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Menorah Size Matters Bklyn Rabbis Battle for ‘World’S-Biggest’ Bragging Rights
Yo u r Neighborhood — Yo u r News® BrooklynPaper.com • (718) 260–2500 • Brooklyn, NY • ©2014 Serving Brownstone Brooklyn, Williamsburg & Greenpoint AWP/16 pages • Vol. 37, No. 51 • December 19–25, 2014 • FREE LITTLE DRUMMER BATTLE Beep gets fl ak from NYPD union for his tree-lighting nod to police chokehold death By Matthew Perlman The Brooklyn Paper Borough President Adams butted heads with a police union rep on Mon- day over a plan to use the Borough Hall Christmas-tree lighting to commemo- rate the death of Gowanus native Eric Garner at the hands of officers. Patrolmen’s Benevolent Association president Pat Lynch blasted the Beep after Adams announced he would dim the holiday lights at the ceremony, then beat a drum 11 times to mark the 11 times Garner said “I can’t breathe” as one officer choked him, then held him face-down with other officers’ help, kill- ing him, as the city medical examiner concluded. Lynch demanded that Adams hit the drum another 80 times to honor each Photo by Stefano Giovannini of the cops killed since 1999, including those who died in the Sept. 11 attacks and (Above) Borough President Ad- from subsequent health problems. The ams, right, looks on as Brooklyn Beep, a former NYPD captain and co- United Marching Band drummer founder of 100 Blacks in Law Enforce- Royal Allah sounds 11 beats to ment Who Care, settled on seven addi- mark Eric Garner’s death, and one tional drum hits for each officer who for each police officer who died has died this year, saying that what New this year. -
Video Disco Klip Lista 10Cc
VIDEO DISCO KLIP LISTA 10CC - Dreadlock Holiday 2 Brothers On The 4th Floor - Dreams (Will Come Alive) 2 Brothers On The 4th Floor - Fly 2 in a room - Wiggle It 2 Unlimited - Get Ready For This k 2 Unlimited - No Limit 2 unlimited - Twilight Zone 20 Fingers - Lick It 20 Fingers Feat. Gillette - Short Short Man 4 Non Blondes - What's Up 50 cent feat. Justin timberlake - Ayo technology A Flock Of Seagulls - Wishing A flock of seagullsa - I Ran A1 - Take On Me Abba - Chiquitita ABBA - Dancing Queen Abba - Dancing Queen2 Abba - Does Your Mother Know Abba - Gimme! Gimme! Gimme! (A Man After Midnight) Abba - Knowing Me Knowing You Abba - Mamma Mia Abba - Money Money Money Abba - S.O.S. Abba - Super Trouper Abba - Take A Chance On Me Abba - Thank You For The Music Abba - The Winner Takes It All Abba - Waterloo ABC - Poison Arrow ABC - When Smokey Sings ACDC-Highway To Hell (Live Version) Ace Of Base - All That She Wants Ace Of Base - Beautiful Life (Vission Lorimer Club Mix) Ace Of Base - Cruel Summer Ace Of Base - Don't Turn Around Ace Of Base - Happy Nation Ace Of Base - Living In Danger Ace Of Base - The Sign Adam Ant - Puss 'n' Boots Adele - Rolling In The Deep Afric Simone - Haffananah Afrojack Feat. Eva Simons - Take Over Control A-Ha - Stay On These Roads A-Ha - Take On Me A-Ha - The Sun Always Shines On TV Air Suooly - All Out of Love Akcent - Love Stoned Akcent - That's My Name Alanis Morissette - You Oughta Know Alannah Myles - Black Velvet Alb Negru - Charisma Alex Velea-Don't say It's Over Alexandra Stan - Get Back Alexandra Stan - Lollipop Alexandra Stan - Mr Saxobeat Alexunderbase - Privacy Alice Cooper-Poison Alice Deejay - Back In MY Life Alice Deejay - Better Of Alone Alphaville - Big In Japan Alphaville - Forever Young Amanda Lear - Queen Of Chinatown Amber - This Is Your Night Amii Stewart - Knock On Wood Andre Rieu - Kalinka Andre Rieu - Poliushko Polie Andre Rieu - Sirtaki Animotion - Obsession Ann Lee - 2 Times Aqua – Barbie Girl Arcadia - Election Day Arman Van Helden - My My My Armin van Buuren feat. -
Cds by Composer/Performer
CPCC MUSIC LIBRARY COMPACT DISCS Updated May 2007 Abercrombie, John (Furs on Ice and 9 other selections) guitar, bass, & synthesizer 1033 Academy for Ancient Music Berlin Works of Telemann, Blavet Geminiani 1226 Adams, John Short Ride, Chairman Dances, Harmonium (Andriessen) 876, 876A Adventures of Baron Munchausen (music composed and conducted by Michael Kamen) 1244 Adderley, Cannonball Somethin’ Else (Autumn Leaves; Love For Sale; Somethin’ Else; One for Daddy-O; Dancing in the Dark; Alison’s Uncle 1538 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 1 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 2 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 1 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 2 Aebersold, Jamey: Jazz Improvisation (vol 1) 1270 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 1 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 2 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 1 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 2 Aebersold, Jamey: The II-V7-1 Progression (vol 3) 1271 Aerosmith Get a Grip 1402 Airs d’Operettes Misc. arias (Barbara Hendricks; Philharmonia Orch./Foster) 928 Airwaves: Heritage of America Band, U.S. Air Force/Captain Larry H. Lang, cond. 1698 Albeniz, Echoes of Spain: Suite Espanola, Op.47 and misc. pieces (John Williams, guitar) 962 Albinoni, Tomaso (also Pachelbel, Vivaldi, Bach, Purcell) 1212 Albinoni, Tomaso Adagio in G Minor (also Pachelbel: Canon; Zipoli: Elevazione for Cello, Oboe; Gluck: Dance of the Furies, Dance of the Blessed Spirits, Interlude; Boyce: Symphony No. 4 in F Major; Purcell: The Indian Queen- Trumpet Overture)(Consort of London; R,Clark) 1569 Albinoni, Tomaso Concerto Pour 2 Trompettes in C; Concerto in C (Lionel Andre, trumpet) (also works by Tartini; Vivaldi; Maurice André, trumpet) 1520 Alderete, Ignacio: Harpe indienne et orgue 1019 Aloft: Heritage of America Band (United States Air Force/Captain Larry H. -
Nightshiftmag.Co.Uk @Nightshiftmag Nightshiftmag Nightshiftmag.Co.Uk Free Every Month NIGHTSHIFT Issue 299 September Oxford’S Music Magazine 2021
[email protected] @NightshiftMag NightshiftMag nightshiftmag.co.uk Free every month NIGHTSHIFT Issue 299 September Oxford’s Music Magazine 2021 Gig, Interrupted Meet the the artists born in lockdown finally coming to a venue near you! Also in this comeback issue: Gigs are back - what now for Oxford music? THE AUGUST LIST return Introducing JODY & THE JERMS What’s my line? - jobs in local music NEWS HELLO EVERYONE, Festival, The O2 Academy, The and welcome to back to the world Bullingdon, Truck Store and Fyrefly of Nightshift. photography. The amount raised You all know what’s been from thousands of people means the happening in the world, so there’s magazine is back and secure for at not much point going over it all least the next couple of years. again but fair to say live music, and So we can get to what we love grassroots live music in particular, most: championing new Oxford has been hit particularly hard by the artists, challenging them to be the Covid pandemic. Gigs were among best they can be, encouraging more the first things to be shut down people to support live music in the back in March 2020 and they’ve city and beyond and making sure been among the very last things to you know exactly what’s going be allowed back, while the festival on where and when with the most WHILE THE COVID PANDEMIC had a widespread impact on circuit has been decimated over the comprehensive local gig guide Oxford’s live music scene, it’s biggest casualty is The Wheatsheaf, last two summers. -
Guide to the Bill Holman Collection
Guide to the Bill Holman Collection NMAH.AC.0733 Scott Schwartz, Ann Kuebler, and Pam Kirby 2001 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Scope and Contents........................................................................................................ 3 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: Music Manuscripts, 1952 - 1999.............................................................. 4 Series 2: Photographs and Business Records, 1975-1997.................................... 28 Bill Holman Collection NMAH.AC.0733 Collection Overview Repository: Archives Center, National Museum of American History Title: Bill Holman Collection Identifier: NMAH.AC.0733 Date: -
Issues of Gender in Muscle Beach Party (1964) Joan Ormrod, Manchester Metropolitan University, UK
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by E-space: Manchester Metropolitan University's Research Repository Issues of Gender in Muscle Beach Party (1964) Joan Ormrod, Manchester Metropolitan University, UK Muscle Beach Party (1964) is the second in a series of seven films made by American International Pictures (AIP) based around a similar set of characters and set (by and large) on the beach. The Beach Party series, as it came to be known, rode on a wave of surfing fever amongst teenagers in the early 1960s. The films depicted the carefree and affluent lifestyle of a group of middle class, white Californian teenagers on vacation and are described by Granat as, "…California's beautiful people in a setting that attracted moviegoers. The films did not 'hold a mirror up to nature', yet they mirrored the glorification of California taking place in American culture." (Granat, 1999:191) The films were critically condemned. The New York Times critic, for instance, noted, "…almost the entire cast emerges as the dullest bunch of meatballs ever, with the old folks even sillier than the kids..." (McGee, 1984: 150) Despite their dismissal as mere froth, the Beach Party series may enable an identification of issues of concern in the wider American society of the early sixties. The Beach Party films are sequential, beginning with Beach Party (1963) advertised as a "musical comedy of summer, surfing and romance" (Beach Party Press Pack). Beach Party was so successful that AIP wasted no time in producing six further films; Muscle Beach Party (1964), Pajama Party (1964) Bikini Beach (1964), Beach Blanket Bingo (1965) How to Stuff a Wild Bikini (1965) and The Ghost in the Invisible Bikini (1966). -
Vocal Jazz in the Choral Classroom: a Pedagogical Study
University of Northern Colorado Scholarship & Creative Works @ Digital UNC Dissertations Student Research 5-2019 Vocal Jazz in the Choral Classroom: A Pedagogical Study Lara Marie Moline Follow this and additional works at: https://digscholarship.unco.edu/dissertations Recommended Citation Moline, Lara Marie, "Vocal Jazz in the Choral Classroom: A Pedagogical Study" (2019). Dissertations. 576. https://digscholarship.unco.edu/dissertations/576 This Text is brought to you for free and open access by the Student Research at Scholarship & Creative Works @ Digital UNC. It has been accepted for inclusion in Dissertations by an authorized administrator of Scholarship & Creative Works @ Digital UNC. For more information, please contact [email protected]. © 2019 LARA MARIE MOLINE ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School VOCAL JAZZ IN THE CHORAL CLASSROOM: A PEDAGOGICAL STUDY A DIssertatIon SubMItted In PartIal FulfIllment Of the RequIrements for the Degree of Doctor of Arts Lara Marie MolIne College of Visual and Performing Arts School of Music May 2019 ThIs DIssertatIon by: Lara Marie MolIne EntItled: Vocal Jazz in the Choral Classroom: A Pedagogical Study has been approved as meetIng the requIrement for the Degree of Doctor of Arts in College of VIsual and Performing Arts In School of Music, Program of Choral ConductIng Accepted by the Doctoral CoMMIttee _________________________________________________ Galen Darrough D.M.A., ChaIr _________________________________________________ Jill Burgett D.A., CoMMIttee Member _________________________________________________ Michael Oravitz Ph.D., CoMMIttee Member _________________________________________________ Michael Welsh Ph.D., Faculty RepresentatIve Date of DIssertatIon Defense________________________________________ Accepted by the Graduate School ________________________________________________________ LInda L. Black, Ed.D. Associate Provost and Dean Graduate School and InternatIonal AdMIssions Research and Sponsored Projects ABSTRACT MolIne, Lara Marie. -
FOLLOWING the HERD REPERTOIRE TABLE 2017-V3
TITLE COMPOSER/ STYLE ALBUM/ERA INSTRUMENT ARRANGER FEATURE/SOLO ADAM’S BROADBENT MEDIUM BRAND NEW 1971 CLARINET/FLUGEL APPLE SWING TROMBONE AFTER PARISH/PIERCE SLOW BRAND NEW 1971 PIANO HOURS GROOVE AFTER CREAMER/LAYTON/ HOLMAN UP TEMPO WOODY HERMAN 1964 CLARINET/TRUMPET YOU’VE TENOR SAX GONE AJA BECKER/FAGAN / BROADBENT STRAIGHT CHICK,DONALD,WALTER TENOR SAX 8th WOODROW 1978 A KISS HEMAN/SLACK/VICTOR EASY NUMEROUS ALBUMS TRUMPET/CLARINET GOODNIGHT VOCAL SINCE 1945 ALONE AGAIN O’SULLIVAN/ BROADBENT STRAIGHT THE RAVEN SPEAKS TROMBONE/ALTO SAX (NATURALLY) 8th 1974 TENOR SAX AMERICA ZAPPA/BROADBENT FAST THUNDERING HERD FLUGEL/PIANO DRINKS AND GOES HOME SWING 1974 APPLE WOODY HERMAN UP TEMPO NUMEROUS ALBUMS VIBES/’BONE /TENOR SAX/ HONEY SINCE 1944 TRUMPET APRIL DeSYLVA/SILVERS/BURNS EASY JAZZ SWINGER ALBUM FLUGEL HORN SHOWERS VOCAL 1966 AQUARIUS RADA/RAGNI STRAIGHT HEAVY EXPOSURE 1969 SOPRANO SAX EVANS 8th A SONG FOR RUSSELL/STAPLETON STRAIGHT GIANT STEPS PIANO/SOPRANO SAX YOU 8th 1973 FLUGEL AURORA ROLAND BALLAD VARIOUS ALBUMS ALTO/TENOR AUTOBAHN BURNS/HERMAN MEDIUM VARIOUS ALBUMS TENOR/BARITONE BLUES SWING SINCE 1954 TRUMPET BAMBA BYRD/FELLER MEDIUM WOODY HERMAN Vol. 3 GUITAR LATIN/SWING SAMBA BASS FOLK CLARKE/KLATKA FAST 4 THUNDERING HERDS BASS/PIANO/PICCOLO (ROCK-FUNK) SONG 1974 BATTLE ELLINGTON/FEDCHOCK UP-TEMPO GOLD STAR SAXES ROYAL SWING 1987 BEBOP AND BROADBENT FAST GIANT STEPS 1973 TRUMPET/’BONE/TENOR ROSES SWING SAX BEDROOM GEE/PIERCE EASY LIVE AT HARRAH’S CLUB PIANO/TROMBONE EYES SWING 1964 TRUMPET BETTER GET MINGUS/ HAMMER FAST -
M-Pact to Bring Its Signature Vocal-Only Pop-Jazz Sound to Doudna.Pdf" (2011)
Eastern Illinois University The Keep 2011 Press Releases 1-21-2011 01/21/2011 - M-Pact To Bring Its Signature Vocal- Only Pop-Jazz Sound To Doudna.pdf University Marketing and Communications Follow this and additional works at: http://thekeep.eiu.edu/press_releases_2011 Recommended Citation University Marketing and Communications, "01/21/2011 - M-Pact To Bring Its Signature Vocal-Only Pop-Jazz Sound To Doudna.pdf" (2011). 2011. 7. http://thekeep.eiu.edu/press_releases_2011/7 This Article is brought to you for free and open access by the Press Releases at The Keep. It has been accepted for inclusion in 2011 by an authorized administrator of The Keep. For more information, please contact [email protected]. M-pact to Bring its Signature Vocal-Only Pop-Jazz Sound to Doudna Jan-21-2011 M-pact, which uses only human voices to create its trailblazing signature pop-jazz sound, will perform at Eastern Illinois University's Doudna Fine Arts Center on Tuesday, Feb. 1. The Los Angeles-based sextet has been hailed as "one of the best pop- jazz vocal groups in the world" by the San Francisco Chronicle, and their performance has been described as "a vocal wall of sound" by National Public Radio. The group describes its sound as a combination of "the smooth soul of Stevie Wonder; the percussive power of Stomp; the funk and drive of Earth, Wind, & Fire; the hip licks of Take 6; and the brass bite of the Harry Connick Jr. Big Band." Touring renowned fine arts halls and jazz festivals across four continents, m-pact has performed with many pop superstars, including Sheryl Crow, Boyz II Men, Kenny G, Liza Minnelli, Babyface, Rick Springfield and Jackson Browne. -
Artist Title Count PURPLE DISCO MACHINE FEAT. MOSS KENA & THEFIREWORKS KNOCKS 92 LEONY FADED LOVE 83 ONEREPUBLIC RUN 82 ATB FT
Artist Title Count PURPLE DISCO MACHINE FEAT. MOSS KENA & THEFIREWORKS KNOCKS 92 LEONY FADED LOVE 83 ONEREPUBLIC RUN 82 ATB FT. TOPIC & A7S YOUR LOVE 81 JUSTIN BIEBER FT. DANIEL CAESAR PEACHES 81 COLDPLAY HIGHER POWER 80 IMAGINE DRAGONS FOLLOW YOU 80 OLIVIA RODRIGO GOOD 4 YOU 80 REGARD X TROYE SIVAN X TATE MCRAE YOU 79 ALVARO SOLER MAGIA 74 RITON X NIGHTCRAWLERS FRIDAY 74 LOST FREQUENCES RISE 70 JONAS BLUE FT. AVA SOMETHING STUPID 69 THE WEEKND SAVE YOUR TEARS 69 KUNGS NEVER GOING HOME 68 ED SHEERAN BAD HABITS 68 JUSTIN WELLINGTON FEAT. SMALL JAM IKO IKO 67 MAJESTIC X BONEY M. RASPUTIN 67 ROBIN SCHULZ FT. FELIX JAEHN & ALIDA ONE MORE TIME 66 RAG'N'BONE MAN ALL YOU EVER WANTED 64 DUA LIPA LOVE AGAIN 63 JOEL CORRY FT. RAYE & DAVID GUETTA BED 63 JASON DERULO & NUKA LOVE NOT WAR 62 MEDUZA FT. DERMOT KENNEDY PARADISE 59 AVA MAX MY HEAD & MY HEART 58 DUA LIPA WE'RE GOOD 57 MARTIN GARRIX FEAT. BONO & THE EDGE WE ARE THE PEOPLE 57 JOEL CORRY HEAD AND HEART 56 CALVIN HARRIS FT. TOM GRENNAN BY YOUR SIDE 56 DOJA CAT FEAT. SZA KISS ME MORE 56 PINK ALL I KNOW SO FAR 54 OFENBACH FT. LAGIQUE WASTED LOVE 53 PINK + WILLOW SAGE HART COVER ME IN SUNSHINE 53 MALARKEY SHACKLES (PRAISE YOU) 50 MASTER KG FT. NOMCEBO JERUSALEMA 49 SIA & DAVID GUETTA FLOATING THROUGH SPACE 48 SUPER-HI & NEEKA FOLLOWING THE SUN 48 ALVARO SOLER FT. CALI Y EL DANDEE MANANA 44 MARCO MENGONI MA STASERA 42 AVA MAX EVERYTIME I CRY 41 TATE MCRAE YOU BROKE ME FIRST [LUCA SCHREINER41 REMIX] MAROON 5 LOST 40 OFENBACH & QUARTERHEAD HEAD SHOULDERS KNEES & TOES 38 PS1 FT. -
Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor
1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. BILL HOLMAN NEA Jazz Master (2010) Interviewee: Bill Holman (May 21, 1927 - ) Interviewer: Anthony Brown with recording engineer Ken Kimery Date: February 18-19, 2010 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 84 pp. Brown: Today is Thursday, February 18th, 2010, and this is the Smithsonian Institution National Endowment for the Arts Jazz Masters Oral History Program interview with Bill Holman in his house in Los Angeles, California. Good afternoon, Bill, accompanied by his wife, Nancy. This interview is conducted by Anthony Brown with Ken Kimery. Bill, if we could start with you stating your full name, your birth date, and where you were born. Holman: My full name is Willis Leonard Holman. I was born in Olive, California, May 21st, 1927. Brown: Where exactly is Olive, California? Holman: Strange you should ask [laughs]. Now it‟s a part of Orange, California. You may not know where Orange is either. Orange is near Santa Ana, which is the county seat of Orange County, California. I don‟t know if Olive was a part of Orange at the time, or whether Orange has just grown up around it, or what. But it‟s located in the city of Orange, although I think it‟s a separate municipality. Anyway, it was a really small town. I always say there was a couple of orange-packing houses and a railroad spur. Probably more than that, but not a whole lot. -
Well, She Sneaks Around the World from Kiev to Carolina She's a Sticky
1, 2, 3, yeah! Well, she sneaks around the world from Kiev to Carolina She's a sticky-fingered filcher from Berlin down to Belize She'll take you for a ride on a slow boat to China Tell me, where in the world is Carmen Sandiego? Steal their Seoul in South Korea, make Antarctica cry "Uncle!" From the Red Sea to Greenland, they'll be singing the blues Well, they never Arkansas her steal the Mekong from the jungle Tell me, where in the world is Carmen Sandiego? She'll go from Nashville to Norway, Bonaire to Zimbabwe Chicago, to Czechoslovakia* and back! Well, she'll ransack Pakistan, and run a scam in Scandinavia Then she'll stick 'em up down under and go pick-pocket Perth She put the "miss" in misdemeanor when she stole the beans from Lima Tell me, where in the world is Carmen Sandiego? Whoa, tell me where in the world? Hey! Come on, tell me where can she be? Botswana to Thailand, Milan via Amsterdam Mali, to Bali, Ohio, Oa-wa-hu! Aaahhhh!** The warrant, the warrant** The warrant, ba-ba-ba-ba-the warrant** Ooh, the chase** Ooh-woo-woo-woo, the chase** Monday through Friday at 5! Well, she glides around the globe, and she'll flim-flam every nation She's a double-dealing diva with a taste for thievery Her itinerary's loaded up with moving violations Tell me, where in the world is Carmen Sandiego? Whoa, tell me, where in the world is Carmen Sandiego? Tell me, where in the world is Carmen Sandiego? Tell me, where in the world is Carmen Sandiego? Tell me, where in the world is Carmen Sandiego? Tell me, where in the world is Where can she be, yeah? Whoa, where in the world is Carmen Sandiego? Tell me, where in the world is Carmen Sandiego? Watch your back! >> Look at a book about rocket ships.