines the pervasiveness of storytelling in theme parks and establishes the theme park as a distinct narrative medium. It traces the characteristics of theme park storytelling, how it has changed over time, and what makes the medium unique. -
Whitewater Water Rides
WhiteWater Water Rides WhiteWater was born in 1980 with one clear purpose, to create places where families unite and make joyful lasting memories. We achieve this by standing alongside our customers from concept to completion of award-winning attractions, from slides to water rides and everything in between. We aim to inspire our clients by unleashing our creativity to realize their ambitions; we craft solutions which make each park unique. We are dedicated to making products that operators can count on, because we understand the importance of reliability and efficiency on the bottom line. As market leaders, we put our success down to our attitude, in all our years we’ve never once forgotten why we’re here – to help parks solve problems, create immersive experiences, and delight guests all over the world. We’re here to create places where fun can thrive. Head Office (Vancouver) Asia Pacific Office (Shanghai) Middle East Office (Dubai) Europe Office (Barcelona) +1.60 4.273.10 68 +86 21 32567586 +971 (0) 4 422 9318 +34 932 504 431 [email protected] [email protected] www.whitewaterwest.com www.whitewaterwest.cn 1 WHITEWATER WATER RIDES 2 WhiteWater Water Rides An essential ride for every kind of park, because families love them! Water rides are an industry staple, providing high capacity family entertainment and huge spectator value. A water ride provides a completely different experience from coasters, kiddie rides and dark rides. A water ride from WhiteWater will augment your ride mix with an experience where you can dial up or down on splash and thrills, according to your needs. -
The Immersive Theme Park
THE IMMERSIVE THEME PARK Analyzing the Immersive World of the Magic Kingdom Theme Park JOOST TER BEEK (S4155491) MASTERTHESIS CREATIVE INDUSTRIES Radboud University Nijmegen Supervisor: C.C.J. van Eecke 22 July 2018 Summary The aim of this graduation thesis The Immersive Theme Park: Analyzing the Immersive World of the Magic Kingdom Theme Park is to try and understand how the Magic Kingdom theme park works in an immersive sense, using theories and concepts by Lukas (2013) on the immersive world and Ndalianis (2004) on neo-baroque aesthetics as its theoretical framework. While theme parks are a growing sector in the creative industries landscape (as attendance numbers seem to be growing and growing (TEA, 2016)), research on these parks seems to stay underdeveloped in contrast to the somewhat more accepted forms of art, and almost no attention was given to them during the writer’s Master’s courses, making it seem an interesting choice to delve deeper into this subject. Trying to reveal some of the core reasons of why the Disney theme parks are the most visited theme parks in the world, and especially, what makes them so immersive, a profound analysis of the structure, strategies, and design of the Magic Kingdom theme park using concepts associated with the neo-baroque, the immersive world and the theme park is presented through this thesis, written from the perspective of a creative master student who has visited these theme parks frequently over the past few years, using further literature, research, and critical thinking on the subject by others to underly his arguments. -
KUKA System Software KUKA Roboter Gmbh
KUKA System Software KUKA Roboter GmbH KUKA System Software 8.3 Operating and Programming Instructions for System Integrators KUKA System Software 8.3 Issued: 14.01.2015 Version: KSS 8.3 SI V4 KUKA System Software 8.3 © Copyright 2015 KUKA Roboter GmbH Zugspitzstraße 140 D-86165 Augsburg Germany This documentation or excerpts therefrom may not be reproduced or disclosed to third parties without the express permission of KUKA Roboter GmbH. Other functions not described in this documentation may be operable in the controller. The user has no claims to these functions, however, in the case of a replacement or service work. We have checked the content of this documentation for conformity with the hardware and software described. Nevertheless, discrepancies cannot be precluded, for which reason we are not able to guarantee total conformity. The information in this documentation is checked on a regular basis, how- ever, and necessary corrections will be incorporated in the subsequent edition. Subject to technical alterations without an effect on the function. Translation of the original documentation KIM-PS5-DOC Publication: Pub KSS 8.3 SI (PDF) en Book structure: KSS 8.3 SI V4.3 Version: KSS 8.3 SI V4 2 / 491 Issued: 14.01.2015 Version: KSS 8.3 SI V4 Contents Contents 1 Introduction .................................................................................................. 15 1.1 Target group .............................................................................................................. 15 1.2 Industrial robot documentation -
Dark Rides and the Evolution of Immersive Media
Journal of Themed Experience and Attractions Studies Volume 1 Issue 1 Article 6 January 2018 Dark rides and the evolution of immersive media Joel Zika Deakin University, [email protected] Part of the Environmental Design Commons, Interactive Arts Commons, and the Theatre and Performance Studies Commons Find similar works at: https://stars.library.ucf.edu/jteas University of Central Florida Libraries http://library.ucf.edu This Article is brought to you for free and open access by STARS. It has been accepted for inclusion in Journal of Themed Experience and Attractions Studies by an authorized editor of STARS. For more information, please contact [email protected]. Recommended Citation Zika, Joel (2018) "Dark rides and the evolution of immersive media," Journal of Themed Experience and Attractions Studies: Vol. 1 : Iss. 1 , Article 6. Available at: https://stars.library.ucf.edu/jteas/vol1/iss1/6 Journal of Themed Experience and Attractions Studies 1.1 (2018) 54–60 Themed Experience and Attractions Academic Symposium 2018 Dark rides and the evolution of immersive media Joel Zika* Deakin University, 221 Burwood Hwy, Burwood VIC, Melbourne, 3125, Australia Abstract The dark ride is a format of immersive media that originated in the amusement parks of the USA in the early 20th century. Whilst their numbers have decreased, classic rides from the 1930s to the 70s, such as the Ghost Train and Haunted House experiences have been referenced is films, games and novels of the digital era. Although the format is well known, it is not well defined. There are no dedicated publications on the topic and its links to other media discourses are sparsely documented. -
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Repair Services and Remanufactured Products Quality Industrial Electronics (QIE) repairs a wide range of electronic equipment in addition to offering a huge assortment of remanufactured units. From the latest equipment in true simula- tion testing to very old, almost obsolete original manufacturer equipment — QIE stands ready to back our Service Through Response mandate. We buy, sell, exchange or repair a variety of electronic equip- ment through our Remanufactured & Repair Division. With more than $1.2 million in inventory and growing of “like new” remanufactured units, you can be assured there’s a good chance we have it in stock and can ship it out at a moment’s notice. For a current listing of remanufactured units currently in stock give us a call or visit our Web site at qie.com. On the rare occasion we don’t have a unit in stock, we initiate a rigorous search and find mission through our global network to source most any remanufactured unit you may need. From testing and repair of the very latest in electronic equipment to a All remanufactured products carry the industry leading QIE huge assortment of “like new” older model remanufactured units, the one year warranty (see page 3 for a full description of the QIE team stands ready to deliver. QIE warranty guarantee). Try our search and find locator ser- So whether it’s a repair, or a hard to find remanufactured unit, vice to find obsolete and hard to find products via e-mail at QIE is your one stop source to keep your operations up and run- [email protected], or give us a call at (800) 265-1999 or fax to ning at all times. -
Winter 2009 Vol. 18 No. 4 Disney Files Magazine Is Published by the Good People at I Look at This Edition of Disney Files Magazine, and I See a World of Laughter
Winter 2009 vol. 18 no. 4 Disney Files Magazine is published by the good people at I look at this edition of Disney Files Magazine, and I see a world of laughter. A world of Disney Vacation Club tears. A world of hope. A world of fears. (Well maybe not tears or fears, but stay with me.) P.O. Box 10350 I’m reminded that there’s so much that we share. That it’s time we’re aware. Sing it with me Lake Buena Vista, FL 32830 now. “It’s a small world after all.” To help celebrate the debut of Disney Vacation Club’s first California resort (cover and All dates, times, events and prices pages 2-4), we’ve reached beyond our home state of Florida to deliver a broader mix of news printed herein are subject to change without notice. (Our lawyers and perspectives than ever. This puppy’s so global and happy that it should’ve been delivered do a happy dance when we say that.) by a pack of singing dolls. (Stupid budget constraints.) Let’s begin our journey in the aforementioned Golden State, where D23, the official MOVING? community for Disney fans, recently hosted the first D23 Expo. Fans gathered. News broke. Update your mailing address Films premiered. Legends were crowned. (Or inducted. But we think there should’ve been online at www.dvcmember.com crowns.) And your Disney Files staff recorded the highlights for those unable to attend (pages 5-6). Perhaps you were too busy sailing on the S.S. Member Cruise to attend the MEMBERSHIP QUESTIONS? Expo. -
Meaning - an Unexplored Path of Innovation
Meaning - An Unexplored Path of Innovation Åsa Öberg1* and Roberto Verganti2 Department of Information Design, Mälardalen University, Sweden1 School of Management, Politecnico di Milano, Italy1,2 [email protected], [email protected] *Corresponding Author Received 27 August 2014; received in revised form 30 November 2014; accepted 9 December 2014 Abstract Over the last ten years, the practice and research around innovation has been dominated by one perspective: innovation is an activity of “creative problem solving”. According to this per- spective, users have problems or needs, and innovation implies an understanding of those problems and the creation of better ideas to solve them (Kelley, 2001, Chesbrough, 2003, Brown, 2009, Martin, 2009). There is, however, a level of innovation that has been overlooked: the level of meaning. People are continuously searching for meaning. Whenever they do something in life, there is a meaning behind that action, a purpose, and a “why”. They also use products and services that support this search for meaning. For example, they use fast robots with the purpose of improving the productivity of a process. Firms often assume that meanings exist “out there” in the market. They just have to be understood, not innovated. Therefore, they search for new solutions, a new “how”, to serve this existing purpose better: a faster robot, for example. However, people are not only searching for new solutions to existing problems. They are also searching for new meanings because their life keeps changing and because they are delighted by the discovery of new directions. For example, hospitals buy slow robots, such as the DaVinci system, the leading prostatectomy device, not to replace doctors and increase productivity, but to help them in complex operations. -
Attractions Management Issue 1 2011
Attractionswww.attractionsmanagement.com management MFC(- H()'(( Attractionswww.attractionsmanagement.com management MFC(- H()'(( J?8E>?8@<OGF 8i\m`\nf]k_\nfic[ËjY`^^\jk\m\i\ogf K?<;L:?<JJF=EFIK?LD9<IC8E; fe dXb`e^ X b`cc`e^ n`k_ K_\ Gf`jfe >Xi[\e @DD<IJ<PFLIJ<C=*;LGJ@KJ>8D< :FM<I1K?<LBG8M@C@FEËJJ<<;:8K?<;I8C@EJ?8E>?8@ Read Attractions Management online: www.attractionsmanagement.com/digital follow us on twitter @attractionsmag K?<D<G8IBJsJ:@<E:<:<EKI<JsQFFJ8HL8I@LDJsDLJ<LDJ?<I@K8><sK<:?EFCF>Ps;<JK@E8K@FEJs<OGFJsN8K<IG8IBJsM@J@KFI8KKI8:K@FEJs>8CC<I@<Js<EK<IK8@ED<EK Look into my eyes and… Fly Me to the Moon Pirate Story The World of Sharks Haunted House Jett and Jin TurtleVision Bugs Dinosaurs O8BWF1JDUVSFTQSFTFOUTBOFWFSFYQBOEJOHMJCSBSZPGQSPWFODSPXEQMFBTJOHmMNT that maximize the WOW factor and in-your-face nature of 3D/4D cinema. For more information contact: $FESJD*HPEUt5FM t'BY tDJHPEU!OXBWFDPNtXXXOXBWFDPN +BOJOF#BLFSt5FM t'BY tKCBLFS!OXBWFDPN (North & South America Sales) !-11. … discover a universal and timeless 3D/4D attraction nWave Pictures proudly presents A 3D/4D experience inspired by Antoine de Saint-Exupéry’s The Little Prince: an eternally enchanting story. ATTRACTIONS MANAGEMENT EDITOR’S LETTER PHOTO: IWAN BAAN IWAN PHOTO: UNDERESTIMATING DEMAND ON THE COVER: The UK Pavilion at Shanghai Expo, p34 peaking at IAAPA, Tom Williams, CEO and chair of Universal Studios told delegates: “I’ve made a new best friend and his name’s Harry Potter.” READER SERVICES S With attendances at Universal Islands of Adventure up by SUBSCRIPTIONS 36 per cent since the opening of the Wizarding World of Denise Gildea +44 (0)1462 471930 Harry Potter in Orlando last June, it’s easy to see why. -
Iris Um Oifig Maoine Intleachtúla Na Héireann Journal of the Intellectual Property Office of Ireland
Iris um Oifig Maoine Intleachtúla na hÉireann Journal of the Intellectual Property Office of Ireland Iml. 96 Cill Chainnigh 04 August 2021 Uimh. 2443 CLÁR INNSTE Cuid I Cuid II Paitinní Trádmharcanna Leath Leath Official Notice 2355 Official Notice 1659 Applications for Patents 2354 Applications for Trade Marks 1660 Applications Published 2354 Oppositions under Section 43 1717 Patents Granted 2355 Application(s) Amended 1717 European Patents Granted 2356 Application(s) Withdrawn 1719 Applications Withdrawn, Deemed Withdrawn or Trade Marks Registered 1719 Refused 2567 Trade Marks Renewed 1721 Patents Lapsed 2567 International Registrations under the Madrid Request for Grant of Supplementary Protection Protocol 1724 Certificate 2568 International Trade Marks Protected 1735 Supplementary Protection Certificate Granted 2568 Cancellations effected for the following Patents Expired 2570 goods/services under the Madrid protocol 1736 Dearachtaí Designs Information under the 2001 Act Designs Registered 2578 Designs Renewed 2582 The Journal of the Intellectual Property Office of Ireland is published fortnightly. Each issue is freely available to view or download from our website at www.ipoi.gov.ie © Rialtas na hÉireann, 2021 © Government of Ireland, 2021 2353 (04/08/2021) Journal of the Intellectual Property Office of Ireland (No. 2443) Iris um Oifig Maoine Intleachtúla na hÉireann Journal of the Intellectual Property Office of Ireland Cuid I Paitinní agus Dearachtaí No. 2443 Wednesday, 4 August, 2021 NOTE: The office does not guarantee the accuracy of its publications nor undertake any responsibility for errors or omissions or their consequences. In this Part of the Journal, a reference to a section is to a section of the Patents Act, 1992 unless otherwise stated. -
Modeling and Control of Flexible Manipulators
Linköping studies in science and technology. Dissertations. No. 1349 Modeling and Control of Flexible Manipulators Stig Moberg Department of Electrical Engineering Linköping University, SE–581 83 Linköping, Sweden Linköping 2010 Cover illustration: A well-known path used by robot customers and robot man- ufacturers for evaluating the path accuracy of industrial robots (front). One ele- ment of the multivariable frequency response function magnitude for a modern industrial robot (back). Linköping studies in science and technology. Dissertations. No. 1349 Modeling and Control of Flexible Manipulators Stig Moberg [email protected] www.control.isy.liu.se Division of Automatic Control Department of Electrical Engineering Linköping University SE–581 83 Linköping Sweden ISBN 978-91-7393-289-9 ISSN 0345-7524 Copyright © 2010 Stig Moberg Printed by LiU-Tryck, Linköping, Sweden 2010 To Karin and John Abstract Industrial robot manipulators are general-purpose machines used for industrial automation in order to increase productivity, flexibility, and product quality. Oth- er reasons for using industrial robots are cost saving, and elimination of hazard- ous and unpleasant work. Robot motion control is a key competence for robot manufacturers, and the current development is focused on increasing the robot performance, reducing the robot cost, improving safety, and introducing new functionalities. Therefore, there is a need to continuously improve the mathemat- ical models and control methods in order to fulfil conflicting requirements, such as increased performance of a weight-reduced robot, with lower mechanical stiff- ness and more complicated vibration modes. One reason for this development of the robot mechanical structure is of course cost-reduction, but other benefits are also obtained, such as lower environmental impact, lower power consumption, improved dexterity, and higher safety. -
ORIOLE a Parametric Solution for Robotic Videography
ORIOLE A Parametric Solution for Robotic Videography EBRAHIM POUSTINCHI 1Kent State University [email protected] Abstract. Oriole is a parametric tool that enables designers to visualize/simulate the robotic videography, the camera path, and the camera aim digitally and in a precise way. Designers using Oriole are able to use Rhino 3D and its node-based visual programming plug-in, Grasshopper 3D-as native design software, to design a robotic camera motion with a fixed or animated target. Keywords. Robotics; Software Development; Representation; Parametric Design; Videography. 1. Abstract This paper presents a project-based research study using Oriole-a custom-made plug-in for grasshopper 3D software, as a new tool for robotic videography. Oriole is a parametric tool that enables designers to visualize/simulate the robotic videography, the camera path, and the camera aim digitally and in a precise way. Designers using Oriole are able to use Rhino 3D and its node-based visual programming plug-in, Grasshopper 3D-as native design software platforms, to design a robotic camera motion with a fixed or animated target (Figure 1, and 2). Using a digital model and robotic simulation platforms for different industrial robots such as KUKA, ABB, and Universal, Oriole enables designers to design/create a precise interaction between the robotic “camera” and the physical environment. Figure 1. Screen-shots of Oriole plug-in simulation platform in Rhino 3D and Grasshopper environment. Intelligent & Informed, Proceedings of the 24th International Conference of the Association for Computer-Aided Architectural Design Research in Asia (CAADRIA) 2019, Volume 2, 531-540. © 2019 and published by the Association for Computer-Aided Architectural Design Research in Asia (CAADRIA), Hong Kong.