DOCSLIB.ORG

Volume III — Issue I — Spring 2010 Dr

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Volume III — Issue I — Spring 2010 Dr Volume III — Issue I — Spring 2010 Dr. Christa Davis Acampora Dr. Benjamin Moritz Cem Aydogan Hermann Nitsch Dr. Babette Babich Dr. Kelly Oliver Dr. Nicholas Birns Lance Olsen Dr. Arno Böhler Dr. Graham Parkes Dr. Tony Brinkley Keith Ansell-Pearson Dr. Thomas Brobjer Dr. Philip Pothen Mark Daniel Cohen Dr. Timothy Quigley Dr. Véronique Fóti Prof. Alan Rosenberg Dr. Terri J. Gordon Dr. Ofelia Schutte Dr. Jennifer Anna Gosetti-Ferencei Dr. Gary Shapiro Dr. Susanne Granzer Dr. Walter Sokel Pierre Hadot Dr. Joan Stambaugh Dr. Lawrence Hatab Mark Strand Dr. Horst Hutter Dr. Yunus Tuncel Dr. David Kilpatrick Dr. Gianni Vattimo Joseph Kosuth Paul van Tongeren Donald Kuspit Kim White Dr. Laurence Lampert Colin Wilson Vanessa Lemm Patrick Wotling Linda Lewett Dr. Irvin Yalom Paul S. Loeb John Bell Young Dr. James Luchte Gérard Zuchetto Tali Makell Board of Advisors Volume III Issue I Spring 2010 Publisher Nietzsche Circle, Ltd. Review Editor Yunus Tuncel Editor in Chief Rainer J. Hanshe Editorial Board Rainer J. Hanshe Yunus Tuncel David Kilpatrick Art Production Tim Syth Logo Design Liliana Orbach Advertising Andre Okawara Donations Katie Creasy Nietzsche Circle Event Poster Design donations can be made at Doerthe Fitschen-Rath http://nietzschecircle.com Nietzsche Circle Website Design Hasan Yildiz http://designkillsme.com) Letters to the editors are welcome and should be emailed to: [email protected]. The Agonist is published seasonally by Nietzsche Circle, Ltd. P.O. Box 575, New York, NY 10113, U.S.A. Website: http://nietzschecircle.com. For advertising inquiries, e-mail Andre Okawara: [email protected]. Contents © 2010 by Nietzsche Circle, Ltd. and each respective author. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or me- chanical, including photocopy, or any information storage and retrieval system, without permission in writing from Nietzsche Circle, Ltd. After one year, all rights revert to the respective authors. If any work originally published by the Nietzsche Circle is republished in any format, acknowledgement must be noted as following and a direct link to our site must be included in legible font in a conspicuous place: “Author/Editor, title, year of publication, volume, issue, page numbers, originally published by The Ago- nist. Reproduced with permission of the Nietzsche Circle, Ltd.” Call for Papers Exegeses of Nietzsche for The Agonist To further practice reading as an art and to foster rumination, what Nietzsche believed “modern man” has not properly cultivated, The Agonist is seeking exegeses of Nietzsche’s texts. “An aphorism, properly stamped and molded,” Nietzsche urged, “has not been ‘deciphered’ when it has simply been read; rather, one has then to begin its exegesis, for which is required an art of exegesis” (GM: P §8). The Agonist is interested in exegeses of individual aphorisms, bearing in mind that they fold into Nietzsche’s entire corpus and are not entities that one can consider in complete isolation. We are particularly interested in exegeses of aphorisms from Morgenröthe and Die fröhliche Wissenschaft, two of the more neglected books of Nietzsche’s oeuvre, but welcome exegeses on all the published works as well as the Nachlass. In this act of ruminating on individual aphorisms within the orbit of Nietzsche’s entire philosophy, we want to promote careful philological reading, the art of “reading well, that is to say, reading slowly, deeply, looking cautiously before and aft, with reservations, with doors left open, with delicate eyes and fingers” (D: P §5). If Nietzsche demanded for his work “only perfect readers and philologists,” it is incumbent upon us to learn, as he insisted, to read him well. For a section strictly devoted to exegesis, we seek work that strives to fulfill this task. “A book like this, a problem like this, is in no hurry; we both, I just as much as my book, are friends of lento” (D: P §5). For all submissions of exegeses, the editors can be contacted at: [email protected]. Table of Contents ESSAYS Invisibly Revolving— —Inaudibly Revolving: 7-26 The Riddle of the Double Gedankenstrich by Rainer J. Hanshe CONFERENCE 27 INTERVIEW Not a bad metaphysics, eh? 28-50 An interview with Oruç Aruoba interviewed by Yunus Tuncel and Rainer J Hanshe WORKSHOP 51 TRANSLATIONS Introduction to Ernst Bertram, Nietzsche: 52-84 Attempt at a Mythology by Pierre Hadot translated by Paul Bishop Friedrich Nietzsche: On the Concept of the Organic since Kant 86-110 translated and annotated by Th. Nawrath, Paderborn CALL FOR PAPERS 111 REVIEWS book review: Nietzsche’s Animal Philosophy 112-119 written by: Vanessa Lemm (New York: Fordham University Press, 2009) reviewed by: Yunus Tuncel (The New School, New York) book review: Of Poetry and the Experience of Language 121-125 after Heidegger, Hölderlin, and Blanchot written by: William S. Allen (New York: State University of New York Press, 2007) reviewed by: Gerald L. Bruns QUOTES selected by Keith Ansell-Pearson 126-128 Special 20% Discount The Death of Nietzsche’s Zarathustra BY PAUL S. LOEB In this study of Nietzsche’s Thus Spoke Zarathustra, Paul S. Loeb proposes a new account of the relation between the book’s literary and philosophical aspects and argues that the book’s narrative is designed to embody and exhibit the truth of eternal recurrence. Loeb shows how Nietzsche constructed a unifi ed and complete plot in which the protagonist dies, experiences a deathbed revelation of his endlessly repeating life, and then returns to his identical life so as to recollect this revelation and gain a power over time that advances him beyond the human. Through close textual analysis and careful attention to Nietzsche’s use of Platonic, Biblical, and Wagnerian themes, Loeb explains how this novel design is the key to solving the many riddles of Thus Spoke Zarathustra – including its controversial fourth part, its obscure concept of the Übermensch, and its relation to Nietzsche’s Genealogy of Morals. CONTENTS Preface Texts and citations Introduction: the clue to the riddles 1. The eternal recurrence of the same 2. Demon or god? 3. The dwarf and the gateway 4. The great noon 5. The laughing lions 6. The shepherd and the serpent 7. Circulus vitiosus deus 8. Post-Zarathustra “It is diffi cult to overstate the magnitude of the challenge this book poses Bibliography to the standard and currently authoritative interpretations of Thus Spoke Index Zarathustra. Paul Loeb’s careful exegesis and persuasive argumentation will oblige most of the leading Nietzsche scholars working today to revisit – and, in many cases, to revise – their interpretations accordingly. An impressive achievement by any measure.” Paul S. Loeb is Professor of Philosophy at the University of –Daniel Conway, Texas AM University Puget Sound. He is the co-translator and co-editor (with David F. Tinsley) of Nietzsche’s Thus Spoke Zarathustra and Unpublished Fragments from the Period of Thus Spoke Zarathustra in volumes 7, 14, “This is a provocative, novel, and erudite attempt to thread a and 15 of The Complete Works of Friedrich Nietzsche (forthcoming, philosophical path through the enigmatic and labyrinthine work that Stanford University Press). Nietzsche consistently considered to be his masterpiece. Paul S. Loeb establishes one of the strongest readings yet of Thus Spoke Zarathustra, arguing in a spirited, polemical, and rigorous manner that Zarathustra’s story interweaves narrative and concept to develop a startling idea of PROMOTIONAL CODE: LOEB10 post-human temporality. Readers will fi nd here new and powerful views of Nietzsche’s thoughts of eternal recurrence and the Übermensch, 288 pages | List Price: $85.00 | Disc.: $68.00 | and suggestions of how these illuminate the program of overcoming Hardback 978-0-521-51923-6 ressentiment in his Genealogy of Morals.” Available from May 2010 –Gary Shapiro, University of Richmond Order Dept. • Cambridge University Press • 100 Brook Hill Drive • West Nyack, NY 10994 Toll Free (800) 872-7423 / Fax: (845) 353-4141 View our catalog at http://cambridge.org/us/philosophy Invisibly Revolving— —Inaudibly Revolving: The Riddle of the Double Gedankenstrich by Rainer J. Hanshe I still have the right to say of myself, cogito, ergo sum, but not vivo, ergo cogito. Empty ‘being’ is granted me, but not full and green ‘life’; the feeling that tells me I exist warrants to me only that I am a thinking creature, not that I am a living one, not that I am an animal but at most a cogital. Only give me life; then I will create a culture for you out of it!—Nietzsche, UM: II.10; KSA 1, 329 He who knows how to keep silent discovers an alphabet that has just as many letters as the ordinary one . .—Kierkegaard, Repetition Whoever will have much to proclaim one day, must long remain silent unto himself: whoever intends to ignite lightning one day, must long be—a cloud.—Nietzsche, KSB 8, 597 he world, Zarathustra first declares, revolves not only around inverse auditory Tevents, but also around inverse visual events: “Around the inventors of new values the world revolves—invisibly it revolves” (Z: I.12; KSA 4, 65).1 What the Stillest Hour, who Zarathustra calls his “angry mistress,” speaks without voice to Zarathustra correlates to the inverse auditory and visual events that he proclaims drive the world, too: “Then it spoke to me again like a whispering: ‘It is the stillest words that bring on the storm. Thoughts that come on doves’ feet direct the world’ ” (Z: II.22; KSA 4, 189). To articulate thoughts in a voice that, inexplicably, though inaudible is still somehow discernible, Nietzsche illustrates that there are certain thoughts which he wants to communicate but cannot, or refuses to convey through explicit modes of transmission.
Load more

Recommended publications
  • ECOMYSTICISM: MATERIALISM and MYSTICISM in AMERICAN NATURE WRITING by DAVID TAGNANI a Dissertation Submitted in Partial Fulfill
    ECOMYSTICISM: MATERIALISM AND MYSTICISM IN AMERICAN NATURE WRITING By DAVID TAGNANI A dissertation submitted in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY WASHINGTON STATE UNIVERSITY Department of English MAY 2015 © Copyright by DAVID TAGNANI, 2015 All Rights Reserved © Copyright by DAVID TAGNANI, 2015 All Rights Reserved ii To the Faculty of Washington State University: The members of the Committee appointed to examine the dissertation of DAVID TAGNANI find it satisfactory and recommend that it be accepted. ___________________________________________ Christopher Arigo, Ph.D., Chair ___________________________________________ Donna Campbell, Ph.D. ___________________________________________ Jon Hegglund, Ph.D. iii ACKNOWLEDGEMENTS I wish to thank my committee members for their hard work guiding and encouraging this project. Chris Arigo’s passion for the subject and familiarity with arcane source material were invaluable in pushing me forward. Donna Campbell’s challenging questions and encyclopedic knowledge helped shore up weak points throughout. Jon Hegglund has my gratitude for agreeing to join this committee at the last minute. Former committee member Augusta Rohrbach also deserves acknowledgement, as her hard work led to significant restructuring and important theoretical insights. Finally, this project would have been impossible without my wife Angela, who worked hard to ensure I had the time and space to complete this project. iv ECOMYSTICISM: MATERIALISM AND MYSTICISM IN AMERICAN NATURE WRITING Abstract by David Tagnani, Ph.D. Washington State University May 2015 Chair: Christopher Arigo This dissertation investigates the ways in which a theory of material mysticism can help us understand and synthesize two important trends in the American nature writing—mysticism and materialism.
    [Show full text]
  • {PDF EPUB} Introduction to the New Existentialism by Colin Wilson the NEW EXISTENTIALISM
    Read Ebook {PDF EPUB} Introduction to the New Existentialism by Colin Wilson THE NEW EXISTENTIALISM. “It is extremely important to grasp the notion that man does not yet exist. This is not intended as a paradox or a play on words; it is literally true.” Colin Wilson, Introduction to The New Existentialism. Given the name, the new existentialism and its revolutionary philosophical proposition might seem to suggest a summary or synthesis of the premises known to us as existentialist philosophy. Nothing could be further from the truth. If the new existentialism is the heir to any philosophy, it is Romanticism. Each shares a boldness and creative impulse, as well as an impassioned dream of immortality and desire to be on an equal footing with the gods. The new existentialism has more in common with Nietzsche and Goethe than with Sartre or Camus. The shift in consciousness and the new ideal of man forged by the Romantics find unparalleled and vital expression in the new existentialism. They were the first to speak of the unconscious and its inherent power, and to reclaim certain concepts and beliefs generally held to have become obsolete. And like Colin Wilson, they did so with unprecedented enthusiasm and verve, recognizing that the last word had not been said as regards man. Romantics upheld the central importance of man in the cosmos; the existentialists saw man as contingent. Romantics made the infinite mystery that surrounds us the basis of their enquiries and everything they went on to create, and, compelled by its heroic spirit, they viewed this mystery not as an affront but as proof of the existence of the sacred and of God; existentialists renounced imagination and its creative power and sought refuge in the narrow limitations of daily life with all its many trifles, thereby losing sight of the majestic and with it the idea of God and transcendence.
    [Show full text]
  • Existentialism and Ecstasy: Colin Wilson on the Phenomenology of Peak Experiences
    PhænEx 13, no. 1 (Spring 2019): 46-85 © 2019 Biagio Gerard Tassone Existentialism and Ecstasy: Colin Wilson on the Phenomenology of Peak Experiences BIAGIO GERARD TASSONE Abstract This paper critically examines the philosophical foundations of Colin Wilson’s New Existentialism. I will show how Wilson’s writings promoted a phenomenological strategy for understanding states of ecstatic affirmation within so-called ‘peak experiences’. Wilson subsequently attempted to use the life affirming insights bestowed by peak states to establish an ontological ground for values to serve as a foundation for his New Existentialism. Because of its psychological focus however, I argue that Wilson’s New Existentialism contains an ambivalent framework for establishing ontological categories, which leads his thought into theoretical difficulties. More precisely, Wilson’s strategy runs into problems in coherently integrating its explicitly psychological interpretation of Husserl’s theory of intentionality within a broader, and philosophically coherent, phenomenological framework. Wilson’s psychological reading of Husserl’s transcendental reduction, for example, manifests tensions in how it reconciles the empirical basis of acts of transcendence with an essentialist conception of the self as a transcendental ego. The above tensions, I argue, ultimately render the New Existentialism susceptible to criticism from a Husserlian-transcendental perspective. After outlining a Husserlian critique of Wilson’s position, I end the paper by suggesting how some of the central
    [Show full text]
  • Books and Coffee Past Presenters
    Books and Coffee Past Presenters Year Speaker Author Title 1951 William Braswell Hemingway Across the River and Into the Trees Chester Eisinger Miller Death of a Salesman Paul Fatout -- “Mark Twain” Robert Lowe Pound Letters Barriss Mills Faulkner Collected Stories Herbert Muller Niebuhr Faith in History Albert Rolfs Fatout Ambrose Bierce Louise Rorabacher Orwell Animal Farm Emerson Sutcliffe Kent Declensions in the Air 1952 Welsey Carroll Boswell London Journal Richard Voorhees Greene The Power and the Glory Richard Cordell Irvine The Universe of George Bernard Shaw Harold Watts Mann The Holy Sinner Roy Curtis Hall Leave Your Language Alone! Richard Greene Altick The Scholar Adventurers R. W. Babcock -- “On Reading Shakespeare” Richard Crowder Williams Later Collected Poems 1953 Herbert Muller Ceram Gods, Graves, and Scholars William Hastings Wouk The Cain Mutiny J. H. McKee Ferril I Hate Thursday Arthur Koenig Dostoievsky The Diary of a Writer George Schick Boswell Boswell in Holland Darrel Abel Steinbeck East of Eden H. B. Knoll Walton The Compleat Angler Raymond Himelick Cabell Quiet Please 1954 Paul Fatout Boswell Boswell on the Grand Tour George S. Wykoff Bonavia-Hunt Pemberley Shades Lewis Freed Eliot The Cocktail Party R. M. Bertram Cary The Horse's Mouth Laird Bell Smith Man and His Gods Bernard Schmidt Michener The Bridges at Toki-Ri Victor Gibbens Randolf & Wilson Down in the Holler William Braswell Thurber Thurber Country 1955 Richard Cordell Larson An American in Europe Arnold Drew Jarrell Pictures from an Institution Russell Cosper Kafka The Castle M. W. Tillson Ives Tales of America Maurice Beebe Faulkner A Fable Walter Maneikis Algren The Man with the Golden Arm Virgil Lokke West The Day of the Locusts Robert Ogle White The Second Tree from the Corner 1956 Lewis Freed Alberto Moravia A Ghost at Noon R.W.
    [Show full text]
  • April 1911) James Francis Cooke
    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 4-1-1911 Volume 29, Number 04 (April 1911) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 29, Number 04 (April 1911)." , (1911). https://digitalcommons.gardner-webb.edu/etude/568 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. TWO PIANOS THE ETUDE FOUR HANDS New Publications The following ensemble pieces in- S^s?^yssL*aa.‘Sffi- Anthems of Prayer and Life Stories of Great nai editions, and some of the latest UP-TO-DATE PREMIUMS Sacred Duets novelties are inueamong to addthe WOnumberrks of For All Voices &nd General Use Praise Composers OF STANDARD QUALITY A MONTHLY JOURNAL FOR THE MUSICIAN, THE MUSIC STUDENT, AND ALL MUSIC LOVERS. sis Edited by JAMES FRANCIS COOKE Subscription Price, $1.60 per jeer In United States Alaska, Cuba, Po Mexico, Hawaii, Pb’”—1— "-“-“* *k- "•* 5 In Canada, »1.7t STYLISH PARASOLS FOUR DISTINCT ADVANCE STYLES REMITTANCES should be made by post-offlee t No.
    [Show full text]
  • Friedrich Klingner – L'epos Di Catullo Su Peleo
    Friedrich Klingner – L’epos di Catullo su Peleo DICTI STVDIOSVS CLASSICI DELLA FILOLOGIA IN TRADUZIONE serie diretta da Lucio Cristante e Marco Fernandelli – 3 – L’epos di Catullo su Peleo / Friedrich Klingner ; traduzione italiana di Chiara Maria Bieker con un saggio introduttivo di Marco Fernandelli. — Trieste : EUT, 2016. C, 94 p. ; 21 cm. (Dicti studiosus : classici della filologia in traduzione ; n. 3) ISBN 978-88-8303-801-3 (print) ISBN 978-88-8303-802-0 (online) I. Bieker, Chiara Maria II. Fernandelli, Marco 871.01 (ed. 22) POESIA LATINA, ORIGINI-499 CATULLO, GAIO VALERIO . CARME 64 Edizione originale Catulls Peleus-Epos in Studien zur griechischen und römischen Literatur, Zürich und Stuttgart, Artemis-Verlag © Copyright 1964 Artemis-Verlag, Zürich und Stuttgart. © Copyright 2016 by EUT Trieste. ISBN 978-88-8303-801-3 (print) ISBN 978-88-8303-802-0 (online) EUT - Edizioni Università di Trieste via E. Weiss, 21 - 34128 Trieste http://eut.units.it FRIEDRICH KLINGNER L’epos di Catullo su Peleo Traduzione italiana di Chiara Maria Bieker Con un saggio introduttivo di Marco Fernandelli Edizione a cura di Marco Fernandelli EUT Trieste 2016 SOMMARIO Friedrich Klingner e la filologia classica tedesca (M. Fernandelli) IX I. Lineamenti di una biografia intellettuale IX II. Antichità reale e ideale XXVII III. Catulls Peleus-Epos LVIII IV. La critica catulliana prima e dopo Klingner LXXII Riferimenti bibliografici LXXXI Nota del curatore dell’edizione italiana XCIX L’epos di Catullo su Peleo 1 I. L’inizio del carme 1 II. Peleo 7 III. Arianna 24 1. Arianna abbandonata e salvata: la tradizione e i motivi catulliani 24 2.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 11, 1891-1892
    4fe 1£>M ^BfP Tlxe National Conservatoru of music OF AMERICA. 1 26 and 1 28 East 1 7th Street, New York. [Incorporated September 21, 1885.] OFFICERS. Pres. Mrs. JEANNETTE M. THURBER. Treas. RICHARD IRVIN, Jr. Secretary, CHAS. INSLEE PARDEE, A.M. Founded for the benefit oi Musical Talent in the United States, and conferring its benefits free upon all applicants sufficiently gifted to warrant the prosecution of a thorough course of studies, and unable to pay for the same, and upon others of the requisite aptitude on the payment of a small fee. FACULTY. Dr. ANTONIN DVORAK Has been engaged as Director, and will enter upon his duties September 23, 1892. Singing. Principal of Vocal Department— Mr. R. Sapio. Mr. Christian Fritsch. Miss Katharine W. Evans. Mme. Elena Corani. Mr. Oscar Saenger. Mr. Wilfred Watters. Mr. R. Sapio. Opera Class — Herr Emil Fischer. Oratorio Class — Mrs. Beebe Lawton. Ensemble and Operatic Chorus — To be selected. Piano. Mr. Rafael Joseffy. Miss Adele Margulies. Miss Elinor Comstock. Mr. Leopold Winkler. Mrs. Jessie Pinney Baldwin. Miss Mabel Phipps. Mr. J. G. Huneker. Organ — Mr. Samuel P. Warren. Harp — Mr. John Cheshire. Violin. Mme. Camilla Urso. Mr. Leopold Lichtenberg. Mr. Jan Koert. Mr. Juan Buitrago. Viola — Mr. Jan Koert. Violoncello — Mr. Victor Herbert, Mr. Emile Knell. Contrabass — Mr. Ludwig Manoly. Flute — Mr. Otto Oesterle. Oboe — Mr. Arthur Trepte. Clarinet — Mr. Richard Kohl. Bassoon — Mr. Adolph Sohst. Cornet — Mr. Carl Sohst. French Horn — Mr. Carl Pieper. Harmony, Counterpoint, and Composition. Mr. Bruno Oscar Klein. Mr. F. Q. Dulcken. » Solfeggio — Mr. John Zobanaky, Miss Leila La Fetra.
    [Show full text]
  • Heidegger's Will to Power and the Problem of Nietzsche's Nihilism
    University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School November 2019 Heidegger's Will to Power and the Problem of Nietzsche's Nihilism Megan Flocken University of South Florida Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the Philosophy Commons Scholar Commons Citation Flocken, Megan, "Heidegger's Will to Power and the Problem of Nietzsche's Nihilism" (2019). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/8098 This Dissertation is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Heidegger's Will to Power and the Problem of Nietzsche's Nihilism by Megan Flocken A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Philosophy College of Arts and Sciences University of South Florida Major Professor: Lee Braver, Ph.D. Charles Guignon, Ph.D. Ofelia Schutte, Ph.D. Iain Thomson, Ph.D. Stephen Turner, Ph.D. Date of Approval: November 12, 2019 Keywords: continental philosophy, ontology, comparative philosophy, Kehre Copyright © 2019, Megan Flocken TABLE OF CONTENTS ABSTRACT .................................................................................................................................... ii CHAPTER ONE: HEIDEGGER’S WILL TO POWER AND THE PROBLEM OF NIETZSCHE’S
    [Show full text]
  • Boethius the Demiurge
    BOETHIUS THE DEMIURGE: TIMAEAN DOUBLE-CIRCLE SPIRAL STRUCTURE IN THE CONSOLATIO by Cristalle N. Watson Submitted in partial fulfilment of the requirements for the degree of Master of Arts at Dalhousie University Halifax, Nova Scotia April 2020 © Copyright by Cristalle N. Watson, 2020 For my Opa, Karl Heinz Hiob 1926-1999 Vir doctissimus & lover of words, who first introduced me to Latin Ars longa, vita brevis ii TABLE OF CONTENTS LIST OF TABLES..............................................................................................................vi LIST OF FIGURES...........................................................................................................vii ABSTRACT.....................................................................................................................viii ACKNOWLEDGEMENTS................................................................................................ix CHAPTER 1: INTRODUCTION........................................................................................1 CHAPTER 2: POETRY AND THE CIRCLE IN THE CONSOLATIO: AN OVERVIEW….............................................................................................................3 2.1 A "MULTIFACETED" CONSOLATIO AND AUTHOR.............................................3 2.2 THE METERS OF THE CONSOLATIO: A NEGLECTED STUDY............................11 2.3 IIIM9: CENTRAL PIVOT, TIMAEAN PARAPHRASE, PRAYER...........................17 2.4 THE CIRCLE IN THE CONSOLATIO AND IN IIIM9.............................................22
    [Show full text]
  • Reflections on the Work of Colin Wilson
    Reflections on the Work of Colin Wilson Reflections on the Work of Colin Wilson Proceedings of the Second International Colin Wilson Conference University of Nottingham July 6-8, 2018 Edited by Colin Stanley Reflections on the Work of Colin Wilson Edited by Colin Stanley This book first published 2019 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2019 by Colin Stanley and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-2774-3 ISBN (13): 978-1-5275-2774-4 CONTENTS Acknowledgement .................................................................................... vii Preface ....................................................................................................... ix Colin Stanley Introduction ................................................................................................ 1 John Morgan Voyager and Dreamer:’s Autobiographical Colin Wilson.......... Writing 7 .. Nicolas Tredell The Evolutionaryhors of Metap Colin Wilson..................... .................... 27 David J. Moore The Outsider and the Work: Coliny ..... Wilson, 41 Gurdjieff and Ouspensk Gary Lachman Consistent Patternsations in of
    [Show full text]
  • ODEON Matrix Numbers — Xbo 1000 - 6129 (Berlin: Jumbo) Discography Compiled by Christian Zwarg for GHT Wien Diese Diskographie Dient Ausschließlich Forschungszwecken
    ODEON Matrix Numbers — xBo 1000 - 6129 (Berlin: Jumbo) Discography compiled by Christian Zwarg for GHT Wien Diese Diskographie dient ausschließlich Forschungszwecken. Die beschriebenen Tonträger stehen nicht zum Verkauf und sind auch nicht im Archiv des Autors oder der GHT vorhanden. Anfragen nach Kopien der hier verzeichneten Tonaufnahmen können daher nicht bearbeitet werden. Sollten Sie Fehler oder Auslassungen in diesem Dokument bemerken, freuen wir uns über eine Mitteilung, um zukünftige Updates noch weiter verbessern und ergänzen zu können. Bitte senden Sie Ihre Ergänzungs- und Korrekturvorschläge an: [email protected] This discography is provided for research purposes only. The media described herein are neither for sale, nor are they part of the author's or the GHT's archive. Requests for copies of the listed recordings therefore cannot be fulfilled. Should you notice errors or omissions in this document, we appreciate your notifying us, to help us improve future updates. Please send your addenda and corrigenda to: [email protected] master Bxo 1017 1907.09. D25 AN GEM: Berlin Zu Kampf und Sieg (Tiedke) Friedrich Kark (MD). — Odeon-Orchester (orchestra). Jumbola/Odeon GN 933 D25 AN «Dannenberg» master Bxo 1020 1907.09. D25 AN GEM: Berlin Unter Kanonendonner — Marsch (Meinecke) Friedrich Kark (MD). — Odeon-Orchester (orchestra). Jumbola/Odeon GN 932 D25 AN «Dannenberg» master xBo 1036 1907.09. D25 AN GEM: Berlin Mit Pauken und Trompeten — Marsch (Francke) Friedrich Kark (MD). — Odeon-Orchester (orchestra). Jumbo/Odeon BL (Germany) A 40010, A 5070 D25 AN «Dannenberg» Jumbola/Odeon GN 928 D25 AN «Dannenberg» master xBo 1060 1907.09. D25 AN GEM: Berlin Rembrandt — Marsch (Sahmetini) Friedrich Kark (MD).
    [Show full text]
  • Illinois Classical Studies, Volume I
    r m LIBRARY OF THE UNIVERSITY OF ILLINOIS AT URBANA-CHAMPAIGN 880 v.l Classics The person charging this material is re- sponsible for its return to the library from which it was withdrawn on or before the Latest Date stamped below. Theft, mutilation, and underlining of books are reasons for disciplinary action and may result in dismissal from the University. UNIVERSITY OF ILLINOIS LIBRARY AT URBANA-CHAMPAIGN DEC la 76 199^ hwvi (JCTl2«n Mil TO JUL 08 1938 SFP 1 3 19 '9 mi 1 4 15'^1), ^JUL s 5 ^f FES 2 i U84 JAIIZ2 m 3 1939 L161 — O-1096 ILLINOIS CLASSICAL STUDIES, VOLUME I ILLINOIS CLASSICAL STUDIES VOLUME I 1976 Miroslav Marcovich, Editor UNIVERSITY OF ILLINOIS PRESS Urbana Chicago London [976 by the Board of Trustees of the University of Illinois Manufactured in the United States of America ISBN: 0-252-00516-3 •r or CLASSICS Preface Illinois Classical Studies (ICS) is a serial publication of the Classics Depart- ments of the University of Illinois at Urbana-Champaign and Chicago Circle which contains the results of original research dealing with classical antiquity and with its impact upon Western culture. ICS welcomes scholarly contributions dealing with any topic or aspect of Greek and/or Roman literature, language, history, art, culture, philosophy, religion, and the like, as well as with their transmission from antiquity through Byzantium or Western Europe to our time. ICS is not limited to contributions coming from Illinois. It is open to classicists of any flag or school of thought. In fact, of sixteen contributors to Volume I (1976), six are from Urbana, two from Chicago, six from the rest of the country, and two from Europe.
    [Show full text]