Meaning - an Unexplored Path of Innovation
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The Theme Park As "De Sprookjessprokkelaar," the Gatherer and Teller of Stories
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2018 Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories Carissa Baker University of Central Florida, [email protected] Part of the Rhetoric Commons, and the Tourism and Travel Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Doctoral Dissertation (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Baker, Carissa, "Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories" (2018). Electronic Theses and Dissertations, 2004-2019. 5795. https://stars.library.ucf.edu/etd/5795 EXPLORING A THREE-DIMENSIONAL NARRATIVE MEDIUM: THE THEME PARK AS “DE SPROOKJESSPROKKELAAR,” THE GATHERER AND TELLER OF STORIES by CARISSA ANN BAKER B.A. Chapman University, 2006 M.A. University of Central Florida, 2008 A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the College of Arts and Humanities at the University of Central Florida Orlando, FL Spring Term 2018 Major Professor: Rudy McDaniel © 2018 Carissa Ann Baker ii ABSTRACT This dissertation examines the pervasiveness of storytelling in theme parks and establishes the theme park as a distinct narrative medium. It traces the characteristics of theme park storytelling, how it has changed over time, and what makes the medium unique. -
Whitewater Water Rides
WhiteWater Water Rides WhiteWater was born in 1980 with one clear purpose, to create places where families unite and make joyful lasting memories. We achieve this by standing alongside our customers from concept to completion of award-winning attractions, from slides to water rides and everything in between. We aim to inspire our clients by unleashing our creativity to realize their ambitions; we craft solutions which make each park unique. We are dedicated to making products that operators can count on, because we understand the importance of reliability and efficiency on the bottom line. As market leaders, we put our success down to our attitude, in all our years we’ve never once forgotten why we’re here – to help parks solve problems, create immersive experiences, and delight guests all over the world. We’re here to create places where fun can thrive. Head Office (Vancouver) Asia Pacific Office (Shanghai) Middle East Office (Dubai) Europe Office (Barcelona) +1.60 4.273.10 68 +86 21 32567586 +971 (0) 4 422 9318 +34 932 504 431 [email protected] [email protected] www.whitewaterwest.com www.whitewaterwest.cn 1 WHITEWATER WATER RIDES 2 WhiteWater Water Rides An essential ride for every kind of park, because families love them! Water rides are an industry staple, providing high capacity family entertainment and huge spectator value. A water ride provides a completely different experience from coasters, kiddie rides and dark rides. A water ride from WhiteWater will augment your ride mix with an experience where you can dial up or down on splash and thrills, according to your needs. -
The Immersive Theme Park
THE IMMERSIVE THEME PARK Analyzing the Immersive World of the Magic Kingdom Theme Park JOOST TER BEEK (S4155491) MASTERTHESIS CREATIVE INDUSTRIES Radboud University Nijmegen Supervisor: C.C.J. van Eecke 22 July 2018 Summary The aim of this graduation thesis The Immersive Theme Park: Analyzing the Immersive World of the Magic Kingdom Theme Park is to try and understand how the Magic Kingdom theme park works in an immersive sense, using theories and concepts by Lukas (2013) on the immersive world and Ndalianis (2004) on neo-baroque aesthetics as its theoretical framework. While theme parks are a growing sector in the creative industries landscape (as attendance numbers seem to be growing and growing (TEA, 2016)), research on these parks seems to stay underdeveloped in contrast to the somewhat more accepted forms of art, and almost no attention was given to them during the writer’s Master’s courses, making it seem an interesting choice to delve deeper into this subject. Trying to reveal some of the core reasons of why the Disney theme parks are the most visited theme parks in the world, and especially, what makes them so immersive, a profound analysis of the structure, strategies, and design of the Magic Kingdom theme park using concepts associated with the neo-baroque, the immersive world and the theme park is presented through this thesis, written from the perspective of a creative master student who has visited these theme parks frequently over the past few years, using further literature, research, and critical thinking on the subject by others to underly his arguments. -
Dark Rides and the Evolution of Immersive Media
Journal of Themed Experience and Attractions Studies Volume 1 Issue 1 Article 6 January 2018 Dark rides and the evolution of immersive media Joel Zika Deakin University, [email protected] Part of the Environmental Design Commons, Interactive Arts Commons, and the Theatre and Performance Studies Commons Find similar works at: https://stars.library.ucf.edu/jteas University of Central Florida Libraries http://library.ucf.edu This Article is brought to you for free and open access by STARS. It has been accepted for inclusion in Journal of Themed Experience and Attractions Studies by an authorized editor of STARS. For more information, please contact [email protected]. Recommended Citation Zika, Joel (2018) "Dark rides and the evolution of immersive media," Journal of Themed Experience and Attractions Studies: Vol. 1 : Iss. 1 , Article 6. Available at: https://stars.library.ucf.edu/jteas/vol1/iss1/6 Journal of Themed Experience and Attractions Studies 1.1 (2018) 54–60 Themed Experience and Attractions Academic Symposium 2018 Dark rides and the evolution of immersive media Joel Zika* Deakin University, 221 Burwood Hwy, Burwood VIC, Melbourne, 3125, Australia Abstract The dark ride is a format of immersive media that originated in the amusement parks of the USA in the early 20th century. Whilst their numbers have decreased, classic rides from the 1930s to the 70s, such as the Ghost Train and Haunted House experiences have been referenced is films, games and novels of the digital era. Although the format is well known, it is not well defined. There are no dedicated publications on the topic and its links to other media discourses are sparsely documented. -
The Cairo Street at the World's Columbian Exposition, Chicago, 1893
Nabila Oulebsir et Mercedes Volait (dir.) L’Orientalisme architectural entre imaginaires et savoirs Publications de l’Institut national d’histoire de l’art The Cairo Street at the World’s Columbian Exposition, Chicago, 1893 István Ormos DOI: 10.4000/books.inha.4915 Publisher: Publications de l’Institut national d’histoire de l’art Place of publication: Paris Year of publication: 2009 Published on OpenEdition Books: 5 December 2017 Serie: InVisu Electronic ISBN: 9782917902820 http://books.openedition.org Electronic reference ORMOS, István. The Cairo Street at the World’s Columbian Exposition, Chicago, 1893 In: L’Orientalisme architectural entre imaginaires et savoirs [online]. Paris: Publications de l’Institut national d’histoire de l’art, 2009 (generated 18 décembre 2020). Available on the Internet: <http://books.openedition.org/ inha/4915>. ISBN: 9782917902820. DOI: https://doi.org/10.4000/books.inha.4915. This text was automatically generated on 18 December 2020. The Cairo Street at the World’s Columbian Exposition, Chicago, 1893 1 The Cairo Street at the World’s Columbian Exposition, Chicago, 1893 István Ormos AUTHOR'S NOTE This paper is part of a bigger project supported by the Hungarian Scientific Research Fund (OTKA T048863). World’s fairs 1 World’s fairs made their appearance in the middle of the 19th century as the result of a development based on a tradition of medieval church fairs, displays of industrial and craft produce, and exhibitions of arts and peoples that had been popular in Britain and France. Some of these early fairs were aimed primarily at the promotion of crafts and industry. Others wanted to edify and entertain: replicas of city quarters or buildings characteristic of a city were erected thereby creating a new branch of the building industry which became known as coulisse-architecture. -
Final Report Patenting
Finance, Learning, Innovation and Patenting for CCIs FINAL REPORT Work Package 4 PATENTING in the CULTURAL and CREATIVE INDUSTRIES Intro/General Info about FLIP Creative FLIP - Finance, Learning, Innovation and Patenting is a Pilot project co-funded by the EU whose main objective is to support healthy and sustainable ecosystems for Cultural and Creative Industries (CCIs) with respect to these four key policy areas. For more info, see: www.creativeflip.eu Abstract The purpose of Work Package 4 (WP4) is to outline the patenting landscape in the Cultural and Creative Industries in order to support CCIs actors to capture value from their Intellectual Property, thereby strengthening their business capacities. With this purpose in mind, the WP4 activities consisted of (i) carrying out a state-of-the-art analysis of patenting activities within the CCIs, (ii) performing a statistical analysis to reveal the actual use of patents, (iii) conducting a survey of current patent practices, and (iv) developing recommendations to increase the CCIs’ business capacities through the use of IP and patenting. Additionally, via interviews conducted with CCIs representatives, this WP unveils some best practices in patenting to inspire the sector players. This Final Report presents the outcomes of these activities, which were carried out within the Creative FLIP project. This document is part of the Creative FLIP Final Report, requested by the European Commission as part of the project deliverables. AUTHOR(S) Institut de la Propriété Intellectuelle Luxembourg (IPIL) G.I.E. Cyrille Dubois Onur Emul Christelle Olsommer Allan Zimmermann LINGUISTIC VERSIONS Original: EN ABOUT THE AUTHOR To contact Institut de la Propriété Intellectuelle Luxembourg (IPIL) G.I.E. -
Attractions Management Issue 1 2011
Attractionswww.attractionsmanagement.com management MFC(- H()'(( Attractionswww.attractionsmanagement.com management MFC(- H()'(( J?8E>?8@<OGF 8i\m`\nf]k_\nfic[ËjY`^^\jk\m\i\ogf K?<;L:?<JJF=EFIK?LD9<IC8E; fe dXb`e^ X b`cc`e^ n`k_ K_\ Gf`jfe >Xi[\e @DD<IJ<PFLIJ<C=*;LGJ@KJ>8D< :FM<I1K?<LBG8M@C@FEËJJ<<;:8K?<;I8C@EJ?8E>?8@ Read Attractions Management online: www.attractionsmanagement.com/digital follow us on twitter @attractionsmag K?<D<G8IBJsJ:@<E:<:<EKI<JsQFFJ8HL8I@LDJsDLJ<LDJ?<I@K8><sK<:?EFCF>Ps;<JK@E8K@FEJs<OGFJsN8K<IG8IBJsM@J@KFI8KKI8:K@FEJs>8CC<I@<Js<EK<IK8@ED<EK Look into my eyes and… Fly Me to the Moon Pirate Story The World of Sharks Haunted House Jett and Jin TurtleVision Bugs Dinosaurs O8BWF1JDUVSFTQSFTFOUTBOFWFSFYQBOEJOHMJCSBSZPGQSPWFODSPXEQMFBTJOHmMNT that maximize the WOW factor and in-your-face nature of 3D/4D cinema. For more information contact: $FESJD*HPEUt5FM t'BY tDJHPEU!OXBWFDPNtXXXOXBWFDPN +BOJOF#BLFSt5FM t'BY tKCBLFS!OXBWFDPN (North & South America Sales) !-11. … discover a universal and timeless 3D/4D attraction nWave Pictures proudly presents A 3D/4D experience inspired by Antoine de Saint-Exupéry’s The Little Prince: an eternally enchanting story. ATTRACTIONS MANAGEMENT EDITOR’S LETTER PHOTO: IWAN BAAN IWAN PHOTO: UNDERESTIMATING DEMAND ON THE COVER: The UK Pavilion at Shanghai Expo, p34 peaking at IAAPA, Tom Williams, CEO and chair of Universal Studios told delegates: “I’ve made a new best friend and his name’s Harry Potter.” READER SERVICES S With attendances at Universal Islands of Adventure up by SUBSCRIPTIONS 36 per cent since the opening of the Wizarding World of Denise Gildea +44 (0)1462 471930 Harry Potter in Orlando last June, it’s easy to see why. -
Modeling and Control of Flexible Manipulators
Linköping studies in science and technology. Dissertations. No. 1349 Modeling and Control of Flexible Manipulators Stig Moberg Department of Electrical Engineering Linköping University, SE–581 83 Linköping, Sweden Linköping 2010 Cover illustration: A well-known path used by robot customers and robot man- ufacturers for evaluating the path accuracy of industrial robots (front). One ele- ment of the multivariable frequency response function magnitude for a modern industrial robot (back). Linköping studies in science and technology. Dissertations. No. 1349 Modeling and Control of Flexible Manipulators Stig Moberg [email protected] www.control.isy.liu.se Division of Automatic Control Department of Electrical Engineering Linköping University SE–581 83 Linköping Sweden ISBN 978-91-7393-289-9 ISSN 0345-7524 Copyright © 2010 Stig Moberg Printed by LiU-Tryck, Linköping, Sweden 2010 To Karin and John Abstract Industrial robot manipulators are general-purpose machines used for industrial automation in order to increase productivity, flexibility, and product quality. Oth- er reasons for using industrial robots are cost saving, and elimination of hazard- ous and unpleasant work. Robot motion control is a key competence for robot manufacturers, and the current development is focused on increasing the robot performance, reducing the robot cost, improving safety, and introducing new functionalities. Therefore, there is a need to continuously improve the mathemat- ical models and control methods in order to fulfil conflicting requirements, such as increased performance of a weight-reduced robot, with lower mechanical stiff- ness and more complicated vibration modes. One reason for this development of the robot mechanical structure is of course cost-reduction, but other benefits are also obtained, such as lower environmental impact, lower power consumption, improved dexterity, and higher safety. -
Music Express Song Index V1-V17
John Jacobson's MUSIC EXPRESS Song Index by Title Volumes 1-17 Song Title Contributor Vol. No. Series Theme/Style 1812 Overture (Finale) Tchaikovsky 15 6 Luigi's Listening Lab Listening, Classical 5 Browns, The Brad Shank 6 4 Spotlight Musician A la Puerta del Cielo Spanish Folk Song 7 3 Kodaly in the Classroom Kodaly A la Rueda de San Miguel Mexican Folk Song, John Higgins 1 6 Corner of the World World Music A Night to Remember Cristi Cary Miller 7 2 Sound Stories Listening, Classroom Instruments A Pares y Nones Traditional Mexican Children's Singing Game, arr. 17 6 Let the Games Begin Game, Mexican Folk Song, Spanish A Qua Qua Jerusalem Children's Game 11 6 Kodaly in the Classroom Kodaly A-Tisket A-Tasket Rollo Dilworth 16 6 Music of Our Roots Folk Songs A-Tisket, A-Tasket Folk Song, Tom Anderson 6 4 BoomWhack Attack Boomwhackers, Folk Songs, Classroom A-Tisket, A-Tasket / A Basketful of Fun Mary Donnelly, George L.O. Strid 11 1 Folk Song Partners Folk Songs Aaron Copland, Chapter 1, IWMA John Jacobson 8 1 I Write the Music in America Composer, Classical Ach, du Lieber Augustin Austrian Folk Song, John Higgins 7 2 It's a Musical World! World Music Add and Subtract, That's a Fact! John Jacobson, Janet Day 8 5 K24U Primary Grades, Cross-Curricular Adios Muchachos John Jacobson, John Higgins 13 1 Musical Planet World Music Aeyaya balano sakkad M.B. Srinivasan. Smt. Chandra B, John Higgins 1 2 Corner of the World World Music Africa: Music and More! Brad Shank 4 4 Music of Our World World Music, Article African Ancestors: Instruments from Latin Brad Shank 3 4 Spotlight World Music, Instruments Afro-American Symphony William Grant Still 8 4 Listening Map Listening, Classical, Composer Afro-American Symphony William Grant Still 1 4 Listening Map Listening, Composer Ah! Si Mon Moine Voulait Danser! French-Canadian Folk Song, John Jacobson, John 13 3 Musical Planet World Music Ain't Gonna Let Nobody Turn Me Around African-American Folk Song, arr. -
Orlando's Fun Spot America Opens to Record Numbers
Q&A WITH FUN SPOT’S JOHN ARIE, SR. — PAGE 6B-7B TM www.amusementtoday.com JULY 2013 BONUS SECTION B $25 million investment on 15 acres by Arie family Orlando’s Fun Spot America opens to record numbers STORY: Scott Rutherford [email protected] ORLANDO, Fla. — A re- freshing ‘David’ vs. ‘Goliath’ powerplay was initiated in cen- tral Florida this spring when Fun Spot America on International Drive unveiled its $25 million ex- pansion that offers area visitors — and local residents — an af- fordable alternative to the giant theme parks orbiting the city. In celebration of Fun Spot’s 15th anniversary, a Grand Re- The new $15 million Opening was held on Saturday, Fun Spot America has a June 8, 2013. Florida Congress- collection of thrill rides man Daniel Webster, local offi- including, clockwise cials and other local celebrities from top left: Free- gathered for the ribbon cutting dom Flyer (Chance/ that included free entertainment, Vekoma); White Light- food and prize offerings. ning (Great Coasters); Underway since September 2012, the expansion enlarges the Tilt-A-Whirl (Larson); park from five to 15 acres and Rip Curl (Wisdom) and features two family roller coast- in the foreground the ers, a SkyCoaster, three new Double Decker Carou- thrill rides, a new 45-foot-tall, sel (Chance) and the multi-level go-cart track along 250 foot tall Skycoaster with a new food court, new tick- (Skycoaster/Ride Enter- et booth, additional parking and tainment). rest rooms. Fun Spot hired 100 AT/GARY SLADE new employees for this expan- sion, and more than 150 people FEC, a theme park or a water- “The IAAPA show was one of were hired by the local general park. -
Catalog of Ideas
Simply open up the flap – and you have an at-a-glance overview of all the information 2010 and explanations about product names. www.kuka-robotics.com Catalog of Ideas INDUSTRIAL ROBOTS / CONTROLLERS / SOFTWARE / APPLICATION MODULES / LINEAR UNITS / POSITIONERS / ACCESSORIES / CUSTOMER SERVICES Catalog of Ideas of Catalog E/2/0510 002 CONTENTS EDITORIAL 003 Welcome tO THE CATALOG OF IDEAS CONTENTS Helping people to develop and implement ideas: that is the goal to which we at the KUKA Robot Group KUKA YOUR IDEAS P. 004 aspire. The results can be seen in countless companies worldwide, in which products and services of 1 INDUSTRIAL ROBOTS P. 014 the KUKA brand bring about impressive process optimizations. In short: whoever wants to make their 1.1 STANDARD MODELS P. 018 production faster, better and more effi cient relies on the KUKA Robot Group. 1.2 SPECIAL MODELS P. 040 1.3 SPECIAL VARIANTS P. 068 With creativity, quality “made in Germany” and the utmost commitment to our customers and business 2 CONTROLLERS P. 082 partners, KUKA has set the milestones in robotics for 35 years. 3 SOFTWARE P. 090 One proof of the fl exibility, dynamism and innovative drive of our company is now in your hands: 4 APPLICATION MODULES P. 100 the KUKA Catalog of Ideas. The name is no coincidence. Because what awaits you on the following 5 LINEAR UNITS P. 10 6 pages is more than just a presentation of the products and services that KUKA offers. We want to 6 POSITIONERS P. 112 show you ways of making your ideas become reality. -
Attractionsmanagement Issue 4 2014
Attractionswww.attractionsmanagement.com VOL 19 Q4 2014 www.simworx.co.uk [email protected] Attractionswww.attractionsmanagement.com VOL 19 Q4 2014 Tim Smit THE Exporting the STORYTELLING Eden Project ISSUE to China Experience economist Joe Pine on the reveal Author Jonathan Gottschall on Thrill rides storytelling as uncovered in our new Ride science Makers series SATE 2014 conference report For full functionality please view in Adobe Reader KATIE PRICE Celebrity mum puts disabled access in the spotlight ReadClick Attractions here Management to subscribe online: www.attractionsmanagement.com/digital to the print edition www.attractionsmanagement.com/subs follow us on twitter @attractionsmag E NEW N O A 4D I T T R AC T WATCH TRAILER AT /nWavePictures/nWavePictures Directed by Ben Stassen & Jeremy Degruson HauntedMansion.nWave.com A Leader in the Production and Distribution of 4D/3D Immersive Content 4D/3D ATTRACTION FILMS | 3D/2D GIANT SCREEN FILMS | 3D/2D RIDE SIMULATION FILMS AMERICAS | Janine Baker: +1 818-565-1101 [email protected] - INTERNATIONAL | Goedele Gillis: +32 2 347-63-19 [email protected] [email protected] | nWave.com /nWavePicturesDistribution | /nWavePictures | /nWave nWave is a registered trademark of nWave Pictures SA/NV. ©2014 nWave Pictures SA/NV - All Rights Reserved - IMAX is a registered trademark of IMAX Corporation. EXPERIENCE AN EPIC BATTLE IN 4D… ONLY AT NWAVE’S BOOTH #4836 E NEW N O A 4D I T T R AC T WATCH TRAILER AT /nWavePictures/nWavePictures MEDIEVAL MAYHEM: THE BATTLE BEGINS. Directed by Ben Smith KnightsQuest.nWave.com [email protected] | nWave.com | /nWavePicturesDistribution | /nWave nWave is a registered trademark of nWave Pictures SA/NV.