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Jews and the West Legalization of Marijuana in Israel?
SEPTEMBER 2014 4-8 AMBASSADOR LARS FAABORG- ANDERSEN: A VIEW ON THE ISRAELI – PALESTINIAN CONFLICT 10-13 H.Е. José João Manuel THE FIRST AMBASSADOR OF ANGOLA TO ISRAEL 18-23 JEWS AND THE WEST AN OPINION OF A POLITOLOGIST 32-34 LEGALIZATION OF MARIJUANA IN ISRAEL? 10 Carlibah St., Tel-Aviv P.O. Box 20344, Tel Aviv 61200, Israel 708 Third Avenue, 4th Floor New York, NY 10017, U.S.A. Club Diplomatique de Geneva P.O. Box 228, Geneva, Switzerland Publisher The Diplomatic Club Ltd. Editor-in-Chief Julia Verdel Editor Eveline Erfolg Dear friends, All things change, and the only constant in spectrum of Arab and Muslim opinions, Writers Anthony J. Dennis the Middle East is a sudden and dramatic just as there is a spectrum of Jewish Patricia e Hemricourt, Israel change. opinions. Ira Moskowitz, Israel The Middle East is a very eventful region, As one of the most talented diplomats in Bernard Marks, Israel where history is written every day. Here history of diplomacy, Henry Kissinger Christopher Barder, UK you can witness this by yourself. It could said: “It is not a matter of what is true that Ilan Berman, USA be during, before or after a war – between counts, but a matter of what is perceived wars. South – North, North – South, to be true.” war – truce, truce – war, enemy – friend, Reporters Ksenia Svetlov Diplomacy, as opposed to war, facilitates Eveline Erfolg friend – enemy… Sometimes, these words (or sometimes hinders) conflict prevention David Rhodes become very similar here. and resolution, before armed conflict Neill Sandler “A la guerre comme à la guerre” and begins. -
General Guidelines for Guest Editor
1 Vol 15 Issue 01 – 02 January 2007 The Burkina Electric Project and Some Thoughts About Electronic Music in Africa Lukas Ligeti [email protected] http://www.lukasligeti.com Keywords Burkina Electric Project, electronic music, Africa, electronics and computer technology Abstract This paper is an updated summary of a presentation I gave at the Unyazi Electronic Music Festival in Johannesburg, South Africa in 2005. Burkina Electric, founded in 2004, is an ensemble featuring two musicians (singer Mai Lingani and guitarist Wende K. Blass) and two dancers (Hugues Zoko and Idrissa Kafando) from Burkina Faso; the German pop music pioneer Pyrolator on electronics (both audio and visual); and myself on electronics and drums. Our objective is to create and perform original music combining the traditions of Burkina Faso with the world of DJ/club/dance electronica. In so doing, we build bridges between African and Western cultures, especially in the domains of pop/youth culture and experimental music. Burkina Electric's debut CD, Paspanga, was recently released for the Burkinabè market. By using elements of Burkinabè traditional music, including rhythms not usually heard in contemporary urban music, plus rhythms of our own creation, we aim to enlarge the vocabulary of “grooves” in the club/dance landscape; the dancers help audiences interpret these unusual rhythmic patterns. Sonorities and structural models of West African music are transferred to electronics and reassembled and processed in various ways. Rather than superimposing drum programming on top of an African traditional structures, we compose music that aims to organically confront and combine Africa and Occident, and tradition and experiment, while maintaining the particular sensibilities of both worlds. -
SANTA-LUCIA-LFR-BIO.Pdf
Vocals and Guitar Alto Sax German Cantillo Byron Russell Drums Trombone Stefan Grabowsky Kevin Tang Bass Trumpet Luis Garzon Jeremy Vint Latin Percussion (additional) Luis Aulestia Sound Engineer (additional) Marcos Porras .…………………………………………………………………………………………………………………………………… www.santaluciamusic.com (604) 306-0701 [email protected] Like a multi-ethnic gathering of friends, this seven member band has created a sound that evokes the early days of Latin Rock (Santana, War, etc.), while adding their own blend of Funk grooves. Lead by Nicaraguan frontman German Cantillo the band has an addictive combination of Nuyorican Boogaloo, West Coast Funk and the ever present Cuban grooves engulfing the stage with monstrous horns and bass, funky breaks with furious lyrics in English and Spanish. Relocating to Vancouver via Winnipeg, Santa Lucia LFR recorded their first album Album in 2001 with producer Darryl Nuedorf (Sarah McLachlan, Neko Case). Officially making the band the first Rock en Español album produced in Western Canada. In 2006, Santa Lucia released their second full length album, “The Streets / Las Calles” with legendary producer Larry Anschell (Nickelback, Pearl Jam) from Turtle Recording Studios in White Rock, BC Canada. Santa Lucia successfully supported “The Streets / Las Calles” with countless West Coast dates and major open air festivals including; Vancouver International Jazz Festival, Vancouver Dragon Boat Festival, as well as many out of town festivals including The Ness Creek Music Festival in Saskatchewan, Folk on the Rocks Festival in Yellowknife NWT, Victoria Jazz Festival, Edge of the World. Because of their great appeal and versatility of their music they are welcomed in nearly every kind of festival such as Salmon Arm Blues & Roots Festival, Victoria Ska Fest, Vancouver Dragon Boast Fest to Taste of Fernie and Okanagan Winery shows series at Tinhorn Creek. -
Received by NSD/FARA Registration Unit 07/29/2015 2:03:59 PM U.S. Department of Justice Supplemental Statement Washington, DC 20
Received by NSD/FARA Registration Unit 07/29/2015 2:03:59 PM OMB No. 1124-0002; Expires April 30,2017 u.s. Department of justice Supplemental Statement Washington, DC 20530 Pursuant to the Foreign Agents Registration Act of 1938, as amended For Six Month Period Ending 06/30/2015 (Insert date) I-REGISTRANT 1. (a) Name of Registrant (b) Registration No. Ceisler Media & Issue Advocacy, LLC 6266 (c) Business Address(es) of Registrant 1525 Locust Street Sixth Floor Philadelphia, PA 19102 2. Has there been a change in the information previously furnished in connection with the following? (a) If an individual: (1) Residence address(es) Yes • No • (2) Citizenship Yes • No • (3) Occupation Yes • No • (b) If an organization: (1) Name Yes • No H • (2) Ownership or control Yes • No _ (3) Branch offices Yes • No 0 (c) Explain fully all changes, if any, indicated in Items (a) and (b) above. IF THE REGISTRANT IS AN INDIVIDUAL, OMIT RESPONSE TO ITEMS 3,4, AND 5(a). 3. If you have previously filed Exhibit C1, state whether any changes therein have occurred during this 6 month reporting period. Yes • No B If yes, have you filed an amendment to the Exhibit C? YesD Nod] If no, please attach the required amendment. 1 The Exhibit C, for which ho printed form is provided, consists of a true copy ofthe charter, articles of incorporation, association, and by laws of a registrant that is an : organization. (A waiver of the requirement to file an Exhibit C may be obtained for good cause upon written application to the Assistant Attorney General, National Security Division, U.S. -
October 1994
Features AARON COMESS Album number two sees Spin Doctors drummer Aaron Comess laying down that slippery funky thing yet again. Not that Aaron has cut down on his extracurricular jazz work. Does this guy ever stop? • Teri Saccone 20 BOB MOSES The eccentric but unarguably gifted drummer who powered the first jazz-rock band is still breaking barriers. With a brand- new album and ever-probing style, Bob Moses explains why his "Simul-Circular Loopology" might be too dangerous in live doses. • Ken Micallef 26 HIGHLIGHTS OF MD's FESTIVAL WEEKEND '94 Where should we start? Simon Phillips? Perhaps "J.R." Robinson? Say, Rod Morgenstein? How about Marvin "Smitty" Smith...or David Garibaldi...maybe Chad Smith, Clayton Cameron, or Matt Sorum.... Two days, one stage, a couple thousand drummers, mega-prizes: No matter how you slice it, it's the mother of all drum shows, and we've got the photos to prove it! 30 Volume 18, Number 9 Cover Photo By Ebet Roberts Columns EDUCATION NEWS EQUIPMENT 52 DRUM SOLOIST 8 UPDATE Max Roach: Bill Bruford, "Blues For Big Sid" David Garibaldi, TRANSCRIBED BY Dave Mancini, CRAIG SCOTT and Ray Farrugia of Junkhouse, plus News 76 HEALTH & SCIENCE 119 INDUSTRY Focal Dystonia: HAPPENINGS A Personal Experience BY CHARLIE PERRY WITH JACK MAKER DEPARTMENTS 42 PRODUCT CLOSE-UP 80 JAZZ 4 EDITOR'S Tama Iron Cobra DRUMMERS' OVERVIEW Bass Drum Pedals WORKSHOP BY ADAM BUDOFSKY Expanding The 6 READERS' 43 Tama Tension Watch Learning Process PLATFORM Drum Tuner BY JOHN RILEY BY ADAM BUDOFSKY 12 ASK A PRO 84 Rock 'N' 44 Vic Firth Ed Shaughnessy, American Concept Sticks JAZZ CLINIC Stephen Perkins, and BY WILLIAM F. -
Music in Conflict: Palestine, Israel, and the Politics of Aesthetic Production
Music in Conflict: Palestine, Israel, and the Politics of Aesthetic Production Nili Belkind Submitted in partial fulfillment of the Requirements for the degree Of Doctor of Philosophy In the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Nili Belkind All Rights Reserved ABSTRACT Music in Conflict: Palestine, Israel and the Politics of Aesthetic Production Nili Belkind This is an ethnographic study of the fraught and complex cultural politics of music making in Palestine-Israel in the context of the post-Oslo era. I examine the politics of sound and the ways in which music making and attached discourses reflect and constitute identities, and also, contextualize political action. Ethical and aesthetic positions that shape contemporary artistic production in Israel-Palestine are informed by profound imbalances of power between the State (Israel), the stateless (Palestinians of the occupied Palestinian territories), the complex positioning of Israel’s Palestinian minority, and contingent exposure to ongoing political violence. Cultural production in this period is also profoundly informed by highly polarized sentiments and retreat from the expressive modes of relationality that accompanied the 1990s peace process, strategic shifts in the Palestinian struggle for liberation, which is increasingly taking place on the world stage through diplomatic and cultural work, and the conceptual life and currency Palestine has gained as an entity deserving of statehood around the world. The ethnography attends to how the conflict is lived and expressed, musically and discursively, in both Israel and the occupied Palestinian territories (oPt) of the West Bank, encompassing different sites, institutions and individuals. I examine the ways in which music making and attached discourses reflect and constitute identities, with the understanding that musical culture is a sphere in which power and hegemony are asserted, negotiated and resisted through shifting relations between and within different groups. -
Afrika Tage Wien 2018 14. Afrika Festival 10.08. – 27.08.2018 – Das Programm –
Afrika Tage, 14. Afrika Festival Wien 2018 _______________________________________________________________________ Afrika Tage Wien 2018 14. Afrika Festival 10.08. – 27.08.2018 – Das Programm – Die Afrika Tage Wien finden vom 10.08. bis 27.08.2018 in Wien auf der Donauinsel, Floridsdorfer Brücke statt: Montag - Freitag: 14:00 – 24:00 Uhr; Samstags, Sonntags und Feiertage: 11:00 – 24:00 Uhr. Neben einem umfangreichen Rahmenprogramm mit vielen Aktionen und einem Kinderprogramm gibt es auch 2018 wieder viel Live-Musik. Afrika Tage, 14. Afrika Festival Wien 2018 _______________________________________________________________________ Freitag, 10.08.2018 18:00 Uhr Desert Mountain Tribe 20:30 Uhr Jahcoustix Samstag, 11.08.2018 Mittwoch, 22.08.2018 18:00 Uhr Ronald Reggae 18.00 Uhr Rootz Radicals 20:30 Uhr Idan K 20.30 Uhr Ky-mani MARLEY Sonntag, 12.08.2018 Donnerstag, 23.08.2018 18:00 Uhr Abdou Day 18:00 Uhr Dactah Chando 20:30 Uhr Jamaram 20:30 Uhr Albarosie & Shengen Clan Montag, 13.08.2018 (Eintritt frei) Freitag, 24.08.2018 18:00 Uhr Jayasri 18:00 Uhr Kalan 20:30 Uhr Tschebberwooky 20:30 Uhr Sona Jobarteh Dienstag, 14.08.2018 Samstag, 25.08.2018 18:00 Uhr Marcus Moh & One World 18:00 Uhr Jobarteh Kunda 20:30 Uhr Samory - I 20:30 Uhr Manu Dibango Mittwoch, 15.08.2018 Sonntag, 26.08.2018 18:00 Uhr Stanley Rubyn 18:00 Uhr Adam Project 20:30 Uhr Inner Circle 20:30 Uhr Freshlyground Donnerstag, 16.08.2018 Montag, 27.08.2018 (Eintritt frei) 18:00 Uhr Claudia Masika 18:00 Uhr Jenny Bell 20:30 Uhr Hoodna Afrobeat Orchestra 20:30 Uhr Trancitiv Freitag, 17.08.2018 18:00 Uhr Yossi Fine & Ben Aylon 20.30 Uhr Bombino Samstag, 18.08.2018 18:00 Uhr IYASA – Africa alive 20:30 Uhr Gili Yalo Sonntag, 19.08.2018 16:00 Uhr African Royal Ballet Djiby Kouyate 18:00 Uhr Petaw Band 20:30 Uhr Quarter to Africa Montag, 20.08.2018 (Eintritt frei) 18:00 Uhr Souldja 20:30 Uhr Elvis Zuma & Sky Peace Band Dienstag, 21.08.2018 18:00 Uhr Superjam 20.30 Uhr Cloud Tissa & House of Riddim Afrika Tage, 14. -
Corpus Antville
Corpus Epistemológico da Investigação Vídeos musicais referenciados pela comunidade Antville entre Junho de 2006 e Junho de 2011 no blogue homónimo www.videos.antville.org Data Título do post 01‐06‐2006 videos at multiple speeds? 01‐06‐2006 music videos based on cars? 01‐06‐2006 can anyone tell me videos with machine guns? 01‐06‐2006 Muse "Supermassive Black Hole" (Dir: Floria Sigismondi) 01‐06‐2006 Skye ‐ "What's Wrong With Me" 01‐06‐2006 Madison "Radiate". Directed by Erin Levendorf 01‐06‐2006 PANASONIC “SHARE THE AIR†VIDEO CONTEST 01‐06‐2006 Number of times 'panasonic' mentioned in last post 01‐06‐2006 Please Panasonic 01‐06‐2006 Paul Oakenfold "FASTER KILL FASTER PUSSYCAT" : Dir. Jake Nava 01‐06‐2006 Presets "Down Down Down" : Dir. Presets + Kim Greenway 01‐06‐2006 Lansing‐Dreiden "A Line You Can Cross" : Dir. 01‐06‐2006 SnowPatrol "You're All I Have" : Dir. 01‐06‐2006 Wolfmother "White Unicorn" : Dir. Kris Moyes? 01‐06‐2006 Fiona Apple ‐ Across The Universe ‐ Director ‐ Paul Thomas Anderson. 02‐06‐2006 Ayumi Hamasaki ‐ Real Me ‐ Director: Ukon Kamimura 02‐06‐2006 They Might Be Giants ‐ "Dallas" d. Asterisk 02‐06‐2006 Bersuit Vergarabat "Sencillamente" 02‐06‐2006 Lily Allen ‐ LDN (epk promo) directed by Ben & Greg 02‐06‐2006 Jamie T 'Sheila' directed by Nima Nourizadeh 02‐06‐2006 Farben Lehre ''Terrorystan'', Director: Marek Gluziñski 02‐06‐2006 Chris And The Other Girls ‐ Lullaby (director: Christian Pitschl, camera: Federico Salvalaio) 02‐06‐2006 Megan Mullins ''Ain't What It Used To Be'' 02‐06‐2006 Mr. -
LA DISPARITION DE LA POLITIQUE : LE RAP ENTRE ISRAËL ET LA PALESTINE, ENTRE JUIFS ET ARABES Anna Zielinska
LA DISPARITION DE LA POLITIQUE : LE RAP ENTRE ISRAËL ET LA PALESTINE, ENTRE JUIFS ET ARABES Anna Zielinska La Découverte | « Mouvements » Document téléchargé depuis www.cairn.info - Université de Lorraine 193.50.135.4 03/12/2018 19h21. © La Découverte 2018/4 n° 96 | pages 102 à 110 ISSN 1291-6412 ISBN 9782348040870 Article disponible en ligne à l'adresse : -------------------------------------------------------------------------------------------------------------------- https://www.cairn.info/revue-mouvements-2018-4-page-102.htm -------------------------------------------------------------------------------------------------------------------- Distribution électronique Cairn.info pour La Découverte. © La Découverte. Tous droits réservés pour tous pays. La reproduction ou représentation de cet article, notamment par photocopie, n'est autorisée que dans les limites des conditions générales d'utilisation du site ou, le cas échéant, des conditions générales de la licence souscrite par votre établissement. Toute autre reproduction ou représentation, en tout ou partie, sous quelque forme et de quelque manière que ce soit, est interdite sauf accord préalable et écrit de l'éditeur, en dehors des cas prévus par la législation en vigueur en France. Il est précisé que son stockage dans une base de données est également interdit. Document téléchargé depuis www.cairn.info - Université de Lorraine 193.50.135.4 03/12/2018 19h21. © La Découverte Powered by TCPDF (www.tcpdf.org) La disparition de la politique : le rap entre Israël et la Palestine, entre Juifs et Arabes Document téléchargé depuis www.cairn.info - Université de Lorraine 193.50.135.4 03/12/2018 19h21. © La Découverte PAR ANNA Le rap israélien aurait pu être un instrument de revendication ZIELINSKA* puissant, et sur ses marges il l’est certainement. -
JI Pg 01-04 Dec 10 Cover
Another Side Forgotten Heroes Carob Creations Settlers provide journalists with A new film highlights Turkish Tu b’Shevat is the perfect time an alternative perspective / 5 diplomats who saved Jews / 13 to try out new recipes / 15 Jew sh Formerly the Jewish Western BulletinIndependent jewishindependent.ca $60 FOR HOME DELIVERY, $28 FOR E-DELIVERY • FEBRUARY 3, 2012/10 SHEVAT 5772 Serving British Columbia since 1930 Chutzpah’s global music mix Rejoicing in the desert life Israel’s Hadag Nahash will have their Vancouver debut. BASYA LAYE CYNTHIA RAMSAY C raditionally, through O “I’m here more than 30 “ U Tu b’Shevat, we en- R years – I’m a farmer … I was T C E O courage our sup- S the manager of Moshav Tzo- Y U R O T porters to donate far, I was the head of the re- T F E J S N Y money for planting more search and development, I F O F trees in various areas in Is- was a volunteer…. I always C H rael. This year, we are privi- U say that the disadvantages T Z leged to get on board a most are the advantages of the Ar- P A H unique project,” explained ava. So, the Arava is an iso- ! local Jewish National Fund lated area with a beautiful shaliach Micky Goldwein to desert, a very tough desert; the Independent. it’s a huge challenge to de- “Through Tu b’Shevat, our velop it and to bring more volunteers will call our com- people down to the region. munity members, asking Understanding that every- Ezra Ravins them to ‘give a hand’ for thing is ‘impossible’ – it’s im- planting more acacia trees in the Arava,” possible to do here agriculture, impossible he continued. -
Two Congregations Hire Spiritual Leaders Young Rabbi Tapped to Lead K.I
$1.00 The KANSAS CITY Volume 92, Number 7 www.kcjc.com February 16, 2012 jewish chronicle Two congregations hire spiritual leaders Young rabbi tapped to lead K.I. NRT offers rabbi permanent position By Barbara Bayer By Barbara Bayer Editor Editor Rabbi Shmuly Yanklowitz has been The board of directors of The New chosen by Kehilath Israel Synagogue to Reform Temple has recommended that serve as its next rabbi. Rabbi Yanklow- Rabbi Alan Londy be retained as the itz will take over Aug. 13, when Senior congregation’s permanent rabbi. Rabbi Rabbi Herbert H. Mandl retires after Londy began serving the Reform con- serving the traditional congregation for gregation on an interim basis on July 1, 35 years. 2011, while it searched for a permanent K.I. President Steve Osman said rabbi to replace Rabbi Jacques Cukier- the congregation’s board of directors korn. In late December 2010 the congre- unanimously approved the search com- gation announced that Rabbi Cukier- mittee’s recommendation to hire Rabbi korn’s contract would not be renewed Yanklowitz. The search committee was and the congregation and the rabbi end- chaired by Geoff Friedman. Osman said ed its professional relationship in April K.I. is very excited to welcome Rabbi 2011. Yanklowitz to the area. Michael Grossman, NRT’s presi- “We believe he will not only carry dent, said the congregation’s member- on the traditions followed for nearly 102 ship will vote on this recommendation years, but revitalize and bring a new during a special membership meeting sense of spirituality to our member- following Shabbat services on March ship,” Osman said. -
The Touré-Raichel Collective TITLE: the Tel Aviv Session FILE UNDER: Africa/World CAT
PRESENTS WITH THE IDAN RAICHEL VIEUX FARKA TOURÉ TOURÉ-RAICHEL YOSSI FINE COLLECTIVE SOULEYMANE KANE THE TEL AVIV SESSION 01 Azawade 8:12 02 Bamba 5:59 03 Experience 6:21 04 Alkataou 5:03 05 Hawa 7:00 06 Kfar (feat. Yankale Segal) 4:26 07 Touré (feat. Frédéric Yonnet) 4:06 08 Le Niger 7:59 09 Ai Houde Bakoi 2:47 10 Ane Nahatka (feat. Cabra Casay) 3:38 11 Alem (feat. Mark Eliyahu) 8:15 CLICK HERE TO LISTEN ARTIST: The Touré-Raichel Collective TITLE: The Tel Aviv Session FILE UNDER: Africa/World CAT. NO.: CMB-CD-22 Vieux Farka Touré (Mali) and Idan Raichel (Israel), virtuosic superstars from very different backgrounds, join together to create masterworks of collaboration and improvisation. After a chance meeting in an airport in Europe, Idan and Vieux forged a deep friendship that led to an impromptu get together at a small studio in Tel Aviv in November 2010. The resulting recording session - acoustic, spontaneous, entirely improvised, and stunningly beautiful - could only be described as magic, and The Touré-Raichel Collective was born. On the album The Tel Aviv Session, Idan and Vieux have captured an inspired musical moment that will bring to mind classic albums such as Talking Timbuktu by Ali Farka Touré with Ry Cooder, Keith Jarrett’s The Köln Concert or Vincent Segal and Ballake Sissoko’s acclaimed Chamber Music. ................................................................................................................................................................ www.cumbancha.com www.toureraichel.com THE STORY BEHIND THE TOURÉ-RAICHEL COLLECTIVE Israeli superstar Idan Raichel and Malian guitar virtuoso Vieux Farka Touré ing rock groove. Idan’s virtuosity as a pianist is often shrouded in the first met at an airport in Germany in 2008 while both were on tour.