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A Young Boy in a Plumed Cap Black Chalk, with Traces of Red Chalk, and Framing Lines in Brown Ink
Jacob Adriaensz. BACKER (Harlingen 1608 - Amsterdam 1651) A Young Boy in a Plumed Cap Black chalk, with traces of red chalk, and framing lines in brown ink. Signed Backer. at the lower right. 168 x 182 mm. (6 5/8 x 7 1/8 in.) This charming drawing is a preparatory study for the pointing child at the extreme left of Jacob Backer’s Family Portrait with Christ Blessing the Children, a painting datable to c.1633-1634. This large canvas was unknown before its first appearance at auction in London in 1974, and is today in a private collection. The present sheet is drawn with a vivacity and a freedom in the application of the chalk that is stylistically indebted to Rembrandt’s chalk drawings of the same period, namely the early 1630s. Drawings executed in black chalk alone are rare in Backer’s oeuvre, but this drawing may be compared in particular to a signed and dated Self-Portrait in black chalk by Backer of 1638, in the Albertina in Vienna. A black chalk study of A Man in a Turban, in the Boijmans-van Beuningen Museum in Rotterdam, may also be likened to the present sheet. Provenance: Probably by descent to the artists’s brother, Tjerk Adriaensz. Backer, Amsterdam Iohan Quirijn van Regteren Altena, Amsterdam (his posthumous sale stamp [Lugt 4617] stamped on the backing sheet) Thence by descent. Literature: Werner Sumowski, Drawings of the Rembrandt School, Vol.I, New York, 1979, pp.20-21, no.3 (where dated to the mid-1630s), and also pp.46-47, under nos.16x and 17x, p.52, under no.19x and p.54, under no.20x; Werner Sumowksi, Gemälde der Rembrandt-Schüler, Landau/Pfalz, 1983, Vol.I, p.203, under no.72; Peter van den Brink, ‘Uitmuntend Schilder in het Groot: De schilder en tekenaar Jacob Adriansz. -
The Leiden Collection Catalogue, 3Rd Ed
Govaert Flinck (Kleve 1615 – 1660 Amsterdam) How to cite Bakker, Piet. “Govaert Flinck” (2017). In The Leiden Collection Catalogue, 3rd ed. Edited by Arthur K. Wheelock Jr. and Lara Yeager-Crasselt. New York, 2020–. https://theleidencollection.com/artists/govaert- flinck/ (accessed September 27, 2021). A PDF of every version of this biography is available in this Online Catalogue's Archive, and the Archive is managed by a permanent URL. New versions are added only when a substantive change to the narrative occurs. © 2021 The Leiden Collection Powered by TCPDF (www.tcpdf.org) Govaert Flinck Page 2 of 8 Govaert Flinck was born in the German city of Kleve, not far from the Dutch city of Nijmegen, on 25 January 1615. His merchant father, Teunis Govaertsz Flinck, was clearly prosperous, because in 1625 he was appointed steward of Kleve, a position reserved for men of stature.[1] That Flinck would become a painter was not apparent in his early years; in fact, according to Arnold Houbraken, the odds were against his pursuit of that interest. Teunis considered such a career unseemly and apprenticed his son to a cloth merchant. Flinck, however, never stopped drawing, and a fortunate incident changed his fate. According to Houbraken, “Lambert Jacobsz, [a] Mennonite, or Baptist teacher of Leeuwarden in Friesland, came to preach in Kleve and visit his fellow believers in the area.”[2] Lambert Jacobsz (ca. 1598–1636) was also a famous Mennonite painter, and he persuaded Flinck’s father that the artist’s profession was a respectable one. Around 1629, Govaert accompanied Lambert to Leeuwarden to train as a painter.[3] In Lambert’s workshop Flinck met the slightly older Jacob Adriaensz Backer (1608–51), with whom he became lifelong friends. -
The Drawings of Cornelis Visscher (1628/9-1658) John Charleton
The Drawings of Cornelis Visscher (1628/9-1658) John Charleton Hawley III Jamaica Plain, MA M.A., History of Art, Institute of Fine Arts – New York University, 2010 B.A., Art History and History, College of William and Mary, 2008 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of Art and Architectural History University of Virginia May, 2015 _______________________________________ _______________________________________ _______________________________________ _______________________________________ Table of Contents Abstract ............................................................................................................................................. i Acknowledgements.......................................................................................................................... ii Introduction ..................................................................................................................................... 1 Chapter 1: The Life of Cornelis Visscher .......................................................................................... 3 Early Life and Family .................................................................................................................... 4 Artistic Training and Guild Membership ...................................................................................... 9 Move to Amsterdam ................................................................................................................. -
Den Uyl, Lay-Out
UvA-DARE (Digital Academic Repository) Joop den Uyl 1919-1987 : dromer en doordouwer Bleich, A. Publication date 2008 Link to publication Citation for published version (APA): Bleich, A. (2008). Joop den Uyl 1919-1987 : dromer en doordouwer. Uitgeverij Balans. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:28 Sep 2021 Den Uyl-revisie 18-01-2008 10:08 Pagina 172 Hoofdstuk 7 Manhattan aan de Amstel ‘Willen we onszelf blijven dan moeten we constant veranderen de toekomst start vandaag kom mee.’ WillemSandberg1 ‘De toekomst komt over ons in plaats dat we ze vormen. De verstedelijking wordt niet geleid als een Deltaplan.’ Joop den Uyl2 AandepaarjaaralswethouderinAmsterdamdachtJoopdenUylachter- af met grote voldoening terug. Zozeer zelfs dat een van de weinige func- ties die hij tegen het eind van zijn loopbaan stilletjes nog ambieerde die van burgemeester van de hoofdstad was. -
'Een Democratische Formatie?'
‘Een democratische formatie?’ Onderzoek naar het debat over de spanning tussen openbaarheid en beslotenheid van kabinetsformaties tussen 1970 en 2012 Masterscriptie Lisa van Bussel Universiteit Leiden S1585355 14 juli 2016 prof. Dr. Henk te Velde en Elisabeth Dieterman aantal woorden: 31013 Inhoudsopgave Inleiding 2 Hoofdstuk 1 Arguing and Bargaining 10 Hoofdstuk 2 De besloten formatie 13 Hoofdstuk 3 De schriftelijke formatie 18 Hoofdstuk 4 De tegenstrijdige formatie 26 Hoofdstuk 5 De snelle formatie 35 Hoofdstuk 6 De functionele formatie 42 Hoofdstuk 7 De anti-paarse formatie 50 Hoofdstuk 8 De nieuwe formatie 59 Conclusie Een democratische formatie? 68 Epiloog 78 Literatuurlijst 82 2 Inleiding Openbaarheid zal door elke politicus onderstreept worden als kernbegrip binnen het politieke stelsel van Nederland. Openbaarheid is belangrijk als het gaat om informatievoorziening naar het parlement of de burger, maar heeft nog een andere functionele waarde. Wanneer besluitvorming openbaar plaatsvindt, kunnen buitenstaanders zich identificeren met het proces. In het geval bepaalde afwegingen achteraf toch slechte keuzes geweest blijken te zijn kan er terug gegrepen worden op het transparante proces waaraan iedereen op een bepaalde manier heeft kunnen deelnemen. Maar waarom gebeurt dit dan niet altijd? Als een transparant proces van totstandkoming van besluiten of akkoorden achteraf een hoop ellende wegneemt, waarom worden er dan ook regelmatig radiostiltes afgesproken? Openbaarheid van politieke processen is al lange tijd een thema in Nederland. Johan Rudolf Thorbecke, vormgever van de grondwetswijziging van 1848, had openbaarheid al hoog in het vaandel staan en omschreef het als: ‘Openbaarheid dat is; de groote algemene school van politieke opvoeding.’1 De grondwetswijziging van 1848 stond niet alleen in het teken van de invoering van ministeriële verantwoordelijkheid, maar ook van het creëren van openbaarheid. -
From Squatting to Tactical Media Art in the Netherlands, 1979–1993
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 5-2019 Between the Cracks: From Squatting to Tactical Media Art in the Netherlands, 1979–1993 Amanda S. Wasielewski The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/3125 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] BETWEEN THE CRACKS: FROM SQUATTING TO TACTICAL MEDIA ART IN THE NETHERLANDS, 1979–1993 by AMANDA WASIELEWSKI A dissertation submitted to the Graduate Faculty in Art History in partiaL fulfiLLment of the requirements for the degree of Doctor of PhiLosophy, The City University of New York 2019 © 2019 AMANDA WASIELEWSKI ALL Rights Reserved ii Between the Cracks: From Squatting to TacticaL Media Art in the Netherlands, 1979–1993 by Amanda WasieLewski This manuscript has been read and accepted for the Graduate Faculty in Art History in satisfaction of the dissertation requirement for the degree of Doctor of PhiLosophy. Date David JoseLit Chair of Examining Committee Date RacheL Kousser Executive Officer Supervisory Committee: Marta Gutman Lev Manovich Marga van MecheLen THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Between the Cracks: From Squatting to TacticaL Media Art in the Netherlands, 1979–1993 by Amanda WasieLewski Advisor: David JoseLit In the early 1980s, Amsterdam was a battLeground. During this time, conflicts between squatters, property owners, and the police frequentLy escaLated into fulL-scaLe riots. -
Beeldmateriaal Kraakbeweging 1980 Aanwezig Bij Het Nederlands Instituut Voor Beeld En Geluid
Beeldmateriaal kraakbeweging 1980 aanwezig bij het Nederlands Instituut voor Beeld en Geluid 1980 DOCID: 19957 COLLECTIE: Polygoon Hollands Nieuws TITEL: LEGER EN ME INGEZET BIJ ONTRUIMING KRAAKPAND IN AMSTERDAM OPNAMEDATUM: 1980-00-00 (exacte datum onbekend) BEGIN-EINDTIJD: 00:47:44 - 00:50:47 TIJDSDUUR: 3'03" (87 mtr.) DRAGERNUMMER: 80-11 {wknr.} 80023 {negatiefnr.} TDP470 {DIGI-BETA} VP470 {VHS} GENRE: journaal TECHN-GEGEVENS: Materiaal: zw/w Film : 35mm Geluid : CO BESCHRIJVING: In Amsterdam zijn het leger, de ME en de politie ingezet bij de ontruiming van een kraakpand aan de Vondelstraat. De hoge barricades die de krakers hadden opgeworpen, werden door tanks omver gereden. SHOTS: krakers werpen barricades op met stoeptegels en bouwketen; bandweer blust brand in naburig kantoorgebouw; dagjesmensen komen massaal kijken naar de barricades; tank rijdt brandende barricade omver, gevolgd door ME en rijkspolitie; bulldozers ruimen barricades op, waaronder auto's, verlaten Vondelstraat na afloop. TREFWOORDEN: krakers; mobiele eenheid; tanks; versperringen LOCATIES: Amsterdam; Nederland MAKER-FUNCTIE: Bloemendal, Philip {commentaar} DOCID: 171148 COLLECTIE: Televisie Journaal TITEL: JOURNAAL ZENDGEMACHTIGDE: NOS OPNAMEDATUM: 1980-01-00 TIJDSDUUR: 8'35" DRAGERNUMMER: K64622 {FILM} GENRE: journaal BESCHRIJVING: Ext. gekraakte panden "De Groote Keyser" in Amsterdam: op de daken; kleine relletjes + charge politie met enkele "krakers" + arrestaties; gedrentel voor "Groote Keyser"; ext. "Groote Keyser". TREFWOORDEN: krakers; politie NAMEN: De Groote -
Catalogue of the Exhibited at the Kleinberger Galleries
CATALOGUE of the Exhibited at the Kleinber ger Galleries n Y I New ork , 709 Fifth Avenue Novemb er-De ember 1 c , 913 GALLERIES Esta blished 1848 ’ 9 Rue de I Echelle 709 Fifth Avenue 228 4 6 P R E F A C E H IS Catalog ue is an extract of the Ca ta lo de L a me wr tten b D r g i y . Wilhelm B ode D rector- ener l , i G a of the Kaiser- Friedrich- Museum in Berlin and ubl shed b Jul us Bar Berl n p i y i d, i . The atalo ue de Luxe th 8 Co er late C g , wi 7 pp p en rav n s l m ted to 200 co es is for sale at the g i g , i i pi , le nber er aller es New York and Par s and F . K i g G i , i , Berl n Julius Bard i . The P a inting s described in this Ca ta log u e a re leinber er alleries r a t a l a t t e F . K G fo p riv e s e h g , obta in d where p rices and p articula rs can be e . The m easurements of the painting s are g iven The terms without frames and in centim etres. “ ” “ ” rig ht and left are to be understood from the ’ e a or o nt of e sp ct t s p i vi w . The entire Collection will be on view between November 24th and D ecember 15th at the F . -
On the Waterfront 5 1
{ 1 } INTERNATIONAAL INSTITUUT VOOR SOCIALE GESCHIEDENIS INTERNATIONAL INSTITUTE OF SOCIAL HISTORY On the Waterfront the On n e w s l e t t e r n o . 1 5 of the friends of the iish 2 0 0 7 on the waterfront 15 · 2007 on the waterfront 15 · 2007 Introduction f r o n t p a g e : The highlight of this issue may be the report of the meeting on 21 June, which after all was initi- f r o n t c o v e r ated by Gilles Borrie, one of our original Friends. His tremendous involvement in the Partij van de o f t h e Arbeid (PvdA, the Social Democratic Party of the Netherlands) politics, combined with his schol- I l l u s t r i e r t e arly-historical interest in this subject, led him to suggest the history of local social democracy as Ge s c h i c h t e the subject for this day. It has been elaborated here for the Netherlands and for Amsterdam in par- d e r d e u t - ticular, although the Dutch experiences undoubtedly have a far broader validity. We hope that our s c h e n r e v o - foreign friends and readers will identify with the stories of prominent PvdA officials, such as Gilles l u t i o n , s e e Borrie (who served as mayor of Eindhoven, in addition to other offices) and Ed van Thijn (who was p a g e 6 mayor of Amsterdam and later a minister in the Dutch government). -
Silvio with the Wounded Dorinda
National Gallery of Art NATIONAL GALLERY OF ART ONLINE EDITIONS Dutch Paintings of the Seventeenth Century Louis Vallée Dutch, died 1653 Silvio with the Wounded Dorinda 165(1)? oil on canvas overall: 105.1 × 175.2 cm (41 3/8 × 69 in.) framed: 129.54 × 200.66 × 8.89 cm (51 × 79 × 3 1/2 in.) Inscription: lower right to left of arrow sheaf: Loiy[s] Vallee. / f [1]65[1?] Gift of Patricia Bauman and the Honorable John Landrum Bryant 2000.114.1 ENTRY Louis Vallée drew this subject from Giovanni Battista Guarini’s late sixteenth- century tragicomedy Il Pastor Fido, a pastoral play that glorified arcadian life and had far-ranging effects in art and literature in France, Flanders, and the Netherlands. [1] Its intricate plot focuses on the love between the shepherd Mirtillo and the nymph Amarillis, who, by paternal arrangement, was betrothed to Silvio. The scene Vallée has depicted, however, is the culmination of the subplot, which centers on the nymph Dorinda’s love for Silvio, Amarillis’ intended. In the play, Silvio shows nothing but disdain for Dorinda and cares only for the hunt. Dorinda, not showing the best judgment, decides to disguise herself with a wolf skin and follow her beloved on the hunt. Silvio, mistaking Dorinda for an animal, inadvertently shoots and wounds her with an arrow. Vallée depicts the moment when Dorinda, having emerged from the bushes where she had been hiding, has fallen into the arms of the aged Linco, who always cared for her as a second father. In Guarini’s telling, the distraught Silvio, suddenly realizing he is in love with Dorinda, gives her the arrow so that she can exact revenge by taking his life in return. -
Rembrandt: Britain's Discovery of the Master
Rembrandt: Britain's Discovery of the Master 2018-07-07 2018-10-14 Objects proposed for protection under Part Six of the Tribunals, Courts and Enforcement Act 2007 (Protections of cultural objects on loan from outside the UK). Albertina Museum, Albertinaplatz 1, Vienna A-1010 Austria Type of work: Drawing Title: View of Windsor Castle Date Created: About 1640 Maker: Rembrandt (Rembrandt Harmensz van Rijn) Maker dates: 1606 - 1669 Nationality: Dutch Dimensions: 18.30 x 29.70 cm Materials: Pen and brown ink, brown wash and traces of black chalk on paper Identifying None marks: Place of Amsterdam manufacture: Ownership This object has a complete ownership history from the beginning of the year 1933 to the end of the year 1933 - 1945: 1945. Provenance: A.-J. Dezallier d’Argenville [L.2951], by 1765; Moritz von Fries, Vienna and Paris [Lugt 2903]; Duke Albert of Saxe-Teschen, by 1822. Exhibition Not recorded history: Publications Otto Benesch, The Drawings of Rembrandt, 6 vols, London, 1954-1957, 2nd edn, enlarged and edited by history: Eva Benesch, London and New York, 1973, no.786; Holm Bevers, ‘Review of: Peter Schatborn, Rembrandt and His Pupils: Drawings in the Frits Lugt Collection’, Master Drawings, 2012, vol.50, no.3, pp. 402-04; Peter Schatborn and Leonore van Sloten, Old Drawings, New Names: Rembrandt and his Contemporaries, exh. cat., Amsterdam (Museum het Rembrandthuis), 2014, pp.106-09 Page 1 of 16 Type of work: Drawing Title: View of London with Old St Paul's Date Created: About 1640 Maker: Rembrandt (Rembrandt Harmensz van Rijn) Maker dates: 1606 - 1669 Nationality: Dutch Dimensions: 17.70 x 32.10 cm Materials: Pen and brown ink, brown wash and some black chalk on paper Identifying None marks: Place of Amsterdam manufacture: Ownership This object has a complete ownership history from the beginning of the year 1933 to the end of the year 1933 - 1945: 1945. -
In Tijden Van Crisis
Jaarboek Parlementaire Geschiedenis 2009 In tijden van crisis Boom Jaarboek Parlementaire Geschiedenis 2009 In tijden van crisis Jaarboek Parlementaire Geschiedenis In van crisis Redactie: C.C. van Baaien W. Breedveld M.H.C.H. Leenders J.C.F.J. van M erriënboer J.J.M. Ramakers J.J.B. Turpijn Centrum voor Parlementaire Geschiedenis, Nijmegen Boom - Amsterdam Foto omslag: Martijn Beekman, Den Haag Omslag en binnenwerk: Boekhorst Design, Culemborg © 2009 Centrum voor Parlementaire Geschiedenis, Nijmegen Behoudens de in of krachtens de Auteurswet van 1912 gestelde uitzonderingen mag niets uit deze uitgave worden verveelvoudigd, opgeslagen in een geautomatiseerd gegevensbestand, of openbaar gemaakt, in enige vorm of op enige wijze, hetzij elektronisch, mechanisch door fotokopieën, opnamen of enig andere manier, zonder voorafgaande schriftelijke toestem ming van de uitgever. No part ofthis book may be reproduced in any way whatsoever without the written permission of the publisher. isbn 978 90 8506 806 8 nur 680,697 www.uitgeverijboom.nl Inhoud Lijst van afkortingen 7 Ten geleide 11 Artikelen 13 Uri Rosenthal, Crises en parlementaire bemoeienis. Hoe de regering regeert, het heft in 15 handen houdt en de Kamer het nakijken geeft Hardy Beekelaar, Uitvinding en herijking. Crises in het Nederlandse politieke bestel 27 tussen 1795 en 1848 Herman Langeveld, Grotendeels buitenspel. Het Nederlandse parlement en de crisis 37 van de jaren dertig van de twintigste eeuw Ruud Koole, Le culte de 1’incompétence! Antipolitiek, populisme en de kritiek op het 47 Nederlandse parlementaire stelsel Peter van Griensven, De zure appel in tijden van economische crisis 59 Jan Ramakers en Jouke Turpijn, De Crisiscanon 73 Bert van den Braak, Geen zelfreflectie, maar zelfbewustzijn.