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The Otaku Phenomenon : Pop Culture, Fandom, and Religiosity in Contemporary Japan
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 12-2017 The otaku phenomenon : pop culture, fandom, and religiosity in contemporary Japan. Kendra Nicole Sheehan University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the Comparative Methodologies and Theories Commons, Japanese Studies Commons, and the Other Religion Commons Recommended Citation Sheehan, Kendra Nicole, "The otaku phenomenon : pop culture, fandom, and religiosity in contemporary Japan." (2017). Electronic Theses and Dissertations. Paper 2850. https://doi.org/10.18297/etd/2850 This Doctoral Dissertation is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. THE OTAKU PHENOMENON: POP CULTURE, FANDOM, AND RELIGIOSITY IN CONTEMPORARY JAPAN By Kendra Nicole Sheehan B.A., University of Louisville, 2010 M.A., University of Louisville, 2012 A Dissertation Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Humanities Department of Humanities University of Louisville Louisville, Kentucky December 2017 Copyright 2017 by Kendra Nicole Sheehan All rights reserved THE OTAKU PHENOMENON: POP CULTURE, FANDOM, AND RELIGIOSITY IN CONTEMPORARY JAPAN By Kendra Nicole Sheehan B.A., University of Louisville, 2010 M.A., University of Louisville, 2012 A Dissertation Approved on November 17, 2017 by the following Dissertation Committee: __________________________________ Dr. -
Hirohito the Showa Emperor in War and Peace. Ikuhiko Hata.Pdf
00 Prelims H:Master Testpages Enigma 6/6/07 15:00 Page i HIROHITO: THE SHO¯ WA EMPEROR IN WAR AND PEACE 00 Prelims H:Master Testpages Enigma 6/6/07 15:00 Page ii General MacArthur and Emperor Hirohito photographed in the US Embassy, Tokyo, shortly after the start of the Occupation in September 1945. (See page 187) 00 Prelims H:Master Testpages Enigma 6/6/07 15:00 Page iii Hirohito: The Sho¯wa Emperor in War and Peace Ikuhiko Hata NIHON UNIVERSITY Edited by Marius B. Jansen GLOBAL ORIENTAL 00 Prelims H:Master Testpages Enigma 6/6/07 15:00 Page iv HIROHITO: THE SHO¯ WA EMPEROR IN WAR AND PEACE by Ikuhiko Hata Edited by Marius B. Jansen First published in 2007 by GLOBAL ORIENTAL LTD P.O. Box 219 Folkestone Kent CT20 2WP UK www.globaloriental.co.uk © Ikuhiko Hata, 2007 ISBN 978-1-905246-35-9 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any electronic, mechanical or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without prior permission in writing from the Publishers. British Library Cataloguing in Publication Data A CIP catalogue entry for this book is available from the British Library Set in Garamond 11 on 12.5 pt by Mark Heslington, Scarborough, North Yorkshire Printed and bound in England by Athenaeum Press, Gateshead, Tyne & Wear 00 Prelims H:Master Testpages Enigma 6/6/07 15:00 Page vi 00 Prelims H:Master Testpages Enigma 6/6/07 15:00 Page v Contents The Author and the Book vii Editor’s Preface -
In Silent Homage to Amaterasu: Kagura Secret Songs at Ise Jingū and the Imperial Palace Shrine
In Silent Homage to Amaterasu: Kagura Secret Songs at Ise Jingū and the Imperial Palace Shrine in Modern and Pre-modern Japan Michiko Urita A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2017 Reading Committee: Patricia Shehan Campbell, Chair Jeffrey M. Perl Christina Sunardi Paul S. Atkins Program Authorized to Offer Degree: Music ii ©Copyright 2017 Michiko Urita iii University of Washington Abstract In Silent Homage to Amaterasu: Kagura Secret Songs at Ise Jingū and the Imperial Palace Shrine in Modern and Pre-modern Japan Michiko Urita Chair of the Supervisory Committee: Professor Patricia Shehan Campbell Music This dissertation explores the essence and resilience of the most sacred and secret ritual music of the Japanese imperial court—kagura taikyoku and kagura hikyoku—by examining ways in which these two songs have survived since their formation in the twelfth century. Kagura taikyoku and kagura hikyoku together are the jewel of Shinto ceremonial vocal music of gagaku, the imperial court music and dances. Kagura secret songs are the emperor’s foremost prayer offering to the imperial ancestral deity, Amaterasu, and other Shinto deities for the well-being of the people and Japan. I aim to provide an understanding of reasons for the continued and uninterrupted performance of kagura secret songs, despite two major crises within Japan’s history. While foreign origin style of gagaku was interrupted during the Warring States period (1467-1615), the performance and transmission of kagura secret songs were protected and sustained. In the face of the second crisis during the Meiji period (1868-1912), which was marked by a threat of foreign invasion and the re-organization of governance, most secret repertoire of gagaku lost their secrecy or were threatened by changes to their traditional system of transmissions, but kagura secret songs survived and were sustained without losing their iv secrecy, sacredness, and silent performance. -
Through the Case of Izumo Taishakyo Mission of Hawaii
The Japanese and Okinawan American Communities and Shintoism in Hawaii: Through the Case of Izumo Taishakyo Mission of Hawaii A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAIʽI AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN AMERICAN STUDIES MAY 2012 By Sawako Kinjo Thesis Committee: Dennis M. Ogawa, Chairperson Katsunori Yamazato Akemi Kikumura Yano Keywords: Japanese American Community, Shintoism in Hawaii, Izumo Taishayo Mission of Hawaii To My Parents, Sonoe and Yoshihiro Kinjo, and My Family in Okinawa and in Hawaii Acknowledgement First and foremost, I would like to express my deep and sincere gratitude to my committee chair, Professor Dennis M. Ogawa, whose guidance, patience, motivation, enthusiasm, and immense knowledge have provided a good basis for the present thesis. I also attribute the completion of my master’s thesis to his encouragement and understanding and without his thoughtful support, this thesis would not have been accomplished or written. I also wish to express my warm and cordial thanks to my committee members, Professor Katsunori Yamazato, an affiliate faculty from the University of the Ryukyus, and Dr. Akemi Kikumura Yano, an affiliate faculty and President and Chief Executive Officer (CEO) of the Japanese American National Museum, for their encouragement, helpful reference, and insightful comments and questions. My sincere thanks also goes to the interviewees, Richard T. Miyao, Robert Nakasone, Vince A. Morikawa, Daniel Chinen, Joseph Peters, and Jikai Yamazato, for kindly offering me opportunities to interview with them. It is a pleasure to thank those who made this thesis possible. -
Representations of Pleasure and Worship in Sankei Mandara Talia J
Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei mandara Talia J. Andrei Submitted in partial fulfillment of the Requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences Columbia University 2016 © 2016 Talia J.Andrei All rights reserved Abstract Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei Mandara Talia J. Andrei This dissertation examines the historical and artistic circumstances behind the emergence in late medieval Japan of a short-lived genre of painting referred to as sankei mandara (pilgrimage mandalas). The paintings are large-scale topographical depictions of sacred sites and served as promotional material for temples and shrines in need of financial support to encourage pilgrimage, offering travelers worldly and spiritual benefits while inspiring them to donate liberally. Itinerant monks and nuns used the mandara in recitation performances (etoki) to lead audiences on virtual pilgrimages, decoding the pictorial clues and touting the benefits of the site shown. Addressing themselves to the newly risen commoner class following the collapse of the aristocratic order, sankei mandara depict commoners in the role of patron and pilgrim, the first instance of them being portrayed this way, alongside warriors and aristocrats as they make their way to the sites, enjoying the local delights, and worship on the sacred grounds. Together with the novel subject material, a new artistic language was created— schematic, colorful and bold. We begin by locating sankei mandara’s artistic roots and influences and then proceed to investigate the individual mandara devoted to three sacred sites: Mt. Fuji, Kiyomizudera and Ise Shrine (a sacred mountain, temple and shrine, respectively). -
©Copyright 2012 Sachi Schmidt-Hori
1 ©Copyright 2012 Sachi Schmidt-Hori 2 Hyperfemininities, Hypermasculinities, and Hypersexualities in Classical Japanese Literature Sachi Schmidt-Hori A Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2012 Reading Committee: Paul S. Atkins, Chair Davinder L. Bhowmik Tani E. Barlow Kyoko Tokuno Program Authorized to Offer Degree: Department of Asian Languages and Literature 3 University of Washington Abstract Hyperfemininities, Hypermasculinities, and Hypersexualities in Classical Japanese Literature Sachi Schmidt-Hori Chair of the Supervisory Committee: Associate Professor Paul S. Atkins Asian Languages and Literature This study is an attempt to elucidate the complex interrelationship between gender, sexuality, desire, and power by examining how premodern Japanese texts represent the gender-based ideals of women and men at the peak and margins of the social hierarchy. To do so, it will survey a wide range of premodern texts and contrast the literary depictions of two female groups (imperial priestesses and courtesans), two male groups (elite warriors and outlaws), and two groups of Buddhist priests (elite and “corrupt” monks). In my view, each of the pairs signifies hyperfemininities, hypermasculinities, and hypersexualities of elite and outcast classes, respectively. The ultimate goal of 4 this study is to contribute to the current body of research in classical Japanese literature by offering new readings of some of the well-known texts featuring the above-mentioned six groups. My interpretations of the previously studied texts will be based on an argument that, in a cultural/literary context wherein defiance merges with sexual attractiveness and/or sexual freedom, one’s outcast status transforms into a source of significant power. -
80Th Anniversary Celebration Konko Mission of Wahiawa
80th Anniversary Celebration Konko Mission of Wahiawa Konko Mission of Wahiawa 207 Muliwai Avenue Wahiawa, HI. 96786 Phone & Fax: (808) 621-6667 E-mail: [email protected] “Thank you for the blessings till today” Sunday, March 15, 2020 Konko Mission of Wahiawa 80th Anniversary 60 Konko Mission of Wahiawa 80th Anniversary 1 49) Mansho, Rene 108) Yasutake, Rev. Tetsuro (Waipahu Kyokai) 50) Masaki, Chelsea 109) Yasutake, Rev. Mitsuko (Waipahu Kyokai) 51) Masaki, Hunter 110) Yasutake, Rev. Akinobu (Waipahu Kyokai) 52) Masaki, Judy 111) Yasutake, Rev. Miyoko (Waipahu Kyokai) 53) Masaki, Sean 112) Yasutake, Judy 54) Matsunaga, Tsugumi 113) Yasutake, Rev. Hisayo (Wailuku Kyokai) 55) Matsuoka, Rev. Edna (Wahiawa Kyokai) 114) Yasutake, Rev. Kanae (Wailuku Kyokai) 56) Matsuoka, Clayton 115) Yasutake, Aimee Guests 57) Miyahara, Nolan 116) Yasutake, Rev. Michiyoshi (Amagi Kyokai) 58) Miyasaka, Janet 117) Yasutake, Rev. Sachiko (Amagi Kyokai) 1) Adkison, Bryce 59) Miyashiro, Leong-Courtney 118) Yee, Jeremy 60) Montes, Rie 119) Yip, Fong 2) Adkison, Jason 3) Adkison, Jayden 61) Motosue, Reiko 120) Yip, Paley 62) Newell, Yuka 121) Zhao, Lyndon 4) Adkison, Trisha 5) Arakaki, Terry Jean 63) Nguyen, Chris 122) Zhao, Susan 64) Noguchi, Hugh 6) Esteban, Joyce 65) Oda, Glenn 7) Fukagawa, Rev. Shoryu (Ryusenji Soto Mission) 66) Oda, Claire 8) Fukushima, Dennis 9) Furusho, Alex 67) Ohata, Nancy 68) Ogino, Kiyoteru 10) Furusho, Masumi 11) Furusho, Nicholas 69) Okuno, Loren 70) Okuno, Rev. Setsuko (Hanapepe Kyokai) 12) Furusho, Randy 13) Grange, Evan 71) -
Rites of Blind Biwa Players
ASIA 2017; 71(2): 567–583 Saida Khalmirzaeva* Rites of Blind Biwa Players DOI 10.1515/asia-2017-0034 Abstract: Not much is known about the past activities of blind biwa players from Kyushu. During the twentieth century a number of researchers and folklorists, such as Tanabe Hisao, Kimura Yūshō,KimuraRirō,Nomura(Ga) Machiko, Narita Mamoru, Hyōdō Hiromi and Hugh de Ferranti, collected data on blind biwa players in various regions of Kyushu, made recordings of their performances and conducted detailed research on the history and nature of their tradition. However, despite these efforts to document and publicize the tradition of blind biwa players and its representatives and their repertory, it ended around the end of the twentieth century. The most extensively docu- mented individual was Yamashika Yoshiyuki 山鹿良之 (1901–1996), one of the last representatives of the tradition of blind biwa players, who was known among researchers and folklorists for his skill in performing and an abundant repertory that included rites and a great many tales. Yamashika was born in 1901 in a farmer family in Ōhara of Tamana District, the present-day Kobaru of Nankan, Kumamoto Prefecture. Yamashika lost the sight in his left eye at the age of four. At the age of twenty-two Yamashika apprenticed with a biwa player named Ezaki Shotarō 江崎初太郎 from Amakusa. From his teacher Yamashika learned such tales as Miyako Gassen Chikushi Kudari 都合戦筑紫 下り, Kikuchi Kuzure 菊池くづれ, Kugami Gassen くがみ合戦, Owari Sōdō 尾張 騒動, Sumidagawa 隅田川 and Mochi Gassen 餅合戦. After three years Yamashika returned home. He was not capable of doing much farm work because his eyesight had deteriorated further by then. -
Powerful Warriors and Influential Clergy Interaction and Conflict Between the Kamakura Bakufu and Religious Institutions
UNIVERSITY OF HAWAllllBRARI Powerful Warriors and Influential Clergy Interaction and Conflict between the Kamakura Bakufu and Religious Institutions A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI'I IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN HISTORY MAY 2003 By Roy Ron Dissertation Committee: H. Paul Varley, Chairperson George J. Tanabe, Jr. Edward Davis Sharon A. Minichiello Robert Huey ACKNOWLEDGMENTS Writing a doctoral dissertation is quite an endeavor. What makes this endeavor possible is advice and support we get from teachers, friends, and family. The five members of my doctoral committee deserve many thanks for their patience and support. Special thanks go to Professor George Tanabe for stimulating discussions on Kamakura Buddhism, and at times, on human nature. But as every doctoral candidate knows, it is the doctoral advisor who is most influential. In that respect, I was truly fortunate to have Professor Paul Varley as my advisor. His sharp scholarly criticism was wonderfully balanced by his kindness and continuous support. I can only wish others have such an advisor. Professors Fred Notehelfer and Will Bodiford at UCLA, and Jeffrey Mass at Stanford, greatly influenced my development as a scholar. Professor Mass, who first introduced me to the complex world of medieval documents and Kamakura institutions, continued to encourage me until shortly before his untimely death. I would like to extend my deepest gratitude to them. In Japan, I would like to extend my appreciation and gratitude to Professors Imai Masaharu and Hayashi Yuzuru for their time, patience, and most valuable guidance. -
Mimitaro” Piazza Omi 2Nd Flr
Information magazine in 8 languages SIA Volunteer Group “Mimitaro” Piazza Omi 2nd flr. 1-1-20 Nionohama, Otsu City Tel/Fax : 077-523-5646 Mimitaro E-mail : [email protected] : せんせい English version 英語版 No.126 January, 2018 URL http://www.s-i-a.or.jp : https://www.facebook.com/siabiwako I ’ve become a teacher! In this issue, Mimitaro interviewed Miss Toyoko Goya, an elementary teacher in the city of Nagahama. It has been 20 years since I became inspired to be one. I made a major decision. “Alright, I transferred to an elementary school in will work hard and be a teacher!” I went back to junior college and Nagahama City as a 4th grade student, continued studying and eventually got my teaching qualification. after my family and I came to Japan After working as a part-time Science teacher for 2 years in an from Peru. During those days, there elementary school, it is now my second year as a teacher, were but a few foreign students in Japan in-charge of my own class. I had some hesitations and made and the school was at a loss on how some detours along the way, but I am now doing a job I really they should handle someone like me who doesn’t understand the love, and this I owe to my teachers, friends and parents who language. I remember having felt lonely and helpless, then. The encouraged me to be persistent with my studies. When I was a Japanese language class that was created afterwards became a child, it seemed to me like I was the only one having a tough time, place of comfort for me because all the students here were in the but when I think about it now, I could not even imagine the same situation as I was. -
The Myth of the Goddess of the Undersea World and the Tale of Empress Jingu’S Subjugation of Silla
Japanese Journal of Religious Studies 1993 20/2-3 The Myth of the Goddess of the Undersea World and the Tale of Empress Jingu’s Subjugation of Silla Akima Toshio In prewar Japan, the mythical tale of Empress Jingii’s 神功皇后 conquest of the Korean kingdoms comprised an important part of elementary school history education, and was utilized to justify Japan5s coloniza tion of Korea. After the war the same story came to be interpreted by some Japanese historians—most prominently Egami Namio— as proof or the exact opposite, namely, as evidence of a conquest of Japan by a people of nomadic origin who came from Korea. This theory, known as the horse-rider theory, has found more than a few enthusiastic sup porters amone Korean historians and the Japanese reading public, as well as some Western scholars. There are also several Japanese spe cialists in Japanese history and Japan-Korea relations who have been influenced by the theory, although most have not accepted the idea (Egami himself started as a specialist in the history of northeast Asia).1 * The first draft of this essay was written during my fellowship with the International Research Center for Japanese Studies, and was read in a seminar organized by the institu tion on 31 January 199丄. 1 am indebted to all researchers at the center who participated in the seminar for their many valuable suggestions. I would also like to express my gratitude to Umehara Takeshi, the director general of the center, and Nakanism Susumu, also of the center, who made my research there possible. -
Traditions, Onsens, & Hiking the Kumano Kodo
JAPAN Traditions, Onsens, & Hiking the Kumano Kodo April 16 - 26, 2020 adventurewomen 14 mount auburn street, watertown ma 02472 t: (617) 544-9393 t: (800) 804-8686 www.adventurewomen.com 1 JAPAN Traditions, Onsens, & Hiking the Kumano Kodo April 16 - 26, 2020 TRIP HIGHLIGHTS ` Hike from village-to-village along the ancient pilgrimage route of the Kumano Kodo resting at night in traditional inns ` Hike with one of the few female “yamabushi”, or mountain ascetic priests and learn about the preservation of Japan’s regional traditions ` Meet Ama pearl divers, Japanese women who free-dive for pearl oysters ` Experience the etiquette and tradition of a formal Japanese tea ceremony ` Relax in the evening in natural hot spring baths with a soothing glass of wine TRIP ROUTE adventurewomen 14 mount auburn street, watertown ma 02472 t: (617) 544-9393 t: (800) 804-8686 www.adventurewomen.com 2 JAPAN Traditions, Onsens, & Hiking the Kumano Kodo April 16 - 26, 2020 QUICK VIEW ITINERARY Day 1: arrive Kyoto, welcome dinner Day 2: explore Ginkakuji Temple, walk the Philosopher’s Pathway, meet an apprentice Geisha Day 3: experience Todaiji Temple, walk in Nara Park, Japanese tea ceremony Day 4: hike on the Kumano Kodo from Takijiri to Takahara Day 5: hike from Takahara to Chikatsuyu Day 6: hike to Hongu with a female ascetic priest, make traditional washi paper Day 7: visit a tuna market, explore Nachi Taisha Day 8: take the train to Ise, visit the Geku, end the day in the inner shrine of Naiku Day 9: visit the Ama Divers, take the bullet train to Tokyo Day 10: walk in the Hama Rikyu Gardens, visit the Ginza district, explore Grand Meiji Shrine Day 11: depart for the US TRIP PRICE Main Trip: $8,390 Optional Single Accommodations: $1,500 adventurewomen 14 mount auburn street, watertown ma 02472 t: (617) 544-9393 t: (800) 804-8686 www.adventurewomen.com 3 JAPAN Traditions, Onsens, & Hiking the Kumano Kodo April 16 - 26, 2020 your adventure in depth DAY 1 Arrive in Kyoto Thursday Arrive in Osaka today and transfer to Kyoto.