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Bibliografie UvA-DARE (Digital Academic Repository) Culturele ondernemers in de Gouden Eeuw: De artistieke en sociaal- economische strategieën van Jacob Backer, Govert Flinck, Ferdinand Bol en Joachim von Sandrart Kok, E.E. Publication date 2013 Link to publication Citation for published version (APA): Kok, E. E. (2013). Culturele ondernemers in de Gouden Eeuw: De artistieke en sociaal- economische strategieën van Jacob Backer, Govert Flinck, Ferdinand Bol en Joachim von Sandrart. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:27 Sep 2021 Bibliografie Abrahamse 2010 J. E. Abrahamse, De grote uitleg van Amsterdam, Bussum 2010 (oorspronkelijk proefschrift Universiteit van Amsterdam). Adams 1993 A. Jensen Adams, ‘Rembrandt f(ecit): the italic signature and the commodification of artistic identity’, in: Th. W. Gaehtgens (red.), Künstlerischer Austausch, 3 vol., Berlijn 1993, II, pp. 581-594. Adams 2009 A. Jensen Adams, Public Faces and Private Identities in Seventeenth-Century Holland. Portraiture and the Production of Community, Cambridge 2009. Albach 1970 B. Albach, ‘De schouwburg van Jacob van Campen’, Oud Holland 85 (1970), pp. 85-109. Amstelodamum 1923 ‘De Nachtwacht van Rembrandt en zijn zelfportret’, Amstelodamum 10 (1923), pp. 78-79. Armstrong 1912 W. Armstrong, ‘A Claim for Gerrit Willemsz Horst’, Burlington Magazine 20 (1912), pp. 258-263. Angel 1642 P. Angel, Lof der schilder-konst, Leiden 1642 (facsimile), Utrecht 1969. Badalocchio en Lanfranchi 1607 S. Badalocchio en G. Lanfranchi, Historia del Testamento Vecchio, Rome 1607, uitgegeven door Giovanni Orlandi, 1607; Herdruk Historia del Testamento Vecchio, Amsterdam 1638, uitgegeven door C.J. Visscher. Van Baerle/Blaeu 1689 K. van Baerle, Blyde Inkomst der allerdoorluchtigste Koninginne, Maria de’ Medici, ’t Amsterdam, Amsterdam 1689, uitgegeven door Johan en Cornelis Blaeu. Baldinucci 1681-1728 F. Baldinucci, Notizie dei professori del disegno da Cimabue (…), 6 dln., Florence 1681-1728. Bakker 2008 P. Bakker, Gezicht op Leeuwarden; Schilders in Friesland en de markt voor schilderijen in de Gouden Eeuw, Amsterdam 2008 (proefschrift Universiteit van Amsterdam). Bakker 2008a P. Bakker, Friese schilderkunst in de Gouden Eeuw, Zwolle 2008. Bakker 2008b P. Bakker, ‘Een schilder en zijn netwerk: Lambert Jacobsz. en een nieuw beeld van de zeventiende-eeuwse schilderkunst in Friesland’, De Vrije Fries 88 (2008), pp. 31-64. De Balbian Verster 1915 J.F.L. de Balbian Verster, ‘Een Amsterdams kanon te Berlijn’, Jaarboek Amstelodamum 13 (1915), pp. 58-63. 211 De Balbian Verster 1918 J.F.L. de Balbian Verster, ‘Amsterdam en de groote keurvorst’, Jaarboek Amstelodamum 16 (1918), pp. 115- 168. Bauch 1926 K. Bauch, Jakob Adriaensz. Backer. Ein Rembrandtschüler aus Friesland, Berlijn 1926. Baxandall 1985 M. Baxandall, Patterns of Intention. On the Historical Explanation of Pictures, New Haven/Londen 1985. Becker 1999 J. Becker, ‘Het leven van Apelles’. vertaald uit Plinius door J. van Gelder, met een in- en uitleiding door J. Becker’, Kunstschrift 43 (1999) pp. 28-33. Van den Berghe 1992 E.H. van den Berghe, ‘Italiaanse schilderijen in Amsterdam in de zeventiende eeuw’, Jaarboek Amstelo- damum, 84 (1992), pp. 21-41. Beuys 2012 B. Beuys, Der Große Kurfürst. Friedrich Wilhelm von Brandenburg, der Mann, der Preußen schuf, München 2012. Bevers, Schatborn en Welzel 1991-1992 H. Bevers, P. Schatborn en B. Welzel, Rembrandt: De meester & zijn werkplaats. Tekeningen & etsen [tent. cat. Berlijn, Kupferstichkabinet SMPK/ Amsterdam, Rijksmuseum/Londen, National Gallery], Berlijn/ Amster- dam/ Londen 1991-1992. De Bie 1661 C. de Bie, Gulden Cabinet van de edel vrij Schilder-Const, Antwerpen 1661. Bikker 2003 J. Bikker, ‘Imitation and Orginality in the History Paintings of Rembrandt’s Pupils’, in: A. Kofuku (red.), Rembrandt and Dutch History Painting in the seventeenth Century, Tokyo 2003, pp. 69-84. Bikker 2006 J. Bikker, ‘Vragen bij het “Portret van een man uit de familie Wtenbogaert”’, Bulletin van het Rijksmuseum 54, (2006) 2, pp. 190-195. Blankert 1975 A. Blankert, Kunst als regeringszaak in Amsterdam in de Gouden Eeuw [tent. cat. Amsterdam, Koninklijk Paleis, Amsterdam], Amsterdam 1975. Blankert e.a. 1981 A. Blankert e.a., God en de goden verhalen uit de bijbelse en klassieke oudheid door Rembrandt en zijn tijdge- noten [tent. cat. Washington, National Gallery of Art/ Detroit, The Detroit Institute of Art/ Amsterdam, Rijksmuseum], Washington/ Amsterdam 1980. Blankert 1982 A. Blankert, Ferdinand Bol. Rembrandt’s leerling, Doornspijk 1986. Blankert e.a. 1983 A. Blankert, e.a., Rembrandt, The Impact of a Genius. Rembrandt, his Pupils and Followers in the Seventeenth Century [tent. cat. Amsterdam/ Groningen, Groninger Museum,], Amsterdam 1983. Blankert/Slatkes 1986 A. Blanker en L. Slatkes (red.), Nieuw licht op de Gouden Eeuw. Hendrick Terbruggen en tijdgenoten [tent. cat. Utrecht, Centraal Museum/Braunschweig, Herzog Anton Ulrich-Museum], Utrecht 1986. 212 Bibliografie Blankert 1992 A. Blankert, ‘Ferdinand Bol in een Utrechts burgerpaleis’, Kunstschrift 36 (1992) 6, p. 22-27. Blankert 1997 A. Blankert, Rembrandt A Genius and his Impact [tent. cat. Melbourn, National Gallery of Victoria/ Canber- ra, National Gallery of Austalia], Zwolle 1997. Blankert 1999 A. Blankert, e.a., Hollands Classicisme in de zeventiende-eeuwse schilderkunst [tent. cat. Rotterdam, Museum Boijmans van Beuningen/ Frankfurt, Städelsches Kunstinstitut], Rotterdam 1999. Blankert 2011 A. Blankert, ‘Rapen again: Notes on Aemulatio and Plagiarism in Dutch Painting’, in: Boschloo e.a. 2011, pp. 277-287. De Blecourt 2012 B. de Blécourt, Johannes de Renialme. Een Amsterdamse kunsthandelaar uit de 17de eeuw, Amsterdam 2012 (MA-scriptie Universiteit van Amsterdam o.l.v. Prof. dr. E.J.S. Sluijter, ongepubliceerd). Bleyerveld 2000 Y. Bleyerveld, Hoe bedriechlijck dat die vrouwen zijn. Vrouwenlisten in de beeldende kunst in de Nederlanden circa 1350-1650, Leiden 2000. Blom 2007 F.R.E. Blom, ‘Solliciteren met poëzie. Zelfpresentatie in Constantijn Huygens’ debuutbundel Otia (1625)’, De zeventiende eeuw. Cultuur in de Nederlanden in Interdisciplinair perspectief 23 (2007), pp. 230-244. Le Blon Verscheyden Wapen-Schilden Verciert met Helm en Lof. Seer dienstich voor Schilders, Plaetsnyders, Silversmeden Beelt ende Steenhouwers. Geinventeert bij den H. Agent van Sweden Michiel le Blon. C [laes Iansz.] Visscher, geen datum en plaats. Bøgh Rønberg/ De la Fuente Pedersen 2009 L. Bøgh Rønberg en E. de la Fuente Pedersen, Rembrandt? The master and his workshop [tent. cat. Kopenha- gen, Statens Museum for Kunst], Kopenhagen 2009. Bok 1993 M.J. Bok, ‘Biography and documents and list of pupils’, in: Roethlisberger 1993, pp. 547-666. Bok 1994a M.J. Bok, Vraag en aanbod op de Nederlandse kunstmarkt, 1580-1700, Utrecht 1994 (proefschrift Universiteit Utrecht). Bok 1994b M.J. Bok, ‘Art-Lovers and their Paintings. Van Manders Schilder-boeck as a Source for the History of the Art Market in the Northern Netherlands’, in: Dawn of the Golden Age: Northern Netherlandish Art 1580-1620 [tent. cat. Amsterdam, Rijksmuseum], Amsterdam 1994, pp.136-66. Bok 1995 M.J. Bok, ‘Familie, vrienden en opdrachtgevers’, in: Huiskens, Ottenheym en Schwartz 1995, pp. 27-52. Bok 1998 M.J. Bok, ‘Pricing the Unpriced: How Dutch Seventeenth-Century Painters determined the Selling Price of their Work’, in: Michael North and David Omrod (red.), Art Markets in Europe 1400-1800, Aldershot 1998, pp. 102-111. 213 Bok 1999 M.J. Bok, ‘The Painter and His World: The Socioeconomic Approach to Seventeenth-Century Dutch Art’, in: F. Grijzenhout en H. van Veen (red.), The Golden Age of Dutch Painting in Historical Perspective, Cam- bridge 1999, pp. 224-246. Bok 2001 M.J. Bok, ‘The Rise of Amsterdam as a Cultural Centre: The Market for paintings, 1580-1680’, in: P. O’Brien (red.), Urban Achievement in Early Modern Europe. Golden Ages in Antwerp, Amsterdam and London, Cambridge 2001, pp. 186-209. Bok 2004 M.J. Bok, ‘Rembrandt’s Fame and Rembrandt’s Failure. The Market for History Paintings in the Dutch Re- public’, in: A. Kofuku (red.) Rembrandt and Dutch History Painting in 17th Century, Tokyo 2004, pp. 159-180. Bok 2008 M.J. Bok, ‘Schilderien te coop”: nieuwe marketingtechnieken op de Nederlandse kunstmarkt van de Gou- den Eeuw’, in: M.J. Bok, M. Gosselink e.a. (red.) Thuis in de Gouden Eeuw: kleine meesterwerken uit de SØR Rusche collectie [tent. cat. Rotterdam, Kunsthal 2008], Zwolle 2008, pp. 9-29. Bok 2009 M.J. Bok, ‘Was Hendrick Terbruggen a melancholic?’, in: Journal of Historians of Netherlandish Art, 1 (2009) 2, < http://www.jhna.org/index.php/home >. Bok en Van der Molen 2009 M.J. Bok en T. van der Molen, ‘Productivity Levels of Rembrandt and His Main Competitors in the Amster- dam Art Market’, in: H. Bevers, J. Kelch en T. Seifert (red.), Rembrandt: Wissenschaft auf der Suche. Beiträge des Internationalen Symposiums Berlin, 4. und 5. November 2006 (Jahrbuch der Berliner Museen, Neue Folge, Bd. 51, Beiheft, Berlin 2009), pp. 61-68. Bok en Schwartz 1991 M. J. Bok, en G. Schwartz, ‘Schilderen in opdracht in Holland in de 17e eeuw’, Holland, regionaal-historisch tijdschrift 23 (1991), pp. 183-195. Bomford e.a. 2006 D. Bomford e.a., Art in the making. Rembrandt, Londen 2006. Van den Bosch 1650 L. van den Bosch, Konst-cabinet van Marten Kretzer, uitgegeven door N.
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