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Burkina Electric
BURKINA ELECTRIC FUSION / ELECTRONICA (BURKINA FASO - AUSTRIA -US - IVORY COAST) “An irresistible brew of West African music and electronica” - New York Times DISCOGRAPHY: Hailed by the New York Times as an “irresistible brew of West African PASPANGA music and electronica,” Burkina Electric is the first electronic music 2009, CANTALOUPE RECORDS group from Burkina Faso, in the deep interior of West Africa. ”The band’s energy onstage is infectious” - Based in Ouagadougou, Burkina Faso’s capital, it is, at the same time, Songlines Magazine an international band, with members living in New York, U.S.A. and Ouaga. STREAMING: Burkina Electric’s music combines the traditions and rhythms of • soundcloud.com/burkina-electric Burkina Faso with contemporary electronic dance culture, making it a trailblazer in electronic world music. A diverse and talented group con- sisting of four musicians and two dancers, they collectively participate in the creative process and represent disparate musical genres and Booking Scandinavia: d to the sounds from across the globe. on le c f Marisa Segala e t S +45 / 25 61 82 82 Rather than recycling well-known rock and funk rhythms, Burkina [email protected] Electric seeks to enrich the fabric of electronic dance music by using www.secondtotheleft.com unusual rhythms that are rarely heard and little-known even in much of Skype: marisa.segala.bennett Africa. This includes ancient rhythms of the Sahel, such as the Mossi peoples’ Ouaraba and Ouenega, but also new grooves of their own creation. The band invites you to discover that these exotic rhythms groove at least as powerfully as disco, house, or drum & bass! The group creates a unique and refreshing musical world that is all their own by incorporating sounds of traditional instruments and found sounds recorded in Burkina Faso. -
October 1994
Features AARON COMESS Album number two sees Spin Doctors drummer Aaron Comess laying down that slippery funky thing yet again. Not that Aaron has cut down on his extracurricular jazz work. Does this guy ever stop? • Teri Saccone 20 BOB MOSES The eccentric but unarguably gifted drummer who powered the first jazz-rock band is still breaking barriers. With a brand- new album and ever-probing style, Bob Moses explains why his "Simul-Circular Loopology" might be too dangerous in live doses. • Ken Micallef 26 HIGHLIGHTS OF MD's FESTIVAL WEEKEND '94 Where should we start? Simon Phillips? Perhaps "J.R." Robinson? Say, Rod Morgenstein? How about Marvin "Smitty" Smith...or David Garibaldi...maybe Chad Smith, Clayton Cameron, or Matt Sorum.... Two days, one stage, a couple thousand drummers, mega-prizes: No matter how you slice it, it's the mother of all drum shows, and we've got the photos to prove it! 30 Volume 18, Number 9 Cover Photo By Ebet Roberts Columns EDUCATION NEWS EQUIPMENT 52 DRUM SOLOIST 8 UPDATE Max Roach: Bill Bruford, "Blues For Big Sid" David Garibaldi, TRANSCRIBED BY Dave Mancini, CRAIG SCOTT and Ray Farrugia of Junkhouse, plus News 76 HEALTH & SCIENCE 119 INDUSTRY Focal Dystonia: HAPPENINGS A Personal Experience BY CHARLIE PERRY WITH JACK MAKER DEPARTMENTS 42 PRODUCT CLOSE-UP 80 JAZZ 4 EDITOR'S Tama Iron Cobra DRUMMERS' OVERVIEW Bass Drum Pedals WORKSHOP BY ADAM BUDOFSKY Expanding The 6 READERS' 43 Tama Tension Watch Learning Process PLATFORM Drum Tuner BY JOHN RILEY BY ADAM BUDOFSKY 12 ASK A PRO 84 Rock 'N' 44 Vic Firth Ed Shaughnessy, American Concept Sticks JAZZ CLINIC Stephen Perkins, and BY WILLIAM F. -
View the 2012 Program
→ JAN "#$FEB %, &'"& INTERNATIONAL PERFORMING ARTS FESTIVAL THEATRE ( DANCE ( MULTIMEDIA ( MUSIC Proud media sponsor for 2012 PuSh International Performing Arts Festival Vancouver's leading arts source. STAY CONNECTED AT STRAIGHT.COM & CURATORIAL MESSAGE » Thank the cultural gods, then, for the PuSh International Performing Arts Festival, a beacon of avant-garde light in the dead of winter « The Globe and Mail D STORIES. WE ALL HAVE THEM TO TELL...AND WE ALL PuSh audiences will be thrilled with the return of TABLE OF CONTENTS SHARE THEM WITH THOSE AROUND US. Our stories can two Festival favourites. Argentinean born writer/ reveal a personal triumph, gut-wrenching decision, director Mariano Pensotti, who last year brought to !" misadventure, passionate love entanglement, loss of life the streets of Gastown with La Marea, brings his !# 1 a loved one, an injustice, relocation, or a milestone latest extravaganza El pasado es un animal grotesco. event. It's the stories of our domestic and public Tokyo's Toshiki Okada (Five Days in March, 2009) $! 4 memory that can bring clarity to our reality. returns with another insightful and wry take on $$ 8 contemporary life with Hot Pepper, Air Conditioner, $% The last two years have held watershed moments and the Farewell Speech. $& for Vancouver. Having celebrated the 2010 Winter $' Olympics and the city’s 125th Anniversary in This year, PuSh shines a special spotlight on $( ; ; consecutive years, Vancouver's visibility and cultural contemporary Aboriginal performing arts. Highlights influence has exploded and made international are the hip hop performance collective Beat Nation $) headlines. Like any cosmopolitan city, Vancouver has Live, Toronto’s Native Earth Performing Arts with $* < on offer a remarkable cultural richness. -
AMN Interviews: Lukas Ligeti – Avant Music News Avant Music News
11/2/2020 AMN Interviews: Lukas Ligeti – Avant Music News Avant Music News A source for news on music that is challenging, interesting, different, progressive, introspective, or just plain weird AMN Interviews: Lukas Ligeti JUNE 10, 2015 ~ MIKE (hps://avantmusicnews.files.wordpress.com/2015/06/5389294442_65b8ed8367.jpg)Compo ser and percussionist Lukas Ligeti (hp://lukasligeti.com/) will celebrate his 50th birthday with two nights of premieres: June 14th at Roulee, and June 11th at the Austrian Cultural Forum. The concert series opens June 11th at the ACFNY, with performances of Lukas’ solo and small ensemble works (performers include Thomas Bergeron, Candy Chiu, Jennifer Hymer, Ben Reimer, David Cossin, and others), and premiere pieces for Lukas’ new classical/indie rock band, Notebook. The festival culminates June 14th at Roulee featuring Lukas’ music for chamber orchestra. Program includes several world premieres, as well as U.S. and New York City premieres, performed by the fresh, contemporary-collective Ensemble mise-en conducted by Oliver Hagen, pianist Vicky Chow, and others. Recently, he took time to answer a few questions from AMN. You are a truly international composer and performer, in the sense that you have followings on at least three continents and have been influenced by the music thereof. How did you develop this global approach to music? My whole life story, even my family history, has predestined me to exist less in any specific culture than in the spaces between them. I was born in Austria to parents who had fled from Hungary. But, being jews, they were not entirely clearly Hungarians, either – not, at least, since having experienced the holocaust. -
Introduction — Unyazi.” “Unyazi” Special Issue, Leonardo Electronic Almanac Vol
1 Vol 15 Issue 01 – 02 January 2007 Introduction UNYAZI Jürgen Bräuninger Associate Professor School of Music University of KwaZulu-Natal Durban 4041 South Africa [email protected] http://www.music.ukzn.ac.za Keywords Unyazi, electronic music, computer music, festival, symposium, workshops, concerts, lectures, South Africa, 2005 Abstract A summary of the first South African electro-acoustic music symposium/festival which took place in Johannesburg, 1-4 September 2005, reviewing its concerts, workshops, and lectures by local and international composers and researchers. Introduction South Africa is famous for many things but certainly not for its electronic music production. However, 35 years after the first electroacoustic music studio was constructed around an ARP-2500 synthesizer at the University of Natal, a small but dedicated number of computer music artists has evolved in the Johannesburg-Cape Town- Durban triangle, and university music departments across the country are now offering music technology courses. In 2003, feeling that it was about time to map the scene and to give it a boost simultaneously, NewMusicSA (the South African section of the International Society for Contemporary Music) proposed an electronic music symposium/festival with Dimitri Voudouris in charge of proceedings. After two years of networking, planning and fundraising, UNYAZI (the isiZulu word for lightning) took place 1-4 September 2005 at all three venues of the Wits Theatre complex in Johannesburg, assembling an illustrious group of local and international electronic music practitioners. Diversity was the obvious festival concept. Halim El-Dabh, who as early as 1944 experimented with a wire recorder in Cairo's radio station, presented some of his vintage works. -
Afrika Tage Wien 2018 14. Afrika Festival 10.08. – 27.08.2018 – Das Programm –
Afrika Tage, 14. Afrika Festival Wien 2018 _______________________________________________________________________ Afrika Tage Wien 2018 14. Afrika Festival 10.08. – 27.08.2018 – Das Programm – Die Afrika Tage Wien finden vom 10.08. bis 27.08.2018 in Wien auf der Donauinsel, Floridsdorfer Brücke statt: Montag - Freitag: 14:00 – 24:00 Uhr; Samstags, Sonntags und Feiertage: 11:00 – 24:00 Uhr. Neben einem umfangreichen Rahmenprogramm mit vielen Aktionen und einem Kinderprogramm gibt es auch 2018 wieder viel Live-Musik. Afrika Tage, 14. Afrika Festival Wien 2018 _______________________________________________________________________ Freitag, 10.08.2018 18:00 Uhr Desert Mountain Tribe 20:30 Uhr Jahcoustix Samstag, 11.08.2018 Mittwoch, 22.08.2018 18:00 Uhr Ronald Reggae 18.00 Uhr Rootz Radicals 20:30 Uhr Idan K 20.30 Uhr Ky-mani MARLEY Sonntag, 12.08.2018 Donnerstag, 23.08.2018 18:00 Uhr Abdou Day 18:00 Uhr Dactah Chando 20:30 Uhr Jamaram 20:30 Uhr Albarosie & Shengen Clan Montag, 13.08.2018 (Eintritt frei) Freitag, 24.08.2018 18:00 Uhr Jayasri 18:00 Uhr Kalan 20:30 Uhr Tschebberwooky 20:30 Uhr Sona Jobarteh Dienstag, 14.08.2018 Samstag, 25.08.2018 18:00 Uhr Marcus Moh & One World 18:00 Uhr Jobarteh Kunda 20:30 Uhr Samory - I 20:30 Uhr Manu Dibango Mittwoch, 15.08.2018 Sonntag, 26.08.2018 18:00 Uhr Stanley Rubyn 18:00 Uhr Adam Project 20:30 Uhr Inner Circle 20:30 Uhr Freshlyground Donnerstag, 16.08.2018 Montag, 27.08.2018 (Eintritt frei) 18:00 Uhr Claudia Masika 18:00 Uhr Jenny Bell 20:30 Uhr Hoodna Afrobeat Orchestra 20:30 Uhr Trancitiv Freitag, 17.08.2018 18:00 Uhr Yossi Fine & Ben Aylon 20.30 Uhr Bombino Samstag, 18.08.2018 18:00 Uhr IYASA – Africa alive 20:30 Uhr Gili Yalo Sonntag, 19.08.2018 16:00 Uhr African Royal Ballet Djiby Kouyate 18:00 Uhr Petaw Band 20:30 Uhr Quarter to Africa Montag, 20.08.2018 (Eintritt frei) 18:00 Uhr Souldja 20:30 Uhr Elvis Zuma & Sky Peace Band Dienstag, 21.08.2018 18:00 Uhr Superjam 20.30 Uhr Cloud Tissa & House of Riddim Afrika Tage, 14. -
György Ligeti and the Future of Maverick
! György Ligeti and the Future of Maverick Modernity Conference soundSCAPE Festival, 14 July 2014 www.soundSCAPEfestival.org ! 08:00 Check In at Auditorium Città di Maccagno - via Valsecchi 23, Maccagno (VA) !light breakfast pastries, coffee and water will be available for conference presenters 09:15 Welcome Address !Nathanael May, Artistic Director; soundSCAPE !Session 1: Analysis 09:30 Ligeti’s Aventures and Nouvelles Aventures: An exploration of musical technique !Benjamin Levy, Assistant Professor of Music Theory; University of California, Santa Barbara 10:00 The Transcendental Perception of the Piano Concerto (1st movement) by György Ligeti !Lee Kar Tai Phoebus, Teaching Assistant; The Chinese University of Hong Kong 10:30 Timbre and Space in Ligeti's Music !Lukas Haselboeck, Assistant Professor for Music Analysis; University of Music Vienna !11:00 ~ break ~ !Session 2: Performance 11:30 Poème Symphonique: A digital reconstruction !Jason Charney, Bowling Green State University 12:00 Performing Ligeti’s Violin Concerto: A work for the present day !Jane Roper, Professor for Academic Studies; Royal College of Music 12:30 Ligeti and Performance Skills !Peter Susser, Director of Undergraduate Musicianship; Columbia University !13:00 ~ lunch ~ not provided !Session 3: Philosophies 14:30 Codes, Constraints, and the Loss of Control in Ligeti’s Keyboard Works !Amy Bauer, Associate Professor of Music; University of California, Irvine 15:00 Ligeti the Maverick? An Examination of Ligeti’s Ambivalent Role in Contemporary Music !Mike Searby, Principal -
The World of Music
Contents •1 the world of music vol. 45(2) - 2003 Traditional Music and Composition For György Ligeti on his 80th Birthday Max Peter Baumann Editor Jonathan Stock Co-Editor Ashok D. Ranade Christian Utz Guest Editors Tina Ramnarine Book Review Editor Gregory F. Barz CD-Review Editor VWB – Verlag für Wissenschaft und Bildung Berlin 2003 2• the world of music 44 (2) - 2002 Contents •3 Journal of the Department of Ethnomusicology Otto-Friedrich University of Bamberg Vol. 45 (2) – 2003 CONTENTS Traditional Music and Composition For György Ligeti on his 80th Birthday Articles Christian Utz Listening Attentively to Cultural Fragmentation: Tradition and Composition in Works by East Asian Composers . 7 Franki S. Notosudirdjo Kyai Kanjeng: Islam and the Search for National Music in Indonesia . 39 Barbara Mittler Cultural Revolution Model Works and the Politics of Modernization in China: An Analysis of Taking Tiger Mountain by Strategy . 53 Stephen Andrew Ligeti, Africa and Polyrhythm . 83 Taylor Ashok D. Ranade Traditional Musics and Composition in the Indian Context . 95 Composers’ Statements Sandeep Bhagwati Stepping on the Cracks, Or, How I Compose with Indian Music in Mind . 113 Guo Wenjing Traditional Music as Material . 125 Kim Jin-Hi Living Tones: On My Cross-cultural Dance-music Drama Dragon Bond Rite . 127 4• the world of music 44 (2) - 2002 Koo Bonu Beyond “Cheap Imitations” . 133 Lukas Ligeti On My Collaborations with Non-Western Musicians and the Influence of Technology in These Exchanges 137 Qin Wenchen On Diversity . 143 Takahashi Ysji Two Statements on Music . 147 Book Reviews (Tina K. Ramnarine, ed.) From the Book Reviews Editor . -
11-21-09 Percussion Ensemle Prog
Williams College Department of Music Williams Percussion Ensemble Noise/Signal Matthew Gold, director Zoltán Jeney impho 102/6 (1978) Alex Creighton ’10 and if i were in, on, or around (2009) * Brian Simalchik ’10 for percussion quartet Giacinto Scelsi I Riti: Ritual March The Funeral of Achilles (1962) James Romig The Frame Problem (2003) for percussion trio Elliott Sharp Saturate (1993) for baritone saxophone, electric guitar, piano, and percussion Currents - An electronic sound exploration and collaboration between Peter Wise and the Williams Percussion Ensemble Michel van der Aa Between (1997) ** for percussion quartet and soundtrack ** world premiere ** U.S. premiere Saturday, November 21, 2009 8:00 p.m. Chapin Hall Williamstown, Massachusetts Upcoming Events: See music.williams.edu for full details and to sign up for the weekly e-newsletters. 11/22: Shhh Free Sunday: Brooks-Rogers Recital Hall, 1:00 p.m. 11/30: Visiting Artist: Bösendorfer Concert–Seymour Lipkin, Chapin Hall, 8:00 p.m. 12/1: Studio Recital: Violin, Brooks-Rogers Recital Hall, 2:00 p.m. 12/1: Seymour Lipkin Piano Master Class, Brooks-Rogers Recital Hall, 4:15 p.m. 12/2: MIDWEEKMUSIC, Chapin Hall Stage, 12:15 p.m. 12/3: Class of 1960 Lecture: Prof. Elaine Sisman, Bernhard Room 30, 4:15 p.m. 12/4: Williams Symphonic Winds and Opus Zero Band, MASS MoCA, 8:00 p.m. 12/5: Service of Lessons and Carols, Thompson Memorial Chapel, 4:00 p.m. 12/6: Service of Lessons and Carols, Thompson Memorial Chapel, 4:00 p.m. 12/6: Studio Recital: Chamber Music (Winds and Strings), Brooks-Rogers Recital Hall, 7:30 p.m. -
Embodied Rhythm Lukas Ligeti
! Polymeters, Body, and Mind: One Musician’s Creative Experiments with (Dis)embodied Rhythm Proceedings of A Body of Knowledge - Embodied Cognition and the Arts conference CTSA UCI 8-10 Dec 2016 Lukas Ligeti Polymeters, Body, and Mind: One Musician’s Creative Experiments with (Dis)embodied Rhythm As a young music student in Vienna, Austria, I attended several lectures by the ethnomusicologist Gerhard Kubik at the University of Vienna. One form of music he presented, the ancient court music of the Kingdom of Buganda, now in Uganda, completely changed my way of thinking about music. I was an aspiring drummer and composer, learning the craft of my trade, but hoping to become an innovative artist. The most inspiring thing I could have asked for was to find out about a conceptual approach to music that was entirely new to me, and the music of Buganda launched me on a road of experimentation and discovery that continues until today. I am not interested in imitating the music of the Baganda or in appropriating it by taking recognizable elements out of context to use as exotic ornaments for my own music otherwise located in my everyday cultural environment. Rather, my music builds upon the way this tradition makes use of a kind of meta-hearing in order to open doors to new ways for musicians to relate to one another in performance. Among the results of my research and experimentation has been the development of techniques of polymetric and polytempo interplay in ensembles, hopefully leading to new ways of listening to and understanding music, for both performing musicians and audiences; this can be done, to very different effect, both with and without computer technology. -
Bending Towards the Light a Jazz Nativity
December 2011 | No. 116 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com bending towards the light a jazz nativity HOLIDAYGIFT GUIDE VINCENT •••••LUKAS BAIKIDA OGUN FESTIVAL EVENT CHANCEY LIGETI CARROLL RECORDS REPORTS CALENDAR The Holiday Season is kind of like a mugger in a dark alley: no one sees it coming and everyone usually ends up disoriented and poorer after the experience is over. 4 New York@Night But it doesn’t have to be all stale fruit cake and transit nightmares. The holidays should be a time of reflection with those you love. And what do you love more Interview: Vincent Chancey than jazz? We can’t think of a single thing...well, maybe your grandmother. But 6 by Anders Griffen bundle her up in some thick scarves and snowproof boots and take her out to see some jazz this month. Artist Feature: Lukas Ligeti As we battle trying to figure out exactly what season it is (Indian Summer? 7 by Gordon Marshall Nuclear Winter? Fall Can Really Hang You Up The Most?) with snowstorms then balmy days, what is not in question is the holiday gift basket of jazz available in On The Cover: A Jazz Nativity our fine metropolis. Celebrating its 26th anniversary is Bending Towards The 9 by Marcia Hillman Light: A Jazz Nativity (On The Cover), a retelling of the biblical story starring jazz musicians like this year’s Three Kings - Houston Person, Maurice Chestnut and Encore: Lest We Forget: Wycliffe Gordon (pictured on our cover) - in a setting good for the whole family. -
Downloads, the Bandleader Composed the Entire Every Musician Was a Multimedia Artist,” He Said
AUGUST 2019 VOLUME 86 / NUMBER 8 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert.