DOCSLIB.ORG

PDF Download Renard the Fox 1St Edition Ebook Free Download

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
PDF Download Renard the Fox 1St Edition Ebook Free Download RENARD THE FOX 1ST EDITION PDF, EPUB, EBOOK Patricia Ann Terry | 9780520076846 | | | | | Renard the Fox 1st edition PDF Book However, there are serious objections to this notion of joint authorship, and the only thing deemed likely is that Arnout was French-speaking "Walschen" in Middle Dutch referred to northern French-speaking people, specifically the Walloons. As Reynard establishes himself in Paris, he creates a small company that shares his name which offers to do any job for anyone, from impersonating female maids to opera singers. Brunet IV, cols. Edition originale. The first extant versions of the cycle date from the second half of the 12th century. From: MW Books Ltd. Dresden ; Leipzig: A. More information about this seller Contact this seller 9. Illustrated by Walter Crane. Hetzel, More information about this seller Contact this seller 2. Gotta, Suttgart and Tobingen Goethe adapted the Reynard material from the edition by Johann Christoph Gottsched , based on the Reynke de vos. Foxes - Juvenile poetry. Create a Want BookSleuth Can't remember the title or the author of a book? The present Boulton named after James Watt was himself notable for his work on engines and on early aeronautics, particularly his invention of the aileron, a key feature of all flying machines from pioneering times to today. Retrieved on 22 April Besides that, the pages are lightly toned from age but are generally very crisp and clean, though there may be the very occasional page with a minor bit of foxing, soiling or grubbiness or some kind of very minor imperfection such as a nick or tiny chip, etc. Occasional spot of foxing, stain at the bottom margin of a few pages at the middle with little effect on image or text. Covers faded and worn. Cotta, Stuttgart Showing From: Phillip J. Seller Inventory Reinecke Fuchs by Goethe is a poem in hexameters, in twelve parts, written and first published Rebound in the original pictorial cloth, with new endpapers. First edition thus. Armorial bookplate of Gloucester on front free endpaper. The corners of the beige boards are a little bumped and slightly rubbed. An epic satirical work—adapted from the Cotta Edition of Goethe 's fox epic Reineke Fuchs to a setting in Luxembourg— [11] it is known for its insightful analysis of the unique characteristics of the people of Luxembourg, using regional and sub-regional dialects to depict the fox and his companions. More information about this seller Contact this seller 9. Reynard the Fox is the name of a number of traditional folk songs Roud , and Includes the plate after p. New edition with colored prints Minor rubbing to DJ edges. Continue shopping. It was translated to Latin and other languages, which made the tale popular across Europe. Small 8vo. Third printing of the First Edition in English, and the first with these illustrations. Seller Inventory VIPoet Contents good. Renard the Fox 1st edition Writer About this Item: David Nutt, London, Community Reviews. From: Bookcase Carlisle, United Kingdom. Petersburg, Soykin, , W. Inner gilt dentelles. Goldsmid , Edinburgh, first edition, Kidderminster, United Kingdom. First Edition and First Impression Adapted from the French of La Fontaine. To which is added many Excellent Morals. This may explain why the Wynkyn de Worde picture cycle contained 43 vertical cuts, though in fact some chapters were not illustrated, and some were illustrated with more than one picture. Original Blue Cloth Hardback. From: MW Books Ltd. More information about this seller Contact this seller 9. Bound in decorated boards, published by Volland [no other printings mentioned], an attractive copy. The scene involving the sausage "prayer" had me giggling helplessly: "Oh sausage," Renard wailed from below. Early pages with some light agespots. Check all categories that are of interest to you. Contemporary sprinkled sheep. Shelves: dissertation , folklore-french , folklore-mythology , foxy-foxes , reynard. The Authoress'. First edition of this translation. Condition: Very Good. Boulton's father and grandfather, pioneering figures in the Industrial Revolution, had been in partnership with James Watt, the inventor of the steam engine. Reynard the Fox is a literary cycle of medieval allegorical Dutch, English, French and German fables. For most of the seventeenth century, the story now short-titled The Most Delectable History of Reynard the Fox is divided into 25 chapters, but this does not result in any noticeable reduction in the number of cuts used of either the vertical or the horizontal kind, nor in the introduction of new illustrative material. From: Salsus Books P. Martins Lane. David Bradby ,. Originally bursting forth from Europe in the twelfth century, Reynard the Fox --a classic trickster narrative centered on a wily and gleefully amoral fox and his numerous victims in the animal kingdom--anticipated both Tex Avery and The Prince by showing that it's better to be clever than virtuous. Reynard's rapacious nature and constant "stealing and roving" eventually bring him into conflict with the court of the less-than- perceptive Noble the Lion and the brutal Isengrim the Wolf, pitting cunning trickery against brute force. Goethe adapted the Reynard material from the edition by Johann Christoph Gottsched , based on the Reynke de vos. The corners of the beige boards are a little bumped and slightly rubbed. Attractive binding virtually unworn. More information about this seller Contact this seller 8. Dil Ramadhani rated it liked it Apr 15, Circular stain central to the first few pages, slight rip to top of first print. Renard the Fox 1st edition Reviews Abbeville Press. Denver, CO, U. Published by David Nutt: London About this Item: Davaco Publishers, Doornspijk, Dust Jacket Condition: Very Good. Reineke Fuchs - Reynard the Fox. Please view the photographs for more information. Condition: Good. Strong pages with the prints, very good corners and edges throughout, slight degrees of foxing throughout. Goldsmid , Edinburgh, first edition, Perhaps it is this latter volume to which Mme de Sanctis refers in her inscription. Galway, Ireland Seller Rating:. Pierre de St. Spine has crushing to both ends. Some minor touch-up to edges of boards and box; small abrasion and split to top of spine; a few smudges to pages; otherwise a tight, very good copy. And see NUC noting 3 copies only of this 2nd Edition. Bound in decorated boards, published by Volland [no other printings mentioned], an attractive copy. He was responsible for bringing essentially new literary types represented by such words as "Sturm and Drang" and "Bildungsroman" onto the landscape of criticism. Seller Inventory MHA. Brightwell illustrator. More information about this seller Contact this seller 7. From: Salsus Books P. Seller Inventory C Christmas Rating details. Top of page edges browned with light spotting. Renard the Fox 1st edition Read Online He was renowned in his day for the Scandinavian subjects he depicted following his trip to Norway and Sweden in Honi soit qui mal y pense. Boards clean and sharp. This article is about the popular cycle in Northwest European literature. Foxes - Juvenile poetry. Online Etymology Dictionary. Published by David Nutt, London. Thick folio. Minor rubbing to DJ edges. No Jacket. Internally clean with no inscriptions. Reynard meets Hermeline, a young and charming motorbike-riding vixen journalist. About this Item: London William Heinemann, A leaf and a plate are loose and the vignette title page is missing it's tissue guard. Add to Basket Used Hardcover. Please help improve this article by adding citations to reliable sources. About this Item: Longmans Green, London, The figure of Reynard is thought to have originated in Lorraine folklore from where it spread to France, Germany, and the Low Countries. Other anthropomorphic animals, including Bruin the bear, Baldwin the ass, and Tibert Tybalt the cat, all attempt one stratagem or another. Armorial bookplate of Gloucester on front free endpaper. Illustrated with initial devices and end devices to each stanza. Soulby c. Some shelf-life wear and fading to end papers. Undated - est s. Since Reynard was dead the chief role in this new story is given to one of his sons, the one called Reynardine. Published by J. Renard and the Rooster sees the trickster tricked by a fowl, while Renard Goes to Paradise is another tale in which Renard gets the better of Wolf, escaping from a well in the process. Published by Privately printed E. Jill Anne Bowden. He has edited seven collections of criticism, including Cultural Mobility: A Manifesto, and is a founding coeditor of the journal Representations. Tracking details will be forwarded to the purchaser. A near fine copy in the original olive green cloth, light wear to extremities. Part I with tiny puncture marks in the lower blank margin through gathering I, just touching one letter in the imprint on the title-page, six small holes in I3 and one tiny hole in I4, causing loss of a couple of letters. Illustrated with 37 engravings on steel, after designs by H. The Authoress'. Minor rubbing of the leather and some wear to the boards. Published by Nimmo, London Minor restoration to covers. Royal octavo. More Details About this Item: St. Reynard the Fox is a literary cycle of medieval allegorical Dutch, English, French and German fables. Presentation copy: 'For Jill Anne from Jan. More information about this seller Contact this seller 6. From: Bookcase Carlisle, United Kingdom. https://files8.webydo.com/9583454/UploadedFiles/CB88906B-923B-BA47-57B3-6161A56B23BD.pdf https://files8.webydo.com/9582930/UploadedFiles/6CF37648-EC2B-F41D-FF88-CBBCDDB66885.pdf https://files8.webydo.com/9582962/UploadedFiles/3DA29135-68B8-D573-B313-CA0287B75B12.pdf https://files8.webydo.com/9583546/UploadedFiles/30678D99-3C54-9034-CDAA-30694524F4FB.pdf https://cdn.starwebserver.se/shops/inezaxelssonix/files/management-fundamentals-concepts-applications-and-skill-development-7th-edition- 616.pdf https://files8.webydo.com/9583697/UploadedFiles/AD4D4496-2287-7DC3-AC19-62AF7C75900A.pdf https://files8.webydo.com/9583536/UploadedFiles/A2AACD42-F20A-49D9-B347-2A07A2AA81FF.pdf.
Load more

Recommended publications
  • Ing Items Have Been Registered
    ACCEPTANCES Page 1 of 29 November 2018 LoAR THE FOLLOWING ITEMS HAVE BEEN REGISTERED: ÆTHELMEARC Cynwulf Rendell and Eleanore Godwin. Joint badge. Or, a heron volant wings addorsed sable, a bordure indented azure. AN TIR Basil Dragonstrike. Alternate name Basil Oldstone. Bjorn of Havok. Transfer of badge to Tir Rígh, Principality of. (Fieldless) A Lisbjerg gripping-beast gules. Bryn MacTeige MacQuharrie. Name. Questions were raised in commentary about the construction of the multi-generational bynames. We have evidence of two-generation bynames using Mac- forms in both Anglicized Irish and Scots. For example, "Names Found in Anglicized Irish Documents," by Mari ingen Briain meic Donnchada (https://s-gabriel.org/names/irish.shtml) contains the examples Cormack m’Teige M’Carthie and Fardorrough m’Emon M’Shehey, among others. "Notes on Name Formation in Scots and Latin Renderings of Gaelic Names" by Alys Mackyntoich (https://alysprojects.blogspot.com/2014/01/notes-on-name-formation-in-scots-and.html) includes the examples Coill McGillespike McDonald and Angus McEane McPhoull, among others. Thus, this name is correctly formed for both Anglicized Irish and Scots. The submitter requested authenticity for 16th century Scottish culture. This request was not summarized on the Letter of Intent. Fortunately, Seraphina Ragged Staff identified the authenticity request during commentary, allowing sufficient time for research. Although it is registerable, the name does not meet the authenticity request because we have no evidence of the given names Bryn or Teige in Scotland; they are both Anglicized Irish forms. Ciaran mac Drosto. Device. Per bend azure and vert, on a bend between an elephant and a griffin statant respectant Or, a pen vert.
    [Show full text]
  • Reflections on William Caxton's 'Reynard the Fox' N.F
    REFLECTIONS ON WILLIAM CAXTON'S 'REYNARD THE FOX' N.F. Blake-University of Sheffield Caxton's Reynard the Fox (RF) is a translation of might imply it was at her request or command that he the prose Die Hystorie van Reynaert die Vos printed went to Cologne to learn printing. However, there is by Gerard Leeu at Gouda in 1479. This prose version no evidence that merchants were employed in this is itself based on the earlier poetic Reinaert II from way by members of the nobility like Margaret, and as the fourteenth century. Caxton's version follows the there is evidence that Caxton was governor until at Dutch text fairly closely and narrates how Reynard is least 1470, there isllttle time for him to have been in summoned to Noble's court to answer charges Margaret's servicisince he had arrived in Cologne by brought against him and how he manages to outwit June 1471. In addition, the use of such words as 'ser­ his opponents; RF has consequently always appeared vant' to describe his relations with Margaret does not the odd man out among Caxton's printed books. It imply that he was in her service, for words like that does not fit in with the courtly and religious material were employed then·· as marks of deference-as was emanating from the press, because it is regarded as still true until recently, for example in letters which the only work which is comic and satirical; and it might end 'your obedient servant'. Even so the does not fit in with the translations from French for dedication of History of Troy to Margaret does in­ it is the only book translated from Dutch, and Dutch dicate that Caxton was aware of the presence of the was not such a courtly language as French.
    [Show full text]
  • The Human Presence in Robert Henryson's Fables and William Caxton's the History of Reynard the Fox
    Good, Julian Russell Peter (2012) The human presence in Robert Henryson's Fables and William Caxton's The History of Reynard the Fox. PhD thesis. http://theses.gla.ac.uk/3290/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] THE HUMAN PRESENCE IN ROBERT HENRYSON’S FABLES AND WILLIAM CAXTON’S THE HISTORY OF REYNARD THE FOX Dr. Julian Russell Peter Good Submitted for the degree of Ph.D. Department of Scottish Literature College of Arts University of Glasgow © Dr. Julian R.P. Good. March 2012 ABSTRACT This study is a comparison of the human presence in the text of Robert Henryson’s Fables1, and that of William Caxton’s 1481 edition of The History of Reynard the Fox (Blake:1970). The individual examples of Henryson’s Fables looked at are those that may be called the ‘Reynardian’ fables (Mann:2009); these are The Cock and the Fox; The Fox and the Wolf; The Trial of the Fox; The Fox, the Wolf, and the Cadger, and The Fox, the Wolf, and the Husbandman.2 These fables were selected to provide a parallel focus, through the main protagonists and sources, with the text of The History of Reynard the Fox.
    [Show full text]
  • Reynard in Leicestershire and Rutland Pp.1-8
    REYNARD IN LEICESTERSHIRE AND RUTLAND by Kenneth Varty In the counties of Leicester and Rutland are to be found two medieval fox carvings of considerable interest to the historian of literature, for these foxes are probably near relations of Reynard, if not Reynard himself, the villainous hero of the Roman de Renart. In the form we know it, this animal epic was begun about II75 by a Frenchman called Pierre de Saint Cloud. He told a story-drawing freely on well-known fables-about a fox called Renart and his many enemies, the chief of whom was the wolf called Ysengrin. To begin with, Pierre told how Reynard tried to devour or deceive a number of his much weaker brethren of the countryside-a cock, a titmouse, a cat and a crow. Reynard is shown trying to capture the cock from a farmyard by flattery and the titmouse from a tree-top by feigning friendship. He fails in both cases. Then he meets a cat whom he tries to force into a trap but succeeds only in trapping himself. Next he discovers a crow eating cheese and does his best not only to capture the cheese but the crow as well. In fact, he has to be satisfied with the cheese and four crow feathers. So far, it is obvious that Pierre makes great use of Aesop's fables; his originality lies mostly in the characterisation of the animals and in the general arrangement and develop­ ment of the story, for, after these preliminary skirmishes between Reynard and his intended victims, Pierre gives his story its most imaginative twist.
    [Show full text]
  • 1 1 See K. Varty, Reynard the Fox: a Study of the Fox in Medieval English Art (New York, 1967); L.M.C. Randall, Images in the Ma
    1 The Destruction of the Fox Preacher: A Reading of the Borders of the York Minster Pilgrimage Window Aleksandra Pfau Images of a fox preaching to a flock of birds, at least one of whom he plans later to devour, fill the margins of medieval religious manuscripts and marginal spaces in medieval churches1. This problematic figure appears in dress ranging from bishop’s mitres to friars’ robes to pilgrims’ staffs. One unlucky (or perhaps unwary) member of his congregation is often shown in a following scene, flung over the fox’s back as he runs off. The fox’s success is seldom allowed to go unchallenged, however. Incorporated within the image or within its context is the threat of the fox’s downfall and eventual death. While these images admit to the danger of false preaching even within the boundaries of religion, the impending doom for the fox serves to legitimate the religious work surrounding it. Though the fox uses the power of religious words to captivate (literally) his listeners, in the end, it is the fox who is doomed. The images may act as a warning against false preaching on the part of the clergy who view these images or against unwariness on the part of the laity, but they also act as a confirmation of the viewer’s role in recognizing and chastising such preaching. This self-confirmation is evident in the border imagery in the Pilgrimage Window in the nave of the York Minster, where the fox’s downfall may even be brought about by the pilgrims themselves.
    [Show full text]
  • Strumenti Per La Didattica E La Ricerca
    STRUMENTI PER LA DIDATTICA E LA RICERCA – 183 – DIPARTIMENTO DI LINGUE, LETTERATURE E STUDI INTERCULTURALI Università degli Studi di Firenze Coordinamento editoriale Fabrizia Baldissera, Fiorenzo Fantaccini, Ilaria Moschini, Donatella Pallotti, Ernestina Pellegrini, Beatrice Töttössy BIBLIOTECA DI STUDI DI FILOLOGIA MODERNA Collana Open Access del Dipartimento di Lingue, Letterature e Studi Interculturali Direttore Beatrice Töttössy Comitato scientifico internazionale Fabrizia Baldissera (Università degli Studi di Firenze), Enza Biagini (Professore Ferenc Kiefer (Research Institute for Linguistics of the Hungarian Academy of Emerito, Università degli Studi di Firenze), Nicholas Brownlees (Università Sciences; Academia Europaea), Mario Materassi (studioso), Murathan Mungan degli Studi di Firenze), Arnaldo Bruni (studioso), Martha Canfield (studiosa), (scrittore), Donatella Pallotti (Università degli Studi di Firenze), Stefania Pavan Richard Allen Cave (Emeritus Professor, Royal Holloway, University of (studiosa), Ernestina Pellegrini (Università degli Studi di Firenze), Peter Por London), Piero Ceccucci (studioso), Massimo Ciaravolo (Università degli (studioso), Paola Pugliatti (studiosa), Miguel Rojas Mix (Centro Extremeño Studi di Firenze), John Denton (Università degli Studi di Firenze), Anna Dolfi de Estudios y Cooperación Iberoamericanos), Giampaolo Salvi (Eötvös (Università degli Studi di Firenze), Mario Domenichelli (studioso), Maria Loránd University, Budapest), Ayşe Saraçgil (Università degli Studi di Firenze), Teresa Fancelli
    [Show full text]
  • The History Reynard The
    The History of Reynard the Fox William Caxton’s English Translation of 1481 originally published in 1889 as part of Early Prose Romances The Carisbrooke Library, Volume IV Edited By Henry Morley, LL.D. LONDON GEORGE ROUTLEDGE AND SONS Broadway, Ludgate Hill Glasgow, Manchester, and New York 1889 Introduction to the Digital Edition This text was prepared for digital publication by David Badke in October, 2003. It was scanned from the original printed text on an Epson Perfection 3200 Photo scanner and converted with OmniPage Pro 12. Editor: Henry Morley (1822-1894) was a physician, a Lecturer in English at King’s College in London, and a Professor of English Language and Literature at University College. He edited over three hundred volumes of English literature and other literary texts. Copyright: The original printed text edited by Henry Morley as published by George Routledge and Sons in 1889 is believed to be in the public domain under Canadian copyright law. It is also believed to be in the public domain under the copyright law of the United Kingdom and the United States of America. If you believe that you have a legal claim on the original text, contact the editor of the digital edition at [email protected] with details of your claim. This digital edition is copyright 2003 by David Badke. Permission is hereby granted for any non-commercial use, provided that this copyright notice is included on all copies; for commercial use, please contact the editor at the above email address. Disclaimer: While every effort has been made to produce a digital edition that is accurate and equivalent in content to the original printed edition, the editor is not legally responsible for any errors or omissions.
    [Show full text]
  • Wolves in Western Literature
    University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Supervised Undergraduate Student Research Chancellor’s Honors Program Projects and Creative Work Spring 4-2000 Wolves in Western Literature Lisa Jesse University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_chanhonoproj Recommended Citation Jesse, Lisa, "Wolves in Western Literature" (2000). Chancellor’s Honors Program Projects. https://trace.tennessee.edu/utk_chanhonoproj/391 This is brought to you for free and open access by the Supervised Undergraduate Student Research and Creative Work at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Chancellor’s Honors Program Projects by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. AppendixD- UNIVERSITY HONORS PROGRAM SENIOR PROJECf - APPROVAL Name: ____ 1.i~ __~~e __________________ ________________ _ College: __ Ar:t~L8L~ffic.~.s___ De p a rtm en t: ---.IDf)isb-----,------ Faculty ~entor: ____Ot_jQ1~_Hg££~~~CL _____________________ _ PROJECT TITLE: ____ fJollle.s __ jf)__ JN.~_fE_.rn_~ltem.tu.Le_-------- I have reviewed this completed senior honors thesis with this student and certify that it is a project commensurate with honors level undergraduate research in this field. Signed: __ Faculty ~entor I I t 27 : Wolves in Western Literature Lisa Jesse Dr. Thomas Heffernan, advisor Table of Contents Introduction page 3 Chapter 1 Historical Overview page 5 Chapter 2 Wolves in Fables page 17 Chapter 3 Wolves of Fairy Tales page 24 Chapter 4 Explaining the Demonization of Wolves page 30 Chapter 5 Linking the Fiction to the Reality page 37 Bibliography page 41 2 INTRODUCTION Canis lupus has been much maligned in the literary tradition of the West much to the detriment of the aninlal's survival.
    [Show full text]
  • Reynard the Fox
    Reynard the Fox by H. A. Guerber Originally published as Chapter 3 (pages 35 to 52) of Legends of the Middle Ages American Book Company New York Cincinnati Chicago 1896 Introduction to the Digital Edition This text was prepared for digital publication by David Badke in October, 2003. It was scanned from the original printed text on an Epson Perfection 3200 Photo scanner and converted with OmniPage Pro 12. Copyright: The original printed text edited by H. A. Guerber as published by American Book Company in 1896 is believed to be in the public domain under Canadian copyright law. It is also believed to be in the public domain under the copyright law of the United Kingdom and the United States of America. If you believe that you have a legal claim on the original text, contact the editor of the digital edition at [email protected] with details of your claim. This digital edition is copyright 2003 by David Badke. Permission is hereby granted for any non-commercial use, provided that this copyright notice is included on all copies; for commercial use, please contact the editor at the above email address. Disclaimer: While every effort has been made to produce a digital edition that is accurate and equivalent in content to the original printed edition, the editor is not legally responsible for any errors or omissions. As with any information, use this edition with appropriate scholarly caution. If you discover errors in the text, please contact the editor at [email protected] with details, so corrections can be made.
    [Show full text]
  • The Fox and the Goose: the Pamphlet Wars and Volpone's Animal Metaphors
    Brigham Young University BYU ScholarsArchive Theses and Dissertations 2017-11-01 The Fox and the Goose: The Pamphlet Wars and Volpone's Animal Metaphors Julie Anne Anderson Brigham Young University Follow this and additional works at: https://scholarsarchive.byu.edu/etd BYU ScholarsArchive Citation Anderson, Julie Anne, "The Fox and the Goose: The Pamphlet Wars and Volpone's Animal Metaphors" (2017). Theses and Dissertations. 7273. https://scholarsarchive.byu.edu/etd/7273 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. i The Fox and the Goose: The Pamphlet Wars and Volpone’s Animal Metaphors Julie Anne Helmandollar Anderson A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Brandie Siegfried, Chair Richard Duerden Bruce Young Department of English Brigham Young University Copyright © 2017 Julie Anne Helmandollar Anderson All Rights Reserved ii ABSTRACT The Fox and the Goose: The Pamphlet Wars and Volpone’s Animal Metaphors Julie Anne Helmandollar Anderson Department of English, BYU Master of Arts Ben Jonson wrote Volpone when England’s pamphlet wars and the rule of Queen Elizabeth I contributed to an environment in which the “woman question” was forefront in many minds. These social concerns echo in Volpone, resulting in a play that not only deals with vices and greed, but that also, to a limited degree, contributes to the querelle des femmes.
    [Show full text]
  • Il Viaggio Di Renard Ovvero La Metamorfosi Della Volpe
    CORE Metadata, citation and similar papers at core.ac.uk Provided by Florence Research Letizia Vezzosi Il viaggio di Renard ovvero la metamorfosi della volpe E tu sai che nel lungo viaggio che ti attende, quando per restare sveglio al dondolio del cammello o della giunca ci si mette a ripensare tutti i propri ricordi a uno a uno, il tuo lupo sarà diventato un altro lupo, tua sorella una sorella diversa, la tua battaglia altre battaglie, al ritorno da Eufemia, la città in cui ci si scambia la memoria a ogni solstizio e a ogni equinozio. (Calvino 2015 [1972]: 35) 1. Introduzione Parlare di letteratura migrante rimanda immediatamente alla figura del o della ‘migrante’ e alla produzione di testi appunto letterari che affrontano le problematiche concrete esistenziali connesse al loro processo di identificazione o ridefinizione sia come scrittore sia come donna o uomo in un ambiente pre- cedentemente estraneo. Così ‘letteratura migrante’ diventa spesso sinonimo di ‘letteratura della migrazione’ ovvero ‘letteratura prodotta da autori di origi- ne straniera’, come spiega chiaramente Paola Ellero nel suo saggio Letteratura migrante in Italia (2010). In altre parole, «Scrivere ‘migrante’» significa «riordi- nare, attraverso la scrittura, una vita che sembrava dover scorrere [nella ma- drepatria] […] e che, invece, ha subito una deviazione […] Significa dare un senso alla partenza e dare un senso all’arrivo» (de Caldas Brito 2001: 12, 17). In questo ‘dare senso’ è sottesa la concezione di ‘migranza’ non solo e non tanto dal punto di vista dello spostamento fisico, ma soprattutto come continua ridefinizione di un’identità culturale che scaturisce dall’interazio- ne proficua tra i vari 'mondi del mondo'.
    [Show full text]
  • The Priest and the Fox: Tricksters in Chaucer's Nun's Priest's Tale
    Trickster's Way Volume 4 | Issue 1 Article 2 4-1-2005 The rP iest and the Fox: Tricksters in Chaucer's Nun's Priest's Tale Maia Adamina Follow this and additional works at: http://digitalcommons.trinity.edu/trickstersway Recommended Citation Adamina, Maia (2005) "The rP iest and the Fox: Tricksters in Chaucer's Nun's Priest's Tale ," Trickster's Way: Vol. 4: Iss. 1, Article 2. Available at: http://digitalcommons.trinity.edu/trickstersway/vol4/iss1/2 This Article is brought to you for free and open access by Digital Commons @ Trinity. It has been accepted for inclusion in Trickster's Way by an authorized administrator of Digital Commons @ Trinity. For more information, please contact [email protected]. Adamina: The Priest and the Fox: Tricksters in Chaucer's Nun's Priest's Ta 1 The Priest and the Fox: Tricksters in Chaucer’s Nun’s Priest’s Tale By Maia Adamina, MA San Antonio College The nefarious escapades of the trickster Reynard the Fox emerged from the beast fable genre in the twelfth-century Latin poem Ysengris, a direct antecedent of the French Roman de Renart and ancestor of Geoffrey Chaucer’s Nun’s Priest’s Tale. Chaucer appropriates the low comedy humour gaulois and “pithy moralizing,” typical of fabliaux, “a racy and often cynical comedy, savoring sex and violence, though not without subtler moments” (Owen ix), but puts his own “tongue-in-cheek” spin on the French Branch II tale of the clever fox and the duped cock. Although the figure of Reynard is prevalent in trickster lore, the primary trickster at play in the Nun’s Priest’s Tale may be not the fox but the teller of the tale, the Nun’s Priest himself who travels the road to Canterbury.
    [Show full text]