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GRASS-ROOTS CULTURAL GLOBALISATION the Case of the Nu Jazz DJ Scene in East-Central Europe
GRASS-ROOTS CULTURAL GLOBALISATION The Case of the Nu Jazz DJ Scene in East-Central Europe by Gábor Vályi (Budapest) first publication ›Cultural globalization‹ is a term that is often used with reference to large scale processes of transnational cultural transmission stemming from the expansive strategies of the »culture The article was presented in the industries«.1 However, it would still be a mistake to conceptualize all productive forces of cul- Panel IX Medien und Netzwerke / tural globalization as highly institutionalized and industrialized entities that follow centrally Media and Networks on December plotted top-down plans and strictly profit-maximizing strategies in the production and distri- 12, 2003. bution of cultural goods. We already see the emergence of alternative networks that bind to- Parts of this paper have already ap- gether autonomous actors in the field of cultural production and consumption.These regional peared in my thesis of the same tit- or transnational networks are usually organized from the bottom up, as the locally isolated or le submitted for the MA Culture, marginal cultural producers and consumers look for information and potential partners in Globalisation and the City program- their specific fields.2 Networking is also a way of sharing resources and creating a bigger mar- me at Goldsmiths College (Univ. of ket that reaches beyond one's limited immediate surroundings. However, these grass-roots London) in 2002. My attendance at networks don't always follow the economic rationality of capitalist production and are often this programme and the research created and maintained out of personal interest, enthusiasm or the psychological need for be- itself was in part financed by the longing to a bigger community of like-minded people. -
The Wiki Music Dataset: a Tool for Computational Analysis of Popular Music
The Wiki Music dataset: A tool for computational analysis of popular music Fabio Celli Profilio Company s.r.l. via sommarive 18, 38123 Trento, Italy Email: fabio@profilio.co Abstract—Is it possible use algorithms to find trends in monic and timbral properties that brought changes in music the history of popular music? And is it possible to predict sound around 1964, 1983 and 1991 [14]. Beside these research the characteristics of future music genres? In order to answer fields, there is a trend in the psychology of music that studies these questions, we produced a hand-crafted dataset with the how the musical preferences are reflected in the dimensions intent to put together features about style, psychology, sociology of personality [11]. From this kind of research emerged the and typology, annotated by music genre and indexed by time MUSIC model [20], which found that genre preferences can and decade. We collected a list of popular genres by decade from Wikipedia and scored music genres based on Wikipedia be decomposed into five factors: Mellow (relaxed, slow, and ro- descriptions. Using statistical and machine learning techniques, mantic), Unpretentious, (easy, soft, well-known), Sophisticated we find trends in the musical preferences and use time series (complex, intelligent or avant-garde), Intense (loud, aggressive, forecasting to evaluate the prediction of future music genres. and tense) and Contemporary (catchy, rhythmic or danceable). Is it possible to find trends in the characteristics of the genres? Keywords—Popular Music, Computational Music analysis, And is it possible to predict the characteristics of future genres? Wikipedia, Natural Language Processing, dataset To answer these questions, we produced a hand-crafted dataset with the intent to put together MUSIC, style and sonic features, I. -
Show-Woman Või Muusikale Pühendunu?
^K, к Show-woman või muusikale pühendunu? Andres Pung: Mida teha, et Eesti muusikute ring kokku ei kuivaks? Jaan-Eik Tulve avab "oma sõnadega" gregoriaani laulu olemust RUDOLF TOBIAS RUDOLF TOBIAS Kaks vaimulikku laulu segakoorile ja orelile Motetid ja vaimulikud laulud segakoorile Zwei geistliche Gesänge fiir gemischten Chor mid Orgel RUDOLF TOBIAS Jenseits des Jordan DES JONA SENDING Klavierauszug Sealpool Jordanit JOONASE LÄHETAMINE Klaviir Mu Nunne l, 10133 Tallinn E-R10-18, L 10-17 tel (o) 644 04 80 INTRO 2/2002 KAVA Muusika seekordses numbris on põhjalikumalt käsitletud Eesti muusikahariduse teemat. Juba ammu on kõneldud 2 Kerttu Soans. "Minust saab see, muusikute töö vähesest väärtustamisest meie muutunud mida ma teen": intervjuu Anu Taliga ühiskonnas. Peagi lõpetavad kooli tuhanded xi Л \j J\ X J—J XJ &-J X JL$ keskharidusega noored, kes seisavad küsimuse ees, 6 Maailmast mida teha edasi. Aasta-aastalt on vähenenud nende IMPRESSIOON hulk, kes otsustavad professionaalse muusiku karjääri 7 Kadri Hunt. Suur muusika suurel reedel kasuks. Muusiku ametit ei peeta enam nii mainekaks ja 8 Elena Lass, Mariliis Valkonen. Seitse tasuvaks kui Vene ajal. Miks see nii on? Selle üle arutleb päeva eesti muusikaga Eesti Muusikaakadeemia õppe- ja teadusprorektor 10 Harry Liivrand. Lesk ja Wiesler 11 Ivalo Randalu. Üks kevadine Andres Pung. Loodetavasti saab Andres Punga artiklist ore li retk hakatust laiem arutelu muusikahariduse teemadel, sest BAGATELLID tegelikult sõltub ju sellest eesti muusikakultuuri tulevik. 14 Eestist LACRYMOSA Reet Marttila, 17 Anneli Remme. Rauno Remme peatoimetaja KONTRAPUNKT 18 Andres Pung. Quo vadis, Eesti muusikaharidus? STÜDIUM Peatoimetaja Reet Marttila [email protected] 24 Anu Kivilo. -
Pressure Radio Soulful House Music Radio Presentation
Pressure Radio Deep Soulful House Music • Pressure Radio is one of longest running internet radio stations from our humble beginnings as a small UK only line up of DJs to a mass network of global DJ’s. • We are an independent, not-for-profit organisation, we only do this because we love the music we play, however because of the running costs we will gracefully accept any offers of support or donations. • We play HOUSE MUSIC mainly DEEP HOUSE, SOULFUL HOUSE plus BROKEN BEAT, NU JAZZ and the occasional specialist shows (soul, funk, disco, rare-groove). Keep it soulful, keep it Pressure, keep it forever Community • We rely on word of mouth and in recent years spreading via social networking our website has Facebook, Twitter & Myspace share and like links for the whole site and for individual content posts. • We have rss feeds for news and our weekly Soulful house chart. Our internet radio stream is running 24/7 every day of the year with much of that being live shows from real DJ presenters and its this live content that sets us apart from other stations. • We are a global family and we regard our listeners as extended family and welcome everyone to our global community. Keep it soulful, keep it Pressure, keep it forever Website Keep it soulful, keep it Pressure, keep it forever Website Keep it soulful, keep it Pressure, keep it forever Schedule Multi time-zone Schedule page Keep it soulful, keep it Pressure, keep it forever Playlists As well as links to Individual DJ’s podcasts we also have a unique combined podcast rss link which show the latest podcast from each DJ. -
«Vocabularies» Bobby Mcferrin Vocals Slixs & Friends ~85' Sans
Pops / iPhil Vendredi / Freitag / Friday 16.05.2014 20:00 Grand Auditorium «VOCAbuLarieS» Bobby McFerrin vocals Slixs & friends ~85’ sans entracte / ohne Pause / without intermission «VOCAbuLarieS» Une énergie créative toute particulière se dégage de la rencon- tre magistrale qu’est VOCAbuLarieS, un projet signé par Bobby McFerrin, musicien de jazz et chanteur américain. VOCAbuLa- rieS rompt avec les conventions de la musique a cappella et ras- semble tous les styles musicaux qui ont marqué la carrière de Bobby McFerrin, vainqueur de dix Grammys. On trouve ainsi un mélange de jazz, de classique, de musique d’Afrique, d’Amé- rique latine et d’Inde mais aussi de rhythm’n’blues, de gospel et de pop. Réinventer le vocabulaire de la musique: un défi qui pour Bobby McFerrin est synonyme d’amusement et qui a ryth- mé toute sa vie. VOCAbuLarieS regroupe les innombrables ex- périences musicales du passé de Bobby McFerrin: son timbre fascinant, son incroyable facilité dans l’articulation mais aussi sa passion des voyages. Bobby McFerrin est accompagné ce soir de l’ensemble vocal berlinois Slixs & friends. 2 «VOCAbuLarieS» Mit «VOCAbuLarieS», dem wahrscheinlich aufwändigsten Pro- jekt, das Bobby McFerrin jemals in Angriff genommen hat, ist dem amerikanischen Jazzer und Vokalkünstler ein meisterhafter Zusammenfluss kreativer Energie gelungen. «VOCAbuLarieS» bricht aus den Konventionen der A-cappella-Musik aus und ver- einigt all jene musikalischen Stile, die die Laufbahn des zehnfa- chen Grammy-Gewinners McFerrin geprägt haben: Jazz, Klassik, Musik aus Afrika, Lateinamerika und Indien ebenso wie Rhythm & Blues, Gospel und Pop. Das Vokabular der Musik neu erfinden – für McFerrin ein Spaß, eine Herausforderung, die sein ganzes Le- ben bestimmt hat. -
Nomination Form International Memory of the World Register
Nomination form International Memory of the World Register THE MONTREUX JAZZ FESTIVAL, CLAUDE NOBS’ LEGACY (Switzerland) 2012-15 1.0 Summary (max 200 words) « It’s the most important testimonial to the history of music, covering jazz, blues and rock ». These are the words that Quincy Jones pronounced to present the preservation and restoration project of one of the musical monuments from the 20th century, the Montreux Jazz Festival Archives. From Aretha Franklin or Ray Charles to David Bowie or Prince, more than 5,000 hours of concerts have been recorded both in audio and video, since the creation of the Montreux Jazz Festival in 1967, by the visionary Claude Nobs. This collection contains many of the greatest names in middle and mainstream Jazz, including Errol Garner, Count Basie, Lionel Hampton, Dizzy Gillespie, Oscar Peterson to Herbie Hancock. Most of them composed great number of improvised jam sessions extremely rare. Miles Davis played his last performance, conducted by Quincy Jones in 1991. Many artists, like Marvin Gaye, recorded their first and only performance for television in Montreux. This collection of “live” music recordings, ranging from 1967-2012, with universal significance and intercultural dimensions has no direct equal in the world. This musical library traces a timeline of stylistic influences from the early styles of jazz to the present day. In 2007, Swiss Federal Institute of Technology in Lausanne (EPFL) and the Montreux Jazz Festival have decided to join forces to create a unique and first of a kind, high resolution digital archive of the Festival. 2.0 Nominator 2.1 Name of nominator (person or organization) THIERRY AMSALLEM (MONTREUX JAZZ FESTIVAL FOUNDATION) 2.2 Relationship to the nominated documentary heritage MEMBER OF THE MONTREUX JAZZ FESTIVAL FOUNDATION BOARD & OWNER AND CURATOR OF THE MONTREUX JAZZ FESTIVAL AUDIOVISUAL LIBRARY 2.3 Contact person(s) (to provide information on nomination) M. -
Davidsonian 10/06/10.Indd
www.thedavidsonian.com DAVIDSON COLLEGE WEDNESDAY , OCTOBER 6, 2010 VOLUME 102, NUMBER 5 Local Food Promotion Environmental Studies at Commons- Not So Community Spotlight Adopted as Davidson’s Local After All Students serve town of Davidson Newest Major YUXI LIN KATHLEEN VOEGTLI Staff Writer Staff Writer On October 19th, Vail Commons will be In May, the faculty approved the adop- hosting A Taste of the Carolinas, an event tion of Environmental Studies as an academ- that was formerly named A Taste of David- ic major at Davidson. son. While the change of title may seem in- Dr. Annie Ingram, the chair of the pro- signifi cant, the underlying controversy is far gram, expressed her enthusiasm at introduc- from it. ing this “genuinely interdisciplinary” major, While looking for new menu ideas, Com- which draws from fi elds including science, mons came up with the idea of A Taste of Da- economics and politics. Dr. Ingram expresses vidson, which would feature products grown confi dence that the core requirements, which or manufactured in the Carolinas. It will were “created with a great deal of attention replace the traditional “Voice Your Choice” and care,” ensure that the major provides Food Show this year. both depth and rigor. All Environmental “While it was very popular, the past cou- Studies majors will be given a broad over- ple of years the event did not offer us many view of the fi eld before selecting a track that menu ideas. Since ‘local’ is such a current will deepen their knowledge in environmen- topic, we chose to look in that direction,” As- tal sciences, social sciences or humanities. -
Everett Rock Band/Musician List "T" Last Update: 6/28/2020
Everett Rock Band/Musician List "T" Last Update: 6/28/2020 "T" List for Bands/Musicians Genre* From & Genre 311 R Los Angeles, CA Rock 322 J Seattle Jazz 322 J Seattle Jazz 10 Cent Monkey Pk R Clinton Punk / Rock / Alternative 10 Killing Hands E P R Bellingham's Electro / Pop / Rock 12 Gauge Pump H Everett Hip Hop 12 Stones R Al Mandeville, LA Rock / Alternative 12th Fret Band CR Snohomish Classic Rock 13 MAG M R Spokane Metal / Hard Rock 13 Scars R Pk Tacoma Rock / Punk 13th & Nowhere R Everett Rock 2 Big 2 Spank CR Carnation Classic Rock / Rock / Rockabilly 2 Guys And A Broad B R C Everett Blues / Rock / Country 2 Libras E R Seattle Electronic Rock 20 Riverside H J Fk Everett Jazz / Hip Hop / Funk 20 Sting Band F Bellingham's Folk / Bluegrass / Roots Music 20/20 A Cappella Ac Ellensburg A Cappella 206 A$$A$$IN H Rp Seattle Hip Hop / Rap 20sicem H Seattle Hip Hop 21 Guns: Seattle's Tribute to Green Day Al R Seattle Alternative Rock 2112 (Rush Tribute) Pr CR R Lakewood Progressive / Classic Rock / Rock 21feet R Seattle Rock 21st & Broadway R Pk Sk Ra Everett/Seattle Rock / Punk / Ska / Reggae 22 Kings Am F R San Diego, CA Americana / Folk-Rock 24 Madison Fk B RB Local Rock, Funk, Blues, Motown, Jazz, Soul, RnB, Folk 25th & State R Everett Rock 29A R Seattle Rock 2KLIX Hc South Seattle Hardcore 3 Doors Down R Escatawpa, Mississippi Rock 3 INCH MAX Al R Pk Seattle's Alternative / Rock / Punk 3 Miles High R P CR Everett Rock / Pop / Classic Rock 3 Play Ricochet BG B C J Seattle bluegrass, ragtime, old-time, blues, country, jazz 3 PM TRIO -
Music Genre/Form Terms in LCGFT Derivative Works
Music Genre/Form Terms in LCGFT Derivative works … Adaptations Arrangements (Music) Intabulations Piano scores Simplified editions (Music) Vocal scores Excerpts Facsimiles … Illustrated works … Fingering charts … Posters Playbills (Posters) Toy and movable books … Sound books … Informational works … Fingering charts … Posters Playbills (Posters) Press releases Programs (Publications) Concert programs Dance programs Film festival programs Memorial service programs Opera programs Theater programs … Reference works Catalogs … Discographies ... Thematic catalogs (Music) … Reviews Book reviews Dance reviews Motion picture reviews Music reviews Television program reviews Theater reviews Instructional and educational works Teaching pieces (Music) Methods (Music) Studies (Music) Music Accompaniments (Music) Recorded accompaniments Karaoke Arrangements (Music) Intabulations Piano scores Simplified editions (Music) Vocal scores Art music Aʼak Aleatory music Open form music Anthems Ballades (Instrumental music) Barcaroles Cadenzas Canons (Music) Rounds (Music) Cantatas Carnatic music Ālāpa Chamber music Part songs Balletti (Part songs) Cacce (Part songs) Canti carnascialeschi Canzonets (Part songs) Ensaladas Madrigals (Music) Motets Rounds (Music) Villotte Chorale preludes Concert etudes Concertos Concerti grossi Dastgāhs Dialogues (Music) Fanfares Finales (Music) Fugues Gagaku Bugaku (Music) Saibara Hát ả đào Hát bội Heike biwa Hindustani music Dādrās Dhrupad Dhuns Gats (Music) Khayāl Honkyoku Interludes (Music) Entremés (Music) Tonadillas Kacapi-suling -
HENRY LOUIS GATES JR.- DEB UTS ENC YCLOPEDIA JOHN W.JORDAN, 1982-1999 K, ,,,AP I N Dies in Car Accident Near Roxbury, NY Leading Black Intellectual Speaks for Addison
~ONTHE WEB: OletSeodr wwwphflfipian.com Volume CXXII, Number 12 'Phillips Academy, Andover, agssachusetts September 24, 1999 Andover Mourns Fallen Fri~~~~~-ft-ends HENRY LOUIS GATES JR.- DEB UTS ENC YCLOPEDIA JOHN W.JORDAN, 1982-1999 K, ,,,AP I N Dies in Car Accident Near Roxbury, NY Leading Black intellectual Speaks for Addison Home By WENDY HUANG AND MICHAEL TAI - ~~~~~~~~~~~~~~~~~HenryLouis Gates Jr., chair of the three of his friends, became known * By ROSS PERLIN Afro-American Studies Department at locally as the "Fearsome Foursome" As teachers and students refurned .. ~~Harvard University, delivered a lecture after they mobilized their community to campus this September, they were in Tang Theater last Sunday. The first to force the Blue Jay Restaurant to * greeted by the tragic news of rising .of a series of events sponsored by the desegregate. senior John W. Jordan's death in a July Addison Gallery Of American Art, the After attending Phillips Exeter car accident, The community gathered speech was made in conjunction with Academy, Professor Gates graduated to remember Jordan, who went by the one of two exhibits currently showing from Yale sumnia cum laude , and later 0 name of Jarvis during his three years at in the Addison, To Conserve a Legacy: earned his M.A. and Ph.D. in English Andover, at the first All-School Meet- American Art fromn Historically Black Literature from Glare College at the ing last Thursday, September 16. Colleges. University of Cambridge "I discovered a person with consid- The series continues through the Professor Gates remained in Lon- erable self-awareness and creativity, a end of October. -
Ambient Music the Complete Guide
Ambient music The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Mon, 05 Dec 2011 00:43:32 UTC Contents Articles Ambient music 1 Stylistic origins 9 20th-century classical music 9 Electronic music 17 Minimal music 39 Psychedelic rock 48 Krautrock 59 Space rock 64 New Age music 67 Typical instruments 71 Electronic musical instrument 71 Electroacoustic music 84 Folk instrument 90 Derivative forms 93 Ambient house 93 Lounge music 96 Chill-out music 99 Downtempo 101 Subgenres 103 Dark ambient 103 Drone music 105 Lowercase 115 Detroit techno 116 Fusion genres 122 Illbient 122 Psybient 124 Space music 128 Related topics and lists 138 List of ambient artists 138 List of electronic music genres 147 Furniture music 153 References Article Sources and Contributors 156 Image Sources, Licenses and Contributors 160 Article Licenses License 162 Ambient music 1 Ambient music Ambient music Stylistic origins Electronic art music Minimalist music [1] Drone music Psychedelic rock Krautrock Space rock Frippertronics Cultural origins Early 1970s, United Kingdom Typical instruments Electronic musical instruments, electroacoustic music instruments, and any other instruments or sounds (including world instruments) with electronic processing Mainstream Low popularity Derivative forms Ambient house – Ambient techno – Chillout – Downtempo – Trance – Intelligent dance Subgenres [1] Dark ambient – Drone music – Lowercase – Black ambient – Detroit techno – Shoegaze Fusion genres Ambient dub – Illbient – Psybient – Ambient industrial – Ambient house – Space music – Post-rock Other topics Ambient music artists – List of electronic music genres – Furniture music Ambient music is a musical genre that focuses largely on the timbral characteristics of sounds, often organized or performed to evoke an "atmospheric",[2] "visual"[3] or "unobtrusive" quality. -
Barry's Music List for Dance
Barry Oreck and Jessica Nicoll: Music List October 28, 2005 Below we’ve listed the music we’ve used in various workshops. We ’ve followed that listing with some other CDs that I often use. Listen to public radio for interesting music/dance possibilities (programs like “Music from the Hearts of Space,” “Sound and Spirit,” and “Schickele Mix” feature a range of musical styles from around the world). You’ll find a lot of these CDS in World Music, Jazz, New Age, Fusion, and Classical sections at the music store or online through Amazon.com. Keep your eyes and ears open; listening takes a lot of time. But it’s time well spent. Floor warm-up — Night Ark, "Picture" [Armenian-American group; used cut #4 for reach and toss with laterals and reaching improv]. RCA, #3007-2-N, 1986. Geoff Johns, “Drum! How to Play the Rhythms of Africa and Latin America” [Used cut #12 for flex & point with scoops.] Sounds True, 1991. Zap Mama, "Adventures in Afropea 1" ["five European and African women singing a capella music from the African Diaspora mixed with Euro-American traditions." Used cut #4 for swings]. Luaka Bop/Warner Bros., #9 45183-2, 1993. Standing and Across the Floor — Bobby McFerrin, “Circlesongs” [Vocal “chant-songs” performed by twelve singers; repetitive rhythms in a range of. Used cut #6 for “Silly Tendus” and cut #5 for walking phrase (“pseudo triplets”) across the floor.] Sony Music Entertainment, #SK 62734, 1997. “Sounds of Wood & Steel” [An acoustic guitar album featuring various artists including Michael Hedges, Laurence Juber, Leo Kottke, and others.