Menacing Unpredictability Marred Fine Actor's Career
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The District Messenger the District Messenger
The District Messenger THE NEWSLETTER OF THE SHERLOCK HOLMES SOCIETY OF LONDON no. 72 19th April 1988 210, Rainsford Road, Chelmsford, Essex. CM1 2PD Tony Medawar has sent me some very expensive publicity for a very expensive series of handmade puppets, including Holmes, by Jane and Jorge of 122 Church Way, Iffley, Oxford 0X4 4EG. The figures are 70cm tall (2 foot 6?), of ceramic, wood & wool, and can be had as puppets, standing figures or automata. Prices £400 and up. A photo shows Holmes to be sensationally ugly. Catherine Cooke reminds me that Val Andrews ' SHERLOCK HOLMES 8c THE EMINENT THESPIAN (Ian Henry, £8.95) is now out, and points out that Rosalind Ashe 's LITERARY HOUSES (Dragon 's World, £8.95 or £5.95 paperback) has a guided tour of Baskerville Hall. The State Library of Victoria, Australia recently staged a Sherlock Holmes Centenary Exhibition & has published a 56 page commemorative catalogue, HOLMES AWAY FROM HOME at Aus. $8 + Aus. $6 post overseas (limited edition Aus. $75 + Aus. $10 post). I hope to review this soon. Two other books I 've not yet mentioned are M.J. Trow 's 5th Inspector Lestrade novel, LESTRADE & THE BROTHER OF DEATH (Macmillan, £9-95) and Arthur Conan Doyle 's DOCTORS: TALES FROM MEDICAL LIFE (Greenhill Books, £8.95), both now out. Vosper Arthur (Spynishlake, Doddiscombsleigh, Exeter, Devon) has 7 spare copies of the prog- ramme for SHERLOCKS LAST CASE, recently produced at the Nederlander Theater in New York, available to first claimants at £1.50 each inclusive. Good reports from both Carol Whitlam & David Stuart Davies of the 1st meeting proper of the Northern Musgraves. -
Cinematic Hamlet Arose from Two Convictions
INTRODUCTION Cinematic Hamlet arose from two convictions. The first was a belief, confirmed by the responses of hundreds of university students with whom I have studied the films, that theHamlet s of Lau- rence Olivier, Franco Zeffirelli, Kenneth Branagh, and Michael Almereyda are remarkably success- ful films.1 Numerous filmHamlet s have been made using Shakespeare’s language, but only the four included in this book represent for me out- standing successes. One might admire the fine acting of Nicol Williamson in Tony Richard- son’s 1969 production, or the creative use of ex- treme close-ups of Ian McKellen in Peter Wood’s Hallmark Hall of Fame television production of 1 Introduction 1971, but only four English-language films have thoroughly transformed Shakespeare’s theatrical text into truly effective moving pictures. All four succeed as popularizing treatments accessible to what Olivier’s collabora- tor Alan Dent called “un-Shakespeare-minded audiences.”2 They succeed as highly intelligent and original interpretations of the play capable of delight- ing any audience. Most of all, they are innovative and eloquent translations from the Elizabethan dramatic to the modern cinematic medium. It is clear that these directors have approached adapting Hamlet much as actors have long approached playing the title role, as the ultimate challenge that allows, as Almereyda observes, one’s “reflexes as a film-maker” to be “tested, battered and bettered.”3 An essential factor in the success of the films after Olivier’s is the chal- lenge of tradition. The three films that followed the groundbreaking 1948 version are what a scholar of film remakes labels “true remakes”: works that pay respectful tribute to their predecessors while laboring to surpass them.4 As each has acknowledged explicitly and as my analyses demonstrate, the three later filmmakers self-consciously defined their places in a vigorously evolving tradition of Hamlet films. -
24)0 M « » R C T » 2 "7 T L I Johnny Jones" (1989
derer of his parents. per. A former country singer, his life pines following the Spanish- ® **% ‘Rafferty and the Gold and career ruined by alcoholism, American War. Dust Twins” (1975. Comedy) Alan falls in love with a Texas motel 114)0 Arkin, Sally Kelierman. Two young owner and decides to make a female drifters kidnap a depressed comeback. a ★ "It's Alive!" (1968, Science driving instructor and launcn a zany Fiction) Tommy Kirk, Shirley crime spree. EVENING Bonne. A lunatic's plot to trap three tors seem to vanish when they strangers in an Ozark cave with a threaten the privacy of a teen-age prehistoric m onster backfires when girt who lives with her unseen 74)0 the creature sets its sights on him. Father in a mysterious house. FRIDAY, a ** V i "The Adventures of 124)0 M « » r c T » 2 "7 t l i Johnny Jones" (1989. Drama) Ri 9:30 chard Love, Ida Gregory. In 1943 [41 QD ★★ "La Parfaite Forme” ® **W "Johnnie Mae Gibson: Wales, an imaginative boy’s work! (1985, Cornedie) John Travolta, Ja FBI" (1986, Drama) Lynn Whitfield. M O R N IN G Is changed by tne arrival of children mie Lee Curtis. Un journalists de Howard E. Rollins Jr. Fact-based evacuated from Liverpool and the I'hebdomadaire “Rolling Stone" story of a Southern woman who ov 84)0 introduction of American bobble prepare un reportage a sensation ercame a poverty-stricken child sur les centres de conditionnement (8 * * “Crooks in Cloisters" (1963. gum. hood and the strains of balancing a 7:30 physique, bars de rencontres nou marriage and a career to achieve Comedy) Ronald Fraser. -
The George-Anne Student Media
Georgia Southern University Digital Commons@Georgia Southern The George-Anne Student Media 11-17-1967 The George-Anne Georgia Southern University Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/george-anne Part of the Higher Education Commons Recommended Citation Georgia Southern University, "The George-Anne" (1967). The George-Anne. 2547. https://digitalcommons.georgiasouthern.edu/george-anne/2547 This newspaper is brought to you for free and open access by the Student Media at Digital Commons@Georgia Southern. It has been accepted for inclusion in The George-Anne by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. HAPPY Published By Students of Georgia Southern College Volume 47 Statesboro, Georgia, Friday, Nov. 17,1967 Number 9 Winter Pre-registration Planned for Nov. 27-Dec. 6 By KEN PURCELL ege, will be available to all stu- ADVISORS Staff Writer dents now enrolled except those During the pre-registration who have obligations to the bus- week, all students who wish Pre - registration for winter iness office in the form of fines to pre-register may see their quarter will be held Nov. 27 or fees. advisor and complete neces- through Dec. 6 in individual All students not taking advan- sary forms. The advisor will aid division offices, according to tage of the new system of re- the student in preparing a trial Lloyd Joyner, registrar. gistration, along with beginning schedule with desired courses AVAILABILITY freshmen and transfers as well and periods indicated. Alternate Pre - registration, being used as former students not enrolled periods or courses will also be for the first time at the coll- fall quarter, will receive time included in case first choices permit cards to be used the have already been filled. -
Completeandleft
MEN WOMEN 1. JA Jason Aldean=American singer=188,534=33 Julia Alexandratou=Model, singer and actress=129,945=69 Jin Akanishi=Singer-songwriter, actor, voice actor, Julie Anne+San+Jose=Filipino actress and radio host=31,926=197 singer=67,087=129 John Abraham=Film actor=118,346=54 Julie Andrews=Actress, singer, author=55,954=162 Jensen Ackles=American actor=453,578=10 Julie Adams=American actress=54,598=166 Jonas Armstrong=Irish, Actor=20,732=288 Jenny Agutter=British film and television actress=72,810=122 COMPLETEandLEFT Jessica Alba=actress=893,599=3 JA,Jack Anderson Jaimie Alexander=Actress=59,371=151 JA,James Agee June Allyson=Actress=28,006=290 JA,James Arness Jennifer Aniston=American actress=1,005,243=2 JA,Jane Austen Julia Ann=American pornographic actress=47,874=184 JA,Jean Arthur Judy Ann+Santos=Filipino, Actress=39,619=212 JA,Jennifer Aniston Jean Arthur=Actress=45,356=192 JA,Jessica Alba JA,Joan Van Ark Jane Asher=Actress, author=53,663=168 …….. JA,Joan of Arc José González JA,John Adams Janelle Monáe JA,John Amos Joseph Arthur JA,John Astin James Arthur JA,John James Audubon Jann Arden JA,John Quincy Adams Jessica Andrews JA,Jon Anderson John Anderson JA,Julie Andrews Jefferson Airplane JA,June Allyson Jane's Addiction Jacob ,Abbott ,Author ,Franconia Stories Jim ,Abbott ,Baseball ,One-handed MLB pitcher John ,Abbott ,Actor ,The Woman in White John ,Abbott ,Head of State ,Prime Minister of Canada, 1891-93 James ,Abdnor ,Politician ,US Senator from South Dakota, 1981-87 John ,Abizaid ,Military ,C-in-C, US Central Command, 2003- -
Screen Romantic Genius.Pdf MUSIC AND
“WHAT ONE MAN CAN INVENT, ANOTHER CAN DISCOVER” MUSIC AND THE TRANSFORMATION OF SHERLOCK HOLMES FROM LITERARY GENTLEMAN DETECTIVE TO ON-SCREEN ROMANTIC GENIUS By Emily Michelle Baumgart A THESIS Submitted to Michigan State University in partial fulfillment of the requirements for the degree of Musicology – Master of Arts 2015 ABSTRACT “WHAT ONE MAN CAN INVENT, ANOTHER CAN DISCOVER” MUSIC AND THE TRANSFORMATION OF SHERLOCK HOLMES FROM LITERARY GENTLEMAN DETECTIVE TO ON-SCREEN ROMANTIC GENIUS By Emily Michelle Baumgart Arguably one of the most famous literary characters of all time, Sherlock Holmes has appeared in numerous forms of media since his inception in 1887. With the recent growth of on-screen adaptations in both film and serial television forms, there is much new material to be analyzed and discussed. However, recent adaptations have begun exploring new reimaginings of Holmes, discarding his beginnings as the Victorian Gentleman Detective to create a much more flawed and multi-faceted character. Using Sir Arthur Conan Doyle’s original work as a reference point, this study explores how recent adaptors use both Holmes’s diegetic violin performance and extra-diegetic music. Not only does music in these screen adaptations take the role of narrative agent, it moreover serves to place the character of Holmes into the Romantic Genius archetype. Copyright by EMILY MICHELLE BAUMGART 2015 .ACKNOWLEDGEMENTS I am incredibly grateful to my advisor Dr. Kevin Bartig for his expertise, guidance, patience and good humor while helping me complete this document. Thank you also to my committee members Dr. Joanna Bosse and Dr. Michael Largey for their new perspectives and ideas. -
(And Holmes Related) Films and Television Programs
Checklist of Sherlock Holmes (and Holmes related) Films and Television Programs CATEGORY Sherlock Holmes has been a popular character from the earliest days of motion pictures. Writers and producers realized Canonical story (Based on one of the original 56 s that use of a deerstalker and magnifying lens was an easily recognized indication of a detective character. This has led stories or 4 novels) to many presentations of a comedic detective with Sherlockian mannerisms or props. Many writers have also had an Pastiche (Serious storyline but not canonical) p established character in a series use Holmes’s icons (the deerstalker and lens) in order to convey the fact that they are acting like a detective. Derivative (Based on someone from the original d Added since 5-22-14 tales or a descendant) The listing has been split into subcategories to indicate the various cinema and television presentations of Holmes either Associated (Someone imitating Holmes or a a in straightforward stories or pastiches; as portrayals of someone with Holmes-like characteristics; or as parody or noncanonical character who has Holmes's comedic depictions. Almost all of the animation presentations are parodies or of characters with Holmes-like mannerisms during the episode) mannerisms and so that section has not been split into different subcategories. For further information see "Notes" at the Comedy/parody c end of the list. Not classified - Title Date Country Holmes Watson Production Co. Alternate titles and Notes Source(s) Page Movie Films - Serious Portrayals (Canonical and Pastiches) The Adventures of Sherlock Holmes 1905 * USA Gilbert M. Anderson ? --- The Vitagraph Co. -
LGBTQ Episodic Television Study Guide
Archive Study Guide: LESBIAN, GAY, BISEXUAL AND TRANSGENDER TELEVISION: SITCOMS AND EPISODIC DRAMAS ARCHIVE STUDY GUIDE The representation of Lesbian, Gay, Bisexual and Transgender (LGBT) communities on television is marked by a history of stereotypes and inexplicable invisibility. By the 1970s, gay media-watch groups communicated their concerns to the television industry and a sense of cooperation began to emerge between the LG BT community and broadcasters. During the 1980s, the AIDS crisis and resulting prejudices ushered in a new era of problematic and offensive portrayals. In the late 1990s, Ellen Degeneres' landmark coming out, (both in real- life, and through the character she portrayed in her sitcom), generated much controversy and discussion, ultimately paving the way for well -developed gay characters in prominent primetime TV roles. Despite such advances, stereotypes continue to resurface and perpetuate, and the full diversity of the LGBT community is more often than not underrepresented in the mass media. This is only a partial list – consult the Archive Research and Study Center for additional titles, including relevant materials held in the Outfest Legacy Collection. HEARST NEWSREEL Hearst Newsreel Footage. Movie Stars Join Circus for Charity! Los Angeles, California (1948-09-04). Wrestling telecasts of the late 1940s and early 1950s often featured flamboyant characters with (implied) gay personas. Features Bob Hope acting as manager of outlandish TV wrestler Gorgeous George, who faces actor Burt Lancaster in a match. Study Copy: VA6581 M Hearst Newsreel Footage. Wrestling from Montreal, Quebec, Canada (1948-10-22). Gorgeous George vs. Pete Petersen. Study Copy: VA8312 M TELEVISION (Please note some titles may require additional lead-time to make available for viewing) 1950s Western Main Event Wrestling. -
Ell 1E5 570 ' CS 20 5 4,96;
. MC0111117 VESUI17 Ell 1E5 570 ' CS 20 5 4,96; AUTHOR McLean, Ardrew M. TITLE . ,A,Shakespeare: Annotated BibliographiesendAeaiaGuide 1 47 for Teachers. .. INSTIT.UTION. NIttional Council of T.eachers of English, Urbana, ..Ill. .PUB DATE- 80 , NOTE. 282p. AVAILABLe FROM Nationkl Coun dil of Teachers,of Englishc 1111 anyon pa., Urbana, II 61.801 (Stock No. 43776, $8.50 member, . , $9.50 nor-memberl' , EDRS PRICE i MF011PC12 Plus Postage. DESCRIPTORS Annotated Biblioal7aphies: *Audiovisual Aids;'*Dramt; +English Irstruction: Higher Education; 4 *InstrUctioiral Materials: Literary Criticism; Literature: SecondaryPd uc a t i on . IDENTIFIERS *Shakespeare (Williaml 1 ABSTRACT The purpose of this annotated b'iblibigraphy,is to identify. resou'rces fjor the variety of approaches tliat teachers of courses in Shakespeare might use. Entries in the first part of the book lear with teaching Shakespeare. in secondary schools and in college, teaching Shakespeare as- ..nerf crmance,- and teaching , Shakespeare with other authora. Entries in the second part deal with criticism of Shakespearear films. Discussions of the filming of Shakespeare and of teachi1g Shakespeare on, film are followed by discu'ssions 'of 26 fgature films and the,n by entries dealing with Shakespearean perforrances on televiqion: The third 'pax't of the book constituAsa glade to avAilable media resources for tlip classroom. Ittries are arranged in three categories: Shakespeare's life'and' iimes, Shakespeare's theater, and Shakespeare 's plam. Each category, lists film strips, films, audi o-ca ssette tapes, and transparencies. The.geteral format of these entries gives the title, .number of parts, .grade level, number of frames .nr running time; whether color or bie ack and white, producer, year' of .prOduction, distributor, ut,itles of parts',4brief description of cOntent, and reviews.A direCtory of producers, distributors, ard rental sources is .alst provided in the 10 book.(FL)- 4 to P . -
BARNEY' GLAZER .. __ = MIII·. /$5'64.00 • Canadian
D , . Page Se.v.ellc ~ THE JEW[SH POST ': Thursdal"; August 7, 1969 pageSti. THE JEW[SH ;POST Thursday, August 7, ]969 ;~ L .. (~~ette) . Gordpn, Mrs. S. '" Shaarey, Zedek Cemetery. Shiva at he held the Qffice qf vice-presiqent a.n4 (Rosetta) Isenstein, both of Calgaty; 462 Anderson ~ve. In lieu of flowers, for. a. conside~~Q~e .tune. Mrs. Mnir) has made the permanent move here. He calls Hollywood the) ====";B;;'O~B;;""";J;=A;=NS;J;;K;;===="" eight· grand¢ildre~; two bro,hllrs, donations to be made to charity. .Mr. SIiule~ is survived by his wife real Fun City.... Deanna Lund is considering touring in a night club I ExperiencCdCarpenters Dr S Levant in Russia, and Henry Obituaries Sarah; two sons, Sam ('By) Shuler .. ,. .- . , - . act during thefirst-of-the-year hiatus for Land of the Giants. available for: Portnoy was born in R11'iSia and HARRY SHULER ~f C~lgary and Mackie Shuler of Levant of Calgary; one sister, Bes Learning that Pat Harrington Jr. is a jazz pianist, producers of Mr. Ree. Rooms _ Garages _ Fencing arri~ed in Winnipeg in 1!)25, He is On July' 25, 1969; Hru::ry Shuler, Edmo;'ton; seven grandchildren and sie, also in Russi~. BARNEY' GLAZER Deeds Goes to Town will write a script around it. ... Jack' Carter's . Home Improvements survived by his wife, Pessia; three aged 87, of Calgary, Alta., passed six great-grandchildren. He', was Funeial 'services were held fr~m beloved mother is visiting him at his Hollywood apartment. Unaccus- For Free Estimate ·call sons, Dave, Joe and Louis; two away. -
A Historical/Critical Analysis of the Tv Series the Fugitive
A HISTORICAL/CRITICAL ANALYSIS OF THE TV SERIES THE FUGITIVE THESIS Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of MASTER OF SCIENCE By David P. Pierson, B.S. Denton, Texas May, 1993 Pierson, David P., A Historical/Critical Analysis Of The TV Series The Fugitive. Master of Science (Radio/TV/Film), May 1993, 168 pp., bibliography, 70 titles. In many respects, the popular 1960's television series, The Fugitive perfectly captured the swelling disillusionment with authority, alienation, and discontent that soon encompassed American society. This historical/critical study provides a broad overview of the economic, social, and political climate that surrounded the creation of The Fugitive. The primary focus of this study is the analysis of five discursive topics (individualism, marriage, justice & authority, professionalism, science and technology) within selected episodes and to show how they relate to broader cultural debates which occurred at that time. Finally, this study argues that The Fui1gitive is a part of a television adventure subgenre which we may classify as the contemporary "wanderer-hero" narrative and traces its evolution through selected television series from the last three decades. TABLE OF CONTENTS Chapter Page I. INTRODUCTION . 1 The Sixties The Emergence of a Television Culture The Fugitive Notes on Methodology II. THE TV INDUSTRY AND THE FUGITIVE . 26 The Great Shift ABC-TV Network and the Creation of The Fugitive 60's Programming Trends and The Fugitive III. THE DISCURSIVE FUGITIVE . 70 Individualism Marriage Justice and Authority Professionalism Science and Technology Conclusion IV. -
Macbeth” the Man Macbeth
THE PLAY “MACBETH” THE MAN MACBETH * THE FACTS OF THE PLAY WRITTEN: Shakespeare wrote the story of MACBETH in 1606. However, “it is probable that the surviving play is an abridged text for a Court performance in the summer of 1606 before King James I”, three years after the death of Queen Elizabeth I and the rise of James to the throne. It is important to note that James I of Great Britain and Ireland had been serving as James VI, King of Scotland when Elizabeth I died; he was her nearest surviving relative and thus rose to the throne. So fond of theater was James I that as soon as he was crowned in 1603 he became the patron of Shakespeare’s “Lord Chamberlain’s Men” appropriately changing the company’s name to “The King’s Men”. A play dealing with early Scottish history -- indeed the only one of Shakespeare’s plays to be devoted to that theme -- would have clearly been done in honor of James’s Scottish origins. Furthermore, James traced his ancestry to Macbeth’s fellow-thane Banquo and took an avid interest in witchcraft, having published a book on the topic in 1599. Page 2 PUBLISHED: The play was first published as the sixth of the tragedies in the First Folio of 1623. Because the text is unusually short compared with the other tragedies, it is thought to have been cut for performance at some point between 1606 and 1623. The play also contains some passages which have long been held to be interpolations from another hand: the passages involving Hecate, Queen of the Witches, which are written mainly in octosyllabic couplets rather than in iambic pentameter.