Winter 2009 Vol. 18 No. 4 Disney Files Magazine Is Published by the Good People at I Look at This Edition of Disney Files Magazine, and I See a World of Laughter

Total Page:16

File Type:pdf, Size:1020Kb

Winter 2009 Vol. 18 No. 4 Disney Files Magazine Is Published by the Good People at I Look at This Edition of Disney Files Magazine, and I See a World of Laughter Winter 2009 vol. 18 no. 4 Disney Files Magazine is published by the good people at I look at this edition of Disney Files Magazine, and I see a world of laughter. A world of Disney Vacation Club tears. A world of hope. A world of fears. (Well maybe not tears or fears, but stay with me.) P.O. Box 10350 I’m reminded that there’s so much that we share. That it’s time we’re aware. Sing it with me Lake Buena Vista, FL 32830 now. “It’s a small world after all.” To help celebrate the debut of Disney Vacation Club’s first California resort (cover and All dates, times, events and prices pages 2-4), we’ve reached beyond our home state of Florida to deliver a broader mix of news printed herein are subject to change without notice. (Our lawyers and perspectives than ever. This puppy’s so global and happy that it should’ve been delivered do a happy dance when we say that.) by a pack of singing dolls. (Stupid budget constraints.) Let’s begin our journey in the aforementioned Golden State, where D23, the official MOVING? community for Disney fans, recently hosted the first D23 Expo. Fans gathered. News broke. Update your mailing address Films premiered. Legends were crowned. (Or inducted. But we think there should’ve been online at www.dvcmember.com crowns.) And your Disney Files staff recorded the highlights for those unable to attend (pages 5-6). Perhaps you were too busy sailing on the S.S. Member Cruise to attend the MEMBERSHIP QUESTIONS? Expo. If not, check out the cruise recap on page 7. Contact Member Services from Staying out west, we’re pleased to report that President Abraham Lincoln has returned 9 a.m.-5:30 p.m. Eastern daily at (800) 800-9800 or (407) 566-3800 to Disneyland® Park (page 17). Alright, so it’s a state-of-the-art Audio-Animatronics® representation of honest Abe. We’re just glad he’s back, advancing the art form, inspiring Fax Number: (407) 938-4151 Guests and preparing to intervene if any tensions mount between Critter Country and New Orleans Square. (That’s right, a Civil War joke. Too soon?) Throw in some notes about a new E-mail Member Services at: Downtown Disney® “studio,” a new Main Street, U.S.A.® window honoring a great friend of [email protected] Disney Files Magazine and transformation plans for the iconic Disneyland Hotel (all on page 21), and we’ve covered California like Seacrest on a red carpet. (For more Seacrest references, Stay up to date on the news between see pages 8 and 25.) magazines at www.dvcmember.com Further broadening our scope, we present Walt Disney Imagineering’s blue-sky This edition’s cover art by concepts for the expansion of Hong Kong Disneyland® Park (page 18) and span the globe to Don “Ducky” Williams break down the merry mix of holiday happenings at Disney Parks everywhere (pages 19-20). Add an exclusive visit with the creators of The Princess and the Frog (pages 23-24), an exploration of Disney’s connections to the film’s “hometown” (pages 27-28) and a fun look at Members enjoying their magazine during worldwide travels (pages 29-30), and you have an editorial reminder that there is just one moon and one golden sun. That a smile means friendship to everyone. That, while the mountains divide, and the oceans are wide, it’s a small world after all. (Note to self: no more Fantasyland® rides before writing.) Disney Files Magazine proudly uses Welcome home, recycled paper and soy-based ink. Ryan March Disney Files Editor Disneyphiles (Diz-nee-fyles) noun, plural: really cool people who love, or are attracted to, all things Disney Disney Files (Diz-nee-fyles) noun, plural: a really cool magazine for Disney Vacation Club Members, the ultimate Disneyphiles Parham Keelan by Illustration DVC-MBR-65-I FROM THE DESK OF JIM LEWIS top news & perspectives by Jim Lewis, President, Disney Vacation Club REALIZING A GOLDEN DREAM In 2005, as Disney our originally announced November opening date. Parks prepared to mark the I’m so pleased to see Member families enjoying their golden anniversary of the new California “home” and being part of Disney history. Disneyland® Resort with Some are experiencing our villa-style accommodations for “The Happiest Celebration the first time. Others are discovering how the iconic hotel’s On Earth,” Disney California Arts and Crafts style has influenced the amenities Vacation Club saw a they’ve come to enjoy in other Disney Vacation Club Resorts. golden And all are reminding us that this golden dream was worth opportunity. dreaming. While Disneyland Resort Hotels had long been part of our Disney Collection of exchange resorts, we knew that Members wanted – and deserved – much more at the place that started it all. We recognized that Disney Vacation Club wouldn’t even exist without Walt’s fulfilled vision in those Southern California orange groves, and we were committed to bringing our magical community full circle. Step one, achieved during an astonishingly fast 14-week effort, was establishing our first Disney Vacation Club sales operations in Anaheim. With Guests discovering the “best- kept Disney Secret” at Information Centers throughout the Disneyland Resort and learning more about the magic of Membership through our new onsite preview center (where a miniature doll-house-style replica of Disney’s Saratoga Springs Resort & Spa accommodations preceded our eventual full-scale model room), we officially became part of the Disneyland family and opened new doors for our Member community. Our heightened presence at this landmark Disney destination immediately enhanced the Member experience, with new Member perks, attraction previews and Member events making the Disneyland Resort feel a lot more like “home.” We were proud of what we achieved in Anaheim in such a short amount of time, but we were far from satisfied. (We rarely are.) We understood that, for Members to really feel at home, we needed to build them a “home.” Fast forward to 2007, and we were raising walls on The Villas at Disney’s Grand Californian Hotel® & Spa, the first Disney Vacation Club Resort accommodations on the West Coast. Granted, the wall I helped raise personally was purely ceremonial, Disney Vacation Club President Jim Lewis, left, assists Mickey but the real ones soon followed with remarkable speed. Mouse at a 2007 “wall-raising” ceremony marking the official Construction work on this ambitious project was so smooth, in start of construction on The Villas at Disney’s Grand Californian fact, that this new addition to your neighborhood was able to Hotel & Spa. welcome its first Members “home” in September, well ahead of page 2 dvcmember.com If you’re an avid reader of Disney Files Magazine (and we trust that you are), you already know a lot about The Villas at Disney’s Grand Californian Hotel® & Spa, now open at the Disneyland® Resort in Anaheim. For example, you know that the 50 new two-bedroom-equivalent Disney Vacation Club villas – the first on the West Coast – reflect the California Arts and Crafts movement of the late 19th and early 20th centuries, showcased in painstaking detail throughout the hotel. You’re aware of the hidden Mickeys in the villas’ carpeting and the Pinocchio cues detailing bathroom walls. You even know that Mariposa (the new pool nearby) is Spanish for “butterfly.” But how much do you really know about the grand hotel upon which the new villas were built? Are you truly prepared to impress others with your knowledge of its art, architecture, flora and fauna? Are you suitably equipped to beat your traveling party in a spontaneous game of “name that beam style?” We can’t leave anything to chance. So to help celebrate the newest addition to the Disney Vacation Club neighborhood, your Disney Files staff is pleased to present this handy guide to Disney’s Grand Californian Hotel & Spa fun facts. We’ll even give you the conversation starters. It’s what we do. page 3 dvcmember.com Where: Front of hotel center, crews cut through traditional tie beams and support What: Trellis-like entry gate the remaining portions, known as hammer beams, with You say: “Unmistakably Bernie.” curved braces from the wall. If you want to really impress (or annoy) your traveling party, make a snooty reference to The entry gate was inspired by renowned architect Bernard England’s Westminster Hall, which houses what many Maybeck’s designs for the Lawson House, built in the San experts believe is the finest example of hammer beam roofs. Francisco Bay Area after the great earthquake of 1906. The scored lines and tile accents seen on the hotel’s exterior also Where: Hearthstone Lounge reflect the influence of Maybeck, who’s noted as being What: The “three-circle” chandeliers hanging from the ceiling among the first architects to use cement in his buildings. You say: “I’m getting flashbacks to Berkeley!” Where: The Porte Cochere Insipired by a Bernard Maybeck design, which features What: The vintage car on display three identically sized circles, Imagineers shrunk the upper You say: “Quick everyone, name that Clooney film!” two circles in their version, paying homage to the same mouse celebrated in the aforementioned clock. The original This 1932 Cadillac V-8 seven-passenger sedan has been used Maybeck chandelier is located in the First Church of Christ in Hollywood as a studio prop, appearing in such television Scientist in Berkeley, Calif., which is the only Berkeley shows as “Charmed” and in a variety of feature films, building to be designated as a National Landmark.
Recommended publications
  • Summer 2017 • Volume 26 • Number 2
    sUMMER 2017 • Volume 26 • Number 2 Welcome Home “Son, we’re moving to Oregon.” Hearing these words as a high school freshman in sunny Southern California felt – to a sensitive teenager – like cruel and unusual punishment. Save for an 8-bit Oregon Trail video game that always ended with my player dying of dysentery, I knew nothing of this “Oregon.” As proponents extolled the virtues of Oregon’s picturesque Cascade Mountains, I couldn’t help but mourn the mountains I was leaving behind: Space, Big Thunder and the Matterhorn (to say nothing of Splash, which would open just months after our move). I was determined to be miserable. But soon, like a 1990s Tom Hanks character trying to avoid falling in love with Meg Ryan, I succumbed to the allure of the Pacific Northwest. I learned to ride a lawnmower (not without incident), adopted a pygmy goat and found myself enjoying things called “hikes” (like scenic drives without the car). I rafted white water, ate pink salmon and (at legal age) acquired a taste for lemon wedges in locally produced organic beer. I became an obnoxiously proud Oregonian. So it stands to reason that, as adulthood led me back to Disney by way of Central Florida, I had a special fondness for Disney’s Wilderness Lodge. Inspired by the real grandeur of the Northwest but polished in a way that’s unmistakably Disney, it’s a place that feels perhaps less like the Oregon I knew and more like the Oregon I prefer to remember (while also being much closer to Space Mountain).
    [Show full text]
  • The Theme Park As "De Sprookjessprokkelaar," the Gatherer and Teller of Stories
    University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2018 Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories Carissa Baker University of Central Florida, [email protected] Part of the Rhetoric Commons, and the Tourism and Travel Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Doctoral Dissertation (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Baker, Carissa, "Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories" (2018). Electronic Theses and Dissertations, 2004-2019. 5795. https://stars.library.ucf.edu/etd/5795 EXPLORING A THREE-DIMENSIONAL NARRATIVE MEDIUM: THE THEME PARK AS “DE SPROOKJESSPROKKELAAR,” THE GATHERER AND TELLER OF STORIES by CARISSA ANN BAKER B.A. Chapman University, 2006 M.A. University of Central Florida, 2008 A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the College of Arts and Humanities at the University of Central Florida Orlando, FL Spring Term 2018 Major Professor: Rudy McDaniel © 2018 Carissa Ann Baker ii ABSTRACT This dissertation examines the pervasiveness of storytelling in theme parks and establishes the theme park as a distinct narrative medium. It traces the characteristics of theme park storytelling, how it has changed over time, and what makes the medium unique.
    [Show full text]
  • Digital Surrealism: Visualizing Walt Disney Animation Studios
    City University of New York (CUNY) CUNY Academic Works Publications and Research Queens College 2017 Digital Surrealism: Visualizing Walt Disney Animation Studios Kevin L. Ferguson CUNY Queens College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/qc_pubs/205 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] 1 Digital Surrealism: Visualizing Walt Disney Animation Studios Abstract There are a number of fruitful digital humanities approaches to cinema and media studies, but most of them only pursue traditional forms of scholarship by extracting a single variable from the audiovisual text that is already legible to scholars. Instead, cinema and media studies should pursue a mostly-ignored “digital-surrealism” that uses computer-based methods to transform film texts in radical ways not previously possible. This article describes one such method using the z-projection function of the scientific image analysis software ImageJ to sum film frames in order to create new composite images. Working with the fifty-four feature-length films from Walt Disney Animation Studios, I describe how this method allows for a unique understanding of a film corpus not otherwise available to cinema and media studies scholars. “Technique is the very being of all creation” — Roland Barthes “We dig up diamonds by the score, a thousand rubies, sometimes more, but we don't know what we dig them for” — The Seven Dwarfs There are quite a number of fruitful digital humanities approaches to cinema and media studies, which vary widely from aesthetic techniques of visualizing color and form in shots to data-driven metrics approaches analyzing editing patterns.
    [Show full text]
  • Disneyland® Paris for Your Customers’ Enjoyment
    Jiminy's Practical Tips Disney® Parks OPENING & CLOSING Hours November MON TUE WED THU FRI SAT SUN MON TUE WED THU FRI SAT SUN DAY 1 2 3 4 5 6 7 8 9 10 11 10h00 10h00 10h00 10h00 10h00 10h00 10h00 10h00 10h00 10h00 10h00 Disneyland® Park 22h00 22h00 22h00 21h00 19h00 19h00 19h00 19h00 19h00 22h00 21h00 Walt Disney 10h00 10h00 10h00 10h00 10h00 10h00 10h00 10h00 10h00 10h00 10h00 Studios® Park 20h00 20h00 20h00 20h00 18h00 18h00 18h00 18h00 18h00 20h00 20h00 MON TUE WED THU FRI SAT SUN MON TUE WED THU FRI SAT SUN DAY 12 13 14 15 16 17 18 19 20 21 22 23 24 25 10h00 10h00 10h00 10h00 10h00 9h00 9h00 10h00 10h00 10h00 10h00 10h00 9h00 9h00 Disneyland® Park 19h00 19h00 19h00 19h00 19h00 22h00 21h00 19h00 19h00 19h00 19h00 19h00 22h00 21h00 Walt Disney 10h00 10h00 10h00 10h00 10h00 9h00 9h00 10h00 10h00 10h00 10h00 10h00 9h00 9h00 Studios® Park 18h00 18h00 18h00 18h00 18h00 20h00 20h00 18h00 18h00 18h00 18h00 18h00 20h00 20h00 MON TUE WED THU FRI SAT SUN MON TUE WED THU FRI SAT SUN DAY 26 27 28 29 30 10h00 10h00 10h00 10h00 10h00 Disneyland® Park 19h00 19h00 19h00 19h00 19h00 Walt Disney 10h00 10h00 10h00 10h00 10h00 Studios® Park 18h00 18h00 18h00 18h00 18h00 December MON TUE WED THU FRI SAT SUN MON TUE WED THU FRI SAT SUN DAY 1 2 3 4 5 6 7 8 9 09h00 09h00 10h00 10h00 10h00 10h00 10h00 09h00 09h00 Disneyland® Park 22h00 21h00 20h00 20h00 20h00 19h00 19h00 22h00 21h00 Walt Disney 09h00 09h00 10h00 10h00 10h00 10h00 10h00 09h00 09h00 Studios® Park 20h00 20h00 18h00 18h00 18h00 18h00 18h00 20h00 20h00 MON TUE WED THU FRI SAT SUN MON TUE WED
    [Show full text]
  • Mega-Renters: Who Are They and How Do They Operate?
    UNLV Theses, Dissertations, Professional Papers, and Capstones 12-1-2012 Mega-renters: Who are they and how do they operate? Stefan William Cosentino University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/thesesdissertations Part of the Real Estate Commons, and the Recreation Business Commons Repository Citation Cosentino, Stefan William, "Mega-renters: Who are they and how do they operate?" (2012). UNLV Theses, Dissertations, Professional Papers, and Capstones. 1719. http://dx.doi.org/10.34917/4332700 This Dissertation is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Dissertation has been accepted for inclusion in UNLV Theses, Dissertations, Professional Papers, and Capstones by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. MEGA-RENTERS: WHO ARE THEY AND HOW DO THEY OPERATE by Stefan William Cosentino Bachelor of Arts University of Massachusetts, Amherst 1994 Masters of Business Administration Rollins College 2002 A dissertation submitted in partial fulfillment of the requirements for
    [Show full text]
  • Fiscal Year 2018 Annual Financial Report
    6JAN201605190975 Fiscal Year 2018 Annual Financial Report 6DEC201801030965 WorldReginfo - 48c03cba-3b63-4c12-81df-68e282fbfa8a UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the Fiscal Year Ended September 29, 2018 Commission File Number 1-11605 Incorporated in Delaware 500 South Buena Vista Street, Burbank, California 91521 I.R.S. Employer Identification No. (818) 560-1000 95-4545390 Securities Registered Pursuant to Section 12(b) of the Act: Name of Each Exchange Title of Each Class on Which Registered Common Stock, $.01 par value New York Stock Exchange Securities Registered Pursuant to Section 12(g) of the Act: None. Indicate by check mark if the registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. Yes No Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Act. Yes No Indicate by check mark whether the registrant (1) has filed all reports required to be filed by Section 13 or 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months and (2) has been subject to such filing requirements for the past 90 days. Yes No Indicate by check mark whether the registrant has submitted electronically and posted on its corporate Web site, if any, every Interactive Data File required to be submitted and posted pursuant to Rule 405 of Regulation S-T during the preceding 12 months (or for such shorter period that the registrant was required to submit and post such files).
    [Show full text]
  • Animated Stereotypes –
    Animated Stereotypes – An Analysis of Disney’s Contemporary Portrayals of Race and Ethnicity Alexander Lindgren, 36761 Pro gradu-avhandling i engelska språket och litteraturen Handledare: Jason Finch Fakulteten för humaniora, psykologi och teologi Åbo Akademi 2020 ÅBO AKADEMI – FACULTY OF ARTS, PSYCHOLOGY AND THEOLOGY Abstract for Master’s Thesis Subject: English Language and Literature Author: Alexander Lindgren Title: Animated Stereotypes – An Analysis of Disney’s Contemporary Portrayals of Race and Ethnicity Supervisor: Jason Finch Abstract: Walt Disney Animation Studios is currently one of the world’s largest producers of animated content aimed at children. However, while Disney often has been associated with themes such as childhood, magic, and innocence, many of the company’s animated films have simultaneously been criticized for their offensive and quite problematic take on race and ethnicity, as well their heavy reliance on cultural stereotypes. This study aims to evaluate Disney’s portrayals of racial and ethnic minorities, as well as determine whether or not the nature of the company’s portrayals have become more culturally sensitive with time. To accomplish this, seven animated feature films produced by Disney were analyzed. These analyses are of a qualitative nature, with a focus on imagology and postcolonial literary theory, and the results have simultaneously been compared to corresponding criticism and analyses by other authors and scholars. Based on the overall results of the analyses, it does seem as if Disney is becoming more progressive and culturally sensitive with time. However, while most of the recent films are free from the clearly racist elements found in the company’s earlier productions, it is quite evident that Disney still tends to rely heavily on certain cultural stereotypes.
    [Show full text]
  • KUKA System Software KUKA Roboter Gmbh
    KUKA System Software KUKA Roboter GmbH KUKA System Software 8.3 Operating and Programming Instructions for System Integrators KUKA System Software 8.3 Issued: 14.01.2015 Version: KSS 8.3 SI V4 KUKA System Software 8.3 © Copyright 2015 KUKA Roboter GmbH Zugspitzstraße 140 D-86165 Augsburg Germany This documentation or excerpts therefrom may not be reproduced or disclosed to third parties without the express permission of KUKA Roboter GmbH. Other functions not described in this documentation may be operable in the controller. The user has no claims to these functions, however, in the case of a replacement or service work. We have checked the content of this documentation for conformity with the hardware and software described. Nevertheless, discrepancies cannot be precluded, for which reason we are not able to guarantee total conformity. The information in this documentation is checked on a regular basis, how- ever, and necessary corrections will be incorporated in the subsequent edition. Subject to technical alterations without an effect on the function. Translation of the original documentation KIM-PS5-DOC Publication: Pub KSS 8.3 SI (PDF) en Book structure: KSS 8.3 SI V4.3 Version: KSS 8.3 SI V4 2 / 491 Issued: 14.01.2015 Version: KSS 8.3 SI V4 Contents Contents 1 Introduction .................................................................................................. 15 1.1 Target group .............................................................................................................. 15 1.2 Industrial robot documentation
    [Show full text]
  • Various Disney Classics Mp3, Flac, Wma
    Various Disney Classics mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Pop / Children's / Stage & Screen Album: Disney Classics Country: US Released: 2013 Style: Soundtrack, Theme, Musical MP3 version RAR size: 1692 mb FLAC version RAR size: 1570 mb WMA version RAR size: 1324 mb Rating: 4.8 Votes: 145 Other Formats: WAV AU MMF VQF APE AIFF VOC Tracklist Timeless Classics –Mary Moder, Dorothy Who's Afraid Of The Big, Bad Wolf (From "Three 1-1 Compton, Pinto Colvig & Billy 3:06 Little Pigs") Bletcher Whistle While You Work (From "Snow White 1-2 –Adriana Caselotti 3:24 And The Seven Dwarfs") 1-3 –Cliff Edwards When You Wish Upon A Star (From "Pinocchio") 3:13 –Cliff Edwards, Jim 1-4 Carmichael & The Hall When I See An Elephant Fly (From "Dumbo") 1:48 Johnson Choir* 1-5 –Disney Studio Chorus* Little April Shower (From "Bambi") 3:53 –Joaquin Garay, José Olivier & 1-6 Three Caballeros (From "The Three Caballeros") 2:09 Clarence Nash 1-7 –James Baskett Zip-A-Dee-Doo-Dah (From "Song Of The South") 2:18 Lavender Blue (Dilly Dilly) (From "So Dear To 1-8 –Burl Ives 1:02 My Heart") A Dream Is A Wish Your Heart Makes (From 1-9 –Ilene Woods 4:35 "Cinderella") –Disney Studio Chorus* & All In The Golden Afternoon (From "Alice In 1-10 2:41 Kathryn Beaumont Wonderland") –Kathryn Beaumont, Bobby You Can Fly! You Can Fly! You Can Fly! (From 1-11 Driscoll, Paul Collins , Tommy 4:23 "Peter Pan") Luske & Jud Conlon Chorus* What A Dog / He's A Tramp (From "Lady And 1-12 –Peggy Lee 2:25 The Tramp") 1-13 –Mary Costa & Bill Shirley Once Upon A Dream (From "Sleeping
    [Show full text]
  • C:\Documents and Settings\Owner
    Repair Services and Remanufactured Products Quality Industrial Electronics (QIE) repairs a wide range of electronic equipment in addition to offering a huge assortment of remanufactured units. From the latest equipment in true simula- tion testing to very old, almost obsolete original manufacturer equipment — QIE stands ready to back our Service Through Response mandate. We buy, sell, exchange or repair a variety of electronic equip- ment through our Remanufactured & Repair Division. With more than $1.2 million in inventory and growing of “like new” remanufactured units, you can be assured there’s a good chance we have it in stock and can ship it out at a moment’s notice. For a current listing of remanufactured units currently in stock give us a call or visit our Web site at qie.com. On the rare occasion we don’t have a unit in stock, we initiate a rigorous search and find mission through our global network to source most any remanufactured unit you may need. From testing and repair of the very latest in electronic equipment to a All remanufactured products carry the industry leading QIE huge assortment of “like new” older model remanufactured units, the one year warranty (see page 3 for a full description of the QIE team stands ready to deliver. QIE warranty guarantee). Try our search and find locator ser- So whether it’s a repair, or a hard to find remanufactured unit, vice to find obsolete and hard to find products via e-mail at QIE is your one stop source to keep your operations up and run- [email protected], or give us a call at (800) 265-1999 or fax to ning at all times.
    [Show full text]
  • Dining Discounts Brought to You By
    2 1 - 10% discount on dinner. dinner. on discount 10% - Citricos • Fresh Mediterranean Mediterranean Fresh • Disney's Grand Floridian Resort & Spa - - Spa & Resort Floridian Grand Disney's • The Fountain Fountain The dinner. or lunch breakfast, on discount 10% • Cabana Bar & Grill Grill & Bar Cabana - - Restaurant End Trail's - Campground Notes: • Disney's Fort Wilderness Resort & & Resort Wilderness Fort Disney's at the following restaurants: restaurants: following the at - 10% off your breakfast, lunch and dinner. dinner. and lunch breakfast, your off 10% - U.S. holidays. Members receive a 20% discount discount 20% a receive Members holidays. U.S. restaurants. restaurants. Brought to you by you to Brought • Wave The - Resort Contemporary Disney's noted otherwise. Discounts not valid on major major on valid not Discounts otherwise. noted information and a full list of participating participating of list full a and information discount for breakfast or dinner. dinner. or breakfast for discount gratuities, tax and alcoholic beverages, unless unless beverages, alcoholic and tax gratuities, visit our Tables in Wonderland for important important for Wonderland in Tables our visit • - 10% 10% - Kouzzina - Resort Boardwalk Discount applies to food only and do not include include not do and only food to applies Discount time of purchase. Other restrictions apply. Please Please apply. restrictions Other purchase. of time discount for dinner. dinner. for discount Valid Disney Vacation Club ID required at the the at required ID Club Vacation Disney Valid • - 10% 10% - Fish Flying - Resort Boardwalk Swan and Dolphin Hotels Hotels Dolphin and Swan Downtown Disney Area Guest Relations location. location. Relations Guest Area Disney Downtown 10% discount on lunch and dinner.
    [Show full text]
  • Disneyland® to Provide a Comfortable, Safe, and Enjoyable Experience for Our Guests, Allowed in Designated Areas Only
    Park Rules Smoking For the comfort Picnic Area A picnic area is Disney Magic you won't want to miss! of all our Guests, smoking is located west of the Disneyland® To provide a comfortable, safe, and enjoyable experience for our Guests, allowed in designated areas only. Park Main Entrance for your convenience. please comply with park rules, signs and instructions, including: We request that no food or beverage be Lockers Rentals available brought inside either Theme Park. Paint the Night, • All bags are subject to inspection prior to admission both inside and outside the Parks. • Proper attire is required Wheelchairs A limited All-New Electrical Parade Charging Lockers Rentals number of wheelchairs and Parade Route • Smoking is allowed only in designated areas available to secure and charge Electric Conveyance Vehicles are available • Weapons are strictly prohibited many personal electronic devices. to rent. Rental fee and refundable deposit Fantastic floats, beloved Disney Characters and required. Guests must be at least 18 Additional details and a complete listing of park rules are available at Resort Lost and Found costumed performers flow like a shimmering river of years of age to rent or operate an Electric Guest Relations or Disneyland.com/ParkRules Inquire at Resort Lost and Found, Conveyance Vehicle. neon right down Main Street, U.S.A. located west of the Disneyland® Park Special Considerations for Attractions Main Entrance. Services for Guests with Disabilities Guide for Guests with Disabilities is Matterhorn Bobsleds SAFETY: Please abide by all safety warnings and notices. Lost Guests Guests under the age of 10 available at Information Centers are escorted to Lost Children, next to First ( on the map).
    [Show full text]