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Lord Lyon King of Arms
VI. E FEUDAE BOBETH TH F O LS BABONAG F SCOTLANDO E . BY THOMAS INNES OP LEABNEY AND KINNAIRDY, F.S.A.ScoT., LORD LYON KIN ARMSF GO . Read October 27, 1945. The Baronage is an Order derived partly from the allodial system of territorial tribalis whicn mi patriarce hth h hel s countrydhi "under God", d partlan y froe latemth r feudal system—whic e shale wasw hse n li , Western Europe at any rate, itself a developed form of tribalism—in which the territory came to be held "of and under" the King (i.e. "head of the kindred") in an organised parental realm. The robes and insignia of the Baronage will be found to trace back to both these forms of tenure, which first require some examination from angle t usuallno s y co-ordinatedf i , the later insignia (not to add, the writer thinks, some of even the earlier understoode symbolsb o t e )ar . Feudalism has aptly been described as "the development, the extension organisatione th y sa y e Family",o familyth fma e oe th f on n r i upon,2o d an Scotlandrelationn i Land;e d th , an to fundamentall o s , tribaa y l country, wher e predominanth e t influences have consistently been Tribality and Inheritance,3 the feudal system was immensely popular, took root as a means of consolidating and preserving the earlier clannish institutions,4 e clan-systeth d an m itself was s modera , n historian recognisew no s t no , only closely intermingled with feudalism, but that clan-system was "feudal in the strictly historical sense".5 1 Stavanger Museums Aarshefle, 1016. -
Group Kit Contents
GROUP KIT CONTENTS PAGE INFORMATION 2 GENERAL INFORMATION 3 ROOMS 5 RESTAURANTS 11 BARS & DISCOTHEQUE 12 ENTERTAINMENTS AND SPORTS 15 KIDS CLUB 16 GROUP INFORMATION 28 EXCURSIONS 29 DIVING 31 CONTACT US 1 GENERAL INFORMATION VIVA WYNDHAM DOMINICUS BEACH & VIVA WYNDHAM DOMINICUS PALACE QUICK REFERENCE GUIDE Viva Wyndham Dominicus Beach & Viva Wyndham Dominicus Palace Bayahibe , La Romana , Republica Dominicana. Tel.: (809) 6865658 • Fax: (809) 686-5750, (809) 687-8583, (809) 2216805 Email: [email protected] www.vivaresorts.com LOCATION On the southeast coast of the Dominican Republic, facing the gorgeous island of Saona and Catalina. 72 Miles / 115 km, from Las Americas International Airport (approx. 1 hr. 40 min. drive), 62 Miles /100 km, from Punta Cana Airport (approx. 1 hr. 15 min. drive), 11 Miles /18 km, from La Romana International Airport /own (approx. 15 min. drive, 25 min.from La Romana. Voltage 110. The island of La Hispaniola was discovered by Christopher Columbus on December 5, 1492. Which is located in the Center of the Caribbean Sea. It is the second largest of the Greater Antilles, Cuba being the largest. The Island is shared by two nations: The Republic of Haiti and the Dominican Republic.The country has seven airports: Las Américas International and Herrera in Santo Domingo; Punta Aguila and Punta Cana in the Eastern regions; María Montez in Barahona; Gregorio Luperon, Puerto Plata and Del Cibao, in Santiago de los Caballeros. The Main roads that begin in the city of Santo Domingo and conect the entire country are: the Duarte highway towards the South and Southwest regions and Las Américas highway, uniting Santo Domingo with the Southeast. -
Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch Für Europäische Geschichte
Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch für Europäische Geschichte Edited by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Volume 20 Dress and Cultural Difference in Early Modern Europe Edited by Cornelia Aust, Denise Klein, and Thomas Weller Edited at Leibniz-Institut für Europäische Geschichte by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Founding Editor: Heinz Duchhardt ISBN 978-3-11-063204-0 e-ISBN (PDF) 978-3-11-063594-2 e-ISBN (EPUB) 978-3-11-063238-5 ISSN 1616-6485 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 04. International License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number:2019944682 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2019 Walter de Gruyter GmbH, Berlin/Boston The book is published in open access at www.degruyter.com. Typesetting: Integra Software Services Pvt. Ltd. Printing and Binding: CPI books GmbH, Leck Cover image: Eustaţie Altini: Portrait of a woman, 1813–1815 © National Museum of Art, Bucharest www.degruyter.com Contents Cornelia Aust, Denise Klein, and Thomas Weller Introduction 1 Gabriel Guarino “The Antipathy between French and Spaniards”: Dress, Gender, and Identity in the Court Society of Early Modern -
A Beginner's Guide to 16 Century German Women's Dress – How To
A Beginner’s Guide to 16 th Century German Women’s Dress – How to look like a Frau. There’s no doubt about it: the German woman had an individualistic way of dressing compared to that of her English or French counterparts. For the most part, there were no corsets or support skirts (farthingale), no outrageous headwear (that is, the gable hood) and a conservatism of fabric that would have had an English woman dying of shock. For the purposes of today’s discussion, I’ll be concentrating mainly on what is known as the Landsknecht style. The Landsknechts were professional soldiers, employed to recruit and train both local men and Dutch refugees to fight in the wars in the Low Countries - as Hans Holbein – Portrait of a woman in a Holland and Flanders are now called. These German- yellow dress speaking mercenaries and their women came from Bavaria, Tyrol, Swabia, and other parts of the Western Holy Roman Empire. Their brightly colored clothing was "flashy" even by the standards of their own time. Sumptuary laws which kept the English from wearing clothing above their station did not apply to Landsknechts. The Emperor Maximilian was infamously quoted as saying the lives of the Landsknechts were so miserable and short that they deserved so wear flashy stuff. As with any outfit from period, there are several layers to consider if you want to look like you just stepped out of a Cranach painting. Let’s go from the inside out, starting from the layer closest to the skin, the hemd (or chemise) to the various accessories that always add the finishing touches to any outfit. -
Fashion, Costume, and Culture Clothing, Headwear, Body Decorations, and Footwear Through the Ages FCC TP V2 930 3/5/04 3:55 PM Page 3
FCC_TP_V2_930 3/5/04 3:55 PM Page 1 Fashion, Costume, and Culture Clothing, Headwear, Body Decorations, and Footwear through the Ages FCC_TP_V2_930 3/5/04 3:55 PM Page 3 Fashion, Costume, and Culture Clothing, Headwear, Body Decorations, and Footwear through the Ages Volume 2: Early Cultures Across2 the Globe SARA PENDERGAST AND TOM PENDERGAST SARAH HERMSEN, Project Editor Fashion, Costume, and Culture: Clothing, Headwear, Body Decorations, and Footwear through the Ages Sara Pendergast and Tom Pendergast Project Editor Imaging and Multimedia Composition Sarah Hermsen Dean Dauphinais, Dave Oblender Evi Seoud Editorial Product Design Manufacturing Lawrence W. Baker Kate Scheible Rita Wimberley Permissions Shalice Shah-Caldwell, Ann Taylor ©2004 by U•X•L. U•X•L is an imprint of For permission to use material from Picture Archive/CORBIS, the Library of The Gale Group, Inc., a division of this product, submit your request via Congress, AP/Wide World Photos; large Thomson Learning, Inc. the Web at http://www.gale-edit.com/ photo, Public Domain. Volume 4, from permissions, or you may download our top to bottom, © Austrian Archives/ U•X•L® is a registered trademark used Permissions Request form and submit CORBIS, AP/Wide World Photos, © Kelly herein under license. Thomson your request by fax or mail to: A. Quin; large photo, AP/Wide World Learning™ is a trademark used herein Permissions Department Photos. Volume 5, from top to bottom, under license. The Gale Group, Inc. Susan D. Rock, AP/Wide World Photos, 27500 Drake Rd. © Ken Settle; large photo, AP/Wide For more information, contact: Farmington Hills, MI 48331-3535 World Photos. -
Thank You So Much for Joining Us Today and a Big Thank You to Anne for Her Wonderful Talk (Beautiful Costume!) and for Coming Into Our Chatroom Today
Claire Ridgway23:59 Hi everyone! Thank you so much for joining us today and a big thank you to Anne for her wonderful talk (beautiful costume!) and for coming into our chatroom today. We're here to talk about Anne's talk on costume and social status, or her books and research. Welcome Anne! Anne Clinard Barnhill0:00 Yikes, Lorna, you are a brave woman! Sharon Conrad0:00 I loved riding. Anne Clinard Barnhill0:00 Thanks Claire. I'm excited to be here! Charlotte Donovan0:00 I’m excited to be here with everyone Claire Ridgway0:00 Anne, what got your interested in Tudor costume in particular? ADMIN Tim0:01 Can I ask, Anne, where do you wear your costume? Renaissance fairs? Anne Clinard Barnhill0:01 Well, I've always loved them. And when I got my book contract, I knew I had the perfect excuse to have one made. Charlotte Donovan0:01 Hi Lorna ! Anne Clinard Barnhill0:02 Tim, I wear it to give talks at libraries, civic clubs, and yes, I do go to the NC Ren Faire in CHarlotte, NC. It's great fun! Lorna Wanstall0:02 I can answer how Anne got into writing historical novels.. it was actually Alison Weir Anne Clinard Barnhill0:02 Do any of you have a Tudor outfit? Libby0:02 In your talk it was so fascinating to see you wearing your beautiful costume as you explained everything. Anne Clinard Barnhill0:02 Ha! Yes, I do love her, Lorna. Charlotte Donovan0:02 I wish I had a Tudor outfit to wear :’) Anne Clinard Barnhill0:03 Thanks, Libby and welcome! I love talking about it. -
Costume Crafts an Exploration Through Production Experience Michelle L
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2010 Costume crafts an exploration through production experience Michelle L. Hathaway Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Theatre and Performance Studies Commons Recommended Citation Hathaway, Michelle L., "Costume crafts na exploration through production experience" (2010). LSU Master's Theses. 2152. https://digitalcommons.lsu.edu/gradschool_theses/2152 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. COSTUME CRAFTS AN EXPLORATION THROUGH PRODUCTION EXPERIENCE A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Fine Arts in The Department of Theatre by Michelle L. Hathaway B.A., University of Colorado at Denver, 1993 May 2010 Acknowledgments First, I would like to thank my family for their constant unfailing support. In particular Brinna and Audrey, girls you inspire me to greatness everyday. Great thanks to my sister Audrey Hathaway-Czapp for her personal sacrifice in both time and energy to not only help me get through the MFA program but also for her fabulous photographic skills, which are included in this thesis. I offer a huge thank you to my Mom for her support and love. -
Temple University Vendor List
Temple University Vendor List 19Nine LLC Contact: Aaron Loomer 224-217-7073 5868 N Washington Indianapolis, IN 46220 [email protected] www.19nine.com Number Type Status Contracts: 1112269 Standard Effective Products: Otherwear - Shorts Stationary, Greeting Cards & N - Stickers T-Shirts - T-Shirts 3Click Inc Contact: Joseph Domosh 833-325-4253 PO Box 2315 Bala Cynwyd, PA 19004 [email protected] www.3clickpromotions.com Number Type Status Contracts: 1114550 Internal Usage Effective Products: Housewares - Water Bottles Miscellaneous - Koozie Miscellaneous - Cell Phone Accessory Item Miscellaneous - Sunglasses School Supplies - Pen Short sleeve - t-shirt short sleeve Stationary, Greeting Cards & N - Notepad 47 Brand LLC Contact: Kevin Meisinger 781-320-1384 15 Southwest Park Westwood, MA 02090 [email protected] www.twinsenterprise.com Number Type Status Contracts: 1013854 Standard Effective 1013856 Co-branded/Operation Hat Trick Effective 1013855 Vintage Marks Effective Products: Accessories - Gloves Accessories - Scarf Fashion Apparel - Sweater Fashion Apparel - Rugby Shirt Fleece - Sweatshirt Fleece - Sweatpants Headwear - Visor Headwear - Knit Caps 01/21/2020 Page 1 of 79 Headwear - Baseball Cap Mens/Unisex Socks - Socks Otherwear - Shorts Replica Football - Football Jersey Replica Hockey - Hockey Jersey T-Shirts - T-Shirts Womens Apparel - Womens Sweatpants Womens Apparel - Capris Womens Apparel - Womens Sweatshirt Womens Apparel - Dress Womens Apparel - Sweater 4imprint Inc. Contact: Karla Kohlmann 866-624-3694 101 Commerce -
Studying Craft: Trends in Craft Education and Training Participation in Contemporary Craft Education and Training
Studying craft: trends in craft education and training Participation in contemporary craft education and training Cover Photography Credits: Clockwise from the top: Glassmaker Michael Ruh in his studio, London, December 2013 © Sophie Mutevelian Head of Art Andrew Pearson teaches pupils at Christ the King Catholic Maths and Computing College, Preston Cluster, Firing Up, Year One. © University of Central Lancashire. Silversmith Ndidi Ekubia in her studio at Cockpit Arts, London, December 2013 © Sophie Mutevelian ii ii Participation in contemporary craft education and training Contents 1. GLOSSARY 3 2. FOREWORD 4 3. EXECUTIVE SUMMARY 5 3.1 INTRODUCTION 5 3.2 THE OFFER AND TAKE-UP 5 3.3 GENDER 10 3.4 KEY ISSUES 10 3.5 NEXT STEPS 11 4. INTRODUCTION 12 4.1 SCOPE 13 4.2 DEFINITIONS 13 4.3 APPROACH 14 5. POLICY TIMELINE 16 6. CRAFT EDUCATION AND TRAINING: PROVISION AND PARTICIPATION 17 6.1 14–16 YEARS: KEY STAGE 4 17 6.2 16–18 YEARS: KEY STAGE 5 / FE 22 6.3 ADULTS: GENERAL FE 30 6.4 ADULTS: EMPLOYER-RELATED FE 35 6.5 APPRENTICESHIPS 37 6.6 HIGHER EDUCATION 39 6.7 COMMUNITY LEARNING 52 7. CONCLUDING REMARKS 56 8. APPENDIX: METHODOLOGY 57 9. NOTES 61 1 Participation in contemporary craft education and training The Crafts Council is the national development agency for contemporary craft. Our goal is to make the UK the best place to make, see, collect and learn about contemporary craft. www.craftscouncil.org.uk TBR is an economic development and research consultancy with niche skills in understanding the dynamics of local, regional and national economies, sectors, clusters and markets. -
Congressional Record United States Th of America PROCEEDINGS and DEBATES of the 115 CONGRESS, SECOND SESSION
E PL UR UM IB N U U S Congressional Record United States th of America PROCEEDINGS AND DEBATES OF THE 115 CONGRESS, SECOND SESSION Vol. 164 WASHINGTON, THURSDAY, JULY 12, 2018 No. 117 House of Representatives The House met at 10 a.m. and was In April 2010, members of the Penn- fices in McKean County and Harris- called to order by the Speaker pro tem- sylvania Oil and Gas Association and burg. The association employs an pore (Mr. DESJARLAIS). the Independent Oil and Gas Associa- eight-person staff, and each year, f tion of Pennsylvania, IOGA, unani- PIOGA hosts several conferences, semi- mously voted to merge the two organi- nars, public educational meetings, DESIGNATION OF SPEAKER PRO zations into a single, comprehensive presentations, and community events TEMPORE trade association representing oil and at a variety of locations across the The SPEAKER pro tempore laid be- natural gas interests throughout Penn- Commonwealth of Pennsylvania. fore the House the following commu- sylvania. Mr. Speaker, I wish PIOGA the best nication from the Speaker: The merger reunited two organiza- as it gathers in Titusville to celebrate WASHINGTON, DC, tions that had split apart nearly some 100 years of growth and sustainability July 12, 2018. 30 years earlier to form the Pennsyl- in the Pennsylvania oil and gas indus- I hereby appoint the Honorable SCOTT vania Independent Oil and Gas Associa- try. The industry has a rich history in DESJARLAIS to act as Speaker pro tempore tion, or PIOGA. the Commonwealth, and I know that, on this day. A century later, industry leaders, as PIOGA looks forward to the future, PAUL D. -
Recipes Your Best Pies 39 Focus on Texas Photo Contest: Swings 40 Around Texas List of Local Events 42 Hit the Road Taking in Tyler by Melissa Gaskill
LOCAL ELECTRIC COOPERATIVE EDITION APRIL 2016 Helping Local Libraries Gettysburg Casualty Best Pies. Yum! HATSON! Texas hatmakers have you covered We’re e on a mission to set the neighborhood standard. With the most dependable equipment, we create spectacular spaces. We thrive on the fresh air, the challenge and the results of our efforts. We set the bar high to create a space we’re proud to call our own. kubota.com © Kubota Tractorr Corpporation, 2016 Since 1944 April 2016 FAVORITES 5 Letters 6 Currents 20 Local Co-op News Get the latest information plus energy and safety tips from your cooperative. 33 Texas History Gettysburg’s Last Casualty By E.R. Bills 35 Recipes Your Best Pies 39 Focus on Texas Photo Contest: Swings 40 Around Texas List of Local Events 42 Hit the Road Taking in Tyler By Melissa Gaskill Jeff Biggars applies steam ONLINE as he shapes a hat. TexasCoopPower.com Find these stories online if they don’t FEATURES appear in your edition of the magazine. Observations Cowboy Hatters Texas artisans crown your cranium in Tough Kid, Tough Breaks 8 a grand and storied tradition By Clay Coppedge Story by Gene Fowler | Photos by Tadd Myers Texas USA The Erudite Ranger Community Anchors Enlivening libraries establishes By Lonn Taylor 12 an environment for learning, sharing and loving literacy By Dan Oko NEXT MONTH New Directions in Farming A younger generation seeks alternatives to keep the family business thriving. 33 39 35 42 BIGGARS: TADD MYERS. PLANT: CANDY1812 | DOLLAR PHOTO CLUB ON THE COVER J.W. Brooks handcrafts hats for cowboys and cowgirls at his shop in Lipan. -
Alaris Capture Pro Software
Sheriff Hutton: further debate P. W. HAMMOND AND W. E. HAMPTON WE FEEL sure that Society members are beginning to feel that they have had a surfeit of articles on the tomb in Sheriff Hutton church; for this reason we will be as brief as possible. The issues involved in this problem are indeed clear cut in some ways, as stated in the last Ricardian,l although the authors of that article seem not to understand fully what those issues are. We hope in this article to clarify some points which others too may have found unclear, on the grounds that the repetition of old theories is sometimes better than the manufacture of new ones from no evidence. The long description of the tomb in our previous article2 we felt to be far from irrelevant since when conducting a debate we felt it best for everyone to be clear what was being talked about, and we will begin again with some remarks on the tomb itself. First we may say that Chambers Dictionary is perhaps not the best source to use to define a technical term such as ‘altar tomb.’3 Our source was the somewhat more knowledgeable art historian and scholar Erwin Panofsky. His definitions of altar and table tombs are as follows: ‘These may be divided, very roughly, into two classes different in form as well as content: the freestanding rumba (or table tomb), occasionally surmounted by a canopy; and the tomb attached to—or, even more often, recessed into—the wall, a form which I shall designate by the French term enfeu in preference to the not always accurate English term “altar tomb”." It is clear that Panofsky has no doubt that such tombs as we described did exist.5 Concerning the construction of the tomb, we do not accept that because of the vicissitudes which it has undergone it is impossible to discuss whether it was originally three- or four-sided.