Unit 23 Urban Patterns in Medieval Deccan*
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Scientific and Technical Study of Bidriware
International Journal of Management, Technology And Engineering ISSN NO : 2249-7455 Scientific and Technical Study of Bidriware Dr. Nalini Avinash Waghmare NISS (Assistant Professor in History) Tilak Maharashtra Vidyapeeth, Pune-37 Mobile No—9975833748 Email: [email protected]. Abstract: Bidar district is the home of the Bidriware industry and the very name Bidri is derived from Bidar. This craft was introduced in Bidar during the rule of Bahmanis. Towards the end of the Baridi dynasty in Bidar this craft reached its zenith and a number of outstanding specimens were produced which today enrich some museums in India and abroad. The basic materials required in Bidri industry are zinc, copper, silver and a particle type of earth. The process of production may be divided into four main stages viz. casting, engraving, inlaying and oxidizing.There are five main types of inlay for ornamenting Bidriware objects. The Bidricraft will be marketed through global media. For improving the life of Bidri artisans and for conservation as well as preservation of Bidriware scientific and technical study of Bidriware is a need of modern time. This paper will be beneficial to artists, historians, researchers, marketing agencies, government and policy makers along with scientist.Through technological help preservation and propaganda about art is also possible . Lastly, it is the work of the researcher to focus on scientific and technical thinking of art for it conservation and preservation of art. Key Words --Bidriware, Bahamani period, metal craft, Bidar, Bidri Artisans 1.Introduction : Bidar is known for its Bidriware. Bidriware brought name and fame to Karnataka. This Bidriware is an art form since Bahamani period to till today. -
Rural Tourism As an Entrepreneurial Opportunity (A Study on Hyderabad Karnataka Region)
Volume : 5 | Issue : 12 | December-2016 ISSN - 2250-1991 | IF : 5.215 | IC Value : 79.96 Original Research Paper Management Rural Tourism as an Entrepreneurial Opportunity (a Study on Hyderabad Karnataka Region) Assistant Professor, Dept of Folk Tourism,Karnataka Folklore Mr. Hanamantaraya University, Gotagodi -581197,Shiggaon TQ Haveri Dist, Karnataka Gouda State, India Assistant Professor, Dept of Folk Tourism,Karnataka Folklore Mr. Venkatesh. R University, Gotagodi -581197,Shiggaon TQ Haveri Dist, Karnataka State, India The Tourism Industry is seen as capable of being an agent of change in the landscape of economic, social and environment of a rural area. Rural Tourism activity has also generated employment and entrepreneurship opportunities to the local community as well as using available resources as tourist attractions. There are numerable sources to lead business in the tourism sector as an entrepreneur; the tourism sector has the potential to be a development of entrepreneurial and small business performance. Which one is undertaking setting up of business by utilizing all kinds sources definitely we can develop the region of that area. This article aims to discuss the extent of entrepreneurial opportunities as the development ABSTRACT of tourism in rural areas. Through active participation among community members, rural entrepreneurship will hopefully move towards prosperity and success of rural tourism entrepreneurship Rural Tourism, Entrepreneurial opportunities of Rural Tourism, and Development of Entrepre- KEYWORDS neurship in Rural area Introduction Objectives of the studies Top tourism destinations, particularly in developing countries, 1. To know the entrepreneurial opportunities in Rural are include national parks, wilderness areas, mountains, lakes, and of HK region cultural sites, most of which are generally rural. -
Scientific and Technical Study of Bidriware
Scientific and Technical Study of Bidriware Dr. Nalini Avinash Waghmare NISS (Assistant Professor in History) Tilak Maharashtra Vidyapeeth, Pune-37 ABSTRACT: Scientific and Technical Study of Bidriware Bidar district is the home of the Bidriware industry and the very name Bidri is derived from Bidar. This craft was introduced in Bidar during the rule of Bahmanis. Towards the end of the Baridi dynasty in Bidar this craft reached its zenith and a number of outstanding specimens were produced which today enrich some museums in India and abroad. The basic materials required in Bidri industry are zinc, copper, silver and a particle type of earth. The process of production may be divided into four main stages viz. casting, engraving, inlaying and oxidizing.There are five main types of inlay for ornamenting Bidriware objects. The Bidricraft will be marketed through global media. For improving the life of Bidri artisans and for conservation as well as preservation of Bidriware scientific and technical study of Bidriware is a need of modern time. This paper will be beneficial to artists, historians, researchers, marketing agencies, government and policy makers along with scientist.Through technological help preservation and propaganda about art is also possible . Lastly, it is the work of the researcher to focus on scientific and technical thinking of art for it conservation and preservation of art. Key Words --Bidriware, Bahamani period, metal craft, Bidar, Bidri Artisans 1.INTRODUCTION Bidar is known for its Bidriware. Bidriware brought name and fame to Karnataka. This Bidriware is an art form since Bahamani period to till today. Many Bidri artisans brought name to Bidar for demonstrating Bidri articles in India and Abroad. -
Medieval Banaras: a City of Cultural and Economic Dynamics and Response
[VOLUME 5 I ISSUE 4 I OCT. – DEC. 2018] e ISSN 2348 –1269, Print ISSN 2349-5138 http://ijrar.com/ Cosmos Impact Factor 4.236 Medieval Banaras: A City of Cultural and Economic Dynamics and Response Pritam Kumar Gupta Research Scholar, Jawaharlal Nehru University. Received: November 12, 2018 Accepted: December 17, 2018 ABSTRACT This paper attempts to understand the cultural and economic importance of the city of Banarasto various medieval political powers.As there are many examples on the basis of which it can be said that the nature, dynamics, and popularity of a city have changed at different times according to the demands and needs of the time. Banaras is one of those ancient cities which has been associated with various religious beliefs and cultures since ancient times but the city, while retaining its old features, established itself as a developed trade city by accepting new economic challenges, how the Banaras provided a suitable environment to the changing cultural and economic challenges, whereas it went through the pressure of different political powers from time to time and made them realize its importance. This paper attempts to understand those suitable environmentson how the landscape of Banaras and its dynamics in the medieval period transformed this city into a developed economic-cultural city. Keywords: Banaras, Religious, Economic, Urbanization, Mughal, Market, Landscape. Wide-ranging literary works have been written on Banaras by scholars of various subject backgrounds, in which they highlight the socio-economic life of different religious and cultural ideals of the inhabitants of Banaras. It is very important for scholars studying regional history to understand what challenges a city has to face in different historical periods to maintain its identity.The name Banaras is found as the present name Varanasi in the Buddhist Jataka and Hindu epic Mahabharata. -
Referred'& Reviewed "' , ~. Research Journal '
" ,. ' . ~ ... : .. ~ ~ .. : • • :. ~ 0 .. .. .. ~ .. ~ ••~ ............ III • • • .• ~ ..:..... ...j '......'.. ! '." ~ .~ ... ~.-~ • • • ••.-~ ~ . ... .. .. .. .,' Referred '& Reviewed 1 ' " ' :~:1: ~ .11 ", , • • t ~ ..... ,,, . J _ . '." ,.& •.••• •• •, .• ••. ~ . ......., •• ."••. •• ~ . .. .. ~ •• ' ~' ••• :. " .: ',' . "' , ,~. Research Journal ' ,~" ,,,, ' , ' , " ", , , " , " , ' .. , .... " . .. ,. ' ~.. ' ," . .\.~ :;.":' . ~ :I,..!(b ,. ; 1 . , ," .. ,,;-:.: '.. ~'- -, ," : ':. ~ .... " :" ... L I ...~ '.r· , . ~ " , -~-.. ,- . ._---.._..-_ .... """'I1......--..--............_ ......~· ~....N . ___....I... ...;....; .:__._ •._ . __ :.. _, .. _ _ __... ,; /' f HISTORY , . ISSN - 2250-0383 j RNI-02988/13/01/2011-TC I BIDRIWARE: HAND1CRAFT OF BIDAR DISTRICT j .I. Dr. NaUni Avinasb Wagbmare i Departmentof History S.P.College, Pune-30 Mobile No: 9370063748 Abstract Among the wide range of Indian Islamic metalware, Bidiiware is an 'importantclasl\ of workproduced from the early 171h century until the present day. Bidriware objects have been fashioned in different shapes and adorned with a V!!!iety of tech,ri19':1~. They used' ~y the Deccani and Mughal nobility, as well as by - : --- ::!:!';:;;:;;~- the princ~s an4.affluent people 0 Rajas~an . tlle Punjab Hill States, Bihar, Madhya- . 'J - Pradesh and Western India. -. ~- -- ~ =-- -:::. -. - t Bidar distriCt is the home of the Bidriware industry and the very name Bidri I is derived from Bidar. This craft was introduced in Bidar during the rule of I " Bahmanis. The Bidri articles are well known from their artistic elegance and beauty I in India and abroad. Towards the end ·of the Bmdi dynasty in Bidar this craft j. reached its zenith .and a number of 'outstanding specimens were produced which today enrich some museums in India and abroad. ', The basic materials requi.{ed in Bidri industry are zinc, copper; silver and a Ii particle type of earth. Theprricess of production may be divided into four mmri i · stages viz. casting, engraving, inlaying and oxidizing. -
General Index
General Index Italic page numbers refer to illustrations. Authors are listed in ical Index. Manuscripts, maps, and charts are usually listed by this index only when their ideas or works are discussed; full title and author; occasionally they are listed under the city and listings of works as cited in this volume are in the Bibliograph- institution in which they are held. CAbbas I, Shah, 47, 63, 65, 67, 409 on South Asian world maps, 393 and Kacba, 191 "Jahangir Embracing Shah (Abbas" Abywn (Abiyun) al-Batriq (Apion the in Kitab-i balJriye, 232-33, 278-79 (painting), 408, 410, 515 Patriarch), 26 in Kitab ~urat ai-arc!, 169 cAbd ai-Karim al-Mi~ri, 54, 65 Accuracy in Nuzhat al-mushtaq, 169 cAbd al-Rabman Efendi, 68 of Arabic measurements of length of on Piri Re)is's world map, 270, 271 cAbd al-Rabman ibn Burhan al-Maw~ili, 54 degree, 181 in Ptolemy's Geography, 169 cAbdolazlz ibn CAbdolgani el-Erzincani, 225 of Bharat Kala Bhavan globe, 397 al-Qazwlni's world maps, 144 Abdur Rahim, map by, 411, 412, 413 of al-BlrunI's calculation of Ghazna's on South Asian world maps, 393, 394, 400 Abraham ben Meir ibn Ezra, 60 longitude, 188 in view of world landmass as bird, 90-91 Abu, Mount, Rajasthan of al-BlrunI's celestial mapping, 37 in Walters Deniz atlast, pl.23 on Jain triptych, 460 of globes in paintings, 409 n.36 Agapius (Mabbub) religious map of, 482-83 of al-Idrisi's sectional maps, 163 Kitab al- ~nwan, 17 Abo al-cAbbas Abmad ibn Abi cAbdallah of Islamic celestial globes, 46-47 Agnese, Battista, 279, 280, 282, 282-83 Mu\:lammad of Kitab-i ba/Jriye, 231, 233 Agnicayana, 308-9, 309 Kitab al-durar wa-al-yawaqft fi 11m of map of north-central India, 421, 422 Agra, 378 n.145, 403, 436, 448, 476-77 al-ra~d wa-al-mawaqft (Book of of maps in Gentil's atlas of Mughal Agrawala, V. -
The Core and the Periphery: a Contribution to the Debate on the Eighteenth Century Author(S): Z
Social Scientist The Core and the Periphery: A Contribution to the Debate on the Eighteenth Century Author(s): Z. U. Malik Source: Social Scientist, Vol. 18, No. 11/12 (Nov. - Dec., 1990), pp. 3-35 Published by: Social Scientist Stable URL: https://www.jstor.org/stable/3517149 Accessed: 03-04-2020 15:29 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at https://about.jstor.org/terms Social Scientist is collaborating with JSTOR to digitize, preserve and extend access to Social Scientist This content downloaded from 117.240.50.232 on Fri, 03 Apr 2020 15:29:21 UTC All use subject to https://about.jstor.org/terms Z.U. MALIK* The Core and the Periphery: A Contribution to the Debate on the Eighteenth Century** There is a general unanimity among modern historians on seeing the dissolution of Mughal empire as a notable phenomenon cf the eighteenth century. The discord of views relates to the classification and explanation of historical processes behind it, and also to the interpretation and articulation of its impact on political and socio- economic conditions of the country. Most historians sought to explain the imperial crisis from the angle of medieval society in general, relating it to the character and quality of people, and the roles of the diverse classes. -
Ornamentation of Bidriware.Pdf
/ I Dr. NaliniAvinash Waghmare Introduction: The art ofMetal-craft in India is as old as its history in which inlaying ofone metal upon another holds a distinguished position. Like painting and textiles, inlaid metal craft presents a fascinating variety recalling mind the history and custom ofdifferent regions ofthis vast country. It tells the story ofconquest and bloodshed, devotion and refmement blended with sublime emotion wrought in the language ofhammer and chisel. A number of traditions ofcrafts based on metals alloys, gems and stones flourished in ancient India. Many ofthese traditions started in ancient India and continue vigorously even in Modem India. Once such craft is Bidriware. Bidriware: Bidar district is the home ofthe Bidriware industry and the very name Bidri is derived from Bidar. The Bidri articles are well known from their artistic elegance and beauty in India and abroad. This craft was introduced in Bidar during the rule ofBahmanis l and patronized by their Silccessors. It gained such popUlarity that working centres for it were opened at Murshidabad in West Bengal, Lucknow in Uttar Pradesh and Purniah in Bihar. However towards the end of the 19 th century, it showed signs ofdecay. The Nizam 's government during the first ofthe 20th century did what it could to revive the industry and to save it from extinction.2 , Unique feature: A unique aspect ofthe Bidriware craft is the soil used to ornament the art objects. This soil, which has not received rain or sunlight for centuries, is collected by artisans from the inner areas ofthe Bidar fort. The soil contains ingredients that give a lustrous black colour to Bidriware. -
Title Prof. First Name Chander Last Name Photograph Designation
University Faculty Details Page on DU Web-site (PLEASE FILL THIS IN AND SUBMIT A HARD COPY AND SOFT COPY ON CD ALONGWITH YOUR PERIODIC INCREMENT CERTIFICATE(PIC)) Title Prof. First Name Chander Last Shekhar Photograph Name Designation Professor Department Department of Persian Address Room No- 58-A, Faculty of Arts, University of (Campus) Delhi, Delhi-110007. (Residence) C-12, (29-31), Chatra Marg, University of Delhi Delhi – 110 007. Phone No (Campus) 91-011-27666623 (Residence)optional 011-27662086 Mobile 9968318530 Fax 011-27666623 Email [email protected] Web-Page Education Subject Institution Year Details Ph.D. (Persian) D.U. 1990 A critical Study of the Mathnawis of Amir Khusrau. Maulvi Fazil P.U. 1983 A Course equivalent course to Arabic Hons. M.Phil. (Persian) D.U. 1982 A Bio-Bibliography of & on the works of Amir Khusrau Adib Fazil P.U 1981 A Course equivalent to Urdu. Hons. M.A. (Persian) D.U. 1980 Indo-Persian Literature.(specialization)s A course equivalent to Persian Hons. Munshi Fazil P.U 1978 B.A. (Pass) D.U.. 1978 English. Urdu, Persian & History Spl. Course in Modern Tehran Univ. and Bonyade- 1978 A Short term course in Modern Persian on the Persian Farhange Iran, Tehran scholarship of Bonyade Farhange Iran, Tehran Organisation / Designation Duration Role Institution Dept. of Persian, Lecturer & in Sr. Lecturer 1982 to 1995 Teaching & Research Guidance University of Delhi Scale (16th Sept.) -Do- Reader (MPS & Open) 1995 to 1997 Teaching & Research Guidance 1997-2003 University of Delhi Professor 2003 – Teaching & Research Guidance continuing University of Delhi Coordinator D.R.S. -
Review of Literature on Bidriware.Pdf
26/~ IS ISSN-22S0-0383 IMPACT FACTOR - 0.42 1 \-r I l (-.-J L Impact Factor No: 0.421 , HISTORY ~. ISSN - 2250·0383 RNl·0298Bj13jOljZO-11-TC REVIEW OF LITERATURE ON BIDRIWARE Dr. N::tlini WagbUlare Assistant Professor, Deeartm ' nt of Hi sLO ry. T il, k Maharashtra VidyapeS!!2, Pune. Introduction: The art of M etal-craft in India is as old [1S it s history in which inlaying of one metal upon another holds a distillguished position. Like painting and text il es, inlaid metal-craft presents a fa sc in;1tillg varie ty recalling mind the history and custom of different regions of this vast country. It tells th e story of conquest <Inc! bloodshed, devotion and refinl'lllcnt blended witll sublime emotion wrought in the l<l nguage of hammer and chisd.A numher of tLlditions of crafts based on metals alloys, gems and stones flouris ll cd in ancient lndia. Many of these traditions st;lrteu in ancient India and continue vigorously even in Modern India. Once such crafr is Bidriware. Bidriware became the specialty of Bid ar from where it derives its name. Bidri articles are well-known for th l:ir arti stic ~ Jeg a n ce ; and beauty in Ir.uia and abroacl This craft was in trouuced in RHlar dUI·ing the ru le of Bah<11ll;lni . It is st;l tcu Ih,lt king Ahmed Shah \Vali brought S(l lllc<;kil led \\'orf- u s from Iran for the lOllSlruni(ln oC Rangin Mahal and some of theill were ex pert'i in golu :I nd s il vc r \I'ork. -
Registration Details of Geographical Indications
REGISTRATION DETAILS OF GEOGRAPHICAL INDICATIONS Goods S. Application Geographical Indications (As per Sec 2 (f) State No No. of GI Act 1999 ) FROM APRIL 2004 – MARCH 2005 Darjeeling Tea (word & 1 1 & 2 Agricultural West Bengal logo) 2 3 Aranmula Kannadi Handicraft Kerala 3 4 Pochampalli Ikat Handicraft Telangana FROM APRIL 2005 – MARCH 2006 4 5 Salem Fabric Handicraft Tamil Nadu 5 7 Chanderi Sarees Handicraft Madhya Pradesh 6 8 Solapur Chaddar Handicraft Maharashtra 7 9 Solapur Terry Towel Handicraft Maharashtra 8 10 Kotpad Handloom fabric Handicraft Odisha 9 11 Mysore Silk Handicraft Karnataka 10 12 Kota Doria Handicraft Rajasthan 11 13 & 18 Mysore Agarbathi Manufactured Karnataka 12 15 Kancheepuram Silk Handicraft Tamil Nadu 13 16 Bhavani Jamakkalam Handicraft Tamil Nadu 14 19 Kullu Shawl Handicraft Himachal Pradesh 15 20 Bidriware Handicraft Karnataka 16 21 Madurai Sungudi Handicraft Tamil Nadu 17 22 Orissa Ikat Handicraft Odisha 18 23 Channapatna Toys & Dolls Handicraft Karnataka 19 24 Mysore Rosewood Inlay Handicraft Karnataka 20 25 Kangra Tea Agricultural Himachal Pradesh 21 26 Coimbatore Wet Grinder Manufactured Tamil Nadu 22 28 Srikalahasthi Kalamkari Handicraft Andhra Pradesh 23 29 Mysore Sandalwood Oil Manufactured Karnataka 24 30 Mysore Sandal soap Manufactured Karnataka 25 31 Kasuti Embroidery Handicraft Karnataka Mysore Traditional 26 32 Handicraft Karnataka Paintings 27 33 Coorg Orange Agricultural Karnataka 1 FROM APRIL 2006 – MARCH 2007 28 34 Mysore Betel leaf Agricultural Karnataka 29 35 Nanjanagud Banana Agricultural -
Bidri Artisan Mohammad Rashid Quadri.Pdf
I~-/D ~ " I'! ~ I t.1- • Bidri Artisall ....:Monaminad RashiClQuadri .. \ ; 'I . ._ . Dr. Nalini Avina!h-Waglbnare, Department bfHistory, Tilak Maharash&a Vidyapeeth, Pune 1 lntroduction: A number of traditions of crafts based on metals, alloys, gems and stoncN .flourished in ancient India. Many of these traditi0ns started .in ancient India and ._' continue vigorously even in modern India. Once such craft is Bidriware. Bidriware is 11 .! flourishing Handicraft of Bidar, North Karnataka. The craft of Bidriware We]!l introGuced in Elidar by a Persian a:-tisan AbIJ'llla-bin-Kaiser, who was among a group of skilled workers brought from Iran by Sultan Ahmed Shah Wali Bahamani in the :;, 15th century. Abdulla's expertise in this exquisite craft impressed the Sultan to SUdl . ~ an extent that he arranged for the training of local craftsmen in Bidriware handicwn I . ' in the Mahmud Gawan Madarsa. 10 Bidar district is the home of the Bidriware industry and the very name Bidar i ~j derived from Bidar. The Bidri articles are well lmown from their artistic elegance a ncl beauty in India and abroad. This craft was introduced in Bldar during the rule or F3a hmanis. l l Origin: III its original Persian avatar, Bidri work involved the inlaying of gold or silve r on a steel or copper base. The present m,~ thod envisages an alloy of zinc and coppel as the base metal. Artisans sketch intricate floniI and geometric designs on the m a ll black surface using a sharp metal stylus. This special type of encrusted metal-wan' w as used to embellish various objects.