DOCSLIB.ORG

Broken Beat Deep House

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Broken Beat Deep House Broken beat deep house Listen to the best Broken beat & Deep house shows. Broken Beats Ben-E - Paranoid (Original Mix) E-Klash - Space Ride (Original. Deep House music, Broken beat, chill, Urban, Underground mix ;Alternative; Different Edgy ; Hifi ; HD; NYC. Broken Beats Sounds Broken Deep SA updated their profile picture. Of Deep House SA - To Another Place Broken Beat / Nu-Jazz. $ follow: .. Bopstar's Broken Beat Re-touch Mix (). Vick Lavender, · Deep Soulful House. Sophisticado. Check out Soulful Deep & Broken Beat'13 from On Work on Beatport. Deep House. G min. $ 2 Deep House. D min. Listen to Midtempo Deep House & Broken Beat radio shows, podcasts and DJ mixes for free, with more than songs, handselected and mixed by great. House music history and sub genres duch as soulful house, deep house, broken beat and nu jazz played on Pressure Radio by our many DJs. If you make Broken Beat, NU Jazz or Soulful and Deep House Music, then the Reel People collections are something you really should be aware of – these. Tracklisting: Strings of Broken Souls (Broken Beat Mix),,This mix features the likes of Chymamusique, Cool Affair,,Sculptured Music, Cliff. [img][/img] Scotty Mac | Live at Kinky Disco | March 1, Deep house, jazz, disco, soul, tech, tribal, broken beat, rock. "Lost With You" is magnificently balanced, leaving enough space for Vadim's slow-burning beats to sit somewhere between hip-hop ad house, backed by. Logic Cafe and Loopmasters present a new sample pack demo from Deep House guru Martin 'Atjazz' Iveson. Martin 'Atjazz' Iveson is in demand across the. Juno Records Broken Beat/Nu Jazz bestsellers chart This Week. synth-laden deep house production of late, primarily by making his presence felt on cuts by. Neo-soul/ RnB/ New Age/Adult Contemporary/ Broken Beat/ Deep House/ Chill Trap/ Acid Jazz/ UK Garagd. By Bryan Dahooha. songs. Play on Spotify. 1. Line-up /. DJ DIASPORA. DJ diaspora started buying records in her home town Chicago, inspired by the underground deep house parties there in the early 90s. 2 step, UK funky, hip hop, downtempo, drum & bass, house, neo soul, world get your fill! House & broken beat with soul from Seattle's Jason Justice. Buy The Heat of Deep House (feat. Kalimba Boys) [Broken Beat]: Read Digital Music Reviews - Deep house, garage, broken beat it's all in there. EVM's "Strangers" Injects Some Broken Beat Into The Deep House Template. For the fourth installment of the Blue Label Series, Eighth Dimension sets its sights on the burgeoning house music scene of South Africa and an accomplished. The Heat of Deep House (feat. Kalimba Boys) [Broken Beat]: DJ NKG: : MP3 Downloads. broken beat. browse all tags. related tags: Αθήνα Αττική nu jazz nu funk nu disco Dub Greece breakbeat Funk breaks deep house house beats downtempo drum. Read a 10 best list of broken beat essentials chosen by South East while Kamaal has made waves with the soulful house 12"s, he's released. Kelvin grew up in Coventry, first exposed to music through hip hop and reggae, and became involved in the rapidly expanding Drum and Bass scene in the. Stream Deep/Soulful/Afro House, Nujazz/Broken Beat on THE FRESH FLAVOURS SHOW - Gold Dust Radio - May/7/16 by. podcast site. deep house tech house broken beat. download or listen at here is some of our recent. Nu-Jazz | Broken Beat kaufen im Online Music Store von - Neuheiten him to be a producer of succulent deep house and atmospheric prone beats. With influences from jazz to disco or from house to broken beat, this young and to reggae, funk to hiphop, dub to garage & deep house via techno & soul. Rate this track - [Deep House/Broken Beat] Urple Eeple - Gangster Deep House (Feedback?). Excellent Good Average Bad Terrible. If you are looking for live played instruments to integrate into your Deep House, Disco, Soul, Funk, Nu Jazz or Broken Beat productions, then you will find this. It is an interview with the highly prolific Mark de Clive-Lowe who as well as producing house music is also a keen exponent of the broken beat. SBTD better known as Sunday Belongs To Deep is a deep house lifestyle family that advocates nothing but Deep House, Lounge Music, Nu-Jazz/Broken Beats. 2, Downtempo · 2, Future Jazz · 2, House · 2, Experimental · 1, Abstract. All. 2, Downtempo · 2, Future Jazz · 2, House · 2, LiL Dave - electronic escapades through house broken beat brazilia acid The post deep house lounge podcast # – [LIL Dave] appeared. KRTS – Close Eyes To Exit · Broken BeatsDeep HouseDrum and Bass · A mix of upfront House with a touch of Broken Beats and Old Skool. A three hour mix of Soulful House,Deep House up front with a touch of Broken Beats and. Peace to all the Broken Beat legends, from IG Culture to 4Hero to all the Claimed as an instant classic in both bruk and deep house circles at. Underground Soul, House and Hip-Hop. a touch of broken beat from Nubian Mindz and Inverse Cinematics, and Deep Tenor City & DJ Romain – Henderson's Groove (Deep Tenor City's Inspirational Mix) (BBE Records). Please post within the scope of the Deep House genre. This includes artists .. Broken beats still have a 4/4 time signature. permalink; embed. Mp3Bold listing Sa Deep House Mix Broken Beat Edi 06 mp3s free for download. Sa Deep House Mix Broken Beat Edi 06 mp3 download at kbps. Broken Beat / Nu Jazz. Home / Vinyl / Broken Beat / Nu Jazz. Sort by popularity, Sort by Deep Tenor City – Oba. £ Label: BBE Format: limited 12″. 2 X12 " LP Nu Soul Jazz Fusion & Broken Beats From UK Drummer Soul Has No . Deep House Various Footwork House Jam #1 In-Beat-Ween Music. Eddy Ramich is Croatia's long time veteran in eclectic and house scene. Eddy brought the very first acid jazz, brokenbeat, soulful house artists to Croatia. spreading global underground - covering Afro, Brazilian, Deep House, Soul, Hiphop. Deephouse,Techno, Raw,Disco, Nujazz, Jazzyhouse, Broken beat, Downtempo, afrohouse, soulful,classic, lounge, broken lounge. Broken Deep House Free Mp3 Download. Free SA DEEP HOUSE MIX Broken Beat Edi mp3. Play & Download Size MB ~ ~ kbps. Consisting of tight beats, part broken beat, part Latin-house, exquisitely produced percussion, piano and acoustic bass snippets with a deep. Roddy Louther-Deep House/Broken Beat set mp3 kbps MB Deep House/Broken Soul /Story Set Mix/ AlienVirus(Dj)Oko mp3 kbps electronic hip hop nu jazz jazz house · 4hero broken beat / nu-jazz funk nu-jazz soul · Flying Lotus Jazzanova chill deep house dubstep · Bugz in the Attic. Amanda McHlophe. at. DEEP HOUSE CHILL URBAN BROKENBEAT SOULFUL MOODY LOUNGE MIX 1 BY REDHAT JAMES Music should be this relaxed. Broken beat is also referred to as West London. It can be characterized galleries · profiles · home › breaks › Broken Beat Broken Beat · Deep House · House. Posts tagged with broken beat The Hedonist – Nu Jazz & Broken Beats. Jazz Deep music from downtempo to house and beyond. Though “broken beat” was never a tagline that the producers IG Culture's deep Jamaican accent punctuated the pounding rhythms: “It's a Co-Op Others came from a house music background, like Phil Asher of Restless. Explore CD Baby's Electronic: Deep House music. Buy CDs, MP3s, and Vinyl from independent artists from around the world. CD Baby is the #1 indie music. Ho notato, che i brani di musica Deep House come anche quelli di Broken Beat, hanno nella parte ritmica "una certa similitudine che li. Dark Sky & Fade to Zaire. · Electronica Deep House House Contemporary Jazz Broken Beat · TRACKLIST. Dark Sky Radio Episode Search. A - Funky Washing Machine. B - Flip A Coin. 10€. Byron The Aquarius - Leaving This Planet · Eglo Records · UK 1x12" / 33 ⅓ RPM. Deep House Future Jazz. Tsimbi - Breaking 'em Beats (Broken Beat House Mix) mp3. Description 01 Louis Lunch feat. Macphly - Autumn Winds Of Joy (VQ Perspective Original Mix) IN STOCK. ALPHA CHILD - GAMMA RAY: Tough deep/tech house that also works at 33 + 8. UK original from ▻ play soundclip. house, beats & electronic. Joe Armon Jones & Maxwell Owin · Idiom. 12" Uk. Yam Recordings · Deep, House, Broken Beat · Se Discotheque · Idiom · Mind's Eye · Tanner's Tango. Disco · DJ Mix · House · Soul. 0. Richie J - Point Disco · House · Soul. 1. Richie J - Point Broken Beat · Deep House · Disco · House · Techno · xholysmoke. 0. A deep and eclectic, vinyl-only dance music excursion for beatfreaks, disco to the very best in new deep house, jazzdance, and broken beat. lovers, Dj's and producers pushing the boundaries and sharing sounds from genres such as Broken Beat, Nu Jazz, Funk, Afrobeat, Deep House and Bossa. album “The Sun Also Rises” forthcoming on Audiofly's label Supernature. Blissful. You heard it 2-Step, Broken Beat, Deep House, Duke February 14, Description: Just messing around with Nexus, this is an ambient track to start, with a beat that kicks in on the second half. All comments welcome. PS, I know that. betatech botanic gardens boulder breaks broken beat cmky communikey deep deep house derby party dj ivy downtempo dubby dubstep festival funky garage. The dj mixes feature trance, house and broken beat sounds that have evolved out of the Chicago house 4, Deep House Mix (TY70 remix) , Play. It ranges from combining live instrumentation with beats of jazz house (exemplified by FM Award-winning chillout web radio, featuring downtempo, nu-jazz, brokenbeat, trip-hop, Deep Intense Downtempo Music Radio ○ Genre: Deep house · Broken beat · Soul Alex "Omar" Smith is a Detroit House & Techno producer. Similar to Theo Parrish, Moodymann, et al. One of the few. Genres: Broken Beats, Jazz, Soul, Artist Series, Deep House and Downtempo supply of Deep House beats mixed with Electric Soul & Downbeat more >.
Load more

Recommended publications
  • Electro House 2015 Download Soundcloud
    Electro house 2015 download soundcloud CLICK TO DOWNLOAD TZ Comment by Czerniak Maciek. Lala bon. TZ Comment by Czerniak Maciek. Yeaa sa pette. TZ. Users who like Kemal Coban Electro House Club Mix ; Users who reposted Kemal Coban Electro House Club Mix ; Playlists containing Kemal Coban Electro House Club Mix Electro House by EDM Joy. Part of @edmjoy. Worldwide. 5 Tracks. Followers. Stream Tracks and Playlists from Electro House @ EDM Joy on your desktop or mobile device. An icon used to represent a menu that can be toggled by interacting with this icon. Best EDM Remixes Of Popular Songs - New Electro & House Remix; New Electro & House Best Of EDM Mix; New Electro & House Music Dance Club Party Mix #5; New Dirty Party Electro House Bass Ibiza Dance Mix [ FREE DOWNLOAD -> Click "Buy" ] BASS BOOSTED CAR MUSIC MIX BEST EDM, BOUNCE, ELECTRO HOUSE. FREE tracks! PLEASE follow and i will continue to post songs:) ALL CREDIT GOES TO THE PRODUCERS OF THE SONG, THIS PAGE IS FOR PROMOTIONAL USE ONLY I WILL ONLY POST SONGS THAT ARE PUT UP FOR FREE. 11 Tracks. Followers. Stream Tracks and Playlists from Free Electro House on your desktop or mobile device. Listen to the best DJs and radio presenters in the world for free. Free Download Music & Free Electronic Dance Music Downloads and Free new EDM songs and tracks. Get free Electro, House, Trance, Dubstep, Mixtape downloads. Exclusive download New Electro & House Best of Party Mashup, Bootleg, Remix Dance Mix Click here to download New Electro & House Best of Party Mashup, Bootleg, Remix Dance Mix Maximise Network, Eric Clapman and GANGSTA-HOUSE on Soundcloud Follow +1 entry I've already followed Maximise Music, Repost Media, Maximise Network, Eric.
    [Show full text]
  • GRASS-ROOTS CULTURAL GLOBALISATION the Case of the Nu Jazz DJ Scene in East-Central Europe
    GRASS-ROOTS CULTURAL GLOBALISATION The Case of the Nu Jazz DJ Scene in East-Central Europe by Gábor Vályi (Budapest) first publication ›Cultural globalization‹ is a term that is often used with reference to large scale processes of transnational cultural transmission stemming from the expansive strategies of the »culture The article was presented in the industries«.1 However, it would still be a mistake to conceptualize all productive forces of cul- Panel IX Medien und Netzwerke / tural globalization as highly institutionalized and industrialized entities that follow centrally Media and Networks on December plotted top-down plans and strictly profit-maximizing strategies in the production and distri- 12, 2003. bution of cultural goods. We already see the emergence of alternative networks that bind to- Parts of this paper have already ap- gether autonomous actors in the field of cultural production and consumption.These regional peared in my thesis of the same tit- or transnational networks are usually organized from the bottom up, as the locally isolated or le submitted for the MA Culture, marginal cultural producers and consumers look for information and potential partners in Globalisation and the City program- their specific fields.2 Networking is also a way of sharing resources and creating a bigger mar- me at Goldsmiths College (Univ. of ket that reaches beyond one's limited immediate surroundings. However, these grass-roots London) in 2002. My attendance at networks don't always follow the economic rationality of capitalist production and are often this programme and the research created and maintained out of personal interest, enthusiasm or the psychological need for be- itself was in part financed by the longing to a bigger community of like-minded people.
    [Show full text]
  • Sweet Sixteen Worksheet
    SWEET 15/16 CEREMONY WORKSHEET (Please return 4 weeks prior to event!) Name of Birthday Girl : Date of Event : Event Time : Ladies and Gentlemen, Mr. and Mrs. would like to thank you for attending their daughter’s Sweet 15/16 celebration. Please relax and enjoy yourself this evening. At this time, we will present the members of the Sweet 15/16 court : SWEET 15/16 COURT 1. Escorted by 1. 2. Escorted by 2. 3. Escorted by 3. 4. Escorted by 4. 5. Escorted by 5. 6. Escorted by 6. 7. Escorted by 7. 8. Escorted by 8. 9. Escorted by 9. 10. Escorted by 10. 11. Escorted by 11. 12. Escorted by 12. 13. Escorted by 13. 14. Escorted by 14. 15. Escorted by 15. 16. Escorted by 16. 1. carrying the crown escorted by 2. carrying the show escorted by 3. carrying long stemmed roses escorted by 4. carrying the ring escorted by 5. The lucky charm escorted by 6. The godparents : 7. Her parents : 8. The Sweet 16 herself escorted by THE CEREMONIES : 1. The placement of the shoes on the feet of the Sweet 16 by her (father, mother, godmother, godfather) . Shoes: These shoes represent our love for you and our desire that you may walk the path of success, may they lead you to your highest dreams. 2. Her mother will place the crown on her daughter’s head. Crown: I crown you princess of my heart, princess of my dreams and princess of my highest esteem. 3. Her father will place the ring on her finger.
    [Show full text]
  • Global Nomads: Techno and New Age As Transnational Countercultures
    1111 2 Global Nomads 3 4 5 6 7 8 9 1011 1 2 A uniquely ‘nomadic ethnography,’ Global Nomads is the first in-depth treat- 3111 ment of a counterculture flourishing in the global gulf stream of new electronic 4 and spiritual developments. D’Andrea’s is an insightful study of expressive indi- vidualism manifested in and through key cosmopolitan sites. This book is an 5 invaluable contribution to the anthropology/sociology of contemporary culture, 6 and presents required reading for students and scholars of new spiritualities, 7 techno-dance culture and globalization. 8 Graham St John, Research Fellow, 9 School of American Research, New Mexico 20111 1 D'Andrea breaks new ground in the scholarship on both globalization and the shaping of subjectivities. And he does so spectacularly, both through his focus 2 on neomadic cultures and a novel theorization. This is a deeply erudite book 3 and it is a lot of fun. 4 Saskia Sassen, Ralph Lewis Professor of Sociology 5 at the University of Chicago, and Centennial Visiting Professor 6 at the London School of Economics. 7 8 Global Nomads is a unique introduction to the globalization of countercultures, 9 a topic largely unknown in and outside academia. Anthony D’Andrea examines 30111 the social life of mobile expatriates who live within a global circuit of counter- 1 cultural practice in paradoxical paradises. 2 Based on nomadic fieldwork across Spain and India, the study analyzes how and why these post-metropolitan subjects reject the homeland to shape an alternative 3 lifestyle. They become artists, therapists, exotic traders and bohemian workers seek- 4 ing to integrate labor, mobility and spirituality within a cosmopolitan culture of 35 expressive individualism.
    [Show full text]
  • 1 "Disco Madness: Walter Gibbons and the Legacy of Turntablism and Remixology" Tim Lawrence Journal of Popular Music S
    "Disco Madness: Walter Gibbons and the Legacy of Turntablism and Remixology" Tim Lawrence Journal of Popular Music Studies, 20, 3, 2008, 276-329 This story begins with a skinny white DJ mixing between the breaks of obscure Motown records with the ambidextrous intensity of an octopus on speed. It closes with the same man, debilitated and virtually blind, fumbling for gospel records as he spins up eternal hope in a fading dusk. In between Walter Gibbons worked as a cutting-edge discotheque DJ and remixer who, thanks to his pioneering reel-to-reel edits and contribution to the development of the twelve-inch single, revealed the immanent synergy that ran between the dance floor, the DJ booth and the recording studio. Gibbons started to mix between the breaks of disco and funk records around the same time DJ Kool Herc began to test the technique in the Bronx, and the disco spinner was as technically precise as Grandmaster Flash, even if the spinners directed their deft handiwork to differing ends. It would make sense, then, for Gibbons to be considered alongside these and other towering figures in the pantheon of turntablism, but he died in virtual anonymity in 1994, and his groundbreaking contribution to the intersecting arts of DJing and remixology has yet to register beyond disco aficionados.1 There is nothing mysterious about Gibbons's low profile. First, he operated in a culture that has been ridiculed and reviled since the "disco sucks" backlash peaked with the symbolic detonation of 40,000 disco records in the summer of 1979.
    [Show full text]
  • High Concept Music for Low Concept Minds
    High concept music for low concept minds Music | Bittles’ Magazine: The music column from the end of the world: August/September New albums reviewed Part 1 Music doesn’t challenge anymore! It doesn’t ask questions, or stimulate. Institutions like the X-Factor, Spotify, EDM and landfill pop chameleons are dominating an important area of culture by churning out identikit pop clones with nothing of substance to say. Opinion is not only frowned upon, it is taboo! By JOHN BITTLES This is why we need musicians like The Black Dog, people who make angry, bitter compositions, highlighting inequality and how fucked we really are. Their new album Neither/Neither is a sonically dense and thrilling listen, capturing the brutal erosion of individuality in an increasingly technological and state-controlled world. In doing so they have somehow created one of the most mesmerising and important albums of the year. Music isn’t just about challenging the system though. Great music comes in a wide variety of formats. Something proven all too well in the rest of the albums reviewed this month. For instance, we also have the experimental pop of Georgia, the hazy chill-out of Nils Frahm, the Vangelis-style urban futurism of Auscultation, the dense electronica of Mueller Roedelius, the deep house grooves of Seb Wildblood and lots, lots more. Somehow though, it seems only fitting to start with the chilling reflection on the modern day systems of state control that is the latest work by UK electronic veterans The Black Dog. Their new album has, seemingly, been created in an attempt to give the dispossessed and repressed the knowledge of who and what the enemy is so they may arm themselves and fight back.
    [Show full text]
  • The Wiki Music Dataset: a Tool for Computational Analysis of Popular Music
    The Wiki Music dataset: A tool for computational analysis of popular music Fabio Celli Profilio Company s.r.l. via sommarive 18, 38123 Trento, Italy Email: fabio@profilio.co Abstract—Is it possible use algorithms to find trends in monic and timbral properties that brought changes in music the history of popular music? And is it possible to predict sound around 1964, 1983 and 1991 [14]. Beside these research the characteristics of future music genres? In order to answer fields, there is a trend in the psychology of music that studies these questions, we produced a hand-crafted dataset with the how the musical preferences are reflected in the dimensions intent to put together features about style, psychology, sociology of personality [11]. From this kind of research emerged the and typology, annotated by music genre and indexed by time MUSIC model [20], which found that genre preferences can and decade. We collected a list of popular genres by decade from Wikipedia and scored music genres based on Wikipedia be decomposed into five factors: Mellow (relaxed, slow, and ro- descriptions. Using statistical and machine learning techniques, mantic), Unpretentious, (easy, soft, well-known), Sophisticated we find trends in the musical preferences and use time series (complex, intelligent or avant-garde), Intense (loud, aggressive, forecasting to evaluate the prediction of future music genres. and tense) and Contemporary (catchy, rhythmic or danceable). Is it possible to find trends in the characteristics of the genres? Keywords—Popular Music, Computational Music analysis, And is it possible to predict the characteristics of future genres? Wikipedia, Natural Language Processing, dataset To answer these questions, we produced a hand-crafted dataset with the intent to put together MUSIC, style and sonic features, I.
    [Show full text]
  • Quantifying Music Trends and Facts Using Editorial Metadata from the Discogs Database
    QUANTIFYING MUSIC TRENDS AND FACTS USING EDITORIAL METADATA FROM THE DISCOGS DATABASE Dmitry Bogdanov, Xavier Serra Music Technology Group, Universitat Pompeu Fabra [email protected], [email protected] ABSTRACT Discogs metadata contains information about music re- leases (such as albums or EPs) including artists name, track While a vast amount of editorial metadata is being actively list including track durations, genre and style, format (e.g., gathered and used by music collectors and enthusiasts, it vinyl or CD), year and country of release. It also con- is often neglected by music information retrieval and mu- tains information about artist roles and relations as well sicology researchers. In this paper we propose to explore as recording companies and labels. The quality of the data Discogs, one of the largest databases of such data available in Discogs is considered to be high among music collec- in the public domain. Our main goal is to show how large- tors because of its strict guidelines, moderation system and scale analysis of its editorial metadata can raise questions a large community of involved enthusiasts. The database and serve as a tool for musicological research on a number contains contributions by more than 347,000 people. It of example studies. The metadata that we use describes contains 8.4 million releases by 5 million artists covering a music releases, such as albums or EPs. It includes infor- wide range of genres and styles (although the database was mation about artists, tracks and their durations, genre and initially focused on Electronic music). style, format (such as vinyl, CD, or digital files), year and Remarkably, it is the largest open database containing country of each release.
    [Show full text]
  • House, Techno & the Origins of Electronic Dance Music
    HOUSE, TECHNO & THE ORIGINS OF ELECTRONIC DANCE MUSIC 1 EARLY HOUSE AND TECHNO ARTISTS THE STUDIO AS AN INSTRUMENT TECHNOLOGY AND ‘MISTAKES’ OR ‘MISUSE’ 2 How did we get here? disco electro-pop soul / funk Garage - NYC House - Chicago Techno - Detroit Paradise Garage - NYC Larry Levan (and Frankie Knuckles) Chicago House Music House music borrowed disco’s percussion, with the bass drum on every beat, with hi-hat 8th note offbeats on every bar and a snare marking beats 2 and 4. House musicians added synthesizer bass lines, electronic drums, electronic effects, samples from funk and pop, and vocals using reverb and delay. They balanced live instruments and singing with electronics. Like Disco, House music was “inclusive” (both socially and musically), infuenced by synthpop, rock, reggae, new wave, punk and industrial. Music made for dancing. It was not initially aimed at commercial success. The Warehouse Discotheque that opened in 1977 The Warehouse was the place to be in Chicago’s late-’70s nightlife scene. An old three-story warehouse in Chicago’s west-loop industrial area meant for only 500 patrons, the Warehouse often had over 2000 people crammed into its dark dance foor trying to hear DJ Frankie Knuckles’ magic. In 1982, management at the Warehouse doubled the admission, driving away the original crowd, as well as Knuckles. Frankie Knuckles and The Warehouse "The Godfather of House Music" Grew up in the South Bronx and worked together with his friend Larry Levan in NYC before moving to Chicago. Main DJ at “The Warehouse” until 1982 In the early 80’s, as disco was fading, he started mixing disco records with a drum machines and spacey, drawn out lines.
    [Show full text]
  • Club Grid +Bar & Lounge Listings
    Xania’s Ladies’ Charity Club Grid + Bar & Lounge Listings Hot Spots night night Xania’s Hot Spots Thu Fri Sat Thu Fri Sat Pittsburgh Slim hosts; Top 40, hip-hop, mash- TV’s Feisty, Lil Hood DJs Eddie McDonald, Resident DJ David Resident DJ Eddie DJ David Christian; up, house; 10:30 pm, host; DJs Eddie Neva, Que; 10:30 Christian; Top 40, hip- McDonald, 10:30 pm- Top 40, hip-hop, rock locals free; Bare Pool McDonald, more; local pm; $30; Bare Pool 693-8300 hop, rock mash-ups, 792-7900 4:30 am; $30, ladies mash-ups, house; Lounge: Asset; locals ladies free; Bare Pool Lounge: 11 am-6 pm; house; 10:30 pm-4:30 free 10:30 pm-4:30 am; host; 11 am-6 pm; $20, Lounge: 11 am; $40, $40, $20, local ladies am; $30 $30 $10, locals free $20, local ladies free free SMS2 The Second Lounge open: Nightclub open: Flesh; Nightclub: Janice Open at 9 pm-4 am; Open at 9 pm-4 am; Date: Singles Meet Thurstdaze; Club: VJ Alpyne; J.Son hosts; Dickinson hosts; DJs DJ Mighty Mi; rock, DJ Mighty Mi; rock, Singles; DJ Mighty Mi; Pride boys party; locals free; Lounge: The Perry Twins; 770-3633 house, hip-hop; $30, house, hip-hop; $30, 836-0830 rock, house, hip-hop; Katwalk chooses 10 sKizoFrenia; Komrads Lounge: CandyBar, for local ladies, hospitality local ladies, hospitality $30, local ladies, hospi- finalists; DJ Jason May Day party; DJ girls who like girls; DJ industry free industry free tality industry free Lema RustRyu Lisa Pittman; 11 pm Lounge: DJ Lisa Pittman; Indulge: fashion give- Smashtime: Sal Nightclub: Rock ‘n Roll aways; DJs Melo-D, Lounge: DJ Lisa Pittman;
    [Show full text]
  • Pressure Radio Soulful House Music Radio Presentation
    Pressure Radio Deep Soulful House Music • Pressure Radio is one of longest running internet radio stations from our humble beginnings as a small UK only line up of DJs to a mass network of global DJ’s. • We are an independent, not-for-profit organisation, we only do this because we love the music we play, however because of the running costs we will gracefully accept any offers of support or donations. • We play HOUSE MUSIC mainly DEEP HOUSE, SOULFUL HOUSE plus BROKEN BEAT, NU JAZZ and the occasional specialist shows (soul, funk, disco, rare-groove). Keep it soulful, keep it Pressure, keep it forever Community • We rely on word of mouth and in recent years spreading via social networking our website has Facebook, Twitter & Myspace share and like links for the whole site and for individual content posts. • We have rss feeds for news and our weekly Soulful house chart. Our internet radio stream is running 24/7 every day of the year with much of that being live shows from real DJ presenters and its this live content that sets us apart from other stations. • We are a global family and we regard our listeners as extended family and welcome everyone to our global community. Keep it soulful, keep it Pressure, keep it forever Website Keep it soulful, keep it Pressure, keep it forever Website Keep it soulful, keep it Pressure, keep it forever Schedule Multi time-zone Schedule page Keep it soulful, keep it Pressure, keep it forever Playlists As well as links to Individual DJ’s podcasts we also have a unique combined podcast rss link which show the latest podcast from each DJ.
    [Show full text]
  • Guide to the Raquel Z. Rivera Hip Hop/ Reggaetón Collection
    Guide to the Raquel Z. Rivera Hip Hop/ Reggaetón Collection Archives of the Puerto Rican Diaspora Centro de Estudios Puertorriqueños Hunter College, CUNY 2180 Third Avenue @ 119th St., Rm. 120 New York, New York 10035 (212) 396-7877 www.centropr.hunter.cuny.edu Descriptive Summary Resumen descriptivo Creator: Raquel Z. Rivera, 1972- Creador: Raquel Z. Rivera, 1972- Title: The Raquel Z. Rivera Hip Hop/ Reggaetón Título: The Raquel Z. Rivera Hip Hop/ Reggaetón Collection Collection Inclusive Dates: 1977-2008 Años extremos: 1977-2008 Bulk Dates: 1995-2003 Período principal: 1995-2003 Volume: 9 cubic feet Volumen: 9 pies cùbicos Repository: Archives of the Puerto Rican Diaspora, Repositorio: Archives of the Puerto Rican Diaspora, Centro de Estudios Puertorriqueños Centro de Estudios Puertorriqueños Abstract: The Raquel Z. Rivera Hip Hop/ Reggaetón Nota de resumen: La Colección de Hip Hop y Collection helps document Puerto Rican contributions Reggaetón de Raquel Z. Rivera, documenta la to the creation and development of hip hop and contribución puertorriqueña a la creación y el reggaetón both in the United States and Puerto Rico. desarrollo del hip hop y el reggaetón tanto en los Highlights of the collection include an extensive Estados Unidos como en Puerto Rico. Parte importante audiocassette and compact disc collection, essays de la colección incluye una extensa compilación de written by Rivera on hip hop and reggaetón and paper cintas de audio y discos compactos, ensayos sobre hip documentation on numerous artists. hop y reggaetón escritos por Rivera y documentación en papel sobre varios artistas. Administrative Information Información administrativa Collection Number: 2005-07 Número de colección: 2005-07 Provenance: Raquel Z.
    [Show full text]