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Feature Films
FEATURE FILMS NEW BERLINALE 2016 GENERATION CANNES 2016 OFFICIAL SELECTION MISS IMPOSSIBLE SPECIAL MENTION CHOUF by Karim Dridi SPECIAL SCREENING by Emilie Deleuze TIFF KIDS 2016 With: Sofian Khammes, Foued Nabba, Oussama Abdul Aal With: Léna Magnien, Patricia Mazuy, Philippe Duquesne, Catherine Hiegel, Alex Lutz Chouf: It means “look” in Arabic but it is also the name of the watchmen in the drug cartels of Marseille. Sofiane is 20. A brilliant Some would say Aurore lives a boring life. But when you are a 13 year- student, he comes back to spend his holiday in the Marseille ghetto old girl, and just like her have an uncompromising way of looking where he was born. His brother, a dealer, gets shot before his eyes. at boys, school, family or friends, life takes on the appearance of a Sofiane gives up on his studies and gets involved in the drug network, merry psychodrama. Especially with a new French teacher, the threat ready to avenge him. He quickly rises to the top and becomes the of being sent to boarding school, repeatedly falling in love and the boss’s right hand. Trapped by the system, Sofiane is dragged into a crazy idea of going on stage with a band... spiral of violence... AGAT FILMS & CIE / FRANCE / 90’ / HD / 2016 TESSALIT PRODUCTIONS - MIRAK FILMS / FRANCE / 106’ / HD / 2016 VENICE FILM FESTIVAL 2016 - LOCARNO 2016 HOME by Fien Troch ORIZZONTI - BEST DIRECTOR AWARD THE FALSE SECRETS OFFICIAL SELECTION TIFF PLATFORM 2016 by Luc Bondy With: Sebastian Van Dun, Mistral Guidotti, Loic Batog, Lena Sukjkerbuijk, Karlijn Sileghem With: Isabelle Huppert, Louis Garrel, Bulle Ogier, Yves Jacques Dorante, a penniless young man, takes on the position of steward at 17-year-old Kevin, sentenced for violent behavior, is just let out the house of Araminte, an attractive widow whom he secretly loves. -
NEWSLETTER 43 Antikvariat Morris · Badhusgatan 16 · 151 73 Södertälje · Sweden [email protected] |
NEWSLETTER 43 antikvariat morris · badhusgatan 16 · 151 73 södertälje · sweden [email protected] | http://www.antikvariatmorris.se/ [dwiggins & goudy] browning, robert: In a Balcony The Blue Sky Press, Chicago. 1902. 72 pages. 8vo. Cloth spine with paper label, title lettered gilt on front board, top edge trimmed others uncut. spine and boards worn. Some upper case letters on title page plus first initial hand coloured. Introduction by Laura Mc Adoo Triggs. Book designs by F. W. Goudy & W. A. Dwiggins. Printed in red & black by by A.G. Langworthy on Van Gelder paper in a limited edition. This is Nr. 166 of 400 copies. Initialazed by Langworthy. One of Dwiggins first book designs together with his teacher Goudy. “Will contributed endpapers and other decorations to In a Balcony , but the title page spread is pure Goudy.” Bruce Kennett p. 20 & 28–29. (Not in Agner, Ransom 19). SEK500 / €49 / £43 / $57 [dwiggins] wells, h. g.: The Time Machine. An invention Random House, New York. 1931. x, 86 pages. 8vo. Illustrated paper boards, black cloth spine stamped in gold. Corners with light wear, book plate inside front cover (Tage la Cour). Text printed in red and black. Set in Monotype Fournier and printed on Hamilton An - dorra paper. Stencil style colour illustrations. Typography, illustra - tions and binding by William Addison Dwiggins. (Agner 31.07, Bruce Kennett pp. 229–31). SEK500 / €49 / £43 / $57 [bodoni] guarini, giovan battista: Pastor Fido Impresso co’ Tipi Bodoniani, Crisopoli [Parma], 1793. (4, first 2 blank), (1)–345, (3 blank) pages. Tall 4to (31 x 22 cm). -
Cultural Heritage
N°62/March 2018 EPFMA BULLETIN European Parliament Former Members Association www.formermembers.eu Cultural Heritage FMA Activities FMA Activities EP to Campus Co-operation with Programme the EUI Page 22 Page 28 2 FMA BULLETIN - 62 IN THIS ISSUE 03 Message from the President FOCUS LATEST NEWS 04 EP at work 14 European culture 31 New members viewed through the ages CURRENT AFFAIRS (Pedro Canavarro) 32 Activities In memoriam 05 1948: Start of the 15 The economic value of 33 European Constitutional Cycle cultural heritage (Manuel Porto) (Andrea Manzella) 16 The humble rural architecture 06 Democratic conventions´ of Greece (Nikolaos Sifounakis) (Nicole Fontaine) 17 Unesco (Brigitte Langenhagen) 07 United in diversity 18 Cultural property in the event (Jean-Marie Beaupuy) of armed conflict (Monica Baldi) 08 The point of view of a Former 19 Lux Film Prize (Doris Pack) Member (Ursula Braun-Moser) 09 Every five minutes... (Karin Junker) FMA ACTIVITIES A ceremony took place on 24 January 2018 at the European 10 AMAR Programme 21 Democracy Support Parliament to mark the upcoming (Emma Baroness Nicholson of International Holocaust Winterbourne) 22 EP to Campus Programme Remembrance Day on 27 January 11 Observation mission in 28 Co-operation with the EUI in memory of the victims of the Holocaust. Catalonia (Jan Dhaene) 30 FMA Annual Seminar 12 The French Federation of Cover:©iStock Houses of Europe (Martine Buron) CALL FOR CONTRIBUTIONS: The Editorial Board would like to thank all those members who took the time to contribute to this issue of the FMA Bulletin. We would like to draw your attention to the fact that the decision to include an article lies with the FMA Editorial Board and, in principle, contributions from members who are not up-to-date with the payment of the membership fee will not be included. -
Network Review #37 Cannes 2021
Network Review #37 Cannes 2021 Statistical Yearbook 2020 Cinema Reopening in Europe Europa Cinemas Network Review President: Nico Simon. General Director: Claude-Eric Poiroux Head of International Relations—Network Review. Editor: Fatima Djoumer [email protected]. Press: Charles McDonald [email protected]. Deputy Editors: Nicolas Edmery, Sonia Ragone. Contributors to this Issue: Pavel Sladky, Melanie Goodfellow, Birgit Heidsiek, Ste- fano Radice, Gunnar Rehlin, Anna Tatarska, Elisabet Cabeza, Kaleem Aftab, Jesus Silva Vilas. English Proofreader: Tara Judah. Translation: Cinescript. Graphic Design: Change is good, Paris. Print: Intelligence Publishing. Cover: Bergman Island by Mia Hansen-Løve © DR CG Cinéma-Les Films du Losange. Founded in 1992, Europa Cinemas is the first international film theatre network for the circulation of European films. Europa Cinemas 54 rue Beaubourg 75003 Paris, France T + 33 1 42 71 53 70 [email protected] The French version of the Network Review is available online at https://www.europa-cinemas.org/publications 2 Contents 4 Editorial by Claude-Eric Poiroux 6 Interview with Lucia Recalde 8 2020: Films, Facts & Figures 10 Top 50 30 European movies by admissions Czech Republic in the Europa Cinemas Network Czech exhibitors try to keep positive attitude while cinemas reopen 12 Country Focus 2020 32 France 30 French Resistance Cinema Reopening in Europe 34 46 Germany The 27 Times Cinema initiative Cinema is going to have a triumphant return and the LUX Audience Award 36 Italy Reopening -
Menupro 9 User Guide Getting Started • I
MenuPro® by SoftCafé Version 9 MenuPro® User's Guide Copyright © 1994-2010 SoftCafe, LLC. All rights reserved. Microsoft is a registered trademark of Microsoft Corporation. Monotype is a trademark of Agfa Monotype Limited registered in the U.S. Patent and Trademark Office and elsewhere. Adobe and Acrobat are trademarks of Adobe Systems Incorporated. Abadi, Albertus, Arial, Bembo, Corsiva, Gill Sans, Pepita and Swing are trademarks of The Monotype Corporation registered in the U.S. Patent and Trademark Office and certain other jurisdictions. Binner Gothic, Braggadocio, Broadway, Colonna, Coronet, Forte, Gallia, Ginger, Impact, Imprint, Matura, Palace Script, and Runic are trademarks of The Monotype Corporation and may be registered in certain jurisdictions. American Diner is a trademark of HandCraftedFonts Company. Buffalo Gal is a trademark of Thomas A. Rickner. Curlz is a trademark of The Monotype Corporation. Ginko is a trademark of Paul Pegoraro. Lebeau is a trademark of Bo Berndal. Andy and Looseprint are trademarks of Steve Matteson. Caslon Antique, Choc, Mistral, Ortem and Zambesi are trademarks of Polyvroom BV. Cruz Handy and Woodcut Alpha are trademarks of Agfa Monotype Corporation may be registered in certain jurisdictions. Balmoral, ITC Braganza, ITC Juanita, ITC Rastko and Papyrus are trademarks of the International Typeface Corporation and may be registered in certain jurisdictions. ITC Eras and ITC Rennie Mackintosh are trademarks of the International Typeface Corporation registered in the U.S. Patent & Trademark Office and may be registered in certain jurisdictions. Ashley Crawford, Galaxy Run, Goudy Ornate, Haarlemmer and Othello are trademarks of Agfa Monotype Corporation and may be registered in certain jurisdictions. -
Activity Results for 2015
Activity results for 2015 Eurimages, the Council of Europe Fund for the co-production, distribution and exhibition of European cinematographic works has 37 member states1. The Fund’s President is Jobst Plog. SOME KEY FIGURES In 2015, the total amount of support granted by the Fund amounted to €24 923 250, distributed as follows: Share of the Support Programme total amount Total amount allocated allocated €22 619 895 was awarded to European producers for Co-production 90.76% 92 European co-productions. 55.76% of projects submitted were supported. €1 253 477 was allocated to the two schemes in the distribution support programme: Distribution 5.03% Scheme 1, support for marketing and publicity expenses; Scheme 2, support for awareness raising of European cinema2. Theatres (programme €795 407 was paid to theatres to support programming initiatives in 2014. The 3.19% support) Eurimages/Europa Cinemas network comprised 70 theatres on 31 December 2015. €254 471 was allocated for promotional activities, the Eurimages Co-Production Promotion 1.02% Award – Prix Eurimages (EFA), the Eurimages Co-Production Development Award, the FACE Award, the Odyssée-Council of Europe Prize, presence in Cannes and Berlin, etc. AWARDS AND NOMINATIONS FOR FILMS SUPPORTED BY EURIMAGES Many films supported by the Eurimages Fund won awards at major international film festivals in 2015, including the film Mustang, which was probably the biggest prize-winner of the year. Ida attracted a record number of awards and nominations while Youth, the High Sun and the animated film Song of the Sea were also in the leading pack of prize-winners. -
| | Film Schedule 01-31.10.2020 В И Г О П Р Е Т С Т А В У В А
В И Г О П Р Е Т С Т А В У В А РАСПОРЕД НА ФИЛМОВИ | | FILM SCHEDULE 01-31.10.2020 В И Г О П Р Е Т С Т А В У В А РАСПОРЕД НА ЕМИТУВАЊЕ НА ФИЛМОВИ | TV SCHEDULE 01-31.10.2020 01.10.2020 (четврток) 21:00 ч. | КинеНова Ретро | KineNova Retro СЛАВА од Петар Валчанов и Кристина Грозева | GLORY by Petar Valchanov and Kristina Grozeva [2016] Бугарија / Bulgaria — 01 ч. 41 мин. — премиера 02.10.2020 (петок) 21:00 ч. | КинеНова Ретро | KineNova Retro АЛЕКСИ од Барбара Векариќ | ALEKSI by Barbara Vekaric [2018] Хрватска / Croatia — 01 ч. 30 мин. — премиера 03.10.2020 (сабота) 21:00 ч. | КинеНова Ретро | KineNova Retro БЕЗ ДАТУМ, БЕЗ ПОТПИС од Вахид Јалилванд | NO DATE, NO SIGNATURE by Vahid Jalilvand [2018] Иран / Iran — 01 ч. 39 мин. — премиера 04.10.2020 (недела) 21:00 ч. | КинеНова Ретро | KineNova Retro РЕТАБЛО од Алваро Делгадо Апаричио | RETABLO by Alvaro Delgado Aparicio [2017] Перу / Peru — 01 ч. 35 мин. — премиера 05.10.2020 (понеделник) 21:00 ч. | КинеНова Ретро | KineNova Retro ПАТОТ ДО ЛА ПАЗ од Франциско Вароне | ROAD TO LA PAZ by Francisco Varone [2015] Аргентина / Argentina — 01 ч. 32 мин. — премиера В И Г О П Р Е Т С Т А В У В А РАСПОРЕД НА ЕМИТУВАЊЕ НА ФИЛМОВИ | TV SCHEDULE 01-31.10.2020 06.10.2020 (вторник) 21:00 ч. | КинеНова Ретро | KineNova Retro ПРАСЕТО од Драгомир Шолев | PIG by Dragomir Sholev [2019] Бугарија / Bulgaria — 01 ч. 36 мин. — премиера 07.10.2020 (среда) 21:00 ч. -
Copyright by Berna Gueneli 2011
Copyright by Berna Gueneli 2011 The Dissertation Committee for Berna Gueneli Certifies that this is the approved version of the following dissertation: CHALLENGING EUROPEAN BORDERS: FATIH AKIN’S FILMIC VISIONS OF EUROPE Committee: Sabine Hake, Supervisor Katherine Arens Philip Broadbent Hans-Bernhard Moeller Pascale Bos Jennifer Fuller CHALLENGING EUROPEAN BORDERS: FATIH AKIN’S FILMIC VISIONS OF EUROPE by Berna Gueneli, B.A., M.A., M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2011 Dedication For my parents Mustafa and Günay Güneli and my siblings Ali and Nur. Acknowledgements Scholarly work in general and the writing of a dissertation in particular can be an extremely solitary endeavor, yet, this dissertation could not have been written without the endless support of the many wonderful people I was fortunate to have in my surroundings. First and foremost, I would like to thank my dissertation advisor Sabine Hake. This project could not have been realized without the wisdom, patience, support, and encouragement I received from her, or without the intellectual exchanges we have had throughout my graduate student life in general and during the dissertation writing process in particular. Furthermore, I would like to thank Philip Broadbent for discussing ideas for this project with me. I am grateful to him and to all my committee members for their thorough comments and helpful feedback. I would also like to extend my thanks to my many academic mentors here at the University of Texas who have continuously guided me throughout my intellectual journey in graduate school through inspiring scholarly questions, discussing ideas, and encouraging my intellectual quest within the field of Germanic and Media Studies. -
Report on Events Organised by the European Parliament Information Offices on the Occasion of the 2016 Sakharov Prize
EP Information Offices | Annual Report 2016 ReportReport onon eventsevents organisedorganised byby thethe EuropeanEuropean ParliamentParliament InformationInformation OfficesOffices onon thethe occasionoccasion ofof thethe 20162016 LUXSakharov Film Prize Prize Directorate for Information Offices Produced by Horizontal and Thematic Monitoring Unit Directorate for Information Offices Manuscript completed in March 2017 © European Union, 2017 Reproduction is authorised provided the source is acknowledged. Report on events organised by the European Parliament Information Offices on the occasion of the 2016 Sakharov Prize TABLE OF CONTENTS 1 INTRODUCTION 7 2 TYPES OF EVENTS 8 3 PARTICIPANTS 14 4 MEDIA AND SOCIAL MEDIA 15 5 FACTS & FIGURES 16 6 ANNEXES 17 EP Information Offices | Sakharov Prize Report 2016 1 INTRODUCTION The Sakharov Prize for Freedom of Thought, awarded each year by the Eu- ropean Parliament, is intended to honour exceptional individuals who combat intolerance, fanaticism and oppression around the world. In 2016, the Prize was awarded to Nadia Murad Basee Taha and Lamiya Aji Bashar - survivors of sexual enslavement by Islamic State who have beco- me spokespersons for women afflicted by IS’s campaign of sexual violence. The European Parliament Information Offices (EPIOs) promoted the Sakha- rov Prize via various events and actions organised within the scope of the wider, year-long Human Rights campaign of the European Parliament, rai- sing awareness of the EP’s commitment to the protection of human rights around the world. This -
The Prize of Governance. How the European Union Uses Symbolic Distinctions to Mobilize Society and Foster Competitiveness
JCMS 2021 pp. 1–18 DOI: 10.1111/jcms.13163 The Prize of Governance. How the European Union Uses Symbolic Distinctions to Mobilize Society and Foster Competitiveness FRANÇOIS FORET1 and JANA VARGOVČÍKOVÁ2 1Cevipol – Institut d’études européennes, Université libre de Bruxelles, Brussels 2CREE (Europe-Eurasia Research Center), Inalco, Paris Abstract Since its origins, the European Union (EU) has increasingly relied on prizes to highlight the values and principles channelling European integration. In the last two decades, such symbolic tools of governance have shifted away from the kind of distinctions granted by elites to elites and aiming to honour prominent figures offered as role models mainly in the field of identity, memory and cultural policies. In an increasingly market-oriented Europe, prizes are used as incentives and disciplining instruments to enhance self-compliance of economic and social actors with an ethos of competitiveness and innovation. They work as a magnifying glass of the evolution of the EU towards a government at distance through policy instruments. The focus is on four areas where prizes have multiplied since the 2000s: research and innovation, economic governance, territorial and environmental policies, and communication policies. The article draws on a qualitative analysis of a corpus of ninety-one prizes, institutional documentation, parliamentary debates and media controversies related to prizes. Keywords: European Union; governance; prizes; symbolic politics; policy instruments Introduction Over the past two decades, the European Union (EU) has multiplied the use of prizes as a symbolic tool of governance to highlight the values and principles channelling European integration. This boom in prize creation has been coupled with an evolution of their aims and fields of application. -
Press Release 09-11-2015 - 15:57 Reference No: 20151109IPR01724
Press release 09-11-2015 - 15:57 Reference No: 20151109IPR01724 Final round of 2015 LUX Film competition: screenings and debates with directors The final round of the ninth edition of the 2015 LUX Film Prize competition starts in Brussels on Monday. It includes three screenings, live debates with audiences and two weeks in which the three shortlisted films –Mediterranea, Mustang and Urok (The Lesson) – will be shown at the EP, with MEPs voting for the winning film and audiences choosing their favourites. Screenings at the EP run from 9 to 20 November. The films will also be presented at Bozar in Brussels on 10 and 11 November and Mediterranea will be shown simultaneously in eight European cities. Mediterranea will be relayed from Bozar, on Wednesday, 11 November, to cinemas in Aarhus, Seville, Cork, Bratislava, Paris, Lisbon, Santiago de Compostela and Bucharest. The director, Jonas Carpignano, will and will take part, from Bruissels, in a live debate with the audience after the film via Twitter (#luxprize), which will be livestreamed to all the cinemas taking part. ARTE TV will also broadcast the debate on its website. Audiences across Europe are invited join the discussion on Twitter and send their questions to the director. The films will also be screened twice a day at the European Parliament from 9 to 20 November. MEPs will be able to vote for their favourite film up to 23 November and the winner will be announced when the voting has closed. The prize will be awarded on 24 November at a ceremony in Strasbourg. The three films shortlisted for the 2015 LUX Prize All three films deal with contemporary European social issues such as immigration, the role of local conservative traditions and economic problems in society. -
Font List Goldedition 2.0
Font List GoldEdition 2.0 Catalog NamePC PS File Name PC TT File Name Mac PS File Name Printer Font Printer Font 1. Aachen by Linotype Medium lt_70005.pfb lt_70005.ttf AacheMedPla 2. Aachen by Linotype Bold lt_70004.pfb lt_70004.ttf AacheBolPla 3. Aachen by Adobe Bold lte50127.pfb lte50127.ttf AacheLTBol 4. Aachen by Adobe Central European Bold accb____.pfb AacheCEBol 5. Abadi® Extra Light abel____.pfb abel____.ttf AbadiMTExtLig 6. Abadi® Extra Light Italic abeli___.pfb abeli___.ttf AbadiMTExtLigIta 7. Abadi® Light abal____.pfb abal____.ttf AbadiMTLig 8. Abadi® Light Italic abali___.pfb abali___.ttf AbadiMTLigIta 9. Abadi® Regular aba_____.pfb aba_____.ttf AbadiMT 10. Abadi® Italic abai____.pfb abai____.ttf AbadiMTIta 11. Abadi® Bold abab____.pfb abab____.ttf AbadiMTBol 12. Abadi® Bold Italic ababi___.pfb ababi___.ttf AbadiMTBolIta 13. Abadi® Extra Bold abeb____.pfb abeb____.ttf AbadiMTExtBol 14. Abadi® Extra Bold Italic abebi___.pfb abebi___.ttf AbadiMTExtBolIta 15. Abadi® Light Condensed abacl___.pfb abacl___.ttf AbadiMTConLig 16. Abadi® Condensed abac____.pfb abac____.ttf AbadiMTCon 17. Abadi® Condensed Bold abacb___.pfb abacb___.ttf AbadiMTConBol 18. Abadi® Condensed Extra Bold abace___.pfb abace___.ttf AbadiMTConExtBol 19. ITC Abaton™ by Linotype Regular LT_70006.pfb LT_70006.ttf ITCAba 20. Abbot Uncial™ Regular ABBOU___.PFB AbbotUnc 21. Linotype Abstract™ Regular LT_14354.pfb LT_14354.ttf AbstrLT 22. Academy™ Engraved Regular 46152___.PFB 46152___.TTF AcadeEngPla 23. Achispado™ Regular lt_57657.pfb LT_57657.ttf AchisLT 24. Acorn Regular ACORN___.PFB Acorn 25. Acorn Bold ACORB___.PFB AcornBol 26. ITC Adderville™ Book AdrvilBk.pfb ADDEIW__.TTF AdderITCBoo 27. ITC Adderville™ Medium AdrvilMd.pfb ADDEITM_.TTF AdderITCMed 28.