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January / February
CELTIC MUSIC • KENNY HALL • WORLD MUSIC • KIDS MUSIC • MEXICAN PAPER MAKING • CD REVIEWS FREE Volume 3 Number 1 January-February 2003 THE BI-MONTHLY NEWSPAPER ABOUT THE HAPPENINGS IN & AROUND THE GREATER LOS ANGELES FOLK COMMUNITY A Little“Don’t you know that Folk Music Ukulele is illegal in Los Angeles?” — WARREN C ASEYof theWicket Tinkers is A Lot of Fun – a Beginner’s Tale BY MARY PAT COONEY t all started three workshop at UKE-topia hosted by Jim Beloff at years ago when I McCabe’s Guitar Shop in Santa Monica. I was met Joel Eckhaus over my head in about 15 minutes, but I did at the Augusta learn stuff during the rest of the hour – I Heritage Festival just couldn’t execute any of it! But in Elkins, West my fear of chords in any key but I Virginia. The C was conquered. Augusta Heritage The concert that Festival is has been in existence evening was a for over 25 years, and produces delight with an annual 5-week festival of traditional music almost every uke and dance. Each week of the Festival specialist in the explores different styles, including Cajun, SoCal area on the bill. Irish, Old-Time, Blues, Bluegrass. The pro- The theme was old gram also features folk arts and crafts, espe- time gospel, in line with cially those of West Virginia. Fourteen years the subject of Jim’s latest ago Swing Week was instigated by Western book, and the performers that evening had Swing performers Liz Masterson and Sean quite a romp – some playing respectful Blackburn of Denver, CO as a program of gospel, and others playing whatever they music. -
WRIR World Music Playlists January 4, 2009 9:50:39 PM EST "Global a Go-Go"
"Global A Go-Go" WRIR World Music Playlists January 4, 2009 9:50:39 PM EST "Global A Go-Go" Bill Lupoletti Assistant Music Director for World Music Host, "Global A Go-Go" (Friday 5-7 PM) WRIR 97.3 FM Richmond Independent Radio xxx XXX YTKT"Yqtnf"Owuke"Vqr"Vgp"*yjcv"yg"yqwnf"jcxg"tgrqtvgf"vq"EOL+ 1 Orchestre Poly-Rythmo De Cotonou - The Vodoun Effect - Analog Africa 2 Juana Molina - Un Dia - Domino 3 A.R. Rahman - Slumdog Millionaire - NEET 4 Bio Ritmo - Bionico - Locutor 5 Rainbow Arabia - The Basta - Tiny Man/Manimal Vinyl 6 Dub Gabriel - Anarchy & Alchemy - Destroy All Concepts 7 Calexico - Carried To Dust - Quarterstick 8 El Guincho - Alegranza! - XL 9 Vishal-Shekhar - Dostana - Sony BMG 10 Vishal-Shekhar - De Taali - T-Series Pgy"("Tgeqoogpfgf"Cv"YTKT Fula Flute - Mansa America - Completelly Nuts Neo-traditional Mande music of West Africa played on flutes, balafon and kora, with outstanding singing by Abdoulaye Diabate. RIYL Super Rail Band, Francis Bebey. Kal - Radio Romanista - Asphalt Tango "Rock 'n' Roma" from this gypsy band from Serbia: aggressive music laced with electronica, hip hop and punk influences. RIYL Gogol Bordello, Emir Kusturica & The No Smoking Orchestra. Price Of Silence, The - (various artists) - Nacional An all-star cast (Aterciopelados, Emmanuel Jal, Rachid Taha, Hugh Masakela, Yerba Buena, Chiwoniso, Natalie Merchant, more) make a song and video to benefit Amnesty International. A great song for a great cause. Franco & Le TPOK Jazz - Francophonic - Stern's The definitive compilation of the definitive Congolese (maybe even the definitive African) musician, covering 1953-1980. RIYL any African or Cuban popular music at all. -
Médiagraphie MALI
Bibliothèques d’Amiens Métropole Bibliothèque Louis Aragon - Espace Image et Son MUSIQUES et MUSICIENS du MALI Médiagraphie proposée à l’occasion du Festival d’Amiens, Musiques de jazz et d’ailleurs 26-29 septembre 2013 « Le Mali est l’un des poumons musicaux de notre planète. Qu’ils chantent, pincent des cordes ou caressent la peau d’un tambour, ses musiciens sont écoutés et admirés de leurs pairs à travers le monde depuis de nombreuses années. Certains d’entre eux, comme Rokia Traoré, Ballake Sissoko, Boubacar Traoré, Mamani Keita, ou Salif Keita ont écrit les plus belles pages de notre festival. Les projets joués cette semaine sont tous inédits à Amiens et témoignent de l’incroyable culture musicale d’un pays en voie de cicratisation. » Extrait du programme du Festival LE MALI, pays d’Afrique de l’Ouest, se trouve entre le monde arabe au nord et les peuples noirs au sud. Cette situation géographique en fait un pays d’une grande richesse ethnique et musicale. La tradition qui domine encore aujourd’hui est celle des Mandingues : leur empire (XIIIe – XVIIe siècle) connut son apogée au XIVe siècle. Il s’étendait entre le Sahara et la forêt équatoriale, l’océan Atlantique et la Boucle du Niger, soit sur les actuels Mali, Burkina Faso, Sénégal, Gambie, Guinée, Guinée-Bissau, Mauritanie et une grande partie de la Côte d’Ivoire. Il laisse un puissant héritage musical, source intarissable d’inspiration pour les musiciens modernes. Perpétué et enrichi par la caste des « djeli » (griots), attachée à celle des « horon » (nobles) – pour qui les griots sont les musiciens, généalogistes et conseillers – le fonds musical mandingue est un trésor raffiné de mélodies, de contes épiques accompagnés, selon les régions par divers instruments : n’goni (harpe), kora (harpe-luth), bala (xylophone), xalam (harpe), djembé (tambour à membrane), etc… Cette tradition ancestrale se transmet de père en fils – ou de mère en fille - dans les familles de griots comme les Kouyaté, les Diabaté et les Sissoko. -
Programmation Jazz À Vienne De 1980 À 2019
PROGRAMMATION JAZZ À VIENNE DE 1980 À 2019 SOMMAIRE 1980 ............................................................................................................................................................................................. 3 1981 ............................................................................................................................................................................................. 4 1982 ............................................................................................................................................................................................. 5 1983 ............................................................................................................................................................................................. 6 1984 ............................................................................................................................................................................................. 7 1985 ............................................................................................................................................................................................. 9 1986 .......................................................................................................................................................................................... 11 1987 ......................................................................................................................................................................................... -
The Art of Creating a State
New World Academy Reader #4: a State Art — The Creating of Academy World New The Art of Creating a State New World Academy (NWA) invites Texts by: Abdallah Ag Alhousseini stateless political organizations (musician, Tinariwen, Azawad); to share with artists and students Moussa Ag Assarid (artist and their views on the role of art and diplomat, MNLA, Azawad and culture in political struggles. France); Banning Eyre (musician Together, they engage in critical and writer, United States); thinking through concrete exam- Sennhauser Keltoum Maïga (artist ples of transformative politics and and poet, Azawad and France); develop collaborative projects that Berny Sèbe (historian, United question and challenge the various Kingdom); Tinariwen (musicians, frameworks of justice and existing Azawad); and Mazou Ibrahim Touré models of representation. NWA (artist, Azawad). proposes new critical alliances between art and progressive NWA is established by artist Jonas Staal in with the National politics, as a way to confront the collaboration with BAK, basis voor actuele democratic deficit in our current kunst, and functions as a department of Liberation Movement the New World Summit, an artistic and politics economy, and culture. political organization dedicated to devel- oping alternative parliaments for stateless —Reader #4 of Azawad (MNLA) The National Liberation Movement organizations banned from democracy. of Azawad (MNLA) consists of an Future iterations of NWA will take place in a variety of political and geographic alliance of peoples from the Sahel contexts throughout the world. and Sahara regions — Tuareg, Songhai, Fula, and Arabs — who www.newworldsummit.eu collectively demand two-thirds www.bakonline.org of the northern part of Mali to The Art of become their independent, multiethnic and multireligious state of Azawad. -
KING MASSASSY, Galerie La Grand Vitrine, Arles, France, Août 2019
PHOTOGRAPHIE Expositions individuelles ON EST ENSEMBLE, Avocats sans Frontières, Pont Dorchester, Montreal, Canada - sept-oct 2019. TENIR, Taxi-Bamako, Mali, mai 2019. IRON MEN, Galerie Phœnix, Brighton, Royaume-Uni, 04 - 26 mai 2019. PieDS D’ACIER, Fondation Passerelle, Bamako, Mali, 30 nov - 12 déc 2018. INSOLENCE, Galerie Art-Z, Paris, France, 27 sept - 15 oct 2018. EAU FIL DU NIGER, Hôtel Comme chez soi, Bamako, Mali, juil. 2018. FEMMES, Fondation Passerelle, Bamako, Mali, 24 nov - 15 déc. KING 2017. MASSASSY Expositions collectives FESTIVAL LES VAGAMONDES: I WAS HERE, I SAW HERE, La Filature, Scène nationale, Mulhouse, France, janvier 2020. Photographe RENCONTRES DE BAMAKO 2019, Photographe finaliste de la Rappeur, Slameur Biennale africaine de la photographie, Mali, nov-dec 2019. FESTIVAL PAROLES INDIGO, Arles, France, oct-nov 2019. Comédien L'AFRIQUE VUE PAR ELLE-MÊME: DE MALICK SIDIBÉ À KING MASSASSY, Galerie La Grand Vitrine, Arles, France, août 2019. GORÉE REGARDS SUR COURS (Fondation Dapper), Ile de Gorée, Bamako, Mali Sénégal, 29 mars - 30 avril 2019. à l’eSt De BaMaKo, Fondation Blachère, Apt, France, 8 fév. - 04 mai 2019. Contact RENCONTRES DE BAMAKO 2017, Biennale africaine de la photographie, Mali, nov. 2017. Mail [email protected] [email protected] Revue de presse Facebook Rolling Stone France: « L'école de la vie», 25 fev.2020. kingwara Beaux Arts: «À Bamako, la photo fait de la résistance», 5 avril 2019. Instagram Le Point : « King Massassy le Mali une démocratie qui marche à couleur : fototala_king_massassy N&B : fototala_k_m_bnw/ cloche pied », 25 juil. 2018. Les Inrocks : « À Bamako l’Afrique regarde son futur en photo », 07 Téléphone déc. -
El Oído Pensante- Año 1
Article / Artículo / Artigo I Play Wassoulou, Jeli, Songhay and Tuareg Music: Adama Drame in Postcolonial Mali, Bimusical or Multimusical? Luis Gimenez Amoros Rhodes University, South Africa [email protected] Abstract Adama is an accomplished guitarist in diverse Malian styles. The Malian guitarist is able to analyse the forms and contexts of the national musical styles he performs in regards to: the musical interaction with other musicians, timbre, rhythm and melody. In this article, I examine how Adama performs a wide range of Malian musical styles in Bamako; and how he represents and participates in different postcolonial musical cultures in Mali. In this article, Adama’s capability of understanding different national musical styles as part of the social contexts in a variety of musical cultures in Mali is defined as multimusical. Multimusicality debates the concept of bimusicality (Hood 1960) defined as the capacity of performing both, a western and non-western musical style; therefore separating musically the Self [western music] and the Other [non-western]. For Adama, the concept of multimusicality does not only extend the possibility of learning more than two musical styles, but examines the national styles he is able to play as a Malian citizen (insider) and not as the Other. This paper is based on my musical contact with Adama Drame during November-December 2006 in Mali and in the last eight years. Keywords: Multimusicality, bimusicality, musical cosmopolitanism, Malian music, postcolonial Mali Toco música wassoulou, jeli, songhay y tuareg: Adama Drame en Mali postcolonial, ¿bimusicalidad o multimusicalidad? Resumen Adama es un guitarrista competente en diversos estilos musicales de Malí. -
Little Dragon, Les Ambassadeurs, Hozier M.Fl. Till Way out West
2014-03-03 13:57 CET Little Dragon, Les Ambassadeurs, Hozier m.fl. till Way Out West Vad sägs om den perfekta hybriden mellan svettig R&B, spännande new wave, svängig elektronika och experimentell pop? Eller karibiska rytmer, calypso trummor, magiska rytmer och högt svävande melodier? Vi har till och med glädjen att erbjuda inte bara folkmusik utan folkindiemusik. Dagens artistsläpp bjuder på smaker som tillfredsställer alla sorters lökar, musik som får de tröttaste benen att gunga och ännu en liten gnutta hopp om vår älskade sommar. Vänner, låt oss presentera: LITTLE DRAGON LES AMBASSADEURS feat SALIF KEITA, AMADOU BAGAYOKO OCH CHEICK TIDANE SECK MARK ERNESTUS PRESENTS JERI-JERI NGUZUNGUZU MIGHTY OAKS HOZIER Lite mer info om artisterna i dagens släpp: LITTLE DRAGON Little Dragon är den perfekta hybriden mellan svettig R&B, spännande new wave, svängig elektronika och experimentell pop. Beundrarskarans spektrum är brett med alltifrån hiphopare, ravare, stoners, hipsters och hippies. Bland de mer namnkunniga beundrarna hittar man bland andra Big Boi (Outkast), Raphel Saadiq, Questlove (The Roots) och DJ Shadow. Albuminspelningarna i all ära, men det är på scen som Little Dragon är i sitt rätta element. Bandets populära liveshower är ett genialiskt, tajt och improviserat fyrverkeri av synliga och osynliga känslor som får japanska drakfester att självantända av avvund. I augusti kommer ni alla bli varse om vad vi pratar om. LES AMBASSADEURS feat SALIF KEITA, AMADOU BAGAYOKO OCH CHEICK TIDANE SECK Där karibiska rytmer, calypso och afrikanska trummor möts, där finner vi Les Ambassadeurs och Salif Keita. Och just nu även Amadou Bagayoko från Amadou & Mariam, samt Cheick Tidiane Seck. -
UNIVERSITY of CALIFORNIA Los Angeles Garifuna Popular Music
UNIVERSITY OF CALIFORNIA Los Angeles Garifuna Popular Music “Renewed”: Authenticity, Tradition, and Belonging in Garifuna World Music A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Ethnomusicology by Amy Lynn Frishkey 2016 © Copyright by Amy Lynn Frishkey 2016 ABSTRACT OF THE DISSERTATION Garifuna Popular Music “Renewed”: Authenticity, Tradition, and Belonging in Garifuna World Music by Amy Lynn Frishkey Doctor of Philosophy in Ethnomusicology University of California, Los Angeles, 2016 Professor Roger Savage, Chair For almost thirty years, the electronically driven dance music punta rock remained the only popular music genre indigenous to the Garifuna, an African-Amerindian group based along Central America’s Caribbean coast with U.S. diasporic communities. In 2007, however, a new genre ushered in by the award-winning album Wátina (I Called Out) by Andy Palacio and the Garifuna Collective effectively displaced punta rock as the musical icon of Garifuna identity and modernity to the outside world and attained much broader appeal. What I term Garifuna World Music (GWM) arose from the vision of Belizean producer Ivan Duran and Belizean Garifuna punta rock star Palacio to import the acoustic and reflective emphases of traditional music into the commercial realm in order to promote cultural and linguistic preservation internationally. However, they also conceived the genre as a means for securing Garifuna music a foothold within the world music industry, presenting a sustainable music career as a viable option for ii Garifuna musicians for the first time. Periodic tourist witnessing of secular traditional song- dance performances has long been a component of community life, yet the effects of musically dovetailing tradition with Euro-Anglo cosmopolitan desires are newly felt. -
Mise En Page 1
Programme Ven 18 OCt > 15/20€ IAM (Marseille) CHE SUDAKA (Colombie / Argentine / Barcelone) TEMENIK ELECTRIC (Marseille) mploi RUBEN PAZ Y CHEVEREFUSION feat. PAPET J. (Cuba/Marseille) e (La Réunion) 13, mode d’ CHRISTINE SALEM La fiesta 20 DJ DJEL /DJ REBEL (Marseille) PUISSANCE STYLES (Danse Hip Hop) / THIBAULT GARENQ DJ DJ TONY S (Marseille) / BANDA DU DOCK (Marseille) 1 en ouverture, Le tout complété d’une deuxième ra - 4 Une clôture 5 la Fiesta des minots sade Marseille / Comores, en l ’occur - définitivement métisse Reculée pour ne pas tomber pendant les saM 19 OCt > 20/25€ Marseille et les cousins rence Ahamada Smis. vacances de Toussaint, mais égale à elle- AFRICA EXPRESS avec RACHID TAHA, MATTHIEU CHEDID , La Fiesta, moment de bonheur dans une BASSEKOU KOUYATÉ & AMY SACKO , DAMON ALBARN, JUPITER & Qu’il n ’y ait rien autour d’IAM même ! OKWESS INTERNATIONAL, EBONY BONES, NICK ZINNER, Si l ’expression “musiques du monde” cité tourmentée, favorise les rencontres, les pendant l’année capitale, c’est impen - a un sens, ce soir-là, on va en prendre ROMEO STODART, BATIDA, CHEICK TIDIANE SECK , THE NOISETTES , sable ! D ’autant que dans leur nouvel mélanges et les métis pas sages. Cette soirée FATOUMATA DIAWARA, TONY ALLEN, DJANGO DJANGO, la pleine mesure ! le réaffirme de plein de façons. ANDRÉ DE RIDDER, DJAZIA SATOUR, YADI, MALIKAH album, Arts Martiens , les lascars n ’ont 6 les afters CHINESE MAN RECORDS avec CHINESE MAN feat. TAIWAN MC + pas perdu la main. Avishaï Cohen, ici avec cordes et hautbois, TUMI (Afrique du Sud), LEO LE BUG / LEYAN / SKOOB LE ROI (Live set), Quand c’est fini, ça recommence, non ? TAIWAN MC + S.O.A.P (Live set) (Marseille) Le groupe donnera à la Fiesta la pri - 3 Parfum caraïbe fait partie de ceux qui font avancer le jazz. -
AUDIO + VIDEO 10/12/10 Audio & Video Releases *Click on the Artist Names to Be Taken Directly to the Sell Sheet
NEW RELEASES WEA.COM ISSUE 20 OCTOBER 12 + OCTOBER 19, 2010 LABELS / PARTNERS Atlantic Records Asylum Bad Boy Records Bigger Picture Curb Records Elektra Fueled By Ramen Nonesuch Rhino Records Roadrunner Records Time Life Top Sail Warner Bros. Records Warner Music Latina Word AUDIO + VIDEO 10/12/10 Audio & Video Releases *Click on the Artist Names to be taken directly to the Sell Sheet. Click on the Artist Name in the Order Due Date Sell Sheet to be taken back to the Recap Page Street Date CD- Barnyard Dance: Jug Band MFL 524467 MULDAUR, MARIA Music For Kids $13.98 10/12/10 9/22/10 CX- WB 525639 MUTEMATH Armistice Live (CD/DVD) $19.99 10/12/10 9/15/10 NEVER SHOUT Harmony (Yellow Colored SIR A-522438 NEVER Vinyl) $19.98 10/12/10 9/22/10 10/12/10 Late Additions Street Date Order Due Date CD- BRIAN SETZER SFD 525577 ORCHESTRA, THE Christmas Comes Alive! $13.98 10/12/10 9/22/10 CD- CUR 07029 VARIOUS ARTISTS Sun Records' Greatest Hits $9.98 10/19/10 9/29/10 Last Update: 09/07/10 ARTIST: Brian Setzer Orchestra TITLE: Christmas Comes Alive! Label: SFD/Surfdog/Warner Bros. Config & Selection #: CD 525577 Street Date: 10/12/10 Order Due Date: 09/22/10 UPC: 640424999575 Box Count: 30 Unit Per Set: 1 SRP: $13.98 Alphabetize Under: S Compact Disc For the latest up to date info on this release visit WEA.com. TRACKS Compact Disc 1 01 Dig That Crazy Santa Claus (Live) - By The Brian 09 Angels We Have Heard On High (Live) - By The Brian Setzer Orchestra Setzer Orchestra 02 Sleigh Ride (Live) - By The Brian Setzer Orchestra 10 Run Rudolph Run (Live) - -
El Oído Pensante, Vol
Article / Artículo / Artigo I Play Wassoulou, Jeli, Songhay and Tuareg Music: Adama Drame in Postcolonial Mali, Bimusical or Multimusical? Luis Gimenez Amoros Rhodes University, South Africa [email protected] Abstract Adama is an accomplished guitarist in diverse Malian styles. The Malian guitarist is able to analyse the forms and contexts of the national musical styles he performs in regards to: the musical interaction with other musicians, timbre, rhythm and melody. In this article, I examine how Adama performs a wide range of Malian musical styles in Bamako; and how he represents and participates in different postcolonial musical cultures in Mali. In this article, Adama’s capability of understanding different national musical styles as part of the social contexts in a variety of musical cultures in Mali is defined as multimusical. Multimusicality debates the concept of bimusicality (Hood 1960) defined as the capacity of performing both, a western and non-western musical style; therefore separating musically the Self [western music] and the Other [non-western]. For Adama, the concept of multimusicality does not only extend the possibility of learning more than two musical styles, but examines the national styles he is able to play as a Malian citizen (insider) and not as the Other. This paper is based on my musical contact with Adama Drame during November-December 2006 in Mali and in the last eight years. Keywords: Multimusicality, bimusicality, musical cosmopolitanism, Malian music, postcolonial Mali Toco música wassoulou, jeli, songhay y tuareg: Adama Drame en Mali postcolonial, ¿bimusicalidad o multimusicalidad? Resumen Adama es un guitarrista competente en diversos estilos musicales de Malí.