JI Pg 01-04 Dec 10 Cover

Total Page:16

File Type:pdf, Size:1020Kb

JI Pg 01-04 Dec 10 Cover Another Side Forgotten Heroes Carob Creations Settlers provide journalists with A new film highlights Turkish Tu b’Shevat is the perfect time an alternative perspective / 5 diplomats who saved Jews / 13 to try out new recipes / 15 Jew sh Formerly the Jewish Western BulletinIndependent jewishindependent.ca $60 FOR HOME DELIVERY, $28 FOR E-DELIVERY • FEBRUARY 3, 2012/10 SHEVAT 5772 Serving British Columbia since 1930 Chutzpah’s global music mix Rejoicing in the desert life Israel’s Hadag Nahash will have their Vancouver debut. BASYA LAYE CYNTHIA RAMSAY C raditionally, through O “I’m here more than 30 “ U Tu b’Shevat, we en- R years – I’m a farmer … I was T C E O courage our sup- S the manager of Moshav Tzo- Y U R O T porters to donate far, I was the head of the re- T F E J S N Y money for planting more search and development, I F O F trees in various areas in Is- was a volunteer…. I always C H rael. This year, we are privi- U say that the disadvantages T Z leged to get on board a most are the advantages of the Ar- P A H unique project,” explained ava. So, the Arava is an iso- ! local Jewish National Fund lated area with a beautiful shaliach Micky Goldwein to desert, a very tough desert; the Independent. it’s a huge challenge to de- “Through Tu b’Shevat, our velop it and to bring more volunteers will call our com- people down to the region. munity members, asking Understanding that every- Ezra Ravins them to ‘give a hand’ for thing is ‘impossible’ – it’s im- planting more acacia trees in the Arava,” possible to do here agriculture, impossible he continued. “By doing this, we con- to do here tourism – when someone says tribute to the ecosystem of the region, we to me ‘impossible,’ I always like to do help to make the Arava greener and we things ‘possible’ [instead]. I think … when beautify the villages and kibbutzim of the you look at this region, you see how we region. What can be more attractive than developed it, you understand that the men to plant a tree in the desert, the only tree and the women, the people that came to that can exist in this region and the tree this region at the end of the ’50s and start- from which the Mishkan was built ed to settle the region, they are the really during our forefathers’ journey from Egypt special people that made the change, that Hadag Nahash comes to Vancouver for a Feb. 25 Chutzpah! concert. to Israel?” took a very, very tough desert and devel- Next week, JNF hosts Ezra Ravins, may- oped it.” ear comfortable shoes to the 2005, they received a Western Canada Mu- or of the Central Arava Regional Council, One way to attract more settlement is Commodore Ballroom on Sat- sic Awards nomination for best children’s who will speak to local Jewish day schools, by promoting economic growth and in- urday, Feb. 25. From the first recording, for “The Hero Inside,” which was Hillel students and young professionals, vestment, which necessitates good rela- Wnotes of the opening band, written for Cackleberries, an online animated in Victoria and at Congregation Beth Israel tionships with Israel’s neighbors, both in Santa Lucia, through the repertoire of the learning series. during a four-day visit. Ravins will intro- the Palestinian Authority and across the headliners, Hadag Nahash, you’ll be on the Hadag Nahash has won multiple awards. duce the Adopt-an-Acacia campaign and border in Jordan. floor dancing. Since 1996, the band has been not only rockin’ talk about the Central Arava, an area that Like any desert region, the number one Chutzpah! The Lisa Nemetz Showcase of the house, so to speak, but shakin’ up Israel’s covers six percent of the land of Israel. issue is lack of water, and this is a prob- Jewish Performing Arts is bringing Israeli band political and social scenes. As much as they In an interview, Ravins described the lem that requires cross-border cooperation. Hadag Nahash to Vancouver for the first time. are known and have been honored for their challenges that people in the Arava expe- “We have a problem of water in the desert, The promotional material describes their mu- musical ability, Hadag Nahash’s songs, which rience and some of the projects that are on the Jordanian side and the Israeli side…. sic as “a sonic melting pot of hip hop, rock, “call for peace, tolerance and equality and in- critical to the sustainability of the region. Today, we have 52 wells that supply the wa- jazz, reggae and electro-funk, with hard-dri- clude provocative and controversial left-lean- “It’s impossible to live in the desert,” ter. A lot of these wells have very tough, ving grooves and a Middle Eastern flavor,” ing lyrics of political protest ... ha[ve] become Ravins said of life-at-first-glance in the Ara- salty water and we have to bring sweeter which a listen bears out. Its energetic and mul- part of the soundtrack for progressive strug- va. “This is a desert of 30 millimetres [of rain] water [here]. When we’re talking ticultural rhythms mix well with Vancouver- gles within and beyond Israel.” a year and, the truth is, the first settlers came about environmental issues, we PM 40051198 based Santa Lucia’s self-described “sound that About their social activism, band front man here in 1959 and I heard from the politicians have to be very sensitive when evokes the early days of Latin funk ... [an] ad- Sha’anan Streett told the Independent in an e- that came down in those days, and even we’re developing the region be- dictive combination of Nuyorican Boogaloo, mail interview, “I don’t know about ‘inten- ministers, that they said to the first settlers, cause the region has a lot of na- West Coast funk and the ever-present Cuban tion,’ but it was definitely part of who we are ‘You’re out of your mind; you can’t succeed ture reserves and we have a lot grooves ... with monstrous horns and bass, from very early on. The first song we played to settle this region.’” of animal issues and tree issues” funky breaks, polyrhythmic beats and furious together is called ‘Shalom Salaam Peace,’ and The residents of the region have proven that they want to preserve, he lyrics in English and Spanish.” we’ve been playing volunteer gigs for just those naysayers wrong, however, and to- continued. The music will speak for itself for the most causes for as long as we’ve existed.” day more than 3,000 people call the area This is where the Adopt-an- part but, for those who understand Hebrew He added, “In the band and in my/our home. As a consequence of this growth, Acacia campaign comes in. “Aca- and Spanish, it will communicate even more. personal life, I try to help do what’s need- the area will be breaking ground on a new cia is, perhaps, a symbol, it’s the Santa Lucia – Byron Russell (saxophone), ed most. Another thing is – it’s easier to raise school for the first time in 40 years. Located main tree in the region, it’s the Anthony “Chiko” Misomali (drums), German awareness for important stuff when you midway between the Dead and Red seas, only kind of tree that can grow in Cantillo (guitar and vocals), Colin Maskell have a successful band like Hadag Nahash much of the region is below sea level, the region,” Ravins said of the (tenor sax), Ryan Conroy (bass) and “Choco- on your side.” which is an obstacle to population growth. hardy species. “It’s a tree that late” Gonzales (trumpet and percussion) – Hadag Nahash is comprised of Streett, As the mayor and as a resident, Ravins is we’re trying to save and to plant, have three full-length albums to their credit. who composes many of the songs, on vo- more circumspect, however, when listing to bring more trees into the re- On their website, the description of Suppressed cals, Moshe Asaraf on drums, Yaya Cohen the area’s disadvantages, and for good rea- gion, because the last few years Anthems, which was released last year, in- Harounoff on bass guitar, David Klemes on son: the area is home to several innova- there’s been very little rain, and cludes the comment, “Latin revolutionary slo- keyboards, Shlomi Alon on saxophone, EWI tive agricultural and research and sometimes, because of the de- ganeering, environmental concerns, global (electronic wind instrument) and vocals, and development institutions and companies velopment of agriculture, some politics and clenched-fist leftist anthems all that have made significant advances in a bounce over the band’s leftist grooves....” In Please see HADAG on page 4 relatively short period of time. Please see RAVINS on page 12 Food Cover Story RAVINS from page 1 of these trees are dying. It’s a very im- don’t want anyone to know about it, thinking together and solving all kinds portant tree to the ecological system in everything has to be quiet, but we have of problems. Sometimes people say, Eve of tasting food the Arava. This is something we’re work- negotiations with the Jordanians, we a lot of people say, ‘it’s impossible to ing on, on the Israeli side and, I believe, have small projects with them and the grow in salty water’ – we grow in nline food and drink guide Vancouver Food- in the future we’re going to start work- last few months, when what we call the salty water; ‘it’s impossible to eradicate ster and Taste and Sip Magazine are present- ing together with the Jordanians.” Arab Spring started to spread around the pests’ – we do it; ‘it’s impossible to do ing Tasting Plates Vancouver on Wednesday, Other projects with the Jordanians Middle East, there were also a lot of ten- biological control in peppers’ – we OFeb.
Recommended publications
  • Jews and the West Legalization of Marijuana in Israel?
    SEPTEMBER 2014 4-8 AMBASSADOR LARS FAABORG- ANDERSEN: A VIEW ON THE ISRAELI – PALESTINIAN CONFLICT 10-13 H.Е. José João Manuel THE FIRST AMBASSADOR OF ANGOLA TO ISRAEL 18-23 JEWS AND THE WEST AN OPINION OF A POLITOLOGIST 32-34 LEGALIZATION OF MARIJUANA IN ISRAEL? 10 Carlibah St., Tel-Aviv P.O. Box 20344, Tel Aviv 61200, Israel 708 Third Avenue, 4th Floor New York, NY 10017, U.S.A. Club Diplomatique de Geneva P.O. Box 228, Geneva, Switzerland Publisher The Diplomatic Club Ltd. Editor-in-Chief Julia Verdel Editor Eveline Erfolg Dear friends, All things change, and the only constant in spectrum of Arab and Muslim opinions, Writers Anthony J. Dennis the Middle East is a sudden and dramatic just as there is a spectrum of Jewish Patricia e Hemricourt, Israel change. opinions. Ira Moskowitz, Israel The Middle East is a very eventful region, As one of the most talented diplomats in Bernard Marks, Israel where history is written every day. Here history of diplomacy, Henry Kissinger Christopher Barder, UK you can witness this by yourself. It could said: “It is not a matter of what is true that Ilan Berman, USA be during, before or after a war – between counts, but a matter of what is perceived wars. South – North, North – South, to be true.” war – truce, truce – war, enemy – friend, Reporters Ksenia Svetlov Diplomacy, as opposed to war, facilitates Eveline Erfolg friend – enemy… Sometimes, these words (or sometimes hinders) conflict prevention David Rhodes become very similar here. and resolution, before armed conflict Neill Sandler “A la guerre comme à la guerre” and begins.
    [Show full text]
  • SANTA-LUCIA-LFR-BIO.Pdf
    Vocals and Guitar Alto Sax German Cantillo Byron Russell Drums Trombone Stefan Grabowsky Kevin Tang Bass Trumpet Luis Garzon Jeremy Vint Latin Percussion (additional) Luis Aulestia Sound Engineer (additional) Marcos Porras .…………………………………………………………………………………………………………………………………… www.santaluciamusic.com (604) 306-0701 [email protected] Like a multi-ethnic gathering of friends, this seven member band has created a sound that evokes the early days of Latin Rock (Santana, War, etc.), while adding their own blend of Funk grooves. Lead by Nicaraguan frontman German Cantillo the band has an addictive combination of Nuyorican Boogaloo, West Coast Funk and the ever present Cuban grooves engulfing the stage with monstrous horns and bass, funky breaks with furious lyrics in English and Spanish. Relocating to Vancouver via Winnipeg, Santa Lucia LFR recorded their first album Album in 2001 with producer Darryl Nuedorf (Sarah McLachlan, Neko Case). Officially making the band the first Rock en Español album produced in Western Canada. In 2006, Santa Lucia released their second full length album, “The Streets / Las Calles” with legendary producer Larry Anschell (Nickelback, Pearl Jam) from Turtle Recording Studios in White Rock, BC Canada. Santa Lucia successfully supported “The Streets / Las Calles” with countless West Coast dates and major open air festivals including; Vancouver International Jazz Festival, Vancouver Dragon Boat Festival, as well as many out of town festivals including The Ness Creek Music Festival in Saskatchewan, Folk on the Rocks Festival in Yellowknife NWT, Victoria Jazz Festival, Edge of the World. Because of their great appeal and versatility of their music they are welcomed in nearly every kind of festival such as Salmon Arm Blues & Roots Festival, Victoria Ska Fest, Vancouver Dragon Boast Fest to Taste of Fernie and Okanagan Winery shows series at Tinhorn Creek.
    [Show full text]
  • Received by NSD/FARA Registration Unit 07/29/2015 2:03:59 PM U.S. Department of Justice Supplemental Statement Washington, DC 20
    Received by NSD/FARA Registration Unit 07/29/2015 2:03:59 PM OMB No. 1124-0002; Expires April 30,2017 u.s. Department of justice Supplemental Statement Washington, DC 20530 Pursuant to the Foreign Agents Registration Act of 1938, as amended For Six Month Period Ending 06/30/2015 (Insert date) I-REGISTRANT 1. (a) Name of Registrant (b) Registration No. Ceisler Media & Issue Advocacy, LLC 6266 (c) Business Address(es) of Registrant 1525 Locust Street Sixth Floor Philadelphia, PA 19102 2. Has there been a change in the information previously furnished in connection with the following? (a) If an individual: (1) Residence address(es) Yes • No • (2) Citizenship Yes • No • (3) Occupation Yes • No • (b) If an organization: (1) Name Yes • No H • (2) Ownership or control Yes • No _ (3) Branch offices Yes • No 0 (c) Explain fully all changes, if any, indicated in Items (a) and (b) above. IF THE REGISTRANT IS AN INDIVIDUAL, OMIT RESPONSE TO ITEMS 3,4, AND 5(a). 3. If you have previously filed Exhibit C1, state whether any changes therein have occurred during this 6 month reporting period. Yes • No B If yes, have you filed an amendment to the Exhibit C? YesD Nod] If no, please attach the required amendment. 1 The Exhibit C, for which ho printed form is provided, consists of a true copy ofthe charter, articles of incorporation, association, and by laws of a registrant that is an : organization. (A waiver of the requirement to file an Exhibit C may be obtained for good cause upon written application to the Assistant Attorney General, National Security Division, U.S.
    [Show full text]
  • View the 2012 Program
    → JAN "#$FEB %, &'"& INTERNATIONAL PERFORMING ARTS FESTIVAL THEATRE ( DANCE ( MULTIMEDIA ( MUSIC Proud media sponsor for 2012 PuSh International Performing Arts Festival Vancouver's leading arts source. STAY CONNECTED AT STRAIGHT.COM & CURATORIAL MESSAGE » Thank the cultural gods, then, for the PuSh International Performing Arts Festival, a beacon of avant-garde light in the dead of winter « The Globe and Mail D STORIES. WE ALL HAVE THEM TO TELL...AND WE ALL PuSh audiences will be thrilled with the return of TABLE OF CONTENTS SHARE THEM WITH THOSE AROUND US. Our stories can two Festival favourites. Argentinean born writer/ reveal a personal triumph, gut-wrenching decision, director Mariano Pensotti, who last year brought to !" misadventure, passionate love entanglement, loss of life the streets of Gastown with La Marea, brings his !# 1 a loved one, an injustice, relocation, or a milestone latest extravaganza El pasado es un animal grotesco. event. It's the stories of our domestic and public Tokyo's Toshiki Okada (Five Days in March, 2009) $! 4 memory that can bring clarity to our reality. returns with another insightful and wry take on $$ 8 contemporary life with Hot Pepper, Air Conditioner, $% The last two years have held watershed moments and the Farewell Speech. $& for Vancouver. Having celebrated the 2010 Winter $' Olympics and the city’s 125th Anniversary in This year, PuSh shines a special spotlight on $( ; ; consecutive years, Vancouver's visibility and cultural contemporary Aboriginal performing arts. Highlights influence has exploded and made international are the hip hop performance collective Beat Nation $) headlines. Like any cosmopolitan city, Vancouver has Live, Toronto’s Native Earth Performing Arts with $* < on offer a remarkable cultural richness.
    [Show full text]
  • Music in Conflict: Palestine, Israel, and the Politics of Aesthetic Production
    Music in Conflict: Palestine, Israel, and the Politics of Aesthetic Production Nili Belkind Submitted in partial fulfillment of the Requirements for the degree Of Doctor of Philosophy In the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Nili Belkind All Rights Reserved ABSTRACT Music in Conflict: Palestine, Israel and the Politics of Aesthetic Production Nili Belkind This is an ethnographic study of the fraught and complex cultural politics of music making in Palestine-Israel in the context of the post-Oslo era. I examine the politics of sound and the ways in which music making and attached discourses reflect and constitute identities, and also, contextualize political action. Ethical and aesthetic positions that shape contemporary artistic production in Israel-Palestine are informed by profound imbalances of power between the State (Israel), the stateless (Palestinians of the occupied Palestinian territories), the complex positioning of Israel’s Palestinian minority, and contingent exposure to ongoing political violence. Cultural production in this period is also profoundly informed by highly polarized sentiments and retreat from the expressive modes of relationality that accompanied the 1990s peace process, strategic shifts in the Palestinian struggle for liberation, which is increasingly taking place on the world stage through diplomatic and cultural work, and the conceptual life and currency Palestine has gained as an entity deserving of statehood around the world. The ethnography attends to how the conflict is lived and expressed, musically and discursively, in both Israel and the occupied Palestinian territories (oPt) of the West Bank, encompassing different sites, institutions and individuals. I examine the ways in which music making and attached discourses reflect and constitute identities, with the understanding that musical culture is a sphere in which power and hegemony are asserted, negotiated and resisted through shifting relations between and within different groups.
    [Show full text]
  • Corpus Antville
    Corpus Epistemológico da Investigação Vídeos musicais referenciados pela comunidade Antville entre Junho de 2006 e Junho de 2011 no blogue homónimo www.videos.antville.org Data Título do post 01‐06‐2006 videos at multiple speeds? 01‐06‐2006 music videos based on cars? 01‐06‐2006 can anyone tell me videos with machine guns? 01‐06‐2006 Muse "Supermassive Black Hole" (Dir: Floria Sigismondi) 01‐06‐2006 Skye ‐ "What's Wrong With Me" 01‐06‐2006 Madison "Radiate". Directed by Erin Levendorf 01‐06‐2006 PANASONIC “SHARE THE AIR†VIDEO CONTEST 01‐06‐2006 Number of times 'panasonic' mentioned in last post 01‐06‐2006 Please Panasonic 01‐06‐2006 Paul Oakenfold "FASTER KILL FASTER PUSSYCAT" : Dir. Jake Nava 01‐06‐2006 Presets "Down Down Down" : Dir. Presets + Kim Greenway 01‐06‐2006 Lansing‐Dreiden "A Line You Can Cross" : Dir. 01‐06‐2006 SnowPatrol "You're All I Have" : Dir. 01‐06‐2006 Wolfmother "White Unicorn" : Dir. Kris Moyes? 01‐06‐2006 Fiona Apple ‐ Across The Universe ‐ Director ‐ Paul Thomas Anderson. 02‐06‐2006 Ayumi Hamasaki ‐ Real Me ‐ Director: Ukon Kamimura 02‐06‐2006 They Might Be Giants ‐ "Dallas" d. Asterisk 02‐06‐2006 Bersuit Vergarabat "Sencillamente" 02‐06‐2006 Lily Allen ‐ LDN (epk promo) directed by Ben & Greg 02‐06‐2006 Jamie T 'Sheila' directed by Nima Nourizadeh 02‐06‐2006 Farben Lehre ''Terrorystan'', Director: Marek Gluziñski 02‐06‐2006 Chris And The Other Girls ‐ Lullaby (director: Christian Pitschl, camera: Federico Salvalaio) 02‐06‐2006 Megan Mullins ''Ain't What It Used To Be'' 02‐06‐2006 Mr.
    [Show full text]
  • LA DISPARITION DE LA POLITIQUE : LE RAP ENTRE ISRAËL ET LA PALESTINE, ENTRE JUIFS ET ARABES Anna Zielinska
    LA DISPARITION DE LA POLITIQUE : LE RAP ENTRE ISRAËL ET LA PALESTINE, ENTRE JUIFS ET ARABES Anna Zielinska La Découverte | « Mouvements » Document téléchargé depuis www.cairn.info - Université de Lorraine 193.50.135.4 03/12/2018 19h21. © La Découverte 2018/4 n° 96 | pages 102 à 110 ISSN 1291-6412 ISBN 9782348040870 Article disponible en ligne à l'adresse : -------------------------------------------------------------------------------------------------------------------- https://www.cairn.info/revue-mouvements-2018-4-page-102.htm -------------------------------------------------------------------------------------------------------------------- Distribution électronique Cairn.info pour La Découverte. © La Découverte. Tous droits réservés pour tous pays. La reproduction ou représentation de cet article, notamment par photocopie, n'est autorisée que dans les limites des conditions générales d'utilisation du site ou, le cas échéant, des conditions générales de la licence souscrite par votre établissement. Toute autre reproduction ou représentation, en tout ou partie, sous quelque forme et de quelque manière que ce soit, est interdite sauf accord préalable et écrit de l'éditeur, en dehors des cas prévus par la législation en vigueur en France. Il est précisé que son stockage dans une base de données est également interdit. Document téléchargé depuis www.cairn.info - Université de Lorraine 193.50.135.4 03/12/2018 19h21. © La Découverte Powered by TCPDF (www.tcpdf.org) La disparition de la politique : le rap entre Israël et la Palestine, entre Juifs et Arabes Document téléchargé depuis www.cairn.info - Université de Lorraine 193.50.135.4 03/12/2018 19h21. © La Découverte PAR ANNA Le rap israélien aurait pu être un instrument de revendication ZIELINSKA* puissant, et sur ses marges il l’est certainement.
    [Show full text]
  • Two Congregations Hire Spiritual Leaders Young Rabbi Tapped to Lead K.I
    $1.00 The KANSAS CITY Volume 92, Number 7 www.kcjc.com February 16, 2012 jewish chronicle Two congregations hire spiritual leaders Young rabbi tapped to lead K.I. NRT offers rabbi permanent position By Barbara Bayer By Barbara Bayer Editor Editor Rabbi Shmuly Yanklowitz has been The board of directors of The New chosen by Kehilath Israel Synagogue to Reform Temple has recommended that serve as its next rabbi. Rabbi Yanklow- Rabbi Alan Londy be retained as the itz will take over Aug. 13, when Senior congregation’s permanent rabbi. Rabbi Rabbi Herbert H. Mandl retires after Londy began serving the Reform con- serving the traditional congregation for gregation on an interim basis on July 1, 35 years. 2011, while it searched for a permanent K.I. President Steve Osman said rabbi to replace Rabbi Jacques Cukier- the congregation’s board of directors korn. In late December 2010 the congre- unanimously approved the search com- gation announced that Rabbi Cukier- mittee’s recommendation to hire Rabbi korn’s contract would not be renewed Yanklowitz. The search committee was and the congregation and the rabbi end- chaired by Geoff Friedman. Osman said ed its professional relationship in April K.I. is very excited to welcome Rabbi 2011. Yanklowitz to the area. Michael Grossman, NRT’s presi- “We believe he will not only carry dent, said the congregation’s member- on the traditions followed for nearly 102 ship will vote on this recommendation years, but revitalize and bring a new during a special membership meeting sense of spirituality to our member- following Shabbat services on March ship,” Osman said.
    [Show full text]
  • THE ISRAEL ENGAGED CAMPUS a Joint Initiative of the Jewish Agency and Hillel
    THE ISRAEL ENGAGED CAMPUS A joint initiative of The Jewish Agency and Hillel EDUCATIONAL MATERIALS 1 Table of Contents HaDag Nahash Workshop .....................................................................................................................5 Bella Bellissima ..............................................................................................................................8 Rak Po – Only Here ....................................................................................................................... 13 Here I Come ................................................................................................................................ 16 Time to wake up .......................................................................................................................... 19 Friday – Yom Shishi ...................................................................................................................... 21 Film Series Metallic Blues ..................................................................................................................................... 25 Waltz With Bashir................................................................................................................................ 28 Aviva My Love..................................................................................................................................... 46 Joy ..................................................................................................................................................
    [Show full text]
  • BIOGRAPHY 2000, “The Groove Machine” (HAMECHUNA SHEL HAGROOVE) Booming out of Jerusalem in 1996 HADAG NAHASH, Became the Biggest Band Israel Has to Offer
    DISCOGRPAHY BIOGRAPHY 2000, “The Groove Machine” (HAMECHUNA SHEL HAGROOVE) Booming out of Jerusalem in 1996 HADAG NAHASH, became the biggest band Israel has to offer. Its music 2002, “To Move” (LAZUZ) (Attained gold status) combines fresh Hip Hop, rock, reggae and funk sounds, and bringing forth tight grooves with Middle 2004, “Local Substance” (HOMER MEKOMY) (Attained Platinum status) Eastern flavor. Their unique sound attracted many dedicated followers, as well as vast media reception. 2006, “With the Help of Jam” (BEEZRAT HAJAM) (Attained gold status) They've gained momentum year after year, and today are considered the best selling Hip Hop artist in Israel. 2008, Live CD/DVD 2010, Fifth Studio album (TBA) Early in their career, Hadag Nahash managed to walk the fine line between popularity to social agenda. Known for their feverish agenda, they've become the social moral critics of Israeli society. Their songs promote equality and civil rights, and create a soundtrack to the local struggle against racism and corruption. This unique perspective made them the center of attention, both internationally as well as locally. Throughout the years, Hadag Nahash members have volunteered for various social causes around AWARDS AND RECOGNITION Israel. They are especially known for their activity in "the one shekel festival", which is an NGO aimed at 2003 AKUM lyricist of the year bridging cultural gaps, that was created by band member Shaanan Streett some nine years ago 2003 MTV and “HaIr” Newspaper album of the year for “To Move” (Lazuz) 2005 AMI band of the year Almost a decade after their debut album, their bass vibes still boom the radio stations in Israel.
    [Show full text]
  • Israel Story's Mixtape
    ISRAEL STORY’S MIXTAPE THE STORIES BEHIND ISRAEL’S ULTIMATE PLAYLIST EDUCATIONAL RESOURCE Photo Courtesy Israel Story TABLE OF CONTENTS INTRODUCTION AND RATIONALE USING ISRAEL STORY MIXTAPE IN THE CLASSROOM EPISODE 4 Background and Summary Songs Speaker/Personality Description and Bios Themes Discussion Questions Recommended Activities Resources Songbook— heb/eng/transliteration ACCESS TO ISRAEL STORY MIXTAPE EPISODE 4 https://israelstory.org/episode/39-mixtape-part-iv-war-peace-bumper-stickers/ theicenter.org INTRODUCTION AND RATIONALE Music and song play a central role in Israel’s culture. From the early pioneers, who adapted their songs to their new homeland, to the contemporary sound and verse of today’s poets and lyricists—The playlist evolves to reflect the changing history of Israel. As educators, we recognize the power of music. These materials harness that power to inspire connections to the land and people of Israel through their music. Israeli music has the power to connect us. Mixtape, an Israel Story podcast series, provides an in-depth exploration of Israel’s ultimate playlist. This four-part musical journey takes us through anthems, songs of yearning and songs of war, and peace, showcasing the stories behind some of Israel’s most iconic tunes. Mixtape offers a multimedia experience, using sound (podcast), visual (YouTube videos), written text, and an online presence. We offer this educational guide to support educators as they employ Israel Story Mixtape as a tool for connecting to Israel’s accomplishments and complexities. theicenter.org HOW TO USE MIXTAPE Educators have been using podcasts as a classroom tool for more than a decade—but as their popularity continues to grow, educators are finding new ways to bring them into the classroom.
    [Show full text]
  • City Research Online
    City Research Online City, University of London Institutional Repository Citation: Crowdus, Miranda (2016). Hip hop in South Tel Aviv: third space, convergent dispossession(s), and intercultural communication in urban borderlands. (Unpublished Doctoral thesis, City, University of London) This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/15958/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] Miranda L. Crowdus Hip Hop in South Tel Aviv: Third-Space, Convergent Dispossession(s), and Intercultural Communication in Urban Borderlands PhD City University London Department of Music School of Arts and Social Sciences July 2016 1 . THE FOLLOWING ITEMS HAVE BEEN REDACTED FOR COPYRIGHT REASONS: p.121 Figure 13 p.124 Figure 14 p.137 Figure 15 p.142 Author’s translation p.143 Author’s translation p.150 Author’s translation p.177 Author’s translation p.178 Author’s translation p.201 Figure 17 p.204 Figure 18 p.215 Figure 21 p.218 Author’s translation 2 Declaration For the purposes of a thesis submitted for the degree of PhD to City University London, I hereby declare that the work presented in this thesis is my own and that any sources that are not my own have been properly acknowledged.
    [Show full text]