Last Days of Night (Moore) Graham Moore, 2016 Random House 384
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Maquette 2016
Éditos page 4 L’association Cannes Cinéma page 8 Les Rencontres de Cannes page12 Cannes Cinéphiles page 21 Cannes Écrans Juniors page 24 Les événements spéciaux page 27 Trois jours avec... Philippe Le Guay page 28 En avant les premières page 31 Premier Festival du Cinéma italien de Cannes page 31 Les Mercredis de l’Image page 32 Cannes Cinéma et les événements de la ville de Cannes page 33 Les Jeudis de Cannes Cinéma page 35 Le Lundi, c’est blockbuster ou comédie ! page 43 Les ciné-conférences avec Cannes Université page 49 La saison du Cinéma Bel Âge - Voir et revoir sur grand écran page 53 La saison du Film Club de Cannes page 67 Cannes Filmécole page 81 Les lieux de projection de Cannes Cinéma page 85 Calendrier des projections page 88 Remerciements page 94 3 Éclairer l’obscurité Créateur de vies, d’émotions, source d’évasion et de réflexion, témoin de tant de naissances et de révélations… Le cinéma est un art particulier. Un art qu’il faut choyer, respecter et encourager. Un art à partager, autour duquel discuter, et avec qui il est agréable et conseillé de passer du temps, quelques heures par semaines, ou plus si affinités. Septième art, le cinéma arrive toujours premier à Cannes, où il est comme chez lui. Un fait confirmé chaque année grâce au travail et à la programmation de Cannes Cinéma, que je tiens à saluer et à féliciter, tout comme le Film Club, le cinéma Bel Âge et Filmécole. Projections d’avant- premières et d’inédits, invitations à des débats et rencontres, soirées dédiées à de grands distributeurs ou à un genre spécifique… Avec Cannes Cinéma, les activités ne manquent pas. -
Wmc Investigation: 10-Year Analysis of Gender & Oscar
WMC INVESTIGATION: 10-YEAR ANALYSIS OF GENDER & OSCAR NOMINATIONS womensmediacenter.com @womensmediacntr WOMEN’S MEDIA CENTER ABOUT THE WOMEN’S MEDIA CENTER In 2005, Jane Fonda, Robin Morgan, and Gloria Steinem founded the Women’s Media Center (WMC), a progressive, nonpartisan, nonproft organization endeav- oring to raise the visibility, viability, and decision-making power of women and girls in media and thereby ensuring that their stories get told and their voices are heard. To reach those necessary goals, we strategically use an array of interconnected channels and platforms to transform not only the media landscape but also a cul- ture in which women’s and girls’ voices, stories, experiences, and images are nei- ther suffciently amplifed nor placed on par with the voices, stories, experiences, and images of men and boys. Our strategic tools include monitoring the media; commissioning and conducting research; and undertaking other special initiatives to spotlight gender and racial bias in news coverage, entertainment flm and television, social media, and other key sectors. Our publications include the book “Unspinning the Spin: The Women’s Media Center Guide to Fair and Accurate Language”; “The Women’s Media Center’s Media Guide to Gender Neutral Coverage of Women Candidates + Politicians”; “The Women’s Media Center Media Guide to Covering Reproductive Issues”; “WMC Media Watch: The Gender Gap in Coverage of Reproductive Issues”; “Writing Rape: How U.S. Media Cover Campus Rape and Sexual Assault”; “WMC Investigation: 10-Year Review of Gender & Emmy Nominations”; and the Women’s Media Center’s annual WMC Status of Women in the U.S. -
The Last Days of Night
FEATURE CLE: THE LAST DAYS OF NIGHT CLE Credit: 1.0 Thursday, June 14, 2018 1:25 p.m. - 2:25 p.m. Heritage East and Center Lexington Convention Center Lexington, Kentucky A NOTE CONCERNING THE PROGRAM MATERIALS The materials included in this Kentucky Bar Association Continuing Legal Education handbook are intended to provide current and accurate information about the subject matter covered. No representation or warranty is made concerning the application of the legal or other principles discussed by the instructors to any specific fact situation, nor is any prediction made concerning how any particular judge or jury will interpret or apply such principles. The proper interpretation or application of the principles discussed is a matter for the considered judgment of the individual legal practitioner. The faculty and staff of this Kentucky Bar Association CLE program disclaim liability therefore. Attorneys using these materials, or information otherwise conveyed during the program, in dealing with a specific legal matter have a duty to research original and current sources of authority. Printed by: Evolution Creative Solutions 7107 Shona Drive Cincinnati, Ohio 45237 Kentucky Bar Association TABLE OF CONTENTS The Presenter .................................................................................................................. i The War of the Currents: Examining the History Behind The Last Days of Night .................................................................................................... 1 AC/DC: The Two Currents -
Ruth Prawer Jhabvala's Adapted Screenplays
Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone. -
Nominations by Film and Distributor
EE BRITISH ACADEMY FILM AWARDS IN 2015 NOMINATIONS BY FILM/DISTRIBUTOR BY FILM (40 films) ‘71 2 Into the Woods 2 20 Feet From Stardom 1 Kajaki: The True Story 1 20,000 Days on Earth 1 The Lego Movie 1 American Sniper 2 Leviathan 1 Big Eyes 2 Lilting 1 Big Hero 6 1 The Lunchbox 1 Birdman 10 Mr. Turner 4 The Boxtrolls 1 Nightcrawler 4 Boyhood 5 Northern Soul 1 Citzenfour 1 Paddington 2 Dawn of the Planet of the Apes 1 Pride 3 Finding Vivian Maier 1 Still Alice 1 Foxcatcher 2 The Theory of Everything 10 Gone Girl 2 Trash 1 The Grand Budapest Hotel 11 Two Days, One Night 1 Guardians of the Galaxy 2 Under the Skin 2 The Hobbit: The Battle of the Five Armies 1 Virunga 1 Ida 2 Whiplash 5 The Imitation Game 9 Wild 1 Interstellar 4 X-Men:Days of Future Past 1 BY DISTRIBUTOR Alchemy (1) Soda Pictures (1) Kajaki: The True Story 1 Finding Vivian Maier 1 Altitude (1) Sony Pictures (5) 20 Feet From Stardom 1 Whiplash 5 Artificial Eye (8) Studio Canal (15) Citizenfour 1 ‘71 2 Ida 2 The Imitation Game 9 Leviathan 1 Paddington 2 Lilting 1 Under the Skin 2 The Lunchbox 1 Twentieth Century Fox (26) Still Alice 1 Birdman 10 Two Days, One Night 1 Dawn of the Planet of the Apes 1 Disney (5) Gone Girl 2 Big Hero 6 1 The Grand Budapest Hotel 11 Guardians of the Galaxy 2 Wild 1 Into the Woods 2 X-Men: Days of Future Past 1 Entertainment Film (2) Universal (17) Big Eyes 2 The Boxtrolls 1 Entertainment One (10) Boyhood 5 Foxcatcher 2 The Theory of Everything 10 Mr. -
The Screenplay As Text
University of Lund Ammar Al Subahi Centre For Languages And Literature Supervisor: Lars Gustaf Andersson Masters Thesis in Film & Media Production 17/08/2012 Mise-En-Page An Introduction To Screenplay Style & Form Table of Content Introduction ................................................................................................................................ 3 i. Purpose and disposition of essay ............................................................................. 3 ii. Theory & Method .................................................................................................... 4 iii. A Note on The Sample of Screenplays ................................................................... 4 A Brief History of The Academic Research on The Screenplay ............................................... 5 iv. The Screenplay and Issues of Authorship ............................................................... 5 v. The Screenplay as Literature ................................................................................... 8 vi. The Blueprint Metaphor ........................................................................................ 11 vii. Politique des Collaborateurs .................................................................................. 17 viii. The Screenplay As Text ........................................................................................ 20 ix. Image Building and the Screenplay ...................................................................... 23 x. Pasolini and The Screenplay -
Cinematic Overtures
H O W T O R E A D O P E N I N G S C E N E S Cinematic Overtures Leonard Hastings Schoff Memorial Lectures University Seminars Leonard Hastings Schoff Memorial Lectures The University Seminars at Columbia University sponsor an annual series of lectures, with the support of the Leonard Hastings Schoff and Suzanne Levick Schoff Memorial Fund. A member of the Columbia faculty is invited to deliver before a general audience three lectures on a topic of his or her choosing. Columbia University Press publishes the lectures. Charles Larmore, The Romantic Legacy 1996 Saskia Sassen, Losing Control? Sovereignty in the Age of Globalization 1996 David Cannadine, The Rise and Fall of Class in Britain 1999 Ira Katznelson, Desolation and Enlightenment: Political Knowledge After Total War, Totalitarianism, and the Holocaust 2003 Lisa Anderson, Pursuing Truth, Exercising Power: Social Science and Public Policy in the Twenty-First Century 2003 Partha Chatterjee, The Politics of the Governed: Reflections on Popular Politics in Most of the World 2004 David Rosand, The Invention of Painting in America 2004 George Rupp, Globalization Challenged: Conviction, Conflict, Community 2006 Lesley A. Sharp, Bodies, Commodities, and Biotechnologies: Death, Mourning, and Scientific Desire in the Realm of Human Organ Transfer 2007 Robert W. Hanning, Serious Play: Desire and Authority in the Poetry of Ovid, Chaucer, and Ariosto 2010 Boris Gasparov, Beyond Pure Reason: Ferdinand de Saussure’s Philosophy of Language and Its Early Romantic Antecedents 2012 Douglas A. Chalmers, Reforming Democracies: Six Facts About Politics That Demand a New Agenda 2013 Philip Kitcher, Deaths in Venice: The Cases of Gustav von Aschenbach 2013 Robert L. -
Your Beautiful Brain DISPATCHES from the FRONTIERS of NEUROSCIENCE
WINTER 2016 COLUMBIA MAGAZINE COLUMBIA COLUMBIAMAGAZINE WINTER 2016 Your Beautiful Brain DISPATCHES FROM THE FRONTIERS OF NEUROSCIENCE 4.16_Cover_FINAL.indd 1 11/14/16 1:40 PM JORG MEYER JORG 4.16_Contents_FINAL.indd 1 11/16/16 3:36 PM WINTER 2016 PAGE 34 CONTENTS FEATURES 12 YOUR BEAUTIFUL BRAIN By Bill Retherford Dispatches from the frontiers of neuroscience 22 BEING THERE By Paul Hond In more ways than one, Columbia professor Sarah Sze is the artist of the moment 30 THE SECRET LIFE OF VOLCANOES By Kevin Krajick ’76GS, ’77JRN Can a Columbia-led expedition to South America uncover the forces that drive one of its largest volcanoes? 34 SYNCOPATED SISTERS By Paul Hond Tap-dance entrepreneurs Chloe and Maud Arnold are ready to click with a new generation — and heal the world through rhythm and shoes 40 THE BIG IDEA By Fred Strasser Chloe Arnold A Q&A with Columbia law ’02CC (left) and Maud professor Je rey Fagan on police Arnold ’08CC JORG MEYER JORG accountability COLUMBIA WINTER 2016 1 4.16_Contents_FINAL.indd 2 11/16/16 3:37 PM COLUMBIA CONTENTS MAGAZINE DEPARTMENTS Executive Vice President, 3 University Development & Alumni Relations LETTERS Amelia Alverson Deputy Vice President for Strategic Communications 6 Jerry Kisslinger ’79CC, ’82GSAS COLLEGE WALK Chord Curriculum \ The Short List \ Editor in Chief The Manahata Project \ We Are the World \ Sally Lee Bittersweet \ Let’s Go Clubbing Art Director Jeffrey Saks 42 Managing Editor EXPLORATIONS Rebecca Shapiro Climate change fuels signifi cant increase PAGE Senior Editors in US forest fi res \ Revealing the true 6 David J. -
Buletinul Noutăţilor Audiovideo Si Electronice
BULETINUL NOUTĂŢILOR AUDIOVIDEO SI ELECTRONICE IANUARIE - IUNIE 2016 CUPRINS 37 - Educaţie. Învăţământ. Timp liber..................................................................................................2 51 - Matematică....................................................................................................................................3 78 - Muzică...........................................................................................................................................4 791/792 - Arta spectacolului................................................................................................................7 811 - Limbi individuale......................................................................................................................23 INDEX DE NUME.............................................................................................................................24 INDEX DE PRODUCĂTORI / DISTRIBUITORI............................................................................40 1 37 - Educaţie. Învăţământ. Timp liber 1 - Spre prima vacanţă : evaluare interdisciplinară pntru clasa I. - Tg. Mureş : Editura Edu, [s. a.]. - 1 CD-ROM. - Note privind detaliile tehnice: Sistem recomandat: Windows XP, 1 GB RAM, 1,5 GHz procesor, 256 MB placă video, placă audio, 500 MB spaţiu liber. 373.3 371.275 37/S74 2 51 - Matematică 2 - Magia cifrelor : matematică clasa I. - Tg. Mureş : Editura Edu, [s. a.]. - 1 CD-ROM. - Note privind detaliile tehnice: Sistem recomandat: Windows XP, 1 GB RAM, -
Feature Film Companion Guide
companion Guide A Companion To Science-Related Feature Films Index From Museum of the Moving Image’s website Sloan Science & Film, this is a guide to 46 feature films with scientific or technological themes or characters. Each film has received development or distribution support from the Alfred P. Sloan Foundation because of its scientific content. By indexing each film by scientific subject matter and providing supplemental science content, the guide is to encourage audiences inspired by the films to explore the scientific subject matter further. Each feature film in this guide received development support at script-stage or won a prize as a completed Valley of Saints feature from one or more of the Sloan Foundation’s institutional partners, which include: Film Independent, Tribeca Film Institute, Sundance Film Institute, San Francisco Film Society, the Black List, the Hamptons International Film Festival, and more. The Sloan Foundation’s film program encourages filmmakers to create more realistic and compelling stories about science and technology, and to challenge existing stereotypes of scientists and engineers in the popular imagination. Since 1997, the Foundation has partnered with six of the top film schools and established annual awards in screenwriting and film production, and supports screenplay development programs and feature films with the partners mentioned Searching above. Partnering with the Coolidge Corner Theatre, the Sloan Foundation has awarded “Science on Screen” grants to cinemas across the country for pairing film screenings with talks by scientists. Sloan Science & Film (scienceandfilm.org) is a website and online resource edited by Sonia Epstein that covers all things science and film. -
Author List for Advertisers This Is the Master Set of Authors Currently Available to Be Used As Target Values for Your Ads on Goodreads
Author List for Advertisers This is the master set of authors currently available to be used as target values for your ads on Goodreads. Use CTRL-F to search for your author by name. Please work with your Account Manager to ensure that your campaign has a sufficient set of targets to achieve desired reach. Contact your account manager, or [email protected] with any questions. 'Aidh bin Abdullah Al-Qarni A.G. Lafley A.O. Peart 029 (Oniku) A.G. Riddle A.O. Scott 37 Signals A.H. Tammsaare A.P.J. Abdul Kalam 50 Cent A.H.T. Levi A.R. Braunmuller A&E Kirk A.J. Church A.R. Kahler A. American A.J. Rose A.R. Morlan A. Elizabeth Delany A.J. Thomas A.R. Torre A. Igoni Barrett A.J. Aalto A.R. Von A. Lee Martinez A.J. Ayer A.R. Winters A. Manette Ansay A.J. Banner A.R. Wise A. Meredith Walters A.J. Bennett A.S. Byatt A. Merritt A.J. Betts A.S. King A. Michael Matin A.J. Butcher A.S. Oren A. Roger Merrill A.J. Carella A.S.A. Harrison A. Scott Berg A.J. Cronin A.T. Hatto A. Walton Litz A.J. Downey A.V. Miller A. Zavarelli A.J. Harmon A.W. Exley A.A. Aguirre A.J. Hartley A.W. Hartoin A.A. Attanasio A.J. Jacobs A.W. Tozer A.A. Milne A.J. Jarrett A.W. Wheen A.A. Navis A.J. Krailsheimer Aaron Alexovich A.B. Guthrie Jr. A.J. -
C R I T I C a • C U L T U R a • C I N E
CRITICA•CULTURA•CINEMA Conoscerete la verità E la verità vi farà liberi Giovanni 8,32 Questa pubblicazione è stata curata dal Cinecircolo Romano - Roma - Via Nomentana 333/c - tel 068547151 - fax 0685833883 E-mail: [email protected] Sito internet: www.cinecircoloromano.it Auditorio in Via Bolzano, 38 - tel. 068543216 (in giornate di cinema la segreteria presso l’Auditorio è attiva dalle 17.00 alle 21.30) 5 per MILLE: senza alcun onere aggiunto, al momento della denuncia dei redditi è possibile devolvere il contributo del 5 per mille al Cinecircolo Romano - codice 80258690587 Assistente editoriale Alessandra Imbastaro Amministrazione Carla Porta e Valentina Ferlazzo Collaborazione edizione “Dossier” Catello Masullo, Maria Teresa Raffaele Coordinamento schede filmografiche Rossella Pozza e Antonio Rizzo per le schede registi Coordinamento realizzazione “Progetto Educazione al Cinema d’Autore” Luciana Burlin con Fiorenza Irace Collaborazione operativa Maria Teresa Raffaele Direzione e coordinamento generale Pietro Murchio Per la stagione 2015/2016 sono operanti due Comitati Consultivi Selezione Cinematografica: Promozione e Cultura: Luciana Burlin, Maurizio Lacorte, Maria Letizia Casalini, Giampaolo D’Arpino, Catello Masullo, Cinzia Di Giovanni, Fiorenza Irace, Giuseppe Rizzo Rossella Pozza, Maria Teresa Raffaele Le fotografie sono state fornite da Centro Studi Cinematografici, Archivio del Cinecircolo Romano, siti internet, dal socio Giampaolo D’Arpino - Annotazioni del Cinecircolo includenti alcune valutazione della Commissione Nazionale per la valutazione dei film della C.E.I - Recensioni cinematografiche da “Rassegna Stampa Cinematografica” Editore S.A.S. Bergamo, data base del Cinecircolo, siti internet IN COPERTINA: in senso orario scene dal film “Il ragazzo invisibile”, “Mia madre”, “La bella gente”, “Suite francese”, “Tutto può accadere a Broadway”, “La prima luce” (al centro), “The Water Diviner”, “L’ultimo lupo”, “Padri e figlie”.