Deutsche Nationalbibliografie 2017 T 10
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Premieren Der Oper Frankfurt Ab September 1945 Bis Heute
Premieren der Oper Frankfurt ab September 1945 bis heute Musikalische Leitung der Titel (Title) Komponist (Composer) Premiere (Conductor) Regie (Director) Premierendatum (Date) Spielzeit (Season) 1945/1946 Tosca Giacomo Puccini Ljubomir Romansky Walter Jokisch 29. September 1945 Das Land des Lächelns Franz Lehár Ljubomir Romansky Paul Kötter 3. Oktober 1945 Le nozze di Figaro W.A. Mozart Dr. Karl Schubert Dominik Hartmann 21. Oktober 1945 Wiener Blut Johann Strauß Horst-Dietrich Schoch Walter Jokisch 11. November 1945 Fidelio Ludwig van Beethoven Bruno Vondenhoff Walter Jokisch 9. Dezember 1945 Margarethe Charles Gounod Ljubomir Romansky Walter Jokisch 10. Januar 1946 Otto und Theophano Georg Friedrich Händel Bruno Vondenhoff Walter Jokisch 22. Februar 1946 Die Fledermaus Johann Strauß Ljubomir Romansky Paul Kötter 24. März 1946 Zar und Zimmermann Albert Lortzing Ljubomir Romansky Heinrich Altmann 12. Mai 1946 Jenufa Leoš Janáček Bruno Vondenhoff Heinrich Altmann 19. Juni 1946 Spielzeit 1946/1947 Ein Maskenball Giuseppe Verdi Bruno Vondenhoff Hans Strohbach 29. September 1946 Così fan tutte W.A. Mozart Bruno Vondenhoff Hans Strohbach 10. November 1946 Gräfin Mariza Emmerich Kálmán Georg Uhlig Heinrich Altmann 15. Dezember 1946 Hoffmanns Erzählungen Jacques Offenbach Werner Bitter Karl Puhlmann 2. Februar 1947 Die Geschichte vom Soldaten Igor Strawinsky Werner Bitter Walter Jokisch 30. April 1947 Mathis der Maler Paul Hindemith Bruno Vondenhoff Hans Strohbach 8. Mai 1947 Cavalleria rusticana / Pietro Mascagni / Werner Bitter Heinrich Altmann 1. Juni 1947 Der Bajazzo Ruggero Leoncavallo Spielzeit 1947/1948 Ariadne auf Naxos Richard Strauss Bruno Vondenhoff Hans Strohbach 12. September 1947 La Bohème Giacomo Puccini Werner Bitter Hanns Friederici 2. November 1947 Die Entführung aus dem W.A. -
Philharmonic Au Dito R 1 U M
LUBOSHUTZ and NEMENOFF April 4, 1948 DRAPER and ADLER April 10, 1948 ARTUR RUBINSTEIN April 27, 1948 MENUHIN April 29, 1948 NELSON EDDY May 1, 1948 PHILHARMONIC AU DITO R 1 U M VOL. XLIV TENTH ISSUE Nos. 68 to 72 RUDOLF f No S® Beethoven: S°"^„passionala") Minor, Op. S’ ’e( MM.71l -SSsr0*“” « >"c Beethoven. h6tique") B1DÛ SAYÂO o»a>a°;'h"!™ »no. Celeb'“’ed °P” CoW»b» _ ------------------------- RUOOtf bKch . St«» --------------THE pWUde'Pw»®rc’^®®?ra Iren* W°s’ „„a olh.r,„. sr.oi «■ o'--d s,°3"' RUDOLF SERKIN >. among the scores of great artists who choose to record exclusively for COLUMBIA RECORDS Page One 1948 MEET THE ARTISTS 1949 /leJ'Uj.m&n, DeLuxe Selective Course Your Choice of 12 out of 18 $10 - $17 - $22 - $27 plus Tax (Subject to Change) HOROWITZ DEC. 7 HEIFETZ JAN. 11 SPECIAL EVENT SPECIAL EVENT 1. ORICINAL DON COSSACK CHORUS & DANCERS, Jaroff, Director Tues. Nov. 1 6 2. ICOR CORIN, A Baritone with a thrilling voice and dynamic personality . Tues. Nov. 23 3. To be Announced Later 4. PATRICE MUNSEL......................................................................................................... Tues. Jan. IS Will again enchant us-by her beautiful voice and great personal charm. 5. MIKLOS GAFNI, Sensational Hungarian Tenor...................................................... Tues. Jan. 25 6. To be Announced Later 7. ROBERT CASADESUS, Master Pianist . Always a “Must”...............................Tues. Feb. 8 8. BLANCHE THEBOM, Voice . Beauty . Personality....................................Tues. Feb. 15 9. MARIAN ANDERSON, America’s Greatest Contralto................................. Sun. Mat. Feb. 27 10. RUDOLF FIRKUSNY..................................................................................................Tues. March 1 Whose most sensational success on Feb. 29 last, seated him firmly, according to verdict of audience and critics alike, among the few Master Pianists now living. -
Choral Union Concert Series
UNIVERSITY MUSICAL SOCIETY Charles A. Sink, President Thor Johnson, Guest Conductor Lester McCoy, Associate Conductor Eighth Concert 1950-1951 Complete Series 3050 Seventy-second Annual Choral Union Concert Series CHICAGO SYMPHONY ORCHESTRA RAFAEL KUBELIK, Conductor SUNDAY EVENING, MARCH 4, 1951 AT 8:30 HILL AUDITORIUM, ANN ARBOR, MICHIGAN PROGRAM Overture to "The School for Scandal" BARBER Symphony No. 1 in D major, Op. 60 DVORAK Allegro non tanto * Adagio Scherzo (furient) Finale—allegro con spirito INTERMISSION Theme and Four Variations ("The Four Temperaments") for String Orchestra and Piano HINDEMITH Theme Variation No. 1: Melancholic Variation No. 2: Sanguine Variation No. 3: Phlegmatic Variation No. 4: Choleric GEORGE SCHICK at the Piano Prelude to "The Mastersingers of Nuremberg" .... WAGNER The Chicago Symphony Orchestra uses the Baldwin piano, and records exclusively for R.CA. Victor. NOTE.—The University Musical Society has presented the Chicago Symphony Orchestra on pre vious occasions as follows: Choral Union Series, Theodore Thomas, conductor (8); in thirty-one May Festivals (1905-1935 inclusive), and in the Choral Union Series, Nov. 2, 1936 and Nov. 30, 1941, Frederick Stock, conductor; Mar. 19, 1945, Jan. 31, 1946, and Mar. 16, 1947, Desire Defauw, conductor; Oct. 26, 1947, Artur Rodzinski, conductor; Mar. 27, 1949, Fritz Busch, Guest Conductor; and Mar. 12, 1950, Fritz Reiner, Guest Conductor. ARS LONGA VITA BREVIS PROGRAM NOTES By FELIX BOROWSKI (Taken from the Program Book of the Chicago Symphony Orchestra) Overture to "The School for Scandal" .... SAMUEL BARBER The overture to "The School for Scandal" was composed in 1932 and was per formed for the first time at a summer concert of the Philadelphia Orchestra at Robin Hood Dell, Philadelphia, August 30, 1933. -
Così Fan Tutte
Wolfgang Amadeus Mozart Così fan tutte CONDUCTOR Opera in two acts James Levine Libretto by Lorenzo Da Ponte PRODUCTION Lesley Koenig Saturday, April 26, 2014, 1:00–4:40 pm SET & COSTUME DESIGNER Michael Yeargan LIGHTING DESIGNER Duane Schuler STAGE DIRECTOR Robin Guarino This production of Così fan tutte was made possible by a generous gift from Alberto Vilar. Additional funding was provided by the Metropolitan Opera Club; the Denenberg Foundation, in honor of Dan Denenberg; The DuBose and Dorothy Heyward Memorial Fund; and the late Mr. and Mrs. Samuel L. Tedlow. The revival of this production is made possible GENERAL MANAGER Peter Gelb by a gift from DOLCE & GABBANA. MUSIC DIRECTOR James Levine PRINCIPAL CONDUCTOR Fabio Luisi 2013–14 Season The 184th Metropolitan Opera performance of Wolfgang Amadeus Mozart’s Così fan tutte This performance is being broadcast live over The Conductor Toll Brothers– James Levine Metropolitan Opera International IN ORDER OF VOCAL APPEARANCE Radio Network, sponsored by Ferrando Toll Brothers, Matthew Polenzani America’s luxury homebuilder®, with Guglielmo generous long-term Rodion Pogossov* support from Don Alfonso The Annenberg Maurizio Muraro Foundation, The Neubauer Family Fiordiligi Foundation, the Susanna Phillips Vincent A. Stabile Endowment for Dorabella Broadcast Media, Isabel Leonard and contributions from listeners Despina worldwide. Danielle de Niese* This performance is Cello Continuo also being broadcast David Heiss live on Metropolitan Opera Radio on Harpsichord Continuo SiriusXM channel 74. Howard Watkins* Saturday, April 26, 2014, 1:00–4:40 pm This afternoon’s performance is being transmitted live in high definition to movie theaters worldwide. The Met: Live in HD series is made possible by a generous grant from its founding sponsor, The Neubauer Family Foundation. -
J2P and P2J Ver 1
club activities has been formed continues to latch on to inde- at MGM -Verve, including liai- pendent label product as they Club Picture Sharpens son offices on both the East and become hot. A prominent exam- West Coast. MGM artists who'll ple is Tamla- Motown, which the Continued from page ata Tebaldi, Birgit Nilsson, Ni- be available through the record Columbia club handles on a uso colai Ghiarunov, Mario del club include Roy Orbison, Sam nonexclusive basis. and its affiliated labels such as Monaco and Marilyn Horne. the Sham and the Pharaohs, the AQOQO! Command and Westminster. Animals, Herman's Hermits, Most of the important record MGM's deal with the Capitol Tie With London Connie Francis, Johnny Tillot- companies have already com- The Victor club's tie with club includes all product by mitted themselves to one club MGM, Verve and Folkways with son, Hank Williams and Erroll London gives it access to one of Garner, who recently joined the or another on an exclusive or the exception of artists whose the largest of the recorded opera label. Verve artists in the club nonexclusive basis. A notable well a contract prohibits it. MGM Rec- catalogs as as flock of include Stan Getz, Jimmy Smith, exception is Atlantic -Atco Rec- potent pop sellers. London has ords President Mort L. Nasatir ords. The clubs have indicated emphasized that none of the ex- Ella Fitzgerald, Astrud Gilberto about 200 items in its operatic and Cal Tjader. interest in the Atlantic -Atco catalog which features such ceptions were significant artists. product but the firm has yet to names as Joan Sutherland, Ren- A special division to handle The Columbia club, meantime, commit itself. -
Edited by Darren Cronshaw and Rosemary Dewerse
Edited by Darren Cronshaw and Rosemary Dewerse © UNOH Publishing, 2015 Published 2015 by UNOH Publishing 2/6–12 Airlie Avenue, Dandenong Victoria 3175, Australia www.unoh.org/publishing National Library of Australia Cataloguing-in-Publication entry (pbk) Creator: AAMS Conference (2014: Adelaide, S Aust.) Title: We are pilgrims: mission from, in and with the margins of our diverse world / Darren Cronshaw, Rosemary Dewerse, editors. ISBN: 9780994202345 (paperback) Subjects: Missions--Congresses Evangelistic work--Congresses. Other Creators/Contributors: Cronshaw, Darren, editor. Dewerse, Rosemary, editor. Australian Association of Mission Studies. Dewey Number: 266.023 Editors: Darren Cronshaw and Rosemary Dewerse Design: Les Colston at Urban Zeal 3 Appreciation to CBM Australia We appreciate the generous sponsorship of CBM Australia of this book, and of the fourth annual Australian Association for Mission Studies conference, October 2014, which inspired and gave content for the book. Formerly known as Christian Blind Mission, over time CBM’s work has widened from serving just people with vision impairment to giving all people with disabilities access to basic healthcare services and restoring life. !ey are also involved in providing immediate aid in times of emergency, long-term support where needed, and advocacy, all in partnership with local organisations, governments and agencies. Today CBM is the world’s largest Christian organisation working in over 70 countries with people with disabilities in the most marginalised places. Committed also to working with Australian local churches and other Christian organisations interested in ministry on the margins and with people of diverse abilities, CBM’s sponsorship of this volume is a logical and welcomed partnership. -
Wachtendonk · Rheurdt
FAHRRAD-ZENTRUM 10 % auf alle vorrätigen Fahrräder Boeckelter Weg 83 47608 Geldern Tel. 0 28 31-30 48 Fax 0 28 31-8 91 62 www.grauthoff-shop.de [email protected] GELDERN · STRAELEN · KERKEN · ISSUM · WACHTENDONK · RHEURDT GELDERN | 47. WOCHE MITTWOCH 23. NOVEMBER 2011 UNSERE THEMEN Zusatztermin für Schneewittchen STRAELEN. Die Märchenauf- führungen „Schneewittchen und die 7 Zwerge“ vom Kamerad- schaftlichen-Liebhaber-Theater 1881 e.V. (KLT), am Sonntag 27. November, um 14 Uhr und 16.30 Uhr, im Forum des Straelener Gymnasiums sind bereits rest- los ausverkauft. Aufgrund der hohen Kartennachfrage bietet das KLT einen Zusatztermin an. Proben laufen Karten für diese Zusatzveranstal- tung am Sonntag, 27. November, auf Hochtouren 11 Uhr, sind ab sofort in den Die Proben für das Straelener Vorverkaufsstellen op de Hipt Weihnachtsmärchen „Der (Straelen) und Jacobs-Börse im Teufel mit den drei goldenen E-Center Kox in Aldekerk erhält- Haaren“ laufen auf Hochtou- lich. Zudem können die Karten ren. Beim Straelener Weih- auch über das Internet bestellt nachtsmarkt ist Premiere für werden: www.klt-straelen.de. das eigene Titellied. A Seite 14 Leseabend-Team gibt Buchtipps STRAELEN. Auch 2011 lässt der Kulturring Straelen Literatur- freunde bei der Wahl passender Weihnachtsgeschenke nicht al- lein. Am Montag, 5. Dezember, 20 Uhr, stellt das Leseabend- Team zusammen mit Frank Hermsteiner und seinem Team Pop-Duo „Klee“ bei vom Straelener Buchhaus die „Schöne Bescherung“ Bücher vor, die auf gar keinen Drei Ehen stiften für große Flügel Fall unter dem Weihnachtsbaum Ihren aktuellen Song „Willst fehlen dürfen. Einige der Bücher du bei mir bleiben“ präsen- Rund einhundert Minuten beste Unterhaltung bietet die Mundart-Theatergruppe des Heimatvereins Nieukerk mit der Komödie „Ängel op Probe“. -
Adventures in Film Music Redux Composer Profiles
Adventures in Film Music Redux - Composer Profiles ADVENTURES IN FILM MUSIC REDUX COMPOSER PROFILES A. R. RAHMAN Elizabeth: The Golden Age A.R. Rahman, in full Allah Rakha Rahman, original name A.S. Dileep Kumar, (born January 6, 1966, Madras [now Chennai], India), Indian composer whose extensive body of work for film and stage earned him the nickname “the Mozart of Madras.” Rahman continued his work for the screen, scoring films for Bollywood and, increasingly, Hollywood. He contributed a song to the soundtrack of Spike Lee’s Inside Man (2006) and co- wrote the score for Elizabeth: The Golden Age (2007). However, his true breakthrough to Western audiences came with Danny Boyle’s rags-to-riches saga Slumdog Millionaire (2008). Rahman’s score, which captured the frenzied pace of life in Mumbai’s underclass, dominated the awards circuit in 2009. He collected a British Academy of Film and Television Arts (BAFTA) Award for best music as well as a Golden Globe and an Academy Award for best score. He also won the Academy Award for best song for “Jai Ho,” a Latin-infused dance track that accompanied the film’s closing Bollywood-style dance number. Rahman’s streak continued at the Grammy Awards in 2010, where he collected the prize for best soundtrack and “Jai Ho” was again honoured as best song appearing on a soundtrack. Rahman’s later notable scores included those for the films 127 Hours (2010)—for which he received another Academy Award nomination—and the Hindi-language movies Rockstar (2011), Raanjhanaa (2013), Highway (2014), and Beyond the Clouds (2017). -
Pitchfork Media's Textual and Cultural Impact
CREATING A CULTURE: PITCHFORK MEDIA‘S TEXTUAL AND CULTURAL IMPACT ON ROLLING STONE MAGAZINE A Thesis Presented to the Faculty of the Graduate School at the University of Missouri- Columbia In Partial Fulfillment of the Requirements for the Degree Master of Arts by EMILY BRASHER Dr. Stephanie Craft, Thesis Supervisor DECEMBER 2013 The undersigned, appointed by the Dean of the Graduate School, have examined the thesis entitled CREATING A CULTURE: PITCHFORK MEDIA‘S TEXTUAL AND CULTURAL IMPACT ON ROLLING STONE MAGAZINE Presented by Emily Brasher A candidate for the degree of Master of Arts And hereby certify that in their opinion it is worthy of acceptance. Professor Stephanie Craft Professor Mary Kay Blakely Professor Andrew Hoberek Professor Lynda Kraxberger To my family, for always believing in me. ACKNOWLEDGEMENTS I would like to thank Dr. Stephanie Craft for all of her support and patience though this process. The road was long—there were a few address changes and even a name change along the way—but Dr. Craft spurred me on until the journey reached a happy end. My deepest thanks also to Dr. Mary Kay Blakely, Dr. Andrew Hoberek, and Dr. Lynda Kraxberger, for bearing with me through it all. Thanks to Dr. Betty Winfield for getting me started, and to Ginny Cowell and Martha Pickens for their invaluable advice and help. ii CREATING A CULTURE: PITCHFORK MEDIA‘S TEXTUAL AND CULTURAL IMPACT ON ROLLING STONE MAGAZINE Emily Brasher Dr. Stephanie Craft, Thesis Supervisor ABSTRACT The main purpose of this research is to demonstrate how cultures and subcultures can be created and disseminated through media, and how newer forms of media such as websites can have a tangible effect on the content of older forms of media such as print magazines. -
Spielzeit 2019 | 2020 Presse-Broschüre
SPIELZEIT 2019 | 2020 PRESSE-BROSCHÜRE www.wiener-staatsoper.at INHALT EINLADUNG ZUR SPIELZEIT ............................................................................................4 OPER Premieren/Uraufführungen ...........................................................................................11 Repertoire .........................................................................................................................19 BALLETT Premieren/Uraufführung ..............................................................................................41 Repertoire .........................................................................................................................47 Wiener Staatsballett in der Volksoper Wien ..................................................................52 STAATSOPER FÜR KINDER ............................................................................................57 KONZERTE ......................................................................................................................63 SONSTIGE VERANSTALTUNGEN ...................................................................................69 AGRANA STUDIOBÜHNE | WALFISCHGASSE ...............................................................78 Opernball ........................................................................................................................80 150 JAHRE HAUS AM RING ............................................................................................82 Oper live at home ...........................................................................................................84 -
Wagner News No: 223 November 2016 Wagner News Number 223 November 2016 CONTENTS
wagner news No: 223 November 2016 Wagner News Number 223 November 2016 CONTENTS 3 An eightieth birthday letter to the President John Crowther 4 Johan Botha 1965-2016 Karen West 6 A message from the Chairman Richard Miles 7 Editorial Ray Godson Bayreuth 2016 8 Review Parsifal Alan Ridgewell 11 Review Tristan und Isolde Andrew Brannon 13 Wagner’s bells John Crowther 16 Interview with Catherine Foster Michael Bousfield 19 Bayreuth 2016 – two diaries Anthony Spooner Neil King 27 Review Die Walküre Saffron Walden Paul Dawson-Bowling 29 Review Die Meistersinger Munich Jeremy Rowe 32 From the Archives 34 Katie Stevenson at the Proms 34 Gwyneth Jones Masterclass at Royal College of Music Paul Dawson-Bowling 35 Wagner at the Proms 2016 Katie Barnes 36 Paul Dawson-Bowling talk on “Wagner the Man” Ray Godson 38 Book Review “The Ring of Truth” by Roger Scruton Richard Miles 40 Correspondence 41 Wagner Society Contacts 42 Forthcoming Events Cover image:Christian Steiner, New York The views expressed in articles in this journal are the views of the authors of the article which do not necessarily represent the views of the editor or his colleagues on the committee of the Wagner Society Printed by Rap Spiderweb – www.rapspiderweb.com 0161 947 3700 DAME GWYNETH: SERENELY IN COMMAND An open birthday card to our President for her eightieth birthday on 7 November 2016 John Crowther Dear Dame Gwyneth, Please allow an ordinary member of the Wagner Society to pay tribute to you on this your special birthday. I greatly admire the way in which you have supported the Society for many years, but especially in the three years since Wagner’s bicentenary. -
Baixar Baixar
1 9 8 4 - PerCursos 7 2 4 6 It’s just a reflector: Orfeu, o fantasma e a era especular em Reflektor da banda Arcade Fire Resumo O texto trabalha a apropriação do mito de Orfeu e Eurídice no aparato visual Francisco das Chagas Fernandes (notadamente os vídeos) de Reflektor, quarto álbum da banda musical Santiago Júnior canadense Arcade Fire, com objetivo de localizar o momento no qual o mito Doutor em História pela clássico encontrou a reflexão sobre a era das imagens na cultura global Universidade Federal Fluminense atual. A partir de uma análise iconológica, será investigado o uso de – UFF. Professor da Universidade conceitos visuais, especialmente os temas do fantasma, do espelho e da reflexão nas obras audiovisuais produzidas para o álbum da banda, os quais Federal da Universidade Federal tiveram ampla divulgação na internet. do Rio Grande do Norte - UFRN. Brasil Palavras-chave: Arcade Fire; Mito de Orfeu e Eurídice; Cultura visual global. [email protected] Para citar este artigo: SANTIAGO JÚNIOR, Francisco das Chagas Fernandes. It’s just a reflector: Orfeu, o fantasma e a era especular em Reflektor da banda Arcade Fire. Revista PerCursos, Florianópolis, v. 17, n.33, p. 55 – 93, jan./abr. 2016. DOI: 10.5965/1984724617332016055 http://dx.doi.org/10.5965/1984724617332016055 Revista PerCursos, Florianópolis, v. 17, n. 33, p. 55 – 93, jan./abr. 2016. p.55 Per It’s just a reflector: Orfeu, o fantasma e a era especular em Reflektor da banda Arcade Fire Francisco das Chagas Fernandes Santiago Júnior Cursos It’s just a reflector: Orpheus, the ghost and the specular age in Reflektor by Arcade Fire Abstract The text works the aspects of appropriation of the myth of Orpheus and Eurydice in visual apparatus (mainly the videos) of Reflektor, fourth album by Canadian band Arcade Fire, to meet the moment in which the classic myth merged with reflection about the images age in the actual global culture.