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Programmation Jazz À Vienne De 1980 À 2017

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PROGRAMMATION JAZZ À VIENNE DE 1980 À 2017 1980 NUIT DU BLUES Fats Domino (p, voc) B.B. King (g, voc) Muddy Waters (voc, g) 1981 6 juillet Basie Alumni : Clark Terry, Harry Edison, Joe Newman, Snooky Young (tp) Benny Powell, Al Grey (tb), Buddy Tate, Frank Foster (ts), Chris Woods, Marshall Royal (as), Cecil Payne (bs), Nat Pierce (p), Eddie Jones (b), Gus Johnson (dms), Jimmy Witherspoon (voc). 7 juillet McCoy Tyner (p) Quintet : Joe Ford (as), John Blake (vln), Ron Burrage (b) Avery Sharpe (dms) Art Pepper (as) Quartet : George Cables (p), David Williams (b), Carl Burnett (dms). 8 juillet Dizzy Gillespie (tp) All Stars : Milt Jackson (vib), Wallace Davenport, Benny Bailey (tp), Kai Winding, Curtis Fuller (tb), Illinois Jacquet, Arnett Cobb, James Moody, Ricky Ford (ts), George Cables (p), Paul Burner (b), Frankie Dunlop (dms). 9 juillet NUIT DU BLUES Chuck Berry (voc, g). Magic Slim & Lefty Dizz (g, voc). Booker T. Laury (p, voc) 10 juillet Herbie Hancock (p), Wynton Marsalis (tp), Ron Carter (b), Tony Williams (dms). Vienne All Stars : Art Farmer (tp), Lee Konitz (as), Martial Solal (p), Pierre Michelot (b), Shelly manne (dms). 1982 6 juillet Ray Charles + Big Band + The Raelets Patrick Verbecke (voc, g). 7 juillet Chico Freeman & Von Freeman (ts) Quintet ; Bobby McFerrin (voc), Dennis Moorman (p), Cecil McBee (b), Billy Hart (dms). George Adams (ts) Quartet : Don Pullen (p), Cameron Brown (b) Dannie Richmond (dms). Flûtes Rencontre de Michel Edelin (fl) 9 juillet Michel Petrucciani (p) Trio : Furio Di Castri (b), Aldo Romano (dms). Jazztet : Art Farmer (tp), Benny Golson (ts), Curtis Fuller (tb), Mickey Tucker (p), Ray Drummond (b), Albert Heath (dms). Freddie Hubbard (tp), Joe Henderson (ts), Kenny Barron (p), Ron Carter (b), Tony Williams (dms). 12 juillet Ella Fitzgerald ((voc) + Trio : Paul Smith (p), Ketter Betts (b), Bobby Durham (dm) Jay McShann (p), Benny Bailey (tp), Red Holloway (ts), Leroy Vinnegar (b), Jackie Williams (dms). 15 juillet Gerry Mulligan (bs) Big Band (avec Harold Danko (p)). Carmen McRae (voc, p) + Trio de Marshall Otwell (p) avec Donald Bailey (dms). Tubapack de Marc Steckar (tu). 16 juillet NUIT DU BLUES Luther Allison (voc, g) Memphis Slim (p, voc) + Michel Attenoux (sax). Luther Johnson Jr (voc, g) J.B. Hutto (voc, g). 1983 5 juillet Lionel Hampton (vib, p, dm, voc) Big Band +. Arnett Cobb (ts) Panama Francis (dm) and the Savoy Sultans + Carrie Smith (voc) 6 juillet The Word of Mouth : Jaco Pastorius (b), Ron Tooley (tp), Alex Foster (ts), Othello Molineaux (steel drums), Don Alias (perc), Kenwood Dennard (dms) Gateway : John Abercrombie (g), Dave Holland (b), Jack DeJohnette (dms) Hamsa Music de Richard raux (ts). 7 juillet Fats Domino (p, voc) + Dave Bartholomew Orchestra Screamin’ Jay Hawkins (voc, p). 8 juillet Sam Rivers (ts) Jerry Byrd (g), Jack Gregg (b), Steve McCraven (dms) Willem Breuker Kollectief Siegfried Kessler (p) Trio : Jean-François Jenny-Clark (b), Barry Altschul (dms). 11 juillet Art Blakey (dm) and the Jazz Messengers : Terence Blanchard (tp), Bill Pierce (ts), Donald Harrison (as), John O’Neal (p), Charles Fambrough (b) Randy Weston (p) & his African Rhythm Quintet : Talib Kibwe (as, fl), Ahmed Abdul-Malik (b), Sam Kelly (perc), Sangoma Everett (dms). 12 juillet Jimmy Smith (orgue) Trio : Phil Upchurch (g), Tommy Campbell (dms). Woody Herman (as, cl) and the Young Thundering Herd Eric Boell & Laurent Roubach (g). 15 juillet Nuit du Blues et du Gospel : Buddy Guy (voc, g) Blues Band Johnny Copeland & James Cotton (voc, g) Blues Band The Sensational Nightingales The Barrett Sisters + Reverend Robert Hayes 1984 4 juillet Miles Davis (tp), Bob berg (ts), John Scofield (g), Robert Irving (kb), Darryl Jones (b), Al Foster (dms), Steve Thornton (perc). Michel Perez (g), Jacques Helmus (ts), Luc Plouton (p), Marc Bertaux (b), Tony Rabeson (dms). 5 juillet All Stars : Jay Jay Johnson (tb), Nat Adderley (tp), Harold Land (ts), Cedar Walton (p), Richard Davis (b), Roy McCurdy (dms) Don Cherry (tp), Arthur Blythe (as), Chico Freeman (ts), Hilton Ruiz (p), Cecil McBee (b), Don Moye (dms). 6 juillet Ray Bryant (p), Eddie Jones (b), Gus Johnson (dms) Texas tenors ; Illinois Jacquet, Arnett Cobb, Buddy Tate (ts). Roger Guérin (tp) et son Big Band + Guy Marcelin (as) & Raoul Bruckert (ts). 9 juillet Dizzy Gillespie (tp) & Friends : Slide Hampton (tb), James Moody (ts), Kenny Burrell (g), Walter Davis Jr (p), jimmy Woode (b), Abdul Al-Khabbyr (dms) Festival All Stars : Freddie Hubbard (tp), Joe Henderson (ts), Larry Coryell (g), Michel Petrucciani (p), Buster Williams (b), Billy Hart (dms) 10 juillet David Sanborn (as), Larry Willis (p), Hiram Bullock (g), Tom Barney (b), Buddy Williams (dm). Steps Ahead : Michael Brecker (ts), Mike Mainieri (vib), Eliane Elias (p), Tom Kennedy (b), Peter Erskine (dms). Andy Narell (steel drums), Steve Erquiaga (g), Keith Jones (b), William Kennedy (dms), Kenneth Nash (perc). 11 juillet BIG BANDS EUROPEENS La Bande à Badault de Denis Badault (p) (F) Tolvan Orchestra (Suède) New Prague Orchestra de Milan Svoboda (p) (Tchécoslovaquie) 12 juillet NUIT DES FEMMES Tania Maria (p, voc) Miriam Makeba (voc) Dee Dee Bridgewater (voc) Sandra Reeves Philips (voc) & orchestre féminin [Willene Barton (ts), Lilette Jenkins (p), Debbie Hastings (b), Paulette Hampton (dms), Marie-Ange Martin (g) Ladies First avec Hélène Labarrière(b). 13 juillet Grande Parade New Orleans avec : Kid Thomas (tp) & his orchestra (USA) Louis Nelson (tb) & his orchestra (USA) Sammy Remington & his orchestra (GB) 1985 3 juillet Miles Davis (tp), Bob Berg (is), John Scofield (g), Robert Irving (kb), Darryl Jones (b), Vincent Wilburn (dm), Steve Thornton (perc). Bob Moses (dm), Tiger Okoshi (tp), Stan Strickland (sax), Leo Quintero (g), Jimmy Earl (b). 4 juillet Horace Silver (p) Quintet : Brian Lynch (tp), Ralph Moore (ts), Bob Maize (b), Carl Burnett (dms) Spirit Level, Quintet dirigé par Tim Richards (p). Kip Hanrahan (kb, perc) + Jack Bruce (b, voc), Mario Rivera, John Stubblefield (sax), Lew Soloff, Marc Stockhausen (tp), Steve Swallow (b) 5 juillet NUIT BRESILIENNE Jorge Ben (voc, g) Airto Moreira (perc), Flora Purim (voc) Néné (dms) Band 9 juillet The Count Basie Orchestra dirigé par Thad Jones (tp) avec Eric Dixon (ts), Freddie Green (g), Duffy Jackson (dm), Joe Williams (voc) Wild Bill Davis (orgue), Gérard Badini (ts), Clyde Lucas (dms). 10 juillet Randy Weston (p), Sahib Shihab (sax), Talib Kibwe (sax), Cecil Payne (bs), Benny Bailey (tp), Al Grey, Benny Powell (tb), Santi De Briano (b), Clyde Lucas (dms), Candido (perc) + Orchestre Régional de Jazz dirigé par André Anelli + Ensemble Instrumental de Grenoble. 11 juillet Mario Stantchev (p), Cesarius Alvim (b), André Ceccarelli (dms). Chet Baker (tp, voc), Philip Catherine (g), Jean-Louis Rasinfosse (b). West Coast All Stars : Shorty Rogers (tp), Bud Shank (as), Bill Perkins, Bob Cooper (ts), Pete Jolly (p), Monty Budwig (b), Larry Bunker (dms), June Christy (voc). 12 juillet NUIT DU BLUES Stevie Ray Vaughan (voc, g) : Double Trouble Johnny Copeland (voc, g) & Texas Blues Band + Arthur Blythe (as) Johnny Otis (vib) Show + Preston Love & Bullmoose Jackson (sax). 13 juillet Grande Fête chinoise avec la participation de La Marmite Infernale avec Louis Sclavis (sax). 1986 2 juillet NUIT EXOTIQUE Eddie Palmieri Orchestra Ray Barretto Orchestra Xalam (Afrique) 3 juillet Quest : David Liebman (ts, ss), Richard Beirach (p), Ron McClure (b), Billy Hart (dms) Orchestre National de Jazz dir. François Jeanneau avec François Chassagnite (p), Denis leloup, Yves Robert (tb), Jean-Louis Chautemps, Eric Barret, Pierre-Iolivier Govin (sax), Marc Ducret (g), Andy Emler (p), Denis Badault (kb), Michel Benita (b), Aaron Scott (dms). All Stars : Freddie Hubbard (tp), Joe Henderson (ts), McCoy Tyner (p), Avery Sharpe (b), Louis Hayes (dms) 4 juillet NUIT DU BLUES Buddy Guy (voc, g) & Junior Wells (hca, voc) Luther Allison (g, voc) Blues Band Clarence « Gatemouth » Brown (voc, g, hca). 7 juillet Hervé Sellin (p) Trio : Riccardo Del Fra (b), Eric Dervieu (dms) Jay McShann (p),Harold Ashby (ts), Warren Vaché (tp), Eddie Jones (b), Gus Johnson (dms) Lionel Hampton (vib, p, dm, voc) & his Orchestra 8 juillet Carla Bley (p, orgue), Larry Willis (p), Wayne Krantz (g), Steve Swallow (b), Victor Lewis (dms) Don Alias (perc) Koinonia : Abraham Laboriel (b), Alex Acuna (perc), Justo Almario (sax), Hadley Hockensmith (g), Harlan Rogers (kb), Bill Maxwell (dms) 9 juillet NUIT BRESILIENNE Milton Nascimento (voc, g). Marcia Maria (voc) Hermeto Pascoal (sax, kb, acc, perc) & Grupo 10 juillet Herbie Hancock (p), Branford Marsalis (ts), Ron Carter (b), Al Foster (dms) Joachim Kuhn (p), Jean-François Jenny-Clark (b), Daniel Humair (dms) Gil Evans (kb) & Orchestra : Lew Soloff, Shunzo Ohno, Miles Evans (tp), David Taylor, Tom Malone (tb), Jim Clark (fhn), Chris Hunter, George Adams, John Surman (sax), Peter Levin, Delmar Brown (kb), Mark Egan (b), Kenwood Dennard (dms) 11 juillet Keith Jarrett (p), Gary Peacock (b), Jack DeJohnette (dms) Pat Metheny (g), Charlie Haden (b), Billy Higgins (dms) 1987 1er juillet Sarah Vaughan (voc) George Gaffney (p), Andy Simpkins (b), Harold Jones (dms) Marcel Azzola (acc), Marc Fosset (b), Patrice Caratini (b) Super Swing Machine de Gérard Basini (ts) 2 juillet Big Band Lumière de Laurent Cugny (p) The Masters Arkestra : Horace Tapscott (p), Oscar Brashear (tp), Thurman Green (tb), Arthur Blythe, Charles Owens (sax), Roberto Miranda, David Bryant (b), Fritz Wise, Donald Dean (dms) George Russell (p) : The Living Time Orchestra [dont Palle
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    Harlem Speaks by Andy Vélez a SPECIAL SERIES HONORING HARLEM HEROES Recorded in 1959, Giant Steps Became John Coltrane’S First Genuinely Iconic Album

    visitors center: OPEN M-F 10 AM - 4 PM 104 E. 126th Street, #2C, New York, NY 10035 (Take the 2/3/4/5/6 train) WWW.JMIH.ORG THE NATIONAL JAZZ MUSEUM IN HARLEM PRESENTS Giant Steps Unison Tommy Flanagan George Mraz/Zoe (Enja) Rahman (Cube-Metier) Harlem Speaks by Andy Vélez A SPECIAL SERIES HONORING HARLEM HEROES Recorded in 1959, Giant Steps became John Coltrane’s first genuinely iconic album. Pianist Tommy Flanagan was among the players on the recording, which was 10/31 David Amram notable stylistically for a movement away from chordal Multi-instrumentalist/ composer/ author jazz. This reissue of Flanagan’s 1982 Giant Steps is an homage to Coltrane, repeating several of the tracks while adding “Central Park West”. During the ‘80s, Photo copyright Richard Conde. THE NATIONAL JAZZ MUSEUM IN HARLEM 104 EAST 126TH STREET, SUITE 2C DONATION SUGGESTED 6:30 - 8:30PM FOR MORE INFORMATION: 212-348-8300 Flanagan favored trios and frequently played with Czech-born bassist George Mraz. Theirs was a felicitous coming together as evident here and recalled fondly by denizens of Bradley’s, a long-gone-but-not-forgotten Village jazz spot where they appeared frequently. Flanagan is notably more confident with what had been a new idiom the first time around. That sureness of technical facility is evident from the first note to the last and the same is true for Mraz. By this time the latter had become one of the most dependable of October 4: FFEAR rhythm men. Together they are as close as pages in a $18 ADVANCE $20 AT DOOR book on a funky “Cousin Mary”.
  • Mariella Cassar

    Mariella Cassar

    University of Plymouth PEARL https://pearl.plymouth.ac.uk 04 University of Plymouth Research Theses 01 Research Theses Main Collection 2014 Creative Responses to Maltese Culture and Identity: Case Study and Portfolio of Compositions Cassar, Mariella http://hdl.handle.net/10026.1/3112 Plymouth University All content in PEARL is protected by copyright law. Author manuscripts are made available in accordance with publisher policies. Please cite only the published version using the details provided on the item record or document. In the absence of an open licence (e.g. Creative Commons), permissions for further reuse of content should be sought from the publisher or author. This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with its author and that no quotation from the thesis and no information derived from it may be published without the author’s prior consent. CREATIVE RESPONSES TO MALTESE CULTURE AND IDENTITY: CASE STUDY AND PORTFOLIO OF COMPOSITIONS by MARIELLA CASSAR A thesis submitted to the University of Plymouth in partial fulfilment for the degree of DOCTOR OF PHILOSOPHY University College Falmouth Incorporating Dartington College of Arts January 2014 MARIELLA CASSAR CREATIVE RESPONSES TO MALTESE CULTURE AND IDENTITY: CASE STUDY AND PORTFOLIO OF COMPOSITIONS Abstract The aim of this thesis is to explore the relationship between place, identity and musical practice. The study is inspired by Malta’s history and culture. This work presents a portfolio of seven musical compositions with a written component that highlights the historical and socio-cultural issues that had a bearing on the works presented.
  • Lee Morgan and the Philadelphia Jazz Scene of the 1950S

    Lee Morgan and the Philadelphia Jazz Scene of the 1950S

    A Musical Education: Lee Morgan and the Philadelphia Jazz Scene of the 1950s Byjeffery S. McMillan The guys were just looking at him. They couldn't believe what was coming out of that horn! You know, ideas like . where would you get them? Michael LaVoe (1999) When Michael LaVoe observed Lee Morgan, a fellow freshman at Philadelphia's Mastbaum Vocational Technical High School, playing trumpet with members of the school's dance band in the first days of school in September 1953, he could not believe his ears. Morgan, who had just turned fifteen years old the previous July, had remarkable facility on his instrument and displayed a sophisticated understanding of music for someone so young. Other members of the ensemble, some of whom al- ready had three years of musical training and performing experience in the school's vocational music program, experienced similar feelings of dis- belief when they heard the newcomer's precocious ability. Lee Morgan had successfully auditioned into Mastbaum's music program, the strongest of its kind in Philadelphia from the 1930s through the 1960s, and demon- strated a rare ability that begged the title "prodigy." Almost exactly three years later, in November of 1956, Lee Morgan, now a member of die Dizzy Gillespie orchestra, elicited a similar response at the professional level after the band's New York opening at Birdland. Word spread, and as the Gillespie band embarked on its national tour, au- diences and critics nationwide took notice of the young soloist featured on what was often the leader's showcase number: "A Night in Tunisia." Nat Hentoff caught the band on their return to New York from the Midwest in 1957.