Catalogue Officiel De La Place Des Tournées
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P a T R I C K S a V
PATRICK SAVEY REALISATEUR Passionné de rock, de blues, de jazz et de musique classique depuis les temps héroïques d’une pré-adolescence boutonneuse et pas si sage que ça, j’écoute des notes de musique au quotidien depuis maintenant près de 35 ans. Je ne suis pas tombé par hasard dans cette marmite sonore : les guitares de Muddy Waters, BB King, Jimi Hendrix… Les trompettes de Miles Davis, Chet Baker, Dizzy Gillepsie… Les voix d’Iggy Pop, Ella Fitzgerald… Les rythmes et tambours de John Bonham, Art Blakey, Billy Cobham… Les saxophones de Charlie Parker, Stan Getz, John Coltrane… Les violons de Stéphane Grappelli, Yehudi Menuhin… Les textes de Serge Gainsbourg, Jacques Brel, Bob Dylan… Entre autres, m’ont fait succombé dès la première écoute. Ils m’ont apporté tant de bonheur ! Ils m’ont ouvert les oreilles et montré le chemin. Dans cette bouillante marmite qui fleure bon les barbecues en plein air des bords du Mississipi, les décibels lourds de Détroit, le souffle sulfureux du dragon Fafner de Bayreuth ou la plantureuse « soul food » palpitante des ghettos de Chicago, Los Angeles ou Houston, je suis allé nourrir mon âme et m’y suis immergé comme un rescapé du désert qui découvre enfin l’oasis inespérée. Perdu dans un monde austère où l’obscurantisme, l’égoïsme et la violence règnent en maître, nombreux sont ceux parmi nous pour qui la musique est apparue comme l’ultime potion magique, l’élixir par excellence, la nourriture céleste du corps et de l’esprit. Nous nous retrouvons dans les concerts, nous nous côtoyons chez les disquaires, nous tchatons sur le web. -
O Porquê Da Existência De Festivais Punk Na Europa
Paulo Bettencourt Lemos A INDUSTRIALIZAÇÃO DO MOVIMENTO PUNK Relatório de estágio em Comunicação e Jornalismo, orientado pelo Doutor Carlos Camponez, apresentado ao Departamento de Informação, Comunicação e Filosofia da Faculdade de Letras da Universidade de Coimbra Julho de 2014 1 Faculdade de Letras A INDUSTRIALIZAÇÃO DO MOVIMENTO PUNK Ficha Técnica: Tipo de trabalho Relatório de estágio Título A INDUSTRIALIZAÇÃO DO MOVIMENTO PUNK Autor Paulo Bettencourt Lemos Orientador Doutor Carlos Camponez Júri Presidente: Vogais: 1. 2. Identificação do Curso 2º Ciclo em Comunicação e Jornalismo Data da defesa Classificação 2 Resumo Embora o Punk tenha surgido em finais da década de 70 como uma contra-cultura revolucionária que se opôs aos valores sociais vigentes da sociedade inglesa, rapidamente a indústria absorveu este movimento social. A atual aceitação social da prévia rebeldia Punk deu-se através da sua comercialização, onde foi possível ao mainstream suavizar os seus aspetos mais agressivos popularizando assim agrupamentos musicais do género. A vulgarização do Punk ocorreu deste modo através da incorporação comercial da sua música e estética. Neste relatório de estágio reflete-se sobre o papel e a influência da indústria no Punk. Através de uma análise ao festival Mighty Sounds, compreenderemos como a comercialização desta tribo urbana tornou este fenómeno facilmente reconhecido a nível mundial e qual o impacto da indústria nos movimentos do underground, desconhecidos pelo grande público, e que se encontram fora dos mediatismos comerciais e noticiosos. Palavras-chave: Mighty Sounds, Punk, Música, Festivais de Verão, República Checa, Praga 3 Abstract Although Punk has emerged in the late 70s as a revolutionary counter-culture that opposed the prevailing social values of English society, the industry quickly absorbed this social movement. -
May • June 2013 Jazz Issue 348
may • june 2013 jazz Issue 348 &blues report now in our 39th year May • June 2013 • Issue 348 Lineup Announced for the 56th Annual Editor & Founder Bill Wahl Monterey Jazz Festival, September 20-22 Headliners Include Diana Krall, Wayne Shorter, Bobby McFerrin, Bob James Layout & Design Bill Wahl & David Sanborn, George Benson, Dave Holland’s PRISM, Orquesta Buena Operations Jim Martin Vista Social Club, Joe Lovano & Dave Douglas: Sound Prints; Clayton- Hamilton Jazz Orchestra, Gregory Porter, and Many More Pilar Martin Contributors Michael Braxton, Mark Cole, Dewey Monterey, CA - Monterey Jazz Forward, Nancy Ann Lee, Peanuts, Festival has announced the star- Wanda Simpson, Mark Smith, Duane studded line up for its 56th annual Verh, Emily Wahl and Ron Wein- Monterey Jazz Festival to be held stock. September 20–22 at the Monterey Fairgrounds. Arena and Grounds Check out our constantly updated Package Tickets go on sale on to the website. Now you can search for general public on May 21. Single Day CD Reviews by artists, titles, record tickets will go on sale July 8. labels, keyword or JBR Writers. 15 2013’s GRAMMY Award-winning years of reviews are up and we’ll be lineup includes Arena headliners going all the way back to 1974. Diana Krall; Wayne Shorter Quartet; Bobby McFerrin; Bob James & Da- Comments...billwahl@ jazz-blues.com vid Sanborn featuring Steve Gadd Web www.jazz-blues.com & James Genus; Dave Holland’s Copyright © 2013 Jazz & Blues Report PRISM featuring Kevin Eubanks, Craig Taborn & Eric Harland; Joe No portion of this publication may be re- Lovano & Dave Douglas Quintet: Wayne Shorter produced without written permission from Sound Prints; George Benson; The the publisher. -
Reggae / Dancehall / Hip
forment le fondement de sa vision artistique. Il s'est produit avec des légendes du dancehall tels que Capleton, Kiprich, De Marco ou Antony B, sans oublier de mentionner de nombreux prix remportés comme le 1er prix du meilleur singjay de Genève en 2002, 1er prix du meilleur singjay de Suisse en 2006, et 1er prix de la meilleure chanson reggae européenne en 2009. Créateur et porte-parole de la jeunesse actuelle, Charly B est unique en son genre. Non seulement côté et reconnu, il est aussi l'esclave de sa muse, cette passion créatrice qui l'habite, et qui est à l'origine de ce son neuf. Ce chef-d’œuvre de la musique franco-jamaïcaine est sans doute l’album le plus abouti de sa carrière. Le flow de Charly B est dynamique et entrainant. Son timbre de voix bien particulier est addictif. On trouve différents tempos dans cet opus, allant du très lent et doux aux rapides et motivant CHARLY B – Forever (French Edition) pour les soirées endiablées. Charly B chante et parfois rape, toujours avec un bon message. Que ce www.iwelcom.tv/charlyb soit une musique pour club ou plus relaxante, l’album Forever propose toutes sortes de vibes. http://www.charlyb.com Sachant s'adapter à différents styles (reggae, dancehall, hip hop, fusion Afrique, Caraïbes) l'artiste http://www.charlybmusic.com + Myspace + Reverbnation + Sonicbids.com = /charlyb propose avec "FOREVER" 15 titres de qualité grâce auxquels il nous emmène dans son univers. Son Facebook + Twitter + Soundcloud.com = /charlybmusic inspiration y a été débordante, si l’on considère les différents flows, styles, rimes et lyrics choisis. -
25 December 2009 Page 1 of 13
Radio 3 Listings for 19 – 25 December 2009 Page 1 of 13 SATURDAY 19 DECEMBER 2009 Jorma Rahkonen (violin) SAT 13:00 The Early Music Show (b00pgvpy) La Fenice SAT 01:00 Through the Night (b00p8jc6) 5.48am Presented by Susan Sharpe. Paganini, Niccolo (1782-1840): Polonaise Catherine Bott presents highlights from a concert given in 2008 Viktor Pikajzen (violin) in Villars-sur-Glane in Switzerland, featuring the ensemble La 1.00am Evgenia Sejdelj (piano) Fenice directed by Jean Tubery, with soprano Nuria Rial. Music Enescu, George (1881-1955): Violin Sonata No 3 in A, Op 25 includes Monteverdi's Exulta filia Sion and works by Tarquinio (dans le caractere populaire roumain) 5.54am Merula, Bonifazio Graziano and Jacob van Eyck. Sebastian Tegzesiu (violin) Mendelssohn, Fanny Hensel (1805-1847): Trio in D minor, Op Viorica Boerescu (piano) 11 Anon: Misteri gioisi. Ave Maria gratia plena. Canto fermo for Trio Orlando one voice; Lucis creator optime. Canto fermo for male voices; 1.29am Mozart, Wolfgang Amadeus (1756-1791): String Quartet No 20 6.19am Giuseppe Scarani: Sonata sopra Lucis creator optime, for two in D, K499 (Hoffmeister) Arban, Jean-Baptiste (1825-1889), arr David Stanhope: Fantasy cornetts, organ, harpsichord, cello and theorbo ANIMA Quartet and variations on a Cavatina (Beatrice di Tenda - by Bellini) Geoffrey Payne (trumpet) Bonifazio Graziano: Venite pastores ad sacros amores (Motets 1.54am Melbourne Symphony Orchestra for 1, 2 and 3 male voices and continuo), arr for soprano Muthel, Johann Gottfried (1728-1788): Concerto in D -
The Ultimate On-Demand Music Library
2020 CATALOGUE Classical music Opera The ultimate Dance Jazz on-demand music library The ultimate on-demand music video library for classical music, jazz and dance As of 2020, Mezzo and medici.tv are part of Les Echos - Le Parisien media group and join their forces to bring the best of classical music, jazz and dance to a growing audience. Thanks to their complementary catalogues, Mezzo and medici.tv offer today an on-demand catalogue of 1000 titles, about 1500 hours of programmes, constantly renewed thanks to an ambitious content acquisition strategy, with more than 300 performances filmed each year, including live events. A catalogue with no equal, featuring carefully curated programmes, and a wide selection of musical styles and artists: • The hits everyone wants to watch but also hidden gems... • New prodigies, the stars of today, the legends of the past... • Recitals, opera, symphonic or sacred music... • Baroque to today’s classics, jazz, world music, classical or contemporary dance... • The greatest concert halls, opera houses, festivals in the world... Mezzo and medici.tv have them all, for you to discover and explore! A unique offering, a must for the most demanding music lovers, and a perfect introduction for the newcomers. Mezzo and medici.tv can deliver a large selection of programmes to set up the perfect video library for classical music, jazz and dance, with accurate metadata and appealing images - then refresh each month with new titles. 300 filmed performances each year 1000 titles available about 1500 hours already available in 190 countries 2 Table of contents Highlights P. -
Karaoke Mietsystem Songlist
Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind. -
Rapport Au Parlement Relatif À La Représentation De La Diversité De La Société Française À La
RAPPORT © Conseil supérieur de l’audiovisuel La représentation de la diversité de la société française à la télévision et à la radio Sommaire Introduction ..................................................................................................................... 5 1- L’état de la diversité sociale sur les antennes ............................................................. 6 2- Les actions en faveur de la cohésion sociale et de la lutte contre les discriminations 10 3- Les nouvelles initiatives pour améliorer l'effectivité de la diversité sur les antennes 15 PRÉCONISATIONS ................................................................................................................. 20 La représentation de la diversité de la société française à la télévision et à la radio Introduction La compétence du Conseil en matière de représentation de la diversité de la société française découle de l’article 3-1 de la loi n° 86-1067 du 30 septembre 1986 relative à la liberté de communication amendé par la loi n° 2017-86 du 27 janvier 2017. Il définit le rôle et les missions du CSA par deux alinéas aux termes desquels : « [le Conseil] veille à ce que la diversité de la société française soit représentée dans les programmes et que cette représentation soit exempte de préjugés1 » et « le Conseil supérieur de l’audiovisuel contribue aux actions en faveur de la cohésion sociale et à la lutte contre les discriminations dans le domaine de la communication audiovisuelle. Il veille, notamment, auprès des éditeurs de services de radio et de télévision, compte tenu de la nature de leurs programmes, à ce que la programmation reflète la diversité de la société française. Il rend compte dans son rapport annuel de l’action des éditeurs de services dans ce domaine2 ». Le 10 novembre 2009, le CSA a adopté une délibération tendant à favoriser la représentation de la diversité de la société française dans les programmes des chaînes nationales hertziennes gratuites et de Canal+3. -
General Guidelines for Guest Editor
1 Vol 15 Issue 01 – 02 January 2007 The Burkina Electric Project and Some Thoughts About Electronic Music in Africa Lukas Ligeti [email protected] http://www.lukasligeti.com Keywords Burkina Electric Project, electronic music, Africa, electronics and computer technology Abstract This paper is an updated summary of a presentation I gave at the Unyazi Electronic Music Festival in Johannesburg, South Africa in 2005. Burkina Electric, founded in 2004, is an ensemble featuring two musicians (singer Mai Lingani and guitarist Wende K. Blass) and two dancers (Hugues Zoko and Idrissa Kafando) from Burkina Faso; the German pop music pioneer Pyrolator on electronics (both audio and visual); and myself on electronics and drums. Our objective is to create and perform original music combining the traditions of Burkina Faso with the world of DJ/club/dance electronica. In so doing, we build bridges between African and Western cultures, especially in the domains of pop/youth culture and experimental music. Burkina Electric's debut CD, Paspanga, was recently released for the Burkinabè market. By using elements of Burkinabè traditional music, including rhythms not usually heard in contemporary urban music, plus rhythms of our own creation, we aim to enlarge the vocabulary of “grooves” in the club/dance landscape; the dancers help audiences interpret these unusual rhythmic patterns. Sonorities and structural models of West African music are transferred to electronics and reassembled and processed in various ways. Rather than superimposing drum programming on top of an African traditional structures, we compose music that aims to organically confront and combine Africa and Occident, and tradition and experiment, while maintaining the particular sensibilities of both worlds. -
Karaoke-Katalog Update Vom: 17/06/2020 Singen Sie Online Auf Gesamter Katalog
Karaoke-Katalog Update vom: 17/06/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Cordula grün - Die Draufgänger Dance Monkey - Tones and I Rote Lippen soll man küssen - Gus Backus Amoi seg' ma uns wieder - Andreas Gabalier Perfect - Ed Sheeran Tears In Heaven - Eric Clapton Chasing Cars - Snow Patrol Griechischer Wein - Udo Jürgens My Way - Frank Sinatra You Are the Reason - Calum Scott Someone You Loved - Lewis Capaldi Lemon Tree - Fool's Garden Tage wie diese - Die Toten Hosen Angels - Robbie Williams 99 Luftballons - Nena Up Where We Belong - Joe Cocker Im Wagen Vor Mir - Henry Valentino And Uschi I Want It That Way - Backstreet Boys Zombie - The Cranberries All of Me - John Legend Ich war noch niemals in New York - Ich War Noch New York, New York - Frank Sinatra Blinding Lights - The Weeknd Niemals In New York Hulapalu - Andreas Gabalier Hallelujah - Alexandra Burke Creep - Radiohead EXPLICIT Verdammt, Ich Lieb' Dich - Matthias Reim Can't Help Falling In Love - Elvis Presley Let It Be - The Beatles Always Remember Us This Way - A Star is Born Atemlos durch die Nacht - Helene Fischer A Million Dreams - The Greatest Showman Kuliko Jana, Eine neue Zeit - Oonagh Eine Nacht - Ramon Roselly In The Ghetto - Elvis Presley (Everything I Do) I Do It For You - Bryan Adams Can You Feel The Love Tonight - The Lion King Bohemian Rhapsody - Queen Egal - Michael Wendler Warum hast du nicht nein gesagt - Roland Kaiser Der hellste Stern (Böhmischer Traum) - DJ Ötzi Ich wollte nie erwachsen sein (Nessajas Lied) - Über Sieben Brücken Musst Du Gehn - Peter Maffay Uber den Wolken - Reinhard Mey Losing My Religion - R.E.M. -
BILAN RADIO-TV Programmation Musicale
BILAN RADIO-TV Programmation Musicale BILAN ANNEE 2020 Partenaire de la filière Musicale Bilan Radio mOuv' Alouette Radio 6 Radio Scoop 47 FM FGL Frequence Plus Horizon K6 FM Plein Air Radio Cristal Radio Mélodie RVA Viv'Radio Evolutions du panel Radio en 2019-2020: le panel passe de 176 à 173 stations [Bilan 2020] Les N°1 (Titre / Artiste / Répertoire) N 1 The Weeknd «Blinding lights» (Island-Def Jam / Universal Music) Classement 110 817 diffusions / 2,3 milliards de contacts Général Radio Rappel Année 2019 : Calvin Harris feat. Rag 'N' Bone Man «Giant» The Weeknd «In your eyes» Single (Island-Def Jam / Universal Music) le plus Playlisté Entré en playlist sur 105 des 176 radios du panel Rappel Année 2019 : Angèle «Balance ton quoi» The Weeknd Artiste / Groupe (Island-Def Jam / Universal Music) Le Plus Diffusé 231 832 diffusions / 54 titres différents / 4,3 milliards de contacts Rappel Année 2019 : Angèle [Bilan 2020] Top 100 Radio Classement annuel établi à partir du cumul des diffusions sur l’ensemble des stations du Panel Yacast. Les diffusions sont pondérées à partir de l’audience des radios (Source Médiamétrie ) Rg ARTISTE TITRE LABEL Rg ARTISTE TITRE LABEL 21 Regard Ride it B1 The Weeknd Blinding lights Island-Def Jam u 22 Ofenbach Head shoulders knees & toes Elektra France 23 Ray Dalton In my bones Smart The Weeknd In your eyes Island-Def Jam v 24 Shaed feat. Zayn Trampoline Caroline 25 Black Eyed Peas Ritmo (Bad boys for life) Rca Group Nea Some say Rca Group w 26 Clara Luciani Ma soeur Initial Artist Services 27 Soprano A nos héros du quotidien Rec. -
Vincent Peirani Vincent Peirani
VINCENT PEIRANI "What this NiceNice----bornborn Parisian teases out of his accordion is somethsomethinging the likes of which world has never heard before. The great French accordion tradition, from Galliano to Matinier, shines through, but he takes it further with a nenenew,ne w, characteristic expressiveness. It is a future vivirtuosortuoso that is playing here!" says the SüddeutscheSüddeutsche Zeitung newspaper. The French accordionist, vocalist and composer Vincent Peirani was born in Nice on 24.4.1980. He started playing the accordion at the age of eleven. One year later he began taking lessons in classical music for clarinet and accordion at the "Conservatoire National de Région" in Nice, and it didn't take long for his gift to start showing. Between 1994 and 1998, as a teenager, he won numenumerorousus international awards and competitions for clasclassisicalcal accordion, including the Klingenthaler Accordion Competition (Germany), the award of the accordion festival in Castelfidardo (Italy), the "Trophée Mondial at Cassino" (Italy) and the international "Reinach" accordion competition (Switzerland). The highlight of these accolades was the first place in the competition for classical accordion at the "Conservatoire National Supérieur de Musique" in Paris in 1996. These early successes quickly enabled Vincent Peirani to appear at festivals all around Europe (Bayreuth, Salzburg, Vienna, Rome, Stockholm). At 16 he discovered jazz ––– in particular the music of Bill Evans and the FrencFrenchh jazzjazz----rockrock band "Sixun" ––– and in 2001 he began his formal studies of jazz at tthehe "Conservatoire"Conservatoire National Supérieur de Musique" in Paris. Initially he garnered more scepticism than anything else with his instrument, the accordion, and his classical background, but it didn't take long before he won the critics over with a whole new way of looking at the accordion, and made himself a name in France's jazz scene as well.