Physics of Fun
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Whitewater Water Rides
WhiteWater Water Rides WhiteWater was born in 1980 with one clear purpose, to create places where families unite and make joyful lasting memories. We achieve this by standing alongside our customers from concept to completion of award-winning attractions, from slides to water rides and everything in between. We aim to inspire our clients by unleashing our creativity to realize their ambitions; we craft solutions which make each park unique. We are dedicated to making products that operators can count on, because we understand the importance of reliability and efficiency on the bottom line. As market leaders, we put our success down to our attitude, in all our years we’ve never once forgotten why we’re here – to help parks solve problems, create immersive experiences, and delight guests all over the world. We’re here to create places where fun can thrive. Head Office (Vancouver) Asia Pacific Office (Shanghai) Middle East Office (Dubai) Europe Office (Barcelona) +1.60 4.273.10 68 +86 21 32567586 +971 (0) 4 422 9318 +34 932 504 431 [email protected] [email protected] www.whitewaterwest.com www.whitewaterwest.cn 1 WHITEWATER WATER RIDES 2 WhiteWater Water Rides An essential ride for every kind of park, because families love them! Water rides are an industry staple, providing high capacity family entertainment and huge spectator value. A water ride provides a completely different experience from coasters, kiddie rides and dark rides. A water ride from WhiteWater will augment your ride mix with an experience where you can dial up or down on splash and thrills, according to your needs. -
The Immersive Theme Park
THE IMMERSIVE THEME PARK Analyzing the Immersive World of the Magic Kingdom Theme Park JOOST TER BEEK (S4155491) MASTERTHESIS CREATIVE INDUSTRIES Radboud University Nijmegen Supervisor: C.C.J. van Eecke 22 July 2018 Summary The aim of this graduation thesis The Immersive Theme Park: Analyzing the Immersive World of the Magic Kingdom Theme Park is to try and understand how the Magic Kingdom theme park works in an immersive sense, using theories and concepts by Lukas (2013) on the immersive world and Ndalianis (2004) on neo-baroque aesthetics as its theoretical framework. While theme parks are a growing sector in the creative industries landscape (as attendance numbers seem to be growing and growing (TEA, 2016)), research on these parks seems to stay underdeveloped in contrast to the somewhat more accepted forms of art, and almost no attention was given to them during the writer’s Master’s courses, making it seem an interesting choice to delve deeper into this subject. Trying to reveal some of the core reasons of why the Disney theme parks are the most visited theme parks in the world, and especially, what makes them so immersive, a profound analysis of the structure, strategies, and design of the Magic Kingdom theme park using concepts associated with the neo-baroque, the immersive world and the theme park is presented through this thesis, written from the perspective of a creative master student who has visited these theme parks frequently over the past few years, using further literature, research, and critical thinking on the subject by others to underly his arguments. -
Is Japan a Country of Racial Discrimination? No, She
2018年(平成30年)9月8日(土) 週刊NY生活 SHUKAN NEW YORK SEIKATSU [English Edition] (20) Letter From Kamakura Shirts NEW YORKERS Makes Real Button-downs New York City has Using Modern Coney Island; THE JAPAN VOICE Techniques Osaka City Has Nanko The traditional button-down shirts of America from the 1960s captured the COOL JAPAN from New Yorkers’ Viewpoints By Ashley Matarama hearts of so many in the past. Now, those button-downs have been reproduced seamsters with vast experience. using all the techniques available to Yoshio Sadasue, chairman of Do you Kamakura Shirts. Makers’s Shirt Kamakura Co., LTD., enjoy a It is said that the button-down was says that thankfully, the staff with the stroll along born because polo players attached but- skills necessary to reproduce these shirts the board- tons to their collars in an attempt to pre- were still working in the factory where walk and vent the collars from flapping while play- VAN Jacket’s shirts had been sewn in scenic ing the sport. As Kamakua Shirts’s new the past. “In August 2018 Kamakura views of the line of button-down shirts are casual in Shirts launched a new button-down shirt waters and nature, the new collection is called called SPORT. We’re truly confident in a skyline? When you’re in the Big “SPORT.” Apple, you take the D, F, N or Q While recreating the fine details from trains to Coney Island. But if you’re in the past, the fit and body are identical to Osaka, take a trip on the Osaka Metro the current “Manhattan Model” available Chuo Line to the Port of Osaka, also at Kamakura Shirts. -
2015 Kiddieland
STATE FAIR MEADOWLANDS RIDE LIST - 2015 KIDDIELAND Description Height Requirements Description Height Requirements Banzai 52" MIN Bumble Bee 36" MIN W/O ADULT, 32" MIN W ADULT Bumper Boats - Water 52" MIN W/O ADULT, 32" MIN W ADULT Frog Hopper 56" MAX, 36" MIN-NO ADULTS Bumper Cars 48" MIN TO DRIVE, 42" MIN TO RIDE Speedway 56" MAX, 36" MIN-NO ADULTS Cliffhanger 46" MIN Go Gator 54" MAX, 42" MIN-NO ADULTS Crazy Mouse 55" MIN W/O ADULT, 45" MIN W ADULT Jet Ski/Waverunner 54" MAX, 36" MIN-NO ADULTS Crazy Outback 42" MIN ALONE, 36" MIN W/ADULT Motorcycles 54" MAX, 36" MIN-NO ADULTS Cuckoo Fun House 42" MIN ALONE, 36" MIN W/ADULT Quadrunners 54" MAX, 30" MIN-NO ADULTS Darton Slide TBD VW Cars 54" MAX, 30" MIN-NO ADULTS Disko TBD Double Decker Carousel 52" MIN UABA Enterprise ENTERPRISE 52" MINIMUM Mini Bumper Boats - Water 52" MAX-NO ADULTS Fireball 50" MIN Merry-Go-Round 42" MIN W/O ADULT, NO MIN W ADULT Giant Wheel 54" MIN W/O ADULT, NO MIN W ADULT Rockin' Tug 42" MIN W/O ADULT, 36" MIN W ADULT Gravitron 48" MIN Wacky Worm 42" MIN W/O ADULT, 36" MIN W ADULT Haunted House Dark Ride 42" MIN ALONE, 36" MIN W/ADULT Fire Chief 42" MIN UABA Haunted Mansion Dark Ride 42" MIN ALONE, 36" MIN W/ADULT Family Swinger 42" MIN OUTER SEAT, 36" MIN INNER Haunted Mansion Dark Ride 42" MIN ALONE, 36" MIN W/ADULT Happy Swing 42" MIN OUTER SEAT, 36" MIN INNER Heavy Haulin' Inflate 32" MIN, 76" MAX; 250 LBS MAX Jungle of Fun 42" MIN Himalaya 42” Min. -
Dark Rides and the Evolution of Immersive Media
Journal of Themed Experience and Attractions Studies Volume 1 Issue 1 Article 6 January 2018 Dark rides and the evolution of immersive media Joel Zika Deakin University, [email protected] Part of the Environmental Design Commons, Interactive Arts Commons, and the Theatre and Performance Studies Commons Find similar works at: https://stars.library.ucf.edu/jteas University of Central Florida Libraries http://library.ucf.edu This Article is brought to you for free and open access by STARS. It has been accepted for inclusion in Journal of Themed Experience and Attractions Studies by an authorized editor of STARS. For more information, please contact [email protected]. Recommended Citation Zika, Joel (2018) "Dark rides and the evolution of immersive media," Journal of Themed Experience and Attractions Studies: Vol. 1 : Iss. 1 , Article 6. Available at: https://stars.library.ucf.edu/jteas/vol1/iss1/6 Journal of Themed Experience and Attractions Studies 1.1 (2018) 54–60 Themed Experience and Attractions Academic Symposium 2018 Dark rides and the evolution of immersive media Joel Zika* Deakin University, 221 Burwood Hwy, Burwood VIC, Melbourne, 3125, Australia Abstract The dark ride is a format of immersive media that originated in the amusement parks of the USA in the early 20th century. Whilst their numbers have decreased, classic rides from the 1930s to the 70s, such as the Ghost Train and Haunted House experiences have been referenced is films, games and novels of the digital era. Although the format is well known, it is not well defined. There are no dedicated publications on the topic and its links to other media discourses are sparsely documented. -
Real-Time Geopotentiometry with Synchronously Linked Optical Lattice Clocks
1 Real-time geopotentiometry with synchronously linked optical lattice clocks Tetsushi Takano1,2, Masao Takamoto2,3,4, Ichiro Ushijima2,3,4, Noriaki Ohmae1,2,3, Tomoya Akatsuka2,3,4, Atsushi Yamaguchi2,3,4, Yuki Kuroishi5, Hiroshi Munekane5, Basara Miyahara5 & Hidetoshi Katori1,2,3,4 1Department of Applied Physics, Graduate School of Engineering, The University of Tokyo, Bunkyo-ku, Tokyo 113-8656, Japan. 2Innovative Space-Time Project, ERATO, Japan Science and Technology Agency, Bunkyo-ku, Tokyo 113-8656, Japan. 3Quantum Metrology Laboratory, RIKEN, Wako-shi, Saitama 351-0198, Japan. 4RIKEN Center for Advanced Photonics, Wako-shi, Saitama 351-0198, Japan. 5Geospatial Information Authority of Japan, Tsukuba-shi, Ibaraki 305-0811, Japan. According to the Einstein’s theory of relativity, the passage of time changes in a gravitational field1,2. On earth, raising a clock by one centimetre increases its tick rate by 1.1 parts in 1018, enabling optical clocks1,3,4 to perform precision geodesy5. Here, we demonstrate geopotentiometry by determining the height difference of master and slave clocks4 separated by 15 km with uncertainty of 5 cm. The subharmonic of the master clock is delivered through a telecom fibre6 to phase- lock and synchronously interrogate7 the slave clock. This protocol rejects laser noise in the comparison of two clocks, which improves the stability of measuring the gravitational red shift. Such phase-coherently operated clocks facilitate proposals for linking clocks8,9 and interferometers10. Over half a year, 11 2 measurements determine the fractional frequency difference between the two clocks to be 1,652.9(5.9)×10-18, or a height difference of 1,516(5) cm, consistent with an independent measurement by levelling and gravimetry. -
USED RIDE LIST January, 2015
Gina’s Cell: 615.504.9220 Leslie’s Cell 615.293.8931 Office: 615.370.9625 www.intermarkridegroup.com USED RIDE LIST January, 2015 Don’t see what you are looking for or have rides for sale? Give us a call or contact [email protected] Bumper Cars/Go-Karts Code Ride Name Year Description Price BC1313 Bumper Cars 2010 R&S Prodn., 4 inflatable cars w/trailer $28,000 BC1308 Bumper Cars Bertazzon, 8 cars, 40’ x 26’ floor $45,000 $35,000 BC1311 Bumper Cars Fun Attractions, TM, 35’x35’ inflatable track $30,000 $23,500 BC1309 Bumper Cars MEC Power, 8 cars, 34’x34’ floor $45,000 BC1300 Bumper Cars RDC, 6 cars, 32’x24’ floor $25,000 BC1305 Bumper Cars RDC, 6 cars $22,500 $19,000 BC1302 Bumper Cars 1976 SDC, PM, 20 cars $175,000 BC1316 Bumper Cars Majestic 2700 Scooter $199,000 BC1320 Bumper Cars 1990 Majestic Scooter $125,000 BC1319 Bumper Cars Majestic, 8 cars, floor pickup $52,500 BC1161 Bumper Cars 2003 Barbieri,21 cars $175,000 BC1322 Bumper Cars 2009 Visa, PM, 8 cars $80,000 BC1321 Go Karts Amusement Products, elec., 14 karts $39,500 BC1307 Go Karts 27 karts, 16 single seat, 11 double seat Call for pricing BC1314 Go Karts 2003 Formula K, 13 karts $15,600 BC1317 Go Karts 1990 Reverchon, 8 karts $145,000 BC1318 Go Karts Pacer/Amusement Products, 7 karts $16,500 Carousels CA1303 Carousel Allan Herschell, ground mt. $85,000 CA1307 Carousel 1964 Allan Herschell, 3 abreast $120,000 CA1289 Carousel 1950’s Arrow, new platforms $140,000 CA1290 Carousel 1990 Barrango, 32’ $165,000 CA1304 Carousel Bertazzon, PM, 4.7 mt. -
Themenparks Re-Made in Japan. Ein Reisebericht
A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics Hoffmann, Ute Working Paper Themenparks re-made in Japan: Ein Reisebericht WZB Discussion Paper, No. FS II 02-102 Provided in Cooperation with: WZB Berlin Social Science Center Suggested Citation: Hoffmann, Ute (2002) : Themenparks re-made in Japan: Ein Reisebericht, WZB Discussion Paper, No. FS II 02-102, Wissenschaftszentrum Berlin für Sozialforschung (WZB), Berlin This Version is available at: http://hdl.handle.net/10419/49796 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents have been made available under an Open gelten abweichend von diesen Nutzungsbedingungen die in der dort Content Licence (especially Creative Commons Licences), you genannten Lizenz gewährten Nutzungsrechte. -
Einstein's Gravitational Field
Einstein’s gravitational field Abstract: There exists some confusion, as evidenced in the literature, regarding the nature the gravitational field in Einstein’s General Theory of Relativity. It is argued here that this confusion is a result of a change in interpretation of the gravitational field. Einstein identified the existence of gravity with the inertial motion of accelerating bodies (i.e. bodies in free-fall) whereas contemporary physicists identify the existence of gravity with space-time curvature (i.e. tidal forces). The interpretation of gravity as a curvature in space-time is an interpretation Einstein did not agree with. 1 Author: Peter M. Brown e-mail: [email protected] 2 INTRODUCTION Einstein’s General Theory of Relativity (EGR) has been credited as the greatest intellectual achievement of the 20th Century. This accomplishment is reflected in Time Magazine’s December 31, 1999 issue 1, which declares Einstein the Person of the Century. Indeed, Einstein is often taken as the model of genius for his work in relativity. It is widely assumed that, according to Einstein’s general theory of relativity, gravitation is a curvature in space-time. There is a well- accepted definition of space-time curvature. As stated by Thorne 2 space-time curvature and tidal gravity are the same thing expressed in different languages, the former in the language of relativity, the later in the language of Newtonian gravity. However one of the main tenants of general relativity is the Principle of Equivalence: A uniform gravitational field is equivalent to a uniformly accelerating frame of reference. This implies that one can create a uniform gravitational field simply by changing one’s frame of reference from an inertial frame of reference to an accelerating frame, which is rather difficult idea to accept. -
SPRING CATALOGUE 2018: Early Soviet Culture. a Selection of Books
www.bookvica.com SPRING CATALOGUE 2018: Early Soviet Culture. A Selection of Books 1 F O R E W O R D Dear friends and collegues, Bookvica team is happy to present to you the spring catalogue of 2018! Our focus is once again on the life of the USSR in 1920s-1930s when new ideas have found its embodiment in the life of the Soviet man. Most of the books we have gathered for this catalogue are not one the classic checklist of early Soviet books. No works by Mayakovsky or Lissitzky are present and some of them are practically unknown and barely recorded. However this collection is not accidental but the one with a purpose. With some exceptions we tried to look into the lesser researched sides of the life of new Soviet man and the propaganda that was creating her/him. What toys were they playing growing up and what notebooks used to write their lessons in? What shoes did they wear and what parks they attended back in the days? What did they do in a free time? How the factory libraries looked like and what could be written in the factory newspapers? The answers could be found in the books featured in our catalogue this time. As usual we tried to include books that would have the harmonious balance of rarity, interesting content and the design. That’s why you should expect to find the constructivist wrapper on the catalogue of the library equipment or photomontage cover of the second grade notebook. Apart from the experimental sections we did include our standard selection on architecture, art theory (this time focusing on color theory) and science books as well as handmade children’s books on their life in pioneer summer camps. -
Ride-Related Fatalities
Ride-Related Fatalities 1. Numbers and Causes of Fatalities According to the most recent report of the U.S. Consumer Product Safety Commission (CPSC), between 1987 and 2000 there were 51 amusement park ride fatalities in the United States. This is a very, very small number. As discussed below, many common activities are more likely to cause fatalities. The total of 51 fatalities itself is misleading as an indication of ride safety. Of these 51 fatalities, about one-third were due to rider error and another 10 percent were due to pre-existing medical conditions of the riders. In order to understand the data, the 51 fatalities are individually listed below. There are links to the press articles describing the accidents. This paper assigns causes to the fatalities as falling into one or more of eight categories. The causes can then be summarized as follows: Cause of fatality Number Rider error 17 Operator error 10 Pre-existing medical condition 4 Design defect 3 Accident 5 Unknown 11 Occupational death of worker 1 This can be shown in percentage form as follows: file:///C|/Documents and Settings/Owner/Desktop/samples/Park Safety Site-sample/Park Safety Site 3.htm (1 of 14)10/3/2006 10:25:23 AM Ride-Related Fatalities Causes of Fatalities MF Accident caused by a ride which malfunctioned RE Accident caused by rider error. OE Accident caused by operator error DD Accident caused by a design defect. Accident caused by preexisting condition, for which the ride may or may not PC have been the primary aggravating factor. -
PARIS HÔTEL PLAZA ATHÉNÉE Two Day Itinerary: Children Paris Is a City Built for Families
PARIS HÔTEL PLAZA ATHÉNÉE Two day itinerary: Children Paris is a city built for families. Whether your kids are interested in nature, science, art, animals, history or music, there’s something to entertain all personalities in this dynamic capital. From fascinating museums with child-friendly exhibits to beautiful parks filled with interactive attractions, follow this two-day itinerary to discover the best things to do in Paris when travelling with children. Day One Start the day with a 15-minute walk or a five-minute drive to L’Aquarium de Paris. AQUARIUM DE PARIS CINÉAQUA T: 01 40 69 23 23 | 5 Avenue Albert de Mun, 75016 Paris Located in the Trocadéro Gardens opposite the Eiffel Tower, the Aquarium de Paris Cinéaqua is one of the best places to take young explorers in central Paris. Its giant tanks are home to a huge array of sea life, such as sharks, rays, jellyfish and over 10,000 fish found in the River Seine and around the world. The aquarium also hosts myriad interactive activities and workshops, a programme of captivating films, and family-friendly shows. Take a 10-minute walk over Pont d’Iéna to reach the Eiffel Tower. EIFFEL TOWER T: 08 92 70 12 39 | Champ de Mars, 5 Avenue Anatole France, 75007 Paris The most iconic landmark in Paris, the Eiffel Tower is even more impressive when viewed up close. Once the tallest manmade structure in the world, at 324 metres high it towers over the Parisian skyline. Visitors can ascend the wrought iron monument via staircases and glass-walled elevators for incredible views of the capital.