Jennifer Frautschi, Violin

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Jennifer Frautschi, Violin Two-time GRAMMY nominee and Avery Fisher career grant recipient Jennifer Frautschi appears this season as soloist with the Cincinatti Symphony Orchestra, performs a ‘reimagining’ of Vivaldi’s Four Seasons with Asheville Symphony, and gives two repeat performances of the James Stephenson’s Violin Concerto, a work she premiered with Minnesota Orchestra and Osmo Vänskä, at the Cabrillo Festival and Elgin Symphony. She will also perform with the Brevard, Des Moines, Elgin, Kalamazoo, Santa Barbara, and Wheeling Symphonies, as well as at the Seattle Chamber Music Society’s Winter Festival, Chanel’s Pygmalion Series in Tokyo, and the St. Barth’s Music Festival. Ms. Frautschi has appeared as soloist with Pierre Boulez and the Los Angeles Philharmonic, Christoph Eschenbach and the Chicago Symphony Orchestra at the Ravinia Festival, and at Wigmore Hall and Lincoln Center's Mostly Mozart Festival. As a chamber artist she has appeared at the Boston and Lincoln Center Chamber Music Societies; the Cape Cod, Charlottesville, Lake Champlain, La Musica (Sarasota), Moab, Newport, Ojai, Salt Bay, Santa Fe, Seattle, and Spoleto Chamber Music Festivals; Bravo! Vail, Chamber Music Northwest, La Jolla Summerfest, and Music@Menlo. Her discography includes the Stravinsky Violin Concerto with the Philharmonia Orchestra, and two GRAMMY-nominated recordings of Schoenberg's Concerto for String Quartet and Orchestra and the Schoenberg Third String Quartet. Recent releases include a recording of Romantic Horn Trios, with hornist Eric Ruske and pianist Stephen Prutsman, and the Stravinsky Duo Concertant with pianist Jeremy Denk. In the last two years she has released two discs on Albany: the first devoted to the Schumann sonatas; the second an exploration of recent additions to the violin and piano repertoire by American composers. Ms. Frautschi performs on a 1722 Antonio Stradivarius violin known as the "ex-Cadiz," on generous loan from a private American foundation. Photo credit for all images: Lisa-Marie Mazzucco .

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THE KLEIN COMPETITION 2021 JUNE 5 & 6 The 36th Annual Irving M. Klein International String Competition TABLE OF CONTENTS Board of Directors Dexter Lowry, President Katherine Cass, Vice President Lian Ophir, Treasurer Ruth Short, Secretary Susan Bates Richard Festinger Peter Gelfand 2 4 5 Kevin Jim Mitchell Sardou Klein Welcome The Visionary The Prizes Tessa Lark Stephanie Leung Marcy Straw, ex officio Lee-Lan Yip Board Emerita 6 7 8 Judith Preves Anderson The Judges/Judging The Mentor Commissioned Works 9 10 11 Competition Format Past Winners About California Music Center Marcy Straw, Executive Director Mitchell Sardou Klein, Artistic Director for the Klein Competition 12 18 22 californiamusiccenter.org [email protected] Artist Programs Artist Biographies Donor Appreciation 415.252.1122 On the cover: 21 25 violinist Gabrielle Després, First Prize winner 2020 In Memory Upcoming Performances On this page: cellist Jiaxun Yao, Second Prize winner 2020 WELCOME WELCOME Welcome to the 36th Annual This year’s distinguished jury includes: Charles Castleman (active violin Irving M. Klein International performer/pedagogue and professor at the University of Miami), Glenn String Competition! This is Dicterow (former New York Philharmonic concertmaster and faculty the second, and we hope the member at the USC Thornton School of Music), Karen Dreyfus (violist, last virtual Klein Competition Associate Professor at the USC Thornton School of Music and the weekend. We have every Manhattan School of Music), our composer, Sakari Dixon Vanderveer, expectation that next June Daniel Stewart (Music Director of the Santa Cruz Symphony and Wattis we will be back live, with Music Director of the San Francisco Symphony Youth Orchestra), Ian our devoted audience in Swensen (Chair of the Violin Faculty at the San Francisco Conservatory attendance, at the San of Music), and Barbara Day Turner (Music Director of the San José Francisco Conservatory.
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MEDIA RELEASE July 18, 2005 for Immediate Release Editorial Contact: Kate Scorza Ingram [email protected] (For Editorial Purposes Only)
MEDIA RELEASE July 18, 2005 For immediate release Editorial Contact: Kate Scorza Ingram [email protected] (for editorial purposes only) Chestnut Hill Concerts presents Jennifer Frautschi, Marcus Thompson, Ronald Thomas, and Mihae Lee At 8 p.m. Friday, August 26, 2005, Chestnut Hill Concerts, Ronald Thomas, Artistic Director, presents Mozart’s Piano Trio in B-flat Major, K. 502; Shostakovich’s Viola Sonata; and Faure’s Piano Quartet in C minor, Op. 15. The performers will be: Jennifer Frautschi, violin; Marcus Thompson, viola; Ronald Thomas, cello; Mihae Lee, piano. The concert will be held at the First Congregational Church of Madison (26 Meetinghouse Lane, Madison, CT). Single tickets are $25, $20 and $15, $8 students (Kids Come Free!). Pre-concert picnic suppers prepared by Anna’s (New Haven) are available for $17 each. For information, call (203) 245-5736 or www.chestnuthillconcerts.org. Chestnut Hill Concerts receives financial support from the Connecticut Commission on Culture and Tourism, Evergreen Woods, Stop & Shop, and Yale-New Haven Hospital. Born in Pasadena, California, violinist JENNIFER FRAUTSCHI began the violin at age three. Ms. Frautschi made her Chicago Symphony Orchestra debut in August 2002 under the baton of Christoph Eschenbach at the Ravinia Festival. Other recent orchestral appearances include the opening concert of the Mostly Mozart Festival in New York City, and performances with the Indianapolis, Pasadena, Madison, Delaware, and Charleston Symphony Orchestras, and the Filarmonica de la Ciudad de Mexico. She has appeared in recital at Ravinia Festival’s Rising Stars Series, the Phillips Collection in Washington, D.C., the Gardner Museum in Boston, and La Jolla Chamber Music Society’s Discovery series.
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Igor Stravinsky
A PORTRAIT Igor Stravinsky 1882–1971 Igor Stravinsky: A Portrait Preface Among the carefully adapted transcriptions of conversations between the veteran Stravinsky and Robert Craft, there is one especially telling passage. Referring to his 1920 ballet Pulcinella, the composer recalls the reaction to his arrangements of Pergolesi and other eighteenth-century musicians: People who had never heard of, or cared about, the originals cried ‘sacrilege’: ‘The classics are ours. Leave the classics alone.’ To them all my answer was and is the same: You ‘respect’, but I love. A great genius’s love for all his models is what lies at the heart of Stravinsky’s creativity. (It is worth noting that although he was apt to put inverted commas around the word ‘heart’, Stravinsky leaves the word ‘love’ to stand unqualified in the above quotation.) He made everything he touched become his own, whether it was the lush nationalist influence of his teacher Rimsky-Korsakov, or the extreme refinement of Anton Webern, whose music he discovered so late in life. No theme was deemed too cheap or outlandish a subject for transformation, and his inspiration was wide-ranging. Prokofiev thought him a disgraceful thief for pilfering other ballet composers’ ideas in Apollo, but Stravinsky’s genuine admiration for composers as unlikely as Gounod and Delibes was unlimited. Hungarian and Greek folk music, the antics of the music hall 4 Igor Stravinsky: A Portrait entertainer Little Tich, and the jazz trumpeting of Shorty Rogers: all these were grist to his creative mill. As the awed conductors who welcomed the eighty-year-old Stravinsky back to Russia so eloquently wrote at the time, the only figure with whom he could be compared was Picasso.
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New Jersey Symphony Orchestra Welcomes Next Music Director Xian Zhang for Tchaikovsky’S Symphony No
National & NYC Press Contact: Dan Dutcher Public Relations Dan Dutcher | 917.566.8413 | [email protected] New Jersey Press Contact: Victoria McCabe, NJSO Communications and External Affairs 973.735.1715 | [email protected] www.njsymphony.org/pressroom FOR IMMEDIATE RELEASE New Jersey Symphony Orchestra welcomes next Music Director Xian Zhang for Tchaikovsky’s Symphony No. 4 Jennifer Frautschi performs Barber’s Violin Concerto Program also features Tchaikovsky’s Marche Slave NJSO Accents include #OrchestraYou, Classical Conversations Thu, Apr 7, at NJPAC in Newark Fri, Apr 8, at NJPAC in Newark Sat, Apr 9, at Count Basie Theatre in Red Bank Sun, Apr 10, at Mayo Performing Arts Center in Morristown NEWARK, NJ (March 2, 2016)—The New Jersey Symphony Orchestra welcomes next Music Director Xian Zhang for concerts featuring Tchaikovsky’s Fourth Symphony, April 7–10 in Newark, Red Bank and Morristown. Jennifer Frautschi performs Barber’s Violin Concerto on a program that opens with Tchaikovsky’s Marche Slave. Performances take place on Thursday, April 7, at 1:30 pm and Friday, April 8, at 8 pm at the New Jersey Performing Arts Center in Newark; Saturday, April 9, at 8 pm at the Count Basie Theatre in Red Bank and Sunday, April 10, at 3 pm at the Mayo Performing Arts Center in Morristown. These performances mark Zhang’s first with the NJSO since her appointment as the Orchestra’s next music director—a position she will assume in September. “I’m very excited for these concerts for many reasons,” Zhang says. “These are my first concerts after the announcement, and Tchaikovsky is one of my favorite composers.
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String Competition
e v e n t s • performances • exhibitions at san francisco state university irving m. klein international STRING competition silver anniversary 1 9 8 6 - 2 0 1 0 anniversary concert june 10, 8pm semifinals june 12, 10am-4pm finals june 13, 4pm college of creative arts san francisco state university creativearts.sfsu.edu from the director celebrate music 25 years strong san francisco state university Twenty-five years ago, colleagues, friends, college of creative arts and family of Irving M. Klein gathered to create a memorial to him that would serve the and the california music center young musicians of high school, college and present the 25th annual conservatory age who had been the focus of my father’s dedicated teaching after he retired from the Claremont String Quartet. We agreed to irving m. klein present a world-class string competition for young artists, ages 15 to 23, conducted in a manner that international string competition would afford the players the most supportive and respectful opportunity to perform at their best with our distinguished judges and to enhance their careers. Now, a quarter century later, we are thrilled to michael gelfand present a 25th anniversary celebration, including peter gelfand a special concert with eminent artists (and marc gottlieb long-time supporters of the Competition): the alan grishman Alexander String Quartet, the Cypress String dick hyman Quartet, Jon Nakamatsu and two recent first prize byung-woo kim winners who are already achieving superb musical careers, Tessa Lark and David Requiro. Then, for jennifer kloetzel the 25th time, we will hear eight magnificent and very individual young string joshua kosman players in the two scintillating days of the competition.
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JENNIFER FRAUTSCHI Violin
JENNIFER FRAUTSCHI Violin Two-time GRAMMY nominee and Avery Fisher career grant recipient Jennifer Frautschi has garnered worldwide acclaim as an adventurous musician with a remarkably wide-ranging repertoire. As the Chicago Tribune noted, "violinist Jennifer Frautschi is molding a career with smart interpretations of both warhorses and rarities." Equally at home in the classic and contemporary repertoire, her recent seasons have featured innumerable performances and recordings of works ranging from Brahms and Schumann to Berg and Schoenberg. She has also had the privilege of premiering several new works composed for her by prominent composers of today. Ms. Frautschi has appeared as soloist with Pierre Boulez and the Los Angeles Philharmonic, Christoph Eschenbach and the Chicago Symphony Orchestra at the Ravinia Festival, and at Wigmore Hall and Lincoln Center's Mostly Mozart Festival. Selected by Carnegie Hall for its Distinctive Debuts series, she made her New York recital debut in 2004. As part of the European Concert Hall Organization's Rising Stars series, Ms. Frautschi also made debuts that year at ten of Europe's most celebrated concert venues, including the Salzburg Mozarteum, Vienna Konzerthaus, Amsterdam Concertgebouw, La Cité de la Musique in Paris, and Brussels’ Théâtre Royal de la Monnaie. She has also been heard in recital at the Ravinia Festival, La Jolla Chamber Music Society, Washington's Phillips Collection, Boston's Gardner Museum, Beijing's Imperial Garden, Monnaie Opera in Brussels, La Chaux des Fonds in Switzerland, and San Miguel de Allende Festival in Mexico. Ms. Frautschi’s 2015-16 season features performances with the Boston Philharmonic, New Jersey Symphony, Norwalk and Valdosta Symphonies; re-engagements with the Austin, Boise, Pasadena, Pensacola, and Toledo Symphonies; and chamber music appearances at the Library of Congress and Duke University.
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String Competition
e v e n t s • performances • exhibitions at san francisco state university 26th annual irving m. klein international string competition JUNE 4-5, 2011 semifinals june 4, 10am-4pm finals june 5, 4pm knuth hall college of creative arts san francisco state university creativearts.sfsu.edu welcome from the director from the dean We welcome you to the 26th Annual Irving M. Klein A year ago, after decades of being partners, the Klein International String Competition at the College of Competition became a part of the SF State family. We Creative Arts of San Francisco State University. Last year hope that to anyone who has followed the competition the we celebrated the 25th consecutive year of presenting differences are imperceptible. It is our aspiration that the some of the world’s most extraordinary young musical event, itself, is almost unchanged. artists in exhilarating performances in San Francisco. What is changed, is that both higher education and non- Appropriately for such a milestone event, internationally profit arts are seriously challenged by hard financial times celebrated musicians honored us with their support, and and younger constituencies bringing new expectations. It is many Klein Competition alumni who have established really only possible to do more with less for so long, and then worldwide prominence joined in the celebration. decline begins. SF State and the California Music Center (the We begin the next 25 years of the Klein Competition this weekend, with nine parent group for the Klein Competition) have explored a different route: Rather than remarkable and highly individual musical artists performing a wide variety of music trying to do more with less, we are trying to do more together.
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Richard Yongjae O'neill and Friends
ARTIST-IN-RESIDENCE Richard Yongjae O’Neill and Friends LA Masters SUN / MAY 26 / 2:00 PM Richard Yongjae O’Neill VIOLA Molly Morkoski, Orion Weiss PIANO Jennifer Frautschi, Jesse Mills VIOLIN Fred Sherry CELLO PROGRAM Arnold Schoenberg (1874-1951) String Quartet No. 3, Op. 30 i. Moderato ii. Adagio iii. Intermezzo. Allegro moderato iv. Rondo. Molto moderato (Frantschi, Mills, O’Neill, Sherry) John Harbison (b. 1938) Viola Sonata (2018) i. Resolution ii. Passage iii. Night Piece iv. Certainties, Uncertainties v. Questions vi. Answers (O’Neill, Morkowski) Intermission Igor Stravinsky (1882-1971) Concertino for String Quartet (Mills, Frantschi, O’Neill, Sherry) Johannes Brahms (1833-1897) Piano Quintet, Op. 34 i. Allegro non troppo ii. Andante, un poco Adagio iii. Scherzo. Allegro iv. Finale. Poco sostenuto – Allegro non troppo (Weiss, Mills, Frantschi, O’Neill, Sherry) PERFORMANCES MAGAZINE 10 ABOUT THE ARTISTS Violist RICHARD YONGJAE O’NEILL, Gilbert Kalish. Molly lives in New York Two-time GRAMMY®-nominated EMMY® Award winner, two-time City and is an Associate Professor at violinist JESSE MILLS enjoys GRAMMY® nominee and Avery Fisher Lehman College in the Bronx. performing music of many genres, Career Grant recipient, has appeared from classical to contemporary, as as soloist with the London, One of the most sought-after soloists well as composed and improvised Los Angeles and Seoul Philharmonics; in his generation of young American music of his own invention. He BBC, KBS and Hiroshima Symphony musicians, pianist ORION WEISS has graduated with a Bachelor of Music Orchestra; and the Wurttemburg, performed with the major American degree from The Juilliard School in Vienna and Kremerata Baltica orchestras, including the Chicago 2001.
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Eric Ruske Jennifer Frautschi Gloria Chien
THE BORIS AND SONYA KROYT MEMORIAL FUND iN tHE lIBRARY oF cONGRESS ERIC RUSKE JENNIFER FRAUTSCHI GLORIA CHIEN Friday, December 11, 2015 ~ 8 pm Coolidge Auditorium Library of Congress, Thomas Jefferson Building The Boris and Sonya Kroyt memorial Fund was established in 1980 by Yanna Kroyt Brandt and Nathan Brandt in memory of Yanna's mother Sonya, and father, Boris Kroyt, the illustrious violist of the famous Budapest String Quartet, to present concerts each year featuring talents of gifted by not yet widely known musicians and to support concert broadcasts and recordings. Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. • Please take note: Unauthorized use of photographic and sound recording equipment is strictly prohibited. Patrons are requested to turn off their cellular phones, alarm watches, and any other noise-making devices that would disrupt the performance. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. Please recycle your programs at the conclusion of the concert. The Library of Congress Coolidge Auditorium Friday, December 11, 2015 — 8 pm THE BORIS AND SONYA KROYT MEMORIAL FUND iN tHE lIBRARY oF cONGRESS ERIC RUSKE, HORN JENNIFER FRAUTSCHI, VIOLIN GLORIA CHIEN, PIANO • Program PAUL HINDEMITH (1895-1963) Sonata for alto horn and piano (1943) Ruhig bewegt Lebhaft Sehr langsam Das Posthorn (Zwiegespräch)—Lebhaft GYöRGY LIGETI (1923-2006) Trio for violin, horn and piano (1982) Andante con tenerezza—Più mosso—a tempo… Vivacissimo molto ritmico Alla Marcia—Più mosso—subito Tempo primo Lamento.
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Concert Programs – 2012-13 Season All Groups
CONCERT PROGRAMS – 2012-13 SEASON ALL GROUPS First Perf. Conductor Program Atlanta Symphony Orchestra Apr. 26, 2013 Michael Christie SCHUBERT: SYMPHONY NO. 7 IN B MINOR, D.759, "UNFINISHED" [OLD NO. 8] MENDELSSOHN: CONCERTO, PIANO, NO. 1, G MINOR, OP.25 [Behzod Abduraimov, piano] WEINBERG: Rhapsodie uber Moldawische Themen, Op. 47 No. 1 Austin Symphony Orchestra Sep. 7, 2012 Peter Bay DVORAK: My Homeland, Op. 62 BRAHMS: CONCERTO, VIOLIN, IN D MAJOR, OP.77 [Midori, violin] SHOSTAKOVICH: SYMPHONY NO. 9, OP. 70 Oct. 19, 2012 Peter Bay TCHAIKOVSKY: CORONATION MARCH TCHAIKOVSKY: CONCERTO, PIANO, NO. 1, OP.23, B FLAT MINOR COPLAND: SYMPHONY NO. 3 Nov. 30, 2012 Peter Bay STRAVINSKY: RITE OF SPRING Jan. 11, 2013 Peter Bay BRAHMS: TRAGIC OVERTURE IN D MINOR, OP.81 BRITTEN: SINFONIA DA REQUIEM, OP.20 BRAHMS: CONCERTO, PIANO, NO. 1 IN D MINOR, OP.15 [Yefim Bronfman, piano] Feb. 22, 2013 Peter Bay BEETHOVEN: LEONORE OVERTURE NO. 1, OPUS 138 BARTOK: CONCERTO, VIOLIN AND ORCHESTRA, NO. 2 [Jennifer Frautschi, violin] SCHUBERT: SYMPHONY NO. 5 IN B-FLAT MAJOR, D.485 Mar. 8, 2013 Peter Bay BEETHOVEN: LEONORE OVERTURE NO. 2, OPUS 72 GINASTERA: CONCERTO, HARP AND ORCHESTRA, OP.25 [Yolanda Kondonassis, harp] SIBELIUS: SYMPHONY NO. 2 IN D MAJOR, OP.43 May 3, 2013 Peter Bay BEETHOVEN: FIDELIO: OVERTURE, OPUS 72 LANSKY: SHAPESHIFTERS, CONCERTO FOR TWO PIANOS [Quattro Mani, piano duo] BEETHOVEN: LEONORE OVERTURE NO. 3, OPUS 72 DELIUS: IRMELIN: PRELUDE FITKIN: Circuit (for Two Pianos and Orchestra) [Quattro Mani, piano duo] May 31, 2013 Peter Bay BERNSTEIN: CANDIDE: OVERTURE HILL: Symphony No.
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Stravinsky:570034Bk Hasse 3/5/07 11:10 AM Page 12
557508bk Stravinsky:570034bk Hasse 3/5/07 11:10 AM Page 12 Jennifer Frautschi Born in Pasadena, California, Jennifer Frautschi began the violin at the age of three. She was a student of Robert Lipsett at the Colburn School for the Performing Arts in Los Angeles. She also attended Harvard, the New England Conservatory of Music, and the Juilliard School, where she studied with Robert Mann. An Avery Fisher Career Grant recipient, Jennifer Frautschi is rapidly gaining acclaim as an adventurous performer with a wide-ranging repertoire. Equally at home in the classic repertoire as well as twentieth and twenty-first century works, in the past few seasons alone she has performed Britten’s Violin Concerto, Poul Ruders’ Concerto No. 1, Steven Mackey’s Violin Sonata, and Mendelssohn’s rarely played Concerto in D minor, along with standard concertos by Mozart, Tchaikovsky and Berg. Selected by STRAVINSKY Carnegie Hall for its Distinctive Débuts series, she made her New York recital début in April 2004. An avid chamber TH musician, Jennifer Frautschi has appeared widely, with performances at the Caramoor International Music Festival, where 125 ANNIVERSARY she has performed annually since André Previn first invited her there as a Rising Star in 1992. She has given premières of important new works by Oliver Knussen, Krzystof Penderecki, Michael Hersch and others, and has recorded for Naxos LBUM a Grammy-nominated recording of Schoenberg’s Concerto for String Quartet and Orchestra, conducted by Robert A Craft who considers her one of the three or four finest violinists on the present musical scene. Jennifer Frautschi performs on a 1722 Antonio Stradivarius violin known as the “ex-Cadiz”, on generous loan to her from a private American foundation.
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String Competition
s a n f r a n c i s c o s t a t e u n i v e r s i t y the 27th annual Irving M. Klein International String Competition june 9-10, 2012 • knuth hall college of liberal & creative arts san francisco state university creativearts . s f s u . e d u welcome from the dean welcome from the artistic director from the dean Welcome to the 27th annual Irving M. Klein International I am proud of the partnership between the College of Liberal & String Competition, presented by California Music Center and Creative Arts and the California Music Center, and proud to welcome San Francisco State University. During these two days you will you to SF State for our collaborative presentation of the 27th annual encounter young musicians who will shape the future of classical Irving M. Klein International String Competition. music. How do we know this? The collective accomplishments of more than 25 years of Klein winners are substantial, and this year’s This competition embodies principles that thrive at our university: body of talent is more evident here in the Bay Area than an appreciation of artistic excellence and creative exploration, ever before. disciplined craft and global reach. This year we are even more The San Francisco Symphony’s American Orchestra Series brought connected. Our own music professor, internationally renowned Klein laureates to the stage of Davies Hall as members—including composer Richard Festinger, created a new composition suite, giving each participant the six who hold principal chairs—of every one of our country’s most iconic musical institutions.
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